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Kream Mag Issue #4

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This issue features interviews with Jeremiah Jones and Thrasher Magazine Photographer Mike Burnett.

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Page 1: Kream Mag Issue #4
Page 2: Kream Mag Issue #4

Cody TaylorBackside Heelflip

Issue 4

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3

13

25

27

37

41

Photography by Nick Weber (unless otherwise noted)

Kream Magazine would like to thank: Michael Burnett, Jeremiah Jones, Fletcher Eidum, Will Beardslee, Weston Conat, Andrew Loaiza, Nash Addicks, Alex

Strandell, Phil Song, Race Nagel

Jeremiah Jones

Mike Burnett

Big Sky

Pixelated Gold

Will Beardslee

Diekman

Cover: Moments after Miah Jones landed this Tre Flip he got in his Duster and peeled out in the High School parking lot.

Layout by Nick Weber and Fletcher Eidum

Page 3: Kream Mag Issue #4

The

Jeremiah JonesInterview

by Nick Weber

andRace Nagel

3 4Sunset Smith

Page 4: Kream Mag Issue #4

BigFlip

A few years back, people at the skatepark would always tell me, “That kid

Miah is going to be so good at skateboarding”. I didn’t disbelieve the statement, but I thought we would wait and see. At the time, he was just a kid at the park who wore tall tees and was quick to learn tricks. Fast forward to now, and Miah Jones is ripping harder than just about

everyone in Bozeman.

What was your first memory of skateboarding?

It was when I first moved here from Alaska, this guy Kyle came over and introduced us to the new place, welcomed us to the neighborhood, you could say. One day Kyle was going over to this smooth road near by where we lived, and he had a skateboard. I asked, “What do you wanna do, what is that?” “Gonna go skateboard, do you want to come try it?” So I went over there and started pushing around, felt like it was something I should have started a lot sooner, cause it felt good getting on it for the first time.

How old were you?

Ten. I just started going from there, started trying stuff. We made a rail out of two 2x4s with a piece of metal on it. We found stuff in the newspaper, like a free quarter pipe.

A free quarter pipe? To give away?

Yeah just a free box and quarterpipe. We picked it up and we were stoked on it. And then he had a big backyard so we brought it back there and set it up. We made a sort of mini ramp off a tree, like a piece of masonite screwed into a tree with the quarter pipe across from it. We just pumped back and forth on that. We climbed up the tree and dropped off the top, into the masonite, which was pretty fuckin scary.5

What was your first board?

A Wal-mart board, I started on that.

Race - What was the graphic? That is the most important thing.

A smiley face with hair and a red hat

Race – I had a holographic piranha fish, a Shopko board. For Christmas that same year I got a Tasmanian devil board, came with all the sliders already on it.

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Page 5: Kream Mag Issue #4

Kickflip Backtail

Did you watch videos and read magazines when you first started?

I guess I kinda did. The first video my friend showed me was Almost Round 3, I think that is my favorite video still to this day. After that it was cheese and crackers. My school had The Skateboard Mag. I read that and CCS catalogs.

What Pro skaters did you look up to when you were younger?

At first it was Koston. I had his pro shoe, which was way too big for me. The Koston 6, I think yellow and silver ones, two sizes too big for me. For the most part it has been Koston, I always liked his style. Lately I have been watching stuff from Nyjah Huston. It has been those two and P-Rod. He always makes it clean. He always has the switch stuff down. David Gravette, he always has the gnarliest shit. Also, Race Nagel (laughs).

Race - That is so nice of you to say that (laughs).

When did you first start filming and who was it with?

It was with my Mexican friend, Emmanual Quirez. We started filming on the campus, on the seven-stair, jumping that, getting stoked. It was probably like two or three years into it. Just went around town, finding stairs to ollie.

Boise Idaho. What stood out to you?

Got out of town for a few days, discovered some new skate parks. Just so happens that when we got there, there was a free Backstreet Boys, Brett Michaels, and Macy Grey concert. Me, hyphy (Hamilton Lynn), Logan (Triplett), Unkle Evan (Estrada), Nick Dub, and some girl that called me baby went to the concert.

Race – She called you baby? You gotta steer clear of those ones!

Yeah not in a good way, she was like “where’s your mom at baby, shouldn’t you be home?”

I remember Evan calling you baby for the rest of your trip as well.

