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PATTERN BREAKING AND REFRAMING AND PERSPECTIVE SHIFTING AND SHIT. PATTERN BREAKING AND REFRAMING AND PERSPECTIVE SHIFTING AND SHIT. PATTERN BREAKING AND REFRAMING AND PERSPECTIVE SHIFTING AND SHIT.

Creative Strategies

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Tim Kim//Art Center College of Design//Creative Strategies//Frido Beisert//Fall 2012

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Page 1: Creative Strategies

PATTERN BREAKINGAND REFRAMINGAND PERSPECTIVE SHIFTING AND SHIT.

PATTERN BREAKINGAND REFRAMINGAND PERSPECTIVE SHIFTING AND SHIT.

PATTERN BREAKINGAND REFRAMINGAND PERSPECTIVE SHIFTING AND SHIT.

Page 2: Creative Strategies

WEEK 1: Self-Promo

Who are you as a designer?Think of it as a creative Self-Portrait

WEEK 2: Problem Framing

Reframe the design problem into a new one:

Visualize the Art Center experience for new catalogue

WEEK 3: Pattern Breaking

New concept for a souvenir from LA

avoid any cliches

WEEK 4: Chess set

Make a chess game out of waste materials

WEEK 5: Halloween Invite

Design an irresistible invitation to your Halloween Party

You may not use digital devices of any kind

WEEK 6: Inspirational Investment

Design an experience using Wabi-Sabi

WEEK 7: Vision Calibration

Pick a brand, product, service that is large but broken

calibrate their vision

WEEK 8: Perspective Shift

Design a piggy bank using a perspectivethat is different from your own view point.

WEEK 9: Reality Hacking

Hack into Art Center’s Reality by transferringa conceptual design into a typical trans dwgby tape drawing.

WEEK 10: Creative Remix

Remix creativity around a theme that appealsto me.make it amazing.

crea

tive

stra

tegi

es

table of content

Page 3: Creative Strategies

WEEK 1: Self-Promo

Who are you as a designer?Think of it as a creative Self-Portrait

WEEK 2: Problem Framing

Reframe the design problem into a new one:

Visualize the Art Center experience for new catalogue

WEEK 3: Pattern Breaking

New concept for a souvenir from LA

avoid any cliches

WEEK 4: Chess set

Make a chess game out of waste materials

WEEK 5: Halloween Invite

Design an irresistible invitation to your Halloween Party

You may not use digital devices of any kind

WEEK 6: Inspirational Investment

Design an experience using Wabi-Sabi

WEEK 7: Vision Calibration

Pick a brand, product, service that is large but broken

calibrate their vision

WEEK 8: Perspective Shift

Design a piggy bank using a perspectivethat is different from your own view point.

WEEK 9: Reality Hacking

Hack into Art Center’s Reality by transferringa conceptual design into a typical trans dwgby tape drawing.

WEEK 10: Creative Remix

Remix creativity around a theme that appealsto me.make it amazing.

creative strategies

table of content

Page 4: Creative Strategies

WEEK ONESELF PROMOTION

ProblemWho are you as a designer? Think of this as-

signment as a creative self-portrait.

SolutionI am a storyteller. I work and create to tell dif-ferent stories of others and myself to greater public.

Object‘Smoke breaks’ are used to break ice and start small conversations. My self promotion piece takes on the form of matches to create and spark conversation with others. It is a conver-sation starting kit.

week onese

lf p

rom

otio

n

introduction

Page 5: Creative Strategies

self promotion

process

week one

Organizing what information needs to be placed on the match

mapping out the dimension of generic match and other design prototypes

Page 6: Creative Strategies

week onese

lf p

rom

otio

n

process

We want to be naughty. Being naughty is being disobedient and badly behaved. Sorry to break it to you, but we’re not an adult video shop. We want to be called naughty from the groups that oppose and neglect the poor, needy, and helpless. We are about being disobedient to society’s irresistable pressure to do nothing. We invite you to get tangled with us.

[email protected]

BE KNOT(NAUGHT)-Y

The curtain is on fire. Are we going to go to the kitchen, open a bottle of wine and discuss different methods to extinguish the fire as it consumes us all or are we going to take the fire out? Fish don’t know they’re wet. It’s time to be knot(naugh)ty.

