Corpus Tat Yosef End i

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Kemn Tatyos Efendi

Worksof GreatMediterraneanComposers


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his document has been produced with the financial assistance of the European Community. The viewsexpressed herein are those of the publishers and can therefore in no way be taken to reflect the official opinionof the European Commission.


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Worksof GreatMediterraneanComposers

Kemn Tatyos Efendi

- edited by

- Vassilis Tzortzinis


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II MediMuses

:

: , Walter Feldman, Mahmoud Guettat, ,Toufic Kerbage, Kiya Tabassian

(1858 1913):

: : James Lillie : :

: : Hy Brazil

: :

: : , 2005

2154622 .: 2310253285/6fax: 2310257485

e-mail: [email protected]

, .


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European UnionProgramme Euromed Heritage IIMediMuses ProjectAction for the History of Music of the MediterraneanCorpus Series with works of Great Mediterranean Composers

Artistic Director: Kyriakos Kalaitzides

Under the guidanceof the Workgroup for the History of Music:Thomas Apostolopoulos, Walter Feldman, Mahmoud Guettat, Kyriakos Kalaitzides, TouficKerbage, Kiya Tabassian

Kemn Tatyos Eksertzian (1858 1913)Edited by: Vassilis Tzortzinis

Texts: Vassilis TzortzinisTranslation into English: James LillieEditing of the Greek text: Zoi SiapantaEditing of the English text: Michael Eleftheriou

Digital editing of scores: Yiorgos KokkinakisGraphic Design: Hy Brazil

Concept: Kyriakos KalaitzidesProduction coordination: Nikos Terpsiades

Production assistant: Melina PantazidouProduction: En Chordais, July 2005

EN CHORDAISMusical Traditions of the Mediterranean21 Pavlou Mela str.54622 Thessaloniki, Greecetel.: +30 2310253285/6fax: +30 2310257485

e-mail: [email protected]

Unauthorized republication or reproduction of the content of this publication in any medium isforbidden.


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9Prologue

Many significant masters have been creatively active in the Near East. Often the impact oftheir work has reached beyond the boundaries of the city or country where they lived andspread throughout the Mediterranean. Nonetheless, the lack of a complete and documented

presentation of this common cultural heritage is today making itself more and more acutelyfelt; a presentation of particular scientific and educational interest to teachers and studentsof music schools and academies, researchers and musicologists that would also create aninspiring backdrop for new musical creation by contemporary musicians.

Thanks to this series, interpreters, musical ensembles, orchestras and choirs around theworld will have the opportunity to globally study the particular musical idioms of greatcivilizations, as these have been expressed by great composers through the ages. At thesame time, the presentation to the general public of these works of great aesthetic value andimportance will be made possible.

In opposition to the contemporary trend towards conflict between nations, fed by ideologiesof cultural superiority or inferiority, the series hopes to contribute to the reconciliation andthe peaceful coexistence of the Mediterranean peoples, with their common musical heritageacting as an axis of cohesion.

The beginning of this effort is taking place as part of the MediMuses project that is fundedby European Union in the context of the Euromed Heritage II program and has also receivedfinancial support from the Hellenic Ministry of Culture. The MediMuses Workgroup forthe History of Mediterranean Music worked on the planning of the series and in the firstphase six collections of works will be published. Each collection contains the complete worksof the composer, a brief biography, interpretational notes and other related material whichwas collected and edited by established musicians and musicologists of the Mediterranean.

Kyriakos Kalaitzides

Artistic Director MediMuses


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0 MediMuses42 ( 2002 2005), ,

11 7 75 6 (CD) 6 (CD) 6 - 2 / 10 - / 3 / 2

MediMuses project42 months (February 2002 July 2005)Research, study, re-composition and promotion of the elements of the commonMediterranean musical heritage

11 Concerts7 International Music Meetings75 Visiting Lecturers6 CDs in the Great Mediterranean Masters series6 CDs in the Great Mediterranean Composers series

6 Anthologies with works of Great Mediterranean Composers2 Workgroups / 10 Workshops / 3 Symposia / 2 Volumes for the History and Theory ofMediterranean Music


