PAFA Summer 2015 CE catalog

CONTINUING EDUCATION PROGRAMSART CLASSES FOR ADULTS AND HIGH SCHOOL STUDENTS

Summer 2015

WEMAKEARTISTSpafa.edu

PORTRAIT PAINTING IN PASTEL WITH ELLEN EAGLE

June 15 – 19 | See page 6

Founded in 1805 as the nation’s first school and museum of fine arts, the Pennsylvania Academy of the Fine Arts (PAFA) promotes thetransformative power of art and art making. For over 200 years, our close-knit community of faculty, critics, scholars, curators, museum-professionals, and alumni have created a homefor contemporary artists to reinvent tradition and make their own mark on the future.

As part of this mission, PAFA Continuing Education (CE) Programs offer a diverse array of studio art courses, workshops and programsfor adults and high school students, open to all

levels of ability, from absolute beginner through advanced artist. Whether you’ve never taken an art class before, are returning after a long absence, or are preparing a portfolio for artschool, PAFA CE has something for you!

Pennsylvania Academy of the Fine Arts

CONTINUING EDUCATION PROGRAMSJoin our community of dedicated artists of all ages and skill levels

CONTINUING EDUCATION PROGRAMS128 North Broad StreetPhiladelphia, PA 19102t 215-972-7632 f 215-569-0153 e [email protected] www.pafa.edu/CE

WE’RE HERE TO HELP! Please call 215-972-7632 or write [email protected] for more information or assistance in course selection.

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Photo: Tom Crane

Interested in taking a class or trying something new, but don’tknow where to start? Then join us on Saturday, April 11, and findout what PAFA CE can do for you! Meet our friendly faculty andstaff, view demonstrations on painting, drawing, printmaking and sculpture, tour PAFA’s historic Cast Hall, drawing and painting studios and state-of-the-art print and sculpture shop facilities. You can even have your portfolio reviewed by PAFA Admissions staff! Refreshments will be served!

RSVP THROUGH THE CE OFFICE:215-972-7632 or [email protected]

CONTINUING EDUCATION OPEN HOUSEFREE BY RSVP!Saturday, April 1110 a.m. – 1 p.m.

Theodore Xaras

TABLE OF CONTENTSMaster Classes ...........................................4

Summer Academy for Teachers ........7

Pre-College Programs.............................7

Summer Studio Critique Program ..................................................10

One Week Intensive Courses............12

Evening Courses......................................14

Five Week Session One Courses .....18

Ten Week Saturday Courses ............22

Five Week Session Two Courses ....23

Weekend Workshops............................27

Registration Information ..................32

BENEFITS OF PAFA CE� A stellar faculty of practicing, professional artists who

enthusiastically encourage and support their students. Look for complete faculty biographies on our website,pafa.edu.

� A thriving downtown Philadelphia location, only a few blocks away from the Barnes Foundation, Philadelphia Museum of Art and Rodin Museum on the city’s beautiful “Museum Mile.”

� Convenient connections to mass transit with plenty of discounted parking nearby.

� Access to the many amenities on PAFA’s campus, including the breathtaking and historic Cast Hall, Arcadia Fine Arts Library and on-site Blick Art Materials store.

� Free admission to the PAFA museum, featuring a renowned permanent collection of American art and special exhibitions. Visit pafa.org for more information.

On the cover: Ellen Eagle, Iza (detail). Pastel on paper, 6 x 8 1/2 in.

MASTER CLASSES AND WORKSHOPSVisit pafa.edu/masterclasses for more information on upcoming classes.

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IN609EK PLEIN AIR PAINTING IN BERMUDAALL MEDIAOpen to All Levels

Join PAFA faculty Joe Sweeney and Bermudianwatercolorist Jill Amos Raine for a plein air painting class in beautiful St. George’s, Bermuda.Learn to paint efficiently out-of-doors with tipson choosing a location, capturing the weather andlight, and setting up a seascape palette. Featuringdemonstrations and lectures on painting surfaces,materials, mediums, compositional drawing andcolor studies. All media welcome, including oil,acrylic, pastel, and watercolor. Daily painting times will be broken up to utilize morning andevening light. Take advantage of the afternoon break to explore the picturesque surroundings or relax on the beach! Includes a visit to the Masterworks Museum of Bermuda Art in Paget

to view works by Charles Demuth, WinslowHomer, Georgia O’Keeffe, Andrew Wyeth, andmany others who made the Bermuda pilgrimage.

Monday – Friday, May 18 - 22Tuition: $695Register by: April 17Students are responsible for their own airfare and accommodation. Discounted accommodation is available. For more information, visit: joesweeneyart.com orwrite: [email protected]

STUART SHILSVOYAGES THROUGH PERCEPTUAL HISTORYThursday, April 16, 6 - 7:30 p.m. Hamilton Auditorium/Historic Landmark Building

CHRISTINE LAFUENTE Friday, May 1, 6 - 7:30 p.m. Hamilton Auditorium/Historic Landmark Building

IN 609JB MASTER CLASS WITH JAN BALTZELLALL MEDIAOpen to Intermediate/Advanced Artists

Abstraction exists in all works of art, in theartist’s translation of subject matter. How mightwe then direct ourselves to stop labeling what weare looking at and think more about our drawnand painted marks within the narrative of thewhole? How does color create space or conveysound? What is the pace of your hand and eye?Where do you pause? How do you bridge the gapsand transition from moment to moment, brushstroke to brush stroke?

Join acclaimed artist and PAFA faculty memberJan Baltzell to explore the different avenues available as one moves from direct observationtoward abstraction and invention. Inspirationwill be sought from artists such as Henri Matisse,Piet Mondrian and Richard Diebenkorn, whose work reflects a transformation from a representational approach to abstraction.

An expansive and visually stimulating still lifewill serve as the basis and inspiration for structure, movement, light, and color, as students

explore different means of creating inventive imagery. Work in your choice of drawing, painting, or collage and mixed media. Bring whatyou know, as well as new materials or ideas, topush your boundaries of image-making.

Friday, Saturday and Sunday, June 12, 13 & 14 9 a.m. – 5 p.m. Tuition: $750 Register by: May 15

PT605CM PLEIN AIR PAINTING IN CAPE MAY, NEW JERSEY ALL MEDIAOpen to All Levels

Join plein air painter Joe Sweeney for a paintingretreat in Cape May, New Jersey. Experiencesmall town hospitality while painting the landscape/seascape of Cape May, including Cape May Point, the Cove with sweeping vistas,Cape May Lighthouse, and Sunset Beach. Paint efficiently outdoors with tips on choosing a prime location, reading the weather and light at a particular time of day, and setting up a landscape palette. Instruction includes demonstrations and lectures on painting surfaces, materials, compositional drawing and color studies. Morning and evening paintingtimes will leave the afternoons free to relax on

the beach – the perfect artist’s getaway. Geared towards oil, acrylic and pastel, but experienced watercolorists are welcome.

Thursday – Sunday, June 4 - 7Times variable Tuition: $495 Register by: May 1 For more information, visit: joesweeneyart.comor write: [email protected]

Joe Sweeney, Spanish Point, Oil on masonite, 18 x 22 in.

Jan Baltzell, Untitled, 2011. Oil on mylar, 28 x 25 in.

LECTURES

FREE BY RSVP TO THE CE OFFICE: 215-972-7632

Photo: Joe Sweeney

Photo: Joe Sweeney

IN 609JA MASTER CLASS WITH JULIETTE ARISTIDES FIGURE DRAWINGOpen to All Levels

Learn to accurately and confidently draw the humanfigure with Juliette Aristides, renowned artist, founderand instructor of the Aristides Atelier at the Gage Academy of Fine Art in Seattle, and noted author of Classical Drawing Atelier and other highly regardeddrawing and painting texts. Open to all levels, this workshop will teach students to draw the figure’s essential structure in order to create a strong foundationfor value and form.

Saturday and Sunday, June 20 & 219 a.m. – 5 p.m. Tuition: $650 Register by: May 15

Master Classes and Workshops6 7

Charles MuldowneyThe Summer Academy for Teachers is designedto renew and invigorate teachers, as well as provide a reserve of project ideas for the newschool year and personal artistic practice. Study painting strategies, drawing concepts,printmaking and sculpture methods, and learnways to use them in the classroom. Visit thePAFA Museum and Vaults and select off-site locations to connect educational ideas with artprojects and demonstrations. Learn new artisticmethods and study powerful design and educational theories while you collect ideas forclassroom projects.

Monday – Friday, July 20 – 24, 9 a.m. – 4 p.m.Tuition: $395 non-credit or $525 for 1.0 undergraduate credit. Available for Pennsylvania Act 48 hours andNew Jersey Dept of Education ProfessionalDevelopment Credit Register by: June 26

Charles Muldowney is a painter, printmaker,writer and educator, who has taught art at the highschool level for over 25 years. He has an MFA inpainting from PAFA, and completed graduatestudies in aesthetics and criticism through theBarnes Foundation. He has exhibited his artworknationally and internationally.

SUMMER ACADEMY FOR TEACHERS: PAFA IN YOUR CLASSROOMIN 609EE PORTRAIT PAINTING IN PASTEL

WITH ELLEN EAGLE PASTEL DRAWING & PAINTINGOpen to All Levels

Ellen Eagle, noted author of Pastel Painting Atelier, andinstructor at the Art Students League in New York, presents a master class intensive on the materials andtechniques of pastel portraiture. Students will benefitfrom Eagle’s passion for the medium, bolstered by herextensive knowledge of its history and applications.Topics such as studio set-up, pastel varieties, and toolsand surfaces will be addressed, in addition to methods of executing a successful portrait. If you wish to make portrait painting in pastel a significant part of your artistic endeavor, or if you wish to employ pastel as a means to deepen your understanding of color, this workshop will strengthen your foundation.

Monday – Friday, June 15 – 199 a.m. – 5 p.m. Tuition: $595 Register by: May 15

Charles Muldowney

FOR MORE INFORMATION,visit pafa.edu/summeracademy

SUMMER ACADEMY FOR HIGH SCHOOL STUDENTS 2015July 6 – August 7, 2015

PAFA’s Summer Academy is the definitive program for talented and motivated high school students: a five week, college-level art making experience in the nation’s first and premier school of fine art.

