Mouthpiece Product Guide For All Brasswind Instruments€¦ · Mouthpiece Product Guide For All Brasswind Instruments 593 S.E 1st Avenue • Canby, Oregon 97013 ... We measure our

Put Your MoneyWhere Your Mouth Is™ J.M.

Mouthpiece Product GuideFor

All Brasswind Instruments

593 S.E 1st Avenue • Canby, Oregon 97013Ph. 503-263-2456 Fax 503-263-2484 email:[email protected]

The Marcinkiewicz Company PhilosophyOur goal is to offer players the best quality mouthpiece at each and every stage of their growth: first as a studentand throughout their career as a professional musician.

Because the facial structure of young students change as they mature, our line of mouthpieces is carefully gradu-ated, allowing students to progress more quickly (and enthusiastically!) as they find the correct "fit" for theirchanging anatomy. Now players have the means to progress in logical, gradual increments to find the correctmouthpiece for their unique needs.

Display Screen of our CNC lathe

In order to offer the highest quality product available for both students andprofessionals, we have integrated the most sophisticated computer tech-nology with "old-world" craftsmanship. There is no difference in qualitybetween our student and professional mouthpieces. Our state of the artcomputerized cutting lathes assure that the quality of design as well as theprecise reproduction of every Marcinkiewicz mouthpiece is exact. This istruly a first. We measure our mouthpieces precisely to the thousandths ofan inch. We do not use approximations or fractions, but precise figures.

"Our commitment is to quality and consistency- guaranteed* every time." J.M.

At the Marcinkiewicz Company, our philosophy is:

1) Quality We produce the best quality mouthpiece in the world today. There is a and differencebetween saying you are the best and being the best. Our Precision customers demandit, so we give it. Our reputation of quality and precision speaks for itself. We put ourmoney where your mouth is.

2) Efficiency Our innovative cup and venturi designs have been proven to be more responsive,allowing the player to use less effort, enhancing intonation, sound and performance.

3) Choice Choose a mouthpiece that fits comfortably and gives you the best results.Marcinkiewicz gives you a choice in logical order and sizes, and our large selectionallows you to select the proper fit. A mouthpiece does not have to hurt to be viable, sothe choice is yours.

We invest in maintaining the highest quality of manufacturing. The mouthpiece technician's job is to give the playerthe best possible mouthpiece. All of the mouthpiece manufacturers have something to offer and that benefits you. Thechoice belongs to the players. We are here to help you. Just remember to play what is best for you.

"Put your money where your mouth is!"™ - Joseph W. Marcinkiewicz


About this Catalog

You may notice that the format of this catalog is different from other mouthpiece catalogs. In lieu of offering a descriptionof each individual mouthpiece, we offer detailed specifications and a definition of each part of the mouthpiece so you, thestudent, educator, and player, can determine for yourself what mouthpiece is appropriate for your fit and application.Because of the nature of this format, this catalog can be used as a general reference for all brasswind mouthpieces, regard-less of manufacturer.

Our standard mouthpieces come with our modified C/V-cup. Our Designer/Signature models vary where the requirementsof the artist took precedence.

And for the players that have grown accustom to conventional mouthpieces, we also offer several mouthpieces that havethe same interior dimensions that are of “”classic” designs. (These are shaded gray in the comparison column in thespecification charts.) Marcinkiewicz offers these "classic" mouthpieces using our state of the art manufacturing tech-niques with the same quality that goes into every Marcinkiewicz product.

Custom Mouthpieces

Mr. Marcinkiewicz makinga custom mouthpiece.

For players that have special needs, Marcinkiewicz Co. offers custom brasswindmouthpieces. Mr. Marcinkiewicz is available for consultation to help clientsdetermine exactly what they desire in a mouthpiece. Designing a mouthpieceinvolves both Mr. Marcinkiewicz and the client. We take great care to ensure thatthe customers get what they want. The ultimate designer of a custom mouthpieceis the player that commissions it. Although custom mouthpieces are the ultimatechoice, we recommend trying stock equipment first. Remember, the choice isyours. We can create custom mouthpieces for any brasswind instrument, anythingfrom cornetto to mellophone, hunting horn to peck horn.

© Copyright 1998, Marcinkiewicz Co. All rights reserved.No part of this document may be published without written permission.

Catalog Design by Marcinkiewicz Co.


OUTSIDE DIAMETER and RIM WIDTHThese two features are determined simply by whatfeels comfortable to the player. A mouthpiece shouldnot have to hurt to be playable.

A deeper cup offers a darker sound and a shallower cup offers a brighter sound. Our modified C/V-cup mouthpieces canbe shallower and still give the player more flexibility and versatility verses the C-cup or V-cup alone. Again, this situationis because the modified C/V-cup is more efficient.

Cup depth alone does not always dictate the sound quality. The overall shape of the cup factors in greatly. You may findmouthpieces in this catalog that have similar dimensions (inside cup diameter, outside cup diameter and depth) but playcompletely differently. Generally, this is due to a variation in cup shape. It is possible for a mouthpiece that has a shal-lower cup than another mouthpiece (again, with same rim dimensions) to have greater overall cup volume than the deepermouthpiece, due to the contours of the cup. (See example figure A)

For example, our No.308/11/2C is shallower than a normal C-cup 11/2C. This allows us togive the sound of a 11/2C while increasing the efficiency. Efficiency is the ability of themouthpiece to offer quicker response. Remember, when discussing terms of deeper orshallower that differences may be subtle. In this example, the difference is only a fewthousandths of an inch. (No. 308/11/2C has a cup depth of .471 in. vs. .474 in. Cup depth ofour E1.)

RIM FACING or CONTOURThis feature is determined strictly by the lip size andteeth of the individual.

INSIDE CUP DIAMETERAgain, this is a critical part of the mouthpiece be-cause it interfaces with the inner edge to insureproper fit and control. The size is again determinedby the lips and teeth of the player.

The cup reflects the player's choice for quality of sound by both depth and shape. There are three basictypes of cups: C-cup, V-cup and the Marcinkiewicz modified C/V-cup. A C-cup offers the player adarker sound. A V-cup offers efficiency. Our modified C/V-cup can offer the darker sound of a C-cupwith the efficiency of a V-cup. The air stream is channeled through the center of our uniquely designedcup and venturi, through the backbore and directly into the horn to produce the desired sound. In short,

the modified C/V-cup is easier to play. There is a difference between a C-cup and a V-cup and not every player can playboth. The C/V-cup offers more choice to a wider range of players.

