ROBERT ALTMAN ARCHIVE: PROJECTS – 1980S Altman Archive i Abstract The Aria series ... Tom Conti, and Christopher ... the 1988 TV film directed by Robert Altman,

SPECIAL COLLECTIONS LIBRARY

UNIVERSITY OF MICHIGAN

ROBERT ALTMAN

ARCHIVE: PROJECTS – 1980S 1980-1990

Quantity

Call No.: Altman

ACQUISITION: The archive was acquired from the Altman family in 2007-2008.

ACCESS: The records are open for research. PHOTOGRAPHS: COPYRIGHT: Permission to publish material from this collection

must be obtained from the University of Michigan Special Collections Library and the individual copyright holder.

PROCESSED BY: Aria, Basements, Two by South: Sarah Hegge,

2010; Beyond Therapy, Caine Mutiny Court-Martial, O.C. and Stiggs: Erica Willar, 2010; Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean, Images, Rake's Progress, Streamers: Emily Thompson, 2010; Fool for Love: Sarah Hegge and Emily Thompson, 2010; HealtH: Ray Barker, 2010; Laundromat: Erica Willar and Brian Wilson, 2010;

Tanner '88: Ray Barker and Emily Thompson; Popeye: Heather Norris, 2010; Secret Honor: Beth Myerowitz, 2009;

Robert Altman Archive

i

Abstract The Aria series (0.1 linear foot) contains material regarding a segment of the 1987

film Aria directed by Altman. This series includes legal materials, business and financial records, production and post-production materials, articles and reviews, and materials from awards, events, and festivals.

The Basements series (5.25 linear feet) consists of materials from two short films produced and directed by Robert Altman for ABC Television. The series includes legal documents from the law office of Jerome Walsh, business and financial materials, several versions of the script, production and post-production, publicity and distribution material, reviews, publicity stills, on-the-set photographs, slides and contact sheets.

The Beyond Therapy series (2 linear feet with 1 oversized box) consists of material from the 1987 film co-written and directed by Robert Altman, which includes legal agreements, financial information, several versions of the script, an oversize music score, publicity and distribution information, reviews, photographs, and an autographed menu from the cast.

The Caine Mutiny Court-Martial series (1 linear foot) consists of materials from the 1988 TV film directed by Robert Altman and written by Herman Wouk, based on Wouk's play. The series includes legal agreements, financial materials, scripts, music, publicity and distribution materials, and reviews.

The Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean series (2.8 linear feet and 1 oversized box) consists of material from the 1982 Broadway production directed by Robert Altman, and the 1982 film also directed by Altman. The series includes correspondence, legal materials, business and financial, scripts, production materials, publicity, articles and reviews, photographs, and awards and festivals documents.

The Fool for Love series (1 linear foot) consists of material from the 1985 film directed by Robert Altman. This series includes legal materials, business and financial records, scripts, production and post-production materials, music and scores, publicity and distribution, articles and reviews, awards, events, and festivals documents, and photographic materials.

The HealtH series (2.5 linear feet) consists of material from the 1980 film directed by Robert Altman, from a script by Altman, Frank Barhydt, and Paul Dooley. The series includes legal materials, business and financial records, scripts, production and post-production materials, music and scores, publicity and distribution, articles and reviews, awards, events, and festivals documents, and photographic materials.

The Images series (approximately 1 linear foot and 1 oversized box) consists of materials from the 1972 film written and directed by Robert Altman. The series includes correspondence, legal materials, scripts, production documents, publicity and distribution, articles and reviews, publicity stills, on-the-set photographs, contacts sheets, slides, and a scrapbook.

The Laundromat series (1 linear foot) consists of materials from the 1985 Home Box Office (HBO) television film directed by Robert Altman and written by Marsha Norman. The series includes legal materials from the office of Jerome Walsh, business and financial records, scripts, publicity and distribution materials, and reviews.

The O.C. and Stiggs series (1 linear foot) consists of materials from the 1985 film produced and directed by Robert Altman. The series includes legal materials from the office of Jerome Walsh, scripts, production documents, publicity and distribution materials, articles and reviews, photographs, and publications.

The Popeye series (8 linear feet and 1 oversized box) contains material from the 1980 film directed by Robert Altman. The series includes a large number of photographs, as well as legal and financial documents, scripts, and material relating to production, music, publicity, reviews and events. The documents range in date from 1979-2007.


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The Rake's Progress series (0.4 linear feet) consists of materials from the 1982 opera directed by Robert Altman at the University of Michigan, in Ann Arbor. The series includes correspondence and budgets relating to a possible film of the opera, legal documents, publicity materials, and photographic materials.

The Secret Honor series (3.5 linear feet and 1 oversize box) consists of materials related to the stage production and film based on the play by Donald Freed and Arthur Stone. The play, starring Philip Baker Hall, was staged in Los Angeles, New York, Boston, and Ann Arbor, Michigan. The film was directed by Robert Altman and produced by Sandcastle 5, in cooperation with The University of Michigan and the Los Angeles Actors Theatre.

The Streamers series (3.4 linear feet and one oversize box) consists of materials from the 1983 film directed by Robert Altman. The film features the actors Mathew Modine, Michael Wright, Michael Lichtenstein, Guy Boyd, George Dzundza, and David Allan Grier. The series includes legal documents, business and financial materials, scripts, production and post-production material, publicity and distribution, reviews and photographic material.

The Tanner '88 series (10 linear feet and 1 oversized box) consists of material from the 1988 television series directed and co-produced by Robert Altman and written by Garry Trudeau. The series includes legal materials, business and financial records, scripts, production and post-production documents, publicity and distribution, articles and reviews, awards, events and festivals documents, and photographic materials.

The Two by South series (1 linear foot) consists of materials from two, one-act plays written by Frank South and directed by Robert Altman. The materials include correspondence, legal documents, business and financial, scripts, production materials, publicity and distribution, articles and reviews, and photographs.

Scope and Content Note

The Aria series (0.1 linear foot) contains material from the 1987 film Aria. This film consisted of ten segments each by a different director with each one taking inspiration from a different opera. Altman's segment features the piece "Lieu désolé" from the opera "Les Boréades" by Jean-Philippe Rameau. It is sung by Jennifer Smith, Ane-Marie Rodde, and Philip Langride and stars Julie Hagerty, Geneviève Page, Sandrine Dumas, and Chris Campion. Other segments of this film are directed by Jean-Luc Godard, Charles Sturridge, Nicolas Roeg, Julien Temple, Bruce Beresford, Franc Roddam, Ken Russell, Derek Jarman, and Bill Bryden. The film was produced by Dan Boyed.

The legal material and the business and financial records in this series contain information regarding Boyds Co. Film Production Limited which provided editing services for the film. The articles and reviews sub-series contain material regarding both on Altman's segment of the film and the entire production from both domestic and international publications. Awards, events, and festivals sub-series contain materials from the 1987 Cannes Film Festival. Included is a program for the film which includes stills of Altman's segment photographed by one of Altman's sons, Robert Reed Altman.

The Basements series (5.25 linear feet) consists of materials from two short films produced and directed by Robert Altman based on stage productions written by Harold Pinter. The Dumb Waiter features John Travolta and Tom Conti and The Room features Linda Hunt, Annie Lennox, Julian Sands, David Hemblen, Abbott Anderson, and Donald Pleasance.

Both sections of the film were shot in Montreal in 1986. These films were produced by ABC to be two made for TV specials and aired separately. The two films were then shown as one feature film named Basements at the 1987 Montreal Film Festival.