(Laughs) Oh yeah! Unkle Evan, drinking Budwiser, made a candy cane (beer staff), I don’t know if he slept that night. That was such a fun night at Lucas’s (Erlebach). Chilling around the fire. Hyphy had his beer staff a foot taller than him. It was Mac’s first time drinking. He was sixteen or so. Got drunk on bud light lime. On the way back, we did a 35 mph high five, at a rest stop. Hamilton was standing there with his hand out, Logan sped up and Nick slapped his hand. Hamilton was scared, we were driving pretty close to him. We had a big list of challenges for the trip.

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Page 6: Kream Mag Issue #4

Kickflip Fakie

Like, “kill a deer with your bear hands, do lazer flips, ghostride the whip”. All in all, that was the best trip I have ever been on, in my life.

Have your parents supported your skating?

Yeah, my mom and dad support me, when I have broken boards, needed shoes, or needed anything else. They are real stoked on it.

What are your plans after high school?

Well, Race is moving to California...

Race - The promised land (laughs).

He wants me to move down there with him, and skate and kill it.

So do you think you are going to do that?

I would like to, I just gotta finish school first, maybe stick around here for awhile, then hit up this honkey (Race). I want to visit at least. We should organize a trip down there, maybe next summer?

Ollie to theStreet

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Page 7: Kream Mag Issue #4

How did you get onto World Boards?

I have known Jay for quite the time, since when I started. He always talked to me about who should get on the team. It was the Sunday before school started, and I was skating when the Circa team was here. After I was done skating, Jay came up to me and said “come to the shop sometime, we can get you some boards and stuff”. I went in there on Monday and got some free stuff, and he said “welcome to the team”.

Anyone you would like to thank?

My Mom, Dad, Brother, Race Nagel, Ozz Nagel, Tony Machado, Nick Weber, Christer Wheat, Jay Moore and World Boards, Paulius and Dallas, my Grandparents and everyone who helped support me. .

5-0 180

Nollie Bigspin to Tail11 12

Page 8: Kream Mag Issue #4

Mike Burnett

An Interview with Professional Skateboard Photographer

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Cardiel. Mexico City

McCrankAntwaun and admirers

Interview by Nick Weber. Photos by Mike Burnett

Page 9: Kream Mag Issue #4

Besides a photographer, what are your duties when it comes to creating new issues of Thrasher?I plan out and supervise the construction of every issue; working with all the photographers, the art department and the marketing dudes. I develop new departments, special issues, help with events and and I also help oversee the website and the video departments. Every so often I go and meet with our advertisers. I also do a blog on the website, write captions, the Trash pages, the Drop-In, the T-eddy awards and whatever else we’ve got cooking that month - a little bit of everything, though I rarely mess with the music section or the Photograffiti. I also don’t answer the letters. That’s strictly the domain of The Phelper.

What is it like working for Jake Phelps? Have you ever worn his glasses?I have not. He’s pretty fun to work with. It’s important to know that I have always worked out of my house in San Diego, so I’m not in the office with him or anything. Jake is not always the nicest person in the world, but people definitely respond to him. He has an equal number of detractors and super fans, probably. When he’s on his game he can be really great.

How do you decide who you are shooting photos with? Does the mag tell you they need more photos of “Pro A” or are you shooting photos with whoever is down? It’s all up to me. Since I plan all the mags I can pretty much shoot whatever I want. Sometimes our advertisers marketing people or team managers will have some sort of plan or agenda, which is fine, and sometimes I’ll have a special issue or article I’m working on. It’s a pretty natural flow. I definitely don’t feel like I have to go track down whoever is the hot new skater of the moment, or whatever. When I first got the job they used to try to make me do stuff like that and it always felt creepy and weird. Ideally I meet people in normal ways - out skating or when I’m out shooting with someone that they’re friends with. I’d definitely like to keep the relationships as natural and casual as possible.

What does an average day consist of? How often are you out shooting for the mag?If I’m at home it’s lots of emails and to-do lists. I’m on the phone with the other dudes that work at the mag and our photogs. I try to do Burnout blog posts three days a week, so that takes about an hour to mess with. Towards the end of the month the art department starts sending me rough layouts, which I make notes on and talk to them about. We have to pick a cover, contents and photo feature photos, which all gets whiddled down at this point. This is also usually when I do the most writing for whatever I’m working on. And if we don’t have a solid cover, this is when I have to start scrambling. When I’m at home I usually shoot photos one or two days during the week and then both weekend days. This is a lot less than I used to, but luckily we have a really good staff now so I don’t have to hustle as much. I go on a trip of some sort at least once every other month, so during those it’s 100% photo time. This is when I get the bulk of the photos that go in the magazine. It’s way easier when you’ve got everybody assembled, the filmers are there and your universal goal is to go skate all day. It’s also easier to street skate anywhere besides Southern California.

