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Art and Media Communications II

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Page 1: Art and Media Communications II
Page 2: Art and Media Communications II

Welcome to the Post-Summit!

• How have you used technology to tell a story?

• What do you hope to learn in this session?

Page 3: Art and Media Communications II

“Technology is the campfire around which we tell our

stories.”−Laurie Anderson

Page 4: Art and Media Communications II

Agenda10:00-10:20 Introduction & Background10:20-10:30 First Semester Overview10:30-11:30 Activity: Installation11:30-12:00 Lunch12:00-12:10 Intro. to Transmedia Storytelling12:10-12:20 Second Semester Overview12:20-1:20 Activity: Transmedia Storytelling1:20-1:30 7E Lesson Framework Analysis1:30-1:40 Implications for the Classroom1:40-2:00 Resources, Questions & Closing

Page 5: Art and Media Communications II
Page 6: Art and Media Communications II

“We are now in the middle of a second Gutenberg shift from book fluency to screen fluency, from literacy to visuality.”- Kevin Kelly, Senior Editor of WIRED

Page 7: Art and Media Communications II
Page 8: Art and Media Communications II

• Media are converging

• Participatory culture is on the rise

• Design thinking is beginning to drive businesses

• Screens are replacing texts as primary tools of communication

An Unprecedented Opportunity

Page 9: Art and Media Communications II
Page 10: Art and Media Communications II

IBM 2010 Global CEO Survey

1,500 leaders60 countries

Creativity is the #1 leadership competencyfor the future.

Page 11: Art and Media Communications II

Creative Problem Solving

Page 13: Art and Media Communications II
Page 14: Art and Media Communications II
Page 15: Art and Media Communications II

Innovative Course Description

• TEA-Approved Innovative Course• Available 2012-2013 School Year• PEIMS #N1170145 Abbreviation: ARMECOM2• State Elective Credit: 1

Page 16: Art and Media Communications II

Texas Policy Support: Standards

Texas Essential Knowledge and Skills for Fine Arts

Texas Essential Knowledge and Skills for Technology Applications

Texas College and Career Readiness Standards

Page 17: Art and Media Communications II

Essential Knowledge and Skills

1. Perception & Information Acquisition2. Creative Expression & Communication3. Historical/Cultural Studies4. Response, Evaluation, and Media Literacy5. Problem Solving6. Participatory Culture

Page 18: Art and Media Communications II

Scaffolding & Alignment

1. Visual Culture & Identity2. Imagination & Ideas3. Collaboration & Communication4. Social Relevance & Community

1. Exploring Personal Memory2. Imagining New Worlds3. Creating Immersive Stories4. Feeding Collective Intelligence

AMC I

AMC II

Page 19: Art and Media Communications II

“Participatory culture shifts the focus of literacy from one of individual expression to community involvement.”− Henry Jenkins

Page 20: Art and Media Communications II

Core Media Literacy Skills

• Play

• Performance

• Simulation

• Appropriation

• Multitasking

• Distributed Cognition

• Collective Intelligence

• Judgment

• Transmedia Navigation

• Networking

• Negotiation

Page 21: Art and Media Communications II

Conceptual Framework with Core Literacy Skills

Page 22: Art and Media Communications II

AMC II Progression

Page 23: Art and Media Communications II

Module 1: Exploring Personal Memory

Page 24: Art and Media Communications II

Module 1: Exploring Personal Memory

• Lesson 1: Shadowboxing• Lesson 2: Shadowbox Scenes• Lesson 3: Hidden Worlds and Secret Lives

Page 25: Art and Media Communications II

Module 2: Imagining New Worlds

Page 26: Art and Media Communications II

Module 2: Imagining New Worlds

• Lesson 1: Altered Environments and World Building

• Lesson 2: Idea Lab – Group Installation Brainstorm

• Lesson 3: Site-Specific Installation

Page 27: Art and Media Communications II

“The artist’s world is limitless. It can be found anywhere, far from where he lives or a few feet away. It is always on his doorstep.”

−Paul Strand, American photographer and filmmaker

Page 28: Art and Media Communications II

Activity: Site-Specific InstallationTask: Alter this environment using materials & responding to word on index card at your table.

