ROBERT ALTMAN ARCHIVE: UNFINISHED OR … Wheeler were all involved in the project as writers and Altman was to be producer, director, ... and Kerry Lenhart & John Sakmar. The "Leary"

Unfinished or Suspended ProjectsSPECIAL COLLECTIONS LIBRARY

UNIVERSITY OF MICHIGAN

ROBERT ALTMAN

ARCHIVE: UNFINISHED OR SUSPENDED PROJECTS 1960s - 2006

Quantity

Call No.: Altman

ACQUISITION: The archive was acquired from the Altman family, 2007-2008

ACCESS: The records are open for research. PHOTOGRAPHS: COPYRIGHT: Permission to publish material from this collection

must be obtained from the University of Michigan Special Collections Library and the individual copyright holder.

PROCESSED BY: Sarah Hegge, Alisha McCullick, Emily Thompson,

2011

Robert Altman Archive

i

Abstracts The Multiple Project Notes subseries consists of materials that relate to multiple

unproduced and produced projects. The subseries consists of correspondence materials and legal correspondence in the form of short typed and hand written notes.

The 92 in the Shade subseries contains materials related to a project of the same name. The subseries consists of legal material related to a dispute with producer Elliott Kastner.

The Across the River and into the Trees subseries contains items relating to a script composed by Altman based on the Ernest Hemingway novel of the same name. In addition to a copy of the script, the materials include a bill for expenses for writer Robert Harders's services.

The Amos 'n' Andy subseries contains items related to a project based on the radio and television production of the same name to be produced with Harry Belafonte. The materials include research on the programs and minstrelsy. Also included are scripts by Robert O'Hara that may have been used as research as well.

The Angels in America subseries consists of materials related to a project based on the Pulitzer Prize-winning plays by Tony Kushner. It contains correspondence, agreements and budgets in addition to copies of the original play and drafts of the screenplay. The collection also includes a letter from Kushner to Altman requesting that Altman decide whether or not he will complete the project.

The Another City Not My Own subseries contains items related to a project that was to be based on the Dominick Dunne Novel of the same name. Materials include items used to track the projects expenses and correspondence including lists of possible writers to adapt the script.

The Before the War subseries contains materials related to a script of the same name written by Frank Barhydt. The subseries contains legal material from Jerome Walsh regarding Altman's purchase of the script.

Biarritz is a subseries that contains materials related to efforts to produce an original script written by Altman. The subseries also includes version of the script written by Mariella Magri. The series contains correspondence, legal material from Jerome Walsh, business and financial documents, several versions of the script, and research materials related to the potential production of the film.

The materials in the Blackface subseries are related to a preliminary shoot in Las Vegas for a film of the same name Altman was working on with Harry Belafonte. The series contains a single piece of correspondence, business and financial documents, and a small amount of production material including a list of the crew members involved in the shoot.

The Breakfast of Champions subseries contains materials related to a film project based on the novel of the same name by Kurt Vonnegut. The property was to be part of the three picture deal with Dino DeLaurentis along with Buffalo Bill and the Indians and Ragtime. Due to Buffalo Bill's performance at the box office, the rest of the deal fell apart. However, this project was resurrected in the 1990s by Alan Rudolph and eventually made into a film starring Bruce Willis (without Altman's involvement). The materials include agreements, budgets and scripts. The scripts include both the first draft from 1975 and later drafts from 1992 and 1994.

The Brown Sugar subseries contain materials related to a script by Roderick Spencer. Business and financial documents and scripts are included.

The CDC subseries contains materials related to a project proposed by Gary Trudeau. The business and financial subseries includes billing materials related to legal fees and other pre-production costs.

The A Confederacy of Dunces subseries consist of materials related to a project based on the novel of the same name by John Kennedy Toole. The subseries consists of correspondence regarding the status of the project.


ii

The Chicken and the Hawk subseries contains scripts and research related to a television series originally proposed in 1965. It was reintroduced as a miniseries in 1990 with author Stephen Stark as screenwriter.

The "Cooking Project" subseries contain research materials and correspondence for this unproduced project.

The Corrections subseries contain materials related to a script by David Hare, based on the Jonathan Franzen novel. The subseries contain correspondence with Hare and copies of the script.

The Cube (alternately titled Sum Zero) subseries consists of materials related to a project of the same name. This subseries includes correspondence, business and financial documents, scripts and treatments, and materials related to the production status of the film.

The Dahl Project subseries consists of materials related to an untitled television miniseries based on short stories by Roald Dahl. Most of the materials are scripts and writing samples submitted while Sandcastle 5 was trying to choose a screen writer. There are a number of drafts and notes between Sandcastle and Peter Morris after he was hired. The subseries also contains extensive emails between Wren Arthur and lawyers in England.

The Death Where is Thy Sting-a-ling-ling? subseries contain photographs of World War I era planes. Possible research used for an Altman project based on a Roald Dahl script.

The Diviners subseries contain materials related to a screenplay by Jim Leonard based on his play of the same name. The materials consist of correspondence, legal agreements, and publicity related to the play. There are also several drafts of the script.

The Don Quixote subseries contain material from 1997-1998. The scripts include an original script by Waldo Salt with additional rewrites by Susan Shilliday and John Guar.

The An Easter Egg Hunt subseries are from a proposed feature-length film based on the novel by Gillian Freeman. Included in the legal materials are numerous documents detailing several attempts Altman made to get the film produced. The business and financial documents include budgets from 1984 and 1986. Additional materials include scripts authored by Altman and others co-written with his son, Steven. Correspondence in the script materials include notes by Altman and his son, encouraging the film into production, as well as Steven's suggested actors for each role. Also included is a proof of the dust jacket as well as reviews of the novel.

The Elite Steakhouse subseries contains materials related a scripted by Anne Rapp based on a short she wrote story of the same name. Legal materials, business and financial documents, and scripts are included in the subseries as is a small amount of production materials.

The Ever After subseries consists of legal materials related to a screenplay of the same name by Joan Tewksbury.

The The Feud subseries contain materials for a planned film based on Thomas Berger's novel of the same name. Jim Leoanard Jr. was hired to write the screenplay around the same time his play, The Diviners was also optioned by Altman.

The materials mostly consist of legal documents: the drafts of contracts and agreements with Berger and Leonard. There is some correspondence regarding the third draft of the script, as there was a dispute as to whether or not Leonard should have started revising. All three drafts of the script are included as well.

The Goes Around, Comes Around subseries contains materials related to a script written by Steve Ecclesine and Phil Mishkin. Alan Rudolph was involved in the project as a writer as well. The subseries contains legal materials, business and financial documents, scripts, and production materials.


iii

The Great Gottschalk subseries contains materials related to a musical play about the American composer Louis Moreau Gottschalk. Gillian Freeman, Leonard Mogel, and Hugh Wheeler were all involved in the project as writers and Altman was to be producer, director, and co-writer on the show. Correspondence, legal materials, business and financial documents, scripts, and notes on the script and music are included as well as production materials and articles about the production.

The Guitar Pull subseries consist of materials related to a proposed series of television specials of the same name. The subseries contains legal materials as well as correspondence regarding the casting of the series and the creation of other materials for the series.

The Hands on a Hard Body was a film Robert Altman was developing before his death in 2006. Billy Bob Thornton and Hilary Swank were reported to star.

The legal series contains agreements for all three writers, the Cease and Desist letter from Hands on a Hard Body (HOHB) films, the certificate of incorporation for Flatbed films, and other various legal agreements pertaining to the production.

The business and financial materials include several budgets for the film, expenses incurred by the scout for filming locations in Austin, Texas during the film's pre-production, invoices for legal counsel, and other expenses.

The script was originally based on Beth Hanley's script and later rewritten by Anne Rapp, but Altman ultimately decided to use Steve Harrigan's script. Script drafts from all three writers –Steve Harrigan, Beth Henley, and Anne Rapp – are included in the scripts series. Also included are Steve Harrigan's notes on both the Henley and Rapp scripts, and feedback from several parties regarding Harrigan's first and second draft.

Included in production are outlines and treatments for Harrigan and Rapp's scripts, as well as a calendar of the plot events in Harrigan's script. There are also several printed headshots for actors Altman was considering for the picture.

The Heat subseries contain materials related to a film of the same name that Altman was to direct set in Las Vegas. The subseries contains correspondence, legal materials, business and financial documents, rough scenes from the script, and a list of the staff and crew involved in the production. Production was terminated because Altman's cinematographer, Pierre Mignot, was refused a work permit. Correspondence and other legal documents reflect the visa process.

The Hearts subseries contains materials related to a project of the same name. The subseries consists of correspondence materials.

The "High" subseries contains materials related to a project tentatively of that title. The subseries contains business and financial documents.

The Killer App subseries consist of legal, business and financial records, scripts, and production materials. The bulk of the legal documents are devoted to a compensation dispute between Sandcastle 5 and Kushner-Locke (KLTV). Also included in the materials are location, cast, musicians, and other agreements.

