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A study from Bell Associates show that video will account for more than
one third of all online advertising spending
in the next 5 years.
Here are three Fundamental Guidelines for creating online
videos that achieve brand, aesthetic and innovation goals
#1
Don’t think short. Think ‘as short as possible’
According to a study conducted by Wistia,
we know that shorter is better
The study also tells us that at some point, engagement flattens out, and
there isn’t much difference between a2 minute video and a 5 minute video
The flattening clears 2 points to us:
#1: Though audience’s attention span is short, they are not as short as the film makers/ video makers thought.
#2: It mirrors audience consumption of film when film first hit the mainstream
History
● Films used to be short because of technological limitations
● Filmmakers were yet to realize the power of films/ videos
● Films were also short because audiences had not yet learnt how to consume them
The data coupled with the history gives us stronger possibility:
● Online marketing videos should be short but not too short
● The content should be strong and tell a good STORY
The Key:Impressive and longer stories to engage your audience
How to find the balance between short audience attention span
and people’s demand for longer video
content?
What is an Episode?
Each program is a self-contained entity
without an interconnecting narrative.
In other words, a viewer does not need to
have seen the previous episodes to be fully
immersed in later episodes.
One of the most talked-about contemporary online
campaigns, Uber’s “Behind the Wheel” series, is a
collection of independent, self-contained slice-of-life
stories with Uber drivers.
Technology, in many ways, is forcing shorter and
shorter episodes on video creators
(think Vine’s six-second limit).
And as we learned above, audience affinity for
longer stories is increasing -- 33% of tablet
owners watch an hour of video every day
(according to Brainshark).
Therefore, it may be time for video
creators to begin to tell longer
narratives across many episodes.
A Series
Both early film and television were shot
“proscenium style” -- an unmoving camera
simply capturing the events that took place
before it. This was done to simulate the
experience of theater so as not to disrupt the
audience too much.
But audiences quickly came to regard film,
and then television, as completely unique
media platforms. Once this shift happened,
audiences demanded equally unique creative
approaches.
But audiences quickly came to regard film, and
then television, as completely unique media
platforms. Once this shift happened, audiences
demanded
equally unique creative approaches.
Too many online videos are nothing more than repurposed
television commercials. This doesn’t work because the online
environment is social, and television is most definitely not.
Tom Pepper writes for Econsultancy
that,
“Advertisers must create content that is
designed for digital audiences who
consume video in a different way to TV
viewers.”
Brands must stop thinking of
online video as commercial and
begin thinking of it as a space for
socializing and entertainment
STOP thinking of each video
as a project.
Tell your online video consumers
through your creative execution that
“this is not a commercial.”
What Consumers really want is a compelling and authentic story
Successful brands provide engaging content that consumers can watch and
share.
Three reasons to focus on shares rather than views:
#1: Shares are the global currency of social videoViews can be purchased but shares have to be earned
#2: Shares are E-word of mouthThe most trusted form of advertising
#3: Social viewers are far more likely to act after watching a branded video