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228 THE EXPERIMENTAL FICTION OFMURRAY BAIL

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IN DEX

Abstract Expression, II, 34, 81 Actaeon, 169 Adelaide, 2-4, 5, 8, 12, 110- 125,

136,139- 140, 142- 145, 180, 185, 199

Adorno, Theodor, 22 Africa, 38,42-59,65-6,72-73,96,

98, 145 The African Queen, 141 Amen, R.G. , 4, 9, 128, 136, 142 Anderson, John, 196- 197 Andromeda, 80, 100 Arakawa, Shusaku, II , 12 Artemis, 169 Atlantis, 71, 80 Aurelius, Marcus, 193 Ayres Rock, 56, 88

Bacon, Francis, 14 Bail, Murray: "ABC," 19-24, 158;

"Albie," 7-8; Camouflage, 142-151 , 222; "Camouflage," 142-147, 222; ContemporalY Portraits and Other Stories, 5, 13- 14, 18- 30,44-45; "Cul­de-Sac (Uncompleted)," 27-28; "The Dog Show," 29; "The Drover's Wife ," 29- 30; Eucalyptus, 2, 19, 33, 142, 153- 188, 193-194,2 11,221, 223; Holden s Performance, 3, 5, 7, 17,103-142,147, 155,165, 189, 204,222; Homesickness, 10-11 , 13, 15,27,3 1- 32, 35- 101,106, 110,113- 114,118, 121,123, l31, 138, 145, 147, 152, 158, 180, 187, 194, 210;

Murray Bail: "Home Ownership," 5; "Huebler," 23- 26; "[ Spend My Days Slowly," 6, 222; "Life of the Party," 9, 26; The Pages, 2, 6, 41-42, 142, 152,155-156,187-219,223; "Paradise," 28, 114; "The Partitions," 11, 29;"Portrait of Electricity," 11 , 26, 28; "A Rough Measurement of the Yard," 6-8 ; "The Seduction of My Sister," 8, 146-152, 223; "Still Life with Lemons," 6-8, 17; "Zoellner's Definition," 26

Bauhaus, 53 Bernhard, Thomas, 15 Brecht, Bertol!, 19 Bhabha, Honi, 52, 145 Blake, William, 14,24,158 Borges, Jorge Luis, 15, 38 Boyd, Arthur, 31 Boyle, Robert, 71 Brennan, Christopher, 195 Brisbane, 5 Burke and Wills, 118 Burton, Richard Francis, 10,49,

63- 64, 67-68, 77, 90; The Arabian Nights, 174, 183

Burton, Robert, 100

Calvino, Italo, 15, III , 152 Canberra, 3, III , 136, 142, 187 Casanova, Giacomo, 63 Cezanne, Paul, 23, 33, 153- 155 Churchill, Winston, 53 , 126, 130,

136- 137 Colonel Light, 112, 140

232 THE EXPERIMENTAL FICTION OF MURRAY BAIL

Columbus, Christopher, 71 Coming Man, 106-108,137, 187 conceptual art, 12, 52 Cook, James, 45, 68 Corris, Peter, 109 Cossington Smith, Grace, 152 Craven, Peter, 109, 152 cubism, 9,12-13,22,31 , 36

Dada, 41 Darwin, Charles, 5, 62, 69,

162-163 De Chirico, Giorgio, 28 De Stael, Germaine, 189 Derrida, Jacques, 39 Diogenes, 199 Drysdale, Russell, 12, 29 Duchamp, Marcel, 41, 52

Edwards, Brian, 109 Engels, Friedrich, 195

Fairweather, Ian, 12,31-35, 11 , 155,222

Fauvism, 22 Field, Barron, 106 Flaubert, Gustave, 10, 14, 18, 154 Foucault, Michel, 39 Franklin, Miles, 2 Freud, Sigmund, 191,210 futurism, 22, 28

Gallipoli, 5, 53, 132 Genesis, 39, 161 Goethe, Johann Wolfgang, 10 Grass, GUnter, 15, 108

Hall , Rodney, 36 Hargrave, Lawrence, 71 Harpur, Charles, 161 Hemingway, Ernest, 16 Heysen, Hans, 9 Hindu, 154, 190 Hitler, Adolf, 93, 132 Hobbes, Thomas, 82

Hobson, lA., 46 Hoffmann, E.T.A., 172 Hollywood, 8, 128, 130, 140 Homer, 154 Hooker, J.D., 162- 163 Huebler, Douglas, 25 Hybridity, 146