� Rigorous courses in drawing, painting,sculpture, printmaking and illustration taught by PAFA’s exceptional faculty

� Field trips to the museums and galleries of Philadelphia, New York and Washington, D.C.

� A culminating student exhibition in PAFA’s museum, including a reception and awards ceremony

� A head start on preparing your portfolio for applying to art school

� The opportunity to earn four college-level credits

� The option for an Admissions portfolio review for pre-approval for your PAFA college application (additional materials required)

� A $5,000 Next Step Scholarship issued to all Summer Academy alums who enroll in PAFA’s Certificate or BFA programs.

Ellen Eagle, Portrait of the Young Artist Marela Alvarez, 2014. Pastel on pumice board, 9 1/4 x 11 1/8 in.

Juliette Aristides, Sleep, 2006. Charcoal heightened with white on toned paper, 21 x 16 inches

See also page 28 for “The Figure in Pastel”with Ted Xaras, June 13 & 14

IN 627ET

DR 710EP SCULPTURE – NEW!Colleen O’DonnellRoom 740/Samuel M.V. Hamilton BuildingA staple of fine arts study and a core componentof PAFA’s historical curriculum, figure sculpturepresents an excellent opportunity for students toexplore clay modeling methods, improve theirartistic understanding of the human form, andexpand their portfolios with three-dimensionalwork. Students will work from a life model tolearn the techniques and tools of terra cotta clay sculpture, focusing on anatomy, proportion,composition, and personal expression. A field trip to Philadelphia’s Rodin Museum, will promote students’ appreciation for the medium.Students will have the opportunity to photographtheir pieces for their portfolios, and sculptureswill be kiln-fired after the conclusion of thecourse. Open to all levels. NOTE: This class will utilize nude models.

Monday – Friday, June 29 – July 39 a.m. – 4 p.m.Tuition: $415 for 1.0 undergraduate credit or non-credit + $10 lab feeRegister by: June 12

DR 710ED DRAWINGRoger Chavez Room 465/Samuel M.V. Hamilton BuildingDevelop your perception and drawing skillsthrough observation, demonstration andcritique. Draw from the still-life, the PAFA cast collection and the portrait model in a range of materials including graphite, charcoaland conté crayon. The class will visit the PAFA Cast Hall, Museum and Vaults, as well as thePhiladelphia Museum of Art, to view masterdrawings and discuss drawing in a contemporary and art historical context. Open to all levels.

Monday – Friday, July 6 – 109 a.m. – 4 p.m.Tuition: $415 for 1.0 undergraduate credit or non-creditRegister by: June 26

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PRE-COLLEGE PROGRAMS

These courses offer teens the valuable opportunity to develop and hone their skills under the guidance ofPAFA faculty. All levels welcome. Visit pafa.edu/highschool for more information or to register online.

ONE WEEK HIGH SCHOOL STUDENT INTENSIVES

DR 723EC DRAWING FOR COMICS AND ANIMATIONJeff KilpatrickRoom 611/Samuel M.V. Hamilton BuildingIf you love animated shows, comic books andnewspaper strips or anime and manga, this classis for you. Learn step-by-step cartooning basics soyou can create characters, tell a story from life orimagination, build a portfolio or just do a funny or cool drawing. Students will create their ownshort stories to be included in a collaborativecomic book to take home at the end of class. Instruction includes valuable insight on thecomic book and animation industry, and a visit toa local comic book store.

Monday – Friday, July 13 – 17, 9 a.m. – 4 p.m.Tuition: $415 for 1.0 undergraduate credit or non-creditRegister by: June 26

DR 710EH PAINTING I: STILL LIFE AND PORTRAITDavid Wilson Room 465/Samuel M.V. Hamilton BuildingDevelop your painting skills through direct observation using the still-life and portrait model. Explore the fundamentals of oil painting including the care and use of materials and color mixing. Course instruction will be supplemented by a visit to the PAFA Museum and the Philadelphia Museum of Art . Prerequisite: Drawing for High School Studentsor prior basic drawing experience.


DR 710E2 PAINTING II: FIGURE PAINTINGRoger Chavez Room 465/Samuel M.V. Hamilton BuildingFigure painting is one the most versatile and popular subjects taught at PAFA, and a valuableinclusion in any portfolio. In this intensivecourse, students will paint the life model from observation in oil paint. Instruction will focus onhuman anatomy and proportions, as well as painthandling and materials and elements of design.Prerequisite: Painting I: Still Life and Portraitor prior basic painting experience. NOTE: This class will utilize nude models.


DR 710EI ILLUSTRATION – NEW!Ryan MuldowneyRoom 611/Samuel M.V. Hamilton BuildingThis course will examine a array of traditional illustration methods. Students will develop problem-solving skills and capacity for idea generation through sketches, color studies, compositional drawings and other preliminarywork. Techniques for creating finished illustrations will be demonstrated through pen and ink, watercolor, acrylic, oils, color pencil and digital methods. Projects will includecharacter design, object design, children’s book illustration, editorial illustration, and cover art.Open to all levels.


SCHOLARSHIPS AVAILABLE!Visit pafa.edu/HighSchool/Intensives for more information and to download an application. Application Deadline: Friday, June 12

SUMMER STUDIO/CRITIQUE PROGRAM

Designed for artists and educators who desire constructive feedback on their artwork as well as thesupport and interaction of an artistic community. Registration includes a private, interior studio in theSamuel M.V. Hamilton Building, and individual Friday critiques from a stellar ensemble of nationallyand internationally known artists, including members of the PAFA’s acclaimed faculty. Lead criticNeysa Grassi will hold group critique, discussion and field trips.

Alex Baker is the Director of Fleisher/Ollman Gallery, Philadelphia. Previously, he held positions as Senior Curator of Contemporary Art at the National Gallery of Victoria in Melbourne, Australia; Curator ofContemporary Art at PAFA; and Associate Curator at the Institute of Contemporary Art in Philadelphia. He has organized exhibitions withartists including Robert Ryman, Ellen Harvey, Barry McGee, Chris Johanson, Margaret Kilgallen, and Laylah Ali, among others. He holds aPh.D. in visual anthropology from Temple University, Philadelphia.

Anne Canfield is a painter/draftsperson based in Philadelphia. She is a past fellow of the Center for Emerging Visual Artists, and in 2014 she received a fellowship from the Ora Lerman Trust for a month-long artistresidency at Soaring Gardens in Laceyville, PA. Her recent solo exhibitionat Seraphin Gallery, Philadelphia, was the subject of a review in ThePhiladelphia Inquirer. She has shown extensively in group and solo exhibitions both regionally and nationally, and her work can be found in numerous private collections. In April 2015, she will be exhibiting with herhusband, Hiro Sakaguchi (MFA ’96), at Nancy Margolis Gallery, New York.

Anne Canfield, The Blue Bird, 2014, Graphite and oil on panel, 12 x 12 in..

James Dupree is an accomplished artist, educator, and business owner.Dupree writes that his artwork enables him to both speak to the injusticesand celebrate the beauty of his experiences. His paintings are in the permanent collections of the Philadelphia Museum of Art, the AfricanAmerican Museum in Philadelphia, among others, as well as numerousprivate collections. Dupree has used his success as an artist to give back to the community through the establishment of Dupree Studios in theMantua neighborhood of Philadelphia.

Six Weeks, July 6 – August 14

Neysa Grassi is a recipient of a Pew Fellowship and has had solo exhibitions at several museums, including the Pensacola Art Museum in Florida andPAFA. Since 1990 she has had over 18 one-person exhibitions in galleries inPhiladelphia and New York. She is a critic in PAFA’s MFA program. She is represented by Locks Gallery, Philadelphia.

Neysa Grassi, Goddess, Oil on linen, 40 x 40 1/8 in. Courtesy of Locks Gallery, Philadelphia.

Stuart Shils, a PAFA alumnus and faculty member, has painted the landscapefor over 25 years and his work has been presented in solo shows in Philadelphia,New York, Tel Aviv, Boston, San Francisco and Cork, Ireland. Critical reviewand commentary has appeared in The New York Times, Art in America and numerous other publications. Grants and awards include an IndependenceFoundation Fellowship in the Arts, and a Pollock-Krasner Foundation grant.Shils teaches painting workshops at PAFA, across the country and abroad.

Stuart Shils, 2014, Still Life with Yellow, Green and Blue, Acrylic on museum board, 10 x 10 in.

Patricia Traub is an Associate Professor at PAFA, teaching drawing andpainting. A PAFA alumnus, her interest in animal painting and conservationled her to studies in zoology and taxonomy at the University of Pennsylvania,ornithology at Cornell University, and studies with primatologist Dr. BiruteGaldikas at Camp Leakey, Indonesia. Her monumental human figure and animal paintings were the subject of an extensive article in the September 2013edition of Artist’s Magazine. She is represented by Gallery Henoch, New York.Patricia Traub, Sicilian Buttercup Hen, Oil on linen, 22 x 18 in.

IN 622EC ART LIFE: BUILDING, GROWING, AND SUSTAINING YOUR ARTISTIC PRACTICE Lisa Sylvester Room 420/Samuel M.V. Hamilton Building

CE classes and studio time at PAFA have contributed greatly to my continued development as an artist.

I have been able to progress to more technically complex work;get valuable guidance, instruction and criticism; and work in a

community of intelligent and creative women and men. MONICA KANE

Artist and educator, CE student since 2002

Tuition: $1,050 for 3.0 graduate credits, 4.0 undergraduate credits or non-credit Register by: June 5

BONUS! Receive a 10% tuition discount on all subsequent summer studio classes

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Lisa Sylvester holds an MFA in painting from Boston University. Her artwork has been exhibited at venues throughout the region including Nexus Foundation for Today’s Art,Rosenfeld Gallery, Bridgette Mayer Gallery and the Delaware Center for Contemporary Art.She has taught studio art for many years and hasserved as a visiting lecture, guest critic and professional mentor at PAFA, West Chester University, Delaware College of Art & Design andMoore College of Art & Design. She received agrant from the Leeway Foundation and was afinalist in the Henry Luce Scholars Program.