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1LEADER

EN CHORDAIS, Musical Traditions of the MediterraneanThessaloniki, GREECE

PARTNERS

- THE NATIONAL MUSIC CONSERVATORYOF THE NOOR AL HUSSEIN FOUNDATIONAmman, JORDAN

- THE LEBANESE NATIONAL HIGHER CONSERVATORY OF MUSICBeirut, LEBANON

- EL HEFNY CENTER FOR MUSIC STUDIESCairo, EGYPT

- ASSOCIAZIONE CULTURALE SCUOLA DI MUSICA ANTICA VENEZIAVenice, ITALY

- THE BYZANTINE FESTIVAL IN LONDONLondon, UNITED KINGDOM

- ECUME, Echanges Culturels en MditerraneMarseilles, FRANCE

- CENTRO FLAMENCO PACO PEACordoba, SPAIN

- ST. LAZARUS SCHOOL OF BYZANTINE MUSICLarnaca, CYPRUS

www.medimuses.gr


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BIOGRAPHY


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1 TATYOS EKSERTZIAN

Kemani Tatyos Eksertzian was born in Constantinople in1858. Of Armenian origin, he is recognized as an outstandingpersonality in the multi-cultural music communitymade upmainly of Turks, Greeks, Armenians and Jewswhich was

based in the capital of the Ottoman Empire.

The appellation Kemani means violinist, from the Persianword, kemn, i.e. bow, which is used by Turks for the violin.He was taught by the famous blind violinist Kemani Sebuh.Tatyos was very well acquainted with the Hamparsum musicalnotation, a kind of notional script used in transcriptions beforethe establishment of the pentagram, with additional modulationsigns for the rendition of the intervals of Eastern music.

He was actively involved in urban musical events and also inthose of the ottoman court, which, at that specific period, washome to Sultan Abdul Hamid II, the last Ottoman monarch.Tatyos played the violin in the so-called sem cafs andthe tavernas of Constantinople which, around the end of thenineteenth and beginning of the twentieth centuries, served asintimate settings for musical performances, both by day andnight.

He was an alcoholic and died poor in 1913 from cirrhosisof the liver. Investigation of the old discography catalogues

reveals that Tatyos himself took part in only one recordingsession, playing Hseyn Saz Sem. But many of his songs andcompositions were recorded by established musicians who werehis contemporaries, such as Tanbr Cemil Bey, di NevresBey and others.

His oeuvre consists of instrumental compositions in theforms of the perev (overture, prelude) and the saz sem,as well as songs (ark). They are typified by their melodicoriginality, stylistic inventionwith frequent changes of the

makam within the same pieceas well as an intense dialecticalrelationship between the melody and rhythm. The end resultholds the attention of the listener throughout and gives thefeeling that, apart from playing the music, Tatyos was playingwith the musicThis is why the performance of a compositionby Tatyos is a real joy for a musician or singer.

It is abundantly clear that, as a composer, Tatyos was mindful ofthe function of music as a means of enjoyment, as, in any case,he experienced it himself, but at the same time he shows total


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Sohbetinle hos gecen eyyam canaozlerim (/ 1909). , .


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1respect for the texture and mores of Classical Ottoman music.It is no accident that his instrumental compositions spread farbeyond the bounds of Constantinople and became well-knownand extremely popular throughout the Arab Mediterranean.The enduring value of Tatyoss work is confirmed by the factthat his compositions have continued to be played from the

time he created them until today, that they are well-establishedin the basic repertoire of musicians and singers and also thatthey are very well represented in the discography.

The present collection brings together eleven instrumentalcompositions and twenty nine songs of the seventy two worksattributed to Tatyos and is based on a comparative study ofvarious transcriptions in the pentagram, some published,others not, some printed others in manuscript form. Differentversions of the melody appear to be the result of different peoplewriting down a living tradition which, without question, is thework of Tatyos. We note the recording in Byzantine notationof the Krdili Hicazkr ark entitled Sohbetinle ho geeneyyam cn zlerim in the collection [ORythmografos] by Agathangelos Kyriazides (Constantinople1909). All the material which has been collected, togetherwith observations from comparative research, are available tomusicians and musicologists in the Library of En Chordais.

