Partner of the motion picture industrymy.kinoton.com/fileadmin/user_upload/digital... · DMI 2 or DMI 3 Digital Media Interface •Expands one existing single 6 -channel analog audio

www.kinoton.com Kinoton GmbH © 2011

Partner of the motion picture industry


Partner into the future

More than 60 years of…

…satisfied customers

…cutting-edge products

... solutions made for the field

…perfect support

…products “Made in Germany”


Contents

60 years partner of the motion picture industry – yesterday, today and

tomorrow

Development of innovative products – solutions for the field

Manufacturer of reliable devices in highest quality

Products & systems for 2D and 3D Cinema

Partner for digital cinema: E- / D-Cinema

Partner with comprehensive service – 24/7

Trainings & workshops

Marketing support for cinemas

Partner for the industry


Kinoton –Partner of the motion picture industry

Kinoton cooperates with well-known partners of the film industry:

Cooperation with industrial partners like DOLBY, KODAK, ARRI

ARRI Film & TV Services GmbH, Berlin

System integrators like e.g. XDC

HFF – “Hochschule für Film und Fernsehen”, Potsdam

Fraunhofer IIS – institute for integrated circuits, Erlangen


Leading position in technology and innovation

Project cooperation DLP® technology:– 1998, with Texas Instruments, Technicolor and Barco

1. Kinoton Digital cinema project in Europe– 2001, UCI/Budapest

HD Live Transmission German Soccer League– VfB Stuttgart vs. Werder Bremen with AlphaCam

2K live projection– FIFA Wold Cup 2006, Berlin (Cinevision 2006)

1. integration of Dolby 3D, Real D and MasterImage 3D-System– CineExpo 2007– 2007, Cinema/Munich– 2008, Bad Salzungen

E-Cinema – integration of advertising networks– 2007 RoWo (Germay)– 2008 Weischer (Germany)

Cinema of the future (planning, equipment and installation)– 2008, Fraunhofer Institut/Erlangen

D-Cinema screening rooms for– Warner Bros./Hamburg– Constantin Film/Munich– ARRI Schwarz-Film/Berlin


60 years of experience inR&D

Development of innovative products –Solutions for the field


Kinoton – R&D

Own mechanical design department with 3D – CAD systems

Own electronic development – board design up to 14 Layers

Own software development

Preproduction workshop in-house

cooperation in development with e.g.

– Fraunhofergesellschaft FHG & Heinrich-Hertz-Institut

Research projects with e.g. DLR Berlin

Research projects founded by BMWi & EU


Kinoton R&D

Optical lab

Research

Mechanical design

Software development

Electronic development


„Made in Germany“

Manufacturer of reliable devices in highest quality


Kinoton – FactoryKinoton factory in Kaufbeuren:

• 6000 m² production space

• Metal processing

• Electronics

• Part and final assembly

• QC – quality check

• Carpentry, packing, dispatch

Kinoton Factory – Kaufbeuren, Allgaeu


Manufacturing


KinotonE- & D-Cinema products


Historical example - E-Cinema in Nuremberg / Germany (1954)

Key data:• Kinoton Demonstration project,

temporary installation

• live transmission from the

Wembley Stadium, London

onto the cinema screen

• resolution of 625 lines B+W,

Eidophor technology

• Live broadcast, VTR source -

unprecedented until then


“Historical example” - UCI Budapest, Hungary (2001)

Key data:• mixed operation – 35mm /

digital

• Kinoton DCP12 D-Cinema

projector

• 1,3k resolution DLP D-

Cinema®

• QuVis D-Cinema server

• non DCI conform


Today: Kinoton Digital Cinema Solutions (DCS)

A varied palette of premium D-Cinema equipment andaccessories


DCP 30 SX II DCP 30 MX II DCP 30 LX II

1.2’’ 2K DLP Cinema® Series II technology from Texas Instruments

Triple flash 3D at full 2K resolution

Supports all common D Cinema 3D systems

Sealed DLP Cinema® DMDs and optical

system with vibration-free retainer

Premium light efficiency due to optimized

illumination system

For standard or high performance Xenon bulbs

up to 3000 W with DCP 30 SX II

up to 4500 W with DCP 30 MX II

up to 7000 W with DCP 30 LX II

Integrated rectifier


DCP 30 SX II DCP 30 MX II DCP 30 LX II

1.2’’ 2K DLP Cinema® Series II technology from Texas Instruments

Highly efficient integrated power supply and

advanced DMD cooling system

Prepared for standard 2K/4K Integrated Media

Block (IMB)

