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a method of work

Conor Patton method of work

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  • a method of work

  • Conor PattonPhoenix, AZ

    [email protected]

  • contents

    studio works

    personal works

    studies

  • contents

    studio works

    personal works

    studies

  • Dream HatcherySpring 2014 :: ADE 622Los Angeles, CA :: Rotondi

    PurposeIs there life after graduation that is a continuation of the life formed in school?

    Imagine a place, conceived as an incubator for your generation of creative leaders, post-grad and pre-pro, working, living, and playing to invent a life in a collaborative community of interdisciplinary creators networked in physical and virtual space.

    SynthesisThis place is fiction as a reality, as much as reality is a fiction. A full functioning complex, housing space to live, work, and make, all surrounded by a 7 acre park.

    Learning from and questioning default archetypes as a method for programmatic and spatial formation.

    A physical space to materialize and shape irreality.

    Ideas are in the air - Malcolm Gladwell :: New Yorker. May 2008

  • research outposts

  • manufacturing + startups

    live

    work

    make

  • research outposts

  • live + work + make research outposts

  • 5-0

  • Housing TomorrowFall 2013 :: ADE 621Paris, FR :: Hartman

    PurposeThe future is not what it used to be. Laura Riding and Robert Graves (1937)

    The city of Paris is constantly building and rebuilding. In addition to constant outward growth since its origins, Paris has continued to replace or repurpose the land and the structures within its walls as needs change and programs evolve.

    SynthesisThe Petite Ceinture, an abandoned railway since the 1930s traverses around the city like and old wall. Passing through neighborhoods leaving series of varied and oddly configured residual spaces within the city.

    This involved taking inventory of the range and type of residual spaces, questioning housing as a typology and continuing how these two scenarios work together.

    Looking beyond, situations of narrow and residual spaces exist in cities all over, the task ahead would be to propose the notion of dropping these houses into cities across the globe, almost like anti-bombs (a-bombs?), bringing density into the city by utilizing not destroying space.

  • HOW DOES PARIS BUILD IN NARROW/LEFTOVER SPACES

  • WHAT CAN OR CANT BE A FACADE

  • CAN WE USE HOW CITIES ARE ORGANIZED WITHIN BUILDINGS

  • RATIONAL SYSTEM ALLOWS FOR IRRATIONAL OUTCOMES

  • SITE OF CONCERN

    PARIS HAS TURNED ITS BACK TO THE RAIL LINE, BUT IS PLANNED TO BE A 20+ MILE LONG LINEAR PARK. INSTEAD OF REDEVELOPING LARGE OPEN AREAS, WHY CANT THE LEFTOVER SPACES BE PART OF THE MEAL?

    PLANNED DEVELOPMENTS

    OPPORTUNISTIC DEVELOPMENTSresidual spaces just wide enough to develop

    ABANDONED RAIL / FUTURE PARK

    city map

  • +6

    +5

    +4

    +3

    +2

    +1

    +0

    LITTLE BOY BUILDING CONFIGURATION FAT MAN BUILDING CONFIGURATION IVY KING BUILDING CONFIGURATION

    0 8 16 32

    0 16 32 64

    +6

    +5

    +4

    +3

    +2

    +1

    +0

    SITE PLANSITE OF CONCERN

  • PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

    PRO

    DU

    CED

    BY

    AN

    AU

    TOD

    ESK

    ED

    UC

    ATI

    ON

    AL

    PRO

    DU

    CT

    PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

    PRO

    DU

    CED

    BY A

    N A

    UTO

    DESK

    EDU

    CA

    TION

    AL PR

    OD

    UC

    T

    PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

    PRO

    DU

    CED

    BY

    AN

    AU

    TOD

    ESK

    ED

    UC

    ATI

    ON

    AL

    PRO

    DU

    CT

    PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

    PRO

    DU

    CED

    BY A

    N A

    UTO

    DESK

    EDU

    CA

    TION

    AL PR

    OD

    UC

    T

    123020

    24 24 20 30

    20 16

    MINIMUM WIDTH OF A LIVING ROOM IS 12

  • PROMENADE PLANTEE (ALREADY ESTABLISHED PARK)

    AMOUNT ALREADY ESTABLISHED + POTENTIAL SITES

    LITTLE BOY BLDG FAT MAN BLDG IVY KING BLDG

    22 MILE LONG PROPOSED PARK

    CLICHE BATIGNOLLES

    POTENTIAL SITES

    RIVE GAUCHE

    SECTIONAL SITUATIONS ALONG ABANDONED RAILWAY

    HOW CAN HOUSING BECOME A HOUSE, A SERIESE OF ROOMS WITH SHARED LIVING?

  • +6

    +5

    +4

    +3

    +2

    +1

    +0

    LITTLE BOY BUILDING CONFIGURATION FAT MAN BUILDING CONFIGURATION IVY KING BUILDING CONFIGURATION

    0 8 16 32

    0 16 32 64

    +6

    +5

    +4

    +3

    +2

    +1

    +0

    SITE PLAN

  • +6

    +5

    +4

    +3

    +2

    +1

    +0

    LITTLE BOY BUILDING CONFIGURATION FAT MAN BUILDING CONFIGURATION IVY KING BUILDING CONFIGURATION

    0 8 16 32

    0 16 32 64

    +6

    +5

    +4

    +3

    +2

    +1

    +0

    SITE PLAN

    SHARED SPACE

    2013 - COUPLE MOVES IN 2023 - COUPLE MOVES HAS DAUGHTER (NEEDS MORE SPACE)

    2028 - COUPLE CREATES HOME OFFICE (NEEDS MORE SPACE)

    WHAT IS THE STORY OF AN OCCUPANT, HOW CAN THE BUILDING ALLOW GROWTH

  • +6

    +5

    +4

    +3

    +2

    +1

    +0

    LITTLE BOY BUILDING CONFIGURATION FAT MAN BUILDING CONFIGURATION IVY KING BUILDING CONFIGURATION

    0 8 16 32

    0 16 32 64

    +6

    +5

    +4

    +3

    +2

    +1

    +0

    SITE PLAN

    LITTLE BOY BUILDING CONFIGURATION12

    18

    FAT MAN BUILDING CONFIGURATION

    27

  • 27

    IVY KING BUILDING CONFIGURATION

  • BATH

    12x18 UNIT POSSIBILITIES

    BEDROOM

    MASTER SUITE

    LIVING ROOM

    KITCHEN

    CAFE

    THE VERTICAL HOUSE - STAIRS BECOME THE HALL

    THE STORY OF AN OCCUPANT

    2013 - COUPLE MOVES IN 2023 - COUPLE MOVES HAS DAUGHTER (NEEDS MORE SPACE) 2033 - COUPLE WORKS FROM HOME, NEEDS OFFICE SPACE

    OFFICE

    STUDIO WITH KITCHENETTE

    STAIRCASE AND SHARED STORAGE

    UNIT CONFIGURATIONS12x18x10 ENCLOSURE

  • BATH

    12x18 UNIT POSSIBILITIES

    BEDROOM

    MASTER SUITE

    LIVING ROOM

    KITCHEN

    CAFE

    THE VERTICAL HOUSE - STAIRS BECOME THE HALL

    THE STORY OF AN OCCUPANT

    2013 - COUPLE MOVES IN 2023 - COUPLE MOVES HAS DAUGHTER (NEEDS MORE SPACE) 2033 - COUPLE WORKS FROM HOME, NEEDS OFFICE SPACE