The legal material includes actor agreements, copyright information, and insurance forms. Additionally, the legal materials include correspondence from Pinter regarding a


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request for extended distribution rights, and he expresses his disappointment in the two films.

Business and financial is the largest section of this series and contains items such as expense reports and residual statements as well as related correspondence. This collection includes several different versions of the script including a continuity script and a published version of the original play. Production and post-production includes daily production reports and detailed information on the construction of the set for The Dumb Waiter. The articles and reviews section contains domestic reviews of the version aired on ABC and Canadian reviews of the version presented in Montreal.

Included in the publicity and distribution section of the collection is a viewer guide. ABC issued this as part of the publicity for The Dumb Waiter to encourage the film to be used in classrooms and libraries as a teaching aid. Also in this section is correspondence regarding requests to use clips of John Travolta in specials for the MTV and Bravo networks.

Photographic materials include photographs taken by Robert Reed Altman and Piroska Mihalka.

Notes on the arrangement of Basements: While both projects were filmed separately, they were financed as one project; the

original order of the legal, and business and financial materials as well as much of the production materials reflect the fact that the two projects were treated as nearly one continuous project. Unless otherwise noted, materials from both projects are filed together.

The Beyond Therapy series (2 linear feet with 1 oversized box) consists of material from the1987 film directed by Robert Altman, written by Altman and Christopher Durang and based on Durang's 1982 play. The film stars Julie Hagerty, Jeff Goldblum, Glenda Jackson, Tom Conti, and Christopher Guest. It was filmed in Paris, France.

The legal materials consist of agreements and correspondence between Sand Script Productions, New World Pictures, Film Finances Limited, WOR Radio, and Christopher Durang. The correspondence with Durang includes his reactions to Altman's edits of the script.

There is extensive documentation of the financial aspects of this film including production budget, general ledger, account statements, paid bills, and stock certificates.

The scripts sub-series include an original musical score written by Gabriel Yared. The collection includes advertisements for the movie in magazines and newspapers.

In the advertisement folder, there is a letter of complaint written by Altman to New World Pictures concerning its failure to communicate with Altman prior to releasing advertisements of the film. Publicity stills, on-the-set images and the cast on break from filming in Paris are included in the photographs sub-series.

The Caine Mutiny Court-Martial series (1 linear foot) consists of materials from the 1988 TV film directed by Robert Altman, and written by Herman Wouk, based on Wouk's play. The film features the actors Eric Bogosian, Jeff Daniels, Brad Davis, Peter Gallagher, and Michael Murphy.

The legal materials consist of agreements and correspondence between the William Morris Agency, Malprod Inc., and the Harry Fox Agency. The correspondence with Malprod Inc. details a dispute over production cost penalties and alleged fraudulent misuse of funds by Malprod Inc.

The production materials consist of cast and crew contact lists, title credits and original hand-drawn cartoons by one of the crew members, Michael J. Martin. Additionally, included is correspondence with the U.S. Department of Defense and Navy granting permission to film the Seattle Navy Band.

The Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean series (2.8 linear feet and 1 oversized box) consists of materials from the 1982 Broadway production of Ed Graczyk's play directed by Robert Altman, and the 1982 film also directed by Altman. The film features Kathy Baker, Sandy Dennis, Kathy Bates, and Cher.


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The legal materials, from the law offices of Jerome Walsh, contain production and financial agreements relating to the stage production as well as the film.

The stage sub-series correspondence contains telegrams sent in support of Altman on opening night, in addition to handwritten notes from Bates and additional members of the company. The production materials include a mailgram sent by Altman to announce the closing of the production. The photographs include images of the stage rehearsal, as well as production photographs by Jean Pagliuso.

The film sub-series include business and financial records, consisting of theatre contracts detailing the cities when and where the film played, as well as box office totals. Photographs from the film include slides documenting the building of the set.

The Fool for Love series (1 linear foot) consists of material from the 1985 film directed by Robert Altman. The screenplay, based on the play of the same name, was written by Sam Shepard, who was also cast in the role of Eddie. The film also features the actors Kim Basinger, Harry Dean Stanton, and Randy Quaid.

A letter from Sam Shepard proposing that Altman direct a movie version of Fool for Love is included in the Correspondence sub-series. The legal material includes agreements with Sam Shepard regarding the rights to the play and his role as an actor in the production. There are also agreements and correspondence regarding a decision to reduce the size of the actor's names in the credits. The business and financial material includes several different versions of the budget for this film as well as profit participation reports from 1987 through 1992. The legal materials include documents from the offices of Jerome Walsh.

There are many copies of the script included in this series including first through fourth drafts, a shooting script, and "as shot." Scotty Bushnell's and Allen Nicholl's personal copies of the script are also included.

The production and post-production sub-series includes lists of the cast and crew, a shooting schedule, and daily production reports. Two copies of the score are included in the music and scores subseries, one of which is inscribed by composer George Burt to Altman. Press kits are available in the publicity and distribution sub-series for both the film and for the Cannon Group production company. The awards, events, and festivals sub-series contains materials regarding the films inclusion in the 1986 Cannes Film Festival.

Photographic materials from this series include images taken on the set, stills, publicity stills, contact sheets, negatives, transparencies, slides, and a small segment of film from the credits of the film. Photographers on this project include Robert Reed Altman, DK Hall, T. Huseby, Ed Klamn, and P. Plossu. Additional photographic materials are available in the production and post-production and publicity and distribution sub-series. This includes actor's headshots, images from the stage production, and a press kit with publicity photographs.

The HealtH series (2.5 linear feet) consists of material from the 1980 film directed by Robert Altman, from a script by Altman, Frank Barhydt, and Paul Dooley. The film features the actors Carol Burnett, Dick Cavett, Lauren Bacall, Paul Dooley, Glenda Jackson, Henry Gibson, Robert Fortier, and Allan Nicholls. The scripts include correspondence from Dooley and Burnett regarding various versions of the script. Publicity and distribution include materials from the short publicity film, "Go to Health." Photographs of the filming of this short film are included in the oversized contact sheets. Publicity and distribution include articles regarding 20th Century-Fox's delayed release of the film, as well as postcards created by artist Jean Pagliuso.

The Images series (approximately 1 linear foot and 1 oversized box) consists of materials from the 1972 film written and directed by Robert Altman. The film features the actors Susannah York, Rene Auberjonois, Marcel Bozzuffi, Hugh Millais, and Cathryn Harrison.

Correspondence includes a series of letters composed by Auberjonois to Altman to clarify the credit dispute regarding advertisements for the film, as well as a series of


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letters from author Ray Loynd, and Marianne Dolan, who directed a documentary on the production of the film. Correspondence also includes three thank-you notes written by Altman to Roger Watts, Jean Sacha and Arthur Ford.

The series includes material from the legal offices of Jerome Walsh. The music sub-series include film composer John Williams' hand-written score. Portions of Ms. York' children's story, In Search of Unicorns, which Altman incorporated into the film, are included in the production and post-production materials, as well as the unproduced screenplay she completed in 1993.

The Laundromat series (1 linear foot) consists of materials from the 1985 Home Box Office (HBO) television film directed by Robert Altman. The screenplay was adapted from the first act of the play Third and Oak: the Laundromat, written by Marsha Norman. The film features the actors Carol Burnett, Amy Madigan, and Michael Wright.

The legal documents include a director's agreement, agreements between Secret Castle and Frog Films, and various license agreements. Additional legal materials include sheet music and lyrics by Alberta Hunter. Correspondence detailing Hunter's song submissions for Academy Award consideration in 1979 (ultimately rejected by the Academy) is included in the legal materials as well. Also included was a potential trademark infringement regarding the product name "Laundromat."