Vassilis Tzortzinis


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ERGOGRAPHY


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0 1. Rast Perev, Muhammes2. Rast Saz Semsi, Aksak Sem3. Suzink Perev, enber4. Suzink Saz Semsi, Aksak Sem5. Krdili Hicazkr Perev, Devr-i Kebr6. Krdili Saz Semsi, Aksak Sem

7. Uak Perev, Devr-i Kebr8. Hseyn Saz Semsi, Aksak Sem9. Karciar Perev, ifte Dyek10. Karciar Saz Semsi, Aksak Sem11. Bestenigr Perev, Fahte12. Rast ark, Sengin Sem13. Rast ark, emi celldn ne kanlar dkt Kathane de, Ar Aksak14. Rast ark, Mavi atlasar giyersin,Trk Aksa15. Rast ark, Mey-i lnline dil mestne olsun,Curcuna16. Suzink ark, Atfetme sakn haner-i mujgnn ngh, Sengin Sem17. Suzink ark, emi celldn boyand, Ar Aksak18. Suzink ark, Gel el gzlm efendim ynma, Msemmen19. Suzink ark, Gzelim gzln emine tak, Aksak20. Suzink ark, Suzink-i fasl- akn syleyim dinle yeter, Ar Evfer21. Hicazkr ark, Mni oluyor hlimi takrire hicbm, Curcuna22. Krdili Hicazkr ark, Ehl-i akn nevegh ke-i meyhndedr, Ar Aksak23. Krdili Hicazkr ark, Sohbetinle ho geen eyyam cn zlerim, Ar Aksak24. Nivahend ark, Ah cn firkatinle simeni ben dalarm, Aksak25. Nivahend ark, Meftnu gnl oldu o mestne nighn, Sengin Sem26. Uak ark, Ah Rahm yok bir yre dtm el-aman gonca dehen, Ar Aksak27. Uak ark, tei ak olmada her dem sebep berdadima, Ar Aksak

28. Uak ark, Bu akam gn batarken, Aksak29. Uak ark, Gamzedeyim dev bulman, Sofyan30. Uak ark, Ol kadar alattn ki glmek bana oldu harm, Ar Aksak31. Uak ark, Rhum musun ey rh-i safabh-i cihnin, Trk Aksai32. Hseyn ark, ektim elimi gayri bu dnya hevesinden, Curcuna33. Hseyn ark, Gnl dt yine glzr- zevke, Curcuna34. Hseyn ark, Meskenim ke-i zillet olal m- seher, Ar Aksak35. Karciar ark, Gz szp yan bakiinla yine aldatma beni, Aksak36. Karciar ark, Gldn elendin perin hl- kalimle bugn, Ar Aksak37. Hicz ark, Bilsen deneler geti af u bire serimden, Sengin Sem

38. Hzzam ark, Gzm hasretle giryndr, Aksak39. Mster ark, Tayir olunmu sanki havas, Trk Aksai40. Muhayyer ark, Uyand bahtm etmem artk evk felekten, Sengin Sem


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2 / Unrecorded works ofTatyos

/ Instrumental compositions

41. Hseyn Perev

/ Songs

42. Rast ark, ftirk-cn kederinle senin ey gl beden43. Rast ark, Beni dilsir ederken h- visli44. Rast ark, Bilmem ki nedendir, bana sen hor bakiyorsun45. Hseyn ark, lrm terkedemem ey gl-i nevreste seni46. Hseyn ark, Saki-i bezm-i elest-i rh iken rngvr47. Uak ark, Nil-i vuslat olan zinet-i dnya bilmez48. Hicz ark, Nevbahr- dehr iinde hrsz gl m olur49. Hicz ark, u mahzun gnlm yr ad eylesin50. Hicz ark, Gulsen-i zevk-i hayatin simdi51. Hicz ark, Neydi maksudun senin bu hale koymakdan beni52. Krdili Hicazkr ark, Iltiyam-i zahm-i aska ah doktor53. Krdili Hicazkr ark, Niye mahzun duruorsun bana soyle melegim54. Krdili Hicazkr ark, Ho geen eyyam cn her nefes h zlerim55. Nihavend ark, Ihtiyarlik bahsi hictir olse uslanmaz gonul56. Nihavend ark, Gecdikce demler sehharelendi57. Hicazkr ark, Ben re ararken dil-i bireye senden58. Hicazkr ark, Tir-i cesmin ta cigergahimba59. Suzink ark, Glen-i zevk-i haytn imdi mehcurlardanz

