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Dr. Hodges’ Lesson Plan

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Dr. Hodges’ Lesson Plan. Friday, September 12, 2014. Band. 8:15 – 9:00 a.m. Goal ML.1 Apply the elements of music and musical techniques in order to sing and play music with accuracy and expression. - PowerPoint PPT Presentation

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Page 1: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 1

Dr. Hodges’ Lesson Plan

Friday, April 21, 2023

Page 2: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 2

Band

8:15 – 9:00 a.m.Goal

ML.1 Apply the elements of music and musical techniques in order to sing and play music with

accuracy and expression.

Page 3: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 3

ObjectiveML.1.3 Recognize expressive elements

(such as dynamics, timbre, blending, and phrasing) of music.

• BUZZ!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Page 4: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 4

Objective ML.2.1 Interpret, standard musical notation for whole,

half, quarter, eighth, sixteenth, and dotted note and rest durations in 2/4, ¾, 4/4, and 6/8 meter signatures.

Today’s Rhythm 127– Tyee, Brandon, Bryson

Process:Identify the note values found in this rhythm. Find the smallest value note or rest

Write a measure of that value with the counting Circle equivalents

Transfer the information to the rhythm Explain your answer

Count aloud, clap the rhythm

C

Page 5: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 5

Objective ML.2.1 Interpret, standard musical notation for whole, half,

quarter, eighth, sixteenth, and dotted note and rest durations in 2/4, ¾, 4/4, and 6/8 meter signatures.

C

1 e & a 2 e & a

Page 6: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 6

Today’s Focus Concert Preparation

Warm-up d con. Mel. min. Scale/15 Strk RllPermission slips are due ASAP !

TEST Thursday 03/15/12Marches of America

America The Beautiful

Page 7: Dr. Hodges’ Lesson Plan

General Music 89:00 – 9:45

Goal

CR.1 Understand global, interdisciplinary, and 21st Century connections with

music.

Friday, April 21, 2023 Slide 7

Page 8: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 8

Objective ML.2.1 Interpret, standard musical notation for whole,

half, quarter, eighth, sixteenth, and dotted note and rest durations in 2/4, ¾, 4/4, and 6/8 meter signatures.Today’s Rhythm 37 – Rosa, Michael, Sayvion

Process:Identify the note values found in this rhythm. Find the smallest value note or rest

Write a measure of that value with the counting Circle equivalents

Transfer the information to the rhythm Explain your answer

Count aloud, clap the rhythm

4

4

Page 9: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 9

Objective ML.2.1 Interpret, standard musical notation for whole, half,

quarter, eighth, sixteenth, and dotted note and rest durations in 2/4, ¾, 4/4, and 6/8 meter signatures.

4

4

1 e & a 2 e & a 3 e & a 4 e & a

Page 10: Dr. Hodges’ Lesson Plan

Music Vocabulary

Page 11: Dr. Hodges’ Lesson Plan

Bar lines

• Vertical lines on the staff which separate measures of music.

Page 12: Dr. Hodges’ Lesson Plan

Half step

• A Minor Second

Page 13: Dr. Hodges’ Lesson Plan

Dance

• The physical response to rhythm.

Page 14: Dr. Hodges’ Lesson Plan

Characteristics

• Unique attributes

Page 15: Dr. Hodges’ Lesson Plan

Brass Winds

• Instruments using a cup shaped mouthpiece

Page 16: Dr. Hodges’ Lesson Plan

Clef

• Symbol to indicate the tonal center

Page 17: Dr. Hodges’ Lesson Plan

Fugue

• A melodic presentation using varied melodic and rhythmic alterations to present new interpretations of the melody.

Page 18: Dr. Hodges’ Lesson Plan

Fugetto

• A small or short section in a fugal style.

Page 19: Dr. Hodges’ Lesson Plan

First ending

• The short ending which will send musicians back to a particular place to repeat that section.

Page 20: Dr. Hodges’ Lesson Plan

Double Bar

• Two bars of different size indicating the end of a section or composition.

Page 21: Dr. Hodges’ Lesson Plan

Dal signo al fine`

• Return to the sign and play to the fine`

Page 22: Dr. Hodges’ Lesson Plan

Da capo al fine`

• Return to the beginning and play to the fine`

Page 23: Dr. Hodges’ Lesson Plan

Counterpoint

• Independent movement of musical lines in correlation to each other

Page 24: Dr. Hodges’ Lesson Plan

Cannon

• The simple melodic repetition. It is also called a round.