The O.C. and Stiggs series (1 linear foot) consists of materials from the 1985 film produced and directed by Robert Altman, it was written by Donald Cantrell and Ted Mann. The film features the actors Daniel Jenkins, Neil Barry, Jane Curtin, Ray Walston, Cynthia Nixon, Jon Cryer, Dennis Hopper, Paul Dooley, and Martin Mull.

The legal materials contain a marketing proposal detailing how the film would potentially be marketed (the film received a delayed release of several years), and includes the advertising budget for several test cities. The publications sub-series contains the source material on which the film was based, a National Lampoon special issue, "The Utterly Monstrous, Mind-Roasting Summer of O.C. and Stiggs," written by Tod Carroll and Ted Mann, who also co-authored the script.

The Popeye series (8 linear feet and 1 oversized box) consists of materials from the 1980 film directed by Robert Altman and produced by Paramount Pictures and Walt Disney Productions. The screenplay was written by Jules Feiffer and was adapted from the comic strip created by E.C. Segar. The actors in the film include Robin Williams, Shelly Duvall, Paul Dooley, Linda Hunt, Donald Moffat, Paul L. Smith and Ray Walston.

The legal sub-series contain documents regarding a tax dispute between the State of California and Lion's Gate Films, Inc. This sub-series also contains a variety of agreements and documentation regarding audits of Paramount Pictures and Lion's Gate. Other legal material includes documents from the office of Jerome Walsh. The series includes four versions of the script, including a first draft and a shooting script, and the production sub-series includes several volumes of the Falconette Gazette, a newsletter created by actress Shelly Duvall, which was distributed to cast and crew during production.

All of the original songs in the film were written by Harry Nilsson and the music and scores sub-series contain both song lyrics and sheet music. The publicity and distribution sub-series contain material relating to Altman's grandson Wesley Hurt, who played Swee'pea, as well as domestic and international press kits. Media opinions about the production of Popeye as well as reactions to the film can be found in the articles and reviews sub-series.

Photographs make up the largest sub-series in the collection with over 2,100 items. The photographs span the entire production of the film, and include subject matter such as the construction of the set, rehearsals and recording sessions, which feature images of Harry Nilsson and the film's music arranger, Van Dyke Parks. Additionally, several photographs include the film's producer, Robert Evans. The photographs were taken by Paul Ronald and Melinda Wiekman, and the hand-tinted photographs were created by Jean Pagliuso.


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The Rake's Progress series (0.4 linear feet) consists of materials from the 1982 opera directed by Robert Altman at the University of Michigan, in Ann Arbor, and later revived with the same sets and costumes in 1986 at the Opera de Lille in Lille, France.

The University of Michigan sub-series include correspondence from Paul C. Boylan, Dean of the School of Music, and Frank Beaver, professor at the School of Communications. The photographs sub-series contain images of rehearsals and of the production.

The France sub-series legal materials include agreements between the Opera de Lille, Altman and the University of Michigan. Production materials include photographs of the costumes used, and models of the set. Miscellaneous includes color photocopies of prints by Isi Veleris, the artist who took photographs of the costumes.

The Secret Honor series (3.5 linear feet and 1 oversize box) consists of materials related to the stage production and film based on the play by Donald Freed and Arthur Stone. The play, starring Philip Baker Hall, was staged in Los Angeles, New York, Boston, and Ann Arbor, Michigan. The film was directed by Robert Altman and produced by Sandcastle 5, in cooperation with The University of Michigan and the Los Angeles Actors Theatre.

The materials include financial records related to the stage production and film, as well as production budgets, box office reports, theatre contracts, partnership documents, reports related to film distribution and film festivals, and correspondence. Accompanying these materials are the papers of Jerome Walsh, legal counsel to Robert Altman for the Secret Honor project. Included are documents related to the legal action against Altman for alleged unauthorized use of copyrighted materials belonging to James Beasley and Terry Marder.

Within the Stage Production sub-series, programs, reviews, publicity photographs, publicity releases, and reviews of the stage productions can be found. Within the Film sub-series there are subtitles, mixing cue sheets, scripts, and music, including a score inscribed by the composer, George Burt. Secondary sources related to the film include a Master's thesis, "The Iconography of Robert Altman's Secret Honor: Identification and the Struggle for Power," by Ilsa Bick and a segment of the book "Nixon on Stage and Screen," written by Thomas Monsell.

The Streamers series (3.4 linear feet) consists of materials from the 1983 film directed by Robert Altman from the play by David Rabe, featuring Mathew Modine, Michael Wright, Michael Lichtenstein, Guy Boyd, George Dzundza, and David Allan Grier.

The legal subseries include correspondence relating to the agreements for the film. There were two lawsuits connected to the film. One involved Nick Mileti and the distribution of the film. The other involved Robert Geisler and the financing for the production. Both of these lawsuits are found in the materials from the law offices of Jerome Walsh.

There are extensive business and financial materials in this series. There is the budget, payroll, cancelled checks, and the ledger. This subseries also includes the releases for the extras and the crew.

There are two versions of the script: Rabe's original and the one shot by Altman. There is also an Italian translation.

The collection includes the resumes and headshots for the actors as well as their measurements and other information. It also includes the call sheets for the filming.

There are 5 folders of domestic articles and reviews, and eight folders from abroad. The film was well-represented at film festivals, and the collection includes materials from Venice, Cannes, Toronto, New York, Chicago, and Seattle. There are also materials related to the Academy Awards campaign.

The Tanner '88 series (10 linear feet) consists of material from the 1988 HBO (Home Box Office) television series directed and co-produced by Robert Altman and


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written by Garry Trudeau. The series features the actors Michael Murphy, Pamela Reed, Cynthia Nixon, Matt Malloy, and Ilana Levine.

The legal materials consist of material from the law office of Jerome Walsh, in addition to agreements for the filming of the "interstitials" for the re-release of Tanner '88 by the Sundance Channel, in 2004; reviews of this re-broadcast are included in the articles and review subseries, and a script in the script sub-series. The production and post-production sub-series includes research used in preparation for filming, and the negative for the Doug Marlette political cartoon featuring the character Tanner, used for a prop version of the Atlanta Constitution newspaper.

The Two by South series consists of materials from two, one-act plays written by Frank South and directed by Robert Altman. Precious Blood features the actors Guy Boyd and Alfre Woodard, and Rattlesnake in a Cooler stars Leo Burmester and Danny Darst. The plays were performed in Los Angeles at the Los Angeles Actors Theater before moving to New York to run off-Broadway at the St. Clement's Theater. The New York production was filmed for ABC ARTS Network. They were broadcast on this network on several occasions both separately and together starting in 1982.

The series contains correspondence including many cards and telegrams from the New York premier. The legal material consists of materials from the law offices of Jerome Walsh, and assorted correspondence and contracts related to both the stage and film versions of the plays. Additionally there are documents pertaining to an agreement reached through arbitration regarding a contract disagreement with the Actors Equity Association related to the filming of the play. The oversized box contains several folders of large photographs from the play and a poster from the St. Clement's production. Additionally this collection contains an original Al Herschfeld caricature of Leo Burmester, inscribed by Burmester, given to Altman.


