2014 Annual

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PhotographerPhotographer

The Make MoneyWith Your Camera MagazineThe Make MoneyWith Your Camera Magazine

2014 ANNUAL

You Can

Learn to Cover

BIG EVENTS

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BIG EVENTSpage 33

The Soar of theSuperbowl Champspage 25

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WHAT IS

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MY PASSIONFOR PHOTOGRAPHY

LED ME STRAIGHT TO A GOLD MEDALIST

MY PASSIONFOR PHOTOGRAPHY

LED ME STRAIGHT TO A GOLD MEDALIST PAGE 6

TODAY'STODAY'S

InternationalInternational

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GoodIm-PRESS-ionWith Your Camerapage 8

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2014 Annual Internet Paged 8/13/14 3:22 PM Page 1

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4 Today's Photographer International www.ifpo.net

6 An Olympic Gold Medalists Book CoverBy Keith Cephus

8 How To Make a Good Im-PRESS-ionBy Henry Smith

9 The Americas Cup -- Up CloseBy Richard B. Ressman M.D.

14 A Young Space Engineers VisionBy Jim D. Fermo Ph.D

16 How To Protect Your Rights and PhotosBy Vonda H. Blackburn, Editor

19 IFPO Hall of Fame

21 What is Your Focus?By Ken Luebbert

25 The Soar of the Superbowl ChampionsBy Ilya Moshenskiy

33 Two Musical Legends -- and MeBy Gary A. Hodge

44 I Shoot Young EaglesBy George Austin

48 Press Photographers Code of Ethics

On Assignment

12 The AVP 2014 Season Kick OffBy Frank and Brenda Lamica

13 2014 Track and Field ChampionshipsBy Alfred K Grey

23 The Nuclear Security Summit 2014By Arthur Wiegman

27 Mercedes-Benz NY Fashion WeekBy Roy Speller Sr. and Franz Michaud

29 Miss European 2013-2014 Pageant By Keith Gibson

31 The Dragon Boat Festival By Franz Michaud

35 SoccerBy Saul Macedonia Tovar

35 NFL FootballBy Stephanie Campbell and Albert Onderko Jr.

40 White House Ceremony for President Bush 41By Jerome Dorn

45 50th Annual Merrie Monarch Festival By C. Edward Freeman

48 Pan American Classic SoftballBy Miguel A. Cruz

TODAYSPHOTOGRAPHERINTERNATIONAL2014 ANNUAL ISSUE

Todays Photographer International MagazineAMERICAN IMAGE PRESS

PO BOX 42, HAMPTONVILLE, NC 27020(336) 468-1138 FAX (336) 468-1899

Todays Photographer Magazine is published by American Image

Press in Hamptonville, NC 27020. Send advertising and editori-

al correspondence to: Todays Photographer Magazine, P.O.Box 42, Hamptonville, NC 27020-0042 USA. Subscription is free

to IFPO members. Please send change of address forms as well assubscription correspondence to Todays Photographer Magazine,

P.O. Box 42, Hamptonville, NC 27020-0042 USA. Allow at leastsix weeks for the change of address to become effective. COPY-

RIGHT AMERICAN IMAGE, INC., ALL RIGHTS RESERVED.

COMPLETE IFPO MEMBERSHIP INFORMATION PAGE 17

Publisher: Jack M. GallimoreEditor in Chief: Vonda H. Blackburn

Editorial: Cass KerringtonRay Bream

Operations Staff: Annette BlackburnEloise BrinegarDebbie Cofer

Editors at large: Dennis HodgesElliot (Ed) Doering

MAGAZINE STAFF

IFPO CORRESPONDENT PHOTOGRAPHERS

Jerome Dorn, Atlanta, GAKeith Cephus, Virginia Beach, VARoscoe Farmer, San Francisco, CADennis Hodges, Kansas City, MORobert Marks, Bethesda, MDIlya Moshenskiy, Redmond, WARobert Scott, Port St. Lucie, FL

Henry Smith,Warwick, NYArthur Wiegman, The Netherlands

Volume 29, Number 1

Contents

F

EATURES

IFPO PHOTOGRAPHERS PUBLISHED IN THIS ISSUE

ON THE COVER

Mail Preference: On occasion subscriber namesand addresses are made available to carefullyscreened companies whose products or serviceswe feel may be of interest to readers. To beexcluded from these mailings, contact us via oneof the following:

Mail: PO Box 42, Hamptonville, NC 27020-0042FAX: 336-468-1899

Phone 336-468-1138

FASHION SHOWS:IVE SHOT

MERCEDES-BENZNEW YORK AND

MIAMI ALREADY THISYEAR.

ROY SPELLER ,IFPOPAGE 27

GEORGE AUSTINSTEPHANIE CAMPBELLKEITH CEPHUSMIGUEL A. CRUZJEROME DORNJIM FERMO PH.D.C. EDWARD FREEMAN

KEITH GIBSONALFRED K. GREYGARY HODGEFRANK AND BRENDA LAMICAKEN LUEBBERTFRANZ MICHAUDILYA MOSHENSKIY

ALBERT ONDERKO JR.RICHARD RESSMAN M. D.HENRY SMITHROY SPELLER SR.SAUL MACEDONIA TOVARARTHUR WIEGMAN

Global Press Certification 34Editorial Submission Guidelines 27Glamour Elite Program 41IFPO Bronze Hard Cards 32IFPO Business Cards 5IFPO Business Forms 2IFPO Distributor Program 43

IFPO Hard Membership Cards 46IFPO Field Kit and Crew Tag IDs 20IFPO Auto Emblems & Freelance Field Ki t 42

IFPO Master Photographer Program 39IFPO Membership Application & Programs 17IFPO Picture Awards Program 24New Discoveries Program 30Press Correspondents Chase Kit 22Press Program (GOLD) 10Press Program (Universal) 11

Todays Sports Credentials 49Stock Gallery Program 18USPRESSCORPS.ORG 12

I FPO Prog ram G u id e

USPRESSCORPS.ORGHARD CARD PROGRAM PAGE 12

ORACLE TEAM USA DEFEATED TEAM NEW

ZEALANDS EMIRATES AC 72 TO WIN THEAMERICAS CUP IN SAN FRANSCISCO LASTYEAR AFTER BEING DOWN EIGHT RACES TO

ONE. 2013 RICHARD RESSMAN MD, IFPO.

RUSSELL WILSON #3 SEAHAWKS QBCARRIED THE COVETED VINCE LOMBARDITROPHY SUPER BOWL XLVIII TROPHYONTO THE FIELD IN SEATTLE AT THE CEN-TURY LINK STADIUM CELEBRATION.

2014 ILYA MOSHENSKIY IFPO

On assignment at the White House is

always exciting (I first covered the 2nd

Inauguration of President George W. Bush

in 2005).

My second assignment was really fun for

President Obamas welcome of the Seattle

Seahawks to celebrate their 2014 Super-

bowl Championship. Ilya MoshenskiyPAGE 25


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for Olympic Gold Medalistfor Olympic Gold Medalist

VIRGINIA BEACH, Va. - When

Olympic Gold Medal Gymnast

Gabrielle Douglas needed a photo

spread for her latest book, she turned

to a photographer based in her home-

town for the job. IFPO photographer

Keith Cephus was selected as the

exclusive photographer for her book

Raising the Bar. Cephus photos are

featured on the front and back covers

and throughout the book.

When Cephus saw Douglas make

history at the 2012 London Summer

Olympics, he quickly drummed up an

idea to congratulate the two-time gold

medalist and add her to his portfolio.

As he watched history unfold, he sent

a Facebook message to Douglas. On

behalf of Keith Cephus Photography,

I would like to give you a complimen-

tary photo shoot to let you know how

much we appreciate you in Hampton

Roads, Virginia, he said.