5 min 5 min 15 min 15 min

Brainstorm Concept

Sketch, Negotiate,Distribute Workload

Build &Create Art

Evaluate and modify, finalize building

Timeboxing – Short sprints to reach “impossible” goalsBrainstorming & creative production technique based on work of Mihaly Csikszentmihalyi (Flow)

Page 29: Art and Media Communications II
Page 30: Art and Media Communications II

What is transmedia storytelling?

• Complex worlds

• Multiple entry points

• Multiple media formats

Page 31: Art and Media Communications II

Basic Structures of a Story

• Exposition – where a story starts• Plot• Setting• Character• Rising Action• Falling Action• Climax• Resolution or denouement

Page 32: Art and Media Communications II

Freytag’s Pyramid: The Story Arc

Page 33: Art and Media Communications II

Written Texts, Printed Media, Film/Video

Games, Hypertext and Online Media

Linear vs. Non-linear stories

Page 34: Art and Media Communications II

Creating the Multiverse

a multiverse is defined as “an infinite realm of being or potential being of which the universe is regarded as a part or instance.”

Page 36: Art and Media Communications II

Module 3: Creating Immersive Stories

Page 37: Art and Media Communications II

Module 3: Creating Immersive Stories

• Lesson 1: Introduction to Transmedia Storytelling – Creating the Multiverse

• Lesson 2: Telling Digital Stories Through Video• Lesson 3: Online Blogs & Cultivating Fan

Fiction

Page 38: Art and Media Communications II

Module 4: Feeding Collective Intelligence

Page 39: Art and Media Communications II

• Lesson 1: Interactive Stories and Game Designs• Lesson 2: The “Happening”• Lesson 3: Reflections – Digital Portfolio

Assembly

Module 4: Feeding Collective Intelligence

Page 40: Art and Media Communications II

Activity: Transmedia Storytelling

• Create a poster to represent and “pitch” your story as if to a producer.

• Build off of our installation in some way. • Each group will have 5 minutes to engage us

with their story.• Your media and constraints will vary by group.• Brainstorm, collaborate, negotiate, share• Work quickly – 40 minutes to poster

presentations

Page 41: Art and Media Communications II

7E Lesson Framework

Page 42: Art and Media Communications II

7E Lesson Analysis

• Review the lesson handed to you in terms of the 7E framework.

• With your partner, analyze how the lesson moves through the 7Es.

• What are some differences you observe between this model and other visual arts lessons you have seen in the past?

• What might be some of your predictions on how these changes impact the learning experience?

Page 43: Art and Media Communications II

Implications for the Classroom

• With a partner from a different group, discuss the process you used to generate your story ideas and think through how you might guide a group of students through the actual creation of these projects.

• What modifications to your classroom or instruction might need to be made to help students be successful with lessons like these?

Page 44: Art and Media Communications II
Page 45: Art and Media Communications II

Lessons Learned continued

• Work with tech staff in advance• Download, test, practice using software• Don’t forget the small stuff—where to save

files• Create weblists in advance• Review best practices in social media• Don’t be afraid of loud and messy group work

Page 46: Art and Media Communications II

Technology & Supplies• Art room & materials• Digital cameras (still and video)• LED projector• Internet connection• Computers• Color printer

Page 47: Art and Media Communications II

Website: www.txartandmedia.org

Page 48: Art and Media Communications II

Website: www.txartandmedia.org

Page 49: Art and Media Communications II

The Big Picture

Page 50: Art and Media Communications II

Questions?

Page 51: Art and Media Communications II

Contact Information

Texas Cultural Trust823 Congress Ave., Suite 650Austin, TX 78701http://txculturaltrust.org/

Amy Barbee, Executive [email protected]

Caroline Hammond, Project [email protected]

Page 52: Art and Media Communications II

Resources for Learning7035 Bee Cave Rd. #101 Austin, TX 78746www.resourcesforlearning.net

Linda Wurzbach, [email protected]

Judy Jennings, Director of Assessment/[email protected]

Amy Guadagnoli, Director of Creative [email protected]

Contact Information

Page 53: Art and Media Communications II

Martha Graham quote.

“There is a vitality, a life force, an energy, a quickening, that is translated through you into action, and because there is only one of you in all time, this expression is unique.”

−Martha Graham