Anatomy of a Mouthpiece

INNER EDGEThe detail of this feature is most critical as it shouldnot be so sharp that it cuts the flesh, yet not sorounded that there is no bite. Bite is defined as theability to hold the mouthpiece to the lips withoutexcess pressure, and still feel comfortable.


figure A

CUP

MEASUREMENT - INSIDE CUP DIMENSIONSThe inside cup dimension measurement is a critical piece of infor-mation any mouthpiece and the consistency and accuracy of themeasurement is vital for the player. An accurate and consistentmeasurement allows a player to know exactly at what dimension is

employed and a baseline for adjustments. We measure our trumpet, cornet, flugelhornand French horn mouthpieces at .032 in. from the top of the rim to a consistent point.Tenor trombone, bass trombone and euphonium mouthpieces are measured .047 in.from the top, tuba and sousaphone mouthpieces .064 in. from the top. Fractions orapproximations do not work the same way. (See example figure B)

For example, our No.308/11/2C trumpet mouthpiece and the No.E1 both compare to a 11/2C, but have different insidebites*. This is very hard to detect by the naked eye. The precision of our measurements allows the difference to beevident. We took the guess work out.

The most frustrating issue for a player is to find a replacement of a favored mouthpiece due to loss or damage. Oftenthe new mouthpiece is not like the original at all. Accurate and consistent measurement is a baseline, so you knowwhat you are getting. "Without this baseline the process becomes a search that may have no end due to inconsistentinformation." J.M.*See spec sheet

THROAT ENTRANCEThis is another critical area of the mouthpiece. The entrance determines how smoothly the air movesfrom the cup through the venturi or drill. If the entrance is too sharp it creates more resistance. If theentrance is more open it creates less resistance. By applying the correct taper the efficiency of themouthpiece is improved further. Hence, the modified C/V-cup.

VENTURI (also known as Throat or Drill)Generally, the size of the opening determines the amount of air the player can to put through theinstrument. Standard for a trumpet is a 27 or .144 in., trombone is an A or .234 in., and tuba is N or.302 in. There are a wide variety of throat sizes aside from these standards. See the Venturi Drill chartfor other sizes in each category.

BACKBOREPerhaps the second most critical area of a mouthpiece, the backbore either spreads the sound orchannels it depending on how tight or open the design. The backbore influences the color, nuance andtimbre of the mouthpiece. If you put a large backbore with a large cup mouthpiece the result will be avery warm, compassionate mouthpiece with feeling and depth of sound. The same mouthpiece with atighter backbore will focus the sound that is being created, equalizing the lower end and accenting theupper end of upper harmonics. Our backbore designs enhance the player's ability to move easilythroughout all registers of the instrument with uniformity of timbre and feel. Please note that the

SHANKWe use a standard Morse taper. We make the Morse taper exact at .050" per inch -No more and noless! Please note, if your mouthpiece goes all the way in and touches the lead pipe it creates lessresistance. There is a danger that the lead pipe will flair creating a burr resulting in resistance in thewrong place.

If the mouthpiece does not go in far enough and is more than a quarter inch away from the lead pipe,too much resistance is produced. This causes an undesirable sound for certain notes.


figure B

Standard Trumpet Mouthpieces

Our standard trumpet mouthpieces are arranged in a logical ascendingorder from deep to shallow and wide to narrow (No.0 to No.15). Thisarrangement permits players to select mouthpieces by precise incrementsof depth to find the correct cup volume required by their situation. Forexample, if a No.7 trumpet mouthpiece is too deep and a No.10 tooshallow, a No.8 or No.9 may be the best logical choice. (This is not truefor other manufacturers. With Marcinkiewicz you do have a choice inlogical sizes.) Note that No.6 - No.10 are similar to a Bach 101/2C.

The comparison column on this chart (and all charts in the catalog) offersrough comparisons to standard sizes. We are not offering copies of otherbrands in this series, but similar items using our own designs. The com-parisons are given for casual references only.

For identification purposes, some of our numbers have a slash (/) and areference after it. These are references to standard sizes. We provide themto make it easier for the customer to make a selection. For example, aNo.4/7C is our number 4 and is most similar to a standard 7C. Otherconfigurations of rim size and cup depth can also offer similar compres-sion.

Please note that all standard trumpet mouthpieces, except for custom orthe Designer/Signature models, are available in cornet. In addition, mod-els No.0 - No.15 are available with an "S" (symphonic) backbore. Thisbackbore broadens the sound offering a richer, darker tone.

Choicein

LogicalSizes

Choicein

Feel

Choicein

Sound

"At Wigan Youth Jazz Orchestra we pride ourselves with offering our pupils the best possible educa-tion. Wherever possible this includes providing the best instruments and equipment available.In 1986 Bobby Shew introduced me to Marcinkiewicz Mouthpieces. The help and advice that Isubsequently received from Joe Marcinkiewicz on mouthpiece design and selection has had a pro-found and direct effect on the sound of Wigan Youth Jazz Orchestra. For the individual players, thesearch for the RIGHT mouthpiece is over. They can now spend their time and effort on MAKINGMUSIC!!""We are proud to say that the brass section of the Wigan Youth Jazz Orchestra choose to play onMarcinkiewicz Mouthpieces and as a result we can feel and hear the difference."

- Ian Darrington - Musical Director, Wigan Youth Jazz Orchestra, Lancashire, Great Britain


Standard Trumpet Mouthpieces

* Piccolo Trumpet mouthpieces are also available with Cornet shank


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21 .ni260.1mm79.62

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31 .ni260.1mm79.62

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41 .ni260.1mm79.62

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Designer/Signature/“Classic”/Trumpet Mouthpieces

These mouthpieces are made to each specific player'sspecifications. Measurements such as inner diameter,venturi, etc., are not arranged systematically, how-ever this line is also numbered progressively by cupdepth from deep to shallow.Each of our endorsees chose a Marcinkiewicz Designer/Signature Mouthpiecebecause of their belief in the product. Each of these mouthpieces were de-signed for a specific player at a specific point in time. Many play our mouth-piece exclusively.

Designer/Signature models are available in flugelhorn and cornet as a specialorder only. Custom mouthpieces are also available upon request.

“The best thingI've put to my

chops”Scott Englebright,Lead TrumpetMaynard Ferguson &Big Bop NouveauPlays Marcinkiewicz E14

Gray shaded represent comparisons of “classic” models.