A little more than one year later,Cephus portfolio includes more than

6,000 photos of Douglas. He has cap-

tured some of her most prized

moments since the Olympics, includ-

ing the moment when she received a

congressional award in Richmond,

Virginia. He also photographed the

ceremony when Virginia Beach gave

Douglas the key to the city. Cephus

remains amazed

by his new-

found relation-

ship with Dou-

glas and her

team -- espe-

cially since she

never saw his Facebook offer! It was

God. It was a blessing, because when

I made the offer, I didnt know the

opportunity would really come,

Cephus said. It turned out to be the

opportunity of a lifetime.

The chance to add Douglas to his

portfolio actually started with her

mother, Natalie Hawkins. When

Hawkins was nominated for an award,

NBA Referee Tony Brothers called

Cephus to photograph the event. By

the end of the photo shoot, Hawkins

was impressed enough with Cephus

and his team to put her daughters

photo needs in his hands. After

building a great relationship withNatalie, she trusted me with Gabby;

therefore, she gave me the opportunity

to do a photo shoot with her daughter,

so it was truly a blessing and an honor

to be a part of the documentary of

Gabbys life, Cephus said. He didnt

simply capture Douglas the gymnast.

He was also able to capture the glam-

orous side of Douglas for the book.

Cephus credits his national and

international success to not only his

talent, but his tenacity, strong work

ethic, and willingness to build strong

relationships with his clients. People

want to know if they can trust you.

Thats the key. If they cant trust you,

it doesnt matter what your skill sets

are, Cephus said.

A retired Navy Chief Petty Officer,

Cephus fell in love with photography

during his first tour of duty in Japan.

He joined IFPO on January 15, 1989

and has been active since day one. He

often offers workshops and plans to

sponsor a photography camp for

underprivileged children. He alsospeaks to groups in the community

about photography and business. The

New York native also serves on the

Academic Review Board for the Art

Institute of Virginia Beach and is a

member of Wedding and Portrait Pho-

tographers International and Profes-

sional Photographers of America in

addition to IFPO.

Olympic Gold Medal Gymnast GabrielleDouglas chose IFPO member Keith

Cephus of Virginia Beach, Virginia as theexclusive photographer for her book

Raising the Bar.


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By Henry Smith IFPO, Warwick, New York

How To Make A Good Im-PRESS-ion

YOUNG KELLY CLARKSON IN CONCERT AT

BETHEL WOODS (WOODSTOCK) HENRY SMITH

It has been 24 years since I was

first introduced to the Interna-

tional Freelance Photographers

Organization, Todays PhotographerMagazine and American Image Press

in 1990. The third component, IFPOs

Press Program, is what got me hooked.

I distinctly remember flipping through

the pages of the magazine to find a

double-page ad with the following

words that seemed to reach out to the

very core of the type of photography

that I was so keenly interested in:

PRESS CREDENTIALS THAT

REALLY WORK!

I had shot my first press event

twelve years earlier in college. The

college just had a new Observatory

built and there was an official Dedica-

tion Ceremony complete with college

officials and local politicians including

guest of honor keynote speaker, the

(then) Mayor of New York, Edward

Koch! Since I was on the yearbook

staff, I had access to this event and

others. But after college, there were

literally no organizations that would

offer press credentials, unless Ienrolled in a traditional degree bearing

Photojournalism Program.

Being a Natural and Social Science

(Biology, Psychology) major and

wanting to work in science education,

I had no desire to enroll in such (pho-

tographer/reporter) programs to obtain

press credentials.

It stood to reason, that since I

already had a strong background in my

favorite hobby of photography,

without having to endure an ardu-

ous photojournalism curriculum, Ishould enroll in a program that

offers immediate use of its press

credentials. So, when I saw that

Todays Photographer Magazine

promised PRESS CREDENTIALS

THAT REALLY WORK my ini-

tial reaction was it sounded too

good to be true, but then I thought

I am DEFINITELY willing to try

this Press Program! So I read the

ad, several times, then I cut out the

mail-in application and submitted

them for simultaneous member-

ship in IFPO and its Press Creden-tials Program.

About two weeks later I

received a large, thick, tan enve-

lope. Inside, were two cardstock

sheets with IFPO IDs and Press

IDs, badge clips, laminate sleeves,

assembly instructions, order forms,

letter of welcome, Code of Ethics,

and an accreditation letter from

Vonda Blackburn, Editor in Chief! I

quickly perused the letters, set them

aside, and went straight for the

instructions on how to assemble my

new press pass. In no time I had a

wearable press credential.

By todays standards, my first press

pass didnt look all that impressive

after all, it was only a small credit card

sized ID with simple black text on a

plain white background and a small

passport style photo of myself. It was

around Thanksgiving, so I figured Iwould try this Press Pass That Really

Works on a tough barrier a police

line at the Macys Thanksgiving Day

Parade in New York City.

Armed with my professional Minol-ta film camera and lens, I nervously,

and excitedly showed my American

Image Press Credential to a police

officer who let me in right past the

barricades and onto the street where

the parade participants were marching!

It was official as my welcome letterBRET GARDNER OF THE NY YANKEES SWINGS ANDMISSES DURING AN EXHIBITION GAME VS THE ARMYBLACK KNIGHTS AT WEST POINT, NY. HENRY SMITH

Continued on page 37

HENRY SMITH


8/10/2019 2014 Annual

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IFPO Gold Press II Credentials: Are available in Hard Card Format and only to IFPO photographers. Have been in operation for more than 27 years. Have a success rate of more than 85% for all events. Place you on assignment for Todays Photographer International magazine*. Are backed up and supported by the editorial staff of Todays Photographer International magazine. Are issued for 3 years. At the end of 3 years renewal fees are usually half price or less for the next 3 years. Provide Internet Verification which is available 24/7.

(A site is set up automatically at the time press credentials are issued. The site is designed to be maintained by theowner/photographer who also controls access to the site.)

Press Photographers: Choose their own assignments. Retain all rights to their photos and are encouraged to also submit their work to other media outlets. Are on assignment for Today's Photographer International magazine. Provide all the photos and articles in Todays Photographer International magazine Photographers may join IFPO and enroll in the Gold Press I I Program at the same time. IFPO membership fee of $81 is lifetime - you pay only once.

10 Todays Photographer International www.ifpo.net

$109.00

$10.00

Price EA.

GOLD PRESS II CREDENTIALSGOLD PRESS II CREDENTIALS ENROLLMENT FORM

TOTAL AMOUNT ENCLOSED

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Sex: ________________________________________________________

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Date of birth: __________________________________________________

Flag Choice:___________________________________________________ Checking this box confirms that I will read andagree to comply with the Professional Press Codeof Ethics included with my Press Credentials.CLASSIFICATION INFORMATION: (see ratings opposite page)

Check correct box and name publication(s) where your photos appeared.

A Not yet published

AA Publishing pending in:

AAA Published once in:

AAAA Published frequently (list three publishers)

1. ____________________________________________________

2. ____________________________________________________

3. ____________________________________________________

Includes: GOLD PRESS II Passport GOLD PRESS II Badge Hard Card with Lanyard GOLD PRESS II Wallet Hard Card GOLD PRESS Official Letter of Certification placing

you on assignment for American Image Press andTodays Photographer International magazine.

Press Assignment Verification on the Internet. Complete instructions how to use and maintain the

Internet Verification Site. Press Assignment Request Form and Instructions on

How to Use Your Press Credentials.

