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About Me
Special thanks to my co-author and mixer/sound designer Cheryl
Ottenritter, Ott House Audio, for several examples and screenshots.
Which story elements do you hear?
Photo credit: Kevin Wolf
Sennheiser MKE2 kit
Power DeWise wired lav mic
Rode Smart Lav/Condenser
Samson Go Mic Mobile
Saramonic Blink500
Rode NT-USB Snowball
Template from website resources,
Nonfiction Sound & Story (Routledge)
Call
Sheet
Audio
notes
Isn’t Always Costly
26
Potential
location
sound
emergency
Worried
Producer
27
28
• Role of Sound in Storytelling
• Preparing for Good Sound
• On Location Sound Acquisition
www.amydelouise.com/slide-decks
PREPARING FOR YOUR MIX
Streambox
Cinesync
Evercast
Source Live
Session Link Pro
https://www.studentfilmmakers.com/is-the-future-of-video-production-remote/
• Field reports
• Wild sound
notes
• Known issues
• Location of
key tracks
• Foley/SFX
ideas
• Music options
or scoring plan
Organize your tracks
What’s Old is New Again
Clemente Ader’s Theatrophone, 1881
In a Dolby Atmos™ Mix we
place “sound objects”
anywhere in 3D space
360 vs VR Audio
Binaural Recording:
Arranging 2 Mics with
the intent of creating
a 3D/360 Space
www.galsngear.tv
www.amydelouise.com/slide-decks
