9
“FOOLS” VIDEODANCE / MUSIC PERFORMANCE INSTALLATION INTRO / FABIOLA EINHORN Major Studio 1 Final Project: “Fools”

Major Studio 1 Final Presentation

Embed Size (px)

DESCRIPTION

 

Citation preview

Page 1: Major Studio 1 Final Presentation

“FOOLS” VIDEODANCE / MUSIC PERFORMANCE INSTALLATION

INTRO / FABIOLA EINHORNMajor Studio 1 Final Project: “Fools”

Page 2: Major Studio 1 Final Presentation

OBJECTIVESVISUALLY TRANSLATE THE POETICS AND CASUAL EXPERIENCE OF IMPROV MUSIC TO THE SCREEN

INVITE THE USER TO BE A CO-AUTHOR OF THE PERFORMANCE

EXPLORE HOW GESTURAL INTERFACES CAN BE USED TO ADVERTISE MUSCISIANS

OBJECTIVES / FABIOLA EINHORNMajor Studio 1 Final Project: “Fools”

Page 3: Major Studio 1 Final Presentation

PRECEDENTS / FABIOLA EINHORNMajor Studio 1 Final Project: “Fools”

Page 4: Major Studio 1 Final Presentation

PRECEDENTS / FABIOLA EINHORNMajor Studio 1 Final Project: “Fools”

Page 5: Major Studio 1 Final Presentation
Page 6: Major Studio 1 Final Presentation

A MULTIPLICITY IS IDENTIFIED NOT BY ITS CENTER BUT BY ITS OUTER

LIMITS AND BORDERS WHERE IT ENTERS INTO RELATIONS WITH OTHER

MULTIPLICITIES AND CHANGES NATURE. IN THIS CONTEXT, THE SELF IS

UNDERSTOOD AS A THRESHOLD BETWEEN MULTIPLICITIES.

-Gilles Deleuze

RESEARCH / FABIOLA EINHORNMajor Studio 1 Final Project: “Fools”

“”

Page 7: Major Studio 1 Final Presentation

KINEASTHETICSPAUL VIRILIO “STEREO REALITY”

GILLES DELEUZE “MULTIPLICITIES”

HCI

PERFORMANCE STUDIESFERNAND LEGER’S BALLET MEXANIQUE TROIKA RANCH AND MARK CONIGLIO

WHAT IS BODY, WHAT IS SPACE AND WHAT IS SCREEN IN A WORLD OF MULTIPLICITIES?

RESEARCH MODEL / FABIOLA EINHORNMajor Studio 1 Final Project: “Fools”

Page 8: Major Studio 1 Final Presentation

CONCLUDING THOUGHTSBETTER UNDERSTAND THE RELATION BETWEEN THE USER AND THE SYSTEM

EXPLORE HOW THE PIECE CAN BE TRANSLATED IN DIFFERENT ENVIRONMENTS

OUTCOME AND FUTURE / FABIOLA EINHORNMajor Studio 1 Final Project: “Fools”

Page 9: Major Studio 1 Final Presentation

THANK [email protected] / @FABIOLAEINHORN