5 Digit IFPO Member# ____________________ or enclose dues (see page 17)

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Credit Card orders phone: 1-800-654-9557 or FAX: 1-336-468-1899MAIL ORDERS: IFPO PRESS OFFICE, P.O.Box 42, Hamptonville, NC 27020-0042 USA

GAIN ACCESS to SPORTS,CONCERTS, BREAKINGNEWS EVENTS and More

Gold Press II ProgramGold Press II Program


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Hair Color: ________________

Eye Color: ________________

Checking this box confirms that I will read andagree to comply with the Press Code of Ethicsincluded with my credentials.

CLASSIFICATION INFORMATION: (see ratings opposite page)Check correct box and name publication(s) where your photos appeared.

A Not yet published

AA Publ ishing pending in :

AAA Published once in:

AAAA Published frequently (list three publishers)

1 PRESS Passport2 PRESS Badge Card I.D.3 PRESS Wallet I.D.4 High Security PRESS Arm-Band.5 High Security Coded Auto Press Badge.6 High Security Press Authorization Letter.7 AI News Service 3 Embroidered Patch8 Interactive Internet Verification9 Master Packet of Press Photographer forms

5 Digit IFPO Member# ____________________

name ___________________________________________________________________

address _________________________________________________________________

city/st/zip________________________________________________________________

phone/fax________________________________________________________________

email/U.R.L. ____________________________________________________________________

Credit Card orders phone: 1-800-654-9557 or fax: 1-336-468-1899MAIL ORDERS: IFPO PRESS OFFICE, P.O. Box 42, Hamptonville, NC 27020-0042 USA

Information or Customer Service calls: 336-468-1138

AIUniversal Press Credentials:Places you on assignment for American International (AI) News Service

Backs you up with a news service in addition to Todays PhotographerMagazine.

Arms you with the most complete state of the art press package ever issued by IFPO.

Result from 22 years of feedback from IFPO press photographers in the field.

Have a success rate of more than 80% for all kind of events around the world.

Are available to IFPO members only.

New Universal Issuing information:

Meets requirements for major events concerned with high security risks.

Is securedto protect AI News Correspondents from identity theft.

Keeps the successful design and contentof the AI News credentials safer from the wanna be upstarts who plan

to succeed by copying our highly reputable program.

Issued and Supported by American International (AI) News Servicebacked-up by Todays Photographer International Magazine

Recommended for Veteran Press Photographers

AI NEWSService UNIVERSAL Press Program

THE AI NEWS LOGO IS DESIGNED TO DISTIN-GUISH THE CREDENTIALS WITH A BROADER

MESSAGE AND VISUAL IMPACT OF A NEWS SER-VICE.

4 NEW ITEMS HAVE BEEN ADDED: A 3 GOLDAND BLACK PATCH, AN ARMBAND, A PERSONAL-LY CODED PRESS DASH CARD FOR CARS ANDA MASTER SETOF PHOTOGRAPHERS FORMS.

TheAI News Universal Press Cards are not shown here in order to protect the security design and content.

HIGH SECURITY PRESS CREDENTIALS are vital to gaining access in

extremely tough situations where credentials are scrutinized for every

piece of validating information by uniformed officials in law enforcement,

security, military, customs and others.

CLASSIFICATION is based on a range of publishing credits starting at A

for yet-to-be published photographers extending to AAAA for those pub-

lished frequently.

EXPIRATION DATE: AI credentials are issued for 3 years. Credentials

more than three years old are considered to be expired. Access is usually

denied if the photos are outdated. AI Press Correspondents may renew

and receive all new credentials every 3 years at a discounted fee.

EACH AI NEWS PHOTOGRAPHER RECEIVES a 9 Part Bundle of high

security credentials designed for visual impact plus instructions for assem-

bly, use and operation of the Internet Assignment Verification site.

3 EMBROIDERED PATCH


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12 Todays Photographer International www.ifpo.net

ASSOCIATION OF VOLLEYBALL PROFESSIONALS

AVP KICK OFF 2014 SEASONBy Frank and Brenda Lamica IFPO

St. Petersburg, FL

Every year IFPO tries to launch at least one major program based on what we've

learned from experience and requests from IFPO member photographers working in the

field. The new USPRESSCORPS.ORG Press Program is the latest expansion of IFPO

press programs which were originally launched in 1984. We encouraged and received a

tremendous amount of feedback in the past year which was the basis for the format of

the new USPRESSCORPS.ORG Press Program.

The recurring theme seemed to be that many venues around

the world now require press photographers to show more than

one press card. To meet those requirements and other considera-

tions, IFPO expanded the press programs to include a new, elite

US Press Corps program which issues a Press Hard Card -- covet-

ed by most press photographers. USPRESSCORPS.ORG will be permanently limited to

only 1500 experienced IFPO press photographers.

The new USPRESSCORPS.ORG Press Credentials serve 3 purposes:

1) Press hard cards are now issued by most respected media organization and are

expected at most major venues. The photo hard card symbolizes the highest

level of credentials and presents a positive image for the serious press photog-

rapher.

2) Many venues, especially for professional sports, are now asking for at least

two press cards in order to be considered for access to the event. The hard card

is expected to elevate the prestige of the photographer and will certainly epito-

mize the preeminence of the issuing organization.

3) Press hard cards with the photo placed in the manufacturing process are the

most recognized cards for serious photographers. They cannot be duplicated

effectively and, therefore, command respect whenever presented. IFPO now

has the technology to turn almost any photo into a professional head shot forthe production process.

The USPRESSCORPS.ORG program is specifically designed to enhance the stature

of IFPO press photographers and to meet the expectations of press officials and law

enforcement internationally. In the near future only press hard cards will be recognized

at most venues.

Qualified IFPO photographers have been notified of their status and invited to join

USPRESSCORPS.ORG. If you have not been notified and believe you qualify, contact

IFPO customer service at 336-468-1138 or email [email protected].

Fact-based, well-documented, unbiased press coverage may be more important today

than almost any time in history. With major newspapers folding monthly and others cut-

ting publishing schedules there is soon going to be vacuum to be filled. Also, the main-

stream media is either left or right leaning and true journalism seems to be in jeopardy.

Since 1984 IFPO Press photographers have covered some of the most high profile

events in the world including the Inauguration of Presidents Barack Obama and George

W. Bush, the Chinese Protest March in Tiananmen Square in 1989, the 1995 bombing of

the Murrah Federal Building in Oklahoma City and the 9/11 Terrorist Attack of the

World Trade Center in New York in 2001. Thousands of sports and entertainment events

and hundreds of other lesser events are covered everyday in the most populated cities of

the world as well as the most remote regions by IFPO press photographers.

The mission of the USPRESSCORPS.ORG is to create a core of 1500 top notch press

photographers to provide comprehensive coverage that is factual and in context directly

to major news outlets for distribution. For more information contact IFPO at 336-468-

1138 or email [email protected]

USPRESSCORPS.ORGexperience achievement reliability prestigious

The AVP came to St. Petersburg

for the second time to kick off their

2014 season. The tour is loaded with

the top professional players and

Olympic hopefuls from around the

country.

This was the first event to cover

with our brand new American ImagePress credentials. We had contacted

the AVP about a month prior to the

event and had been approved. Its

really a thrill to attend your first event

and be ushered into the inner sanctum

of the parking area as an attendant

pulls back the barricade and motions

you through to the media parking

area. Yes, we have arrived!

In the media area we picked up our

AVP Credentials, stored our excess

equipment and made friends with the

ice cooler. Tables were provided forour laptops and we were given sched-

ules of the matches and player infor-

mation. It was a physically draining

to be court side shooting with the

heat, but, we wouldnt have traded

that experience for anything.

