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Page 1: f•oria Cnrjantmentteverglades.fiu.edu/reclaim/monographs/pdfs/FI07100907/sliced/FM.pdfThe young Water Turkeys were like blubbery, cream colored goslings . 206 Baby Blues, one egg

f•oria Cnrjantmentt

Page 2: f•oria Cnrjantmentteverglades.fiu.edu/reclaim/monographs/pdfs/FI07100907/sliced/FM.pdfThe young Water Turkeys were like blubbery, cream colored goslings . 206 Baby Blues, one egg
Page 3: f•oria Cnrjantmentteverglades.fiu.edu/reclaim/monographs/pdfs/FI07100907/sliced/FM.pdfThe young Water Turkeys were like blubbery, cream colored goslings . 206 Baby Blues, one egg

XI

t

r

rr

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The trees stand like ghosts in the heavy morning mists.

(See chapter 18)

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FLORIDAENCHANTMENTS

ByA. W. AND JULIAN A. DIMOCK

WITH NUMEROUS ILLUSTRATIONS FROM PHOTOGRAPHS

NEW YORK

THE OUTING PUBLISHING COMPANY

MCMVIII

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Copyright, x908, by

THE OUTING PUBLISHING COMPANY

All Rights Reserved

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THE CAMP FIRE CLUB

OF AMERICA

BY

THE PERPETRATORS

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CONTENTS

CHAPTER PAGE

I HOMOSASSA, THE BEAUTIFUL . . . . 3II CRUISING ON THE GULF COAST OF FLORIDA . . 17

III THE CAPTURE OF THE MANATEE . 39

IV THE CHASE OF THE DOLPHIN . . . 63

V MAKERS OF MOONSHINE . . . . 77

VI THE FLORIDA CROCODILE . . . . 89

VII SALT-WATER FLY-FISHING . . . 103

VIII THE PASSING OF THE FLORIDA ALLIGATOR . 115IX THE BEE u . .TER .. 129X PHOTOGRAPHING A SAWFISH . . 141

XI A FLORIDA FAMILY'S PICNIC . . . . . 151XII TARPON FISHING . . .. 161

XIII THE TARPON AND THE SHARK . . . . 177

XIV A SQUARE DEAL . . .. 191

XV LIFE IN A BIRD ROOKERY . . . . 203

XVI CROSSING THE EVERGLADES IN A POWER BOAT . 215

XVII A TRIP THAT FAILED . . . . . 231

XVIII A SOUTHERN INDUSTRIAL EXPERIMENT . . . 253

XIX AN OVERLOOKED RIVER . . . . . 67XX CANOEING IN THE SURF . . . . . 277

XXI THE MANGROVE . ... 287XXII THE PASSING OF A WILDERNESS . . . 293

XXIII A VANISHING RACE . .. 307v

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ILLUSTRATIONS

The trees stand like ghosts in the heavy morning mist . . Frontispiece

FACINGPAGE

At the approach of our boat the alligator tumbled into the water . 4An alliga at home . . . . 8The sunset was magnificent . . . . . 1The conventional houseboat, with every convenience from a chef to a

canary . . . . . . . . . . 20Becalmed in the emerald waters of the Bay of Florida . . . 20The fisherman's bete noir . . . . . . 24The lay of the loggerhead . . . . . . . 24Shell mounds of Aborigine antecedents, flanked by cocoa and date palms . 3A sudden dash of the creature nearly swamps us . . . 40The powerful tail lifts the skiff . . . . 40He drags us into the mangroves .. . 48View of back-lookin forward. . . . . . . 48Head of Manatee. Strange creatures, as shapely as a fattened pig . . 5The flippers are of use to gather grass within reach of the mouth . . 56Tussock Key. A haunt of the Manatee on Harney's River . . . 58When the Dolphin is struck, there is a mighty splash in the water . . 64The skiff is forthwith towed at high speed . . . . . 64Gafed and pulled to the side of the skiff . . . . . 64Trying to get him aboard head first. He is too heavy for that method . 68Tail first is a better way of getting him into the boat . . . . 68Just landed and all in . . . . . . . 68Traversing a vast swamp. A custard apple tree in the foreground . . 78Making Moonshine-The cover, deftly fashioned from a huge cypress

stump, converts the kettle into a retort . .. . . 80A watchful eye is kept on the tiny trickle of the potent product . . 80Frequent tests of the finished article seemed necessary. . . 82Suspicious of strangers, the moonshiners are always prepared for emer-

gencies . . . . . . . 8Streaked with strands of cypress . . . . . . 84The crocodile on his slide, taking a sun-bath . . . . . 90Coming out of his ave . . . . . . . 9

vii

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Illustrations

FACINGPAGE

Taking the crocodile into the skiff . . . . . . . 94Caught in a turtle net . . . . . . . . . 94(1) Jumping at the camera-man. (2) Awkward navigation. (3) Home-

ward bound . . . . . 96The head of the Crocodile-(1) Top view showing the lower teeth pro-

jecting through upper jaw. (2) Lower jaw and throat. (3) Headin action (camera within four feet) . . . . . 98

From the beach at Gasparilla Pass we used the fly-rods. . . . 104In proportion to size, the Lady-fish will discount any other fish in exist-

ence for pyrotechnics . . . . . . . . . 104Pelicans and gulls flew up before us, and posed in picturesque fashion . 108Fire-hunting is the deadliest of the methods of pursuing these saurians . 116Taking the victim aboard . . . . . . . . . 118(1) Two dots on the surface indicate a 'gator. (2) It is wise to let him

have his end of the boat. (3) "Good-bye, m going home!" . . 120An angry nine-foot alligator posing for his picture 124A hot coal laid on a piece of comb, which rested on a cypress-knee, called

the bees and gave Bill his first line . . . . . .A few hundred yards to the side, bees were allowed flight to their main

hive, giving the second line. At the point of intersection the treewas found . . . . . . . 128