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“I recently changed to your Al Vizzutti (E12) mouthpiece. It is great! I didn't think I'd be able to handle a largeinner diameter like this, but I adapted immediately and had no down time. Articulation, quality of sound, andgeneral ease of playing improved at once, along with getting a very strong lead trumpet sound. I am also able toget a very warm, rich relaxed sound for jazz playing. It is great to get all (these sounds) on one mouthpiece.”-Paul Von Adam,Kenton Band Alum, Conductor, Educator,Accomplished big band, show, recording, TV andcommercial Trumpet Player -Brandon, FL

The “300” Series Trumpet MouthpiecesImportant Educator Information

As a woodwind player's embouchure becomes more developed, thenecessary strength of the reed will change from weak to strong. If stu-dents use a reed that is too hard or too soft, they will have trouble playingcertain notes. Woodwind players have always had a logical choice ofreeds to help them make the proper choice for their playing needs. Nowthe same holds true for developing brass players, and their selection ofappropriate mouthpieces. Like woodwind players, brass players' embou-chures develop with experience and time. After discussing this problemwith numerous educators, our “”300” Series was developed not only forthe student, but as a tool for the educator, to resolve real problems forgrowing students.

Developed specifically with the student in mind, (although many profes-sionals use them as well), these mouthpieces offer the same rim (similarto a 3C *) on 15 different cup depths, graduated at .006 in. intervals, (theequivalent to the thickness of two human hairs.), from deepest (No.301)to shallowest (No.315), allowing the developing player to find optimalresponse from a mouthpiece with the same rim. For example, if a No.307is too deep and a No.312 too shallow, the No.309 or No.310 may be theappropriate fit. Please note: No.300 has the same cup depth as the No.301with an expanded cup diameter.

As players mature, their needs change. This series allows selection to thenext logical cup depth, while maintaining the exact rim dimensions of theprevious choice. The result is a mouthpiece that both feels good to theplayer and provides the desired sound instantly, without a frustratingtransition.

The line also includes an “ S” (symphonic) backbore. The benefit to theplayer is a richer, darker tone associated with concert bands and orches-tras.* This rim was determined by comparing and testing many 3C mouth-pieces for comfort and best attributes.

“Just wanted to let you know, I think Marcinkiewicz Mouthpieces are truly the best available today. After 40 yearsof playing I never thought I'd find a mouthpiece with such superior TONE, COMFORT, SUPPORT and FREEBLOWING. I cannot believe the difference in my playing.”

“ My students are receiving the same benefits from your product as I am. The difference is immediate. Most seemto benefit most from something in the '300 Series'. It is very rewarding to see the look on the face of a strugglingstudent, who is fit properly, discovering the ease of play of one of your mouthpieces. Thanks!”

-Joe L. Luna, Trumpet Player and Private Instructor - San Diego, CA

15 GraduatedCup Depths

onSame Rim

Toolfor

Educators

Solutionfor

Students



The “300” Series Trumpet Mouthpieces

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003 .ni090.1mm96.72

.ni296.0mm85.71

.ni315.0mm30.31

.ni441.0mm66.3

.ni054.3mm36.78

muideMdnuoR

puCBhcaB

103 .ni180.1mm64.72

.ni776.0mm02.71

.ni315.0mm30.31

.ni441.0mm66.3

.ni054.3mm36.78

muideMdnuoR

puCBhcaB

203 .ni180.1mm64.72

.ni776.0mm02.71

.ni705.0mm88.21

.ni441.0mm66.3

.ni054.3mm36.78

muideMdnuoR

puCBhcaB

303 .ni180.1mm64.72

.ni776.0mm02.71

.ni105.0mm37.21

.ni441.0mm66.3

.ni054.3mm36.78

muideMdnuoR

puCBhcaB

403 .ni180.1mm64.72

.ni776.0mm02.71

.ni594.0mm75.21

.ni441.0mm66.3

.ni054.3mm36.78

muideMdnuoR

puCBhcaB

503 .ni180.1mm64.72

.ni776.0mm02.71

.ni984.0mm24.21

.ni441.0mm66.3

.ni054.3mm36.78

muideMdnuoR

puCBhcaB

603 .ni180.1mm64.72

.ni776.0mm02.71

.ni384.0mm72.21

.ni441.0mm66.3

.ni054.3mm36.78

muideMdnuoR

puCChcaB

703 .ni180.1mm64.72

.ni776.0mm02.71

.ni774.0mm21.21

.ni441.0mm66.3

.ni054.3mm36.78

muideMdnuoR

puCChcaB

C2/11/803 .ni180.1mm64.72

.ni776.0mm02.71

.ni174.0mm69.11

.ni441.0mm66.3

.ni054.3mm36.78

muideMdnuoR

puCChcaB

903 .ni180.1mm64.72

.ni776.0mm02.71

.ni564.0mm18.11

.ni441.0mm66.3

.ni054.3mm36.78

muideMdnuoR

puCChcaB

013 .ni180.1mm64.72

.ni776.0mm02.71

.ni954.0mm66.11

.ni441.0mm66.3

.ni054.3mm36.78

muideMdnuoR

puCChcaB

113 .ni180.1mm64.72

.ni776.0mm02.71

.ni354.0mm15.11

.ni441.0mm66.3

.ni054.3mm36.78

muideMdnuoR

puCEhcaB

213 .ni180.1mm64.72

.ni776.0mm02.71

.ni744.0mm53.11

.ni441.0mm66.3

.ni054.3mm36.78

muideMdnuoR

puCEhcaB

313 .ni180.1mm64.72

.ni776.0mm02.71

.ni144.0mm02.11

.ni441.0mm66.3

.ni054.3mm36.78

muideMdnuoR

puCEhcaB

413 .ni180.1mm64.72

.ni776.0mm02.71

.ni534.0mm50.11

.ni441.0mm66.3

.ni054.3mm36.78

muideMdnuoR

puCEhcaB

513 .ni180.1mm64.72

.ni776.0mm02.71

.ni924.0mm09.01

.ni441.0mm66.3

.ni054.3mm36.78

muideMdnuoR

puCEhcaB

Designed for the player whose needs are not met elsewhere, these mouth-pieces affords enhanced projection, even timbre from ppp to fff, and the samegreat intonation throughout all registers that Marcinkiewicz mouthpieces arefamous for.

Pro-Line Concert Hall™ mouthpieces have a unique exterior design thatoffers optimal nodal enhancement by placing integral vibration dampers inspecific, calculated areas. The net result is a mouthpiece that gives anextremely stable center of pitch, allows unprecedented dynamic levelswithout distortion and provides a rich, dark symphonic sound without theadditional mass of a conventional heavy wall mouthpiece.

Pro-Line Concert Hall™ mouthpieces can be custom fitted to suit yourneeds.

Pro-Line Concert Hall™ mouthpieces are optimized to give the player thebest efficiency possible without compromise.