Upgradeable to 4K projection (option, once

available)

Easy operation and maintenance

Minimum cost of ownership

Kinoton Remote Service Interface (option)


DMS HD 1 and HD 2 Digital Media Scaler

• Scales input video signals into 1080p signals suitable for Digital Cinema Projectors• Supports multimedia devices like DVD players and TV sources boxes• High quality de-interlacing for non-progressive input signals• Inputs are Composite (NTSC, PAL, SECAM), Component (RGB and YUV), S-Video, VGA, DVI • Output: DVI-D, optimized for 2K D cinema projectors• Available as 1RU version (inputs on backside) or 2RU version (inputs on front side)• PiP (Picture-In-Picture) support for displaying two sources at the same time • Zoom function for perfect format adjustment•I mage improvement tool


DMS DC 1 Digital Cinema Scaler

• HQ image scaler, optimized for DCP Digital Cinema Projectors• Inputs: HDMI (with HDCP support), DVI, VGA Analog, Component YPbPr, GsB/RGBS, Composite, S-Video & HD-SDI inputs• Supports most common HD, SD and VESA graphics formats• Direct keys allow input selection without using the menu system / OSD • Flexible color calibration controls• Remote control via web interface• Advanced functions:• De-interlacing • Automatic 3:2 and 2:2 pull-down detection • PIP• Aspect ratio conversion


DMS DC 2 PRO

• High-performance image scaler with audio switch, optimized for Digital Cinema Projectors• Post production-grade image processing (10 bit video decoder) • True 24p output mode• Inputs: HDMI (HDCP support), DVI-D, HD-SDI / SDI, Composite Video, S-Video, Component video,VGA • Preset buttons and PC control software• Genlock, Video I/O lock and I/O track• Supports most common SD, HD and VESA graphics formats

Advanced functions:De-interlacing, motion adaptive noise reduction , image enhancement zoom, pan and tilt function, extreme keystone correction, frame rate conversion, aspect ratio conversion, color adjustment, gamma selection, PIP and many more...

Digital Cinema Scaler


DMI 2 or DMI 3 Digital Media Interface

• Expands one existing single 6-channel analog audio input to 2 or 3 inputs

• For the connection of Digital Cinema servers or other audio sources

• Studio audio circuitry with solid-state switching

• Industry standard SubD-25 connectors

• 1x (DMI 2) or 2x (DMI 3) floating transformer-coupled input eliminates potential ground loops

• Levels adjustable


Installation – space restricitons?

For this installation in a small booth, the Kinoton rail system was added for giving better service access.

The Kinoton castor system allows to “sqeeze-in


3D D-CinemaThe third dimension for the screen


3D Projection – technology independendDifferent configurations with different 3D systems:

DCP Projector

matt white screen

silver screen – polarizing


3D D-Cinema releases 2009 (digest)

Coming up to the movies soon:


Partner into the world of Digital Cinema:


Transition to digital - Today

approx. 7700 D-Cinema commercial installations*

worldwide– 55 countries*

– numerous field reports

DCI / SMPTE DC 28 / ISO – big parts of DCI System Specifications are already set to standards

– DCI test plan available

* Source: DCinematoday.com, about 04-2009


Status Quo - DCP Projector Installations

currently > 200 system all over the world within commercial installations

(sales started in spring 2006)

current order status:

For more than 60 years Kinoton is the competent and reliable partner

within the 35 mm world. NOW also a dedicated partner for D-Cinema.

Kinoton DCS Digital Cinema Solutions currently in following countries:

France, Portugal, Spain, Greece, Luxemburg, South Korea, Germany,

Austria, Hungary, Bulgaria, Rumania, Poland, Ireland, Denmark,

Norway, Israel etc.

Upcoming installations: United Kingdom, Brazil, The Netherlands...