60. Suzink ark, Cevher-i rhum musun ey melek61. Suzink ark, Suzink-i te-i gam yeti feryde gel62. Suzink ark, Gulmek yarasir gul yuzune ey gul-i canim63. Suzink ark, Efendim, nev-civanimsin64. Suzink ark, Afet misin-ey husni ozlerim65. Suzink ark, Hasretinle gun be gun66. Karciar ark, O mhitb acep gsterir mi bana felek67. Karciar ark, Kemend-i zlf-i esir-i zlf-i yr oldum68. Karciar ark, Vuslat dilerim yrime hicrandan usandm69. Karciar ark, Htram rahatsz etmezse sent

70. Isfahn ark, Sohret-i husnunle alem dem-guzar71. Isfahn ark, Akl- sabrm gitti mahzn oldum h72. Neveser ark, Asktan hic bir zaman vazgecmez73. Hzzam ark, Acdim yuzunu talat-i didarina bakdim74. Segh ark, Nice feryad edeyim, ah ask senden75. ehnz ark, Sevdi bir suh-i cihani kim gonul


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LYRICS


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0 Opus 12Bir gnlme bir hl-i pernma baktmZlim seni yd ben yalnz ldracaktmZlim seni yd eyleye h eyleye h eyleye actmSen yoksun o yok eyleye actm

Opus 13emi celldn ne kanlar dkt Kathnedealayan fevvre-i hn-i cier dilhnedeBakma ka ah hrmn tutmasn bu kan senialayan fevvre-i hn-i cier dilhnede

Dktm kan eleverir dnyy tfn eylemeZevrek- nuh- deli al kaane pyneylemeBir daha vur haner-i fettnn ldr benialayan fevvre-i hn-i cier dilhnede

Opus 14Mavi atlaslar giyersinNazar demes firusesinNe nasik reftar edersinNazar demes firusesin

Opus 15Mey-i llinle dil mestne olsunAman sk getir bir tne olsunGnl knesi meyhne olsun

Aman sk getir bir tne olsun

Opus 16Atfetme sakn haner-i mjgnn nghncitme yazk hasta-i hicrnn ey mhKoymaz yanna ettiini Hazreti AllhBir nr- cierszun yaktn beni eyvhYaksn seni de ben gibi telere Allh

Evvelce sen ettin ana tahsis ile rabet

Mtk- nigh oldu o bi-are de elbetAlar sana h eyler o mazlum-u muhhabetBir nr- cierszun yaktn beni eyvhYaksn seni de ben gibi telere Allh

Opus 17em-i celldn boyand girdi artk kanmaBa evirmez oldu zlim didei girynmaTir-i mjgnn bu yada kyd hayf cnmaBa evirmez oldu zlim didei girynma


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9Opus 18Gel el gzlm efendim ynmaHasretin kr etti artk cnmaTesliyetsz ol dil-i nlnmaHasretin kr etti artk cnma

Gel beni kurtar bu mihnethnedenBktm artk lfet-i bignedenPek zldm sabr- meysnedenHasretin kr etti artk cnma

Opus 19Gzelim gzln emine takEser-i hicrin olan yreme bakFikrini syle defolsun u merakYa beni vasla sez kl ya brak

Opus 20Suzink-i fasl- ak syleyim dinle yeterille-i ak ekenler bylece feryd ederDilbernn ahd- ldr uyup ekme kederHisseyb- zevk-i vuslat olmak istersen eerEhl-i dil bezminde sevmekten sevilmektir hner