Brenda stationed herself on the far

side of the court and I was right



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WILL CLAYE WON THE

MEN TRIPLE JUMP WITH APERSONAL BEST OF

58 FEET 3 INCHES.2014 ALFRED K. GREY

UPPER LEFT: EVAN JAGER (#8), DONALD CABRAL (3) AND CORY LESLIE (#7) EXECUTED THE WATER JUMP DURING THE MENS 3000 METER STEEPLE-CHASE. UPPER RIGHT:DAWN HARPER-NELSON POWERED OVER THE HURDLE PAST JASMIN STOWERS ON HER WAY TO VICTORY IN THE WOMEN 100 METERHURDLES FINALS. LOWER LEFT:DAVID OLIVER CLEARED THE HURDLE ON HIS WAY TO A THIRD PLACE FINISH IN THE MEN 110 METER HURDLES. LOWERRIGHT:KIM CONLEY REJOICED AFTER WINNING THE WOMEN 10000 METER RUN WITH A TIMEOF 32:02:07.2014 ALFREDK. GREY

THE 2014 USA TRACK AND FIELD OUTDOOR CHAMPIONSHIPSSACRAMENTO STATE UNIVERSITY, SACRAMENTO, CA

Photos by Alfred K. Grey IFPO

It was a great experience for me as photographer,

and a track and field fan, to gain access and photo-

graph the athletes at the national outdoor champi-

onships. It was an incredible feeling rubbing elbows

with other photographers and negotiating picture taking positions with members

of the national media. Al Grey


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A young man watches television in

the 1960s and learns of the first satel-

lite, a Russian Sputnik launched into

space. This sets his dreams on fire

with desire and determination to be a

part of it all. It was the beginning for

young Bernard (Buddy) Bregman. He

was determined to become instrumen-

tal in the space program.

Growing up in New York City he

earned his Bachelors Degree in Engi-

neering from City College of New

York, and a Masters Degree from

Pennsylvania State University.

B r e g m a n ,

driven and

determined to

make his child-

hood dreams a

reality, worked

in the aero-

space industry

for over forty-five years at

various loca-

tions around

the country.

While in

Denver, work-

ing for Martin

Marietta he did

exper imenta l

integration on the worlds first soft

lander on Mars in 1976. He also par-

ticipated in facilitating earth resources

experiments on Skylab, the worlds

first space station. He was involved inthe cooperative effort with Gruman in

writing the proposal for the Space

Shuttle. Buddy, like many unsung peo-

ple behind the scenes is a quiet, unas-

suming individual with many wonder-

ful stories of his lifes work in thespace programs.

B u d d y s

accomplish-

ments as a

Space Engi-

THE SPACESHUTTLEENDEAVOURWAS RETIRED TO

LOS ANGELESAND TRANS-PORTED TO ITS

PERMANENT

HOME AT THE

SCIENCE ANDSPACEMUSEUM.

2013 BY JIMFERMO

A Young Mans Vision:

BUDDY BERGMAN WITH THE MARS LANDER. 2013 BY JIM FERMO

ENDEAVOURS ROBOTIC

ARM 2013 BY JIMFERMO To commemorate this year, the 45th Anniversary of the United States Moon

Landing in July 1969, the following article is a tribute and tiny snapshot of oneamong many who contributed greatly to this amazing achievement. The Editors


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An IFPO Exclusive Interview with Bernard

(Buddy) Bregman - Space Engineer

...to get what you want, you just need to ask and be persistent.

You may not encounter a Buddy Bregman but in every communitythere are interesting people with stories to tell.

By Jim D. Fermo, Ph.D, IFPO

Once a month several men friends and I meet and take the subwayto different parts of the Los Angeles area and have lunch and do citytours. Last month Bernard (Buddy) Bregman happened to join thegroup as a newcomer. I began inquiring about his profession. When he started talking, I was justfloored by his experiences.

I explained IFPO and my wonderful years as a member and asked if I could have a private interviewwith him. He said, I'll do one better. He invited me and my grandson to the Science Center in Los

Angles. Since I was a member of the IFPO Press, Buddy asked the Director if he could bring us in for aprivate tour and pictures before the crowds arrived. The Director approved.The next thing I knew we had an appointment at the California Science Center prior to it being

open to the public, and a personal interview with Bernard "Buddy" Bregman. There was so muchknowledge exchanged that I could have written a book filled with his exciting life's stories and picturesfrom the center. The interview concluded two days later when I was invited to his home. In his privateoffice I shot his portrait and viewed the many awards of his accomplishments, pictures of astronautsand rocket displays along with other space memorabilia he had gathered over the many years.

I though this article was important to share with other members of IFPO for two main reasons.First, to get what you want, you just need to ask and be persistent. Just as in Buddy's case yourdreams can be your reality. Second, over the years my IFPO credentials when presented have gained

admission to a great variety of venues both here and abroad.I am a firm supporter of IFPO and believe that an organization that provides so much support tophotographers and the advancement of our craft deserves the ultimate support from its members.Although I have several press credentials, I really use only one when I travel.

Warmest Regards to Vonda Blackburn and the entire team at IFPO. Keep up the great work.Jim D. Fermo, Ph.D.

P.S. I really enjoy the actual magazine immensely.

CONTINUED ON PAGE 36

neer are too numerous to mention in

one article. His lifes dreams have

been fulfilled and his goals successful-

ly accomplished. Few if any know of

Bernard Bregman as his merits have

been achieved with a quiet humility in

the space program.

One of Buddys exciting projects

was his work on the proposal for astro-

naut interaction and cargo payload

integration. His area of expertise for

the proposal was the conceptual design

of the remote arm used by the space

shuttles to deliver and bring back

objects from the far reaches of space.

The Space Shuttle Endeavour

recently arrived in Los Angeles and

was transported to the Science and

Space Museum. Another exhibit there

is the robotic arm that Endeavour and

the other space shuttles used to

retrieve items from space and launch

satellites - another Bregman success

Today Buddy has new goals. He is

determined to educate and excite

young people. He leads by example

that there are no limits to what one can

achieve with only some imagination,


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Many times over the years a

photographer has called or

written to report that his or

her photos have been used without permis-

sion, or with permission but without pay-

ment, photo credit or other related prob-

lems. In ninety-nine percent of the reports

the problems could have been avoided by

using a cover letter or a simple agreement

in writing or using an IFPO Business

Form.

The following steps should provide pro-

tection for most situations.

1) Copyrights are inherent to the photogra-pher. However, an inventory list of

images with the copyright notice

(Ex:2014) is a friendly reminder that

the work is protected by copyright laws.

Also a short notice such as, All rights

reserved could be added.

2) Each time a photo or digital image

leaves your possession, it should be

accompanied by signed and dated per-

mission for use with terms and condi-

tions stated. This is the first step to a

contract for use -- even if no payment is

involved. KEEP A COPY FOR YOUR

FILES.

3) Digital images require even more pro-tection. NEVER send your original

files. Not even just for someone to con-

sider. Send a copy of digital images in

very low resolution along with text files

of the first two items above.

4) Follow up by phone or email within 5-8

business days to see if your images

arrived and if there is interest etc. Men-

tion that complete information is in the

package.

5) ALWAYS send a postage paid return

envelope when submitting by mail if

you expect your work to be returned.

6) Submissions by email are just out

there in an unknown domain. It is

much safer to mail a disc with your

name and copyright notice on the disc.

We are not suggesting that you never

email an image but you should know

and trust the receiver and believe that

terms for an agreement can be made.

7) Once there is an agreement for how an

image is to be used, the terms must be

set before the use occurs. Example: Onephoto may be used once for $25 or any

amount that is satisfactory. You may

even want the benefit of having your

photos published without payment. If

so, that should be agreed upon up front.

8) Others conditions must also be met.

Will you get photo credit? Will you get

a copy of the work published? Can you

buy extra copies if you need them?