The production materials contain the bulk of the Killer App documents and include casting and crew publicity and promotional materials. Casting contains several folders of headshots as well as extensive notes on auditions and tape logs. Extensive research is included in the production materials, pertaining to Microsoft and Bill Gates, which served as the inspiration for the fictional company VorTech and its CEO Jann Hanson. Sample writings submitted from potential show-runners are included in the crew section. These include scripts written by Ann Lewis Hamilton, Remi Aubochon, and Kerry Lenhart & John Sakmar.

The "Leary" subseries contains materials related to a project tentatively of that title. The subseries contains business and financial documents.


iv

The Libra subseries contains materials related to a proposed movie based on Don DeLillo's novel of the same name. The subseries contains correspondence as well as articles and reviews of DeLillo's work

The Light a Candle subseries consists of materials related to a project that was to be written and produced by Altman of the same name. The subseries contains script materials comprising of a short description of the plot as well as production status materials.

The Lone Star subseries consist of materials related to a project of the same name. The subseries contains legal materials.

The Long Shot subseries consist of materials related to a screenplay of the same name by Casey McCabe. The subseries contains business and financial materials and a script.

The Maiden subseries consists of materials related to a project of the same name. The subseries contains legal as well as business and financial materials.

The Marathon subseries consists of materials related to a six part television miniseries of the same name written by Joe Cacaci. The subseries contains legal materials, business and financial documents, and scripts.

The Mata Hari subseries consists of materials related to two projects portraying to the World War I dancer of the same name. The first version was in conjunction with RKO Pictures and includes legal documents, research, multiple treatments, and a script by David Williamson. The second version was to be a miniseries with HBO and includes legal documents, research, and multiple drafts of the script. Both versions have correspondence from author Russell Warren Howe related to the optioning of his biography of Hari and his role in the process of making either version.

The More Short Cuts subseries consists of materials related to a possible sequel to Short Cuts. The materials include Legal documents related to agreements with CIBY 2000 regarding financing and the lawsuit that ended its involvement. There are also several drafts of the script by both Frank Barhydt and Anne Rapp. There are also story cards used in plotting out the film.

The Mother's Day subseries consists of materials related to a script of the same name by Susan Emshwiller. The subseries contains business and financial documents, scripts, and production materials.

The Moderns subseries consists of materials related to a project of the same name. The subseries contains legal materials.

The Nashville Sequel subseries, also known as Nashville XII, Nashville XIII and finally, Nashville, Nashville, was to feature all of the actors from the original film. Of note is the cast list and contact information, which indicates most of the original actors had agreed to appear in the sequel, yet notations on the same cast list later reveal several had expressed concerns regarding the script.

The New York Arts and Entertainment subseries contains materials related to a proposed TV movie and series of the same name for the Arts and Entertainment (A&E) network. The project also goes by the name New York New York. This subseries contains legal materials, business and financial documents, script materials including treatments, plot outlines, and proposals, production materials, and articles and reviews.

The Not Guilty subseries contains materials related to a television series of the same name. The subseries contains script materials consisting of a project idea outline and production materials.

The Nun subseries consist of materials related to a TV series by Annie Archer. The subseries is made up of correspondence and production materials consisting of a list of possible writers for the show.

The North Dallas Forty subseries is made up of materials related to a project of the same name. The subseries onsists of legal materials including correspondence and a contract for the writer John Binder/


v

The Now You See It subseries consists of materials related to a project of the same name. The subseries contains legal materials including a directing agreement for Robert Atlman as well as legal materials from Jerome Walsh.

The Paint/Ultraviolet subseries contains materials related to a film set to star James Franco and Salma Hayek. The subseries contains correspondence, legal materials and numerous drafts of the script. There are also drafts of promotional materials possibly used to secure financing.

The Pal Joey subseries consists of materials related to an updated revival of the Rodgers and Hart musical of the same name. The subseries contains correspondence, scripts material including treatment and rough scenes, music and scores material consisting of song lyrics, production materials including writing samples from potential writers, and articles and reviews.

The Philco Blues subseries consists of materials related to a project of the same name. The subseries contains legal materials from Jerome Walsh.

The Perfume subseries consists of correspondence from Denise Breton, Altman's publicist in France, recommending him as the director for a film version of Patrick Suskind's novel of the same name.

The Ragtime series consists of materials from a project of the same name. The subseries contains legal materials relating to the employment of Joan Tewksbury as writer.

The Regard of Flight series consists of materials related to a film project of the same name based on a play by Bill Irwin. The subseries contains correspondence with Irwin, scripts, production materials, and articles and reviews some of which relate to the play.

The Renoir subseries consist of material related to a film project of the same name written by Nicholas Framgalos based on the book Renoir, My Father by Jean Renoir. The series contains correspondence including from Framgalos, Jean Renoir, and Isabella Rossellini as well as script material.

The Rosebud County subseries consists of materials related to a project of the same name. The project is also referred to as Montana and Big Sky Blues. The subseries consists of legal materials including a writers agreement with Larry McMurtry and legal materials from Jerome Walsh.

The Rossini! Rossini! subseries consists of materials related to a project of the same name that was to be filmed in Italy and produced by Enrico Roseo. Most of the materials are correspondence between Jerome Walsh and lawyers in Italy as they try to resolve the lawsuits surrounding Altman's replacement as director. There are also several versions of a script.

The Sex with Aliens subseries consists of materials related to a script of the same name written by Michael Altman and Phillip Gessert. The subseries includes, business and financial materials, a copy of the script, and production materials.

The So Much Water So Close to Home subseries consists of materials related to project of the same name. The subseries consists of legal materials, primarily those related to the rights to the work.

The Spoonful of Love subseries consists of materials believed to be related to a project of the same name. The subseries contains photographic materials circa 1966 from Seville, Spain.

The System subseries consists of materials related to a project of the same name. The subseries consists of script materials including a summary and notes on the script.

The Terror subseries consists of materials related to a project of the same name. The subseries includes script materials consisting on a proposal and partial script.

The Two Flames subseries consists of materials related to a project of the same name. The subseries contains business and financial materials.

The Two Lives subseries consist of materials related to a series of half hour shows produced for PBS by WTVS Detroit. The subseries includes correspondence, business


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and financial documents, and script materials including a proposal for the show and drafts for two episodes.

The An Unfinished Life subseries consists of materials related to a project of the same name that possibly would have starred Paul Newman. The script was brought to Robert Altman by Paul Newman, and in the summer of 2002 Robert Altman worked with writers and Paul Newman to improve the script. The materials include scripts and production information as well as extensive budget research and drafts. The project had many financial concerns which the Business and Financial materials reflect. Eventually, Robert Altman decided not to do the project due to disagreements with Miramax in regards to casting. There are letters from Altman and Newman related to the end of the project.

The Voltage subseries consists of materials related to a project based on the book Shortage of Engineers by Robert Grossbach. In addition to business and financial materials, scripts, and correspondence, there is extensive information about possible locations, including photographs.

The White Mansions subseries consists of materials related to a project of the same name. The project was also known as Vicksburg. The subseries contains legal materials and copies of the script.

The Widow Claire subseries consists of materials related to a project based on the play by Horton Foote. They include correspondence from Foote, budgets, and photographs from two possible locations. There are also six drafts of the scripts. In addition, there are articles indicating that Winona Ryder and Jake Gyllenhaal were attached to the project.

The Wildcard subseries consists of materials related to a project based on the novel Diminished Capacity by Sherwood Kiraly. The project briefly had the same title as the novel. The materials include agreements related to Altman as director, projected budgets, casting and crew suggestions and two drafts of the script. There is also a large spreadsheet shooting schedule.

The Writers or Mr. Propter Changes Scenes subseries consists of materials related to a project of the same name. The subseries consists of script materials including copies of the script and a synopsis with comments.

The Zoo subseries consists of materials related to a project of the same name. The subseries consists of business and financial materials.

The Untitled Burnett, Carol subseries consists of materials related to a television series Altman was working on with comedian Carol Burnett. Proposed names for the project included Up to Here and Carol Burnett Up to Here. The subseries consists of legal materials, legal materials from Jerome Walsh, business and financial documents, and articles about the project.

The Untitled Corwin, Norman subseries consists of materials related to a project about the World War II radio correspondent. The subseries contains correspondence, script materials consisting of copies of short stories, and production materials consisting of research on Marguerite Kay.

The Untitled Freidman, Kinky subseries consist of materials related to a project about the satirist and musician Kinky Freidman. The subseries includes correspondence and production materials.

The Untitled Leary, Brianne subseries consist of materials related to a project about the reporter Brianne Leary's time in Afghanistan. The subseries includes correspondence, script materials, and articles about Leary.

The Untitled Shaw, Artie subseries consists of materials related to a project about the musician, bandleader, and writer Artie Shaw. The subseries contains correspondence, script materials, production materials, as well as articles and reviews of Shaw.