Ready to pursue or advance your art career? Then thiscourse is designed for you. Be guided through the multitude of issues involved in practicing, documentingand promoting your craft through presentations, discussion, off-site visits, and practical-action steps.Topics include setting up a studio space, photographingyour work, developing a website, approaching galleries,establishing a supportive network of artist peers, andsourcing funding opportunities.

5 weeks, Fridays, July 10 – August 71:30 – 4 p.m.Tuition: $225Register by: June 26

MAY 18 – 22Register by: May 1

DR 605EL LARGE-SCALE FIGURE DRAWING – NEW!John HornStudio 1/Historic Landmark BuildingDesigned to advance the skills of students whohave studied drawing previously and would liketo make drawings on a larger scale. Learn to create a detailed and expressive figure drawingsfour-feet or larger using sketches and enlargingwith a grid. Drawing demonstrations on scale,proportions, skeletal framework, surface form,and movement of the figure will help the studentdevelop the human form on a larger scale withspatial accuracy. Instruction will focus on charcoal and pencil, however all media are welcome. Full- or half-day.

JUNE 22 – 26Register by: June 5

DR 605EL CLASSICAL PORTRAIT PAINTING – NEW!Ernie NorciaStudio 1 & Cast Hall/Historic Landmark BuildingCreate luminous portraits using time-tested materials and traditional painting procedures established during the Renaissance. Step-by-step instruction will demonstrate how to beginand develop a portrait painting. Emphasis will be placed on the relationship of facial parts to the whole of the head, and the development of volume by painting both the model and antiquecast from multiple vantage points. Full- or half-day.

JUNE 29 – JULY 3Register by: June 5

PR 604E MONOTYPE: THE PAINTERLY PRINT Tony RosatiPrint Shop, 6th Floor /Samuel M.V. Hamilton Building Monotype is a fast and focused way to producepainterly prints. Masters of the technique includeWilliam Blake, Paul Gauguin, and Edgar Degas.Learn color and black-and-white approaches,painterly and drawn methods, and press andhand-printing techniques in both oil and water-based media. All levels welcome. Lab fee of $20.Full-day only.

SC 704E2 PORTRAIT STUDY: TWO- AND THREE-DIMENSIONAL John Horn Room 740, Sculpture Shop/Samuel M.V.Hamilton Building Each day of this course addresses the portraitsubject through drawing and sculpture. Themorning session will focus on creating a portraithead in clay, developing it from deep geometricstructure to surface form. The afternoon will bedevoted to drawing the portrait, informed by theexploration of its three-dimensional form. Students will work from two models for the entire class (a.m. & p.m.). All levels welcome.Full- or half-day.

JULY 6 – 10Register by: June 26

SC 616E FIGURE DRAWING AND SCULPTURE Steve Nocella Gang Studio, Sculpture Shop/ Samuel M.V. Hamilton Building Representation of gesture is crucial to renderingthe human figure in art. Investigate the movement and the rhythmic arrangement offorms that constitute gesture through both drawing and sculpture. Create studies in charcoal, ink, paint, and collage, working towardsstudies in clay and direct plaster. Lab fee of $20.All levels welcome. Full- or half-day.

PT 605ER LANDSCAPE ON THE RIVER Joe SweeneyKelly Drive, Fairmount ParkThe tradition of painting along the SchuylkillRiver has existed from the early 1800s withartists such as Thomas Eakins, Thomas Birchand Titian Ramsay Peale. Based at the charming Castle Ringstetten, located upriverfrom Boathouse Row, students will paint en pleinair quintessential river views as well as Ringstetten’s Frank Furness-designed architecture. Topics include painting materials and techniques, compositional drawing, color mixing and depicting light and weather. Open to all media.This class will meet from 10 a.m. – 4 p.m.Tuition: $395 non-credit or $525 for 1.0 undergraduate credit

JULY 13 – 17Register by: June 26

DR 615EP BOTANICAL DRAWING AND PAINTING Linda Gist Room 610/Samuel M.V. Hamilton BuildingExplore flowers and other natural forms, beginning with line and value drawing and progressing to full-color rendering in watercolorand mixed media. Topics will include sightingtechniques, line quality, tone and value, creation of depth, composition, texture, and basic color. All levels welcome. Materials fee of $10. Full-day only.

ONE WEEK INTENSIVESSCHEDULE*� These courses meet for five consecutive days,

Monday through Friday, from 9 a.m. to 5 p.m.� Select courses are available for half-day,

from 9 a.m. to 12:30 p.m. or from 1:30 to 5 p.m. Please see page 33 for more information about half options.

TUITION*� $495 non-credit� $625 for 1.0 undergraduate credits� $295 for half-day, non-credit, where available � Additional lab and materials fees

where indicated

*Unless otherwise indicated

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Open to All Levels

PAFA and Anna Rhodes join together to create an extraordinary experience! An Artists’ Retreat is an in-depth,concentrated art course designed to encourage confident creativity. Gain a solid understanding of how to develop animage or idea through experimental and traditional drawingand painting techniques, and learn to combine the skills, intuition and freedom needed to create unique works that reflect individual vision. Explore gouache, graphite, and mixtures of mediums on prepared panels and paper. Friday through Monday, May 15 - 18Tuition: $850 + $85 studio fee (includes catered lunch each day)For more information and to register visit:www.anartistsretreat.com

IN609AR AN ARTISTS’ RETREAT WITH ANNA RHODES DRAWING & GOUACHE PAINTING

Are you looking for a fun, exciting andcreative experience for your child thissummer? PAFA Summer Art Camps offer enriching, creative experiences forkids in PAFA’s historical galleries, the artstudios of the school, and around the city.Week-long fun and imaginative sessionsgive students a chance to learn new skills,create art work and make new friends.Sessions are designed to appeal to all levels and interests of young artists, ages 5-15 years.

Visit pafa.org/summercamp for more information.

SUMMER ART CAMPJUNE 29 – AUGUST 14

MONDAYS June 1 – August 36:30 – 9:30 p.m.

PT 616EO BEGINNING OIL PAINTINGErnie NorciaRoom 1010/Samuel M.V. Hamilton BuildingAlla prima and layered approaches to oil paintingare just a few of the methods to be explored in this class. Learn to convey light, form, and spacewhile painting from direct observation. Drawing,composition, color, and paint application will beaddressed while working from the still life andhuman figure. Learn critical basics about painting surfaces, palette organization, and howto use a variety of painting tools and mediums.Ten weeks only.

SC 712E MOLD MAKING FOR SCULPTURE – NEW!A.J. SuttonPlaster Room, Sculpture Shop/Samuel M.V. Hamilton BuildingMold making is a very specialized skill that can be applied to a wide range of studio practices.This course will cover all the necessary steps andtechniques to successfully build a plaster wastemold, and a rubber mold. Valuable informationfor sculptors who are interested in projects thatrequire casting multiples, figure modeling students interested in plaster casting, andfoundry students. Students will gain an understanding of processes, terms and tools by watching in-class demos and working underthe supervision of the instructor to build theirown molds. 10 weeks, June 1 – August 3 Tuition: $395 non-credit or $595 for 1.0 undergraduate credit + $90 lab fee

Rubber Mold: 5 weeks, June 1 – 29 Tuition: $225 + $60 lab fee

Plaster Waste Mold: 5 weeks, July 6 – August 3 Tuition: $225 + $30 lab fee

TUESDAYS 10 weeks, June 2 – August 4 5 weeks, June 2 – 30 or July 7 – August 4 6:30 – 9:30 p.m.

DR 600EB DRAWING FUNDAMENTALS Lisa SylvesterRoom 1023/Samuel M.V. Hamilton Building If you’ve never drawn before, or your skills are alittle rusty, then this class is for you. Acquiregrounding in the basics so you can draw what you see with confidence. Master the drawing elements – shape, contour line, composition, light and shadow, texture and perspectivethrough study of still life and other subjects. Ten weeks only.

PT 610E FIGURE PAINTING Theodore Xaras Room 1021/Samuel M.V. Hamilton Building Paint in oil from the life model and make fullfigure, head and torso studies. Anatomy, composition, proportion, light and shadow, color mixing and painting technique will be addressed. Includes demonstration, lecture anddiscussion of master paintings of the figure.Drawing experience required. Ten or five weeks.

SC 601ET MIG WELDING – NEW!SHORT COURSESteve Nocella Room 720, Sculpture Shop/Samuel M.V. Hamilton Building MIG welding is a simple and easy way of joiningmetal for creating sculpture, garden furnitureand more. Basic cutting and bending processesfor bar stock and sheet metal will be thoroughlydemonstrated and practiced, including using the safe use of the band saw, cut-off saw, plasmacutter and metal bender. Students will work from their own ideas and imagination withhands-on assistance from the instructor. 6 weeks, May 26 – June 30 Register by: May 15Tuition: $295 + $40 lab fee

PT708ES ART AND FILM – NEW!SHORT COURSEClarissa ShanahanRoom 465/Samuel M.V. Hamilton BuildingIn the age of Netflix and binge-watching, why notuse all this visual input to develop your paintingskills? This course examines the correlative relationship between the visual and cinematicarts, and the similar elements they use to telltheir stories: composition, perspective, the expressive power of light and dark, and symboliccolor. Focusing on select frames from Marie Antoinette, The Royal Tenenbaums, There Will BeBlood, and more, students will learn how to translate these powerful elements into narrativepaintings using their own photographs as source material. 5 weeks, July 7 – August 4 Tuition: $225 non-credit Register by: June 26

WEDNESDAYS 10 weeks, June 3 – August 5 5 weeks, June 3 – July 1 or July 8 – August 5 6:30 – 9:30 p.m.

