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IASPM Gijon June 28 2013 Henrik Smith-Sivertsen The Royal Library Denmark “Fish don't know water exists till beached “ (Marshall McLuhan) Documentation of music production, distribution and consumption in the age of streaming.

IASPM Gijon June 28 2013

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“Fish don't know water exists till beached “ (Marshall McLuhan) Documentation of music production, distribution and consumption in the age of streaming. IASPM Gijon June 28 2013. Henrik Smith-Sivertsen The Royal Library Denmark. - PowerPoint PPT Presentation

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Page 1: IASPM Gijon June 28 2013

IASPMGijon June 28 2013

Henrik Smith-SivertsenThe Royal Library

Denmark

“Fish don't know water exists till beached “ (Marshall McLuhan) Documentation of music production, distribution and consumption in the age of streaming.

Page 2: IASPM Gijon June 28 2013

IASPMGijon June 28 2013

Henrik Smith-SivertsenThe Royal Library

Denmark

“Fish don't know water exists till beached “ Documentation of music production, distribution and consumption in the age of streaming.

The Future (Till 2013: ” Popular Music as Prophesy: Composing the Future”)

•No possessions•No countries•No religion

Page 3: IASPM Gijon June 28 2013

IASPMGijon June 28 2013

Henrik Smith-SivertsenThe Royal Library

Denmark

“Fish don't know water exists till beached “ Documentation of music production, distribution and consumption in the age of streaming.

The Future (Till 2013: ” Popular Music as Prophesy: Composing the Future”)

•No possessions•No countries•No religion•All the people living for today

Page 4: IASPM Gijon June 28 2013

IASPMGijon June 28 2013

Henrik Smith-SivertsenThe Royal Library

Denmark

“Fish don't know water exists till beached “ Documentation of music production, distribution and consumption in the age of streaming.

All the people living for today

Page 5: IASPM Gijon June 28 2013

IASPMGijon June 28 2013

Henrik Smith-SivertsenThe Royal Library

Denmark

“Fish don't know water exists till beached “ Documentation of music production, distribution and consumption in the age of streaming.

All the people living for today•No digital sources

Page 6: IASPM Gijon June 28 2013

IASPMGijon June 28 2013

Henrik Smith-SivertsenThe Royal Library

Denmark

“Fish don't know water exists till beached “ Documentation of music production, distribution and consumption in the age of streaming.

All the people living for today•No digital sources•No past or history (apart from what is online)

Page 7: IASPM Gijon June 28 2013

IASPMGijon June 28 2013

Henrik Smith-SivertsenThe Royal Library

Denmark

“Fish don't know water exists till beached “ Documentation of music production, distribution and consumption in the age of streaming.

All the people living for today•No digital sources•No past or history (apart from what is online)•And the life circle of online resources is very short

Page 8: IASPM Gijon June 28 2013

IASPMGijon June 28 2013

Henrik Smith-SivertsenThe Royal Library

Denmark

“Fish don't know water exists till beached “ Documentation of music production, distribution and consumption in the age of streaming.

Page 9: IASPM Gijon June 28 2013

IASPMGijon June 28 2013

Henrik Smith-SivertsenThe Royal Library

Denmark

“Fish don't know water exists till beached “ Documentation of music production, distribution and consumption in the age of streaming.

•Fine descriptions and understandings of what has happened

Page 10: IASPM Gijon June 28 2013

IASPMGijon June 28 2013

Henrik Smith-SivertsenThe Royal Library

Denmark

“Fish don't know water exists till beached “ Documentation of music production, distribution and consumption in the age of streaming.

•Fine descriptions and understandings of what has happened•But often no chances of checking if she is right…

Page 11: IASPM Gijon June 28 2013

IASPMGijon June 28 2013

Henrik Smith-SivertsenThe Royal Library

Denmark

“Fish don't know water exists till beached “ Documentation of music production, distribution and consumption in the age of streaming.

•Fine descriptions and understandings of what has happened•But often no chances of checking if she is right…

•Without good archiving we will only have contemporary understandings of what is happening/has happened.

Page 12: IASPM Gijon June 28 2013

The project

Has the digital music revolution been saved?

Page 13: IASPM Gijon June 28 2013

The project

Has the digital music revolution been saved?

My conclusion: NO!

Page 14: IASPM Gijon June 28 2013

The project

Has the digital music revolution been saved?