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Scope and Content Note The unfinished and suspended projects series consists of materials related to

projects that Altman had an involvement with but were never produced. The reason that any specific project failed may or may not be apparent from the materials and vary greatly. Materials in this series run from the 1960's through the late 2000's.

The type and volume materials also vary greatly from project to project. These can include correspondence, legal materials, legal materials from Jerome Walsh, business and financial materials, scripts and related materials, production materials including those used for research, materials related to publicity and distribution, and articles and reviews related to both the productions and the subjects of the productions.


Box No. Description -

1

Unfinished or Suspended Projects Multiple Project Notes

Legal Correspondence

Box 1 Popeye, An Easter Egg Hunt

Correspondence An Easter Egg Hunt, The Feud, The Diviners, Pret-a-Porter,

Biarritz Widow Clair, Resurrection Blues, Diviners, Norman Corwin,

Wildcard, Gosford Park, Gun, Roald Dahl, Voltage, Pal Joey, The Tortoise and the Hare

Killer App and Ultraviolet Production Companies, brochures (2 folders)

92 in the Shade Legal

Correspondence, Elliott Kastner dispute, 1973-1974. MS&K file 8314-20

Across the River and into the Trees Business and financial

Expenses Scripts

Across the River and into the Trees, Altman, Robert, May 9, 1985 (2 folders)

Amos 'n' Andy Correspondence

1997, 2001 Legal

Correspondence Miller, Olivette proposal 1993 (3 folders)

Agreements Belafonte, Harry 2000 Brown, Wesley 1998-2000 (5 folders) Childs, Faith 2000

Business and financial Expenses

1993-1997 (5 folders) Sheanshang, George

Accounts paid, July, 1970 (2 folders) Production

Calendar and contact information Cast list and suggested writers Scripts

Miller, Olivette O'Hara, Robert, "Live" (3 folders) O'Hara, Robert, "Insurrection" (2 folders)

Treatments Brown, Wesley

Topical files Black Filmmakers Hall of Fame (2 folders) Arthur and Lyles articles Dr. Beverly Robinson correspondence Historical research (2 folders) Books on Amos 'n' Andy



2

Radio show research Radio show articles (2 folders) Chronological history of Amos 'n' Andy Chronological history of Miller and Lyles Miller and Lyles research (4 folders) "The Golden Years of Vintage Television" (2 folders) Blackface minstrelsy

Box 2 Los Angeles Times research Radio Guide, 1936 Amos 'n' Andy sitcom reviews Product packaging, document samples (2 folders) "Sources" notebook (7 folders) Miscellaneous resources Miscellaneous research, researcher correspondence (2 folders)

Music and scores Correspondence, 1997

Angels in America Correspondence

1993-1996 Kushner, Tony, February 13, 1996


1993-1995 Sheanshang, George, 1993-1996

Agreements Katja Motion Pictures Altman, Robert; Kushner, Tony; and Brokaw, Cary, 1993 Directing Agreement, 1993-1994 Option-Purchase and Writing Agreement, March 7, 1994 Contract breakdown

Business and Financial Correspondence, 1993-1996 Payments to Sandcastle 5 Budgets

Budget form April 20, 1994 January 12, 1996

Invoices and expenses Scripts

Play Millennium Approaches Perestroika, September 12, 1992 (4 folders)

Cast of characters Millennium Approaches

First Draft, September 23, 1994 (8 folders) Second Draft, July 4, 1995 (6 folders)

Perestroika First Draft, July 4, 1995 (6 folders)

Publicity Box 3

Articles Kushner, Tony



3

Approaching the Millennium: Essays on Tony Kushner's Angels in America

Another City Not My Own Correspondence

Zuckerman, Anita, 1998 Business and financial

Expenses, 1998 Before the War

Legal, Walsh Barhydt, Frank script agreement, L&M file 4261-066-0

Biarritz Correspondence

1983 Business card, Fleytou, Roger Criscuolo, Fabio, 1990

Legal, Walsh, Jerome Notes and memos, 1984 Correspondence

Feiner, Ronald E., 1984-1985 Agreements and correspondence

Schlittler, Thomas, 1987 L&M 4261-069-0 Magari, Marinella, 1989 Lewis, Brian, 1987 Producer, 1987 Videoschermo, 1989 L&M 4261-046-0

Business and financial Expenses, 1995 Budgets

November 6, 1984 [1] November 6, 1984 [2] November 26, 1986 Blank budget forms

Scripts Correspondence, 1995 Script version list Scene translation and correspondence, 1985 Biarritz, Altman, Robert, October 23, 1984 (2 folders) Biarritz, April, 1985 (2 folders) Biarritz, 1985 Biarritz, Magari, Mariella, June 20, 1991 (2 folders) Biarritz, First draft, 1986 Biarritz, Second draft Biarritz, Third draft Biarritz, English translation draft (2 folders) Altman, Robert Biarritz

Production Notes Research

Biarritz Festival du Film Ibérique et Latino-Américan Location

Hotel du Palais Air France Atlas article Postcards



4

Articles and reviews France

Blackface Correspondence

Chasse, Betsy Business and financial

Petty cash Crew invoices Equipment invoices Check requests Equipment damage statements Final cash flow

Production Travel itinerary Crew list

Breakfast of Champions Correspondence

1976 Legal

Correspondence 1974-1976 Mitchell, Silberberg, and Knupp, 1974-1976

Agreements Comparison agreements Vonnegut, Kurt and Kauffman, Robert, 1973-1975 (2 folders) Lions Gate Films and Kauffman, Robert, 1974-1975 (4

folders) Universal Studios and Vonnegut, Kurt, 1974-1975 Development, Production and Financing, 1975-1976 (2

folders) Lions Gate Films and Rudolph, Alan, 1975 Rudolph, Alan and Figueroa Films, 1976

Business and financial Correspondence, 1976 Budgets

June 22, 1975 June 24, 1975 (2 folders) Paramount estimate, February 19, 1976

Scripts Correspondence, 1976-1994

Box 4 First Draft, April 23, 1975 (2 folders) November 1992 (2 folders) March 21, 1994 (4 folders)

Production Casting Locations

Publicity Domestic

Brown Sugar Business and financial

Expenses, 1998 Scripts

Spencer, Roderick, Brown Sugar, 1998 (3 folders)



5

[Untitled] Burnett, Carol Legal

Correspondence and memos, Weissmann, Eric, 1988 Format and delivery requirements, November 7, 1988 Writers Guild of America, October 20, 1988

Legal, Walsh Negotiation update, November 7, 1988 Sandcastle 5 Television Inc., New York Certificate of

Incorporation, November 11, 1988 Weissman, Wolff, Bergman, Coleman & Silverman bill,

November 28, 1988 Memos, November, 1988 Walt Disney agreement, December, 1988

Business and financial Chart of accounts, August 21, 1987 Budget, November 15, 1988 Budget, November 19, 1988 Post production estimate, November 16, 1988

Articles and reviews Domestic, 1988

CDC Business and financial

Expenses and billing Production

Contact list Chicken and the Hawk

Correspondence 1992

Legal Agreements

Stark, Stephen, 1990 Scripts

McKay, Brian "Sticky Wicket" story, April 1, 1965 (2 folders) McKay Brian and Eggenweiler, Robert "Sticky Wicket" first

draft, April 1, 1965 (4 folders) McKay Brian, Eggenweiler, Robertand Altman, Robert second

draft, June 7, 1965 (4 folders) Scene cards (3 folders) Situations and characters, May-June, 1990 (2 folders) Treatments

Barhydt, Frank Stark, Stephen

August 31, 1990 (6 folders) September 24, 1990 (3 folders)

Research Stark, Stephen The Other Battleground by John Williams (4 folders)

Box 5 Cross & Cockade (2 folders) Book chapters (18 folders) Newspapers (3 folders)

Publicity Domestic

Confederacy of Dunces, A



6

Correspondence 2000

"Cooking Project" Correspondence

Wheeler, Diane, 2002 Production

"Crossing Over with John Edward Show Rundown," June 11, 2002

Youth Market Research, 2002 (4 folders) Corrections, The

Correspondence Hare, David

Scripts Hare, David, The Corrections, 2004 (4 folders) Hare, David, The Corrections, Annotated, 2004, (3 folders)

[Untitled] Corwin, Norman Correspondence

Kirchner, Mary Beth, September 10, 1998 Script

Published short stories, 1998 Production

Research, Kay, Marguerite Cube, The

Correspondence Brown, Coco


Scripts Treatment, Sum Zero, May, 1997 Treatment, Sum Zero, January, 1998 Character breakdown Sum Zero Brown, Coco, (2 folders)

Production Project status and contact information

[Untitled] Dahl, Roald Correspondence

Email Arthur, Wren to Siegel, Michael, 2003-2006 (3 folders)

Box 6 Conquy, Amanda to Arthur, Wren, 2004-2005 Harris, Nick to Arthur, Wren, 2004 (2 folders) Siegel, Michael to Arthur, Wren, 2004-2006 Woodward, Sally to Arthur, Wren, 2004-2006 (3 folders)


