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We’re developing a ‘curators conceit’, our ‘Life Experiences’ only made ‘real’ once they’re logged, tagged, uploaded, shared. ‘The Moment’ is serving as ‘Exhibited Proof’ of the Socially Rich & Rewarding lives we’re clearly leading. Are we only enjoying the fun once someone else can see how much fun we had? Simon Pont, The Better Mousetrap (2012)

Simon Pont's New Digital Definitions

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'Digital' is forcing a redefinition of so many terms... and creating new behaviors that need newly defining. Consider: Digital Dorian-Graying, Life Faction, Self-Brushing.

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Page 1: Simon Pont's New Digital Definitions

We’re developing a ‘curators conceit’, our ‘Life Experiences’ only made ‘real’ once they’re logged, tagged, uploaded, shared.‘The Moment’ is serving as ‘Exhibited Proof’ of the Socially Rich & Rewarding lives we’re clearly leading. Are we only enjoying the fun once someone else can see how much fun we had?

Simon Pont, The Better Mousetrap (2012)

Page 2: Simon Pont's New Digital Definitions

LIFE FACTION – A personally portrayed

existence that is

“digitally enhanced”

and favorably abridged;

Augmented Reality

applied to one’s

own life.

Simon Pont, The Better Mousetrap (2012)

Page 3: Simon Pont's New Digital Definitions

DIGITAL DETACHMENT – The primary urge to Document & Share, to thesacrifice of ever being openly In-the-Moment.

As in: “I’ll drink my cocktail once I’ve uploaded these photos of us rocking-it at the bar just now.

Source: Simon Pont, The Better Mousetrap (2012)

Page 4: Simon Pont's New Digital Definitions

DIGITAL DORIAN-GRAYING

The digital image we most care others to see.

The preferred version of ourselves; narcissism with artistic license;

a contrivance; positive hyperbole;

personal spin-doctoring.

Source: Simon Pont, The Better Mousetrap (2012)

Page 5: Simon Pont's New Digital Definitions

SELF-BRUSHING – The act of polishing,

buffing and selectively

curating your more desirable

Online Self.

The stylizing of person, act

or event to self-flattering

effect.

Simon Pont ‘The Better Mousetrap’

(2012)