All Pro-Line Concert Hall™ mouthpieces are special order and customwork is available upon request. They are optimized for Bb trumpets, but willfunction on cornet, flugelhorn and other keyed instruments.

DarkSymphonic

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1A .ni090.1mm96.72

.ni296.0mm85.71

.ni315.0mm30.31

.ni941.0mm87.3

.ni054.3mm36.78

muideMdnuoR

B1hcaB1-1BettenoM

3A .ni090.1mm96.72

.ni296.0mm85.71

.ni105.0mm37.21

.ni941.0mm87.3

.ni054.3mm36.78

muideMdnuoR

1hcaB1krotS

5A .ni090.1mm96.72

.ni296.0mm85.71

.ni984.0mm24.21

.ni941.0mm87.3

.ni054.3mm36.78

muideMdnuoR

C1hcaB5-1BettenoM

1B .ni280.1mm84.72

.ni786.0mm54.71

.ni315.0mm30.31

.ni941.0mm87.3

.ni054.3mm36.78

muideMdnuoR

X1hcaBB2krotS

3B .ni280.1mm84.72

.ni786.0mm54.71

.ni105.0mm37.21

.ni941.0mm87.3

.ni054.3mm36.78

muideMdnuoR

C4/11hcaB2BettenoM

5B .ni280.1mm84.72

.ni786.0mm54.71

.ni984.0mm24.21

.ni941.0mm87.3

.ni054.3mm36.78

muideMdnuoR

C2/11hcaBC2krotS

1C .ni180.1mm64.72

.ni776.0mm02.71

.ni315.0mm30.31

.ni941.0mm87.3

.ni054.3mm36.78

muideMdnuoR

B3krotS4BettenoM

3C .ni180.1mm64.72

.ni776.0mm02.71

.ni105.0mm37.21

.ni941.0mm87.3

.ni054.3mm36.78

muideMdnuoR

3hcaB5BettenoM

5C .ni180.1mm64.72

.ni776.0mm02.71

.ni984.0mm24.21

.ni941.0mm87.3

.ni054.3mm36.78

muideMdnuoR

C3hcaB6BettenoM


Pro-Line Concert Hall™Trumpet/Cornet/FlugelhornMouthpieces (pat. Pending)

Cornet Mouthpieces

The rims and cups in the Standard and the “ 300” Series cornet line are identical to those inthe trumpet line with the same number*. A No.4/7C trumpet mouthpiece has the identical rimand cup as a No. 4/7C cornet mouthpiece. Please note, the cornet mouthpieces have a largerthroat (#26), which allows more air through the instrument for a darker, richer cornet sound.The No.0 to No.15 are also offered with an "S" (symphonic) backbore.These mouthpieces are also numbered in the logical deep to shallow progression to offeroptimum choice.*Any Designer / Signature model in cornet is a special order custom mouthpiece.

RichCornetSound

“I purchased an E3/3C from you recently. I love it”“I have a 1/5B and I really love it too. I think you make one of the finest products out there, and I'veplayed them all. Keep making a product that I can always rely on.”Phil Aucutt, Trumpet Player, University of Wisconsin Marching Band - Madison, WI

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,S-O,51-0S-51

EMAS SA TEPMURT .ni741.0mm37.3

.ni008.2mm21.17

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saemaStepmurT

513-003 EMAS SA TEPMURT .ni741.0mm37.3

.ni008.2mm21.17

muideMdnuoR

saemaStepmurT

W*5 .ni540.1mm45.62

.ni066.0mm67.61

.ni826.0mm59.51

.ni451.0mm19.3

.ni054.2mm32.26

muideMdnuoR

sinneD5kciW

WX5 .ni560.1mm50.72

.ni086.0mm72.71

.ni826.0mm59.51

.ni451.0mm19.3

.ni054.2mm32.26

muideMdnuoR

5kciW.DmiRdednapxE

W*4 .ni540.1mm45.62

.ni676.0mm71.71

.ni135.0mm94.31

.ni661.0mm22.4

.ni054.2mm32.26

muideMdnuoR

sinneD4kciW

WC7 .ni590.1mm18.72

.ni866.0mm79.61

.ni084.0mm91.21

.ni741.0mm37.3

.ni008.2mm21.17

muideMdnuoR

hcaBWC7

C4/11 .ni080.184.72

.ni786.0mm54.71

.ni754.016.11

.ni741.0mm37.3

.ni008.2mm21.17

muideMdnuoR

hcaBC4/11

C3 .ni180.1mm64.72

.ni776.0mm02.71

.ni034.0mm29.01

.ni741.0mm37.3

.ni008.2mm21.17

muideMdnuoR

hcaBC3


Flugelhorn Mouthpieces

The rim contours of our flugelhorn mouthpieces No.3FL(B/D), No.5FL(B/D) and No.7FL(B/D) aresimilar to our standard trumpet line. FLB designations indicates Bright and FLD indicates Dark. TheNo.3FLS, No.5FLS and No.7FLS are designed for a players that need more lip (chops) room. The"300" series (No.303FL, No.305FL and No.307FL) is our largest flugelhorn mouthpieces series andhas the same rim as the Student "300" Series trumpet mouthpieces, allowing the player to use thesame rim on trumpet and flugelhorn. Please keep in mind the No.3, No.5, and No.7 are logicallynumbered from largest to smallest in depth.

We also offer models BSFL and BSC FL (Cuenon shank) . The BSFL and BSC FL are not directlyrelated to the E5, E9.1,E10.3 or E14 trumpet mouthpieces.

All flugelhorn Models (except BSC FL) have a standard flugelhorn shank. Cuenon shanked mouth-pieces are available by special order.