Fagan, Paul, 2005 (3 folders) Arthur, Wren, 2005 Mirza, Tariq, 2005 Savill, Lisbeth, 2005 Somerville, Christine, 2005 (2 folders) Waddell, Susan and Francis, Linda, 2005 (2 folders)

Agreements Morris, Peter and Sandcastle 5 Writer's Agreement, November

2005



7

BBC and Sandcastle 5, August 18, 2005 Option and Assignment Deal Memo, November 14, 2005 Development Agreement BBC and Sandcastle 5, 2005-2007

Business and Financial J.P. Morgan notebook (10 folders) Invoices

Scripts Correspondence

2002 Morris, Peter, 2006

Altman, Robert "Lamb to the Slaughter"

Biederman, Jim "Knowing Me, Knowing You" (3 folders) "Garden of Akron" Pilot, December 11, 2004

Brownlow, John "The Hero" (3 folders)

Clarke, Noel "Torchwood" Episode 4

Crane, Jillian and Barton, Stephen "About Yvonne", January 2006 (2 folders)

Dibben, Damian "Seventh Heaven", September 25, 2003 (2 folders)

Forbes, Bryan "Parson's Pleasure" First Draft, 2002 "Parson's Pleasure", July 2002

Harvey, Jonathan "Birthday Girl" (2 folders)

Kelly, Dennis "Pulling" Episode 3 "Love and Money" (2 folders)

Lang, Chris Box 7

"Torn" Episode 1 "Torn" Episode 2 "Torn" Episode 3

Minghella, Dominic "Robin" Hood Episode 1 "Doc Martin" Episode 4 "The Portreath Effect", December

2003 Morris, Peter

Dahl one-hour preliminary document, February 28 Undated draft Episode 1 second draft hourlong format (3 folders) Notes on second draft, January 27, 2006 Character/Story index, June 13, 2006 Notes from Wren, Donna and Sally, June 20, 2006 Episode 1 rewrite, August 2006 (4 folders)

Nicholls, David "Much Ado About Nothing", February 21, 2005 (3 folders)

Roberts, Johannes "The Ark", April 20, 2006 (2 folders)

Rudolph, Alan "William and Mary", August 22, 2002



8

"William and Mary", August 23, 2002 Stranghan, Peter

Untitled (3 folders) Whithouse, Toby

"School Reunion" (2 folders) "Blue Eyes and Heels" "Other People" Episode 1

Wooding, Chris "Nursery", November 2003 (2 folders)

Publicity Domestic

Death, Where is Thy Sting-a-Ling-Ling? Publicity

Domestic Photographs

Research On the set (1-3 of 4 folders)

Box 34 o.s. On the set (4 of 4 folders)

Box 7 Contact sheets (3 folders) Negatives (4 folders)

Diviners, The Correspondence

1983 Leonard, Jim, 2000


1983-1987 Sheanshang, George, 2000

Agreements Motion Picture Rights Agreement (1-2 of 12)

Box 8 Motion Picture Rights Agreement (3-12 of 12) Net Profit definition Screenplay agreement, Leonard, Jim Jr., June 6, 2000 Screenplay agreement, Leonard, Jim Jr., July 11, 2000

Publisher's Consent for Use, 1983 Check out sheet

Business and financial Budgets

February 8, 1983 December 12, 1984 Undated

Filmvest Associates Business Plan Scripts

October, 1984 (3 folders) February, 1985 (2 folders) March 27, 2000 ( 4 folders) Cover page samples, March 27, 2000

Production Notebook (5 folders)

Publicity Reviews of stage productions



9

Penguin Repertory press kit Biographies Domestic

Don Quixote Business and financial

Expenses, 1998 Production

Film status report, July 11, 1997 Salt, Waldo, filmography, 1998

Scripts Correspondence, 1998 Combined draft, Salt, Waldo, Susan Shilliday, John Guar,

February 14, 1997 (3 folders) Salt, Waldo [1] (3 folders) Salt, Waldo [2] (3 folders)

Easter Egg Hunt, An Correspondence

Goodman, Johnny, March 19, 1987 Rochelle Stevens & Co., 1984-1995 1982, 1987, 1991


Kaplan, Livingston, Goodwin, Berkowitz, and Selvin, 1981 Weismann, Wolf, Bergman, Coleman, Schulman, 1981-1983 Clovermont Trading Group Limited 1986-1987 1979, 1981, 1983

Executed documents Box 9

Notes, drafts, and correspondence, 1978-1986 (2 folders) Agreements, 1981 (2 folders)

Agreements Can American agreement of lease, 1981 Filmmaker and sub-distributor, 1986 Filmmaker and technical producer, 1987 Technical producer and Elmside Films Limited, 1987

Financial, 1981-1983 (3 folders) Legal, Walsh

Correspondence, 1981-1987 Business and Financial

Expenses Budgets

May 29, 1984 October 2, 1984 "Preliminary," December 1, 1986 "Preliminary," December 15, 1986

Scripts Correspondence, 1994 Treatment, character summary, and plot outline First draft, Altman, Robert, June 24, 1994 (2 folders) Fourth draft, Altman, Robert, September 12, 1994 Fifth draft, Altman, Robert, September 24, 1994 (4 folders) Altman, Robert and Altman, Stephen, March 15, 1996 (2 folders) Altman, Robert, undated (2 folders)

Production



10

Contact list Articles and reviews

Novel, 1981 Publicity and distribution

Novel cover proof, 1981 Elite Steakhouse, The

Correspondence Streep, Meryl, September 30, 1996

Business and financial Expenses, 1996 Expenses, 1997

Scripts Short story, The Elite Steakhouse, Rapp, Anne [1] Short story, The Elite Steakhouse, Rapp, Anne [2] The Elite Steakhouse, Rapp, Anne, April 12, 1997 (2 folders)

Production Potential cast lists Reel Magazine, March/April, 2000

Ever After Legal

Joint venture agreement, Tewksbury, Joan, 1972 Feud, The

Legal Correspondence, 1984-1987 Index to contracts Agreements

Standard terms for acquisition, 1982 Berger, Thomas, 1983-1985 (6 folders) Leonard, Jim Jr., 1983-1985 (1-4 of 6 folders)

Box 10 Leonard, Jim Jr., 1983-1985 (5-6 of 6 folders)

Copyright Business and financial

Correspondence, 1983-1988 Budgets


Leonard, Jim Jr., 1985 Draft 1 (3 folders) Draft 2 (2 folders) Draft 3 (2 folders)

Production Articles

[Untitled] Friedman, Kinky Correspondence

Steinberg, Andrew, 1997 Production

Casting, 1997 Geniuses

Correspondence 1985

Goes Around, Comes Around Legal

Exclusive distribution agreement, October 22, 1998



11

Business and financial Expenses, 1997 Expenses, 1998 Budget

October 20, 1998 November 6, 1998 November 18, 1998

Budget comparison, November 19, 1998 Scripts

Alan Rudolph draft, Goes Around, Comes Around, Ecclesine, Steve, Mishkin, Phil, and Rudolph, Alan, September 15, 1998 (2 folders)

Alan Rudolph draft, Goes Around, Comes Around, Ecclesine, Steve, Mishkin, Phil, and Rudolph, Alan, November 11, 1998 (2 folders)

Goes Around, Comes Around, Ecclesin, Steve, Mishkin, Phil, undated (2 folders)

Production Correspondence, Towers, Lisa, 1998 Potential cast list, November 23, 1998

Great Gottschalk Correspondence

Richard Horner Associated LTD, November 17, 1982 Legal

Notes, 1982 Script agreement, Mogel, Leonard, and Freeman, Gillian, 1982 Writing agreement, Mogel, Leonard, Wheeler, Hugh, and

Altman, Robert, 1982-1983 Co-production agreement, Mogel, Leonard, and Altman, Robert,

1982-1983 Dramatists Guild book contract, Wheeler, Hugh, 1983

Business and financial Correspondence, Cole, Doug, February 16, 1983 Receipts, 1983 Estimated production costs, November 11, 1982 Weekly operating statement

Script Notes

1982 Undated

"General notes and scenario script," Freeman, Gillian, October, 1982

Great Gottschalk, Wheeler, Hugh (2 folders) Music and scores

Wheeler, Hugh, January 20, 1983 Song recording list

Production Correspondence

Freeman, Gillian, October 24, 1982 1982 1983

Phone number, Janis, Maria and Janis, Byron Potential cast, pianists

Articles and reviews



12

Domestic, 1982-1983 Guitar Pull

Correspondence 2001

Legal @radical media agreement, April 2001

Script Correspondence

Treatment, 2000 Project proposal, 2001

Treatment drafts Production

Correspondence, casting, 2000-2001 Hands on a Hard Body

Legal Flatbed films Filing receipt and certificate of incorporation Copyright mortgage and assignment Arizona tax incentives program Chain of title Title report and opinion letter Cease and desist Agreements