    OFFICE

    STUDIO WITH KITCHENETTE

    STAIRCASE AND SHARED STORAGE

  • BATH

    12x18 UNIT POSSIBILITIES

    BEDROOM

    MASTER SUITE

    LIVING ROOM

    KITCHEN

    CAFE

    THE VERTICAL HOUSE - STAIRS BECOME THE HALL

    THE STORY OF AN OCCUPANT

    2013 - COUPLE MOVES IN 2023 - COUPLE MOVES HAS DAUGHTER (NEEDS MORE SPACE) 2033 - COUPLE WORKS FROM HOME, NEEDS OFFICE SPACE

    OFFICE

    STUDIO WITH KITCHENETTE

    STAIRCASE AND SHARED STORAGE

  • BATH

    12x18 UNIT POSSIBILITIES

    BEDROOM

    MASTER SUITE

    LIVING ROOM

    KITCHEN

    CAFE

    THE VERTICAL HOUSE - STAIRS BECOME THE HALL

    THE STORY OF AN OCCUPANT

    2013 - COUPLE MOVES IN 2023 - COUPLE MOVES HAS DAUGHTER (NEEDS MORE SPACE) 2033 - COUPLE WORKS FROM HOME, NEEDS OFFICE SPACE

    OFFICE

    STUDIO WITH KITCHENETTE

    STAIRCASE AND SHARED STORAGE

  • BATH

    12x18 UNIT POSSIBILITIES

    BEDROOM

    MASTER SUITE

    LIVING ROOM

    KITCHEN

    CAFE

    THE VERTICAL HOUSE - STAIRS BECOME THE HALL

    THE STORY OF AN OCCUPANT

    2013 - COUPLE MOVES IN 2023 - COUPLE MOVES HAS DAUGHTER (NEEDS MORE SPACE) 2033 - COUPLE WORKS FROM HOME, NEEDS OFFICE SPACE

    OFFICE

    STUDIO WITH KITCHENETTE

    STAIRCASE AND SHARED STORAGE

  • BATH

    12x18 UNIT POSSIBILITIES

    BEDROOM

    MASTER SUITE

    LIVING ROOM

    KITCHEN

    CAFE

    THE VERTICAL HOUSE - STAIRS BECOME THE HALL

    THE STORY OF AN OCCUPANT

    2013 - COUPLE MOVES IN 2023 - COUPLE MOVES HAS DAUGHTER (NEEDS MORE SPACE) 2033 - COUPLE WORKS FROM HOME, NEEDS OFFICE SPACE

    OFFICE

    STUDIO WITH KITCHENETTE

    STAIRCASE AND SHARED STORAGE

  • BATH

    12x18 UNIT POSSIBILITIES

    BEDROOM

    MASTER SUITE

    LIVING ROOM

    KITCHEN

    CAFE

    THE VERTICAL HOUSE - STAIRS BECOME THE HALL

    THE STORY OF AN OCCUPANT

    2013 - COUPLE MOVES IN 2023 - COUPLE MOVES HAS DAUGHTER (NEEDS MORE SPACE) 2033 - COUPLE WORKS FROM HOME, NEEDS OFFICE SPACE

    OFFICE

    STUDIO WITH KITCHENETTE

    STAIRCASE AND SHARED STORAGE

  • BATH

    12x18 UNIT POSSIBILITIES

    BEDROOM

    MASTER SUITE

    LIVING ROOM

    KITCHEN

    CAFE

    THE VERTICAL HOUSE - STAIRS BECOME THE HALL

    THE STORY OF AN OCCUPANT

    2013 - COUPLE MOVES IN 2023 - COUPLE MOVES HAS DAUGHTER (NEEDS MORE SPACE) 2033 - COUPLE WORKS FROM HOME, NEEDS OFFICE SPACE

    OFFICE

    STUDIO WITH KITCHENETTE

    STAIRCASE AND SHARED STORAGE

  • EARLY MODEL

  • EARLY MODEL

  • EARLY MODEL

  • EARLY MODEL

  • LITTLE BOY

  • LITTLE BOY

  • FAT MAN

  • FAT MAN

  • IVY KING

  • IVY KING

  • Menil Drawing Inst.Spring 2013 :: ADE 522Houston, TX :: Brickey

    PurposeDevelop a master plan for the Menil Museum Campus and propose/investigate the comprehensive design of a new Drawing Institute and Bookstore/cafe.

    SynthesisThe focus for the Masterplan was to allow for sculptural art to act as rock cairns and wayfinding devices across the large campus.

    The process was to learn from the Menil. The Treasure Rooms or archive space was the gem lifted above the Menils roof.

    The investigation of this Art Museum was to test the spatial relation between archival and exhibition.

    Group project in collaboration with Kevin Martinez.

  • MENIL CAMPUS GOALS1 CLEAR CONNECTIONS (minimal signage)2 SCULPTURE ART IS CONNECTION TO OUTDOOR (use sculptures as rock cairns, and way finding devices)3 FRAME THE LARGE PARK (keep the drawing buildings near eachother, and site the cafe as a buffer to the neighborhood)

    MENIL CAMPUS SITE PLAN1/64 = 1-0

    0 10 30 50 100 200

    2

    1

    3

    1View to Drawing Galleries

    2Entering Campus from South of Campus (Richmond Ave)

    3Campus park and Cafe/Bookstore with neighborhood beyond

    MENIL CAMPUS HOUSTON, TX : KEVIN MARTINEZ + CONOR PATTON : GREG BRICKEY

    site plan

    DRAWING INSTITUTE

    CYTWOMBLY

    MENIL ART GALLERY

    DAN FLAVIN

    ROTHKOCHAPEL

    BYZANTINEFRESCO CHAPEL

    CAFE

  • MENIL CAMPUS GOALS1 CLEAR CONNECTIONS (minimal signage)2 SCULPTURE ART IS CONNECTION TO OUTDOOR (use sculptures as rock cairns, and way finding devices)3 FRAME THE LARGE PARK (keep the drawing buildings near eachother, and site the cafe as a buffer to the neighborhood)

    MENIL CAMPUS SITE PLAN1/64 = 1-0

    0 10 30 50 100 200

    2

    1

    3

    1View to Drawing Galleries

    2Entering Campus from South of Campus (Richmond Ave)

    3Campus park and Cafe/Bookstore with neighborhood beyond

    MENIL CAMPUS HOUSTON, TX : KEVIN MARTINEZ + CONOR PATTON : GREG BRICKEY

    MENIL CAMPUS GOALS1 CLEAR CONNECTIONS (minimal signage)2 SCULPTURE ART IS CONNECTION TO OUTDOOR (use sculptures as rock cairns, and way finding devices)3 FRAME THE LARGE PARK (keep the drawing buildings near eachother, and site the cafe as a buffer to the neighborhood)

    MENIL CAMPUS SITE PLAN1/64 = 1-0

    0 10 30 50 100 200

    2

    1

    3

    1View to Drawing Galleries

    2Entering Campus from South of Campus (Richmond Ave)

    3Campus park and Cafe/Bookstore with neighborhood beyond

    MENIL CAMPUS HOUSTON, TX : KEVIN MARTINEZ + CONOR PATTON : GREG BRICKEY

  • DRAWING INSTITUTE GOALS1 KEEP DNA OF EXISTING BUILDINGS (small on outside, big on inside + Door into art)2 TEST RELATION OF DISPLAY + ARCHIVE (display interior movements on exterior)3 INTERACT WITH LIGHT CONTROLLING DEVICE