Opus 21Mni oluyor hlimi takrire hicbm

zme yetiir zme firkinla harbmMahvoldu sknum beni terk eyledi hbimzme yetiir zme firkinla harbm

Opus 22Ehl-i akn nevegh ke-i meyhnedirSkiy uk dild eyleyen peymnedirGft gy-i leme aldanma hep efsnedirSkiy uk dild eyleyen peymnedir

Bitmiyor lm- dnya bitse de mr- beermrn rahat geirmek isteyen dnyada gerBilmiyorsa sevmek hem sevilmektir hnerSkiy uk dild eyleyen peymnedir

Opus 23Sohbetinle ho geen eyyam cn zlerimLeblerin kald lebimde gzlerinde gzlerimMeh cebinim hle-i auda kald szlerimLeblerin kald lebimde gzlerinde gzlerim


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2 Opus 24Ah cn firkatinle sinemi ben dalarmYd edip eyym-i vasli dembedem kan alarmimdi mtemgir-i hicrnm siyehler balarmYd edip eyym-i vasli dembedem kan alarm

Kimlere arzeyleyim ahvlimi bireyimVdi-i hasretle kaldm byle baht kaareyimBikes- meys-i akm derdi ok vreyimYd edip eyym-i vasli dembedem kan alarm

Opus 25Meftnu gnl oldu o mestne nighnGzler kamar ryine baktka o mhnEn sevgili mahlku mu bilmem ki ilhnGzler kamar ryine baktka o mhn

Pr lerze iken te-i hicrn ile cnmGrdke o gl ehreyi artar helecnmBilmen nedir yle kesilir tb- tvnmGzler kamar ryine baktka o mhn

Opus 26Ah Rahm yok bir yre dtm el-aman gonca dehenAllh Allh bu ne hikmettir dili tahrib edenBulmad ah re lokman bunun esbb nedenAllh Allh bu ne hikmettir dili tahrib eden

Opus 27tei ak olmada her dem sebep berbadimaCan feda olmak diler gnlm heman cnanmakm terki can etsem de lyik animaCan feda olmak diler gnlm heman cnanma

Opus 28Bu akam gn batarken gelSakn ge kalma erken gel

Tahamml kalmad artkAman ge kalma erken gel

Cef etme bana mhmSontra tutar seni hmzme beni vekrmAman ge kalma erken gel

Ne mkl ayrlk haliEer ister isen hli


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9Grmek bri ltfet deSakn ge kalma erken gel

Opus 29Gamzedeyim dev bulmamGaribim bir yuva bulmam

Kaderimdir her ektiimnlerim hi reh bulmam

Elem beni terk etmiyorHi te fsla vermiyorNihyetsiz bu ta kbeDorusu tkat yetmiyor

Opus 30Ol kadar alattn ki glmek bana oldu harmcevrine ver fsila biraz dinlesen kl rmger beni ldrmek deil sence arzuyi mermcevrine ver fsila biraz dinlesen kl rm

Opus 31Ruhum musun ey rh-i safbah-i cihnnSensiz bulamam neesini mr-i revnnMahkm grnr ddeme glzr- cihnnSensiz bulamam neesini mr-i revnn

Opus 32

ektim elimi gayri bu dnya hevesinden,Azd edeyim mrg-i dili ten kafesindenEy hasta gnl umma medet son nefesindenAzd edeyim mrg-i dili ten kafesinden

Opus 33Gnl dt yine glzr- zevke,Safyb et aman yrab dahilek.Gzel ruhlar ile d- evkeSafyb et aman Yrab dahilek.

Opus 34Meskenim ke-i zillet olal m- seherAcman yandma sevdiim h bilsen eerSzi-i dzah-i firkat ile t hare kadarAcman yandma sevdiim h bilsen eer

Opus 35Gz szp yan bakinla yine aldatma beniO gzel ban iin sevdiim alatma beni


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4 Hkipyin olaym byle ezip atma beniO gzel ban iin sevdiim alatma beni

Opus 36Gldn elendin perin hl- kalimle bugnMerhametsiz sen perinlk nedir bilmez misin

tr mr ettin beni bir bse-i zlfn iinAkm bilmezsen de insanlk nedir bilmez misin

Opus 37Bilsen deneler geti u bire serimdenDnyay gzm grmyor artk kederimdenSeylb- elemdir dklen didelerimdenDnyay gzm grmyor artk kederimden

Bir dilber iin dt gnl bunca itbaTesir-i figan etmiyor ol em-i elyaSabreyleyemez oldu gnl bunca cefyaDnyay gzm grmyor artk kederimden

Opus 38Gzm hasretle giryndr,Yaman hlim perindr.Hemie krm efgandr,Yaman hlim perindr.