*Any Designer/Signature model in flugelhorn is a special order custom mouthpiece

Choicein

Sizeand

Sound

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BLF3 .ni070.1mm81.72

.ni976.0mm52.71

.ni745.0mm98.31

.ni161.0mm90.4

.ni057.2mm58.96

muideMdnuoR

hcaBLF3

DLF3 .ni070.1mm81.72

.ni976.0mm52.71

.ni745.0mm98.31

.ni071.0mm23.4

.ni057.2mm58.96

muideMdnuoR

hcaBLF3

BLF5 .ni960.1mm51.72

.ni976.0mm52.71

.ni715.0mm31.31

.ni161.0mm90.4

.ni057.2mm58.96

muideMdnuoR

hcaBLF5

DLF5 .ni960.1mm51.72

.ni976.0mm52.71

.ni715.0mm31.31

.ni071.0mm23.4

.ni057.2mm58.96

muideMdnuoR

hcaBLF5

BLF7 .ni860.1mm31.72

.ni976.0mm52.71

.ni474.0mm40.21

.ni161.0mm90.4

.ni057.2mm58.96

muideMdnuoR

hcaBLF7

DLF7 .ni860.1mm31.72

.ni976.0mm52.71

.ni474.0mm40.21

.ni071.0mm23.4

.ni057.2mm58.96

muideMdnuoR

hcaBLF7

SLF3 .ni070.1mm81.72

.ni607.0mm39.71

.ni735.0mm46.31

.ni371.0mm93.4

.ni057.2mm58.96

muideMdnuoR

hcaBLF3

SLF5 .ni960.1mm51.72

.ni607.0mm39.71

.ni905.0mm39.21

.ni371.0mm93.4

.ni057.2mm58.96

muideMdnuoR

hcaBLF5

SLF7 .ni860.1mm31.72

.ni607.0mm39.71

ni184.0mm22.21

.ni371.0mm93.4

.ni057.2mm58.96

muideMdnuoR

hcaBLF7

LF303 .ni180.1mm64.72

.ni776.0mm02.71

.ni735.0mm46.31

ni071.0mm23.4

.ni057.2mm58.96

muideMdnuoR

***

LF503 .ni180.1mm64.72

.ni776.0mm02.71

.ni905.0mm39.21

.ni071.0mm23.4

.ni057.2mm58.96

muideMdnuoR

***

LF703 ni180.1mm64.72

.ni776.0mm02.71

.ni184.0mm22.21

.ni071.0mm23.4

.ni057.2mm58.96

muideMdnuoR

***

LFSB .ni260.1mm79.62

.ni956.0mm47.61

.ni626.0mm09.51

.ni371.0mm93.4

.ni068.2mm46.27

muideMdnuoR

wehSybboBledoM

LFCSB .ni260.1mm79.62

.ni956.0mm47.61

.ni626.0mm09.51

.ni371.0mm93.4

.ni068.2mm46.27

muideMdnuoR

wehSybboBnoneuC


Our French Horn Mouthpieces are of a unique design, and are played by some of the mostdiscerning horn players. These mouthpieces are numbered in a logical progression from wideto narrow and deep to shallow. These are some of the finest mouthpieces made in the worldtoday and stand alone as such.

These mouthpieces are also available an "S" (symphonic) backbore.

French Horn Mouthpiecesand Venturi Chart

Please note that we use reamers to manu-facture our venturies. We do not use drillbits.“ Drills can be used for determiningApproximate size, but are inadequate formanufacturing or modifying any mouth-pieces.”-J.M.

In our French Horn mouthpiece line, the number of the mouthpiece equals number of the reamer (venturi) size.

InnovativeDesign

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1 .ni000.1mm04.52

.ni507.0mm19.71

.ni600.1mm55.52

.ni822.0mm97.5

.ni005.2mm05.36

dnuoR 23eklihcS

3 .ni000.1mm04.52

.ni507.0mm19.71

.ni299.0mm02.52

.ni312.0mm14.5

.ni005.2mm05.36

dnuoR 4CillenidraiG

5 .ni000.1mm04.52

.ni996.0mm57.71

.ni389.0mm79.42

.ni602.0mm32.5

.ni005.2mm05.36

dnuoR nahtrellamS4C

7 .ni000.1mm04.52

.ni996.0mm57.71

.ni479.0mm47.42

.ni102.0mm11.5

.ni005.2mm05.36

dnuoR nahtregraL01C

9 .ni000.1mm04.52

.ni296.0mm85.71

.ni569.0mm15.42

.ni691.0mm89.4

.ni005.2mm05.36

dnuoR 01CillenidraiG

11 .ni000.1mm04.52

.ni296.0mm85.71

.ni659.0mm82.42

.ni191.0mm58.4

.ni005.2mm05.36

dnuoR sakraFnotloHCDM

31 .ni000.1mm04.52

.ni686.0mm24.71

.ni749.0mm05.42

.ni581.0mm07.4

.ni005.2mm05.36

dnuoR 7hcaB

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82=.ni041.0 1=.ni822.0 N=.ni203.0

).ni5041.0( A=.ni432.0 O=.ni613.0

72=.ni441.0 D=.ni642.0 P=.ni323.0

62=.ni741.0 E=.ni052.0 46/12=.ni823.0

52=.ni941.0 F=.ni752.0 S=.ni843.0

42=.ni251.0 G=.ni162.0

32=.ni451.0 H=.ni662.0

02=.ni161.0 K=.ni182.0

91=.ni661.0 L=.ni092.0

81=.ni071.0

71=.ni371.0


Trombone, Euphonium, &Bass Trombone Mouthpieces

Our standard trombone and euphonium mouthpieces are arranged on our specification chart in a logicalascending order from deep to shallow, No.5GW to No.15 in tenor, No.1 to No.8H B.S. / 61/2AL inbass and No.5G-S to 7G-S in Euphonium/Baritone. As rim size does not directly correspond to cupdepth, please observe inside cup diameter for finding optimal response.

The comparison column on this chart (and all charts in the catalog) offers rough comparisons only. Thecomparisons are given for casual references only.

Please note all Euphonium/Baritone mouthpieces come with an "S" (symphonic) backbore. "S"(symphonic) backbores available in Tenor and Bass Trombone mouthpieces on special order.

RealChoice

InSize

Gray shaded areas represent comparisons of “ classic”models.


Specify type of shank when ordering * Note: Tenor Trombone models are available in bass shank upon specialorder.