    DRAWING INSTITUTE WALL DETAILS1/2 = 1-0

    0 4 8 16

    GALLERY WEST SECTION A1/8 = 1-0

    0 4 8 16

    DIREC

    T LIGH

    T

    REFL

    ECTE

    D LIG

    HT

    DIFFUSE

    D LIGHT

    GALLERY WEST SECTION C-11/8 = 1-0

    0 4 8 16

    GALLERY EAST SECTION B1/8 = 1-0

    0 4 8 16

    GALLERY EAST SECTION C-21/8 = 1-0

    0 4 8 16

    DRAWING INSTITUTE PLAN1/16 = 1-0

    0 5 10 20 50

    A B

    CLARGE GALLERYGALLERY + ARCHIVE

    LOBBY

    MATTING

    LIBRARYLOADINGPERMANENT ARCHIVE SUPPORT STAFF

    drawing institute floor plan

  • +Surrounding Portico

    Light controlling device overhead

    HVAC CONCEPTUAL DESIGNSUPPLY FED THROUGH FLOOR DIFFUSERS. RETURN UP HIGH WITHIN SMALL REVEAL SURROUNDING GALLERY

    VERTICAL MOVING DISPLAY/ARCHIVE PANELSBI-FOLDING TRACKS, MIXED WITH COUNTERWEIGHTS BURRIED WITHIN WALL TO CREATE A SEEMLESS PANEL

    EXPLODED CONSTRUCTION AXON

    COUNTERWEIGHT

    BIFOLDING TRACK

    STEEL STRUCTURE (CHANNEL + HSS TUBE)

    DRYWALL

    800 SQ FT OF HANGING ARCHIVE1/3 OF TOTAL ARCHIVE SPACE

    2200 SQ FT OF MONOGRAPHIC COMPACT AND OVERSIZED HANGING ARCHIVE 2/3 OF TOTAL ARCHIVE SPACE

    3200 SQ FT OF LARGE WORKS DISPLAY + WALLS MOVE HOROZONTALLY TO CHANGE SPACE

    3200 SQ FT OF SMALL WORKS HANGING DISPLAY. GALLERY CAN CHANGE THROUGHOUT THE DAY

    2

    4

    6

    PRECAST WALL PANELSTHREE DIFFERENT CASTS WITH THREE DIFFERENT DEPTHS, AND WHEN ROTATED CREATE A DIVERSE FACADE

    PRECAST LAYOUTROTATE AND MIX PRECAST PLACEMENT

    PRECAST FORMWORKPANEL POURED AT FACTORY AND SCUPPER MOLD PLACED INTO POUR

  • DRAWING INSTITUTE GOALS1 KEEP DNA OF EXISTING BUILDINGS (small on outside, big on inside + Door into art)2 TEST RELATION OF DISPLAY + ARCHIVE (display interior movements on exterior)3 INTERACT WITH LIGHT CONTROLLING DEVICE

    DRAWING INSTITUTE WALL DETAILS1/2 = 1-0

    0 4 8 16

    GALLERY WEST SECTION A1/8 = 1-0

    0 4 8 16

    DIREC

    T LIGH

    T

    REFL

    ECTE

    D LIG

    HT

    DIFFUSE

    D LIGHT

    GALLERY WEST SECTION C-11/8 = 1-0

    0 4 8 16

    GALLERY EAST SECTION B1/8 = 1-0

    0 4 8 16

    GALLERY EAST SECTION C-21/8 = 1-0

    0 4 8 16

    DRAWING INSTITUTE PLAN1/16 = 1-0

    0 5 10 20 50

    A B

    CLARGE GALLERYGALLERY + ARCHIVE

    LOBBY

    MATTING

    LIBRARYLOADINGPERMANENT ARCHIVE SUPPORT STAFF

    DRAWING INSTITUTE GOALS1 KEEP DNA OF EXISTING BUILDINGS (small on outside, big on inside + Door into art)2 TEST RELATION OF DISPLAY + ARCHIVE (display interior movements on exterior)3 INTERACT WITH LIGHT CONTROLLING DEVICE

    DRAWING INSTITUTE WALL DETAILS1/2 = 1-0

    0 4 8 16

    GALLERY WEST SECTION A1/8 = 1-0

    0 4 8 16

    DIREC

    T LIGH

    T

    REFL

    ECTE

    D LIG

    HT

    DIFFUSE

    D LIGHT

    GALLERY WEST SECTION C-11/8 = 1-0

    0 4 8 16

    GALLERY EAST SECTION B1/8 = 1-0

    0 4 8 16

    GALLERY EAST SECTION C-21/8 = 1-0

    0 4 8 16

    DRAWING INSTITUTE PLAN1/16 = 1-0

    0 5 10 20 50

    A B

    CLARGE GALLERYGALLERY + ARCHIVE

    LOBBY

    MATTING

    LIBRARYLOADINGPERMANENT ARCHIVE SUPPORT STAFF

    DRAWING INSTITUTE GOALS1 KEEP DNA OF EXISTING BUILDINGS (small on outside, big on inside + Door into art)2 TEST RELATION OF DISPLAY + ARCHIVE (display interior movements on exterior)3 INTERACT WITH LIGHT CONTROLLING DEVICE

    DRAWING INSTITUTE WALL DETAILS1/2 = 1-0

    0 4 8 16

    GALLERY WEST SECTION A1/8 = 1-0

    0 4 8 16

    DIREC

    T LIGH

    T

    REFL

    ECTE

    D LIG

    HT

    DIFFUSE

    D LIGHT

    GALLERY WEST SECTION C-11/8 = 1-0

    0 4 8 16

    GALLERY EAST SECTION B1/8 = 1-0

    0 4 8 16

    GALLERY EAST SECTION C-21/8 = 1-0

    0 4 8 16

    DRAWING INSTITUTE PLAN1/16 = 1-0

    0 5 10 20 50

    A B

    CLARGE GALLERYGALLERY + ARCHIVE

    LOBBY

    MATTING

    LIBRARYLOADINGPERMANENT ARCHIVE SUPPORT STAFF

    DRAWING INSTITUTE GOALS1 KEEP DNA OF EXISTING BUILDINGS (small on outside, big on inside + Door into art)2 TEST RELATION OF DISPLAY + ARCHIVE (display interior movements on exterior)3 INTERACT WITH LIGHT CONTROLLING DEVICE

    DRAWING INSTITUTE WALL DETAILS1/2 = 1-0

    0 4 8 16

    GALLERY WEST SECTION A1/8 = 1-0

    0 4 8 16

    DIREC

    T LIGH

    T

    REFL

    ECTE

    D LIG

    HT

    DIFFUSE

    D LIGHT

    GALLERY WEST SECTION C-11/8 = 1-0

    0 4 8 16

    GALLERY EAST SECTION B1/8 = 1-0

    0 4 8 16

    GALLERY EAST SECTION C-21/8 = 1-0

    0 4 8 16

    DRAWING INSTITUTE PLAN1/16 = 1-0

    0 5 10 20 50

    A B

    CLARGE GALLERYGALLERY + ARCHIVE

    LOBBY

    MATTING

    LIBRARYLOADINGPERMANENT ARCHIVE SUPPORT STAFF

    drawing institute section A

    drawing institute section C-1

    drawing institute section B

    drawing institute section C-2

  • DRAWING INSTITUTE GOALS1 KEEP DNA OF EXISTING BUILDINGS (small on outside, big on inside + Door into art)2 TEST RELATION OF DISPLAY + ARCHIVE (display interior movements on exterior)3 INTERACT WITH LIGHT CONTROLLING DEVICE