Page 25: Dr. Hodges’ Lesson Plan

Brace

• Two or more staves joined with a bracket { } indicating a system of music.

Page 26: Dr. Hodges’ Lesson Plan

Balance

• To achieve the aural perception of each instrument or section being of the same or equal volume without dominance by any one instrument or section.

Page 27: Dr. Hodges’ Lesson Plan

Blend

• To create an ensemble sound in which all instruments/sections collectively create one sound rather than individual sounds.

Page 28: Dr. Hodges’ Lesson Plan

Dynamics

• Various degrees of loudness and softness

Page 29: Dr. Hodges’ Lesson Plan

Forte (f )

• Strong or full

Page 30: Dr. Hodges’ Lesson Plan

Fortissimo (ff)

• Very strong

Page 31: Dr. Hodges’ Lesson Plan

Fortississimo (fff)

• Very, very strong

Page 32: Dr. Hodges’ Lesson Plan

Pianissimo (pp)

• Very soft

Page 33: Dr. Hodges’ Lesson Plan

Crescendo (cres.)

• To get louder

Page 34: Dr. Hodges’ Lesson Plan

Decrescendo (decres)

• To get softer

Page 35: Dr. Hodges’ Lesson Plan

Diminuendo (dim)

• To gradually get softer

Page 36: Dr. Hodges’ Lesson Plan

Baroque

• The historic period between 1600 and 1750 AD

Page 37: Dr. Hodges’ Lesson Plan

Classical

• The historic period between 1750 and 1820 AD

Page 38: Dr. Hodges’ Lesson Plan

Expressionist

• The historic period originating in Germany beginning in the 20th Century.

Page 39: Dr. Hodges’ Lesson Plan

Experimental

• One type of music composed between 1950 and today.

Page 40: Dr. Hodges’ Lesson Plan

Fusion

• The mixing of diverse musical styles originating around 1980.

Page 41: Dr. Hodges’ Lesson Plan

Diatonic

• Within the Key

Page 42: Dr. Hodges’ Lesson Plan

Consonant Interval

• Interval requiring no resolution (change)

Page 43: Dr. Hodges’ Lesson Plan

Dissonant Interval

• Interval requiring resolution (change)

Page 44: Dr. Hodges’ Lesson Plan

Dance

• The physical response to rhythm

Page 45: Dr. Hodges’ Lesson Plan

Concert

• A performance by a large ensemble of several compositions.

Page 46: Dr. Hodges’ Lesson Plan

You're elemental to everything.

• Melody : How do we listen to melody?– As one component of the composition?– Simultaneously with all other components?– In isolation from the composition?• Harmony: How do we listen to harmony?– As one component of the composition?– Simultaneously with all other components?– In isolation from the composition?

http://www.drhodges.wikispaces.comFriday, April 21, 2023

Slide 46

Page 47: Dr. Hodges’ Lesson Plan

You're elemental to everything.

• Melody : How do we listen to rhythm?– As one component of the composition?– Simultaneously with all other components?– In isolation from the composition?• What does rhythm provide?– Expression of thought?– Expression of emotion?– A vehicle to carry words?– Excitement?– Relaxation?

http://www.drhodges.wikispaces.comFriday, April 21, 2023

Slide 47

Page 48: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 48

9:45 – 10:30Grade 6 Band

Page 49: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 49

ObjectiveML.1.2 Use the fundamental techniques

(such as posture, playing position, breath control, fingerings, and bow/stick control)

necessary to sing and/or play and instrument in addition to listening skills

while playing an instrument.

• BUZZ!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Page 50: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 50

ObjectiveML.1.3 Recognize expressive elements

(such as dynamics, timbre, blending, and phrasing) of music.

• BUZZ!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Page 51: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 51

Objective ML.2.1 Interpret, standard musical notation for whole,

half, quarter, eighth, sixteenth, and dotted note and rest durations in 2/4, ¾, 4/4, and 6/8 meter signatures.

Today’s Rhythm 127– Tyee, Brandon, Bryson

Process:Identify the note values found in this rhythm. Find the smallest value note or rest

Write a measure of that value with the counting Circle equivalents

Transfer the information to the rhythm Explain your answer

Count aloud, clap the rhythm

C

Page 52: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 52

Objective ML.2.1 Interpret, standard musical notation for whole, half,

quarter, eighth, sixteenth, and dotted note and rest durations in 2/4, ¾, 4/4, and 6/8 meter signatures.