Box No. Description -

1

Aria Legal-Walsh, Jerome

Box 1 Agreements and correspondence, 1987. L&M file 4261-064-0

Business and financial Correspondence

1987 Production and post-production

Production credits, 1986 Articles and reviews

Domestic International

Awards, events, and festivals Cannes Film Festival, 1987

Photographs Slides

Basements: The Dumb Waiter and The Room Legal

Correspondence Box 1

Daish, Judy, 1986-1987 Correspondence, Pinter, Harold, distribution rights, 1987 Film credit obligations Agreements

Production, ABC, 1986-1987 Composer, 1987 Bushnell, Scott, 1987 Closed captioning, 1987 Residual payment agreement, 1987-1988

Crew contracts, 1987 (2 folders) Prism License for Pinter, 1989 Prism Bankruptcy, 1996

Legal-Walsh, Jerome Director, actor, and license agreements, 1987-1988. L&M file 4261-

006-0 (3 folders) Producer, and video license agreements, 1987-1998. Includes

documents related to Prism Entertainment bankruptcy, and Christ Zois estate settlement. L&M file 4261-004-0 (4 folders)

Copyright, and insurance agreements, 1987-1997. L&M file 4261-005-0 (6 folders)

Screen Actors Guild, 1987 (2 folders) Directors Guild of America, 1987 Pinter, Harold, agreement, correspondence, 1986-1997


1987 1988 Daish, Judy, 1987-1989

Production budget, 1987 (2 folders) Canadian taxes, 1987 Set and equipment receipts, 1987 (2 folders) Association of Canadian Television and Radio Artists, 1987 Expense reports, February-May, 1987 (6 folders)



2

Box 2 Expense reports, February-May, 1987 (15 folders) Personal expenses for post-production, The Room, Dumbwaiter,

1987 Expense reports print outs, 1987, The Waiting Room Per Diem expenses, 1987 (2 folders) Petty cash records, 1987 Accounting and petty cash, 1987

Box 3 Purchase orders, 1987 (3 folders) Paid bills, 1987 (24 folders) Bank of Montreal statements and invoices (4 folders) The Waiting Room

Panavision Canada, 1987 (3 folders) Box 4

Cancelled checks, 1987 (3 folders) Financial reports, 1987 (3 folders)

The Dumb Waiter Bank reconciliations, 1987 Worksheets, 1987 General ledger, 1987 Purchase journal 1987 Cash disbursements, 1987 Cash receipts, 1987 Payables, 1987 Sales journal, 1987 Final accounting, 1987 Accounting statements, 1989-1995 Profit sharing, residuals and correspondence Guild residuals, 1989

Scripts Play script (3 folders) Published play (2 folders) As edited (2 folders) Continuity (4 folders) Transcript of edited film (2 folders)

Production and post-production Correspondence

1987 (3 folders) Set design and construction (3 folders) Daily production reports Technical report, 1989

Box 5 Sequencing, New York (2 folders) Credit lists Credit proofs Editing log The Dumb Waiter

Script reports (5 folders) Camera notes (2 folders) Camera reports (2 folders) Sound reports

The Room



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Script reports (2 folders) Camera reports (2 folders) Sound reports, 1987 Crew lists Notes

Music and scores Cue sheets (2 folders)

Publicity and distribution Correspondence

1987 1988 Jane Balfour Films, 1997-1998 MTV Networks, 1995 KPI, Bravo network, 2000 BBC News, 2004

Pinter, Harold Press kits (3 folders) ABC viewers' guide, 1987 Blue Dolphin Distributors, 1987-1989

Articles and reviews Domestic International

Awards, events, and festivals IV International Independent Film Festival of Barcelona, 1997 (2

folders) Photographs

On the set (5 folders) Sandcastle 5 publicity stills (2 folders) Capital Cities/ABC, Inc. publicity stills Contact sheets (9 folders) Negatives (3 folders)

Box 6 Negatives (4 folders) Slides (4 folders) Film (5 folders)

Beyond Therapy Correspondence

Box 1 Chasman, Julia, 1985 Lesnick, Matthew, autographed menu, 1986

Legal Correspondence

1986-1987 (2 folders) Agreements

Artist's agreements, 1986-1987 (4 folders) Composer agreements, 1986 Durang, Chris, 1985-1986 Recording agreement, 1986 Director's agreement Producers' agreements New World Pictures, 1986 (2 folders) WOR Radio, 1986



4

Filmed Finances Limited, 1986 Synchronization licenses, 1986 (2 folders)

Rights requests, 1996, 1999 (2 folders) Legal-Walsh, Jerome

Lane and Mittendorf "New matter memo," 1987 Correspondence

1986 1989

Agreements Hemdale "deal memo" draft Director's agreement, 1986 Durang, Christopher WOR Radio Financing and distribution, 1986 (4 folders) Producers' and artist's agreements Assignment and assumption agreements, 1986-1987 (2 folders) Net profits, 1986-1987 (3 folders) Synchronization license, 1986

Budget "Cash flow" draft, 1986 Cost reports, 1987 Tax information Sand Script certificate of incorporation Sand Script share certificate, 1986 Insurance application Plot summary

Business and financial Box 3 (o.s.)

Production budget, 1986 Box 1

Cost reports, 1986-1987 (3 folders) General ledger, 1986 (2 folders) Morgan Bank, France, 1986 (4 folders) New World Pictures accounting statements, 1987-1992 Sand Script Productions

Correspondence Seig, Matthew, 1986-1987 (3 folders)

Writers Guild pension plan, 1985-1987 Insurance, 1986-1987 Unemployment insurance, 1985-1986 Bills, 1986 Trial balance, 1986 Petty cash, 1986 Certification of officers, stock certificate, expenses, 1986-1987 Paid bills (3 folders), 1986

Box 2 Paid bills (4 folders), 1986

Scripts Correspondence, 1987 Corrected original, April, 1986 (2 folders) First draft, April, 1986 (2 folders) [Second draft], April, 1986 (2 folders) [Third draft], May, 1986 (2 folders) Shooting script, 1986 (2 folders)



5

As-shot script, June, 1986 (2 folders) Dialogue, December, 1986 (2 folders)

Production and post-production Cast and crew contact information, 1986 Credits, 1986

Music and scores Correspondence

1987, 1989 Box 3 (o.s.)

Original score, Gabriel Yared Box 2

"Someone To Watch Over Me" lyrics, sheet music Music cue sheets

Publicity and distribution Domestic

Interviews and articles, 1987 Correspondence and press releases, 1986-1987 Press kit drafts, 1986 Advertisements, 1986

International, 1986-1987 (4 folders) DVD, 2003

Articles and reviews Domestic, 1987 International, 1986-1999 (3 folders)

Awards, events, and festivals Cannes Film Festival, 1986

Photographs On the set

Box 3 (o.s.) Still

Box 2 New World Pictures publicity stills Cast hiatus (2 folders) Slides, negatives

The Caine Mutiny Court-Martial Correspondence

Box 1 Wouk, Herman, 1987

Legal Actor contracts, 1987 (2 folders) Music license, correspondence, memos, 1987-1988

Legal -Walsh, Jerome Agreements, correspondence, memoranda, and arbitration, 1987-

1989 (7 folders). L & M 4261-002-0 Agreements and correspondence, 1987 (2 folders) Malprod Inc. production costs correspondence and contracts, 1988-

1990 (3 folders) Business and financial

Budget (2 folders) Paid bills, 1987 (2 folders)

Scripts Original script (3 folders) Original lined script (5 folders)



6

Shooting script [1] (3 folders) Shooting script [2] (3 folders)

Production Correspondence

U.S. Navy, 1987 North Carolina Film Office

Cast and crew list Inventory list New York State Department of Labor, 1988 Title credits, 1986-1988 "Those Old Yellowstain Blues," Michael J. Martin cartoons, 1987