    DRAWING INSTITUTE WALL DETAILS1/2 = 1-0

    0 4 8 16

    GALLERY WEST SECTION A1/8 = 1-0

    0 4 8 16

    DIREC

    T LIGH

    T

    REFL

    ECTE

    D LIG

    HTDIFF

    USED LI

    GHT

    GALLERY WEST SECTION C-11/8 = 1-0

    0 4 8 16

    GALLERY EAST SECTION B1/8 = 1-0

    0 4 8 16

    GALLERY EAST SECTION C-21/8 = 1-0

    0 4 8 16

    DRAWING INSTITUTE PLAN1/16 = 1-0

    0 5 10 20 50

    A B

    CLARGE GALLERYGALLERY + ARCHIVE

    LOBBY

    MATTING

    LIBRARYLOADINGPERMANENT ARCHIVE SUPPORT STAFF

    drawing institute detail sections

  • detail inspiration

  • detail exploration

  • detail expression

  • +Surrounding Portico

    Light controlling device overhead

    HVAC CONCEPTUAL DESIGNSUPPLY FED THROUGH FLOOR DIFFUSERS. RETURN UP HIGH WITHIN SMALL REVEAL SURROUNDING GALLERY

    VERTICAL MOVING DISPLAY/ARCHIVE PANELSBI-FOLDING TRACKS, MIXED WITH COUNTERWEIGHTS BURRIED WITHIN WALL TO CREATE A SEEMLESS PANEL

    EXPLODED CONSTRUCTION AXON

    COUNTERWEIGHT

    BIFOLDING TRACK

    STEEL STRUCTURE (CHANNEL + HSS TUBE)

    DRYWALL

    800 SQ FT OF HANGING ARCHIVE1/3 OF TOTAL ARCHIVE SPACE

    2200 SQ FT OF MONOGRAPHIC COMPACT AND OVERSIZED HANGING ARCHIVE 2/3 OF TOTAL ARCHIVE SPACE

    3200 SQ FT OF LARGE WORKS DISPLAY + WALLS MOVE HOROZONTALLY TO CHANGE SPACE

    3200 SQ FT OF SMALL WORKS HANGING DISPLAY. GALLERY CAN CHANGE THROUGHOUT THE DAY

    2

    4

    6

    PRECAST WALL PANELSTHREE DIFFERENT CASTS WITH THREE DIFFERENT DEPTHS, AND WHEN ROTATED CREATE A DIVERSE FACADE

    PRECAST LAYOUTROTATE AND MIX PRECAST PLACEMENT

    PRECAST FORMWORKPANEL POURED AT FACTORY AND SCUPPER MOLD PLACED INTO POUR

  • +Surrounding Portico

    Light controlling device overhead

    HVAC CONCEPTUAL DESIGNSUPPLY FED THROUGH FLOOR DIFFUSERS. RETURN UP HIGH WITHIN SMALL REVEAL SURROUNDING GALLERY

    VERTICAL MOVING DISPLAY/ARCHIVE PANELSBI-FOLDING TRACKS, MIXED WITH COUNTERWEIGHTS BURRIED WITHIN WALL TO CREATE A SEEMLESS PANEL

    EXPLODED CONSTRUCTION AXON

    COUNTERWEIGHT

    BIFOLDING TRACK

    STEEL STRUCTURE (CHANNEL + HSS TUBE)

    DRYWALL

    800 SQ FT OF HANGING ARCHIVE1/3 OF TOTAL ARCHIVE SPACE

    2200 SQ FT OF MONOGRAPHIC COMPACT AND OVERSIZED HANGING ARCHIVE 2/3 OF TOTAL ARCHIVE SPACE

    3200 SQ FT OF LARGE WORKS DISPLAY + WALLS MOVE HOROZONTALLY TO CHANGE SPACE

    3200 SQ FT OF SMALL WORKS HANGING DISPLAY. GALLERY CAN CHANGE THROUGHOUT THE DAY

    2

    4

    6

    PRECAST WALL PANELSTHREE DIFFERENT CASTS WITH THREE DIFFERENT DEPTHS, AND WHEN ROTATED CREATE A DIVERSE FACADE

    PRECAST LAYOUTROTATE AND MIX PRECAST PLACEMENT

    PRECAST FORMWORKPANEL POURED AT FACTORY AND SCUPPER MOLD PLACED INTO POUR

  • CAFE WALL DETAIL1/2 = 1-0

    0 4 8 16

    HANGER CONCEPT PLAN HANGER CONCEPT VECTORS

    CAFE BENCH DETAIL1 1/2 = 1-0

    CAFE DETAIL1 1/2 = 1-0

    CAFE GOALS1 CLEAR PROGRAM (from the streets and park)2 BRING + KEEP PEOPLE HERE3 SHOWCASE FOR MENIL + LOCAL PUBLICATIONS

    CAFE/BOOKSTORE SECTION D1/8 = 1-0

    0 4 8 16

    BOOKSTORE SECTION E1/8 = 1-0

    0 4 8 16

    CAFE/BOOKSTORE PLAN1/16 = 1-0

    0 5 10 20 50

    E

    D

    BOOKSTORE

    CAFE

    KITCHEN

    STOR

    AGE

    DRAWING INSTITUTE GOALS1 KEEP DNA OF EXISTING BUILDINGS (small on outside, big on inside + Door into art)2 TEST RELATION OF DISPLAY + ARCHIVE (display interior movements on exterior)3 INTERACT WITH LIGHT CONTROLLING DEVICE

    DRAWING INSTITUTE WALL DETAILS1/2 = 1-0

    0 4 8 16

    GALLERY WEST SECTION A1/8 = 1-0

    0 4 8 16

    DIREC

    T LIGH

    T

    REFL

    ECTE

    D LIG

    HT

    DIFFUSE

    D LIGHT

    GALLERY WEST SECTION C-11/8 = 1-0

    0 4 8 16

    GALLERY EAST SECTION B1/8 = 1-0

    0 4 8 16

    GALLERY EAST SECTION C-21/8 = 1-0

    0 4 8 16

    DRAWING INSTITUTE PLAN1/16 = 1-0

    0 5 10 20 50

    A B

    CLARGE GALLERYGALLERY + ARCHIVE

    LOBBY

    MATTING

    LIBRARYLOADINGPERMANENT ARCHIVE SUPPORT STAFF

    cafe+bookstore floor plan

  • CAFE WALL DETAIL1/2 = 1-0

    0 4 8 16

    HANGER CONCEPT PLAN HANGER CONCEPT VECTORS

    CAFE BENCH DETAIL1 1/2 = 1-0

    CAFE DETAIL1 1/2 = 1-0

    CAFE GOALS1 CLEAR PROGRAM (from the streets and park)2 BRING + KEEP PEOPLE HERE3 SHOWCASE FOR MENIL + LOCAL PUBLICATIONS

    CAFE/BOOKSTORE SECTION D1/8 = 1-0

    0 4 8 16

    BOOKSTORE SECTION E1/8 = 1-0

    0 4 8 16

    CAFE/BOOKSTORE PLAN1/16 = 1-0

    0 5 10 20 50

    E

    D

    BOOKSTORE

    CAFE

    KITCHEN

    STOR

    AGE

    cafe + bookstore detail sections

  • detail inspiration

  • detail exploration

  • detail expression

  • CAFE WALL DETAIL1/2 = 1-0

    0 4 8 16

    HANGER CONCEPT PLAN HANGER CONCEPT VECTORS

    CAFE BENCH DETAIL1 1/2 = 1-0

    CAFE DETAIL1 1/2 = 1-0

    CAFE GOALS1 CLEAR PROGRAM (from the streets and park)2 BRING + KEEP PEOPLE HERE3 SHOWCASE FOR MENIL + LOCAL PUBLICATIONS