C

1 e & a 2 e & a

Page 53: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 53

Today’s Focus Concert Preparation

Warm-up d con. Mel. min. Scale/15 Strk RllPermission slips are due ASAP !

TEST Thursday 03/15/12Marches of America

America The Beautiful

Page 54: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 54

Today’s Focus Music Sight Reading

# 55

# 56

# 57

Page 55: Dr. Hodges’ Lesson Plan

General Music 610:30 – 11:15

Goal

CR.1 Understand global, interdisciplinary, and 21st Century connections with

music.

Friday, April 21, 2023 Slide 55

Page 56: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 56

Objective ML.2.1 Interpret, standard musical notation for whole,

half, quarter, eighth, sixteenth, and dotted note and rest durations in 2/4, ¾, 4/4, and 6/8 meter signatures.Today’s Rhythm 37 – Rosa, Michael, Sayvion

Process:Identify the note values found in this rhythm. Find the smallest value note or rest

Write a measure of that value with the counting Circle equivalents

Transfer the information to the rhythm Explain your answer

Count aloud, clap the rhythm

4

4

Page 57: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 57

Objective ML.2.1 Interpret, standard musical notation for whole, half,

quarter, eighth, sixteenth, and dotted note and rest durations in 2/4, ¾, 4/4, and 6/8 meter signatures.

4

4

1 e & a 2 e & a 3 e & a 4 e & a

Page 58: Dr. Hodges’ Lesson Plan

Music Vocabulary

Page 59: Dr. Hodges’ Lesson Plan

Bar lines

• Vertical lines on the staff which separate measures of music.

Page 60: Dr. Hodges’ Lesson Plan

Half step

• A Minor Second

Page 61: Dr. Hodges’ Lesson Plan

Dance

• The physical response to rhythm.

Page 62: Dr. Hodges’ Lesson Plan

Characteristics

• Unique attributes

Page 63: Dr. Hodges’ Lesson Plan

Brass Winds

• Instruments using a cup shaped mouthpiece

Page 64: Dr. Hodges’ Lesson Plan

Clef

• Symbol to indicate the tonal center

Page 65: Dr. Hodges’ Lesson Plan

Fugue

• A melodic presentation using varied melodic and rhythmic alterations to present new interpretations of the melody.

Page 66: Dr. Hodges’ Lesson Plan

Fugetto

• A small or short section in a fugal style.

Page 67: Dr. Hodges’ Lesson Plan

First ending

• The short ending which will send musicians back to a particular place to repeat that section.

Page 68: Dr. Hodges’ Lesson Plan

Double Bar

• Two bars of different size indicating the end of a section or composition.

Page 69: Dr. Hodges’ Lesson Plan

Dal signo al fine`

• Return to the sign and play to the fine`

Page 70: Dr. Hodges’ Lesson Plan

Da capo al fine`

• Return to the beginning and play to the fine`

Page 71: Dr. Hodges’ Lesson Plan

Counterpoint

• Independent movement of musical lines in correlation to each other

Page 72: Dr. Hodges’ Lesson Plan

Cannon

• The simple melodic repetition. It is also called a round.

Page 73: Dr. Hodges’ Lesson Plan

Brace

• Two or more staves joined with a bracket { } indicating a system of music.

Page 74: Dr. Hodges’ Lesson Plan

Balance

• To achieve the aural perception of each instrument or section being of the same or equal volume without dominance by any one instrument or section.

Page 75: Dr. Hodges’ Lesson Plan

Blend

• To create an ensemble sound in which all instruments/sections collectively create one sound rather than individual sounds.

Page 76: Dr. Hodges’ Lesson Plan

Dynamics

• Various degrees of loudness and softness

Page 77: Dr. Hodges’ Lesson Plan

Forte (f )

• Strong or full

Page 78: Dr. Hodges’ Lesson Plan

Fortissimo (ff)

• Very strong

Page 79: Dr. Hodges’ Lesson Plan

Fortississimo (fff)

• Very, very strong

Page 80: Dr. Hodges’ Lesson Plan

Pianissimo (pp)

• Very soft

Page 81: Dr. Hodges’ Lesson Plan

Crescendo (cres.)

