Arts 2nd Grading Period

8/9/2019 Arts 2nd Grading Period

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PRINT MAKING

INTHE

PHILIPPINES


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Early Filipinos, like those in the

West use their oupation astheir last na!es" I# the #ather is

a $laks!ith, he %ill pro$a$ly

use panday; a arpenter a&opt

anluwage, an& so on"


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TOMAS PINPIN The 'rst Filipino priter(s oupation is

plain) an& arran)in) the %oo&en $lok

tiles #or printin) in a #ra!e that is %hy he

is alle& To!as na *Ta)a+Pinpin in a

ta)alo) or in short To!as Pinpin" He(s

o!panion o!in)o Loa) is *Ta)a+Lu%a)-

or the one %ho &issasse!$les the #ra!e toallo% the arran)er to asse!$le ne%set o#

the te.t #or printin)"


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A#ter /012, less

3hinese %ere hire&&o the printin) #or

the Spaniar&s, an&

they )a4e the 5o$ t

an In&io, To!as

Pinpin, %ho printe&

/6 $ooks an&

authore& a $ook, *


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The earliest atte!pt o# te

Filipinos in print!akin) oul& $e

)leane& #ro! the #ra)!ent o#

historial &ou!ent unearthe&

in the ri4er $anks o# Lu!$an inLa)una" This &ou!ent is

uni9ue #or unlike the other

&ou!ents o# the ti!e, it %as

are#ully ethe& in a thin sheet

o# opper usin) a pointe& stylus


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To ai& th sprea& o# the Ro!an 3atholi

#aith, the spaniar&s use& printin) to !ake

opies o# $ooks, no4enas, ser!ons an&

&e4otional pa!phlets"

/:;


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Another print maker of note:

Nicolas Cruz Bagay- who was engraver, and amagnficent artists for his drawings which heengraved.

Carta hydrografica y choragraphica de las

Yslas Filipinas- notable engravings of NicolasCruz Bagay map of the hilippines.

!e did "# artistic prints in his lifetime and he

was proud of the $uality of his wor% so heinsisted in sighning his name on each print hemade.


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Manuel Ro&ri)ue= Sr"

Father o# print!akin) in the

philippines #or he thou)ht print!akin)

in his ho!e an& enoura)e !any o#

the present print !akers to pursue

the !e&ui!"Many painters !a&e

prints like 8oton) Franiso, Ro!eo

Ta$uena,>iente Manansala, Fernan&o

?o$el, Anita Ma)saysay Ho, Arthuro

Lu=, @ose @oya an& Ro!olo la=o"


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ther artist onentratein print!akin)B Ro& Paras Pere=

Pan&y A4ia&o

8ren&a Fa5ar&o

#elia Gel4e=onte9ui

8en3a$

Fil ela 3ru=

Santo 8ose

Neil olorion

@onathan la=o


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Printmaking Is an art o# trans#errin) printe& i!a)es

#ro! a sur#ae" A print is a han&

pro&ue& piture that has $een

tran#erre& #ro! a printin) sur#ae to a

paper"

It eno!passes repro&utions or

!ultiplies !a&e &iretly #ro! the sa!e

$lok, plate stone, or sreen reate& $y

the artist"


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Edition- nu!$er o# prints areli!ite& $y the artist suh as/11C/111 %hih !eans the opy is

/11th in an e&ition o# /111" one thelast print o# the e&ition is o!plete,the printin) sur#ae is &estroye&"


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Three $roa& ate)ories o#

print!akin) aor&in) tosur#aeD

Relie# printin)- uses woodcut,wood

engraving, ruer stamps, and !ino!eum cut"

Inta)lio- inc!udes etching, a#uatint and dr$

point"

Plano)raphi proess- that inc!udes

!ithograph$, si!k screen %serigraph$& and

other forms of stenci!ing"


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ther type o# print !akin)outsi&e these three areasD

3ollo)raphy- print making techni#ue in

which te'tured materias! is adhered to a

printing matri'which is tranferred on the

paper during the prining process"

Vircocity printing and onte!porary

print!akin) that inc!udes digita!

printing,photograhic mediums or a

comination of other printaking tecni#ues"


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Woo& ut- is the on!$

traditiona! printing techni#ue

used in Asia for centuries" This techni#ue was used $

the *uropeans too"


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Woo& en)ra4in) tehni9ue

Simi!ar to wood !ock printing, however, it

uses the endgrain on !ocks of the hard

wood" The endgrain is ver$ hard so the

meta! too! designed for carving is needed to

make ver$ +ne and intricate detai!s"

n!ike the wood !ock it can produced man$prints efore it deteriorates that makes it

idea! techni#ue for ook i!!ustrations.

I t li


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Inta)lioIn the intag!io printing what is removed

in the p!ate ends up to e printed"

The !ines are cut in the surface of a meta!

p!ate using a sharp too! ca!!ed burin orusing acids"

If $ou see a wedding invitation with

raised te'ts, it proa!$ underwent th

intag!io process ecause it happened

when the pressure was e'erted to a!!ow


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Ethin) The artist removes the surface of

the p!ate $ e'posing it to an

acid ath" A wa' coating, orground that resist acid, is app!ied

+rst on the surface of the meta!"


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En)ra4in) It was introduced $ the spaniards in the

Phi!ippines"

In ./00, Nicho!as 1aga$, a printing press

owner , and 2rancisco Suare3 designed aseries of .4 artworks were the$ proud!$

sighned with Indio Tagalo.

O!dest form of intag!io" 1urins or an$ sharp

instruments that cou!d !eave depression or

marks onn the meta! can e sed to make a

meta! p!ate to reproduce prints.


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A9uatints &re tonal areas made by applying powdered

resin to a plate then heated. 'he melted resinproduces particles that become dots. (acd dot

resist acid. )i%e in the etching the longer themetal plate is e*posed in the acid bath, thedar%er is the tone is the final print.


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ry point In this techni#ue, surface of

meta! p!ate is scratched with a

need!e" n!ike the !in engraving

which gives a c!ean, sharp !ine

the dr$ point !eaves a ridgeca!!ed a burr on either side of

the groove resu!ting to a


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Documents

Arts 2nd Grading Period