References

E-Cinema


Reference: Fraunhofer Institutes, Erlangen

Key data:• DCP 30 S Projector

• Dolby 3D

• D-Cinema server

• Alternative content• Video

• BlueRay

• Live feeds

• PC

• 5.1 audio system

• Iosono sound systems

• centralized show controller

• automation system


Reference: ARRI Film & TV Services, Berlin

Key data:• mixed operation – 35mm

/ 2K Digital Intermediate

• DCP 30 S Projector,

optimized studio /

postproduction version


Reference: Cinedom, Cologne – 14 screen multiplex theatre

Key data:• Mixed operation – 35mm / digital

• 2D/3D projection – active 3D system

• 1 projector / shutter glasses

• E- and D-Cinema

• 5 screens with 2K DLP

Cinema®

• 9 screens with 1.4 K DLP

• all-digital pre-show and advertising

• interfaced to existing SPS cinema

automation system


Reference: Cinedom / Cologne


References – E-Cinema

Digital on-screen advertising: RoWo (Germany), Cinecom (Austria), Werbe Weischer /

AdEins (Germany)

School – and educational cinema: „DLR School Lab“, “Cinema”, Munich

Live transmission onto the screen: „The Metropolitan Opera“ New York – live in HD

Live transmission and „Public Viewing“: WM 2006

Pre-Show entertainment: e.g. Cinecitta’, Nürnberg

www.metoperafamily.org

Public Viewing

DLR Shool Lab

New possibilities with E- and D-Cinema:

Digital Advertising partners:


Reference: Deutschland - Cinedom / Köln


Partner for excellent support 24/7 - all over the world

Kinoton service and support attendance


Kinoton – Support attendance

Project planning

Installation and briefing

Workshops – for operators,

technicians, sales, service partners

Worldwide service network

24/7 technical support

Support hotline

Spare parts stock (constantly over

8000 spares available)

THX licensing and certification

Marketing support for partners

Support Hotline

Spares in stock


Kinoton – On-site service in GERMANY

Office West – Neuss (Cologne area)

Office East - BerlinOffice North - Hamburg

Nationwide spare stock


Kinoton America


Kinoton – Partner network worldwide

Western EuropeGermanySwitzerlandDenmarkFinlandGreat BritainFranceGreeceIrelandItalyMaltaThe NetherlandsNorwayPortugalSpainSwedenCyprus

Eastern EuropeBelarusBulgariaAlbaniaBosnia and HerzegovinaCroatia

Czech RepublicHungaryLithuaniaMacedoniaPolandRomaniaRussiaSerbiaSlovakiaSloveniaTurkeyUkraine

Middle EastAbu DhabiEgyptBahrainDubaiIranIsraelJordanLebanonSyriaDamascus

United Arab Emirates

North AmericaCanadaUSA

South AmericaArgentinaBrazilMartinique

Asia / AfricaEthiopiaEgyptSouth AfricaBangladeshChinaIndiaIndonesiaJapanSouth KoreaKazakhstan (Republic of)MyanmarPakistan

PhilippinesMalaysia and SingaporeSri LankaTaiwanThailandVietnam

Australia / PacificAustraliaNew Zealand


Kinoton – Helpdesk

Hotline for first- and second level

support

own Helpdesk software solution to

provide best possible support

quick response time for new service

calls and email tickets

database system

internal and external access for

service partners

access to all specialists

FAQ database for more advanced

service

Kinoton Helpdesk


D-Cinema Database

keeping all relevant data required by

film distributors and DCI

keeping service information for all

installed systems in the field

projector and server certificates

required for KDM creation

Kinoton D-Cinema database


Kinoton – Remote service

Remote access tools for Kinoton E- and D-Cinema systems

SNMP option for DCP projectors (Simple Network Management Protocol)

Remote access to Kinoton products remote diagnostics, updates and

configuration via the Internet

Detailed Error-logs for service technicians and second-level support

cost reduction for the customers

Fast response times

DCP configuration- and service tool


Partner of its associatesKinoton workshops and trainings


Advanced training – Kinoton workshops 2009

Continued trainings for internal service technicians, partners, sales and marketing based on the latest state of technology:

Sales and marketing training (national and international)

D-Cinema training „Basic“ & „Advanced“ (international)

Classroom sessions

Operator workshops

Technical training


• Basics of D-Cinema

• Technology within the projection booth

• Operating a D-Cinema system

• Content – the digital movie

• E-Cinema

• „Hands on“

Advanced Training – Kinoton Workshops 2009 (End-user)


Thank you!

Documents

Partner of the motion picture industrymy.kinoton.com/fileadmin/user_upload/digital... · DMI 2 or DMI 3 Digital Media Interface •Expands one existing single 6 -channel analog audio