Cutting down the bee tree . . . . . . 180The home of the bees laid bare . . . . . . 132The comb and bees . . . . . . . . . 134Protected only by a little smoke, the bee hunters take out the comb with

bare hands. . . . . .. . . 136Smith, in gloves and head-net, inspects the honey . . . . 136The next day the cavity was filled with bees . . . . . 138The die is cast . . . . . . .. . . 142Catching the Saw-fish-(1) There is a big swirl in the water. (2) You

attempt to lasso him. (3) Succeeding, the struggling fish is drawnto the skiff . . . . . . . . . 144

During the fracas he breaks his saw on the boat . . . . . 146Our record fish, fifteen feet ten inches long . . . . . . 148Fishing for pompano with a net . . . . . . 152Taking the fish from the net . . . . . . . 152This time holding his body horizontally . . . . . . 156Ran fifty feet up the rigging and dove far out into the stream . . 156A sudden pull at the line-you awake from your day dreams . . . 164The joy of the first jump makes up for unrequitted days of fishing . . 168He follows the tide in his wild rushes for freedom . . . . . 168

vriii0*0V111l

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Illustrations

FACINGPAGE

The humane angler unhooks his adversary and lets him go his way . 172A shark cuts the tarpon in two . . .. 172Up! Up! he rose until the camera seemed pointed at the zenith . . 180He dashed for the Gulf through big Gasparilla Pass .. 180The hammerhead's great bulk gliding easily behind the tarpon . . 184A knife drawn across the distended organ disclosed the tarpon in sections,

with the hook still fast in his jaws .. . . 186The fish struck with all his weight upon the side of the canoe . . 19I got into the submerged canoe, right side up, and the game in my hands . 196The tarpon slid into it of his own accord, which I accepted as a formal

surrender . . . . 196Rarest and most beautiful were the Long Whites . . . 200In the Glades, behind the rookery, were young Limpkins . . . 202Near the entrance to our estate, lived our friends, the Pelicans . . 202Madam Curlew keeping house . . .. 204Young Curlew, brown in his first year . . 204The young Water Turkeys were like blubbery, cream colored goslings . 206Baby Blues, one egg yet unhatched . . .. 208Baby Blues, a few days old . . ... 908Baby Blues, ready to leave the nest .. 210Baby Blue old enough to fare for elf . . 212Louisianas on a small mangrove. 212Harney's River. The head of the rivers are choked with "bonnets," a

sort of water lily . . .. 216A view of the Glades from a tree-top-water, grass and trees everywhere . 218Now and then we poled through strands of sawgrass . . 220Where we camped for the night . . . 220Our camp on an Indian Farm . . .. 222A young Evergladite . 222Rounding Cape Sable on the return trip ... 226For five days we lived aboard this prairie schooner . . . 232The water shoaled until we could hardly budge the canoe . . 236Then began weary days of hauling the canoes through soft, sticky mud . 236We followed trails in the Glades until they dried into mud-paths . . 240At Osceola's camp there was a distilling device-presumably used to

purify the water . . .. . 240We passed cunningly constructed nests of the diedipper. . . . 244This sinuous creature fascinated us and seemed altogether worthy of his

Indian name, "The King" . . . . . . . 244Down the Caloosahatchee River, through masses of water-hyacinths . 248A prairie, level as the sea, threaded with strands of cypress . . . 256

ix

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Illustrations

FACINGPAGE

Uncleared hummock-land at the deep lake plantation . . 260A hydra-headed palmetto-one of the "freaks" of the great swamp . 260A young grape-fruit tree . . . . . . . . . 262When navigation was closed to boats with spars, we tied the Irene to the

bank. . . . . . . . . . . . 268Palmettoes, their roots undermined by water, lean across the stream . 270The pines begin and the palmettoes take strange shapes . . . 272The light and shade of park-like arrangements . . . . . 274Canoeing the Breakers-(1) The first breaker rolled me over. (2) The

turning was as dangerous as breaking a girth. (3) Choosing a bigwave I paddled and rowed home on its crest . . . . . 280

How the Mangrove Works-(1) A case where the sea tried to destroy anisland-everything but the firmly rooted tree washed away. (2) Theindomitable march out to sea. (3) The railroad vine which co-operates with the mangrove in making islands. (4) The way anisland is started . . . . . . . . . 282

How the mangrove forms a jungle . . . . . . . 284How the mangrove extends a shore line . . . . . . 286The Mangrove in Detail-(1) The shafts in their first growth. (2) The

claw-like roots drive fast in the mud. (3) The flowers and the fruit.(4) The shoots break off and sow themselves . . . 288

Great bunches of oysters attach themselves to these branches . . . 290Cocoa palms at Marco . . . . . . . . 292Royal Palms, native to these plantations . . . . . 294The cane field . . . . . . . . . 294The jacklantern is the hunter's best assistant . . . . . 296In the Big Cypress . . . . . . . . . 298A primitive method of grinding the cane . . . . . . 300A prairie fire-ignited by hunters to lure the deer . . . 302Our conveniences were two Ontario canoes . . . . 308Charley Dixey, his wife and child . . . . 312Seminole Types-(1) The squaws smoke-whenever they get a chance.

(2) Johnny Billy, a medicine man. (3) A primitive mortar for grind-ing corn, and an up-to-date coffee mill . . . . 314

The dancing girls. Their dance is simply a rising and falling on thetoes . . . . . . . . . . 316

X