    CAFE/BOOKSTORE SECTION D1/8 = 1-0

    0 4 8 16

    BOOKSTORE SECTION E1/8 = 1-0

    0 4 8 16

    CAFE/BOOKSTORE PLAN1/16 = 1-0

    0 5 10 20 50

    E

    D

    BOOKSTORE

    CAFE

    KITCHEN

    STOR

    AGE

    CAFE WALL DETAIL1/2 = 1-0

    0 4 8 16

    HANGER CONCEPT PLAN HANGER CONCEPT VECTORS

    CAFE BENCH DETAIL1 1/2 = 1-0

    CAFE DETAIL1 1/2 = 1-0

    CAFE GOALS1 CLEAR PROGRAM (from the streets and park)2 BRING + KEEP PEOPLE HERE3 SHOWCASE FOR MENIL + LOCAL PUBLICATIONS

    CAFE/BOOKSTORE SECTION D1/8 = 1-0

    0 4 8 16

    BOOKSTORE SECTION E1/8 = 1-0

    0 4 8 16

    CAFE/BOOKSTORE PLAN1/16 = 1-0

    0 5 10 20 50

    E

    D

    BOOKSTORE

    CAFE

    KITCHEN

    STOR

    AGE

  • CAFE WALL DETAIL1/2 = 1-0

    0 4 8 16

    HANGER CONCEPT PLAN HANGER CONCEPT VECTORS

    CAFE BENCH DETAIL1 1/2 = 1-0

    CAFE DETAIL1 1/2 = 1-0

    CAFE GOALS1 CLEAR PROGRAM (from the streets and park)2 BRING + KEEP PEOPLE HERE3 SHOWCASE FOR MENIL + LOCAL PUBLICATIONS

    CAFE/BOOKSTORE SECTION D1/8 = 1-0

    0 4 8 16

    BOOKSTORE SECTION E1/8 = 1-0

    0 4 8 16

    CAFE/BOOKSTORE PLAN1/16 = 1-0

    0 5 10 20 50

    E

    D

    BOOKSTORE

    CAFE

    KITCHEN

    STOR

    AGE

    CAFE WALL DETAIL1/2 = 1-0

    0 4 8 16

    HANGER CONCEPT PLAN HANGER CONCEPT VECTORS

    CAFE BENCH DETAIL1 1/2 = 1-0

    CAFE DETAIL1 1/2 = 1-0

    CAFE GOALS1 CLEAR PROGRAM (from the streets and park)2 BRING + KEEP PEOPLE HERE3 SHOWCASE FOR MENIL + LOCAL PUBLICATIONS

    CAFE/BOOKSTORE SECTION D1/8 = 1-0

    0 4 8 16

    BOOKSTORE SECTION E1/8 = 1-0

    0 4 8 16

    CAFE/BOOKSTORE PLAN1/16 = 1-0

    0 5 10 20 50

    E

    D

    BOOKSTORE

    CAFE

    KITCHEN

    STOR

    AGE

    cafe + bookstore sections D

    cafe + bookstore sections E

  • Parking BosqueFall 2012 :: ADE 521Phoenix, AZ :: Hartman

    PurposeDesign problems which emphasize theory, aesthetics and tectonics as influences on architectual form.

    SynthesisIn nature, bosques are densly wooded areas along riparian communities next to streams and riverbeds.

    Mankinds streams and riverbeds of the city are its roadways and transportation corridors.

    The goal of this project was to elevate parking required for an entire shopping mall and give the land back to nature and its community, dam up the cities stream and clear way for natures.

    Parking lots are normally directly adjacent to the big box they serve, this project is exploring a simple method to stack this condition vertically.

  • Conor PattonTom Hartman

    Fall 2012

    Transverse Section ANorth Elevation

    Transverse Section A (alternative)Longitudinal Section B

    First Floor Plan

    BARCADE

    VENUE

    STAGE

    FIELD / AMPHITHEATRE

    TRANSPORTATION AREA

    B

    A

    0' 20' 100'

    0' 10' 50'

  • Conor PattonTom Hartman

    Fall 2012

    Ground Floor

    Second Floor

    Third Floor

    Fourth Floor

    Fifth Floor

    Sixth Floor

    Seventh Floor

    Eighth Floor

    Ninth Floor

    Music

    Venu

    eRe

    tail /

    Mus

    ic Sto

    reOffi

    ceVe

    rtica

    l Circ

    ulatio

    nVe

    rtica

    l Circ

    ulatio

    nVe

    rtica

    l Circ

    ulatio

    nVe

    rtica

    l Circ

    ulatio

    nVe

    rtica

    l Circ

    ulatio

    nOffi

    cePa

    rking

    Parki

    ngPa

    rking

    Parki

    ngPa

    rking

    Verti

    cal C

    ircula

    tion

    Parki

    ngVe

    rtica

    l Circ

    ulatio

    nVe

    rtica

    l Circ

    ulatio

    n

    Parki

    ngPa

    rking

    Bar /

    Arca

    de

    Foru

    m

    Trans

    porta

    tion

    Verti

    cal C

    ircula

    tion

    Perforated Metal ScrimmWeld Plate w/ Gusset Plate8 PT Concrete Slab18 PT Beam beyondWide FlangeRetractible doorHinge

    Normal Situation

    how we shop

    mall parking

    SHOPPING PARKING

    Skew Ground Plain

    Stack Program

    Existing Pro-gram

    Parking Re-quired

    Leftover space

  • Creosote LibrarySpring 2012 :: ADE 512Tempe, AZ :: Shelor

    PurposeAs information is rapidly ready at our fingertips and print media/publishers struggle to stay afloat, what does this mean for the future of a library?

    SynthesisLibraries area a true public good. In a neighborhood heavily populated at night how can a library as a structure service its constituents after normal hours?

    The structure itself is meant to be an extension of ASU Mountain creating a trailhead and appearing to emerge from the ground plain, offering program underneath and above.

    With technology at the touch of a glass screen, people are multiple places at once, whether it is with friends online or seeing the world through insta-posts. The interesting question is how can one get the accidental discovery of exploring the stacks digitally?

    This is a test at how a library can function during the day, then lift its stacks at night opening the structure for use as assembly space for the public.

  • FIRST 5 YEARS

    RETHINK THE ST

    ACKS

    CONVENTIONAL STACKS

    THE BOOKSHELF

    STACKS / CONVETIONS

    CONOR PATTONINSTRUCTOR: MELANIE SHELOR

    ADE 512SPRING 2012

    PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

    PRO

    DU

    CED

    BY

    AN

    AU

    TOD

    ESK

    ED

    UC

    ATI

    ON

    AL

    PRO

    DU

    CT

    PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

    PRO

    DU

    CED

    BY A

    N A

    UTO

    DESK

    EDU

    CA

    TION

    AL PR

    OD

    UC

    T

    SHADE S

    CREEN O

    PERABL

    E VERTIC

    ALY TO

    ALLOW

    LIGHT IN

    TO DESIR

    ED SPAC

    ES AT DE

    SIRED TI

    MES

    STACKS ATTACHED TO A PULLEY SYSTEM THAT ALLOWS THE ENTIRE

    STACKS AREA TO OPEN UP AT NIGHT TO HOUSE COMMUNITY

    EVENTS LIKE PROM, COMIC CON, WEDDING RECEPTIONS, ETC.