Page 15: IASPM Gijon June 28 2013

The digital music revolution

Page 16: IASPM Gijon June 28 2013

16

the global music industry continues to contract while shifting to digital

1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011

27.4 28.5 28.6 28.1 27.7 25.8 23.9 23.3 21.8 19.817.3

14.8 12.9 11.1 10.2

0.41.2

2.33.2

4.24.6

4.8 5.2

27.4 28.5 28.6 28.1 27.725.8

23.9 23.7 23.0 22.120.5

19.017.5

15.9 15.4

Physical Digital

Trade value, $ billions

Source: IFPI

-46%

Page 17: IASPM Gijon June 28 2013

17

the digital music experience has evolved to surpass analog

PHASE 1:Fighting Digital

PHASE 2:Replicating the analog experience

PHASE 3:Improving the analog experience

Analog only

ANALOG ERA DIGITAL ERA

Page 18: IASPM Gijon June 28 2013

18

music has shifted more rapidly than other media

Source: SME; IFPI

Music Newspapers Books Film

32%*

5% 4%1%

PROPORTION OF INDUSTRIES’ GLOBAL REVENUES FROM DIGITAL SALES (2011)

* In 2012, digital sales are expected to constitute ~47% of global music industry revenues

Page 19: IASPM Gijon June 28 2013

Social media and streaming:

Page 20: IASPM Gijon June 28 2013

•New distribution forms

Social media and streaming:

Page 21: IASPM Gijon June 28 2013

•New distribution forms•New ways of communicating with the audience

Social media and streaming:

Page 22: IASPM Gijon June 28 2013

•New distribution forms•New ways of communicating with the audience•New ways of being a musician (or perhaps a return to old ways of being a musician after the “Recording Artist Era”)

Social media and streaming:

Page 23: IASPM Gijon June 28 2013

•New distribution forms•New ways of communicating with the audience•New ways of being a musician (or perhaps a return to old ways of being a musician after the “Recording Artist Era”)•Traditional gatekeepers (journalists, critics etc.) challenged

Social media and streaming:

Page 24: IASPM Gijon June 28 2013

Project Description

Sys BjerreDanish singer. Debut in 2008

Netarchive.dkDanish web archive. Started in 2005

Our projectDescribe Sys Bjerre using only Netarchive.dk

Page 25: IASPM Gijon June 28 2013

Joint venture between legal deposit libraries

Limited access

Nearly dark archive (15 ext. users/318 TB data)

Our project is (almost) an external project

Page 26: IASPM Gijon June 28 2013

Initial Success

”Do It Yourself”-image

Use of Social Media

Hate Web Pages

The ”Malene”-case

Sys Bjerre

Page 27: IASPM Gijon June 28 2013

•Articles and interviews•Videos (music, TV performances, interviews, live performances recorded by the audience)•Music streams (Spotify, Wimp etc., soundcloud, DR-dk/musik etc.)•Downloads (Itunes etc., illegal services – Torrentz.eu etc.)•Facebook•Myspace•Blogs•Fan groups•Hate groups•Cover versions (amateur covers, answer songs, parodies, attacks)•Music Charts

Relevant stuff online:

Page 28: IASPM Gijon June 28 2013
Page 29: IASPM Gijon June 28 2013
Page 30: IASPM Gijon June 28 2013

Initial Success

+Webcrawling ensures that

popular pages are

found and harvested ...

-but former MySpace profiles are lost due to lack of search

Page 31: IASPM Gijon June 28 2013

“Do It Yourself”-image

+Newspapers

webpages are

extensively harvested ...

-... but navigation depends on the present Internet for discovery

Page 32: IASPM Gijon June 28 2013

Use of Social Media

+Harvested

from outsideDanish TLD

-Gaps in comments ruins chronology

Page 33: IASPM Gijon June 28 2013

Hate Web Pages

+Harvested ?

-Depend on online Facebook for discovery

Page 34: IASPM Gijon June 28 2013

Youtube

+Harvested

-But no music

Only first screen comments(of 3783)

Page 35: IASPM Gijon June 28 2013

Fragmentation

Page 36: IASPM Gijon June 28 2013

A lot of text – but no music

Page 37: IASPM Gijon June 28 2013

Streaming

Page 38: IASPM Gijon June 28 2013

Missing Parts

Page 39: IASPM Gijon June 28 2013

Navigating the archive

Page 40: IASPM Gijon June 28 2013

How has the project affected Netarchive.dk’s activities?

• The Royal Library apply for a research project addressing how to find web pages outside .dk to be archived in the Danish Netarchive

• The Royal Library has added curator staff with technical skills to enable a more experimental approach in the harvesting process

• Still strong focus on adding free text search as an important service to Netarchive.dk

• The broad harvesting team have more focus on archiving, QA and accessing issues related to social media web pages

• Tools for bulk harvesting of Youtube-videos developed

• A general change in approach towards allowing alternative harvesting methods

Page 41: IASPM Gijon June 28 2013

The problem

Page 42: IASPM Gijon June 28 2013

The problem

Archive of Contemporary Music, New York

Page 43: IASPM Gijon June 28 2013

The problem

Archive of Contemporary Music, New Yorkonly physical…

Page 44: IASPM Gijon June 28 2013

The problem

Legal Deposits

Page 45: IASPM Gijon June 28 2013

The conclusion?

Page 46: IASPM Gijon June 28 2013

The conclusion?

We are in deep trouble

Page 47: IASPM Gijon June 28 2013

The conclusion?