[email protected]+1 703 424 0250

www.knotknot.com

who are you thinking of?

email us to hear more stories

IT WAS NICE MEETING YOU

can you share our stories with someone?

Other Stories from KNOT

1. “online public trash”2. “give up easy and often3. “it’s all about me”4. “say my name”

“UH, WHATEVER FOREVER MAN, WHATEVER”.Drink with us. Blow off your steam. scream out whatever to whatever that is bothering and annoying the hell out of you. Drink and smoke and enjoy and relax. Just say whatever to your problem for now and take care of it later. Don’t blame us if you get yourself into a shithole though. But come on, who knows! shit could be worse.

[email protected]

UH YEA WHATEVER

I had a friend who only drank Budweiser. My bud was wise as well. He taught me few things everyday while drinking budweiser. So, if you’re drinking budweiser right now, let’s make a toast for my good friend and teacher,Terry Surjan.

[email protected]+1 703 424 0250

www.whateverforever.com

who are you thinking of?

email us to hear more stories

“YA, WHATEVER FOREVER”

cheers to that, bottoms up!

#WF House Rules

1. Meet strangers2. Share stories3. Give Gifts4. Have fun5. Drink6. Budweisers are welcomed7. DO NOT CALL HER OR HIM

-8

'

#WF

what are the chances that I met you today? what are the chances that we exist in the same time era?what are the chances that we were both placed in earth?what are the chances that we are both in California? what are the chances that I moved to the states from Korea, to Virginia, and to California to meet you?

[email protected]

what are the chances?

what are the chances of meeting you in LA? whynot SF?what are the chances of us having a short enough conversation for me to give you my information? what are the chances of you meeting anyone really?then, how precious are your loved ones?

[email protected]+1 703 424 0250

www.iamtimothykim.com

who are you thinking of?

email me to hear more stories

IT WAS NICE MEETING YOU

can you share my stories with someone?

Other Stories from Tim Kim

1. “go west young man”2. “a f*kin’ journo?!”3. “time to jam”4. “lost in translation”5. “Oh very good Joseph”6. “it is possible”7. “i’m not care! make me!”8. “water!!”

greetings

reflectioncontact

life stories

contact

cover/logo

conversationstarter stories

Whatever Forever Tim Kim KNOT

I envision having three identities in the future. I made 3 matches to correspond to my future bar (Whatever Forever), myself, and my design group, KNOT

Page 7: Creative Strategies

self promotion

final

week one

Page 8: Creative Strategies

WEEK TWOPROBLEM REFRAMING

ProblemReframe the following design problem into a new one: Visualize the Art Center experience for the new catalogue.

SolutionArt Center’s biggest branding comes from the alumna’s works within and out of school. All art schools have similar images of students and teachers staring at things to “show” the experience of the school. I reframed the prob-lem to target and inspire students not through looking at people in action, but by visualizing what Art Center’s alumni have achieved in the world by making Art Center “Hall of Fame”. Honoring the alumni and inspiring the current and future students.

ObjectPhotoshopped image of future ACCD Hall of Fame building that is built from the newly pur-chased USPS building.

week twopr

oble

m r

efra

min

g

introduction

Page 9: Creative Strategies

art center experience

process

week two

reframing the idea of “catalogue” from just a pamphlet to a propaganda tool that could take form in many other ways.

Page 10: Creative Strategies

week twopr

oble

m r

efra

min

g

final

Image of ACCD Hall of Fame would be placed on the last page of the catalogue. It is a physical space that provokes current/future students and faculties to produce works to reach high-er status. Serving as the best way of propaganda to accelerate the work being produced by everyone at Art Center.

Page 11: Creative Strategies

art center experience

final

week two

Page 12: Creative Strategies

WEEK THREEPATTERN BREAKING

ProblemCreate a new concept for a souvenir from LA that truly is truly unique in that it captures the essence of the city but also breaks away from cliches.

SolutionLiteral interpretation of a “souvenir from LA”. Hiding the actual “souvenir” object but show-ing the fact that it still is from LA. Experiment-ing with plaque that are seen in art museums to mimic the project as fine art piece.