PT 604EE WATERCOLOR James Toogood Room 610/Samuel M.V. Hamilton Building Designed for those who wish to acquire or improve their basic skills in watercolor painting.A variety of materials and techniques will be discussed, including the selection of papers,brushes, and pigments, as well as transparent andopaque painting methods. Students will workfrom still-life, their own source material andmodels. All levels welcome. Ten or five weeks.

EVENING COURSESMAY 26 – AUGUST 10

SCHEDULE*� These courses meet once a week for five, six

or ten weeks, from 6:30 – 9:30 p.m.� Select ten week courses may be taken for

five weeks. Please see page 33 for more information about half options.

� Register by: May 15

TUITION*� $395 non-credit� $525 for 1.0 undergraduate credit� $225 for five weeks, non-credit� Additional lab and materials fees

where indicated


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Evening Courses16

PT 703ER PAINTING BEYOND THE REAL – NEW!Frederic Kaplan Room 1021/Samuel M.V. Hamilton BuildingUse the observable world as a point of departureto create your own unique abstracted imageswith emotive and narrative content. Instructionwill focus on composition, color, and technique asyou work from unique studio arrangements, thelife model, or your own photographic and sketchreferences. Although oil painting is emphasized,exploration of varied materials and methods isencouraged. Previous painting experience required. Ten or five weeks.

SC 610ER RECYCLABLE SCULPTURE – NEW!SHORT COURSESteve Nocella Sculpture Shop, 7th Floor / Samuel M.V. Hamilton Building Explore the creative possibilities of using recyclable materials for sculpture. Use found objects as well as newspapers, cardboard, metal,wood, shredded paper, dryer lint or any of themyriad things we call “trash.” Create three-dimensional constructions from these materials,or use them as ingredients for papier mâché clayand relief modeling paste. Students will workfrom their own ideas and imagination with practical and aesthetic assistance from the instructor.6 weeks, May 27 – July 1 Register by: May 15Tuition: $295 + $20 lab fee

PT 723EP PIECING IT TOGETHER: MIXED MEDIA CONSTRUCTION – NEW!SHORT COURSERichard WatsonRoom 610/Samuel M.V. Hamilton Building Create unique and personal multimedia workswith collage, found objects, painting and sculptural forms. The instructor will assist participants one-on-one with their choice of materials and subject matter in order to explorebeyond their comfort zone and unlock their creative voice.5 weeks, July 8 – August 5Tuition: $225 non-creditRegister by: June 26

THURSDAYS 10 weeks, June 4 – August 6 5 weeks , June 4 – July 2 or July 9 – August 6 6:30 – 9:30 p.m.

DR 609E PORTRAIT DRAWING & PAINTING Jill A. RupinskiRoom 1021/Samuel M.V. Hamilton Building Learn to draw or paint the portrait with confidence through time-honored methods.Drawing instruction will guide students througha comprehensive understanding of the headstructure, proportions and features towardachieving both a likeness and aesthetic effect. Students will have the option of using this understanding to facilitate their study of the portrait in oil. Extended poses will allow thorough study of both drawing and painting processes. All levels welcome. Ten or five weeks.

SC 605EA TERRA COTTA SCULPTURE Colleen O’Donnell Room 740, Sculpture Shop/Samuel M.V. Hamilton Building Explore the versatility of terra cotta clay sculpture which requires neither an armaturenor casting. Learn various techniques and toolsthrough demonstration and hands-on sculptingfrom the life model or imagination. Anatomy, proportion, design, and personal growth will beemphasized, as well as both representational andabstract approaches to subject matter. Sculptureswill be fired after the conclusion of the course.All levels welcome. Ten or five weeks.

PR 621E PRINT STUDIOTony Rosati Print Shop, 6th Floor/Samuel M.V. Hamilton Building This course presents introductory printmakingmethods in relief, monotype, etching, and lithography. Sample each technique and thenfocus on a single process or combination of techniques toward producing a finished image or edition. All levels are welcome. Lab fee of $20. Ten weeks only.

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If you are new to art, taking classes but unsure of your direction, or returning to art after a long absence, the CE Core Curriculum Program is for you. Designed to helpyou achieve your artistic goals, the program provides a structured curriculum of classes in logical sequence tobuild your basic skills and the confidence necessary tomove forward in any artistic direction.

Look for the icon next to courses thatmeet the first-level requirements.

Visit pafa.edu/CE for more information and call the Continuing Education office at 215-972-7632 to discusswhat the Core Curriculum Program can do for you.

CE CORE CURRICULUM PROGRAM

ROSEMARY SACK-INSLEE, CE student since 2011

ART IN PROCESSIn conjunction with PAFA’s new Wednesday evening hours, Art in Processwill feature programming that gives you an in-depth look at PAFA and the creativeprocess. Each Wednesday night from 5 to 9 p.m., PAFA will feature a diverse selection of programming, including artist talks, hands-on art-making, demonstrations, performances, special tours, and much more! Visit pafa.org/artinprocess for the complete summer schedule.

Photo: Jeff Fusco

MONDAYS June 1 – 29, 9 a.m. – 5 p.m.Register by: May 15

PT 604ED IN-DEPTH WATERCOLORJames Toogood Room 610/Samuel M.V. Hamilton BuildingThis course is designed for students seeking toenrich their overall knowledge of painting with an in-depth look at watercolor. Topics willinclude a thorough investigation of watercolormaterials and a wide range of techniques, withsubjects ranging from landscape and still life to portrait and figure poses. Open to dedicatedwatercolorists of all levels, and to acrylic/oilpainters looking to broaden their skills. Full- or half-day.

DR 605E LIFE DRAWING John Horn Room 1021/Samuel M.V. Hamilton BuildingThis in-depth investigation of basic drawing issues explores the human figure. Emphasis will be placed on a thorough understanding of the body’s underlying geometry and anatomicalstructure. Learn to draw the figure as convincingvolumetric form through the study of proportionalaccuracy, foreshortening, spatial relationships, andbasic use of light and shadow. Full- or half-day.

TUESDAYSMay 26 – June 23, 9 a.m. – 5 p.m.Register by: May 15

PT 602E PORTRAIT PAINTING Al Gury Room 1023/Samuel M.V. Hamilton BuildingInvestigate the structure of the human headthrough drawings and painted studies. Progress tofinished paintings and address issues of likeness,composition, space and texture. Learn to better seeand understand color to mix it more successfully –a useful skill for painting any subject matter. All levels welcome. Full- or half-day.

PT 605E LANDSCAPE DRAWING AND PAINTING Douglas Martenson Outside Locations Paint and draw the landscape at select locations including the Highlands Mansion and Gardens,Fairmount Park Horticulture Center, and cool,shady spots along Wissahickon Creek. Studentsmay work in the medium of their choice. All levelswelcome. Full- or half-day. Transportation to andfrom PAFA provided for full-day students.

DR 711E DRAWING: MIXED MEDIA Jill A. RupinskiRoom 1021/Samuel M.V. Hamilton BuildingRefine your drawing skills and expand your use of drawing materials: graphite, charcoal, coloredpencils, hard and soft pastel, dry pigment andmetal-point. Subject matter will include still life objects, cityscape views and models. Basic drawingexperience recommended. Full- or half-day.

WEDNESDAYSMay 27 – June 24, 9 a.m. – 5 p.m.Register by: May 15

PR 602E LITHOGRAPHY Ronald Wyffels Print Shop/Samuel M.V. Hamilton Building Lithography is the printmaking technique thatcaptures the immediacy of direct drawing, withthe capacity for both expressive mark-makingand detailed imagery. This course covers traditional stone lithography and quick, easy aluminum plate printing. All techniques will bethoroughly demonstrated with assistance fromthe instructor at every stage, including surfacepreparation, crayon and liquid drawing materials,etching hand-drawn images, use of the press, andtechniques for adding color. Open to all levels.Lab fee of $20. Full-day only.

PT 623E LIFE PAINTING: MASS AND THE LIMITED PALETTE Renée P. Foulks Room 1021/Samuel M.V. Hamilton BuildingAn in-depth, structured approach to figure painting. Students will use grisaille and limitedpalettes to model the human form through broadmass relationships, toward gradually fleshing out volume and surface details. Instruction willfocus on preparatory sketches and the use ofshape, volume and temperature to define formand content. An excellent entry into figure painting for beginners and a helpful practice for painters of all subjects and levels to hone their craft. Drawing experience recommended. Full- or half-day.

PT 703EL PAINTING OVER THE LINE Kassem Amoudi Room 1023/Samuel M.V. Hamilton Building Advance beyond confined lines and hard edges toa more liberated way of painting. Paint from observation and imagination to find your own visual language. Examples from contemporaryand modern art will serve to broaden your understanding of innovative painting. Paintingexperience recommended. Full- or half-day.

THURSDAYS May 28 – June 25, 9 a.m. – 5 p.m.Register by: May 15

SC 600EF FIGURE MODELING John Horn Room 740, Sculpture Shop/Samuel M.V. Hamilton Building An introduction to modeling the human figure in clay on an armature from direct observation.Students will model a 24-inch figure based onvolume, proportion, architectonic construction, and spatial displacement of form. All levels welcome. Full-day only.

PR 600EL WOODCUT AND RELIEF PRINTMAKING Ronald Wyffels6th Floor Print Shop/ Samuel M.V. Hamilton Building Printing from a drawing carved into wood or a linoleum block is the oldest and most straightforward form of printmaking. Its beautyand expressive power can be seen in the work of Albrecht Dürer and the German Expressionists. All aspects of the process will be covered, including drawing on the block, carving your design and printing techniques for making black-and-white and colorprints. Open to all levels, and an excellent introduction to printmaking for beginners. Lab fee of $20. Full-day only.

FIVE WEEK SESSION 1 MAY 26 – JUNE 29

SCHEDULE*� These courses meet once a week for

five weeks, from 9 a.m. to 5 p.m.� Select courses are available for half-day, from

9 a.m. to 12:30 p.m. or from 1:30 to 5 p.m. Please refer to individual course descriptions for half-day restrictions. See page 32 for more information.