Music and scores Music cue sheets, lyrics, sheet music, 1987


1987-1992 Location, 1987 Davis, Brad, 1987-1988 Advertisements, 1988 Premier invitation, 1988

Articles and reviews Domestic, 1988-1989 (3 folders)

Publications Wouk, Herman. "The Caine Mutiny Court-Martial," (Samuel

French, Inc., 1954)

Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean Stage Production


Bates, Kathy Graczyk, Ed Kellerman, Sally Society of Stage Directors and Choreographers Tewksbury, Joan Tomlin, Lily 1982 1985


Feiner, Ronald E. 1982

Agreements Business and financial

Budget (2 folders) Box office statements, 1982 (2 folders) Royalties

1989-1998 (3 folders) Scripts

Draft, 1978 (2 folders) Draft, 1981 (2 folders) Revised draft, 1982 (3 folders)

Production Correspondence



7

Western Union mailgram, notice to close, March 29, 1982 Contact list

Publicity and distribution Playbills-Martin Beck Theatre, 1982

Box 5 (o.s.) Posters

Articles and reviews Box 1

Correspondence Domestic (5 folders)

Photographs Rehearsal (2 folders) Production Slides

Film Correspondence

Douglas, Mitch Graczyk, Ed 1982-1983 1986


1982-1983 2006 Directors Guild of America, 1985

Music rights, 1982-1986 Limited partnership, 1982-1983 Agreements

Altman, Robert, 1982 Actor agreements, April-October 1982 Screen Actors Guild Film Exhibition Deal memoranda, 1982 J&M Film Sales, Ltd agreement, February 18, 1983

Legal-Walsh, Jerome Production and financial agreements, 1981-1984. L&M file

4261-032-0. Also reference L&M file 4261-062-0 (10 folders)

Business and financial Correspondence, 1986-1987 Budgets, 1982 Actors' payments, 1982 Cash disbursements, 1982 Insurance, 1982 Blank forms-MG Cable, ABC Video

Box 2 Theatre contracts, 1982-1983 Gross receipts, 1983-1985 Outside participant reports, 1983-1985 Theatrical statements, 1982-1988 Royalties statements

Scripts As shot (2 folders) As edited (2 folders)



8

French translation (2 folders) Italian translation (2 folders)

Production and post-production Contact lists Credits, 1982 MPAA rating, 1982


1982-1983 1990-1992

Press kit French press kit (2 folders) Advertisements, 1982-1983

Box 5 (o.s.) Advertisements

Box 2 Interview schedules, 1982 International film shipping schedules, 1982 French screening, 1983 French video release, 1982-1983 International distribution-producer's reports, 1983-1984 (4

folders) Showtime newsletter, July, 1982 DVD release, 2005

Articles and reviews Domestic (10 folders) International (7 folders) Best of 1982 Southern Methodist University student reviews, 1983

Awards, events, and festivals Correspondence

1982-1983 Academy Awards consideration, 1982 Chicago International Film Festival Miscellaneous festivals, 1982

Box 5 (o.s.) Academy Award advertisements

Box 2 Miscellaneous

James Dean biography, photocopy in French Photographs

Box 3 On the set Stills (4 folders) Cinecom publicity stills Contact sheets (3 folders) Negatives (7 folders) Transparencies

Box 4 Slides (8 folders)

Fool for Love

Correspondence



9

Box 1 Shepard, Sam, 1983 1985


Rubin, Edward, 1985 Screen credits agreements and correspondence, 1985 Ellis, Fremont agreements and correspondence, 1985

Legal-Walsh, Jerome Writer, director and literary purchase agreements, 1985, L&M file

4261-041-0 (4 folders) Agreements and correspondence

Basinger, Kim Quaid, Randy Stanton, Harry Dean


1986 Budget, 1985 (2 folders) Purchase orders Equipment invoices, 1985 Cast insurance medical certificate, Sam Shepard, 1985 Crew employment records Profit participation reports, 1987-1992 (2 folders)

Scripts First draft (2 folders) Second draft, April 15, 1985 (2 folders) Third draft, April 19, 1985 Fourth draft

April 25, 1985 (4 folders) April 25, 1985, Bushnell's copy April 25, 1985, Nicholls' copy

Shooting script, April 25, 1985 (2 folders) Undated draft (2 folders) Undated draft with notes (2 folders) Legal copy Dialogue, October 17, 1985 (2 folders) As shot [1] (2 folders) As shot [2] (2 folders)


Box 2 1985

Play publicity, 1983 Actors' resumes and headshots Cast and crew lists, Crew memo Script supervisor's production reports Daily production report Assistant director's breakdown sheet (2 folders) One liner Shooting schedule Call sheets, 1985 Character, location and scene breakdown



10

Equipment and supplies Titles TVC Laboratories contact list


1985 Recording budget and notes Music cue sheet Orchestral score draft Orchestral score (inscribed by George Burt)


Cannon Films (2 folders) Press kit, 1985 (2 folders) Cannon Group press kit, France, 1986 Cannon Group production notes On location articles Advertisements Basinger, Kim Shepard, Sam DVD, 2003-2004

Articles and reviews Domestic (5 folders) International (6 folders)

Awards, events, and festivals Box 3

Academy Awards consideration, 1985 Cannes Films Festival, 1986 (4 folders)

Photographs On the set (1-3 of 4 folders)

Box 4 o.s. On the set (4 of 4)

Box 3 Stills (2 folders) Cannon Group publicity stills (3 folders) Contact sheets (7 folders) Slides (9 folders) Negatives (2 folders) Transparencies Film splice

HealtH Correspondence

Box 1 Anonymous

Legal Music license, correspondence, 1979-1980 Correspondence, Ronald E. Feiner, 20th Century-Fox, 1982

Legal-Walsh, Jerome Actor agreements, negative pick-up agreement, correspondence,

1978-1981. L&M file 4261-045-0 (4 folders) Business and financial

Final picture cost recap, 1980 Scripts



11

Correspondence Burnett, Carol, December 4, 1978

First draft (2 folders) Second draft, December 19, 1978 (2 folders) Dooley edits, with correspondence, January 1, 1979 Third draft, February 5, 1979 (3 folders) Shooting script [1], February 20, 1979 (3 folders) Shooting script [2], February 20, 1979 (3 folders) Lined script (3 folders)

Production and post-production National Health Federation regional convention brochure, 1978 Crew list Main and title credits, 1980

Music and scores Song lyrics

Publicity and distribution Correspondence, 1979-1984 Altman, Robert Bacall, Lauren (5 folders) Burnett, Carol (5 folders) Cavett, Dick Dooley, Paul Garner, James (4 folders) Gibson, Henry Jackson, Glenda (2 folders) Johnson, Georgann The Steinettes Miscellaneous cast Press conference, 1979 Press kit

Domestic (4 folders) International

International press release International distribution, 1982-1983 "Go to Health"

Box 2 Narrative script Extra talent wavers, January-February, 1979 Letter agreements, February-March, 1979

Advertisements, one-sheets (2 folders) Postcards, Jean Pagliuso (2 folders) Postcards, stickers

Articles and reviews Correspondence

1981 On location, 1979 (6 folders) Delayed release, 1979-1981 (3 folders) 1980-1982 (4 folders)

Awards, events and festivals Greater Miami International Film Festival, 1980 Montreal Film Festival, 1980

Photographs On the set



12

Box 4 (o.s.) Cast and crew, March 17, 1979

Box 2 Stills (7 folders) 20th Century-Fox publicity stills

Box 3 Contact sheets (8 folders)