  • HANGOUT SPOT

    ADULT

    FIRST 5 YEARSART GALLERYREPROGAMMABLE

    AUDITORIUM

    CAFE

    MECH ROOM

    GROUPSTUDY

    GROUPSTUDY

    GROUPSTUDY

    TEENSUPPORT STAFF

    12 am 1 am 2 am 3 am 4 am 5 am 6 am 7 am8 am 9 am 10 am 11 am 12 pm 1 pm 2 pm 3 pm 4 pm 5 pm 6 pm 7 pm 8 pm 9 pm 10 pm 11 pmlibrary

    convention spacecafe

    art gallery

    restrauntbar / nightclub

    movie theater / meeting room

    CONOR PATTONINSTRUCTOR: MELANIE SHELOR

    ADE 512SPRING 2012

    0' 10' 50'

    SECOND FLOOR PLAN

    FIRST FLOOR PLAN

    LONGITUDINAL SECTION

    TRANSVERSE SECTION

    OPEN BOX

    LIBRARY STACKS DOWN

    CONVENTION SPACE W/ STACKS UP

    12 am 1 am 2 am 3 am 4 am 5 am 6 am 7 am8 am 9 am 10 am 11 am 12 pm 1 pm 2 pm 3 pm 4 pm 5 pm 6 pm 7 pm 8 pm 9 pm 10 pm 11 pmlibrary

    convention spacecafe

    art gallery

    restrauntbar / nightclub

    movie theater / meeting room

  • HANGOUT SPOT

    ADULT

    FIRST 5 YEARSART GALLERYREPROGAMMABLE

    AUDITORIUM

    CAFE

    MECH ROOM

    GROUPSTUDY

    GROUPSTUDY

    GROUPSTUDY

    TEEN

    SUPPORT STAFF

    12 am 1 am 2 am 3 am 4 am 5 am 6 am 7 am8 am 9 am 10 am 11 am 12 pm 1 pm 2 pm 3 pm 4 pm 5 pm 6 pm 7 pm 8 pm 9 pm 10 pm 11 pmlibrary

    convention spacecafe

    art gallery

    restrauntbar / nightclub

    movie theater / meeting room

    CONOR PATTONINSTRUCTOR: MELANIE SHELOR

    ADE 512SPRING 2012

    0' 10' 50'SECOND FLOOR PLAN

    FIRST FLOOR PLAN

    LONGITUDINAL SECTION

    TRANSVERSE SECTION

    OPEN BOX

    LIBRARY STACKS DOWN

    CONVENTION SPACE W/ STACKS UP

  • HANGOUT SPOT

    ADULT

    FIRST 5 YEARSART GALLERYREPROGAMMABLE

    AUDITORIUM

    CAFE

    MECH ROOM

    GROUPSTUDY

    GROUPSTUDY

    GROUPSTUDY

    TEEN

    SUPPORT STAFF

    12 am 1 am 2 am 3 am 4 am 5 am 6 am 7 am8 am 9 am 10 am 11 am 12 pm 1 pm 2 pm 3 pm 4 pm 5 pm 6 pm 7 pm 8 pm 9 pm 10 pm 11 pmlibrary

    convention spacecafe

    art gallery

    restrauntbar / nightclub

    movie theater / meeting room

    CONOR PATTONINSTRUCTOR: MELANIE SHELOR

    ADE 512SPRING 2012

    SECOND FLOOR PLAN

    FIRST FLOOR PLAN

    LONGITUDINAL SECTION

    TRANSVERSE SECTION

    OPEN BOX

    LIBRARY STACKS DOWN

    CONVENTION SPACE W/ STACKS UP

    HANGOUT SPOT

    ADULT

    FIRST 5 YEARSART GALLERYREPROGAMMABLE

    AUDITORIUM

    CAFE

    MECH ROOM

    GROUPSTUDY

    GROUPSTUDY

    GROUPSTUDY

    TEEN

    SUPPORT STAFF

    12 am 1 am 2 am 3 am 4 am 5 am 6 am 7 am8 am 9 am 10 am 11 am 12 pm 1 pm 2 pm 3 pm 4 pm 5 pm 6 pm 7 pm 8 pm 9 pm 10 pm 11 pmlibrary

    convention spacecafe

    art gallery

    restrauntbar / nightclub

    movie theater / meeting room

    CONOR PATTONINSTRUCTOR: MELANIE SHELOR

    ADE 512SPRING 2012

    SECOND FLOOR PLAN

    FIRST FLOOR PLAN

    LONGITUDINAL SECTION

    TRANSVERSE SECTION

    OPEN BOX

    LIBRARY STACKS DOWN

    CONVENTION SPACE W/ STACKS UP

  • HANGOUT SPOT

    ADULT

    FIRST 5 YEARSART GALLERYREPROGAMMABLE

    AUDITORIUM

    CAFE

    MECH ROOM

    GROUPSTUDY

    GROUPSTUDY

    GROUPSTUDY

    TEEN

    SUPPORT STAFF

    12 am 1 am 2 am 3 am 4 am 5 am 6 am 7 am8 am 9 am 10 am 11 am 12 pm 1 pm 2 pm 3 pm 4 pm 5 pm 6 pm 7 pm 8 pm 9 pm 10 pm 11 pmlibrary

    convention spacecafe

    art gallery

    restrauntbar / nightclub

    movie theater / meeting room

    CONOR PATTONINSTRUCTOR: MELANIE SHELOR

    ADE 512SPRING 2012

    0'0' 10'10' 50'50'

    SECOND FLOOR PLAN

    FIRST FLOOR PLAN

    LONGITUDINAL SECTION

    TRANSVERSE SECTION

    OPEN BOX

    LIBRARY STACKS DOWN

    CONVENTION SPACE W/ STACKS UP

    HANGOUT SPOT

    ADULT

    FIRST 5 YEARSART GALLERYREPROGAMMABLE

    AUDITORIUM

    CAFE

    MECH ROOM

    GROUPSTUDY

    GROUPSTUDY

    GROUPSTUDY

    TEEN

    SUPPORT STAFF

    12 am 1 am 2 am 3 am 4 am 5 am 6 am 7 am8 am 9 am 10 am 11 am 12 pm 1 pm 2 pm 3 pm 4 pm 5 pm 6 pm 7 pm 8 pm 9 pm 10 pm 11 pmlibrary

    convention spacecafe

    art gallery

    restrauntbar / nightclub

    movie theater / meeting room

    CONOR PATTONINSTRUCTOR: MELANIE SHELOR

    ADE 512SPRING 2012

    0' 10' 50'

    SECOND FLOOR PLAN

    FIRST FLOOR PLAN

    LONGITUDINAL SECTION

    TRANSVERSE SECTION

    OPEN BOX

    LIBRARY STACKS DOWN

    CONVENTION SPACE W/ STACKS UP

  • contents

    studio works

    personal works

    studies

  • etching pad

  • ink pen

  • ink pen

  • graphite

  • Palette BenchConcept Development

    PurposeTest the repurposing of a wooden shipping palette or any other palette that has served it use and putting it to a new use and interaction.

    SynthesisWhile most shipping palettes can be reused this one serves only one purpose, to ship metal roofing. Now used and rendered as garbage, I proposed that it simply be changed and turned into a multiple of benches. The construction is simple and will take only a small amount of material and tools.

  • Cut along shipping palette at end of third set of 2x4 supports

    Remove both side and bottom braces.

  • Cut the back of the bottom brace at 12 degrees. Cut the front of the bottom brace the width of the adjacent 2x4. Rotate side wall 180 degrees and cut off remaining 2x4 supports

    Build new back supports. Sand wood with 200 grit for comfort.