ObjectUSPS package box that seems as if it’s been sent from LA. Fake plaque that eludes to the box as an art piece.

week threepa

tter

n br

eaki

ng

introduction

Page 13: Creative Strategies

souvenir from LA

process

week three

souvenirs

Teasing out all the cliches and common image that is associated with LA. Finding the pattern to pull away from.

LA

beach

cars

traffic

As I was writing down all the patterns, I could not get away from the idea of LA and cars. I started to think about distance and thought about the idea of package on wheels, driving itself to the recipient.

santa monica

sunshine

hiphop

music

culture

palm trees

directionsramp lights

one time

land marks

images

collectables

gifts

overlooked

not useful

junk

reminder

symbolmemory

then, it hit me that the USPS packaging box itself is literally a “souvenior from LA”.

Page 14: Creative Strategies

week threepa

tter

n br

eaki

ng

final

A souvenir from LA with gallery plaque

Page 15: Creative Strategies

souvenir from LA

final

week three

“gallery view” of the souvenir from LA

Page 16: Creative Strategies

WEEK FOURGARBAGE CHESS SET

ProblemConceptualize a chess game out of repur-posed or waste materials from around your house.

SolutionBy being truthful to the nature of the assign-ment (using only house trash), I wanted to work with coupons from different stores and see how they can create playful game by con-trasting different prices. However, I broke the pattern too far and failed to really see the es-sence of things being in contrasting forces. Maybe sometimes, another man’s trash is just trash.

ObjectNon-conventional chessboard with different rules to move around the spaces.

week fourch

ess

set

introduction

Page 17: Creative Strategies

chess set

process

week four

GET IT

GET IT

GET IT

GET IT

GET IT

CHEAPER?

NEED?

BETTERQUALITY?

MOREQUANTITY?

FARTHER?

HEALTHY?

OTHERERRANDS?

FLIP!

CHEAPER?

NEED?

BETTERQUALITY?

MOREQUANTITY?

FARTHER?

HEALTHY?

OTHERERRANDS?

FLIP!

YES

NO

YES

NO

YES

NO

YES

YES

NO

YES

NO

YES

NO

YES

Comparing the prices of the coupons to see who would win required creating extra rules to the game of chess.It also altered theconventional chess board.

Page 18: Creative Strategies

week fourch

ess

set

final

Comparing and visualizing the quantity of the actual amount of coupons to show contrasting forces

Page 19: Creative Strategies

chess set

final

week four

3 hour in class chessboard result. The board could not be printed out.However, I missed pondering about essence of contrasting forces that

could have made the project stronger.

Page 20: Creative Strategies

WEEK FIVEIRRESISTIBLE INVITE

ProblemDesign an irresistible invitation to your Hal-loween Party and produce one invite for each of your classmates. *No digital devices of any kind for production

SolutionInviting each person at different times through interactive play. Once the person is participat-ing in the game, they are invited to the party. The rules of the game change everyday, letting the invited guests or the participants to expect different challenges per day leading up to the day of the party on Halloween.

Object12 different envelopes with ambiguous rules to the game that is written on an index card with stamp.

week fiveir

resi

stib

le in

vite

introduction

Page 21: Creative Strategies

halloween invite

process

week five

Reframing the problem, I asked myself:How far do I redefine “invitation”?

How far do I redefine “halloween”?How far do I redefine “no-digital”?

Invitation

WhoWhereWhen

CardFacebookHallmark

PredeterminedInvited at the same time

Halloween

SpookyMysteryJack O LanternScaryCandiesChocolatePumpkinWitchesDecorationTrick of Treat

No-digital

HandFoodTouchEatMakeMoveSpeakVerbalSound

Pattern finding to pull out what has the most potential for fun.

I believed that anything drawn or made can be done on the computer better. So I chose the route of making people engage through human interaction, something that computer can’t do so easily.

Page 22: Creative Strategies

week fiveir

resi

stib

le in

vite

final

Two cards to create two different teams with different objectives

The game takes on the idea of “trick of treat” commonly used during Halloween. I created two different teams based on how the participant answers. Each day lead-ing up to Halloween, participants are given missions to assassinate or complete the task in the envelope.