Box 4 (o.s.) Contact sheets (7 folders)

Box 3 Negatives Slides (2 folders)

Images Correspondance

Box 1 1971-2001 Auberjonois, Rene, 1972 Dolan, Marianne, 2001 Ford, Arthur, 1972 Loynd, Ray, 1971-1972 Lyons, Stuart and Witt, Peter, 1972 Sacha, Jean, 1972 Watts, Roger, 1972 Williams, John, 1972

Legal Production, rights and service agreements, 1970-1972. MS&K file

8314-6 (7 folders) Production, rights and service agreements, 1972-1975. MS&K file

8314-6 (2 folders) Legal-Walsh, Jerome

Copyright search report, 1997. Includes copyright reports for Images and That Cold Day in the Park. L&M file 4261-097-0

Scripts Final script (3 folders)


1971-1972 In Search of Unicorns correspondence, translations, 1972

Music and scores Original LP liner notes, memo regarding illegal sale of soundtrack

Box 3 (o.s.) Score


Box 1 1972

Production and plot synopses Press kit

Domestic (3 folders) International (2 folders)

Print requests, 2002 DVD transfer, 2002-2003 Altman, Robert



13

Auberjonois, Rene Bozzuffi, Marcel Harrison, Cathryn Millais, Hugh Williams, John York, Susannah

Box 3 (o.s.) Film poster


Domestic Awards, events and festivals

Cannes Film Festival program, 1972 Toronto Festival of Festivals, 1978

Photographs On the set Stills (3 folders)

Box 2 Contact sheets (4 folders) Slides (6 folders)

Scrapbooks and albums Box 3 (o.s.)

Scrapbook Miscellaneous

Box 1 "In Search of Unicorns" screenplay by York, Susannah, January,

1993 (2 folders)

The Laundromat Correspondence

Box 1 Altman, Robert, 1994 Burnett, Carol, 1994

Legal-Walsh, Jerome Correspondence, agreements, memoranda, 1978-1987. L&M file

4261-026-0 (9 folders) Usage and copyright, 1984-1985 Production and license agreement, 1984-1985 Rights inquiries, 1991

Business and financial Tentative budget, November 16, 1984 Frog Films budget invoices, 1984-1986 Chart of accounts, 1984 American Express charges, 1984 Production costs

Equipment, 1984-1985 Transportation and production, 1984-1986 Set and wardrobe, 1984-1985 Crew payments, 1984-1985 (2 folders) Deferred production, 1984-1985 Miscellaneous expenses, 1984-1985 Paid bills, 1984-1985 (2 folders) Insurance, 1984-1985

Scripts



14

Third and Oak: The Laundromat, published script, 1978 First draft, 1978 Second draft, 1978

Production and post-production Main titles and closing credits

Publicity and distribution Foreign sales, 1984-1997 (3 folders) Articles, 1985

Awards, Events, and Festivals Munich Film Festival

Articles and reviews Domestic

O.C. and Stiggs Correspondence

Box 1 1984

Legal Actor agreements, 1983 (7 folders) Production, distribution and loan-out agreements, 1984. L&M file

4261-052-0 (4 folders) Loan-out agreement comments, 1984


1985 1987

Scripts First draft, December, 1982 (2 folders) Second draft, June 6, 1983 (3 folders) Shooting script (4 folders) Lined script, 1983 (5 folders)

Production and post-production Daily production reports, 1983 Budget, 1983 Cast and crew contact sheets, 1983

Publicity and distribution Altman, Robert Dooley, Paul Advertisements, 1987 Video cassette cover

Articles and reviews Domestic

Publications National Lampoon Special Issue, "The Utterly Monstrous, Mind-

Roasting Summer of O.C. and Stiggs," October, 1982 Photographs

On the set Stills

Box 2 (o.s.) Contact sheets (albums 1-2)

Box 3 (o.s.) Contact sheets (albums 3-4) (album 5 missing)

Box 1 Transparencies



15

Slides (4 folders)

Popeye Correspondence

Box 1 1981-1984 1995

Legal Sales tax dispute, 1981. Related to sales tax dispute between State of

California and Lion's Gate Films involving charges to Paramount Pictures for Popeye. MS&K file 8314-37 (4 folders)

Lion's Gate sales tax dispute, 1982-1984. Related to sales tax dispute between State of California and Lion's Gate Films. MS&K file 8314-37 (2 folders)

Audits Paramount audit, 1979-1983 Lion's Gate sales tax audit, 1979-1983 Lion's Gate sales tax audit E, 1979-1982

Agreements Exhibition and settlement agreements, 1987-1993 Participation agreement, 1980 Cast agreement, 1980

Legal-Walsh, Jerome Paramount litigation, 1983-1987. Correspondence and legal

documents related to dismissal of Paramount Pictures lawsuit against Altman involving Altman services on Popeye. L&M file 4261-059-0 (2 folders)

Business and financial Distribution statements, 1983

Scripts First draft, undated (3 folders) Second draft, undated (3 folders) Third draft, 1979 (3 folders) Shooting script, 1980 (3 folders)

Production and post-production Correspondence, 1980 Local weather summary, 1980 Film synopsis, 1980 Cast lists, 1979-1980 Falconette Gazettes, 1980 (3 folders) Forearm construction, drafts Flyers, 1980 Signs, 1980 Credits, 1980

Music and scores Song lyrics (2 folders) Sheet music (2 folders)

Publicity and distribution Correspondence, 1993 Plot, production summary, cast and crew notes, 1980 Wesley Hurt, 1980-1981 Daily News, 1980 Press kit, 1980



16


Postcard, 1980 DVD release, 2007

Articles and reviews On location, Malta, 1980

Box 2 Domestic, 1980 (13 folders) International, 1980-1982 (2 folders) DVD release, 2003

Awards, events and festivals De La Salle College basketball game, 1980 Los Angeles Children's Museum benefit premiere, 1980

Publications Spinner, Stephanie. "Popeye: The storybook based on the movie,"

(Random House, 1980) Photographs

Sets Box 3

Sweethaven models Sweethaven set (2 folders) Set construction

Costumes, hair and makeup (3 folders) Rehearsals (2 folders) Recording sessions (2 folders) Editing Cast and crew

Wesley Hurt (2 folders) Talent show

On the set (1 folders) Box 17 (o.s.)

On the set Hand-tinted

Box 4 On the set (9 folders) Stills (7 folders)

Box 5 Stills (17 folders)

Box 6 Stills (15 folders)

Box 7 Stills (1 folder) Photocopies Film premiere Paramount Films publicity stills Contact sheets (10 folders)







17

Box 12 Contact sheets (3 folders) Slides (7 folders)





The Rake's Progress University of Michigan


Beaver, Frank Boylan, Paul C. 1982

Business and financial Bills, checks, receipts, 1982

Scripts Libretto, 1964

Production and post-production Contact list American opera companies list

Publicity and distribution Programs Posters, ticket order forms

Port. 1 (o.s.) Posters



Photographs Rehearsal Production

France Legal

Agreements, 1986 Publicity

Programs Articles and reviews

International (2 folders) Photographs

Set model Costumes Slides (2 folders)

Miscellaneous Veleris, Isi art show, 1996

Film Legal

Correspondence



18

University of Michigan, 1982 Opera de Lille, 1985-1986

Business and finance Budgets, 1986

Secret Honor

Stage Production Legal

Box 1 Contracts and agreements, 1983 (4 folders) Partnership documents

1983 (2 folders) 1984

Insurance, 1983-1985 (2 folders) Financial

Correspondence, 1983 Provincetown Playhouse

Settlements, 1983 Box office statements, 1983-1984

AFTRA, 1983 Reports, 1983, 1986, 1988 Expenses, 1983-1984 (2 folders) Production, 1983-1984