TUITION*� $495 non-credit� $625 for 1.0 undergraduate credit� $295 for half-day, non-credit, where available � Additional lab and materials fees

where indicated


18 19

THURSDAYS continued on next page

Five Week Session 120

DR 625ES DRAWING ON LOCATION SHORT COURSEAnthony CiambellaOutside Locations Draw on location at nearby cultural institutionsand focus on personally interpreting subject matter through composition, choice of media,and graphic techniques. Locations include: the Academy of Natural Sciences of Drexel University, The Mutter Museum, UPenn Museum, Independence Seaport Museum andthe PAFA Museum. The class will meet at PAFA the first day to discuss the most effectivematerials to use for on-site drawing, includingpapers, boards and sketch books, colored pencils,ball point, felt tip and gel pens and beeswaxcrayons. Students are responsible for their museum admission. Space is limited.5 weeks, Thursdays, May 28 – June 25 10 a.m. – 2 p.m.Tuition: $295Register by: May 15

FRIDAYS May 29 – June 26, 9 a.m. – 5 p.m.Register by: May 15

PR 620E SCREENPRINTING Lisa Hamilton Print Shop/ Samuel M.V. Hamilton Building Screenprinting is a versatile and quick form ofprinting on paper, textiles, wood, glass, ceramicsand more. All aspects of the process will be covered including screen preparation, image development, mixing and modifying ink, printingtechniques and reclaiming screens. Students will have the opportunity to explore hand-drawn, digital and photo processes and will beencouraged to experiment. Open to all levels ofexperience. Lab fee of $20. Full-day only.

PT 605EG GARDEN LANDSCAPE – NEW!Jill A. RupinskiOutside LocationsPaint outdoors at the lush, colorful garden locations around the Philadelphia area. These locations will offer picturesque visual material,including water features, building structures, treespecimens, and floral plantings in both intimateand open spaces. Lessons in starting with the oilsketch or a chromatic drawing will be presented,along with in-depth color mixing, value schemesand more. Use the material of your choice.5 weeks, Fridays, May 29 – June 26 10 a.m. – 4 p.m.Tuition: $395 non-credit or $525 for 1.0 undergraduate creditRegister by: May 15

IN 604EP COLOR FOR PAINTERS – NEW!Al Gury Room 1023/Samuel M.V. Hamilton Building An in-depth approach to understanding and mixing color for painting from the Chair of PAFA’s Painting Department and noted author of Color for Painters: A Guide to Traditions and Practice. History, palettes, mixing and application will be explored. Color in still life, landscape, figure and interiors will be made understandable and usable through demonstration and a series of studio paintings.Geared toward oil painting, but applicable to allmedia and levels of experience. Full- or half-day.

SATURDAYS May 30 – June 27, 9 a.m. – 5 p.m.Register by: May 15

DR 604ES ANATOMICAL DRAWING: THE SKELETON – NEW!Robert Waddington Room 461/Samuel M.V. Hamilton Building Draw from full size, medical school-grade adultskeletons for focused anatomical study. Studentswill draw bones from multiple views, beginningwith the arms and legs before moving on to handsand feet. More difficult drawings of pelvis, rib cageand spine will be undertaken, culminating in theskull. Students will learn the names of all of thebones of the human body while drawing them.This class is ideal for those interested in anatomyand medical illustration.

SC 601E METAL SCULPTURE Steve Nocella 7th Floor Sculpture Shop/Samuel M.V. Hamilton Building This course focuses on metal sculpture fabricationand construction, gas and arc welding, brazing, andforging. Basic equipment will be provided, and specific techniques will be demonstrated. All levelswelcome. Lab fee of $65. Full-day only.

PR 621EW A PRINT-A-WEEK – NEW!SHORT COURSETony Rosati Print Shop/Samuel M.V. Hamilton Building For those curious about printmaking and studentswith experience eager to learn a new technique,this class introduces one print process per week:stamp printing, letterpress, collograph, monotypeand drypoint. Experience the potential and diverse image possibilities of each in PAFA’s beautiful Print Shop.4 weeks, May 30 – June 20, 9 a.m. – 1 p.m.Tuition: $225 + $20 lab feeRegister by: May 15

SUNDAYSDR 639CL DRAWING WITH THE CAMERA LUCIDA – NEW!SHORT COURSERobert Waddington Room 461/Samuel M.V. Hamilton Building Invented in the18th century, the camera lucida isan optical device used by artists as a drawing aid.Unlike its ancestor, the camera obscura, the cameralucida is lightweight, portable and does not requirespecial light conditions for its use. Learn to use thishistorical device as an aid to create proportionallyaccurate still life and landscape drawings in perspective. Each student will be provided with adevice to use in class along with instructions andassistance to build their own. A fascinating coursefor beginners, artists interested in incorporating anew technique into their work, and anyone interested in historical art-making practices.Five weeks, Sundays, May 31 – June 2810 a.m. – 2 p.m.Tuition: $295Register by: May 15

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Artists in the Garden: PAFA at Morris ArboretumMorris Arboretum Visitors CenterThrough July 26

Be sure to visit this exhibition featuring artwork by students, alumni and faculty of the Pennsylvania Academy of the Fine Arts, curatedby PAFA Professor Jill A. Rupinski. Free admission for all PAFA students with ID.

Philip Leslie Hale (1865-1931), Crimson Rambler, ca. 1908, Oil on canvas, 25 1/4 x 30 3/16 in., Pennsylvania Academy of the Fine Arts, Joseph E. Temple Fund, 1909.12

Al Gury, Color for Painters: A Guide to Traditions and Practice, New York: Watson-Guptill, 2010.

9 a.m. – 12 p.m.

IN 601EC MATERIALS & TECHNIQUES FOR PAINTERSAnthony CiambellaRoom 1021/Samuel M.V. Hamilton BuildingThis course examines the compatibility and effects of art materials available to artists today.Investigate traditional materials such as gesso,egg tempera, wood panels, canvas, brushes, oils,and varnishes; as well as non-traditional materials frequently employed by artists, such as house paint and commercially engineeredwood products and polyurethanes. Health hazards and safe working methods will also bediscussed. Students will develop their own artistic projects in the media of their choice,based on sound practices. Includes PowerPointpresentations and museum visits. Ten weeks only.

1 – 4 p.m.

DR 608E CAST AND FIGURE DRAWINGJill A. RupinskiCast Hall & Studio 4/Historic Landmark BuildingWorking in the Academic tradition, students will study human anatomy, proportion and valuewith the goal of faithfully representing the figure.Students will first work from PAFA’s collection ofhistoric casts in order to build their foundationaldrawing skills. These skills will then be applied in the observational study of the life model. Ten or five weeks.10 weeks, May 30 – August 8 5 weeks, May 30 – June 27 orJuly 11 – August 8

TEN WEEK SATURDAY COURSESMAY 30 – AUGUST 8

SCHEDULE� These courses meet once a week for ten weeks � Select ten week courses may be taken for

five weeks. Please see page 33 for more information about half options.

� No classes on July 4� Register by: May 15

TUITION*� $395 non-credit� $525 for 1.0 undergraduate credit� $225 for five weeks (where available),

non-credit

MONDAYS July 6 – August 3, 9 a.m. – 5 p.m.Register by: June 26

PT 604ED IN-DEPTH WATERCOLORJames Toogood Room 610/Samuel M.V. Hamilton BuildingThis course is designed for students seeking toenrich their overall knowledge of painting withan in-depth look at watercolor. Topics will include a thorough investigation of watercolormaterials and a wide range of techniques, withsubjects ranging from landscape and still life toportrait and figure poses. Open to dedicated watercolorists of all levels, and to acrylic/oilpainters looking to broaden their skills.

DR 602E ELEMENTARY FIGURE DRAWING AND PAINTING Al Gury Room 1023/Samuel M.V. Hamilton Building This structured approach to drawing and painting the figure from life includes topics suchas anatomy, drawing methods, gesture, figurestructure, palettes, and basic figure paintingmethods. This class is excellent for those interested in developing their painting and drawing portfolio. Full- or half-day.

TUESDAYS July 7 – August 4, 9 a.m. – 5 p.m.Register by: June 26

PR 601EM ETCHING AND MIXED MEDIA Tony Rosati Print Shop/Samuel M.V. Hamilton Building Survey traditional intaglio printmaking techniques including drypoint, etched line, openbite, aquatint, and hardground and softground etching and mixed-media methods. Lab fee of $20. All levels welcome. Full-day only.

PT 621ES THE STUDIO LANDSCAPE Jill A. RupinskiRoom 1023/Samuel M.V. Hamilton BuildingStudying and working directly from paintings inthe PAFA Museum, unlock the compositionaland technical methods used in the studio bypainters of landscape, and then apply this knowledge to your own work. Learn to developyour personal ideas and outdoor studies into finished pieces on a larger scale. Full-day only.

DR 604E ANATOMICAL DRAWING John Horn Room 1021/Samuel M.V. Hamilton BuildingUnderstand human anatomy through lecture and drawing from the model. Topics include proportion, skeletal framework, superficial muscles, and the movement of the figure. Full- or half-day.

22 23

FIVE WEEK SESSION 2 JULY 6 – AUGUST 15

SCHEDULE� These courses meet once a week for

five weeks, from 9 a.m. to 5 p.m.� Select courses are available for half-day, from

9 a.m. to 12:30 p.m. or from 1:30 to 5 p.m. Please refer to individual course descriptions for half-day restrictions. See page 32 for more information.

TUITION*� $495 non-credit� $625 for 1.0 undergraduate credit� $295 for half-day, non-credit, where available � Additional lab and materials fees

where indicated



WEDNESDAYS July 8 – August 5, 9 a.m. – 5 p.m.Register by: June 26

DR 710E THE EXTENDED POSE Renée P. FoulksRoom 1021/Samuel M.V. Hamilton Building Draw or paint from a life model in a single pose for the entire course in order to develop one large image or several smaller studies. Instruction will focus on two-dimensional linearaccuracy, three-dimensional volumetric integrity, clarity of space, and color analysisspecific to the human form. All levels welcome.Full- or half-day.