  • Wild BrownfieldinstallmentSeeded on 11-27-09 at 2:30am

    Purposethe problem facing downtown Tempe area is that it, like many other cities, has been hurt by the current economic crisis especially in the construction and land development industry. All throughout downtown numerous brownfields which are abandoned or underused industrial and commercial sites have beocme scattered across the area. The site is located on the North West corner of Forest and University, across the street from the Chuckbox, it was to be a large multi-use tower development but funding fell through.

    SynthesisThe wild brownfield is an approach to greening a brownfield. The process is to solely seed the area with native wildflower seeds before the winter rains and let nature take care of the rest.

    Herbicide by the University killed this installment in the misjudgment that it was a lot growing weeds.

  • 1 month after seeding

  • 4 months after seeding

  • envisioned future

  • 5h PatioscapeIndependent Studio design + buildSpring 2010 :: Tempe, Az

    PurposeThis project explores the potential of prevalant small outdoor spaces. As urban centers grow denser, personal outdoor space is becoming smaller. Instead of a suburban lawn, urban dwellers have only tiny enclosed patios that are often neglected and underutilized.

    Through simple and practical methods of design and construction, using repurposed local materials this project demonstrates how these spaces can become productive, pleasing, and sustainable.

    SynthesisThis is intended as a case study in hopes that the methods utilized can be applied on a larger scale. The scope of the project was intended to be at the level that could be completed by the average renter.

    Group project in collaboration with William Hallgren.

  • before

    after

  • npatio plan

  • Solar PanelDusk to Dawn Switch

    12v Rechargeable BatteryResistor

    To Glass Bottle Lights

    Glass Bottle LightCoat Hanger/LED HolderElec WirePlastic Cork Seal

    Coat Hanger/LED Holder

  • Angle of Acuity

    Peripheral Vision

  • 6248Interior remod design + buildSpring 2014 :: Phoenix, Az

    PurposeThis is the first of many personal explorations for low cost on material producing a high yield on functional and aesthetical purpose for residential modifications.

    SynthesisFor me, this is a fun test of making. This is my first attempt towards my affinity to modify, and where else to explore this affinity than the place I reside. I understand that sometimes the dollar saved in material will increase the amount of time to manufacture the intent.

    There is a constant struggle between material and labor cost the solution is not one, but it is many, and an ongoing conversation.

  • remove wall that borders galley kitchen

    before

    remove tacky false wood flooring, expose concrete

  • remove tacky false wood flooring, expose concrete

    remove uppersdemo wall

    expose concrete below

  • construct a countertop with cheap material, plywood. only use wood glue, screws, and clamps, with chop to cut to

    size, seal with satin polyuerethane, $75 total.

  • work with cheap tile material, understand the constraints of edges, not the best work, but cutting the edge pieces to match grout lines adds a

    more drammatic effect than throwing up the stock piece.

  • use cheap plywood rips from Home Depot, sand and stain, to use as base board and a transitional matierial between wall finishes.

  • contents

    studio works

    personal works

    studies

  • Rejected Thesis Proposal

  • Deconstructing the Schindler House

    PurposeInvestigate the suppression of the tradesmen home and the California Home within the creation and ideation of this house. Probe the understanding of what makes a house or a homePlanning was inspired by the campsite layout taken by the architect and friends carried out to be a loose and open floor plan much like the life style of the residents.

    in collaboration with Ana Matijevic and Tim Linko

  • Dwelling Types

    in collaboration with Carrie Samdal

  • dwelling typesconor patton & carrie samdal

    0 25 100

    dwelling typesconor patton & carrie samdal

    0 25 100

    dwelling typesconor patton & carrie samdal

    0 25 100

  • Ccity

    dwelling typesUunit

    Aassembly

    Borneo 8, FARO architecten BVAmsterdam, Netherlands44 Units, townhomes

    Double House.Bjanre Mastenbroek of MVRDV.Utrecht, Netherlands2 Units townhomes

    townhouse

    Borneo-SporenburgWest 8Masterplan Units

    Heren 5

    Claus & Kaan

    Hans Tupker

    DKV

    Wim Kloosterboer

    Kother & Salman

    Hohne & Rapp

    Marlies Rohmer

    Xaveer de Geyter

    Claus & Kaan

    Erna van Sambeek Cees Christiannse

    Arne van Herk Liesbeth van der Pol

    Herman Zeinstra Van Berkel & Bos

    Willem Jan Neutelings Willem Jan Neutelings

    OMA

    Borneo 8,FARO architecten BVAmsterdam, Netherlands44 Units, townhomes

    Double House.Bjanre Mastenbroek of MVRDV.Utrecht, Netherlands2 Units townhomes

  • Ccity

    dwelling typesUunit

    Aassembly

    Borneo 8, FARO architecten BVAmsterdam, Netherlands44 Units, townhomes

    Double House.Bjanre Mastenbroek of MVRDV.Utrecht, Netherlands2 Units townhomes

    townhouse

    Borneo-SporenburgWest 8Masterplan Units

    Heren 5

    Claus & Kaan

    Hans Tupker

    DKV

    Wim Kloosterboer

    Kother & Salman

    Hohne & Rapp

    Marlies Rohmer

    Xaveer de Geyter

    Claus & Kaan

    Erna van Sambeek Cees Christiannse

    Arne van Herk Liesbeth van der Pol

    Herman Zeinstra Van Berkel & Bos

    Willem Jan Neutelings Willem Jan Neutelings

    OMA

    Double House.Bjanre Mastenbroek of MVRDV.Utrecht, Netherlands2 Units townhomes

    Borneo-SporenburgWest 8Masterplan Units

  • Ccity

    dwelling typesUunit

    Aassembly

    La CloseraieEduard FrancoiLouviers, FranceCore Circulation18 Units

    Roar OneLWPACVancouver, CanadaCore Circulation10 Units

    core circulation

    Zac Massena Beckmann-NThpParis FranceCore Circulation48 Units

    Multiple Dwelling in TeufenCovasHunkler WyssTeufen, SwitzerlandCore Circulation6 Units

    La CloseraieEduard FrancoiLouviers, FranceCore Circulation18 Units

    Roar OneLWPACVancouver, CanadaCore Circulation10 Units

  • Ccity

    dwelling typesUunit

    Aassembly

    La CloseraieEduard FrancoiLouviers, FranceCore Circulation18 Units

    Roar OneLWPACVancouver, CanadaCore Circulation10 Units

    core circulation

    Zac Massena Beckmann-NThpParis FranceCore Circulation48 Units

    Multiple Dwelling in TeufenCovasHunkler WyssTeufen, SwitzerlandCore Circulation6 Units

    Roar OneLWPACVancouver, CanadaCore Circulation10 Units

    Zac MassenaBeckmann-NThpParis FranceCore Circulation48 Units

    Multiple Dwelling in TeufenCovasHunkler WyssTeufen, SwitzerlandCore Circulation6 Units

  • Ccity

    dwelling typesUunit

    Aassembly

    La CloseraieEduard FrancoiLouviers, FranceCore Circulation18 Units

    Roar OneLWPACVancouver, CanadaCore Circulation10 Units

    core circulation

    Zac Massena Beckmann-NThpParis FranceCore Circulation48 Units

    Multiple Dwelling in TeufenCovasHunkler WyssTeufen, SwitzerlandCore Circulation6 Units

    Kallco Wienerberg City LoftsDelugan Meissl Assoc. ArchitectsVienna, AustriaCore + Single + Double Load Circulation47 Units