9) When is payment made? Upon publica-

tion? Within 30 days? At the end of the

publishing cycle? It really doesnt mat-

ter as long as you understand and agree

to it.

10) Finally, all terms and conditionsshould be confirmed in writing and signed

by both parties. Sounds like too much

work? Not so. Two copies of a simple

cover letter can do the job for you. Simple

business forms can do the job for you even

better. (See the offer for a lifetime supply

of IFPO Business Forms on pages 2 and 3

for $39.95)

What happens if you have released your

images without an agreement for use and

learn they have been used? Contact the

user. Try to work through the steps listed

here. Most everyone understands that

copyright infringement can be serious busi-

ness. In most situations, something fair and

equitable can be negotiated even after pho-

tos have been used.

Its much easier to take the simple steps

required to protect your work at the time it

leaves your possession than to try to get

control of it after use.

Keeping a log of photo packages, digital

images etc that are in the hands of potential

users helps you track usage, payments andpackages that should be returned. It also

often serves as a reminder of where your

best work is located and where and why

you should submit it elsewhere.

Using business forms designed especial-

ly for photographers not only help protect

your work, its a short cut to learning about

copyrights, rights to use, terms and condi-

tions. Just select the form that seems to

match your job and complete it! You

should never have to worry about protect-

ing the use of your photos again.

Finally, posting photos on social net-

working sites is not recommended. If you

post a photo of a logo or trademark (prosports uniforms etc) without permission of

the owner of such, you are violating logo

and trademark regulations which could get

you into trouble. Dont do it -- even though

you own the copyright to the photo. You

can submit such photos for editorial pur-

poses to a recognized publisher, TV or

broadcast outlets as a news item or a fea-

ture story. So always remember to protect

yourself as well as your work.

How To Protect Your Rights and PhotosBy Von da H. Bl ack bu rn , Edi tor

HER MAJESTY QUEEN MAXIMA ASSISTED IN THE OPENING OFTHE NEW "GREEN" FACTORY OF UNIPRO BV IN HAAKSBERGEN,THE NETHERLANDS IN 2014. 2014 Arthur Wiegman IFPO

ON ASSIGNMENT:

THE DUTCH ROYAL FAMILY


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INTERN

ATION

ALFREEL

ANCE

PHOTOGRAPHERSORG

ANIZ

AT

ION

MEMBER

IFPOPHOTOGRAPHER

INTERN

ATION

ALFREEL

ANCE

PHO

TOGRAPHERSORG

ANIZ

ATION

MEMBER

IFPOPHOTOGRAPHER

IFPOWindshield Stickers#791A - 2 for $9.95adhere to inside of windshield or window.

actual size:3" x 3"

Embroidered3" Patches

Item# Price Description7021 $9.95 1 patch (3")7022 $14.95 2 patches (3")7023 $19.95 4 patches (3")

CERTIFICATES

MAKE YOUR AFFILIATION

WORK FOR YOU!

RECOGNITION

CERTIFICATES

$9.95 each or ANY 5 CERTIFICATESABOVE #57XXfor only $39.95Be sure to give your name as you wish it toappear on the certificate(s).IFPO members only! Give your 5-digit I.D. num-ber when ordering.

Cat# CATEGORY ....573A........Freelance Photographer ....573B ........Sports Photographer ....573C ........Concert Photographer ....573D........Wedding Photographer ....573E.........Portrait Photographer ....573F.........Wildlife Photographer

....573G........Nature Photographer ....573H........Glamour Photographer ....573J..........Model Photographer ....573K........Model Portfolio Photographer ....573L.........Nude Study Photographer ....573X........OTHER (SPECIFY)

Credit Card orders:

Call Free:Call Free: 1-800-654-95571-800-654-9557

Mail Orders:

Use the ORDER FORM on page 47

____________________________________________________________________________name

____________________________________________________________________________(optional) business name

____________________________________________________________________________address

____________________________________________________________________________city/st/zip

____________________________________________________________________________phone number/FAX number

____________________________________________________________________________(optional) email address

____________________________________________________________________________TITLE Choices: Freelance Photographer, Photojournalist, Journalist, Professional Photographer, etc.

Visa/MasterCard/American Express/Optima Card #

ENCLOSE CHECK, MONEY ORDEROR PAY BY MAJOR CREDIT CARD

expiration date

International Freelance Photographers Organization

MEMBERSHIP FORM

My membership packet willinclude details on how I can par-ticipate in IFPO's PROVENPROGRAMS for getting PUB-LISHED, making MONEY andgaining PRESS ACCESS withmy camera.

* Hard Card IDs are similar to your drivers license,your photo is manufactured into the card. Almost anyphoto will do. We can crop, size or mask out back-grounds. Email your photo to [email protected] with your name in the subject line or mail yourphoto to IFPO, PO Box 42, Hamptonville NC 27020.

Enroll me as an IFPO Lifetime Member and Send My Membership Packet including: Hard Card Membership Photo I.D.* with Custom Title (Ex: Photographer, Journalist, Photojournalist etc) Hard Card Badge Photo I.D.* with Lanyard with Custom Title Membership Certificate and Charter in Handsome Portfolio Folder. First issue of your subscription to Todays Photographer magazine. Members Guide to IFPO

I Enclose $84 plus $4.85 USA shipping and handling($88.85 total) for IFPO LIFETIME Membership

and Subscription to Todays Photographer Magazine.NOTE: Foreign shipping and handling is $24.75 USD.

by mail: IFPO, P.O. Box 42, Hamptonville, NC 27020-0042 USA

OR use your credit card and: CALL FREE 1-800-654-9557 or FAX 1-336-468-1899


8/10/2019 2014 Annual

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I agree to the above terms and conditions. I enclose my photos:

#ST31, 12 photos, set-up fee $29.00 and monthly fee: $9.95

#ST32, 24 photos, set-up fee $49.00 and monthly fee: $9.95

STSTOCK GALLEROCK GALLERYYREGISTRATION FORM (IFPO MEMBERS ONLY)

PHOTO INFORMATION(complete 1 for each photo)

Image #________-_________(your IFPO membership I.D.# followed by a 5-character

code provided by you that identifies your picture)

photo title ____________________________________

subject _______________________________________

price (or print CALL) ___________________________


signature

business name (optional)

name IFPO Member #

address

city, state, zip, country

contact method: (phone, fax, or email)

mail to: IFPO PO BOX 42, HAMPTONVILLE, NC 27020-0042

IMPORTANT: Allow 30 days for IFPO personnel to scan your images and post them for sale in the StockGallery. Be sure to add the Stock Gallery URL (www.ifpo.net/stock) to your business cards, letterhead andall your promotional material.

TERMS AND CONDITIONSCredit Card Orders: when you submit your stock gallery materials, yourcredit card will be billed for the set-up fee only. Then your credit card will bebilled monthly on the first of the month beginning with the first FULL monthyour photos are ON-LINE. Your first partial month is FREE! Minimum 12-month committment required. After 12 months, monthly charges will continue

until member cancels with a 30-day notice. Visa, Mastercard, AmericanExpress, Optima accepted.Checks or Money Orders: when you submit your stock gallery materials,enclose a check or money order for the amount of the set-up fee PLUS $59.70,the first six months of the monthly fee. You will then be billed at 6 month inter-vals.

FOR EACH PHOTO: (make as many copies as you need)

contact name:




photo title ____________________________________

subject _______________________________________





photo title ____________________________________

subject _______________________________________


IFPOs Stock Listing ServiceThe following elements clearly distinguish the

differences in the IFPO Stock Listing Service and

a stock agency:

1. The service provided to IFPO members is a

STOCK PHOTO LISTING SERVICE and

NOT an agency.