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.ni835.1mm70.93

.ni600.1mm55.52

.ni051.1mm12.92

.ni162.0mm12.92

.ni052.3mm55.28

hcaBWG5

G5 .ni835.1mm70.93

.ni600.1mm55.52

.ni051.1mm12.92

.ni162.0mm36.6

.ni071.3mm25.08

hcaBG5

B9puortSboB

.ni545.1mm42.93

.ni620.1mm60.62

.ni190.1mm17.72

.ni052.0mm53.6

.ni041.3mm67.97

hcaB5

F5 ni435.1mm69.83

.ni510.1mm87.52

.ni380.1mm15.72

.ni752.0mm35.6

.ni071.3mm25.08

.ni071.3mm25.08

LA2/16/H8 .ni435.1mm69.83

.ni620.1mm60.62

.ni740.1mm95.62

.ni662.0mm67.6

.ni071.3mm25.08

hcaBLA2/16

E6 .ni435.1mm69.83

.ni510.1mm87.52

.ni540.1mm45.62

.ni052.0mm53.6

.ni071.3mm25.08

hcaB3

G7 .ni435.1mm69.83

.ni510.1mm87.52

.ni699.0mm03.52

.ni162.0mm36.6

.ni071.3mm25.08

hcaB3

8 .ni435.1mm69.83

.ni120.1mm39.52

.ni599.0mm72.52

.ni162.0mm36.6

.ni071.3mm25.08

hcaB4

9 .ni545.1mm42.93

.ni620.1mm60.62

.ni679.0mm97.42

.ni052.0mm53.6

.ni071.3mm25.08

LA2/16hcaB

01 .ni035.1mm68.83

.ni999.0mm73.52

.ni939.0mm58.32

.ni432.0mm49.5

.ni071.3mm25.08

hcaBC7

11 .ni035.1mm68.83

.ni000.1mm04.52

.ni709.0mm40.32

.ni432.0mm49.5

.ni071.3mm25.08

hcaBC11

21 .ni005.1mm01.83

.ni889.0mm01.52

.ni988.0mm85.22

.ni432.0mm49.5

.ni071.3mm25.08

hcaBC21

C11 .ni025.1mm16.83

.ni999.0mm73.52

.ni868.0mm50.22

.ni432.0mm49.5

.ni071.3mm25.08

hcaBC11

C7 .ni594.1mm79.73

.ni989.0mm21.52

.ni768.0mm20.22

.ni432.0mm49.5

.ni071.3mm25.08

hcaBC7

C21 .ni005.1mm01.83

.ni889.0mm01.52

.ni608.0mm74.02

.ni432.0mm49.5

.ni071.3mm25.08

hcaBC21

51 .ni005.1mm01.83

.ni889.0mm01.52

.ni608.0mm74.02

.ni432.0mm49.5

.ni071.3mm25.08

hcaBC51

Trombone, Euphonium, & BassTrombone Mouthpieces

“I am auditioning a Marcinkiewicz ET-3 Charlie Loper tenor trombone mouthpiece. I am writing to tellyou it is one of the best (if not the best) trombone mouthpieces I have ever had the pleasure of playing. Theresponse is quite even and open in all registers. The high register is very focused without getting inappro-priately bright. You have a wonderful product for the brass playing community.”

- Eric Richards, Trombone Player - Crownsville , MD


Because euphonium mouthpiece receivers vary, please specifymanufacturer of euphonium when ordering.

Gray shaded areas represent comparisons of “classic models”

Specify type of shank when ordering.

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1 .ni045.1mm21.93

.ni011.1mm91.82

.ni832.1mm54.13

.ni182.0mm41.7

.ni071.3mm25.08

G2/11dezisrevO

2/11 .ni045.1mm21.93

.ni690.1mm48.72

.ni302.1mm65.03

.ni182.0mm41.7

.ni071.3mm25.08

hcaBG2/11

3 .ni045.1mm21.93

.ni690.1mm48.72

.ni351.1mm92.92

.ni182.0mm41.7

.ni071.3mm25.08

hcaB2

G5 .ni835.1mm70.93

.ni600.1mm55.52

.ni051.1mm12.92

.ni162.0mm36.6

.ni071.3mm25.08

hcaBG5

H8LA2/16/.S.B

.ni435.1mm69.83

.ni620.1mm60.62

.ni740.1mm95.62

.ni662.0mm67.6

.ni071.3mm25.08

hcaBLA2/16

muinohpuE.oNledoM

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S-G5 .ni835.1mm70.93

.ni600.1mm55.52

.ni051.1mm12.92

.ni162.0mm36.6

.ni071.3mm25.08

hcaBSG5

S-B9 .ni545.1mm42.93

.ni620.1mm60.62

.ni190.1mm17.72

.ni052.0mm53.6

.ni041.3mm67.97

hcaB5

S-F5 .ni435.1mm69.83

.ni510.1mm87.52

.ni380.1mm15.72

.ni752.0mm35.6

.ni071.3mm25.08

hcaB3

S-H8 .ni435.1mm69.83

.ni620.1mm60.62

.ni740.1mm95.62

.ni662.0mm67.6

.ni071.3mm25.08

LA2/16hcaB

S-E6 .ni435.1mm69.83

.ni510.1mm87.52

.ni540.1mm45.62

.ni052.0mm53.6

.ni071.3mm25.08

hcaB3

S-G7 .ni435.1mm69.83

.ni510.1mm87.52

.ni699.0mm03.52

.ni162.0mm36.6

.ni071.3mm25.08

hcaB3

Designer/Signature Trombone& Bass Trombone Mouthpieces

Designedfor

DemandingSituations

These mouthpieces are made to each specific player's specifications. Measurements suchas inner diameter, venturi, etc., are not arranged systematically, however this line is alsonumbered progressively by cup depth from deep to shallow.

Each of our endorsees chose a Marcinkiewicz Designer/Signature Mouthpiece because oftheir belief in the product. Each of these mouthpieces were designed for a specific playerat a specific point in time. Many play Marcinkiewicz mouthpieces exclusively.

***We consider no.105, 106 and 107 to be contrabass trombone mouthpieces.

Gray shaded areas represent comparisons of “ classic” models.