  • Ccity

    dwelling typesUunit

    Aassembly

    La CloseraieEduard FrancoiLouviers, FranceCore Circulation18 Units

    Roar OneLWPACVancouver, CanadaCore Circulation10 Units

    core circulation

    Zac Massena Beckmann-NThpParis FranceCore Circulation48 Units

    Multiple Dwelling in TeufenCovasHunkler WyssTeufen, SwitzerlandCore Circulation6 Units

  • Ccity

    dwelling typesUunit

    Aassembly

    Kallco Wienerberg City LoftsDelugan Meissl Assoc. ArchitectsVienna, AustriaCore + Single + Double Load Circulation47 Units

    hybrid circulation

    WhaleCIE architectsAmsterdam, NetherlandsSingle Load Circulation194 Units

    Eden BioEduoard FrancoisParis, FranceSingle Load Circulation49 Units

  • Ccity

    dwelling typesUunit

    Aassembly

    Kallco Wienerberg City LoftsDelugan Meissl Assoc. ArchitectsVienna, AustriaCore + Single + Double Load Circulation47 Units

    hybrid circulation

    Eden BioEduoard FrancoisParis, FranceSingle Load Circulation49 Units

    NemaususJean NouvelNimes, FranceSingle Load Circulation114 Units

  • Ccity

    dwelling typesUunit

    Aassembly

    WhaleCIE architectsAmsterdam, NetherlandsSingle Load Circulation194 Units

    Eden BioEduoard FrancoisParis, FranceSingle Load Circulation49 Units

    single-load circulation

    NemaususJean NouvelNimes, FranceSingle Load Circulation114 Units

    Dornacherplatz Commercial and Apartment BuildingHerzog & de MeuronSolothurn, Switzerland36 UnitsDouble Load Corridor

  • Ccity

    dwelling typesUunit

    Aassembly

    WhaleCIE architectsAmsterdam, NetherlandsSingle Load Circulation194 Units

    Eden BioEduoard FrancoisParis, FranceSingle Load Circulation49 Units

    single-load circulation

    NemaususJean NouvelNimes, FranceSingle Load Circulation114 Units

    Unit dHabitationLe CorbusierMarseille, France337 UnitsDouble Load Corridor

  • Ccity

    dwelling typesUunit

    Aassembly

    Dornacherplatz Commercial and Apartment BuildingHerzog & de MeuronSolothurn, Switzerland36 UnitsDouble Load Corridor

    double-load corridor

    Unit dHabitationLe CorbusierMarseille, France337 UnitsDouble Load Corridor

    Void Space/Hinged Space HousingSteven HollFukuoka, JapanCore + Single +Double Load Circulation28 Units

  • Ccity

    dwelling typesUunit

    Aassembly

    Dornacherplatz Commercial and Apartment BuildingHerzog & de MeuronSolothurn, Switzerland36 UnitsDouble Load Corridor

    double-load corridor

    Unit dHabitationLe CorbusierMarseille, France337 UnitsDouble Load Corridor

  • Ccity

    dwelling typesUunit

    Aassembly

    Torre IJFARO architecten BVAmsterdam, NetherlandsCore Circulation68 Units

    La Tour Bois-le-PrtreReno: Frederic DruotParis, FranceDouble Load Circulation100 Units

    towers

    MiradorMadrid, SpainMVRDVCore + Double Load Circulation165 Units

    Torre IJFARO architecten BVAmsterdam, NetherlandsCore Circulation68 Units

    La Tour Bois-le-PrtreReno: Frederic DruotParis, FranceDouble Load Circulation100 Units

  • Ccity

    dwelling typesUunit

    Aassembly

    Torre IJFARO architecten BVAmsterdam, NetherlandsCore Circulation68 Units

    La Tour Bois-le-PrtreReno: Frederic DruotParis, FranceDouble Load Circulation100 Units

    towers

    MiradorMadrid, SpainMVRDVCore + Double Load Circulation165 Units

    La Tour Bois-le-PrtreReno: Frederic DruotParis, FranceDouble Load Circulation100 Units

    MiradorMadrid, SpainMVRDVCore + Double Load Circulation165 Units

  • Thinking + Reflection

    graphical exploration of my thoughts while visiting Paris for 7 days.

  • Ground Truthing

    The city of Paris is a very dense city in terms of tracings. Tracing layers upon layers of information is readily available. The lines of city walls built up then torn down, the lines of fences between farm lands become streets and lands become city. Solid becomes void, void becomes solid, ages of fl ux. Each decade brings in new lines, lines for defense, lines for transportation, lines for separation or conveyance, each with change something else as time goes by. Along these lines either roads, pathways, the river, the canals, railways, or building edges exist a communication of two lines dialogue between its neighboring line. Within the numerous conditions of lines, the city has kept a very similar procedure in dealing with the overlap of lines. Points are made within the city, all of which are told to be important just by the organization of the lines to points. Intentions of creating nodes for gathering, implemented and functioning very successfully. The monuments and parks are visited, used and recreated. Within the use of the cities infrastructures the underlying ground truth discovered was the impact of merchants on the interaction between lines and points. Often latching on to lines in order to have prime location for selling wares. What is not in the tracings are the methods used by merchants to latch onto the lines of the city in order to sell clich products to tourists. Small shops that act as lockers for postcards and mini eiff el towers are latched onto the wall of the divider between the sidewalk and Seine River. Which turns what was once infrastructures for the city into a multiplicity of program. These are more of a formal instance for the use on lines and points to be places of convergence. Informal instances exist. Along subway stops, people will pull up a table and sell small selections of fresh fruit from 3-6 pm to catch the workers on their way home who made need a quick bite, or need a slight restock for their fl at, the prices are cheap also. In addition to impromptu fruit salesman, there are corn on the cob home-made food cart vendors. These vendors would take shopping carts and use them to hold a metal 5 gallon bucket plus metal shelf turned into an ad hoc charcoal grill, cooking corn husks and selling buttered corn on the cob. These where more popular and much quicker at selling their goods than fruit sales men in front of the metro stops. At popular parks (points) throughout the city, teams of sales men walk around the area trying to sell cheese, wine, or bread to parks visitors and spectators. A constant and almost all day aff air. It appears that there is a system in place of people who walk around selling items, and a few oth-ers that restock from grocery stores just off the periphery too far for people in leisure to stroll too. In addition to people taking vending into their own hands, the city has an organizing system in place for locations throughout the city to be turned into public markets or even used locations for residents to sell wares produce or domestic. The way these locations made are like the other vendors booths that latch on to the infrastructure of the city. However these structures are less permanent. These market structures are made of points, lines and surfaces like that of the city. Point grid in the fl oor of numerous plazas allow for vertical lines to be placed in them delineating a square form. Next horizontal lines connect the vertical ones, with a surface draped over them. Simplistic tent structure that allows for multiple uses in numerous locations across the city. When these structures are absent from the plaza the spaces appear to be utilized as a square, but when present the entire plaza becomes an active market. All this space requires is the addition of a few sticks and fabric to liven up what would appear to be nothing in a tracing. This cities procedure of latching onto the lines of infrastructure to create vending could not be seen on the created maps printed out and used to coordinate around the city, only found by being on the ground and interacting with the city itself.

  • 0 1 mi PHOENIX0 1 km

  • 0 1 mi PARIS0 1 km

  • 0 1 mi NEW YORK CITY0 1 km

  • 0 1 mi PARIS0 1 km

  • 0 200 ft

    Palais Royale

    0 50m

    OPEN SPACE :: comparison of first square in city of Paris, a neighborhood park, and private courtyards. All at the same scale. it is interesting to notice that in a city of multiple lines in multiple directions, they try to create order in what appears to be disorder.

  • Square Armand Trousseau

    Private Courts

  • can do

    cant do

    rules

    bend