We are in deep trouble

But we have saved more than most

Page 48: IASPM Gijon June 28 2013

The conclusion?

We are in deep trouble

But we have saved more than most

So we all are in deep trouble

Page 49: IASPM Gijon June 28 2013

The conclusion?

We are in deep trouble

But we have saved more than most

So we all are in deep trouble

So please support (and challenge) your librarians

Page 50: IASPM Gijon June 28 2013

The future?

Page 51: IASPM Gijon June 28 2013

The future?According to Sony Music:

Page 52: IASPM Gijon June 28 2013

52

Emergence of the Cloud

Access all content anywhere,

anytime

advancing technology is enabling new business models1

Consumer smartphone

adoption

Powerful media platform on the go

Ubiquitous, affordable access

Mass market, near universal access

Fast, 4G mobile data service

Sufficient bandwidth for rich media experiences

Page 53: IASPM Gijon June 28 2013

53

consumers becoming accustomed to new ways of engaging with music2

Number of paid global streaming customers have more than doubled

in the last 18 months

Consumers sharing their music through shared playlists, “likes” on Facebook, and recommendations

Facebook allows users to listen to what their friends are currently

listening to

Visual elements, location-based content, comments/ tweets, and trivia are creating a compelling

expanded music listening experience

From owning to renting

Social music listening

Expanded music experiences

Jimi Hendrix app• GPS functionality

(Geofenced landmarks for users to unlock)

• Trivia and images of Jimi’s life

Page 54: IASPM Gijon June 28 2013

54

new and innovative consumer business models continue to emerge every day3

Page 55: IASPM Gijon June 28 2013

55

Dynamic programming based on tastes

Audio-visual content

Interactive content/ gaming

Social listening

GPS functionality/ virtual tours

Digital platforms will transform the next generation of music, creating new and innovative experiences that more deeply engage consumers

1

55

the next generation of music

Page 56: IASPM Gijon June 28 2013

56

four key strategic areas

Scale SME’s ad-supported business

Develop innovative

digital products and services,

including applications

Aggressively grow premium

digital music subscription

business

Continue to grow the MP3 download

business

1 2 3 4

Page 57: IASPM Gijon June 28 2013

57

Key focus is on international expansion and cloud access. Recently partnered to:

- Expand existing major storefronts to new regions- Introduce new products - cloud access, scan and

match lockers, etc.

Struck recent partnership with Google in which this major technology player made a meaningful commitment to the DL business

A la carte DLs represent nearly 60% of digital revenue globally

We are focused on growing the DL market by:

- Enticing more consumers to legal stores- Creating exciting products that give greater value to

existing consumers

mp3 downloads1

Page 58: IASPM Gijon June 28 2013

58

SME focus is on partnering with best in breed services to a) achieve scale and b) expand to new markets

Additionally, bundle deals are proving to be an effective way to drive critical mass and client-customer loyalty

SME subscription partners now provide access to over 14.8M paying subscribers globally – and growing fast.

In addition to unlimited access models, there is a real opportunity to build a premium digital radio business

Pandora and Slacker are the US market leaders in the premium radio space with ~2M subs combined

Interactive Radio

premium digital music subscription business2Unlimited Access

Page 59: IASPM Gijon June 28 2013

59

Building best in class ad sales force Creating original programming Developing a significant footprint across the web International expansion

ad-supported business models3Video

Explosive growth both in usage activity and monetization

Continued international expansion Syndication partnerships

Improving monetization Hiring local ad sales forces Providing ubiquitous device access International expansion

Audio

Relaunched digital radio network in Fall 2011 Rebranded via “iHeartRadio” Aggregates over 800 local radio stations and hundreds of

3rd party stations with focus on personalized radio Key iHeartRadio metrics:

- 15 Million+ active monthly users- 100 Million+ monthly listening hours- 45 Million+ monthly unique digital visitors

Page 60: IASPM Gijon June 28 2013

60

innovative digital products and services4

OVERVIEW Develop and implement

innovative new digital products

Create, evaluate, and execute new business ideas, new lines of business, and products

CURRENT/POTENTIAL PROJECTS

Mobile applications

Digital album experiences

New digital channels for YouTube

1st ever digital AC/DC product – “AC/DC Pinball Rocks”; features 5 songs, mini-games, and game center integration – on track to sell 200K units by next year

Continuation of Pinball Rocks! franchise after success of Slayer Pinball Rocks!

1st step in evolution of digital music to become an experience

Innovative Jimi Hendrix application provides fully interactive and engaging user experience

250K downloads to date after only 2 months

Page 61: IASPM Gijon June 28 2013

The future?

• More control• The process from 2006

(web 2.0) on reverse• So we really have to

move now – we are beached!

Page 62: IASPM Gijon June 28 2013

IASPMGijon June 28 2013

Henrik Smith-SivertsenThe Royal Library

Denmark

“Fish don't know water exists till beached “ Documentation of music production, distribution and consumption in the age of streaming.