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ESTABLISHING THE MISSOURI HUB : A SERVICE HUB FOR DPLA Chris Freeland, Washington University in St. Louis David Henry, Missouri History Museum Emily Jaycox, Missouri History Museum

Establishing the Missouri Hub: A Service Hub for DPLA

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Page 1: Establishing the Missouri Hub: A Service Hub for DPLA

ESTABLISHING THE

MISSOURI HUB:

A SERVICE HUB FOR DPLA

Chris Freeland, Washington University in St. LouisDavid Henry, Missouri History MuseumEmily Jaycox, Missouri History Museum

Page 2: Establishing the Missouri Hub: A Service Hub for DPLA

WHAT IS DPLA?

1. A portal that delivers students, teachers, scholars, and the public to incredible resources, wherever they may be in America.

2. A platform that enables new and transformative uses of our digitized cultural heritage.

3. An advocate for a strong public option in the twenty-fi rst century. The DPLA seeks to multiply openly accessible materials to strengthen the public option that libraries represent in their communities.

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Page 4: Establishing the Missouri Hub: A Service Hub for DPLA

CONTENT HUBS

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SERVICE HUBS

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PONDS LAKES OCEANLocal Regional National

SERVICE HUB MODEL

Users / Visitors / Researchers

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LOCAL DISCUSSIONS LED TO ACTION

TECHO-STLTechnology

Exchange for

Cultural

Heritage

Organizations in

ST. Louis

Linked Data Platforms

Digital Exhibitions

Opportunity to share experience, collaborate

Cultural heritage organizations & beyond:

TechnologyPartners

MuseumsLibraries

FinancialInstitutions

Universities

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Who can be the Service Hub in Missouri? Participation from Carl Wingo, learned

Missouri Digital Heritage (contentDM) in migrationTiming

STL 250th

Federal Reserve Bank of St. Louis 100thDemand

What questions can’t be asked of DPLA about Missouri right now?

Reuse Lessons learned from other Hubs What else could our group of interested libraries do

together?Scope of content

What is a Missouri digital object?

SEPTEMBER 2013, TECHO-STL MEETING AT STL FED

Page 9: Establishing the Missouri Hub: A Service Hub for DPLA

GOAL: By October 2014, the digital collections of contributing institutions will be made available on DPLA through a Missouri-centered hub

Admin working group Federal Reserve Bank of St. Louis Missouri History Museum Washington University in St. Louis

Technical group Led by David Henry at Missouri History Museum

GOAL SET IN SPRING 2014

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Missouri Hubhttp://dp.la/search?partner%5B%5D=Missouri+Hub

41,557 digital objects contributed to DPLA 22,136 images 7,886 texts 6,834 physical objects

Contributors across the state: Missouri History Museum St. Louis University Washington University in St. Louis Kansas City Public Library Federal Reserve Bank of St. Louis The State Historical Society of Missouri

INTRODUCING…

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BEFORE & AFTER SEARCHES

“Missouri” Before Missouri Hub addition: 27,000 After Missouri Hub addition: 70,000

“1904 World’s Fair” Before Missouri Hub addition: 232 After Missouri Hub addition: 1,968

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Missouri Digital Heritage is the state-wide platform Intake engine for getting new content online, especially

from smaller, tech-challenged organizations Well-established Available via OAI-PMH

The Missouri Hub is an aggregator Onramp to DPLA Pulls content from repositories within Missouri, can include

MDH once agreements in place Aggregator is a silent utility without a user interface

PLATFORM / AGGREGATOR

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MissouriHub

Metadata

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MissouriHub

Metadata

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DPLA does not host digital assets, nor does the Hub

Purpose of the Hub is to normalize/regularize metadata so it can be passed to DPLA in a unified stream

DPLA only stores Metadata + Link to Thumbnail (if exists) + Link back to digital asset in contributing repository

DPLA does value-added post-processing on the metadata to enable search facets for DATE & PLACE Richer discovery experience

DPLA IS A REPOSITORY OF METADATA

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All metadata shared with DPLA MUST be provided under a CC0 license This applies only to metadata - not digital assets

What is CC0? Creative Commons Public Domain Dedication “…has dedicated the work to the public domain by waiving

all of his or her rights to the work worldwide under copyright law…”

“You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.”

Why this approach? Metadata are statements, facts Restrictions limit reuse en masse

CCO

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HOW TO JOIN IN THE FUN

http://dp.la/item/b0884cc71d857923122b3eb1507dafc4

Saint Louis University students dancing at a Halloween party, ca. 1955.

• Review & sign Memorandum of Understanding:

http://data.mohistory.org/files/MOHub_MOU_Sep_2014.docx

• Connect your tech/systems people with David Henry

Contributors