Page 23: Creative Strategies

halloween invite

final

week five

People are given different tasks and selected participant becomes actually “invited” to the party

Page 24: Creative Strategies

WEEK SIXDESIGN WABI SABI

ProblemDesign an experience using Wabi-Sabi.

SolutionShowing the “internal beauty” of an object be-ing manifested and expressed through differ-ent method.

ObjectThe experience is represented through my personal encounter with my mom and her medicines.

week sixw

abi s

abi

introduction

Page 25: Creative Strategies

wabi sabi pills

process

week six

My understanding of Wabi Sabi came from thinking about moss as an example. In terms of WabiSabi, moss is not a plant growing on a rock, but it is the internal beauty of rock continuing

through the form of moss.

Thinking back to my experience with medicine and my mom, I was trying to see the inner beauty of the experience I have witnessed.

Page 26: Creative Strategies

week sixw

abi s

abi

final

Through seeing the inner beauty of medicine, repack-aging pill/capsule to encourage the users were devel-oped. I was trying to translate the inner beauty of pill (healing of the sickness) to metaphor of new life as seeds.

However, I realized that the essence of the project is not about just medicine as object but my personal memory of medicine. Prototype of delivering message through using medicine to encourage my mom.*Repackaging pills is in progress

Page 27: Creative Strategies

final

wabi sabi pills

week six

“This is the pill you take when in pain”

“This is the supplement our family takes to strengthen our love for each other”

Page 28: Creative Strategies

WEEK SEVEN VISION CALIBRATION

ProblemPick a brand (or product/service) that is large but broken. Calibrate their vision.

SolutionI had two experiments with vision calibration. First, I rebranded MTV as “MTV is the only mainstream media that sees you and ama-teurs with skills equal as real celebrities”. Second rebranding exercise came through studying branding a brandless/no need for brand company, YKK. I rebranded YKK as “YKK is the only object you use that gives you com-plete authority of starting and ending anything for sure”.

ObjectMTV’s zine “Real World” and various adver-tisement posters for YKK.

week sevenvi

sion

cal

ibra

tion

introduction

Page 29: Creative Strategies

rebranding MTV

process

week seven

MTV has failed to adapt to the world of social media and its vital importance of influencing the audience. Differ-ent blogs and web services that allows people to post and watch videos, the world has shifted to a place where regular-person-celebrity-blogger is more popular. People don’t have to tune into MTV for music nor celeb gossip anymore.

At the sametime, it is important to note the hipster/insta vintage fetish of our contemporary culture.

Page 30: Creative Strategies

week sevenvi

sion

cal

ibra

tion

final

Riding on the hipster fad + social media reality star celeb while keeping traditional concept of Real World, MTV is rebranding itself in forms of publication to promote change to their tone change.

Real World, a Journal is a monthly printed pamphlet holding competitions in music, fashion, and pho-tography. It displays works from REAL PEOPLE, REAL WORLD. You are the celeb-rity on MTV.

MTV does not become a publication company, but by using the journal, vin-tage obsessed people gets drawn in closer. The journal is there to set the tone of newly branded MTV.

Page 31: Creative Strategies

rebranding MTV

process

week seven

Then I asked myself, “How do you rebrand a product/company that everyone uses but is not branded”?

YKK, “The Beginning and the End”

The branding of YKK gives people authority and believe that they are the finishers, completers,

and the punctuation. everything is tidy, set, complete, and straight, “good-to-go”when you zip with

YKK.

Page 32: Creative Strategies

week sevenvi

sion

cal

ibra

tion

final

Page 33: Creative Strategies

rebranding MTV

final

week seven

Page 34: Creative Strategies

WEEK EIGHT PERSPECTIVE SHIFT

ProblemDesign a piggy bank using a perspective that is different from your own view point. This “per-spective shift” can be from anything and ev-erything.

SolutionUsing The Little Prince’s perspective, piggy bank was created by collecting pigs. Bank full of piggies for the Little Prince.

ObjectCollection of pigs from people who drew pigs for Little Prince’s “piggy bank (bank full of piggies)”.

week eightpe

rspe

ctiv

e sh

ift

introduction

Page 35: Creative Strategies

Little Prince’s P

iggy Bank

process

week eight

At first, I ws only thinking of what form the pig would take, seen from Little Prince’s perspective. I was only trying to copy the aesthetics from the illustration at first.