2. Each photographer manages his own sales.

3. No commissions will be charged ever.

4. Image buyers will browse the IFPO imagebank on the internet, select the photos, get the

price, index number and contact information to

order directly from the photographer who

owns the images.

5. Members may set their own pricing for eachphoto sold.

6. Complete copyright standards will be avail-

able at the site for image buyers and IFPO

member photographers (the sellers).

7. Image searches by buyers may be made by

subject.

8. The most important part of any Stock PhotoService is its indexing system that allows an

image buyer to identify a photo for purchase.

Members are asked to identify their pictures by

their 5 digit member number plus a 5 character

code of their own choosing. Example: IFPO

member 99999 might use Index Codes of

99999-KID01, 99999-KID02, etc.

ADVANTAGES OF THEIFPO STOCK GALLERY SERVICE

www.ifpo.net/stock.html

List only the number of quality imagesyou wish to list -- not 10,000 to 50,000 asrequired by agencies.

You can add fresh images at your conve-nience. No minimums are required -- suchas the 1000 new images per year by manyagencies.

There are no contracts, exclusive orotherwise -- to tie up your images foryears as with an agency.

The price you set is what you get --could never happen with an agency.

There are no commissions ever -- unlikeagencies who always take at least 50 per-cent of sales.

Income from sales is instant and allyours -- very different from agencieswhere payment usually follow sales by 6 to8 months.

Model and other applicable releases arerequired for stock images listed with IFPO-- the same as with an agency.

Current and new clients can see yourfresh images instantly and contact you tobuy -- which could never happen with astock agency.

The more images you list with the IFPOPicture Listing Service the more likely youare to make money -- which is the same aswith an agency.

The more SUBJECTS you list with theIFPO Picture Listing Service, the morelikely you are to make money over the longhaul -- which is also true with an agency.

SELL PHOTOS YOU ALREADY HAVE!

STSTARART SELLINGT SELLING YYOUR PHOOUR PHOTTOSOSSuccessful stock libraries contain HIGH QUALITY images of everyday life situations. IFPO members shoot such images everyday as a matter of

course. However, unless a photographer has hundreds or thousands of images, he may be shunned by the large stock houses. This could happen for two

reasons, he simply may not be recognized as a successful stock photographer or his stock of a few dozen images is too small for an agency to consider.

The IFPO Stock Listing service removes these barriers totally and opens doors to the international sales market.


8/10/2019 2014 Annual

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More than six years ago to

celebrate the 25th

Anniversary of IFPO

many things were considered. The

intent was to commemorate our first

25 years in a way to honor the contri-

butions of the members who had been

the driving force and heart of the orga-nization. After long deliberation it was

determined to induct those still active

charter members and other deserving

members into a permanent Freelance

Photographers Hall of Fame and to

award each an Honorary Degree of

Distinction title.

When the International Freelance

Photographers Organization (IFPO)

was founded in 1983, no one could

have possibly foreseen 25 to 30 years

into the future. Now, 30 years later,

the original mission of IFPO -- to bethe primary source of support for the

universe of freelance photographers --

has stood the test of time and has sure-

ly grown beyond the wildest imagina-

tions of the original founders and

members.

IFPOs first member was actually

enrolled on January 9, 1984. From

that day forward IFPO evolved into a

member driven organization. That

simply means that members asked for

services and support and IFPO

responded with research and develop-

ment. That process evolved over theyears to make IFPO what it is today,

the longest continuing central source

of support for freelance photographers

around the world.

Fortunately, it was easy to identify

the original Hall of Fame candidates.

Since day one IFPO has maintained a

transactional data base that records

every single activity of each IFPO

member. That includes program par-

ticipation, editorial submissions, press

assignments, photo contest entrants

and other information such as publish-

ing credits, internet home pages URLs

and more. Many members have shared

their success stories outside IFPO

which is also noted in our membershiprecords. The original process pinpoint-

ed 3319 IFPO members (out of 78,656

at that time) to be permanently induct-

ed into the IFPO Hall of Fame.

The first Hall of Fame IFPO mem-

bers were inducted on January 2,

2008. Each one was notified by letter

or e-mail. If you were not notified, but

believe you may qualify, you may

check to see if your name is listed as a

Hall of Fame member at

www.ifpo.net/halloffame. Enter your

member number plus the first 3 char-

acters of your last name (8 characters

total). If you were inducted your name

will appear on the list.

It is possible that there are deserv-

ing Hall of Fame Members that we

were not able to identify from our

extensive records and other research

who should be honored. If you did not

receive notification of your induction

and feel that you should be considered,

please call 336-468-1138 to update

your records and discuss your poten-

tial to be inducted.

To further honor and recognize theFreelance Photographers Hall of Fame

members, IFPO created a unique,

definitive Hall of Fame Portfolio

exclusively designed to share the Hon-

orary Degree of Distinction with

clients and the most discerning friends

and family. Each item in the portfolio

is graced with the distinctive IFPO

Hall of Fame Logo.

T h e

portfolio includes 1 Commemorative

25th Anniversay IFPO Hall of Fame

Lapel Pin of silver inlaid into a field of

black, 1 IFPO Hall of Fame Honorary

Degree of Distinction Diploma and

Charter in a Leatherette Presentation

Case plus 1 IFPO Hall of Fame Mem-

ber Passport distinctly marked.

The Freelance Photographers Hall

of Fame will be permanently located

on the IFPO internet site. Each Hall of

Fame members record will be also

marked permanently. But it is the Hall

of Fame Portfolio -- The Lapel Pin,

Honorary Degree of Distinction Diplo-

ma, Charter and Passport ... that con-

vey the prestige of being inducted into

the IFPO Freelance Photographers

Hall of Fame.

Congratulations to each of you. It

was your lasting interest and ceaseless

suggestions that drove an organizationfrom its infancy in 1983 to more than

80,000 members strong with interna-

tional recognition in 2014 ... and still

growing.

With your continued interest the

IFPO Hall of Fame will continue to

review members qualifications and

induct even more members in the next

twenty-five years.


IFPOIFPO

FREELANCE PHOTFREELANCE PHOTOGRAPHERS HALLOGRAPHERS HALL OFOF FFAMEAMEESTABLISHED IN 2008 TO COMMEMORATE THE 25TH ANNIVERSARY OF IFPO

1983- 2014


8/10/2019 2014 Annual

22/52

IFPO PHOTO Crew Field KitITEM CODE PRICE DESCRIPTIONPCK-1 $27.95 2 Badges

2 Badge Clips2 Crew Tags2 Leatherette Straps


USPRESSCORPS.ORG Crew TagsITEM CODE PRICE DESCRIPTION

CT01 Blue $19.95 3 Tags + Leatherette StrapsCT02 White $19.95 3 Tags + Leatherette Straps

AI NEWS SERVICE Crew TagsITEM CODE PRICE DESCRIPTIONCT03 Gold $19.95 3 Tags + Leatherette Straps

CT04 White $19.95 3 Tags + Leatherette Straps

IFPO Freelance Photographer Crew TagsITEM CODE PRICE DESCRIPTIONCT05 Green $19.95 3 Tags + Leatherette Straps


IFPO Master Photographer Crew TagsITEM CODE PRICE DESCRIPTIONCT07 Blue $19.95 3 Tags + Leatherette Straps


IFPO Hall of Fame Crew TagsITEM CODE PRICE DESCRIPTIONCT09 Silver $19.95 3 Tags + Leatherette Straps


SHIPPING USA $7.00 ($24.75 All other foreign shipping)

TOTAL ENCLOSED

5 Digit IFPO Member# ____________________

name ___________________________________________________________________

address _________________________________________________________________

city/st/zip________________________________________________________________

phone/fax________________________________________________________________

email/U.R.L. ____________________________________________________________________

actual size = credit card size

Your LUGGAGE and EQUIPMENT Can Gain Access Too!. Solid PVC Plastic Crew Tags withYour Contact InformationPersonalized on the Back

style CT03

style CT01 style CT02

style CT04

CREW TAGS for LUGGAGE - EQUIPMENT ORDER FORM




Contact Information Printed On Back of Tags

Identify equipment or individuals when youdont have time to get personalized tags andbadges. Keep these with your camera gear or inthe glove compartment of your vehicle.