Assignment agreement (2 folders) Writer agreement Memorandum agreement Maynard/Patterson agreement and revised version (2 folders) Rapp, Anne agreement Harrigan, Stephen agreement (3 folders) Henley, Beth agreement Joint venture agreement No quote agreement

Business and financial Correspondence

Box 11 Astrachan, Joshua, June-September, 2006

Expenses Harrigan, Steve Sheanshang, George invoices Austin, Texas, scout

Budget May 17, 2006 (2 folders) May 17, 2006 [2] (2 folders)

Scripts Harrigan, Stephen

Excerpt, September 22, 2006 September 22, 2006 [2] Excerpts, undated (2 folders) September 25, 2006 (2 folders) October 11, 2006 (4 folders) October 11, 2006 [2] (4 folders) October 11, 2006 [3] (3 folders) Notes on Harrigan first draft (2 folders) October 12, 2006 (4 folders) November 9, 2006 (4 folders)



13

November 9, 2006 [2] (4 folders) Notes on Harrigan 2nd draft Notes on Harrigan script "Script breakdown," November 13, 2006

Henley, Beth August 10, 2004 (2 folders) August 10, 2004 [2] (4 folders) August 10, 2004 [3] (3 folders) Harrigan notes on Henley script

Rapp, Anne May 31, 2005 (4 folders) May 31, 2005 [2] (4 folders)


Dubrinsky, Lowell, 2005-2006 2005-2006

Outline Harrigan, Stephen, August 29, 2006 Harrigan, Stephen, August 29, 2006 [2] Rapp, Anne, June 19, 2005

Rapp, Anne Box 12

Correspondence "Cast of characters" Character interviews (6 folders) Character sketches (2 folders) Treatment, November 30, 2005

Calendar of plot events Casting

Correspondence Headshots Possible actors (2 folders) Cast list

Crew Austin, Texas scout Sarasota, Florida scout Diagram: Truck and contestants Schedules

HBO/Picturehouse delivery schedule Day to day, January-February, 2005

Publicity and distribution Entertainment Weekly Miscellaneous publicity

Heat Correspondence

Reynolds, Burt, January 9, 1986 Legal

Correspondence Directors Guild of America, January 16, 1986 Leading Artists, 1986

Directing deal memo and correspondence, 1985-1986 Directors Guild of America, 1985-1987 Leading Artists, escrow correspondence, January 15, 1986 Lepine and Mignot visas



14

Correspondence 1986-1991 Letters of recommendation, 1983-1985 Altman, Robert, 1986 Cannon Films, 1985 Converse, Celia, 1990-1991 Oltarsh, David, 1986-1991 U.S. Deapartment of Jusice, 1985-1991

Lepine, Jean passport Agreements

Fradde, Richard D., 1985 Fool for Love Deal Memo Filmoderne Ltee. And Lepine, Jean

Petitions Daigle, Rene Articles and reviews

Agreement, Bushnell, Scott, January 6, 1986 Withdrawal agreement, February 7, 1986 Service termination letters, February, 1986 Directors credit, August, 1986

Business and financial Invoices Budgets

February 6, 1986 Undated

Scripts Rough scenes and correspondence

Production Crew and staff list, January 28, 1986

Publicity Domestic

Hearts Correspondence

Herbert, Christopher, 1996 "High"


Killer App Legal

Kushner-Locke Compensation Dispute Essential documentation, May 1999 (5 folders) KLTV original deals KLTV agreements (2 Folders) KLTV overall deal extension Correspondence, 1996-2001 (13 folders) Briefs (6 folders) Arbitration, 1998-1999 (8 folders)

Box 13 Memoranda, May, 1999 (6 folders)

Agreements Location Cast

Agreement for test with pilot and series option (9 folders) "Artists Deal Memos" (2 folders)



15

Miscellaneous Extras (3 folders) Musicians (2 folders) Vancouver Canucks Music clearances Music and trademark clearances Union of British Columbia performers' correspondence Directors' Guild of British Columbia, Altman permit

application Canadian employment authorization Cast insurance information

Business and financial Budgets

August 25, 1998 August 27, 1998 August 31, 1998 (2 folders) September 15, 1998 September 18, 1998 (2 folders) September 21, 1998 September 23, 1998 September 25, 1998 (2 folders) Preliminary budgets (2 folders) Visual FX budget Pilot

Cost breakdown Budget (2 folders)

Production costs AVID rental invoices (3 folders) Rainmaker digital pictures group invoices

"Artists Deal Memos" Expenses

Sandcastle 5 miscellaneous expenses (7 folders) Sandcastle 5 expense reimbursement Sandcastle 5, Robert Altman payments Salary advance Altman, Robert charges due Expenses paid Federal Express receipts

Scripts Pilot

Synopsis Script highlights Breakdown/notes Excerpt/story boards Script (2 folders) Script [2] (2 folders) August 11, 1998 (2 folders) August 11, 1998 annotated (2 folders)

Box 14 August 26, 1998 (2 folders) August 26, 1998 [2] (2 folders) August 26, 1998 [3] (2 folders) January 22, 1998 (2 folders) January 24, 1998 (3 folders)



16

January 24, 1998 annotated (2 folders) Lined script (3 folders)

Episode 2 Outlines (2 folders) October 5, 1998 March 19, 1999 October 5, 1998 annotated (2 folders)

Episode 3 Outline September 29, 1998 March 19, 1999

Episode 4 March 19, 1999

Episode 5 March 19, 1999 March 19, 1999 [2]

Episode 6 Outline, April 8, 1999

Episode 3-6 Outline


Hollywood Bytes, 1997 February-May, 1998-1999 (7 folders) Schlender, Brent Trudeau, Garry Editorial memos Ad spot requests

Memos Altman, Robert Prep (2 folders) Thompson, Tommy, calls

Topical files Tech guide article Tech articles Fox/Herzog Cassidy, Shaun Microsoft anti-trust cases Microsoft (2 folders) Microsoft/Silicone Valley Wired Magazine, 1997 ABC News Microsoft article ABC News, "Revolution in a Box"

Box 15 Micron Electronics Spritecom/Voratek Microsoft/Bill Gates Burning man (2 folders) Software companies San Francisco research trip FOX President Doug Herzog

Treatments Breakdown/treatment Original Silicone Valley treatment Revised (2 folders)



17

Schlender, Brent, script notes Vancouver scouting trip Casting

Correspondence Casting session schedules Headshots (12 folders) Casting suggestions (2 folders) Memos (8 folders) Notes (5 folders) Notes, New York City Notes, Los Angeles Tape logs (3 folders) Travel memos (2 folders) Extras auditions Cast list Final cast list

Crew Altman, Bobby Kushner-Locke staff contact list Contact lists (4 folders) Resumes and company info Resumes (4 folders)

Box 16 Potential crew (4 folders) Vancouver crew Pager/cellular phone list, contact information Showrunners Show runners' writing samples

Hamilton, Ann Lewis Squeeze Play Hamilton, Ann Lewis The Lords of Discipline (2 folders) Hamilton, Ann Lewis Brothers Degler A.K.A. Real Fine

Love Sakmar, John & Lenhart, Kerry Boulder Brew (2 folders) Sakmar, John & Lenhart, Kerry Waging Bull (2 folders) Aubochon, Remi We Have Cleared the Tower (2 folders) Aubochon, Remi Water Flowing Underground (2 folders)

Crew list (2 folders) Final crew, cast list

Logs Patricia's call log (6 folders) Altman, Kathryn's, phone log (2 folders) Altman, Robert everyday logs (3 folders) Daily shooting logs (2 folders) Telecine logs (4 folders)

Reports Daily production (4 folders) "A" camera "B" camera Film transfer Sound Dailies viewing notes Daily production status Camera/film Location sound



18

Tape notes (5 folders) Schedules

Call sheets (5 folders) Post-production (2 folders) Pilot delivery Shooting (3 folders)

Equipment Computer instructions AVID set up Rental

Box 17 Credits (3 folders) Production design

Set designs Set floor plans Filming locations (2 folders) Cleared props (2 folders) Voratek/Spritecom "Sally"

Filming Episode 2 story cards Story cards Filming permissions Shooting script (4 folders) Shooting schedule Continuity

Music and scores Correspondence

1998 MuchMusic

"The Tragically Hip" Publicity

Correspondence Kushner-Locke publicity booklet for FOX Gabreau! Vancouver show Articles (4 folders)

FOX Network Requests for name changes 60-minute series format requirements Program requirements Pilot formats Pilot feedback (2 folders)

[Untitled] Leary, Brianne Correspondence

Leary, Brianne, contact information Business and financial

Expenses Scripts

"Cast of Characters" "Story Outline" Open, May 20, 2002 The Road to Jalalabad, May 22 Into the Spin Ghar, May 25, 2002 Spin Ghar Day 2, June 3, 2002