When I think about professional skateboard photography, I imagine that every photo from the session is usable. How often do you walk away from a photo mission empty handed?As far as getting a photo that can run in the magazine, it’s probably 50/50. I try to photograph a ton of stuff besides just the tricks, so a mission can be fruitful regardless if you get the action photo or not. It’s pretty hard to street skate these days and the standards are super high. The production side of it is definitely challenging, but that doesn’t mean it’s not fun. So maybe half the time I get a skate photo I can use in the mag but I never really feel like I’m coming away completely empty handed.

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My favorite skate mag has always been Thrasher.

It has the best photos, contests (K.O.T.R.), interviews, and the only award in skateboarding that really matters. One of the guys responsible for this is Thrasher’s Editor at Large, Mike Burnett.

Burnett by Templeton

Are you the guy the cops talk to on Baker/Deathwish tours?Sometimes. I’ll talk to them if I have to. On those particular trips the cops are usually there because someone is misbehaving at the hotel. In those cases I usually hear about it the next morning because I’m already in my room watching Dog the Bounty Hunter.

Andrew Reynolds

“I usually hear about it the next

morning because I’m already in my

room watching Dog the Bounty Hunter.”“He has an

equal number of detractors

and super fans, probably.”

Page 10: Kream Mag Issue #4

Do people ever fan-out on you on tours?

There’s usually about two kids at every demo who know who I am. It’s always a trip. Three or four times kids have approached me because they recognized me from the Skate 2 video game, which I have never played or actually seen. This is even weirder. I get mistaken for Toy Machine videographer, Kevin Barnett, about half the time. I have no idea why. Once or twice dudes have tried to fight me. I chalk this up to the “Anti-hero phenomenon” where grown men get so excited to meet the pros or magazine people that they feel like they have to fuck with you to get your attention. It’s sort of like how boys will be mean to the girls they secretly like. Totally weird, but ask any pro and they’ll tell you it happens. I once saw Leo Romero get beat up, all the while his assailant yelling, “I should be on Toy Machine! I should be on Toy Machine!” I really think the dude just wanted to make a connection with Leo but couldn’t figure out how to do it.

How much film do you shoot?

Not much. There’s an urge to be romantic about it, which I understand, but for my production schedule film doesn’t make a whole lot of sense. I drove 64 miles round trip several times a week for ten years taking my film to the lab. That lab is now out of business, which means I’d have to fedex my film or drive two hours to LA to get it processed. Further, the companies I freelance for (skate companies) are always running last minute on everything, which means they always want a high-res image they can use immediately. With film you had to send them the originals and then they’d have to send the film out somewhere to get it drum scanned, which was at least $50 per slide, before they could even use it. And then after that they’d never send you your original back. If you think about it, the minute you scan a negative it becomes digital anyway. Unless you’re making individual RC prints and mailing them to your friends, you’re already engaged in digital photography. I love my hundreds of boxes of contact sheets and slides, (and I miss the aesthetics, anticipation and solidity of film,) but as long as I work for a monthly magazine I’ll probably have to shoot mostly digital.

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Rune Glifberg. Smith Grind

Page 11: Kream Mag Issue #4

King of the Road is easily the most interesting and entertaining contest out there. Who came up with the idea? How are new challenges determined every year?Hey thanks! I came up with the idea along with my friend Chris Coyle. It was inspired by these trips I used to take with my friends where you had to draw a trick you couldn’t do out of a hat and learn it by the end of the trip. If you didn’t, you had to get your right ear pierced. We did them a few times from 1999-2002.

As far as the challenges, they pretty much write themselves. It’s a combination of working with skate spots, trick trends and funny things from skate and popular culture mixed in with complete bullshit that I think would be funny. Some ideas work better than others (and some are complete turds,) but there’s usually enough good stuff to make it work. I’ve been on it five times and they’ve been some of the best and worst trips of my life.

What is your favorite era of skateboarding?Everyone loves the era in which they were a kid and I’m no exception, however I think right now is probably my favorite. There’s so many incredible things going on in skating right now - the concrete parks, the pros who can skate everything, the fact that Lance Mountain and Grant Taylor are both pros skaters and I can go on a trip with them.