SC 605EA TERRA COTTA SCULPTURE Colleen O’Donnell Room 740/Samuel M.V. Hamilton Building Explore the versatility of terra cotta clay sculpture. Learn various techniques and toolsthrough demonstration and hands-on sculptingfrom the life model or imagination. Anatomy, proportion, design, and personal growth will beemphasized, as well as both representational andabstract approaches to subject matter. Sculptureswill be fired at the end of the course. All levels.Lab fee of $10. Full- or half-day.

PT 703EL PAINTING OVER THE LINE Kassem Amoudi Room 1023/Samuel M.V. Hamilton Building Advance beyond confined lines and hard edges to a more liberated way of painting. Paint fromobservation and imagination to find your own visual language. Examples from contemporaryand modern art will serve to broaden your understanding of innovative painting. Paintingexperience recommended. Full- or half-day.

PT 601ES STILL LIFE PAINTING Ernie NorciaRoom 1010/Samuel M.V. Hamilton Building Still life has a venerable tradition and continuesto be relevant today. Learn to build a paintingfrom direct observation while exploring elementsof composition, value, color mixing, edges, textures, and a variety of painting procedures.Challenging subjects such as glass, metal, anddrapery will be addressed. Open to all levels, this course is an excellent option for those seeking to develop a greater sense of realism in their oil painting. Drawing experience recommended. Full- or half-day.

THURSDAYS July 9 – August 6, 9 a.m. – 5 p.m.Register by: June 26

PT 602E PORTRAIT PAINTING Al Gury Room 1023/Samuel M.V. Hamilton Building Investigate the structure of the human headthrough drawings and painted studies. Progressto finished paintings and address issues of likeness, composition, space and texture. Learnto better see and understand color to mix it more successfully – a useful skill for painting any subject matter. All levels welcome. Full- or half-day.

PR 622EM MULTIPLE MULTIPLES – NEW!Lisa Hamilton 6th Floor Print Shop/Samuel M.V. Hamilton Building This class will explore the exciting possibilities of combining various printmaking processes including intaglio, relief and screen print. Instruction will cover basics of each process enabling students to create matrices to printfrom, including plates, screens and blocks. Students may also bring previously created matrices to explore further. The instructor willwork with students individually to evaluate ideas, goals, and how to best combine techniques. Lab fee of $20. Full-day only.

DR 600EB DRAWING FUNDAMENTALSPhyllis Laver Room 1021/Samuel M.V. Hamilton Building If you’ve never drawn before, or your skills are alittle rusty, then this class is for you. Drawing is avaluable way of recording your thoughts and impressions. Acquire grounding in the basicsso you can draw what you see with confidence.Study the still life, cityscape, human figure, and other subjects to master the drawing elements – shape, contour line, composition, light and shadow, texture and perspective. Full- or half-day.

SC 626PP GIANT PUPPET-MAKING AND THE ART OF PAGEANTRY Elizabeth Hill Room 610/Samuel M.V. Hamilton Building Discover the dynamic community-based art oflarge-scale puppetmaking! This course will introduce a variety of pageantry traditions from around the world that involve giant puppets. Design and build a basic, large-scalebackpack-type puppet with moving parts. Materials and methods will involve papier mâché,cardboard, bamboo, wood, fabric, willow, andchicken wire. Great for art teachers, those involved with theater production, community organizers, and anyone with an interest in thiscolorful sculptural form. Five weeks, July 9 – August 6, 9 a.m. – 4 p.m.Non-credit Tuition: $395 + $50 materials fee

FRIDAYS July 10 – August 7, 9 a.m. – 5 p.m.Register by: June 26

IN 602EC MASTERING COLOR Neil di Sabato Room 610/Samuel M.V. Hamilton Building Mixing too much paint, for too long, and withpoor results? Learn to penetrate the elusive nature of color. Mix and use color with authorityby learning how to evaluate it from the tube, inisolation on your palette, and when surroundedby other colors. Discussions, visual aids and challenging projects will develop your color acuity. Essential for painters of all levels. Full-day or morning-only.

PT 748EB BUCKS COUNTY LANDSCAPE Jill A. Rupinski New Hope, PA, and Lambertville, N.J. Enjoy painting at varied sites around lower andmiddle Bucks County. Known for picturesque villages, beautiful meadows, rolling pastures,farmhouses and rustic barns, the area also features gorgeous views of the Delaware River. Both bucolic and town settings will offer ample challenges to heighten your awareness of color, value, drawing and composition. Draw and paint in the media of your choice. 5 weeks, July 10 – August 710 a.m. – 4 p.m.Tuition: $395 non-credit or $525 for 1.0 undergraduate credit

SC 615E ÉCORCHÉ John Horn Room 740, Sculpture Shop/Samuel M.V. Hamilton Building Écorché (“flayed figure”), is the three dimensionalstudy of human form by developing the bone andmuscle structures beneath the skin – a method ofstudy dating back to the Renaissance and a stapleof classical art training today. Students will workin clay on an armature from the skeleton and nudemodel for the accurate development of the body’sproportions and the detailed study of its parts.This an excellent way for draftspersons and sculptors alike to gain a more concrete understanding of human anatomy.

25

Renée P. Foulks


SATURDAYS July 11 – August 8, 9 a.m. – 5 p.m.Register by: June 26

SC 711E FOUNDRY: AN INTRODUCTION Pavel Efremoff Room 781, Sculpture Shop/Samuel M.V. Hamilton Building This course will cover all aspects of the foundryprocess. Demonstrations and hands-on instruction will be given in wax modeling andcasting, ceramic shell techniques, bronze pouring, metal chasing, TIG welding and patination. All levels. Full-day only. 6 weeks, July 11 – August 15 Tuition: $595 non-credit or $950 for 1.5 undergraduate credit + $60 lab fee Register by: June 26

See page 14 for Mold Making for Sculpture

PT 722E RENAISSANCE PAINTING TECHNIQUES – NEW!Robert Waddington Room 610/Samuel M.V. Hamilton Building This class will explore the painting methods ofthe Italian Renaissance including fresco on wet plaster, egg tempera, and tempera/oil panelpainting. All techniques, including drawingtransfer methods, will be discussed and demonstrated, using traditional materials and tools. Students will be encouraged to be creative in their choice of subject matter and interpretations of each project. Basic drawing experience recommended. Materials fee of $40.Full-day only.

DR 618E INTERMEDIATE DRAWING Roger Chavez Room 1023/Samuel M.V. Hamilton Building Draw with more authority and improve your useof line, composition, perspective and value whileworking from the still life, interior spaces and themodel. Work in black-and-white and color with a variety of wet and dry drawing media, and begin to develop the exciting tension between observation and invention in drawing. Designedfor students with basic drawing skills. Full- orhalf-day.

SUNDAYS July 12 – August 9Register by: June 26

PT 600E FIGURE PAINTING Frederic Kaplan Room 1023/Samuel M.V. Hamilton Building Paint in oil from the life model and make fullfigure, head and torso studies. Anatomy, composition, proportion, light and shadow, color,painting technique and history will be addressed.Instruction will be geared towards oil painting,but students may work in the drawing/paintingmedium of their choice. Basic drawing experience recommended. Full- or half-day.9 a.m. – 5 p.m.Tuition: $495 non-credit or $625 for 1.0 undergraduate credit

PT 612SC CITYSCAPE Larry Francis Outside Locations The city has been the subject of many a greatartist, including Eduard Manet, Edward Hopperand Rackstraw Downs. Work in carefully selectedlocations including parks, cafés, and leafy sidestreets of Philadelphia in the drawing or paintingmedium of your choice. Color, perspective, thecompositional use of light and shade, and the particular concerns of working on location will be covered. Free on-site parking available. All levels welcome. 9 a.m. – 2 p.m.Tuition: $350

IN 610EI INTENSIVE COLLAGE AND MIXED MEDIA – NEW!Anthony CiambellaRoom 610/Samuel M.V. Hamilton Building Designed for students ready to develop morechallenging imagery using memory, literature,movies, and other sources, while working in awide variety of traditional and non-traditionalmaterials. Sessions will cover the basics of hand and power tools, as well as craft, durabilityand presentation.10 a.m. – 1 p.m.Tuition: $250

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APRILDR 630EC CHILDREN’S BOOK ILLUSTRATION – NEW!Ryan Muldowney Room 611/Samuel M.V. Hamilton BuildingThis workshop is focused on developing imagerythat effectively contributes to the storytelling of a children’s book manuscript. Topics covered include character design, collecting and utilizingto reference material, designing compositionalelements, page layout, and responding to a text. In addition, strategies on marketing and self-publication will be discussed. Illustration techniques will be demonstrated for pen-and-ink, watercolors, color pencil, pastels, acrylic,mixed media, collage and oils. Two Saturdays, April 25 & May 29 a.m. – 5 p.m. Tuition: $205 Register by: April 17

MAYPR 604EH HAND-PRINTED MONOTYPE Shushana Rucker Room 610/Samuel M.V. Hamilton BuildingThis workshop will introduce students to quickand easy monotype printmaking methods that do not require a press or fully equipped shop.These techniques are easily transportable for use outside for plein air work, or at home on adesk or kitchen table. Techniques covered will include: oil based, dark field, water based andGauguin monotype. Saturday, May 2, 9 a.m. – 5 p.m. Tuition: $150 (includes basic materials) Register by: April 24

DR 620EW SKETCH ON THE GO Frederic Kaplan Center City Locations Capture the active life of the city and its rich architecture. This is an excellent workshop foranyone who wants to learn to sketch on the bus or train, in cafés and public parks or while traveling abroad. Topics discussed and demonstrated include perspective, gauging proportions by eye, gesture figure drawing, andmethods for simplifying shape and form. Useyour favorite drawing media: pencil, ink, crayon,or watercolor. All levels welcome.Saturday, May 9, 9 a.m. – 5 p.m. Tuition: $115 Register by: May 1