19

Articles and reviews Leary, Brianne, domestic, 2002

Libra Correspondence

DeLillo, Don, June 20, year unknown Wallace, Lois, May 18, 1988

Articles and reviews DeLillo, Don, 1987

Light a Candle Scripts

Film idea, June 17, 1996 Production

Production status sheet Lone Star

Legal Memo, Bergman, Michael, July 16, 1981 Rights correspondence, October 16, 1981

Long Shot Business and financial


Fourth Draft, Long Shot, McCabe, Casey, June 4, 1997 (2 folders)

Maiden Legal

Creative Management Associates, Inc. proposal, July 17, 1974 Business and financial

Budget, October 2, 1974 Marathon

Legal, Walsh Correspondence

Fantozzi, Tony, September, 1992 Noveck, Lanny, July 8, 1992

Delaware incorporation, November, 1992 Marathon Productions, Inc. stock, 1992 Employer identification number, 1992 Avenue pictures, 1992 Worldvision, proposal and correspondence, 1992 Directors Guild of America new television deal, 1992 Lorimor, 1992-1993 (2 folders) Financial statements, Marathon Productions, Inc., 1992-1993 Legal Bill, April 13, 1993 California business qualification, 1993 Dissolution of Marathon corporation, 1994 Prentice Hall Notes

Business and financial Shortcuts reimbursement invoice, January 18, 1992 Financial statement, December 31, 1992 Avenue invoices, 1992 Invoices, 1993 Phone expense worksheets, 1992 ComputeRent invoice, 1992 Shipping receipt, February, 19, 1993



20

Talk, Alex invoice, February, 1993 Sandcastle invoice, March 8, 1993 Financial Statements, 1992-1993 General ledger transaction register "General Ledger Detail Account Balance," 1993

Scripts Character and plot summaries Cards (4 folders) Episode 1, Cacaci, Joe Episode 2, Cacaci, Joe

Box 18 Episode 3, Cacaci, Joe Episode 4, Cacaci, Joe Episode 5, Cacaci, Joe Episode 6, Cacaci, Joe Episode 1 Episode 2 Episode 3 Episode 4 Episode 5 Episode 6

Mata Hari Box Lists

Archive notes RKO Pictures

Correspondence 1990-1994 Hartley, Ted, 1994-1995 Howe, Russell Warren, 1989-1994 Versace, Gianni, 1991


1992 Hartley, Ted, 1992-1995 Sheanshang, George, 1993-1995

Agreements Deal Memo, 1992 Sandcastle 5 and Howe, Russell Warren, 1993-1994 Memorandum Agreement Sandcastle 5 and RKO Pictures,

1993-1994 Business and financial

Correspondence, 1993 Initial option payment, 1993 Billing for legal services RKO reimbursement to Sandcastle 5

Research "Some Privateers" from Weapons by Russell Warren Howe Photocopies Le Mystère de la Vie et de la Morte de Mata Hari by E.

Gomez Carillo (3 folders) Scripts

Correspondence, 1993-1994 Synopses

Keeler, Dennis



21

Treatments Howe, Desson (5 folders) Howe, Russell Warren Williamson, David

Williamson, David, May 16, 1994 (4 folders) Revisions, July 22, 1994 Williamson, David, August 1994

Publicity Press releases

HBO Correspondence

Howe, Russell Warren, 2000-2003 Legal

Correspondence 2000-2003 Sheanshange, George, 2002-2003 (2 folders)

Agreements Transfer of options from RKO Production RKO Pictures and Sandcastle 5, 2002-2003 Submission agreement, 2003 Development Supervision and Executive Producer

Agreement, 2002-2003 (6 folders) Memorandum Agreement Howe, Russell Warren, 2003 Certificates of Engagement and Assignment

Altman, Robert, 2003 Gigliotti, Donna, 2003

Submission agreement, Jupp, Kenneth, 2003 Business and financial

Payment to Sandcastle 5 Research

Box 19 Mata Hari, Musical Mata Hari libretto by Jerome Coopersmith (3 folders) Noe, Denise summary Dare Call It Treason by Richard M. Watts Miscellaneous

Scripts Pilgrim Films treatments, 2000-2001 Notes Talen, Julie, November 27, 2002 (6 folders) Notes on rewrite Talen, Julie, January 20, 2003 Talen, Julie, March 14, 2003 (6 folders) Talen, Julie, April 18, 2003 (6 folders) Gigliotti, Donna revision, April 28, 2003 (6 folders) Altman's notes on May 1, 2003 draft Talen, Julie, May 8, 2003 (4 folders) Putnam, Keri notes on rewrite, July 28, 2003 Jupp, Kenneth, August 2, 2003 (6 folders) Talen, Julie, October 1, 2003 (4 folders)

Box 20 Chronological breakdown Location breakdown

Production Crew resumes



22

Articles Domestic

More Short Cuts Correspondence

1995-1997 Legal

Correspondence 1994-1998 Altman, Robert, 1995-1996 Chatel, Jonathan, 2006 (2 folders) Sheanshang, George, 1994-1998 (2 folders)

Unanimous Written Consent Action of the Board of Directors Short Cuts Productions, 1992, 1993, 1994

Agreements Raymond Carver Stories Option Agreement, 1990-1998 (4

folders) Fineline Features and Short Cuts Productions Agreement,

1992 The Truth About Cats and Dogs License, February 10, 1995 Sandcastle 5 and CIBY 2000 Deal Memorandum, 1994-1996

(12 folders) Sandcastle 5 and CIBY 2000 Compromise Agreement and

Release, 1996-1997 Short Cuts Productions, Fineline Features, and Spelling Films,

1996 Short Cuts Productions and Avenue Pictures Memorandum

Agreement, 1997 Sandcastle Films, October Films, and Altman, Robert Side

Letter, 1998 (2 folders) Sand Script Inc. and Rapp, Anne Acquisition Agreement,

1998 (2 folders) Sandcastle 5 vs. CIBY 2000, 1996 (7 folders) Sequel rights


CIBY 2000, 1994-1996 CIBY 2000 funds Invoices

Box 21 Expenses (4 folders) Budget, December 27, 1995


1996-1998 Potential Stories

Abbot, Lee "As Fate Would Have It" "The Happy Parts"

Boyle, T.C. "Sorry Fugu"

Carver, Raymond "Bicycles, Muscles, Cigarettes" "Gazebo" "Viewfinder"



23

Gallagher, Tess "Creatures" "Mr. Woodriff's Neckties"

Hannah, Barry "Upstairs, Mona Bayed for Dong"

Lattimore, Steve "Answer Me This"

Saunders, George "The 400-Pound CEO" "Winky"

Notebook (3 folders) Story lists

Title pages Character lists Barhydt, Frank

Synopsis, July 24, 1995 September 6, 1995 (4 folders) November 30, 1995 (4 folders) "Master Copy," Undated

Rapp, Anne, October 24, 1998 (6 folders) Miniseries (6 folders)

Production Notebook (5 folders) Casting Story cards (3 folders)

Box 22 Mother's Day

Business and financial Budget [1] Budget [2]

Scripts Mother's Day, Emshwiller, Susan (2 folders)

Production Casting list and correspondence, April 21, 1993

Moderns, The Legal, Walsh

Alive Films agreements, 1987 Filmoderne Inc. Agreements, 1987

Nashville Sequel Correspondence

1987-1988 Legal files-Walsh, Jerome

Bankruptcy court documents, 1991, L&M file 4261-0030 (5 folders)

Agreements Writer/Director development and correspondence, 1986-1987

(5 folders) Participation statements, ABC agreement and correspondence,

1985-1987, 1994 (4 folders) Legal

Agreements Harders, Robert, March, 1986 Tewkesbury, Joan, May, 1986

Business and financial



24

Budget, 1987 Scripts

First draft, 1986 (2 folders) Second draft, February 26, 1987 (2 folders) Second draft, March 15, 1987

Production and post-production Correspondence, October-November, 1987 Cast information, February 20, 1987 SONY digital recorders brochures and correspondence, March,

1987 Shooting schedules, character and script notes, September-

October, 1987 New York Arts and Entertainment

Legal Correspondence, 1997 Agreement drafts and correspondence, 1998

Business and financial Legal bill, December 31, 1997 General ledger, 1998 "Cost analysis for filming 1 hour pilot 35mm vs. 16mm"

Scripts Correspondence, 1998 Notes

February 11, year unknown Undated

Character lists, 1997-1998 Plot outline

March 26, 1997 Arthur, Wren and Seig, Matthew, June 2, 1998 June 19, 1998 August 20, 1998 September 14, 1998 March 19, 1999 June 2, year unknown June 19, year unknown December 31, year unknown Undated [1] Undated [2] Undated [3] Undated [4] Undated [5] Undated [6] Undated [7] Undated [8] Undated [9] Undated [10]

Proposal New York Arts and Entertainment, Arthur, Wren and Seig,

Matthew, March 31, 1997 [1] New York Arts and Entertainment, Arthur, Wren and Seig,