Costs and overviews (2 folders) Budgets

Box 5 (o.s.) Production costs (ledger)

Manufacturers Hanover Trust bank account Box 1

July 31, 1983-November 22, 1983 November 23, 1983-December 20, 1983 December 21, 1983-January 20, 1984 January 21, 1984-May 18, 1984 May 19, 1984-April 24, 1985

Secret Honor Limited Partnership (Boston) Correspondence, 1984-1985 Box office statements, 1984-1985

Tax documents, 1983-1985 Production and post-production

Actors' Equity Association contracts and agreements, 1983-1984 Ann Arbor crew applications and contacts, January 1984 University contact sheets

Publicity and distribution Programs, 1983-1984 New York, 1983

Publicity Reviews

Los Angeles, 1983-1984 Publicity Reviews

Boston, 1984 Publicity Reviews

Ann Arbor, 1984



19

Publicity and reviews Photographs

Los Angeles, 1983-1984 Ann Arbor, 1984

Los Angeles Actors' Theater, 1983-1984 Film

Correspondence 1984-1992 Altman, Robert, 1984

Legal Correspondence, 1984-1987 Freed, Donald and Stone, Arnold, 1983 Contracts and agreements, 1984 Contracts and agreements, 1983-1985 (2 folders) Distribution agreements, 1984-1986

Box 2 Screen Actors Guild, 1984, 1990 Insurance documents, 1984 Copyright, 1986-1987 Errors and omissions liability policies, 1987-1990 Sundance deal memo, 2004

Financial Correspondence, 1984-1987 Budget, 1984 Expense vouchers, 1984 (2 folders) Producer's reports, 1984-1989 Directors and Screen Actors Guild, 1984-1990 Invoices, bills, and receipts, 1983-1985 (9 folders) Ledgers and financial reports

1984 1985-1986

Morgan Guaranty Trust bank account 1984 1985-1986

Theatrical statements, 1985-1987 Secret Castle financial statements, April 30, 1986 Expenses, 1996 DVD Residuals, 2005

Scripts Correspondence, 1987 Revised, September 24, 1983 Line script, 1983 Film transcript, 1984 (4 folders) Script notes, 1984 Cutting continuity Film transcript (4 folders) Partial script for French translation

Production and post-production Movielab, 1984 Picture Labs and lab access correspondence, 1984-1987 German subtitles

Spotting list Master copy



20

Box 3 French translation-faxes, 1985-1996 French subtitles

Corrected French subtitles Unused dialogue for French dubbing Script marked for French subtitles (2 folders)

Elements Titles Mixing cue sheets, reels 1-5 (5 folders) Cue sheets, reels 1-5 Print log Contact sheet, 1984 Inter-negative and sound negative shipment, 1994, 1996

Music and scores Box 5 (o.s.)

Burt, George, full score (9 folders) Box 3

Burt, George, "Secret Honor; short score" (Inscribed by the composer)

Music cue sheets Publicity and distribution

Press kit Press kit with reviews French press junket, 1985 - 1986 Michigan, 1984 National, 1984-1986 Beverly Center box office statements, 1984 Independent bookings, 1984-1996 Cannon, 1985 Cinecom, 1985-1986 Blue Dolphin Films, 1987 Cineplex Odeon reports, 1989-1991 Voyager Company, 1992 Movieman

Correspondence, 1996 Shipping, 1996 Payments, 1996 Licensing agreement, 1996-1997 German tax exemption, 1997

Distribution correspondence, 1994-1998 UCLA film archive, 2002-2003 Loaned Prints, 1994-2003 Screening and information requests, 2003-2004 Poster request, August 2005 Criterion agreement, 2004 Technicolor reprint, 2004 Home Video, 1986 Laserdisc DVD cover proof, 2004

Articles and reviews Domestic, 1984-1985 (2 folders) International, 1986

Awards, events and festivals Berlin, 1985



21

Munich, 1985 Hong Kong, 1985-1986 New York opening, 1983 Toronto, 1984 Germany, 1985 London, 1985 (2 folders) Paris, 1986 France, 1986 Miscellaneous, 1984-1985

Photographs Publicity stills

Legal files-Walsh, Jerome Correspondence

July, 1983-November, 1983 December, 1983 January, 1984-June, 1984 July, 1984-December, 1984 January, 1985-September, 1990 (2 folders)

Box 4 Memorandum, February 17, 1997 Notes and drafts, 1984 Client's papers, 1984, 1987 Limited partnership agreements (5 folders) Beasley, James M. and Terry E. Marler v. Robert Altman [et al.],

Unauthorized use of copyrighted material, 1984-1985 Insurance, 1983-1984 Attorney general waivers, 1983 Contracts, 1983-1984 (2 folders)

Publications Bick, Ilsa. "The Iconography of Robert Altman's Secret Honor:

Identification and the Struggle for Power," (Master's thesis, Wesleyan University, 1987)

Monsell, Thomas. "Nixon on Stage and Screen," (Unpublished manuscript, 1994-1995)

Streamers


1983-1984 Legal

Correspondence Feiner, Ronald E., 1983

Correspondence, distribution expenses, production costs, 1983 Agreements, 1983 Purchase agreement closing documents, June 1983 (2 folders) Altman v. Lampwick, Robert Geisler, 1983 (5 folders)

Legal-Walsh, Jerome Correspondence, agreements, memoranda, 1982-1990. Includes

court documents. L&M file 4261-013-0 (21 folders) Box 2

Correspondence, agreements, memoranda, 1982-1990. Includes court documents. L&M file 4261-013-0 (6 folders)

Correspondence, Altman v. Streamers, Inc., Mileti, Nick, 1987-1989 Correspondence, Directors and Screen Actors Guild



22

Business and financial Budget, 1982-1983

Box 5 (o.s.) Ledger

Box 2 Payroll and release forms

Extras, 1983 Crew, 1983 (2 folders)

Deferred cash payments Distribution expenses Insurance Porthos Productions

Cancelled checks, 1983 (2 folders) Paid bills, 1983 (15 folders) Petty cash, 1983

Box 3 Porthos petty cash, 1983 (3 folders)

Scripts Original version (2 folders) As shot (2 folders) Italian translation

Production and post-production Correspondence,

1983-1984 Cast

Actors' resumes, headshots Cast and crew lists Screen Actors Guild information Call sheets

Credits Film prints

Music and scores Song lyrics Music cue sheets and correspondence, 1983-1984


1983-1984 Altman plot synopsis Press kit (3 folders) French press kit (2 folders) Publicity tour Advertisements Video release, 1984

Articles and reviews Correspondence

1983 Domestic (5 folders) International (8 folders)

Awards, events, and festivals Correspondence

1983-1994 Academy Awards, 1983 Cannes Film Festival Toronto Film Festival



23

Venice Film Festival New York Film Festival Seattle Film Festival

Photographs Box 4

On the set Stills (5 folders) Stills (photocopies) Streamers International Distributors publicity stills Media Home Entertainment publicity stills Negatives (4 folders) Slides

Tanner '88 Correspondence

Box 1 Altman, Robert, 1988 Babbitt, Bruce, 1989 Trudeau, Garry 1988-1993


Home Box Office (HBO), 1988 Sheanshang, George, 1988, 1991-1992

Certificate of incorporation, minutes and by-laws, 1987 Copyright registrations, certificate of origins, 1988, 1989 Billing, 1996 Agreements

License, production, 1987-1988, 1994 Basic, 1987-1989 Footage license, 1989, 1992 Central Television Enterprises/Carlton International,

correspondence, 1988-1999 (3 folders) Location, 1987-1988 (2 folders) Assumption, 2004 (3 folders) Blank excerpt rights and synchronization license forms

"Deal memos," 2006 Sundance Channel

"Deal memos," agreements and correspondence, 2003-2004 (5 folders)

Legal-Walsh, Jerome Correspondence, agreements, Trudeau/WGA dispute, 1987-1990.