• To get louder

Page 82: Dr. Hodges’ Lesson Plan

Decrescendo (decres)

• To get softer

Page 83: Dr. Hodges’ Lesson Plan

Diminuendo (dim)

• To gradually get softer

Page 84: Dr. Hodges’ Lesson Plan

Baroque

• The historic period between 1600 and 1750 AD

Page 85: Dr. Hodges’ Lesson Plan

Classical

• The historic period between 1750 and 1820 AD

Page 86: Dr. Hodges’ Lesson Plan

Expressionist

• The historic period originating in Germany beginning in the 20th Century.

Page 87: Dr. Hodges’ Lesson Plan

Experimental

• One type of music composed between 1950 and today.

Page 88: Dr. Hodges’ Lesson Plan

Fusion

• The mixing of diverse musical styles originating around 1980.

Page 89: Dr. Hodges’ Lesson Plan

Diatonic

• Within the Key

Page 90: Dr. Hodges’ Lesson Plan

Consonant Interval

• Interval requiring no resolution (change)

Page 91: Dr. Hodges’ Lesson Plan

Dissonant Interval

• Interval requiring resolution (change)

Page 92: Dr. Hodges’ Lesson Plan

Dance

• The physical response to rhythm

Page 93: Dr. Hodges’ Lesson Plan

Concert

• A performance by a large ensemble of several compositions.

Page 94: Dr. Hodges’ Lesson Plan

Lunch

11:15 – 12:15

http://www.drhodges.wikispaces.comFriday, April 21, 2023

Slide 94

Page 95: Dr. Hodges’ Lesson Plan

12:15 – 1:00

Grade 7 Band Goal

MR.1 understand the interacting elements to

respond to music and music

performances.

Friday, April 21, 2023 Slide 95

Page 96: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 96

ObjectiveML.1.3 Recognize expressive elements

(such as dynamics, timbre, blending, and phrasing) of music.

• BUZZ!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Page 97: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 97

ObjectiveML.1.3 Recognize expressive elements

(such as dynamics, timbre, blending, and phrasing) of music.

• BUZZ!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Page 98: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 98

Objective ML.2.1 Interpret, standard musical notation for whole,

half, quarter, eighth, sixteenth, and dotted note and rest durations in 2/4, ¾, 4/4, and 6/8 meter signatures.

Today’s Rhythm 127– Tyee, Brandon, Bryson

Process:Identify the note values found in this rhythm. Find the smallest value note or rest

Write a measure of that value with the counting Circle equivalents

Transfer the information to the rhythm Explain your answer

Count aloud, clap the rhythm

C

Page 99: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 99

Objective ML.2.1 Interpret, standard musical notation for whole, half,

quarter, eighth, sixteenth, and dotted note and rest durations in 2/4, ¾, 4/4, and 6/8 meter signatures.

C

1 e & a 2 e & a

Page 100: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 100

Today’s Focus Concert Preparation

Warm-up d con. Mel. min. Scale/15 Strk RllPermission slips are due ASAP !

TEST Thursday 03/15/12Marches of America

America The Beautiful

Page 101: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 101

Today’s Focus Concert Preparation

Warm-up d con. Mel. min. Scale/15 Strk RllPermission slips are due ASAP !

TEST Thursday 03/15/12Marches of America

America The Beautiful

Page 102: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 102

Today’s Focus Concert Preparation

Warm-up d con. Har. min. Scale/13 Strk RllPermission slips are due ASAP !

TEST Thursday 03/11/12Marches of America

America The Beautiful

Page 103: Dr. Hodges’ Lesson Plan

General Music 7

1:00 – 1:45

Friday, April 21, 2023 Slide 103

Page 104: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 104

Objective ML.2.1 Interpret, standard musical notation for whole,

half, quarter, eighth, sixteenth, and dotted note and rest durations in 2/4, ¾, 4/4, and 6/8 meter signatures.Today’s Rhythm 37 – Rosa, Michael, Sayvion

Process:Identify the note values found in this rhythm. Find the smallest value note or rest

Write a measure of that value with the counting Circle equivalents

Transfer the information to the rhythm Explain your answer

Count aloud, clap the rhythm

4

4

Page 105: Dr. Hodges’ Lesson Plan

Friday, April 21, 2023 Slide 105

Objective ML.2.1 Interpret, standard musical notation for whole, half,

quarter, eighth, sixteenth, and dotted note and rest durations in 2/4, ¾, 4/4, and 6/8 meter signatures.