Matthew, March 31, 1997 [2] Treatment

New York Arts and Entertainment, Arthur, Wren and Seig, Matthew, August 18, 1997



25

New York, New York Arthur, Wren and Seig, Matthew, June 8, 1998

Production Correspondence, March 6, 1998 Staff estimate Research

Articles Outline, New York Undercover, "Rules of Engagement" Untitled story

Articles and Reviews A&E Network, April 29, 1998

Not Guilty Box 23

Scripts Project idea

Production Production status Diary Casting list

Nun Correspondence

Arnovitz, Scott, 1996 Production

Notes on writers North Dallas Forty


1975 1976

Employment agreement, 1975 Now You See It

Legal Directing agreement and correspondence, 1981-1982 Agreement of limited partnership and correspondence, 1982 Subsidiary rights drafts and correspondence, 1982 Notes

Legal, Walsh New matter memo, October 1, 1987

Paint/Ultraviolet Legal

Correspondence 2002-2003 Writers Guild of America Chain of title Waivers Pierrepont, Julia Proust

Master agreement (2 folders) Master agreement [2] Investors Investors' correspondence Certificate of employment (2 folders) International Film Guarantors Jerusalem Corporation



26

Paintcan Kushner-Locke (KLTV) deal Certificate of liability insurance Lewis, Jeffrey (9 folders) Agreements

Notebook, 1999 (2 folders) Notebook, 2003 (5 folders) Lava films (4 folders) Sony Pictures Classics Assignment agreement Production services agreement, 2003 (2 folders) Production services agreement, 2003 [2] (2 folders) Production services agreement, 2003 [3] (2 folders) Amendment to the masters' agreement, 2003 Amendment to the masters' agreement, 2003 [2] Purchase and assignment of literary rights agreement Co-producing agreement Capitol films assignment agreement Quitclaim agreements (2 folders) Loan-out conversion agreement Story purchase, option purchase agreements

Business and financial JP Morgan Chase bank accounts Gramercy Films, LLC checks Account quick report, 1999-2002 Budget

Memo: "overall budget assumptions" Pre-production budget Budget topsheet May 27, 2003 (2 folders) May 27, 2003 [2] (2 folders) May 27, 2003 [3] (2 folders) July 24, 2003 (2 folders)

Box 24 October 10, 2003 (2 folders) October 10, 2003 [2] (2 folders) October 10, 2003 [3] (2 folders) November 7, 2003 Full budget November 24, 2003 November 25, 2003 January 5, 2004 (2 folders) January 7, 2004 Full budget January 7, 2004

Expenses General ledger, expense sheet Invoices Lewis, Jeffrey HSBC accounts Amazon receipts Checks, wire transfers Paid Per diems, cash paid out Petty cash (4 folders) Accounts



27

Domestic projections Scripts

Script notes Levy, David script notes Ourslep, Tony script notes "Art Show" outline, March 23, 1998 (2 folders) Proust script notes Proust, June 1, 1998 (2 folders) Proust, June 1, 1998 [2] (2 folders) Proust, June 1, 1998 [3] (2 folders) Proust, July 13, 1998 (2 folders) Proust, July 13, 1998 [2] (2 folders) Proust, July 13, 1998 [3] (2 folders) Ultraviolet, September 17, 1998 (2 folders) Ultraviolet, September 17, 1998 [2] (2 folders) "Art world film story" synopsis, April 27, 1999 Ultraviolet, January 2000 (3 folders) Ultraviolet, January 2000 [2] (3 folders) Ultraviolet, March 1, 2000 (3 folders) Ultraviolet, March 1, 2000 [2] (3 folders) Ultraviolet, September 2002 (3 folders) Ultraviolet, September 2002 [2] (3 folders)

Box 25 Paint, October, 2002 (3 folders) Paint, October, 2002 [2] (3 folders) Paint, October, 2002 - Marked for location (3 folders) Paint, October, 2002 - Marked for location [2] (3 folders) Paint, December 31, 2003 (3 folders) Paint, December 31, 2003 [2] (3 folders) Paint, January, 2004 (3 folders) Paint, January, 2004 [2] (3 folders) Paint, January, 2004 [3] (3 folders) Paint, April 1, 2004 (3 folders)

Production Topical files

Correspondence 2003-2004 Watson, Steven Govan, Michael

"Through the Looking Glass" Volpe, Tod Hockney, David (2 folders) American Visions, Amazon.com Artwalk, New York Artists for Salma Hayek and James Franco Gallery cards The New Yorker articles (2 folders) Art auctions Artist cards New York Times articles (6 folders) Artists

Burton, Sigrid Currin, John Farber, Manny



28

Humphries, Jacqueline (2 folders) Lange, Poul Hans

Box 34 o.s. Khalo, Frida

Box 25 Mehretu, Julie (2 folders) Pelletier, Margo Ruilova, Aida Young, Jason Miscellaneous A-Z (1-2 of 7 folders)

Box 26 Miscellaneous A-Z (3-7 of 7 folders) Miscellaneous (2 folders) Articles (2 folders)

Gallery press releases Galleries (8 folders) Art and artist contacts Museum of Modern Art (MOMA) screenings (2 folders) Locations

General (5 folders) Location leads New York City scouting trip Dunn, Andrew scouting trip Location scouts Rider gallery Ocean Grove, New Jersey Galleries, Soho 116 West Houston Street 102 Wooster 330 Hudson Avenue 653 11th Avenue 23 Mercer Street 23 Watts Street 71 Greene Street 366 West Broadway 142-154 West 17th Street 142 West 11th Avenue 544 West 28th Street 415 Greenwich Chelsea Mini Storage Stage Location breakdowns Weather reports Dia floor plans

Researchers Gallery employees Edelbaum, Jana, correspondence Outline

Paint March 21, 2002 "Art show outline," March 23, 1998 March 3, 1998 "Art world film story," April 27, 1999 December 1, 2003



29

December 2, 2003 January 7, 2002 January 9, 2004

Treatment Paint "New York Arts and Entertainment," August 18, 1997 "Art world film story," April 28, 1999 January 7, 2002 January 7, 2002 [2] January 21, 2002 March 21, 2002 March 28, 2002 March 28, 2002 [2]

Story cards Artworld TV Project Research trip

Altman, Steven Temporary housing (3 folders) Lewis, Jeffrey New York City scout itinerary, October 31, 2003

Schedules Box 27

One-line schedule Production schedules

Production calendars (2 folders) Hayek, Salma schedule and notes Shooting schedule

Casting Correspondence Letters of intent Personnel information Female lead Male lead Navarro, Dave Sheen, Michael

Crew Conference report Resumes (3 folders)

Equipment Ampersand Twelve, LLC studio equipment rental

Stonehenge Media making-of documentary for DVD Motion picture production package application Publicity and distribution

Box 34 o.s. Press Kit

Box 27 Variety Daily Variety Promotional/funding materials Entertainment Weekly

Awards, events and festivals Correspondence

2003 Pal Joey



30

Correspondence McKitterick, Tom, 2004 Mee, Charles, July 30, 2003

Scripts Notes Treatments

Altman, Robert, 2003 Beane, Douglas Carter, 2003 Undated

Act and scene drafts, 2003 Published play script Rehearsal script, O'Hara, John, Rodgers, Richard, Hart, Lorenz,

and Greenberg, Richard, August 4, 1992 (2 folders) Music and scores

Musical numbers lists Lyrics

Production Choreographer lists Cast, crew, and collaborator research and correspondence, 2003 Writer correspondence and samples, 1992-2004 (3 folders) Research

St. Valentine's Day Massacre, 2003 Past productions, 2003 Song lists

Articles and reviews Domestic, 2003

Philco Blues Legal, Walsh

Correspondence, April 22, 1996 New matter memo, October 1, 1987

Perfume Correspondence

Breton, Denise, 1990 Ragtime

Legal Tewkesburry, Joan, agreements and correspondence, 1975-1976

Regard of Flight, The Correspondence

Irwin, Bill, 1981-1983 Script

Beginning pages and correspondence The Regard of Flight, Irwin, Bill, 1979

Production Research

New Mime II playbill Play, playbill, 1982

Publicity and distribution Play

Invitation, 1982 Promotional mailer

Articles and reviews Irwin, Bill, 1981-1984 Play, Domestic, 1982

Renoir



31

Correspondence Abe, Tak W., September 6, 1996 Davian, Allen Frangakis, Nicholas, 1992-1998 Renoir, Jean (Dido), October 3, 1988 Rossellini, Isabella, February 13, 1997

Scripts Plot summary, June 4, 1998 Renoir, Frangakis, Nicholas [1] (2 folders) Renoir, Frangakis, Nicholas [2] (2 folders)

Rosebud County Legal

Correspondence, 1938 Producers loan-out agreement, 1980 Writer's employment agreement, 1980 Joint venture agreement and correspondence, 1983

