CONTEMPORE

RY

ACHTECTURE

Thus in a quiet way the phrase ‘Contemporary Architects’ has a theoretical position comparable – but not similar – to ‘Modern Architects’. I would posit that ‘conservationist’, ‘traditionalist’, ‘classicist’ or ‘vernacular’ architects would feel their views and style are valid in the 21st century but generally would not wish to be called ‘contemporary architects’; for logical reasons there will be exceptions.

INTRODUCTION

Contemporary Architecture is not simply anti-vernacular but also architecture that can have a number of influences but still tries to be aspirational, visionary, risky and uses new materials in an innovative way. Contemporary Architects attempt to push at the boundaries of materials and technology, and, especially in recent decades, geometry. ‘Modern Architecture’ refers only to the architecture of the Modern Movement where ‘form follows function’ and the ‘house is a machine for living in’. But Modernism was such a significant movement, (and such a change in thinking at that time) and influenced all architects since, that it is not simply an architectural style like ‘Arts and Crafts’ or ‘High Tec’.

Almost every contemporary architect has been influenced by the Modern Movement. The architect Le Corbusier was for many the principal influence with his modern architecture of white walls, fenetre longuer, pilotis and architectural promenade. He described not only a vision of future cities with masterplanning sketches and models, but a form of ‘programme’ and ‘narrative’ for all buildings, but especially modern houses. He had a series of wealthy Clients and was successful in pushing boundaries in almost every building he worked on.

Contemporary architects create designs that embody all the differences in styles, making the buildings of modern times masterpieces. Cutting away from the Modern architectural designs of the late twentieth century, today’s architecture features eco-friendly whimsy and creativity.

HOUSE OF THE ARTS

The building features a contemporary and volumetrically expressive language. The sloping roofs establish a dialogue with the geometry of the mountain landscape, in an analogy to the village rooftops. The dynamism achieved through the continuity between façades and roof is accented by a strong red colour, emphasizing its design and highlighting the building through the surrounding landscaped area vegetation.

More than a building, the Casa das Artes pretends to be an iconic landmark, celebrating the place where people meet, where culture and art happens, a space capable of promoting and stimulating creative activity, increasing the population quality of life.

The project was conceived by creating versatile spaces, technically suitable for different kinds of events, in order to serve all segments of the population.

LOCATION:

BUILDING DETAILS:

• Architects: Future Architecture Thinking• Location: 3220 Miranda do Corvo, Portugal• Builder: TECNORÉM – Engenharia e Construções, S.A• Area: 2360sq.m.• Project Year: 2013

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