PT 605EB PAINTING ON THE BRANDYWINE Frederic Kaplan Chadds Ford, Pennsylvania Enjoy the day while working in the drawing/painting medium of your choice along the banks of the picturesque Brandywine River, and capture the effects of light, time of day, reflections and shadows. You may choose to have lunch at Hank’s, a longtimehaunt of Andrew Wyeth’s. After lunch, the classwill visit the Brandywine River Museum to viewthe land- and seascapes of William TrostRichards, Jasper Cropsey and Asher B. Durandand others. Saturday, May 16, 9 a.m. – 5 p.m. Tuition: $125 Register by: May 8

WEEKEND WORKSHOPS

MAY continued

DR 609EW PORTRAIT DRAWING WORKSHOPJohn HornRoom 1021/Samuel M.V. Hamilton BuildingLearn to create a finished portrait in pencil andcharcoal that captures likeness and conveys expressive effect. The workshop will begin with a structural approach to the head and its features and progress to the study of anatomy,composition and value. Excellent for all levels. Saturday and Sunday, May 30 & 319 a.m. – 5 p.m.Tuition: $205Register by: May 15

IN 613EW GOLD LEAF AND GILDINGClarissa ShanahanRoom 610/Samuel M.V. Hamilton BuildingGold leaf is used in architectural ornamentation,book arts, framing and more. This class is an introduction to the traditional European methodof oil gilding. Students will become familiar withthe fundamentals of working with precious andnon-precious leaf or they produce sample boardsand carved samples. Surface preparations andtraditional finishes will all be covered.Two Sundays, May 31 and June 710 a.m. – 4 p.m.Tuition: $175 +$25 materials feeRegister by: May 22

JUNEDR 605HF DRAWING HANDS AND FEET Neil di Sabato Room 465/Samuel M.V. Hamilton BuildingNovice and experienced artists alike strugglewith the realistic rendering of hands and feet, elements that add credibility and expressivenessto figure and portrait drawings. Learn to translatethese complicated forms from simple planar construction to complex, intricate drawingsusing various materials.Saturday and Sunday, June 6 & 79 a.m. – 5 p.m.Tuition: $205Register by: May 29

PR 620EM SCREENPRINT MONOTYPE Lisa HamiltonPrint Shop/Samuel M.V. Hamilton BuildingMonotypes are a way of creating unique prints.Screen print monotype is no exception to themore traditional processes of monotype. Learn how to paint and draw with water-basedmaterials on a screen, and then print onto paper.Explore reworking images in a series. This exciting low-tech process can be used at home.Saturday and Sunday, June 13 & 149 a.m. – 5 p.m.Tuition: $205 + $10 lab feeRegister by: June 5

DR 601EP THE FIGURE IN PASTELTheodore Xaras Room 1023/ Samuel M.V. Hamilton Building The immediate subtlety that can be achievedthrough soft and hard pastel is particularly suited for the figure study. Learn historical andcontemporary techniques of hatching, blending, layering and well color mixing in order to pursue figure-based work. Surfaces, pastel varieties and mixed media techniques will be discussed and demonstrated. Drawing experience recommended. Saturday and Sunday, June 13 & 149 a.m. – 5 p.m. Tuition: $205Register by: June 5

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PT 605EH THE COLOR OF SUMMER @ THE HEINZ REFUGE – NEW!Frederic Kaplan John Heinz at Tinicum Wildlife RefugeCelebrate summer’s arrival amidst beautifulviews and wildlife at nearby Heinz Refuge inTinicum. Woodlands, marsh, and creek providevaried and compelling scenery for the study oflandscape painting techniques, including methods for simplifying the painting of water andfoliage, and for managing the effects of shiftingdaylight. Located near the airport in SouthwestPhiladelphia, the Heinz Refuge offers plenty offree parking, access by public transportation,sheltered locations and restrooms. Instruction isgeared to oil painting, but all media are welcome.Saturday, June 20, 9 a.m. – 5 p.m.Tuition: $125Register by: June 12

PT 604EP WATERCOLOR PLUNGETony RosatiPrint Shop, 6th floor/Samuel M.V. Hamilton BuildingThis workshop is designed for those with little orno experience in watercolor. Acquire a thoroughgrounding in basic watercolor materials andtechniques, including papers, brushes andpigments, as well as transparent and opaque painting methods, gain the confidence to continue to working with watercolor beyond theworkshop. Take the plunge, a lifeguard will be on duty!Saturday and Sunday, June 27 & 289 a.m. – 5 p.m. Tuition: $205Register by: June 19

JULYDR 639GS THE GOLDEN SECTIONCharles Muldowney Room 1021/Samuel M.V. Hamilton BuildingKnown as Pi, the Golden Section, the GoldenRatio, or the Golden Mean, 1:61803 is the world’smost astonishing number. This mysterious ratiocan be seen in nature, and has been an underlyingdesign principle in the arts, as seen in the work of Renaissance through Modernist masters including Piero della Francesca, Georges Seuratand Piet Mondrian. Learn the history of this mysterious number and hands-on strategies to apply this powerful principle to your owndrawing and painting. Saturday, July 11, 9 a.m. – 5 p.m. Tuition: $115Register by: June 26

DR 605WP LANDSCAPE IN WATERCOLOR AND PASTELKeith LeitnerOutside LocationsThe combination of fluid watercolor and the texture of soft pastel are ideal for rendering outdoor summer scenes. Learn basic techniques for these mediums in combination as you render the landscape nearPAFA along the Benjamin Franklin Parkway. The instructor will demonstrate and referenceart historical examples, as well as encourage youto actively observe, select and edit to create a personal statement. Restroom facilities and food options will be available along the way. Previous drawing experience helpful, but not necessary.Sunday, July 12, 9 a.m. – 5 p.m.Tuition: $115Register by: June 26

Weekend Workshops

Theodore Xaras

Weekend Workshops30

JULY continued

PT 630EG GOUACHE PAINTINGAllison SyvertsenRoom 465/Samuel M.V. Hamilton Building Similar to watercolor but with opaque layeringcapabilities comparable to oil or acrylic paint,gouache is a popular choice among contemporarypainters for its versatility, vivid color and delicatematte effect. Painters of all media and levels ofexperience favor gouache because it is portable,fast-drying, and easy to clean-up – the perfectmedium for rapid color sketches and detailedcompositions outdoors, in the studio, and athome. Work from colorful still life arrangementsand outdoor views to learn the basics of this fascinating and accessible medium.Saturday and Sunday, July 18 & 199 a.m. – 5 p.m. Tuition: $205 Register by: July 10

PT 602EW PORTRAIT PAINTING BASICS Theodore Xaras Room 465/Samuel M.V. Hamilton Building This comprehensive workshop covers all aspectsof painting a traditional portrait. Topics includeachieving a likeness, modeling light and shade,mixing flesh tones and applying paint throughvarious techniques. All participants will produce at least one finished portrait. Includesdemonstrations, portrait history and tips onpainting children’s portraits. Valuable information for all levels. Saturday and Sunday, July 25 & 269 a.m. – 5 p.m. Tuition: $205Register by: July 17

PR 617EW ACID-FREE INTAGLIO PRINTMAKING – NEW!Robert Waddington Room 610/Samuel M.V. Hamilton Building This printmaking class will use non-acid methods to produce etching plates that can beprinted immediately. Students will learn platemaking, inking and printing on small, portable,easy to use etching presses. This safe, acid-freeand solvent-free method will make printmakingclean and fun. Students will be taught all aspectsof this method and will produce test prints, artistproof prints, and then a final edition of prints.Saturday, July 259 a.m. – 5 p.m. Tuition: $150 (includes most materials) Register by: July 17

PR 604CW COLLOGRAPH PRINTMAKINGTony Rosati6th Floor Print Shop/Samuel M.V. Hamilton BuildingThe term “collograph” refers to prints made fromplates constructed from a vast array of glued-down textural materials. Such a plate can beprinted in relief like a wood block, or intaglioprinted like an etching in one or more colors for avariety of pleasing image results. This workshoppresents a multiplicity of collograph plate possibilities for large, small and multicolorimages. Ideal for beginners curious about printmaking as well as those looking to learn anew technique. Sunday, July 269 a.m. – 5 p.m.Tuition: $150 (includes most materials)Register by: July 17

31

AUGUSTDR 720EC DRAW AND PAINT WITH QIPaul HamanakaRoom 465/Samuel M.V. Hamilton Building Designed for those with painting and drawing experience who desire to improve their skills and elevate their artistic expression of the human figure. In traditional Chinese culture,qi refers to the life force or energy flow that pervades all things.Learn to recognize qi energy and how to incorporate it into your art. Begin to sense qi in lines, chiaroscuro, colors, and space. Achieve a spiritually profound artistic expression through a new understanding of qi, yin and yang, and wabi-sabi concepts. Saturday and Sunday, August 1 & 29 a.m. – 5 p.m. Tuition: $205 Register by: July 24

PT 705EW SPONTANEOUS ABSTRACTION – NEW!Kassem Amoudi Room 465/Samuel M.V. Hamilton Building Many artists can feel frustrated in front of a blank canvas, unsure of how to start and what to paint. This workshop will focus on different techniques that will enable you to start painting with confidence by tapping into your intuitive process and finding inspiration more easily. Demonstration and critiquewill enhance your knowledge of the process of painting. Saturday and Sunday, August 8 & 99 a.m. – 5 p.m. Tuition: $205 Register by: July 31

A GIFT CERTIFICATE FOR ACOURSE OR WORKSHOP MAKES A GREAT GIFT!Call 215-972-7632 for more details.

Tony Rosati

IN701E LEARNING TO SEEChristine StoughtonLobby/Historic Landmark BuildingHave you ever wondered what you should look for when viewing a work of art and what the artist is trying to communicate? This introductory course will help you answer these questions and many more. Held in the galleries of PAFA, with visits to the Philadelphia Museum of Art, the class will examine selected works of American art for concepts you can apply to all of the visual arts, as well as to daily life. You will never see things the same way again!6 Sessions, Tuesdays & Thursdays, July 28 – August 13, 10 a.m. – 12 p.m.Tuition: $175

The Violette de Mazia Foundation’s programming advances the educational methods developed by John Dewey, Dr. Albert C. Barnes and Violette de Mazia. Firmly committedto the idea that life and art are inextricably linked, the Violette de Mazia Foundation’s programs are predicated on the principle that education is a lifelong activity.