All this contest stuff is pretty gross and uninteresting to me, but overall I feel like there are more skaters into the Thrasher vibe (having fun, getting dirty, skating everything, taking pride in being a skater, etc.) than ever before. Skaters like Leo, Reynolds, AVE, Figgy, Gravette, etc. make me feel good about being a skater and working for the mag.

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Andrew Reynolds. Frontside Flip

What was it like shooting photos with Jereme Rogers? Could you have ever predicted he would turn into what he is today?I only shot with a him a few times - on the 2004 King of the Road and for a couple fuckin’ Billabong ads. He was already heading down that road - meaning he was already deep into his big ideas. I remember he bought The Robb Report - that magazine for millionaires with yachts and shit in it, when we were on that trip. Jereme is still totally funny and pleasant to chat with, however. It’s not like he’s a dick. The thing is, he’s actually no crazier or delusional than a lot of skaters who’ve had his experience - i.e. not a ton of education, sudden wealth, (maybe a lot of weed smoking from an early age? I don’t know.) I don’t really follow hip-hop music, but to me his stuff sounds similar to the shit on the radio. I think it would be amazing if he became a successful musician. I hope he does.

“He bought The Robb Report - that magazine for millionaires with yachts and

shit in it.”

Page 12: Kream Mag Issue #4

Your writing style goes beyond the tricks and seems to focus on the non-skate side of a trip. Do you think of the text content before, during, or after the tour?Yes. All of those. I take notes when I’m on the trips and I’m always trying to find my hook as the trip progresses. Sometimes it’s super easy, but other times it’s more of a stretch to figure out what to write about. A lot of times I wait until the last minute before it’s due and have to totally wing it. I try to frame my articles within the American experience, specifically the privileged and ridiculous situations we find ourselves in while doing this pretend job. I know most kids probably don’t read anything in the magazine, but I try to make the story good for the nerds that do (like me, when I was a kid.)

Does my vote really count in the decision for SOTY?Votes are used as a barometer for popular opinion, but the SOTY is ultimately decided by the Thrasher editorial staff. This is a good thing. Otherwise, Bam and Rodney Mullen would have five each by now.

Will you still be sitting at the bottom of stairs with a camera in your 80’s?No way. Being in the action is great, but there are lots of things more interesting than shooting sequences of nollie heel crooks attempts. I will always see the world through the eyes of a skater, but I don’t want it to turn into too much of a trade. Hopefully I’ll recognize when it’s time to shove off.

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Lance Mountain

Of all the places you have been to around the world, do you have a favorite?You know, it’s really all about the company you keep. It really is. A good crew can make anywhere fun. That said, Melbourne, Glasgow, Albuquerque, Rome, Barcelona and St Petersburg are fantastic places to visit. China is fucked but interesting. I love Hawaii a lot, too, but that’s sort of a cliche. It’s really nice there though.

Do you have any favorite interviews/ tour articles?There’s been plenty over the years that I like. Most of the stuff I’ve done with Toy Machine, RVCA, Flip and Baker I’m pretty happy with. Those teams are pretty meaty, material-wise. The interviews sort of run together, but it was really great to interview some of my childhood

heros like Ed, Grosso and Ian MacKaye. Some of the most fun stuff to write are the T-eddy awards, the Drop-In and a few stupid little one-page things I’ve done with Sieben. As far as other people’s stuff, there was a really great Lance Mountain interview in Transworld when I was a kid that I read over and over. I was really inspired in my early 20s by the things Sean Cliver and Kendra Gaeta wrote for Big Brother, as well as that whole magazine in its first few years. Their articles like The Steve Olson Trip and the Mardi Gras tour sort of set the framework for how to put together a tour article, as far as I’m concerned. Aaron Meza did a really great job when he was at Skateboarder. Sieben is probably the smartest dude who works in skateboarding media these days. He’s like the Stephen Colbert of the dipshits.

He’s like the

Stephen Colbert

of the dipshits.

Page 13: Kream Mag Issue #4

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John Rattray .

Page 14: Kream Mag Issue #4

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Big Sky Mini Ramp

Fletcher Eidum ollies to fakie at the end of the session

Dave Biesel shows us how to drive

an hour and skate a parking lot. With

kickflips like these, why wouldn’t you?Race Nagel. Shotgun to fakie

Alex Strandell. Smith Grind.