Page 36: Creative Strategies

week eightpe

rspe

ctiv

e sh

ift

While trying to figure out the formal expression of the piggy bank, I realized that the Little Prince would collect piggies, not coins.

process

Page 37: Creative Strategies

week eightperspective shift

final

“Please draw me a pig”

Little Prince’spiggy bank

Page 38: Creative Strategies

WEEK NINEREALITY HACKING

ProblemHack into Art Center’s reality by transferring a conceptual design into a stereotypical trans drawing.

SolutionI drew my future tattoo, which is my favorite verse that helps me to be humble. The graph-ic/typographic design of the verse was done by Niels Bakkerus, whom I met through Tumblr.

ObjectTape drawing that says “What has been will be again, what has been done will be done again. There is nothing new under the sun” in front of the department chairs office.

week ninere

ality

hac

king

introduction

Page 39: Creative Strategies

tape drawing

process

week nine

Taking Niels’ original sketch of my tattoo to turn it into a large scale tape drawing.

Page 40: Creative Strategies

week ninere

ality

hac

king

process

I found Niels through looking at typographic design on Tumblr. I emailed him for a tattoo design, not knowing that I’d one day use his design for an assignment.

Page 41: Creative Strategies

tape drawing

final

week nine

The verse is hung in front of the department chair at world leading design school. I wanted my reality hacking to be a reminder that we must stay humble. It is easy to be arrogant, especially for designers.

*Thank you Niels

Page 42: Creative Strategies

WEEK TEN CREATIVE REMIX

ProblemRemix creativity around a theme that appeals to you. (Do whatever you want, no limits)

SolutionReframing “25th Birthday” as “Quarter life crisis”, using reality hacking and perspective shift to get advices for quarter life crisis by busking (singing in public) and asking people to imagine what they would say to their 25 old selves, finally using __________ strategy to have tangible object for 25th birthday (quarter life crisis).

ObjectWork in Progress for final strategy. People’s advices, lyrics, advice booth, advice card, ad-vice gifts are prepared for those who are will-ing to participate in the activity.

week tencr

eativ

e re

mix

introduction

Page 43: Creative Strategies

quarter life crisis

process

week ten

Creative remix is a work in progress. So far, I have used problem reframing to redefine 25th birthday as “quarter life crisis”. I then used reality hacking and perspective shift to ask for advice by busking (singing in public) to collect advices on being 25. One more strategy will be used to create a tangible object pertaining to the idea of “quarter life crisis”

Gift 1

For quarter life crisis, a pencil is given each year to write about the crisis. By the time you’re at you’re mid life crisis, you can look back to your quarter life crisis to get back on track and feel better.

Page 44: Creative Strategies

week tencr

eativ

e re

mix

process

Gift 2

Remixing reality hacking and perspective shift, with the help from my friends, we were able to write a song about quarter life crisis and busked for advices. Although it was raining, six advices and $1 were given.

The pencil is engraved with the question “what would you tell your 25 old self?” Person who gives advice gets to keep the pencil as a souvenir.

Page 45: Creative Strategies

quarter life crisis

process

week ten

Gift 2 result: 1 dollar and 6 advices.

Creative remix for 25th birthday/ quarter life crisis is turning more into an exploratory design investigation.

Page 46: Creative Strategies

week tencr

eativ

e re

mix

process

Gift 2 result:

Collected advice from various people.

Page 47: Creative Strategies

quarter life crisis

process

week ten

Gift 2 result:

Collected advice from various people.

Gift 3: Photobooth

Expanding from gift two, the signage where people turn in their advice turns into a photobooth. People take pictures in the photobooth with their advice being shown in the picture.

Page 48: Creative Strategies

week ten

process

crea

tive

rem

ix

Page 49: Creative Strategies

quarter life crisis

process

week ten

Quarter life crisis creative remix result

the creative remix turned into a progressive exploration proj-ect where the idea of “gift” was manifested through differ-ent “products”, but still carrying the memory from the past progresses.

Page 50: Creative Strategies

CREATIVE STRATEGIES.CREATIVE STRATEGIES.CREATIVE STRATEGIES.