L&M file 4261-023-0 (7 folders) Assignment agreement, 1989-1990


1988-1990; 2003 Budget

1988 (3 folders) Cost reports and budgets, episodes 1-6, 1988 (11 folders)

Actor payments, salaries "Crew deal memos," 1987 Taxes,

Returns, 1987-1988 (2 folders)



24

1099 forms, 1988 Paid bills, 1988

A-B (2 folders) Box 2

A-B (7 folders) C-F (13 folders) G-K (9 folders) L-M (4 folders)

Box 3 L-M (5 folders) N (9 folders) O-P (9 folders) R-S (6 folders)

Box 4 R-S (10 folders) T-Z (13 folders)

Paid bills, 1989 Accounts payable, 1988

Check register (3 folders) Control register (5 folders)

General ledger, 1988 (9 folders) Box 5

General ledger, 1988 (8 folders) Bank reconciliations, 1988 (2 folders) Journal entries, 1988 (7 folders) Actor sign-out sheets Cash flow, episodes 1-6 Marine Midland Bank, 1987-1989

Statements and cancelled checks (3 folders) Cash management fund Corporate banking resolutions

Taxes, 1988, 1990 Blank crew time cards, union forms Transfer of officers, 1989 Voided checks, 1988 (2 folders) Insurance, 1988-1994

Fireman's Fund Producers-Writers Guild of America Workers' compensation claims Unemployment American Federation of Television and Radio Artists (AFTRA)

(4 folders) Producer liability policy

Cast and crew files, 1988 A-C (7 folders) D-J (7 folders)

Box 6 K-N (10 folders) O-Z (7 folders)

Residuals and royalties, 1993, 2004-2005 Legal bills, international sales, and correspondence, 2005-2006

Scripts Scripts (10 folders) "Scripts, treatments, etc., Episodes 1-3" (7 folders)



25

"Dialogue list" (11 folders) Treatments (5 folders)

Box 7 Transcripts (5 folders)


1987-1989 (4 folders) Producer/Director notebook (16 folders) Cast, 1988

Files (5 folders) Lists (2 folders) Call sheets (3 folders) Contracts (4 folders) Extras (7 folders)

Box 8 Extras (5 folders) Wendy Crewson H-1 petition

Location Releases (2 folders) Permits Information (3 folders)

Crew Resumes Lists

Production information Episodes 4-6 (4 folders)

Equipment rental and costs, 1988-1989 Credits, 1988 (2 folders) Broadcast dates Production reports (4 folders) Sound reports (6 folders) Tape logs Contact lists (2 folders) Jack Tanner biographical film, 1987-1988

One-liner Stills and stock footage cue sheet, rights correspondence

Jack Tanner biography "Original camera master logs" (12 folders)

Box 9 "Original camera master logs" (8 folders) Research, 1988

Candidates (3 folders) Democratic National Convention (5 folders) CBS News campaign information (10 folders) Democratic National Training Institute (2 folders) Articles (4 folders) Save our Sons and Daughters (SOSAD) United Nations Children's Fund (UNICEF) "Makeovers" information Miscellaneous (4 folders)

Box 10 Washington party guest lists Presidential seal "Stunt" airplane cutouts



26

Box 14 (o.s.) Negative for Doug Marlette cartoon for prop Atlanta Constitution

Box 10 Viewers' response, 1988 Film storage inventory and correspondence, box list, 1992-1999 "Intro Shoot" notebooks, 2003 Production calendar, 2003 "Interesting Tanner '88 Tapes" list, includes episode and tape format


1988 Music cue sheets Song lyrics, "Exercise Your Right to Vote"


HBO, 1987-1988 1996 Fox Lorber, 1998 1988 1989 1991 1992 1998 2003 2004 2005 2006

Promotional script Kathy Keller publicity file (2 folders)

Box 10 Press kit, press releases, 1988 (2 folders) "Press clips" notebook (6 folders) One-sheet advertisement

Box 14 (o.s.) One-sheet advertisement Printer's proofs (5 folders)

Box 10 Pacific Film Archive, 1992 The Voyager Company laserdisc, 1992-1997 Pacific Arts, Electronic Arts Intermix video, 1992-1993 Sandcastle 5 videocassette labels Broadway Video billing, invoices, and correspondence, 2004 Criterion Collection DVD, 2004

Articles and reviews Domestic (22 folders) "Press digest" notebook (4 folders) Sundance Channel re-broadcast (3 folders)

Box 11 Sundance Channel re-broadcast (3 folders) International

Awards, events and festivals Correspondence

1988-1993 2003



27

Festival International de Programmes Audiovisuels, 1988 (2 folders) National Telemedia Council award, 1988 The Museum of Broadcasting, 1988-1989 West Hollywood Conversations in Video, 1990 Louvre screening, 1990 Venice Film Festival, 1992 Melbourne Festival, 1993 Intermedia Arts, 2000 Festival Internazionale del film Locarno, 2004 Hong Kong International Film Festival, 2005 Miscellaneous, 1988-1996

Photographs Box 12

On the set (2 folders) Stills (13 folders) HBO/Cinemax publicity stills Miscellaneous Contact sheets (8 folders)


Box 14 Slides (7 folders) Negatives (4 folders)

Two by South Correspondence

Box 1 Opening night, 1981 Herschfeld, Al, cartoon of Leo Burmister, December 5, 1981 1981

Legal Correspondence and agreements, 1981 (2 folders) ABC, 1981-1987 Actors Equity Association, 1981-1982 TV music rights, 1981-1982 Copyright, 1981 Business certificate, 1981 American Federation of Television and Radio Artists contracts,

1981-1982 Legal-Walsh, Jerome

Correspondence and memoranda, 1981-1987. L&M file 4261-043-0 (7 folders)

Business and financial Budget estimate Estimated production costs Working budget, 1981 Insurance, 1982(2 folders) Accounting ledger, 1981 (2 folders) Statement of receipts, disbursements, and expenses, 1981 Box office supply receipts Payroll taxes Accounting bills Final figures

Scripts



28

Stage manager's script, 1981 (2 folders) Lined, 1981 (2 folders) Shooting (2 folders) Published, 1981

Production and post-production Multi-track sound report

Publicity and distribution Press representative agreement, correspondence Advertisements Play bill Flyers, St. Clements Theatre

Box 2 (o.s.) Poster


Domestic (5 folders) Detroit Repertory Theatre, 1983 International

Awards, events, and festivals L.A. Weekly Theatre Awards

Photographs Premiere

Box 2 (o.s.) Stills (8 folders)

Filmed production

Legal Box 1

Agreements, 1981 Articles and reviews

Domestic, 1982 Awards, events and festivals

"Manhattan Nights and Manhattan Days," 1982 Miscellaneous guest list

Documents

ROBERT ALTMAN ARCHIVE: PROJECTS – 1980S Altman Archive i Abstract The Aria series ... Tom Conti, and Christopher ... the 1988 TV film directed by Robert Altman,