Words by Alex Strandell

Sometimes the hustle and bustle under Bozeman’s big-city lights can get to a man. The best way to escape the rat race and clear your head is to head on up to the skiing capital of Montana: Big Sky, for a bit of skateboarding and maybe some camping. During the four months Big Sky isn’t covered in snow the town builds a next to perfect mini ramp. A typical session involves a few friends and, of course, a few beers. Add a couple of flatbars strewn about the parking lot and an all-time miniramp--you’ve got yourself an awesome session. The mood is always light and people are always down for a party up there, (heck it’s a town based on leisure). Some of my favorite days skateboarding have been at that ramp. There have been plenty of day trips that morph into over night camp trips, and with more planned for when the snow melts, Big Sky has become a staple skate get away destination. There is talk that the town will, hopefully, build a permanent skatepark—namely a Dreamland replica of Burnside, but for now I’ll take any opportunity to get up to Big Sky and skate a soggy ramp in June. .

Page 15: Kream Mag Issue #4

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Pixelated.gold

Logan Triplett. Boardslide

Page 16: Kream Mag Issue #4

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Tony Machado. D.I.Y. Blunt fakie

Race Nagel. Tall frontside

50-50 transfer

pixelated.

gold

Page 17: Kream Mag Issue #4

Nash Addicks tested his 4x5 view camera skills on a

new subject: skateboarding. The camera is heavy, takes

about twenty minutes to set up, the film is expensive,

but if done correctly, produces amazing photos.

Andrew Loaiza. Lipslide. Photo by Nash Addicks.

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Page 18: Kream Mag Issue #4

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Race NagelAirwalk fakie

I spent the summer backpacking through Asia, skating as much as possible and shooting photos along the way. I met a good crew of skaters in Seoul, South Korea who took me around to the best street spots, skateparks, and bars that the massive city had to offer. Kim Gunhoo blunts to fakie during what may have been the most humid day of skating of my life.

Pixelated.gold

Page 19: Kream Mag Issue #4

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Alex Strandell. Frontside Air .Pixelated.gold

Page 20: Kream Mag Issue #4

hen I approached Nick Weber

with the idea of making an article for Kream Mag, I knew I wanted it to be vaguely about my recent transitioning from one skate scene to another. Plus it was an opportunity to have photos of myself in print. My inner narcissist was naturally stoked. I love the idea of myself living out a tiny pro skater fantasy; I was rolling on high hopes. It all came crashing

back to the real world when I found myself in front of a giant red wall with a small-ish bank at the bottom, struggling to just ride out of a simple backside wallride for the camera. Eventually out of frustration I focused my board and called it quits. I like to think I’m better than that, but in that moment I wasn’t-- my vibe had killed the session. I felt like I had failed myself, and my ideals about what makes skating great. That doesn’t sit well with me. I needed to rethink some things for this article to feel right. To know why I couldn’t just let it rest you need to know a few things about my personal relationship with skating in the last year. I grew up skating in Bozeman Montana, (if you’re reading this you most likely live there or have visited). My 25 years there were good ones: I grew up, learned to skate, went to college, and became most of the man I am today. But my 26th year, away from

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Bozeman, has taught me how to adapt not only as a skater but also as a person. Any skater will tell you the lessons you learn on your board are the lessons that will carry you along when you’re off your board. After college I saved all my money and moved to Portland, Oregon to live with my girlfriend. Moving from a tiny town to city of a million people, I immediately felt like a kid in a candy store. I had no goals, no responsibilities, no friends beyond a handful of people I knew who had moved there from Montana, and my girlfriend. I went from being a kid who knew every skater in town, knew all the places to skate and all the tricks that had gone down, to knowing virtually nothing. I remember the first time I saw some Portland spots I had seen in videos growing up. Sometimes they were small, but often they were larger, always way crustier, and much scarier than I expected. Walking up to them was sort of like visiting a monument or a museum artifact for the first time. The differences between the scenes were obvious. The Montana scene is like that of mid sized American city, but everyone is spread out across a gigantic and sparsely populated state larger than most countries. The towns are small, skate spots are limited, there are few older good skaters to look up to, and shops are not always the most current with trends. To say the Montana scene is a little disconnected is an understatement. In Portland the fellow skaters are plentiful and immensely talented, pros regularly show up to sessions, the spots are around every corner, skateparks are in every neighborhood and suburb, and shops are often helping set the trends. Portland is a city known the world over for having a deep history with skateboarding. Both of these scenes I love and admire for all the reasons that polarize them. Being on your own in a strange place with only your girlfriend is a great way to fall into a bad rut. Part way through this last year my relationship with

Words by Will Beardslee. Photography by Weston Conat.