Legal, Walsh New matter memo, October 1, 1987

Rossini! Rossini! Legal

Correspondence 1989-1997 Undated Altman, Robert, 1989-1990 (2 folders) Amati, Piero, 1990 Bosco, Guido, 1989-1990 Frongia, Rosanna M. Giammanco, 1997 Fuscagni, Carlo, 1990 Morin, Gerald, 1989 Niccolai, Gabriella and Manna, Adelmo, 1990-1997 (3

folders) Pettingari, Angelo, 1989-1997 (4 folders) Picone, Letizia, 1990 Roseo, Enrico, 1988-1990 (2 folders) Walsh, Jerome, 1988-1998 (1-2 of 11 folders)

Box 28 Walsh, Jerome, 1988-1998 (3-11 of 11 folders) Sieg, Matthew, 1989 Weissman, Eric, 1990

Agreements Writing and development, 1988 Director, 1989 (2 folders) Screenplay, 1989 Power of attorney

Altman vs. Banco di Santo Spirito, 1990 Roseo Film s.r.l. vs. Banco di Santo Spirito, 1990 Roseo/Satta vs. Altman, 1990-1998 (5 folders) District Court of Rome request for return of documents Reclamation form

Business and financial Invoices for legal services Letters of credit Payment schedule Italian taxes



32

Scripts Correspondence, 1989 Biological outline, 1986 "Rossini, the Genius," 1987 Synopsis by Balalucco, Nicola, 1988 Missed meeting synopses Characters and locations Scenes Treatment, March 31, 1989 (2 folders) First draft, May 1989 (3 folders) Notebook (7 folders)

Production Notebook (6 folders)

Music Correspondence

Articles Domestic International

Sex with Aliens Business and financial

Box 29 Budget, March 8, 1999

Scripts First draft, Sex with Aliens, Altman, Michael, and Gessert,

Phillip, December 20, 1998 Production

Shooting schedule, January 12, 1999 Production schedule and production budget, February 19, 1999 Stripboard and Day out of Days, March 2, 1999

[Untitled] Shaw, Artie Correspondence

Gordon, Dan, January 26, 1999 Scripts

Proposal, The Artie Shaw Story, Gordon, Dan, November 3, 1996 Cinderella Revisited: A Fan's Memoir of Artie Shaw, Applebaum,

Steven A. Short Story, Snow White in Harlem, 1930

Production Research, Gordon, Dan, 1998 Casting, September 10, 1998

Articles and reviews Shaw, Artie, domestic

So Much Water So Close to Home Legal

Correspondence Sheenshang, George, January 2005 (2 folders)

Deed of consent and correspondence, 2004 Quit claim and correspondence, 2004 Notice of option and correspondence, 2005 Deed of confirmation of assignment, 2005

Business and financial Advance of credit, June 12, 2003 Remake payment, 2005

Spoonful of Love



33

Photographs Stills, Seville, circa 1966 (2 folders)

Samba for Sherlock, A Business and financial


A Samba for Sherlock, Mello, Patricia and Faria, Miguel, June 1997 (2 folders)

Stamp and Deliver Correspondence

North Sea Films, 1997 System, The

Scripts Summary and notes, The System, Schulman, Arnold and

Weissman, Eric, August 21, 1996 Terror

Scripts Proposal and partial script, Terror

This Movie Legal

Correspondence George, George W., May 21, 1975

Tortoise and the Hare, The Legal

Invoice, Law Offices of George Sheanshang, July 31, 2006 Agreements

Sony, February 9, 2006 Director agreement

Business and financial Invoices Reform of UK Film Tax Relief, December 2005 Budgets

General, January 30, 2006 UK draft (2 folders)

Scripts Summary, July 6, 2005 The Tortoise and the Hare, Davies, Andrew, 2005 (5 folders) First draft, The Tortoise and the Hare, Davies, Andrew (2

folders) Davies, Andrew, undated (3 folders)

Production Research

Lagerkvist, Par, 2006 Film London

Casting General, 2005-2006 Imogen Pam Dixon, 2005 November 7, 2005

Twin Flames Business and financial

Expenses 1997 1998



34

Two Lives Correspondence

Rossi, Chuck, 1997 Astrachan, Josh, 1997

Business and financial Expenses, 1998

Script Proposal Security, Leonard, Elmore, 1997 Draft 1, Two Lives International, Doyle, Roddy

Unfinished Life, An Correspondence

Altman, Robert, 2002 Newman, Paul, 2002

Business and financial Correspondence, 2002 Cost research (8 folders) Budgets

Box 30 Notebook (3 folders) March 27, 2002 April 2, 2002 (4 folders) April 8, 2002 (2 folders) May 3, 2003 May 31, 2002 (4 folders) June 12, 2002

Taxes Accounts payable

Scripts Correspondence, 2002 First draft February 2, 2002 (4 folders) May 1, 2002, (with annotations) (2 folders) May, 1, 2002 (4 folders) Notes

March 6, 2002 April 9, 2002

Production Casting notes Scene breakdown Schedules

Preliminary one-line schedule, June 14, 2002 Preliminary one-line schedule, June 20, 2002 Shooting schedule, June 16, 2002

Breakdown sheets (3 folders) International Alliance of Theatrical Stage Employees Locations

United States Canada

Voltage Correspondence

2002 Grossbach, Robert, 2001-2003



35


Sheanshang, George, 2001 Agreements

Option agreement, 2001-2004 SRO and Sandcastle 5, 2002 QED and Sandcastle 5, 2003


2002 Altman, Robert, 2002

Notebook (1-5 of 11 folders) Box 31

Notebook (6-11 of 11 folders) Voltage incorporation papers Cost research Cost projection worksheet Budgets

January 15, 2002 January 23, 2002 February 1, 2002 May 3, 2002 May 3 [unknown year] May 6, 2003 (2 folders)

Bank statements (2 folders) Paid bills Expenses Petty cash Per diem vouchers

Scripts January 4, 2002 (6 folders) February 12, 2002 (3 folders) Undated (3 folders)

Production Potential cast lists International Industries mock-up logo Travel information Scene breakdown Set breakdown Cast breakdown Crew resumes Schedule Equipment (3 folders) Paintings Locations

Correspondence, 2002 BAE Systems (2 folders) Bethpage Office buildings 636 11th Ave. (2 folders) Former printing plant (2 folders)

Box 32 Former Volvo facility (2 folders) Former Tops appliance store (2 folders)



36

Former GM plant Warehouse Millwood NY Military Ocean Terminal Industrial buildings (2 folders) Studios (7 folders)

Post-production studios Publicity

Correspondence, 2002 Domestic

White Mansions Legal

Lions Gate Productions Inc. agreement, drafts, and correspondence, 1979

Scripts White Mansions/Vicksburg, May 14, 1979 (2 folders) Vicksburg, Philips, Thomas Hal, June 6, 1979 (2 folders)

Widow Claire, The Correspondence

Altman, Robert, 2006 Foote, Horton, 2003-2004 Levy, David, 2003 Watts, Naomi, 2003

Legal Agreements

Master Use License, 2002 Business and financial

Correspondence, 2004-2006 Invoices Budgets

April 24, 2003 (2 folders) May 2, 2003 June 20, 2003 (2 folders) May 12, 2004 May 17, 2004 (2 folders) April 13, 2006

Cast personnel information Scripts

May 28, 2002 (2 folders) March 12, 2003 (2 folders) April 24, 2003 (2 folders) March 31, 2004 (2 folders) April 24, 2004 (1-2 of 4 folders)

Box 33 April 24, 2004 (4 folders) May 11, 2004 (2 folders)

Production Casting Schedules

Shooting schedule One-line schedule

Locations Cape May, NJ

Publicity Domestic



37

Photographs Locations

Wharton, TX (2 folders) Wildcard

Correspondence 1996


Sheanshang, George, 1997 Agreements

MGM directing agreement, 1996-1997 (4 folders) Business and financial

Expenses (4 folders) Budgets

April 3, 1996 (2 folders) ICM final payment, October 1997

Scripts Correspondence, 1996 Revised second draft, April 19, 1996 (2 folders) June 26, 1997 (2 folders)

Research Baseball cards (2 folders) Baseball players

Production "Bottom drawer inventory" Correspondence, 1996 Casting Crew resumes (2 folders) Crew list Schedules

Production calendars (4 folders) Box 34 o.s.

Shooting schedule Box 33

Wrigley field Photographs

Locations The Writers or Mr. Propter Changes Scenes

Scripts Characters, synopsis, and comments, The Writers or Mr. Propter

Changes Scenes, Altman, Robert, Shulgasser, Barbra, and Jim Mclindon, March 27, 1991

The Writers or Mr. Propter Changes Scenes, March 20, 1991 The Writers or Mr. Propter Changes Scenes, April 9, 1991

Zoo Business and financial

Expenses, 1996

Documents

ROBERT ALTMAN ARCHIVE: UNFINISHED OR … Wheeler were all involved in the project as writers and Altman was to be producer, director, ... and Kerry Lenhart & John Sakmar. The "Leary"