IFPO PHOTO CREW FIELD KIT

Credit Card orders phone: 1-800-654-9557 or fax 1-336-468-1899Mail Orders: IFPO, P.O. Box 42, Hamptonville NC 27020-0042 USA

signature __________________________________________________________________


TOTAL ENCLOSED


8/10/2019 2014 Annual

23/52

WHAT IS IN YOUR FOCUS?By Ken Luebbert IFPO, Florissant, MO


Human interest stories are a favorite

in every communitys newspaper and

are some of the first items read or

reviewed in most publications, after

the headlines. Developing human

interest stories accompanied by

insightful and personal photos are the

kind of photo activity that can provide

many exciting opportunities -- and

promote your photography business.

You can meet very interesting indi-

viduals and discover insights into new

art, talents, technologies and ethnic

characteristics, etc. You can stretch

your photographic skills in many

directions by keeping the photographic

focus on the subject of your project,their specialties and unique gifts. Let

your photos capture the subject, their

surroundings, and their passion to sup-

port your written words.

This benefits the community by

increasing their awareness of the

unique attributes of the individuals

residing there and can inspire readers

to pursue their own dreams and goals

as well.

If time permits prepare and submit

articles frequently for publication to

your local paper. This will increase the

communitys awareness of you as a

photographer as well as your subjects.

Even when the publication chooses not

to use your article, the editor will gainan appreciation of your abilities over

time and you may find more consider-

ation for your next submission.

My following personal experience

illustrates the possibilities for discov-

ery and the satisfaction derived from

it.

At a community fund raiser, I devel-

oped an interest in a beautiful custom

vehicle on display. It featured a major

modification to a standard production

car that resulted in a new utility truck

configuration.The owners name was

THE 1986 OFFICIAL CENTENNIAL CARPRESIDENT REAGAN DECLARED 1986 TO BE THE CENTENNIAL YEAR OF THE GASOLINE POWEREDAUTOMOBILE. SIR DIMORAS CLENET WAS CHOSEN AS THE OFFICIAL CENTENNIAL CAR AND IS STILLGORGEOUS TODAY. 2013 KEN LUEBBERT


Present Your Credentialsto Get the Interview

Because Todays Photographer appealsto a wide range of photo interests it is

useful that periodic examples be providedto inspire each photo interest with real

applications.Other photo magazine provide more

than enough equipment details. I thinkphotographers need examples that inspire

them to better inform their community(and promote their photography services)through photographs and articles thatthey produce about unique individuals.

Finding an important subject to photo-graph often send photographers in many

directions. Opportunities exist every-where and selecting where to start can be

troublesome. I enjoy locating specialpeople for a possible subject. This requires

a little investigative work, photographicchallenges and personal interest in

strangers and their exceptional gifts.Every community is certain to have peo-ple who can inspire others with their cre-

ativity, athleticism, inventiveness, charity,kindness and courage in the face of adver-

sity, or a thousand other traits thatmake them special. I suggest that you

seek out those individuals with your presscredentials in hand, write

and photograph their storiesOnce you find that unique person,

arrange a proper introduction and ask foran interview for the purpose of doing a

human interest story.After completing your self-assignment,

present your article to the feature editorat the local newspaper or even a national

publication if your subjects activitieshave a broad appeal. In this digital age,do not overlook online journalism as an

outlet for your work.You most likely will not get paid a

high professional fee for the time devot-ed to such a project -- but getting a

byline (your name and photos) into thepublic eye is key to getting your name out

promoting your photography services.Ken Luebbert IFPO

INSIDE THE DIMORA FACILITYSIR ALFRED J. DIMORA.HOLDS A LIGHTWEIGHT

SUB -SCALE HELICAL COMPOSITE DRIVE SHAFTPROTOTYPE. 2013 KEN LUEBBERT


8/10/2019 2014 Annual

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3 IDs,FIELD kit &PURSUIT Guide!

ACTIONPackage

CHASE kit

CHASE KITCHASE KIT#452A - $39.95

PLUS $10 S & H

WHAT IS IT?The Breaking News Chase Kit is composed ofthree vital parts. The Pursuit Package gets youon the scene; the Action Package gives what youneed at the scene; the Instant Response Packagegets your news story to the right news outletinstantly.

WHO CAN GET IT1. If you are an IFPO member with GOLD

PRESS or UNIVERSAL PRESS CREDEN-TIALS you QUALIFY and may order theBreaking News Chase Kit.

2. If you are an IFPO member, but not yet amember of a press program, TO QUALIFYyou must order one of the press programs(page 10 & 11) before or at the same time youorder the Chase Kit.

3 IDs,FIELD kit &PURSUIT Guide!

Q & AI already have Press Credentials.Why do I have to buy the Chase Kit?

You DO NOT. The Chase Kit was simplydesigned to make the breaking NEWS COR-RESPONDENTS job easy. It gives youeverything you need on the spot to do the

job, do it right and get it to your nearest edi-

tor. The Chase Kit actually serves as yourassistant to make sure you collect all thefacts and then get them to the right place.

What is a Chase photographer; whatdo they chase?

We consider any photographer who is insearch of breaking news events to be aChase Hound. He chases sports, entertain-ment, fires, accidents, storms, natural disas-ters, plane crashes, train wrecks, press con-ferences and even goodwill tours.

Will the Chase Kit be recognized?Police will recognize the Press Credentialswhich must be used with the NEWS COR-RESPONDENT accreditation part of theChase Kit.

Will Todays Photographer publishthese news stories?

Todays PhotographerWILL publish storiesabout YOU covering these stories. Thebreaking news stories themselves need to goto daily newspapers and wire services.

How do I find out if a newspaper orTV station can use my news photos?

Lets use an auto accident as an example.You have photographed the wreck and areleaving the scene without having seen anyother photographers or news teams. Pick upthe nearest phone (using the numbers listedin your Reporters Field Directory) to notifynews agencies that photos of the accident areavailable even though the film has not beenprocessed. Breaking news is HOT andshould be reported immediately.

PRESSPROGRAMWHAT YOU GETThe Pursuit Package:

Three (3) fully assembled laminated NEWSCORRESPONDENTS accreditation IDseach with your name and Assignment Veri-fication Code. They are custom made to usewith your current Press Passport, PressBadge and Press Wallet I.D. Card.

The Pursuit Guide prepares you to gather,record and distribute breaking news stories.

TheAction Package: Action Scene Reporters Log New Client Hot Sheets Accident Report Forms Quick Response Information Forms

TheInstant Response Package: A Field Directory of HOT contacts. 3 Quick Step Releases Instant Reporters Delivery Forms Rights to Use Contract & Fee Contracts

All forms include reproduction rights so youalways have a permanent supply.

Accreditation Certificate

The following Correspondent Photographer hasmet all standards and requirements to receive fullaccreditation as a

NEWSCORRESPONDENT

John Q. SmithAssignment Verification

Code: 00001SMI

Accredited:

January 14, 1998


The following Correspondent Photographer has met all standards andrequirements to receive full accreditation as a

NEWSCORRESPONDENT

John Q. SmithAssignment Verification Code: 00001SMI

Accredited: January 14, 1998Usewithch

ainorclipswith402A

pressbadgecard(pg21).