Opus 39

Tayir olunmu sanki havsGelmez mema by-i vefsNerde o hl-i cennet-nmsGelmez mema by-i vefs

Byle deildi bilmem ne olmuHep llezr kasvetle dolmuEnvr kam ezhr solmuBitmi bu baygn zevk-u safs

Opus 40Uyand bahtm etmem artk ekv felektenBana vadi visl tebir oldu o melektenDefettim merak vaz getim h eylemektenBana vadi visl tebir oldu o melekten


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/ CONTENTS

/ Credits / Prologue MediMuses / MediMuses Project / Biography

/ Ergography / Works

1. Rast Perev, Muhammes2. Rast Saz Semsi, Aksak Sem3. Suzink Perev, enber4. Suzink Saz Semsi, Aksak Sem5. Krdili Hicazkr Perev, Devr-i Kebr6. Krdili Saz Semsi, Aksak Sem7. Uak Perev, Devr-i Kebr8. Hseyn Saz Semsi, Aksak Sem

9. Karciar Perev, ifte Dyek10. Karciar Saz Semsi, Aksak Sem11. Bestenigr Perev, Fahte12. Rast ark, Sengin Sem13. Rast ark, emi celldn ne kanlar dkt Kathane de, Ar Aksak14. Rast ark, Mavi atlasar giyersin,Trk Aksa15. Rast ark, Mey-i lnline dil mestne olsun,Curcuna16. Suzink ark, Atfetme sakn haner-i mujgnn ngh, Sengin Sem17. Suzink ark, emi celldn boyand, Ar Aksak18. Suzink ark, Gel el gzlm efendim ynma, Msemmen19. Suzink ark, Gzelim gzln emine tak, Aksak20. Suzink ark, Suzink-i fasl- akn syleyim dinle yeter, Ar Evfer21. Hicazkr ark, Mni oluyor hlimi takrire hicbm, Curcuna22. Krdili Hicazkr ark, Ehl-i akn nevegh ke-i meyhndedr, Ar

Aksak23. Krdili Hicazkr ark, Sohbetinle ho geen eyyam cn zlerim, Ar

Aksak24. Nivahend ark, Ah cn firkatinle simeni ben dalarm, Aksak25. Nivahend ark, Meftnu gnl oldu o mestne nighn, Sengin Sem26. Uak ark, Ah Rahm yok bir yre dtm el-aman gonca dehen, Ar

Aksak

27. Uak ark, tei ak olmada her dem sebep berdadima, Ar Aksak28. Uak ark, Bu akam gn batarken, Aksak29. Uak ark, Gamzedeyim dev bulman, Sofyan30. Uak ark, Ol kadar alattn ki glmek bana oldu harm, Ar Aksak31. Uak ark, Rhum musun ey rh-i safabh-i cihnin, Trk Aksai32. Hseyn ark, ektim elimi gayri bu dnya hevesinden, Curcuna33. Hseyn ark, Gnl dt yine glzr- zevke, Curcuna34. Hseyn ark, Meskenim ke-i zillet olal m- seher, Ar Aksak

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35. Karciar ark, Gz szp yan bakiinla yine aldatma beni, Aksak36. Karciar ark, Gldn elendin perin hl- kalimle bugn, Ar Aksak37. Hicz ark, Bilsen deneler geti af u bire serimden, Sengin Sem38. Hzzam ark, Gzm hasretle giryndr, Aksak39. Mster ark, Tayir olunmu sanki havas, Trk Aksai40. Muhayyer ark, Uyand bahtm etmem artk evk felekten, Sengin Sem

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