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noryBselbeeP

1TE .ni494.1mm59.73

.ni920.1mm41.62

.ni651.1mm63.92

.ni662.0mm67.6

.ni071.3mm25.08

ssabG5hcaBknahs

sggiJmahgihW

7.1TE .ni594.1mm79.73

.ni889.0mm01.52

.ni598.0mm37.22

.ni432.0mm49.5

.ni052.mm55.28

***

naIllaguoDcM

2TE .ni025.1mm16.83

.ni999.0mm73.52

.ni868.0mm50.22

.ni822.0mm97.5

.ni041.3mm67.97

hcaB.Y.NC11

eilrahCrepoL

3TE .ni415.1mm64.83

.ni889.0mm01.52

.ni658.0mm47.12

.ni432.0mm49.5

.ni041.3mm67.97

nonreV.tMhcaB

C11

dyolLetaylU

4TE .ni784.1mm77.73

.ni989.0mm21.52

.ni768.0mm20.22

.ni642.0mm52.6

.ni030.3mm69.67

hcaB.Y.NC21

divaDreyemnietS

7TE .ni165.1mm56.93

.ni189.0mm29.42

.ni167.0mm33.91

.ni822.0mm97.5

.ni041.3mm67.97

hcaB81

ssaBenobmorT/rengiseDerutangiS

ledoM.oN

edistuO.aidpuC

edisnI.aidpuC

puChtpeD

llirDirutneV


lliBhcabnekciR

1TBE .ni155.1mm04.93

.ni131.1mm37.82

.ni522.1mm21.13

.ni092.0mm73.7

.ni002.3mm82.18

G2/11hcaBdezisrevO

lihPeleeT

2TBE .ni045.1mm21.93

.ni521.1mm85.82

.ni022.1mm99.03

.ni182.0mm41.7

.ni002.3mm82.18

hcaBG2/11

einrEkcaT

3TBE .ni045.1mm21.93

.ni611.1mm53.82

.ni871.1mm29.92

.ni182.0mm41.7

.ni071.3mm25.08

hcaBG2/11

*** 501 .ni086.1mm76.24

.ni951.1mm44.92

.ni343.1mm11.43

.ni613.0mm30.8

.ni005.3mm09.88

06eklihcSremmahnielK

miJnitraM

601 .ni076.1mm24.24

.ni481.1mm70.03

.ni483.1mm51.53

.ni613.0mm30.8

.ni005.3mm09.88

06eklihcS

*** 701 .ni086.1mm76.24

.ni781.1mm51.03

.ni383.1mm31.53

.ni613.0mm30.8

.ni005.3mm09.88

06eklihcSnonreV.C

Pro-Line Concert Hall™ (pat. pending)Tenor/Bass Trombone, Euphonium Mouthpieces

Designed for the player whose needs are not met elsewhere, these mouthpieces affordsenhanced projection, even timbre from ppp to fff, and the same great intonation throughoutall registers that Marcinkiewicz mouthpieces are famous for.

Pro-Line Concert Hall™ mouthpieces have a unique exterior design that offers optimalnodal enhancement by placing integral vibration dampers in specific, calculated areas. Thenet result is a mouthpiece that gives an extremely stable center of pitch, allows unprec-edented dynamic levels without distortion and provides a rich, dark symphonic soundwithout the additional mass of a conventional heavy wall mouthpiece.

Pro-Line Concert Hall™ mouthpieces can be custom fitted to suit your needs.

Pro-Line Concert Hall™ mouthpieces are optimized to give the player the best efficiencypossible without compromise.

All Pro-Line Concert Hall™ mouthpieces are special order and custom work is availableupon request.

DarkSymphonic

Sound


eniL-orPtrecnoC

™llaH.oNledoM

edistuO.aidpuC

edisnI.aidpuC

puChtpeD

llirDirutneV


roneTenobmorT

G5 .ni835.1mm70.93

.ni600.1mm55.52

.ni051.1mm12.92

.ni162.0mm36.6

.ni071.3mm25.08

G5hcaB

J5 .ni835.1mm70.93

.ni600.1mm55.52

.ni051.1mm12.92

.ni772.0mm40.7

.ni071.3mm25.08

G5hcaB

B9 .ni545.1mm42.93

.ni620.1mm60.62

.ni190.1mm17.72

.ni052.0mm53.6

.ni041.3mm67.97

5hcaB

2/16/H8LA

.ni435.1mm69.83

.ni620.1mm60.62

.ni740.1mm95.62

.ni662.0mm67.6

.ni071.3mm25.08

6hcaB LA2/1

ssaBenobmorT

G2/11 .ni045.1mm22.93

.ni690.1mm48.72

.ni302.1mm65.03

.ni182.0mm41.7

.ni071.3mm25.08

1hcaB G2/1

G5 .ni835.1mm70.93

.ni600.1mm55.52

.ni051.1mm12.92

.ni162.0mm36.6

.ni071.3mm25.08

G5hcaB

LA2/16/H8 .ni432.1mm69.83

.ni620.1mm30.62

.ni740.1mm95.62

.ni662.0mm67.6

.ni071.3mm25.08

6hcaB LA2/1

Tuba & Sousaphone MouthpiecesNew Visualizers

Our standard tuba mouthpieces are arranged in a logical ascending order from deep to shallowand wide to narrow in three different types; N, W, & H. Please note that the chart is grouped insections according to type. This arrangement permits players to select a mouthpiece by preciseincrements of depth to find the correct cup volume required by their musical needs.

'N' mouthpieces have a narrow rim, 'W' pieces have a wider rim and 'H' pieces have a smallerinside bite. The ST3 and ST4, with shallower cups, are designed specifically for students. (Itdoesn't have to hurt to play!)

Models given for comparison again reflect standard sizes. These are not copies; substantialchanges and improvements have been made to increase playability and response.

LargeSelection



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1H .ni378.1mm75.74

.ni523.1mm06.33

.ni236.1mm54.14

.ni823.0mm33.8

.ni008.3mm25.69

nnoCgrebelleH

2H .ni378.1mm75.74

.ni323.1mm06.33

.ni285.1mm81.04

.ni823.0mm33.8

.ni008.3mm25.69

"

3H .ni378.1mm75.74

.ni323.1mm06.33

.ni235.1mm19.83

.ni823.0mm33.8

.ni008.3mm25.69

"

4H .ni378.1mm75.74

.ni323.1mm06.33

.ni764.1mm62.73

.ni823.0mm33.8

.ni008.3mm25.69

"

1N .ni049.1mm82.94

.ni523.1mm66.33

.ni715.1mm35.83

.ni203.0mm76.7

.ni008.3mm25.69

enofariM3C

2N .ni049.1mm82.94

.ni523.1mm66.33

.ni674.1mm62.73

.ni203.0mm76.7

.ni008.3mm25.69

"

3N .ni049.1mm82.94

.ni523.1mm66.33

.ni714.1mm99.53

.ni203.0mm76.7

.ni008.3mm25.69

"

nosnhoJ.T4N

.ni049.1mm82.94

.ni523.1mm66.33

.ni253.1mm43.43

.ni203.0mm76.7

.ni008.3mm25.69

"

1W .ni089.1mm92.05

.ni523.1mm66.33

.ni715.1mm35.83

.ni203.0mm76.7

.ni008.3mm25.69

enofariM4C

2W .ni089.1mm92.05

.ni523.1mm66.33

.ni674.1mm62.73

.ni203.0mm76.7

.ni008.3mm25.69

"

3W .ni089.1mm92.05

.ni523.1mm66.33

.ni714.1mm99.53

.ni203.0mm76.7

.ni008.3mm25.69

"

4W .ni089.1mm92.05

.ni523.1mm66.33

.ni253.1mm43.43

.ni203.0mm76.7

.ni008.3mm25.69

"

Embouchure Visualizers

Our embouchure visualizers are designed to be used with the players instrument for natural playing position.This is a great advantage over the traditional 'rim-on-a-stick' type visualizers, as Marcinkiewicz visualizers canshow the effects of playing angle and pressure. Our visualizers are available in Trumpet, Cornet, Flugelhorn,French Horn, Tenor Trombone, Bass Trombone and Tuba. Visualizers with specific rim sizes are available onspecial order.