Fits inside Gold Press Passport. (pg 10).


The following Correspondent Photographer has met all stan-dards and requirements to receive full accreditation as a

NEWSCORRESPONDENT

John Q. SmithAssignment Verification Code: 00001SMI

Accredited: January 14, 1998

Fits in wallet with GoldPress wallet card (pg 10).

PURSUITPackage

CHASE kit

INSTANTRESPONSE

Package

CHASE kit

NOWWITHYO

URNOWW

ITHYOURASS

IGNMENTVERI

FICATIONCODE

ASSIGNMENTV

ERIFICATIONC

ODE

SURVIVAL GEARSURVIVAL GEAR

CHASE kit!

BREAKING NEWS

CHASE kit!

ORDER TOLL FREEORDER TOLL FREE 7 days7 days 1-800-654-95571-800-654-9557 or useor use ORDER FORMORDER FORM on page 47on page 47


Forms Masters:

Reporter's Log & EvaluationAccident ReportClient Hot Sheets & NotificationQuick Response News LogNews Event Checkpoint ListDaily Action PlannerHot Local ContactsQuick Response LabsField Directory NotesQuick Step Publication ReleaseQuick Step Model ReleaseQuick Step Property ReleaseInstant News ReportRights to Publish Agreement

CHASE kit

PRESS

CORRESPO

NDENTSPRE

SS

CORRESPO

NDENTS


8/10/2019 2014 Annual

25/52

Ive covered many high profile events includ-ing activities of the past and present Dutch

Royal Families in the last few years while on

assignment for AI News Service. The NuclearSecurity Summit 2014 at The Hague was themost challenging and rewarding assignment ofmy career -- thanks to AI News Service.

Arthur Wiegman IFPO.

The Nuclear Security Summit2014 was a world summit,aimed at preventing nuclear

terrorism around the globe by:

Reducing the amount of dangerousnuclear material in the world.Im pr ov in g the security of allnuclear material and radioactivesources.

Improving international coopera-tion.

Fifty three countries participated inaddition to 4 other international agen-cies as observers.


beside the CBS cameraman who was

shooting the event for the CBS Sports

Network. I was able to capture one of

the balls coming straight at me just

before it struck me in the face. One of

the EMTs sitting behind me laughing

put his hand on my shoulder and asked

me if I was alright and I laugh lying

held up my camera and said, I got it!

It was a grueling tournament under

the hot sun but the local fans seemed

to love every second of it. They were

treated to several long volleys that

seem to go on and on with many

breathtaking saves on both the

womens and mens courts. If this

years matches were any indication,

the AVP can look forward to many

more successful years of tournament

play as its popularity continues to

grow. St. Petersburg loved it!

THE WINNERS OF THE ST. PETERSBURG AVP OPENIN THE MENS FINAL SIXTH-SEEDED BRAD KEENAN (ABOVE FAR L) AND JOHN MAYER UPSET TOP-SEEDED JAKE GIBB AND CASEY PATTERSON, 16-21,

21-19, 18-16. APRIL ROSS, OLYMPIC SILVER MEDALIST AND KERRI WALSH JENNINGS, THREE TIME OLYMPIC GOLD MEDALIST (ABOVE RIGHT) BEATBROOKE SWEAT AND LAUREN FENDRICK, 19-21, 21-15, 15-11. THE WIN WAS WALSH JENNINGS FIFTH WORLDWIDE AND SECOND ON THE AVP TOURSINCE PARTNERING WITH ROSS.IN 2013. PHOTOS2014 FRANK ANDBRENDALAMICA.

THE 2014 AVPCONTINUED FROM PAGE 12

THE NUCLEAR SECURITY SUMMIT 2014By Arthur Wiegman IFPO, Hengelo, Netherlands

THE DELEGATES TO THE 2014 NUCLEAR SECURITY SUMMITPhoto 2014 Arthur Wiegman

DUTCH PRIME MINISTER MARK RUTTE (L) ANDUS PRESIDENT BARACK OBAMA (R) AT THE

CLOSING PRESS CONFERENCE AT THE HAGUE.Photo 2014 Arthur Wiegman


8/10/2019 2014 Annual

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PICTURE AWARDS PROGRAMMembers can start or expand their publishing credits using IFPO'sunique "PICTURE AWARD" program.

Each photo submitted will be published in Today's Photographermagazine on-line or subscriber edition. A handsome 5.5 inch x8.5 inch

"Certificate of Publication Award"

will be issued for each qaulifying photo. To qualify:

o Include your Member#, name, address with each photo.o Give each photo a name, title or caption. Technical info

is helpful.o Each photo can be a color or B/W print or

transparency. No prints larger than 8.5 x 11 inches.o A $15 service fee is required for each photo to

cover the cost of scanning for publication.

Photos to be returned to the member must be accompanied by asuitable photo mailer with sufficient postage.

please copy as many of these forms as you need

INTE

RNA

TIONAL

FREELANC

EPHOTOGRAPHERS

O

RGA

NIZATION

IFPOPOIFPO PICTURE AWARDSPROGRAM

guaranteed publishing credits

Name, member# _____________________________________________

Address ____________________________________________________

City/State/Zip________________________________________________

Phone or fax ________________________________________________

Date:_________________________PHOTO #________ OF __________

Title (opt):___________________________________________________

Technical info (opt): __________________________________________

______________________________________________

The photographs submitted are my own, and I hereby give permission to Today's Photographer to repro-duce them. I agree that Today's Photographer bears no responsibility for entries without the service fee orreturn mailer with postage. Model releases must be included where applicable.

$15 SERVICE FEE ENCLOSED for EACH PHOTO! o Check, o Money Order,

o Cash, o Credit Card# ___________________________exp date_________

signature __________________________________________________________________________

MAIL PHOTOS TO: PICTURE AWARDS (IFPO)PO Box 42, Hamptonville, NC 27020-0042

PICTURE AWARD FORMName, member# _____________________________________________

Address ____________________________________________________

City/State/Zip________________________________________________

Phone or fax ________________________________________________

Date:_________________________PHOTO #________ OF __________

Title (opt):___________________________________________________


______________________________________________

The photographs submitted are my own, and I hereby give permission to Today's Photographer to repro-duce them. I agree that Today's Photographer bears no responsibility for entries without the service fee orreturn mailer with postage. Model releases must be included where applicable.



signature __________________________________________________________________________


PICTURE AWARD FORM

Name, member# _____________________________________________

Address ____________________________________________________

City/State/Zip________________________________________________

Phone or fax ________________________________________________

Date:_________________________PHOTO #________ OF __________

Title (opt):___________________________________________________


______________________________________________The photographs submitted are my own, and I hereby give permission to Today's Photographer to repro-duce them. I agree that Today's Photographer bears no responsibility for entries without the service fee orreturn mailer with postage. Model releases must be included where applicable.



signature __________________________________________________________________________


PICTURE AWARD FORMName, member# _____________________________________________

Address ____________________________________________________

City/State/Zip________________________________________________

Phone or fax ________________________________________________

Date:_________________________PHOTO #________ OF __________

Title (opt):___________________________________________________


______________________________________________The photographs submitted are my own, and I hereby give permission to Today's Photographer to repro-duce them. I agree that Today's Photographer bears no responsibility for entries without the service fee orreturn mailer with postage. Model releases must be included where applicable.



signature __________________________________________________________________________


PICTURE AWARD FORM

CertificateofPublication

PictureAward

JohnC.Smith,Jr.

PublicationDate: Dec

ember01,1997

PictureTitle: Savanna

hRiverfront

Photographer hotogrpherPhotographer hotogrpherTHEPROV

ENBRIDGETOFREEL

ANCINGTODAY'STODA

Y'S magazineeditor

Documents

2014 Annual