James, William, 19 Joyce, James, 18; Ulysses, 9

Kadare, Ismail, 154 Kafka, Franz, 16- 17; The

Metamorphosis , 16 Keats , John, 158 Kierkegaard, Soren, 199 Kinsey, Alfred, 80

Lacan, Jacques, 39 La Mettrie, Julien, 172 Lautreamont, 40-41, 100 Lawson, Henry, 29, 107- 108, 148 Leichhardt, Ludwig, 118 Lenin, VI. , 11 , 44, 46, 91 - 98,

100-101 Life, 128, 148 Livingston, David, 49 Lucian, 38 Light, Colonel, 112, 140 London, 6, 9-10, 15, 19, 20-21 ,30,

38,40, 55-69,71-72,79,86- 90,97,114, 165,191-192, 209-21 0

Lyotard, J-F, 39

Mach, 71 Magellan, Ferdinand, 71 Magritte, Rene, 12 Malevich, Kasimir, 12, 92, 100 Mallarrne, Stephane, 152 Malley, Em, 223 Manhattan, 69, 77, 80-86, 90,

97-99 Mann, Thomas, 10 Man Ray, 100

Marat, J-P, 67 Marquez, Gabriel Garcia, 15 Marx, Karl, 63, 87, 195 Matisse, Henri, 23 McAdam, J.L., 118

Index

McCahon, Colin, 33-35,155,186 McCarthy, J.R., 16 Melbourne, 6, 8, 111- 112 Melville, Herman, 38 Menippus, 38 Menzies, Robert, 3-4, 53, 84, 87 Modernism, 8-9,18,22-23,33,37,

92, III MOMA,85 Mondrian, Piet, 12 Montaigne, Michel de, 152, 214 Moscow, II , 86, 90 Murnane, Gerald, 109 Musil, Robert, 18

Namatjira, Albert, 9 National Gallery of Australia, 12 Newton, Isaac, 60, 7 1-72, 99,118 New Writing, 3-4 New York Times, 123 Nicholson, Ben, 23 Nietzsche, Friedrich, 39, 199 Nola, Sidney, 31

Ondaatje, Michael, 221 Ovid, 169, 179 Oxford University Press, 55, 68

Panofsky, Irwin, 12 Pascal, Blaise, 60 Pavlov, Ivan, 191 Percival, John, 31 Perseus, 86 Picasso, Pablo, 9 Pichincha, 72-73 Plato, 195 Pliny, 152 Pope, Alexander, 35, 42, 168 postmodernism, 37-39

Propp, Vladimir, 173 Proust, Marcel, 10, 16, 18 Punch, 128 Pynchon, Thomas, 15

233

Quito, 65-66, 69-79, 81-82, 99

Raleigh, Walter, 71 Rasputin, Grigori, 87, 118 Reader's Digest, 128 Reinhardt, Ad, 4 Rothko, Mark, 4, 23 Russell, Bertrand, 191 , 197

Saussure, Ferdinand de, 180 Schopenhauer, Arthur, 199 Shapcott, Thomas, 39 Socrates, 195- 196 Sorel, George, 196 Soviet Union, 3, 42, 46-47, 53 Speke, J.H., 49 Spencer, Herbert, 100 Spinoza, Baruch, 199, 209 Statue of Liberty, 44, 80 Stendhal, 35 Stravinsky, Igor, 9 Suprematism, 22, 92 Swift, Jonathan, 4, 38; Gulliver's

Travels, 4, 39, 72 Sydney, 80, 81, III, 125, 138,

155, 158,178, 188, 195- 199, 202- 203 , 208,212- 216

Tacitus, 158 Tournier, Michel, 10, 15, 17, 108,

11 8; £rt King, 17, 118, 154 Tucker, Albert, 31

United States of America, 3, 9, 10, 42,46,80-86, 109,128-129, 141-144

Valery, Paul, 152 Van Gogh, Vincent, 23 Vespucci, Amerigo, 71

234 THE EXPERIMENTAL FICTION OF MURRAY BAIL

"Waltzing Matilda," 177 Weil, Simone, 199 White, Patrick, 14-16, 18,33, 118,

155, 159; "The Prodigal Son," 14-15,26,30, 44,47,108,142, 152, 159; Riders ill the Chariot, 17

Williams, Fred, 12, 170

Wittgenstein, Ludwig, 191-194, 197

Wordsworth, William, 158, 161

Yourcenar, Marguerite, 154

Zoellner, 26- 27,88-89, 114, 117, 180,187,210