Paul Hamanaka, QR114/Letter,mixed media assemblage, 69 x 33 x 9 in.

REGISTRATION BEGINS APRIL 6Register early to guarantee enrollment and prevent course cancellations.

1. ONLINE: www.pafa.edu/ce

2. PHONE: 215-972-7632

3. MAIL*: Continuing Education ProgramsPennsylvania Academy of the Fine Arts128 North Broad StreetPhiladelphia, PA 19102

4. IN PERSON: Visit the Continuing Education office on the 3rd Floor of the Samuel M.V. Hamilton Building

* Please mail a completed registration form withcheck, money order, or credit card information.We accept VISA, MasterCard, American Expressand Discover Card. Make checks or money orderspayable to “PAFA.”

We are here to help! Please call 215-972-7632 or write [email protected] for more information or assistance in course selection.

Continuing Education Programs Office HoursMonday – Thursday ....................9 a.m. – 7 p.m.Friday ................................................9 a.m. – 4 p.m.Saturday...............................8:30 a.m. – 1:30 p.m.Note: Hours subject to change. Please visitwww.pafa.edu/CE for updated hours after May 26.

PAFA is accredited through the National Association of Schools of Art and Design(NASAD) and the Middle States Commission on Higher Education (MSCHE). PAFA is a member of the Association of Independent Colleges of Art and Design (AICAD).

Undergraduate CreditMost courses are available for 1.0 undergraduatecredit (unless otherwise indicated). If taken forcredit, you may incur additional coursework, andwill receive a course grade and appropriate creditthat will appear on an official PAFA transcript, if requested. To request an official transcript,visit Registration and Policy Information atwww.pafa.edu/CE to download a transcript request form. Changes in credit status must be arranged through the CE office prior to thesecond class. No refunds for changes from creditto non-credit.

FOR PENNSYLVANIA AND NEW JERSEY K-12 EDUCATORSPAFA is approved by the Pennsylvania and NewJersey Departments of Education to offer Act 48hours and Professional Development credit, respectively, for its courses, workshops and programs as follows: Thirty contact hour 1.0 undergraduate credit courses are available for 30 Act 48 hours or 30 NJ credits. Thirty-six contact hour 1.0 undergraduate credit courses areavailable for 36 Act 48 hours or 36 NJ credits.Workshops and Special Programs are eligiblefor the same number of Act 48 hours or NJ credits as contact hours for which they meet (excluding lunch breaks).

Educators electing to receive Act 48 hours or NJ Professional Development credit should notify the Continuing Education Programs officewhen registering or mark the appropriate box on the online or printed registration form. Call 215-972-7632 for more information.

Summer 2015

REGISTRATION INFORMATION

Five & Ten Week Sessions Five Week Session One: ..............................May 15 Five Week Session Two: ............................June 26Ten Week Evening Courses:................................................................................May 15 Ten Week Saturday Courses:................................................................................May 15

Deadlines vary for One Week Intensives, Short Courses, Workshops, Master Classes andSpecial Programs. Please refer to individualcourse descriptions.

One, Five, Six and Ten Week Courses: � Thirty (30) contact hours: $395 non-credit;

$525 for 1.0 undergraduate credit � Thirty-six (36) contact hours: $495 non-credit;

$625 for 1.0 undergraduate credit � Forty-two (42) contact hours: $595 non-credit;

$950 for 1.5 undergraduate credits � Half-day, non-credit (where applicable): $295� Five week Evening, non-credit

(where applicable): $225� One week High School Intensive Course

Tuition: $415 for 1.0 credit or non-credit

Tuition varies for Workshops, Short Courses,Master Classes and Special Programs. Pleaserefer to individual course descriptions.

Half-Day and Five Week Evening Option All courses are designed for full-time attendance.For greater flexibility, select 9 a.m. - 5 p.m. coursesmay be taken for half-day, 9 a.m. - 12:30 p.m. or1:30 - 5 p.m. Courses generally feature more lecture and demonstration in the morning, andmore studio time and individual guidance in theafternoon. Information and demonstrationsgiven during one portion of the day may not be

repeated for the other half. Select Ten WeekEvening courses may also be taken for five weeks,either in Session One or Two. If you begin acourse as half-day, you may add the second half of the same course for the balance of the full-course tuition.

Half-day and evening courses are available fornon-credit only, and may not be combined toqualify for credit status. For more information,please call 215-972-7632.

Lab and Material Fees Please consult individual course descriptions for any applicable lab or materials fees.

Late FeeRegistrations received after 5 p.m. on their deadline date will be assessed a late fee of $25.

Locker RentalLockers are available on a first-come, first-served basis for $25.

Referral Discount*Refer a first-time Continuing Education student,and you and the new student will receive a 10% tuition discount on one regular course orworkshop within the current semester (excluding Master Classes).

Membership DiscountPAFA Members at the “Friend” level and abovereceive a 10% tuition discount on CE courses,workshops, and Master Classes. For informationon becoming a PAFA Member, please call 215-972-2077.

*Restrictions apply. Lab, materials and locker fees are not eligible for discount. Call 215-972-7632 for details.

4 WAYS TO REGISTER! REGISTRATION DEADLINES

COURSE TUITION AND FEES

CREDIT

STUDENT ADVISING

32 33

DISCOUNTS*

ACADEMIC PROGRAMS Interested in PAFA’s full-time Certificate & Degree Programs? Contact the Office of Admissions at [email protected] or 215-972-7625

� REGISTRATION BEGINS APRIL 6� See page 33 for registration deadlines� Late registrations will incur a $25 late fee

35REGISTRATION FORM Summer 2015Registration Information

REFUND POLICY

CE COMMUNITY SCHOLARSHIP

COURSE CANCELLATIONS

WEATHER/EMERGENCY CLOSING

TRANSPORTATION AND PARKING

34

Withdrawals must be made in writing via letter or email to the Continuing EducationPrograms office. Students withdrawing arecharged a $30 administrative fee per droppedcourse, Master Class or Special Program and$15 per workshop.

Refund of tuition and lab fees will be adjustedaccording to the following schedule (less theadministrative fee), unless otherwise indicated.

One, Five, Six and Ten Week Courses Prior to one week before the 1st class ......100%After the above, prior to the 2nd class ...... 50%After 2nd class meeting ....................................0%

Weekend Workshops Prior to one week before the 1st day ........100%After the above, prior to the 1st day ..........50%After the above ....................................................0%

Master Classes and Six Week Studio/Critique ProgramNo refunds after the registration deadline.

If minimum enrollment is not met, a class will be cancelled on, or shortly after, its registrationdeadline. Students will be notified by phone andmay choose to transfer into another class or receive a full tuition and fee refund. Please register early to help prevent course cancellation.

The closing, delayed opening, or early dismissalof PAFA will be determined jointly by the Dean of the School and the Museum Director, with approval of the President. Such closing or delay would include the School, galleries and administrative offices. Decisions regarding thecancellation of special events and evening classes may be made later in the day. To find out if PAFA is closed or delayed you should check one of the following:

� Our website – messages will be updated on the PAFA homepage, pafa.org

� PAFA’s main number, 215-972-7600 – An outgoing message advising of a close or delay will be recorded by 6:30 a.m.

� KYW (1060AM) – Listen for PAFA’s code 150(Continuing Education’s code is 2150)

� WPVI-TV 6ABC – Lists the school by name� NBC 10 – Lists the school by name

PAFA is conveniently located near the SEPTAMarket East and Suburban train stations, bus and trolley stops and PATCO Hi-Speed Line station stops. For SEPTA information, call 215-580-7800 or visit septa.org.For PATCO information, visit ridepatco.org. Discounted parking is available at adjacent Parkway Corporation Parking garage and surfacelot. Tickets must be validated by Security staff.

For Office Use: Class Book ___________________ Materials___________________ Database____________________

Have you taken a class here before? � Yes � No

How did you find out about us?� Internet (What site?) ________________________� Radio (What station?) ________________________� Newspaper/magazine ________________________� Other (Please specify)________________________

How did you receive this catalogue?� Mailed to me � Picked it up at:________________

Are you an PAFA member? � Yes � No PAFA Membership Level ____________________________

Expiration Date ____________________________________

Please check if you would like more information about PAFA Academic Programs� Certificate � Bachelor of Fine Arts� Master of Fine Arts � Post-Baccalaureate

� I wish to enroll in the CE Core Curriculum Program

For K-12 educators

� I am taking a course for Act 48 credit or New Jersey Dept of Ed Professional Development Credit

PA Professional Educator I.D.# ____________________

Session/Course # Title Day/Time Instructor Tuition Lab/Mat Fee Total

Tuition Total

Locker

Sub Total

Discount*

CE CommunityScholarshipDonation**

T O T A L

METHOD OF PAYMENT

� VISA � Mastercard � AmEx � Discover � Check* #_______ � Cash

Name on Credit Card

Credit Card Number Expiration Date

Signature

Date Date of Birth

Last Name First Name Middle Initial

Address City State Zip

Phone (day) Phone (evening/cell) Email

* PAFA Members at the Friends level and above receive a 10% tuition discount

* * See page 33

I agree to abide by the policies and regulations in printed materials and on the website of Continuing Education Programs at PAFA. I have read and understand policies regarding credits, withdrawals, refunds and course cancellations (pages 32 – 34)

Signature (required) Date

PAFA Continuing Education is pleased to present the “CE Community Scholarship” to assist students who demonstrate dedicationto their art. Requirements: � Completed application form � Completed CE registration form � Personal statement (one page) � Application deadline: Friday, May 8Application will be available to download from pafa.edu/CE by April 6. Please call 215-972-7632 for more information.

The CE Community Scholarship is made possible inpart by a generous contribution from the Dry FamilyFoundation. For information about making a gift tosupport the CE Community Scholarship, please contact the Development Department at 215-972-2077or use the attached registration form.

IMPORTANT: DATED MATERIAL – DELIVER IMMEDIATELY

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Documents

PAFA Summer 2015 CE catalog