edisnI.aidpuC

puChtpeD

llirDirutneV


fleSmiJ1UTE

.ni379.1mm11.05

.ni503.1mm51.33

.ni754.1mm10.73

.ni613.0mm30.8

.ni008.3mm25.69

***

3TS .ni578.1mm36.74

.ni772.1mm44.23

.ni782.1mm96.23

.ni782.1mm96.23

.ni782.1mm96.23

***

4TS .ni578.1mm36.74

.ni772.1mm44.23

.ni222.1mm40.13

.ni203.0mm33.8

.ni008.3mm25.69

***

81 .ni678.1mm56.74

.ni092.1mm77.23

.ni344.1mm56.63

.ni323.0mm02.8

.ni008.3mm25.69

hcaB81

WA42 .ni559.1mm66.94

.ni182.1mm45.23

.ni756.1mm90.24

.ni843.0mm48.8

.ni008.3mm25.69

hcaBWA42

52 .ni548.1mm68.64

.ni032.1mm42.13

.ni594.1mm79.73

.ni823.0mm33.8

.ni008.3mm25.69

hcaB52

Pro-Line Concert Hall™ (pat. pending)Tuba Mouthpieces

Designed for the player whose needs are not met elsewhere, these mouthpiecesaffords enhanced projection, even timbre from ppp to fff, and the same greatintonation throughout all registers that Marcinkiewicz mouthpieces are famousfor.

Pro-Line Concert Hall™ mouthpieces have a unique exterior design thatoffers optimal nodal enhancement by placing integral vibration dampers inspecific, calculated areas. The net result is a mouthpiece that gives an extremelystable center of pitch, allows unprecedented dynamic levels without distortionand provides a rich, dark symphonic sound without the additional mass of aconventional heavy wall mouthpiece.

Pro-Line Concert Hall™ mouthpieces can be custom fitted to suit your needs.

Pro-Line Concert Hall™ mouthpieces are optimized to give the player thebest efficiency possible without compromise.

All Pro-Line Concert Hall™ mouthpieces are special order and custom workis available upon request.

DarkSymphonic

Sound



eniL-orPtrecnoC

™llaH.oNledoM

edistuO.aidpuC

edisnI.aidpuC

puChtpeD

llirDirutneV


2H .ni378.1mm75.74

.ni323.1mm06.33

.ni285.1mm81.04

.ni823.0mm33.8

.ni008.3mm25.69

grebelleHnnoC

4H .ni378.1mm75.74

.ni323.1mm06.33

.ni671.1mm62.73

.ni823.0mm33.8

.ni008.3mm25.69

grebelleHnnoC

1N .ni049.1mm82.94

.ni523.1mm66.33

.ni715.1mm35.83

.ni203.0mm76.7

.ni008.3mm25.69

3CenofariM

4N .ni049.1mm82.94

.ni523.1mm66.33

.ni253.1mm43.43

.ni203.0mm76.7

.ni008.3mm25.69

3CenofariM

4N .ni678.1mm56.74

.ni092.1mm77.23

.ni344.1mm56.63

.ni323.0mm02.8

.ni008.3mm25.69

81hcaB

Biographical Information

Playing trumpet professionally since the 10th grade, skill and reputationhave enabled Mr. Marcinkiewicz to compile credits with bands andorchestras throughout the world including Stan Kenton, Arthur Fiedler,Don Ellis, Ray Charles, Portland Festival Symphony, Roger Williams,and The Portland Pops, to mention a few, giving him a vast understand-ing of the performing arts.

Mr. Marcinkiewicz has acquired diverse instruction. His Music studiesinclude work at The University of Washington, San Francisco StateUniversity, San Francisco Conservatory of Music and the US NavalSchool of Music, Norfolk, Virginia. In addition, he has studied with suchnotables as Johnny Coppola, Dr. Don Reinberg, Dr. Renold Schilke, UanRasey, Roy Stevens, Bob Findley and Carmine Caruso. Teaching pri-vately, Mr. Marcinkiewicz offers a wealth of knowledge regarding teach-ing methods and is a highly respected authority in the area of embouchurepedagogy - a real "Dean of Chops". Apart from private instruction, Mr.Marcinkiewicz directed the Marylhurst Jazz Arts Ensemble at MarylhurstCollege, Lake Oswego, Oregon. In addition, he gives lectures on mouth-

pieces and embouchure development around the world.

In the field of brass technology, Marcinkiewicz Company is recognized as a manufacturer of the world's highestquality brasswind mouthpieces and hand crafted brass instruments. Beginning brass instrument repair in 1965,today Mr. Marcinkiewicz is regarded as a master mouthpiece designer and brass instrument technician. Hismouthpiece design studies began in 1973 under the tutelage of legendary master designer and craftsman BurtHerrick. Manufacturing of the Marcinkiewicz Brasswind Mouthpiece began in 1983. The company producesmodels for some of the top players in the world today.

The Marcinkiewicz Company is housed in their new state of the art facility inCanby, Oregon. The operation is equipped with the latest computer aided designsoftware and single point cutting technology, with CNC (Computer NumericControl) lathes. The results are a wide range of brasswind mouthpieces that areunrivaled in quality, precision, efficiency and choice.

The company also produces a full line of hand crafted brass instruments. All fabri-cation, assembly and plating are done on site. The finished product, whether amouthpiece or horn, reflects the perfect blend of "old world" craftsmanship andmodern technology.

Knowledge, choice, quality and precision are the reputation of Joe Marcinkiewiczand the Marcinkiewicz Company.

"Put your money where your mouth is!"™


PRODUCT WARRANTYDEALER EXCHANGE GUARANTEE

Marcinkiewicz Co. warrants each of its precision brasswind mouthpieces against defects in materials orworkmanship for a period of one (1) year from the date of purchase (with proof of purchase) and agrees torepair or exchange any defective mouthpiece without charge within such period.

In addition, Marcinkiewicz Co. offers a Dealer Exchange Program in which dealers may return unsoldproduct, in original packaging, postage prepaid, for a prompt and courteous exchange for other merchan-dise.

“Put Your MoneyWhere Your Mouth Is!™”

- J. Marcinkiewicz

Documents

Mouthpiece Product Guide For All Brasswind Instruments€¦ · Mouthpiece Product Guide For All Brasswind Instruments 593 S.E 1st Avenue • Canby, Oregon 97013 ... We measure our