4

4

1 e & a 2 e & a 3 e & a 4 e & a

Page 106: Dr. Hodges’ Lesson Plan

Music Vocabulary

Page 107: Dr. Hodges’ Lesson Plan

Bar lines

• Vertical lines on the staff which separate measures of music.

Page 108: Dr. Hodges’ Lesson Plan

Half step

• A Minor Second

Page 109: Dr. Hodges’ Lesson Plan

Dance

• The physical response to rhythm.

Page 110: Dr. Hodges’ Lesson Plan

Characteristics

• Unique attributes

Page 111: Dr. Hodges’ Lesson Plan

Brass Winds

• Instruments using a cup shaped mouthpiece

Page 112: Dr. Hodges’ Lesson Plan

Clef

• Symbol to indicate the tonal center

Page 113: Dr. Hodges’ Lesson Plan

Fugue

• A melodic presentation using varied melodic and rhythmic alterations to present new interpretations of the melody.

Page 114: Dr. Hodges’ Lesson Plan

Fugetto

• A small or short section in a fugal style.

Page 115: Dr. Hodges’ Lesson Plan

First ending

• The short ending which will send musicians back to a particular place to repeat that section.

Page 116: Dr. Hodges’ Lesson Plan

Double Bar

• Two bars of different size indicating the end of a section or composition.

Page 117: Dr. Hodges’ Lesson Plan

Dal signo al fine`

• Return to the sign and play to the fine`

Page 118: Dr. Hodges’ Lesson Plan

Da capo al fine`

• Return to the beginning and play to the fine`

Page 119: Dr. Hodges’ Lesson Plan

Counterpoint

• Independent movement of musical lines in correlation to each other

Page 120: Dr. Hodges’ Lesson Plan

Cannon

• The simple melodic repetition. It is also called a round.

Page 121: Dr. Hodges’ Lesson Plan

Brace

• Two or more staves joined with a bracket { } indicating a system of music.

Page 122: Dr. Hodges’ Lesson Plan

Balance

• To achieve the aural perception of each instrument or section being of the same or equal volume without dominance by any one instrument or section.

Page 123: Dr. Hodges’ Lesson Plan

Blend

• To create an ensemble sound in which all instruments/sections collectively create one sound rather than individual sounds.

Page 124: Dr. Hodges’ Lesson Plan

Dynamics

• Various degrees of loudness and softness

Page 125: Dr. Hodges’ Lesson Plan

Forte (f )

• Strong or full

Page 126: Dr. Hodges’ Lesson Plan

Fortissimo (ff)

• Very strong

Page 127: Dr. Hodges’ Lesson Plan

Fortississimo (fff)

• Very, very strong

Page 128: Dr. Hodges’ Lesson Plan

Pianissimo (pp)

• Very soft

Page 129: Dr. Hodges’ Lesson Plan

Crescendo (cres.)

• To get louder

Page 130: Dr. Hodges’ Lesson Plan

Decrescendo (decres)

• To get softer

Page 131: Dr. Hodges’ Lesson Plan

Diminuendo (dim)

• To gradually get softer

Page 132: Dr. Hodges’ Lesson Plan

Baroque

• The historic period between 1600 and 1750 AD

Page 133: Dr. Hodges’ Lesson Plan

Classical

• The historic period between 1750 and 1820 AD

Page 134: Dr. Hodges’ Lesson Plan

Expressionist

• The historic period originating in Germany beginning in the 20th Century.

Page 135: Dr. Hodges’ Lesson Plan

Experimental

• One type of music composed between 1950 and today.

Page 136: Dr. Hodges’ Lesson Plan

Fusion

• The mixing of diverse musical styles originating around 1980.

Page 137: Dr. Hodges’ Lesson Plan

Diatonic

• Within the Key

Page 138: Dr. Hodges’ Lesson Plan

Consonant Interval

• Interval requiring no resolution (change)

Page 139: Dr. Hodges’ Lesson Plan

Dissonant Interval

• Interval requiring resolution (change)

Page 140: Dr. Hodges’ Lesson Plan

Dance

• The physical response to rhythm

Page 141: Dr. Hodges’ Lesson Plan

Concert

• A performance by a large ensemble of several compositions.