It must be nice to move to a city that has more skateparks than your entire home state. Boneless at Ed Benedict plaza.

Page 21: Kream Mag Issue #4

would play games of s.k.a.t.e, skate as many parks as you would street spots. Basically if its there, skate it. Ride your board to the store, talk to strangers during sessions and get to know the locals. Take off the ipod headphones and get out of your comfort zone. Having an open attitude towards skating is how you remain un-jaded. Laughing when you fall, exploring a new street, skating in the rain, these are all ways to hold off the “old man” syndrome that plague so many of us. I have seen to many people who loved to skate fall out of love with it because they became creatures of habit, when the only habit they needed to have was to keep it fresh. So don’t let the doldrums of the real world destroy you. Adaptation is easy with an open mind, and its one of the things that makes a true skaters character. I believe character is a muscle that needs to be exercised otherwise it withers away. Through skating you can keep it strong. Do something new next time you skate, adapt or die. Or get a real job. A few days after breaking that board out of anger I went skating again with my roommate after a long day of work. My legs felt wobbly, my body felt jittery from sugar and caffeine all day, but I had a new board and the sun was out. I knew I had to get some before the winter rain sets in, plus we were skating a new 39 40

my girlfriend ended, and I was out on my ass so to speak in a new city with only a few people to rely on. It was tough but it gave me an opportunity to crank up my skating. With no job opportunities, no school, skating really stepped in as an important driving force in my life. And why not? For nearly 14 years I had been dreaming of being a kid ripping it up in a city and here was my chance. Instead of running back to Montana I chose to see it through. Recently I’ve been fascinated by what I call a ‘healthy skate diet’, and I think its something to consider when changing your environment. I think what makes a skater a good skater is enthusiasm to skate all things that are presented to you. Grind as many bowls as you would ledges, bomb as many hills as you

spot I hadn’t been to yet. Another wallride, but this time it was a corner pocket made from jersey barriers with chunky lumpy DIY concrete at the bottom. After about a dozen tries I rode the corner, and then did two to make it true, and also started getting some frontside layback grinds. I wasn’t hooting and hollering but I was clearly stoked. I felt I had redeemed myself from the previous session and all was right in the world again. In that moment I had accomplished something new, opened the opportunity for new challenges, and tied up some loose ends. Basically, in a single slash of my wheels across that barrier I had summed up my whole experience in this last year and came out still rolling. I saw the golden leaves pass beneath me and the chaos of trick subsided to the stillness of the neighborhood. It was something to feel pretty good about. .

Wallride

Page 22: Kream Mag Issue #4

Zach Diekman loves to skate trees. If you dont know this by now, you must not be paying very much attention.

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B.W.W. sauces1.Mango Habenero2.Honey BBQ3.Hot BBQ4.Sweet BBQ5.Asian Zing

Skateparks1.Hood River, Oregon2.Battleground, Washington3.Denver, Colorado4.Ed Benedict Plaza-Portland, Oregon5.Helena, Montana

Rock/Tree spots1.Jerry Hsu spot-San Jose, California2.MSU Campus-Bozeman Montana3.Babcock tree- Bozeman, Montana4.Downtown-Missoula, Montana5.Irrigon skatepark-Oregon

Parties (in no particular order)1.Nick Weber’s 21st Birfday party2.Olivia Hogan’s going away party3.Random party at Studio 30 house4.Batman Villain party5.Star Wars party Epiosde I and II

Barfs/pukes/voms1.Pirateer/Rum night2.Day I got Swine Flu3.Morning after 21st Birfday4.Lobster Ravioli 5.Every other weekend that I drink too much.

Perks of owning a Husky1.Majestic creatures2.They are super smart3.They are entertaining/funny4.Chick Magnets5.Closest descendents of Wolves

Majestic Animals to paint on a medallion1.Wolves2.Space Panthers3.Bears4.Dinosaurs5.Octopuses

Couches I have crashed on1.My parent’s couch2.Brown couch at the Kreamer mansion3.Kenny P.’s Chaise (which technically isn’t a couch but is super comfy)4.Couch at Abelina Valley House5.Rancho Relaxo couch

Page 23: Kream Mag Issue #4

Emerge from

the

Darknessand read

Kream Magazine!

free digital version: kream-mag.blogspot.com

To order a printed issue, go to Magcloud.com and search “kream”

Questions, comments, complaints... whatever you got, send it to [email protected]

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Page 24: Kream Mag Issue #4