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Standard Music Font Layout Music Encoding Conference 23 May 2013 Daniel Spreadbury

Standard Music Font Layout

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Page 1: Standard Music Font Layout

Standard Music Font Layout

Music Encoding Conference23 May 2013

Daniel Spreadbury

Page 2: Standard Music Font Layout

A brief history of music fonts

• First commercial music font was Sonata from Adobe in 1985

• Features 176 glyphs

• Organised mnemonically on a Latin keyboard (e.g. q = quarter note)

• Became de facto standard for mapping of music fonts

• Most music fonts since have used largely Sonata-compatible layouts, e.g. Petrucci (Finale, 1988), Opus (Sibelius, 1993)

Page 3: Standard Music Font Layout

A brief history of music fonts

• Perry Roland proposed range of musical symbols for Unicode in 1998

• Range was approved, with 220 glyphs

• To date, no font has completely implemented the range

• Only commercial font with a partial implementation is Adobe Sonata Std, OpenType update to original Sonata font

Page 4: Standard Music Font Layout

Problems to be solved

• Sonata’s 170 glyphs are insufficient for the breadth of symbols used in CMN

• No agreement on how to expand beyond Sonata’s initial set, hence rapid divergence…

Page 5: Standard Music Font Layout

Sonata: a standard?

Sonata

Page 6: Standard Music Font Layout

Sonata: a standard?

Petrucci

Page 7: Standard Music Font Layout

Sonata: a standard?

Opus

Page 8: Standard Music Font Layout

Sonata: a standard?

Sonata, compared with Opus and Petrucci (all agree; S & P agree; O & P agree)

Page 9: Standard Music Font Layout

Problems to be solved

• Existing Unicode Musical Symbols range is also insufficiently broad

• Some scoring applications cannot in any case access code points beyond Unicode Plane 0

• Lack of a real standard makes sharing music fonts between applications difficult

Page 10: Standard Music Font Layout

So… what is SMuFL?

• A standard way of mapping musical symbols to the Private Use Area of the Basic Multilingual Plane in Unicode

• A set of technical guidelines for how music fonts should be built

Page 11: Standard Music Font Layout

Goals

• ExtensibleProvide a framework that makes it convenient for additional characters to be added

• Build a communityDraw on scholarly expertise to minimise errors and omissions

Page 12: Standard Music Font Layout

Goals

• Open licenseRemove any impediments to font developers and application vendors adopting SMuFL

• Practical and usefulDesigned with real-world use in mind

Page 13: Standard Music Font Layout

Non-goals

• Not currently targeting ratification by the Unicode Consortium– What to do with the existing Musical Symbols range?

– Some characters are duplicated from other ranges for convenience; unlikely to be accepted by the Consortium

• Not targeting use in text-based applications– Although many characters could be usefully used,

it’s impractical for end users to type characters from the PUA anyway

Page 14: Standard Music Font Layout

What’s included

• 59 discrete sub-ranges of symbols

• 808 symbols and counting!

• Includes all 220 glyphs from the Unicode Musical Symbols range

• Room for expansion by leaving empty code points between ranges

Page 15: Standard Music Font Layout

What’s included

Page 16: Standard Music Font Layout

Methodology

• Started with Unicode Musical Symbols range

• Reviewed existing fonts (Sonata, Opus, Petrucci, Emmentaler, etc.) and categorised additional sub-ranges and symbols

• Reviewed the standard music notation texts (Gould, Read, Stone, etc.)

• Reviewed specialist literature (e.g. Ghent conference for percussion, Salzedo for harp, handbells, accordion, function symbols, etc.)

• Shared proposals with small group of expert music engravers and editors

Page 17: Standard Music Font Layout

Open license

• Released under MIT license

• Steinberg retains copyright, but free for anybody to use, modify, create derivative versions, sell, etc.

• ...but we hope to build a community focused around contributing to development of SMuFL rather than to see efforts splinter

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Next steps

• Establish a governance model to manage proposed changes and additions

• Fill any identified gaps

• Define mappings for common music fonts to SMuFL to determine coverage in existing fonts

• Encourage the development of further SMuFL-compliant fonts

Page 19: Standard Music Font Layout

Bravura

Page 20: Standard Music Font Layout

Bravura

• The first SMuFL-compliant font

• Includes all SMuFL characters, and (almost) all Unicode Musical Symbols characters

• Released under the SIL Open Font License– Free to use, bundle, embed, create derivative

versions, etc.

– Only licensing restrictions are that the font cannot be sold on its own; derivative versions cannot use the same name; and derivative versions must be released under the same licensing terms

Page 21: Standard Music Font Layout

More information

www.smufl.org

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More information

• Please join the mailing lists!

• Pre-release version of Bravura can be downloaded from www.smufl.org/fonts

Page 23: Standard Music Font Layout

Thank you!

[email protected]