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PAID-FOR COMPETITIONS,SPONSORSHIP & BRAND SOLUTIONSPlease contact:Derek Pratt: 020 7813 6008Simon Best: 020 7813 6309James Caley: 020 7813 6040

AD SIZES Size Type Area Trim Bleed

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© 2008 Warner Bros. Entertainment. Inc. All Rights Reserved.

touching, thought-provoking film

buried beneath the mountain of big-

bucks CGI. Also available on Blu-ray.

DerekAdams

ExtrasAlternateending,90minutesof

‘makingof’ featurettes, digita

l

downloadablecopyof the filmfor

portablemediaplayers.

TheMagic

Flute��

����

Cert: 12 (£15.99)

There was a lot of sniffing

about Kenneth Branagh’s

adaptation of Mozart’s

opera when it was

released in cinemas,

mostly on account of

Stephen Fry’s

translation of the

libretto. One wonders if

the critics had read the

original German, for this is a

marvellous telling of the story.

Perhaps the only cavil is that it is set in

the trenches of WWI – a rather grim

environment for what is, after all, a

fairytale. But a coherent narrative line

is taken throughout and

Branagh creates many

memorable images

through elaborate

sets, spectacular

swooping

camerawork and

fantasy sequences.

Great, clear

singing and

acting from a

splendid cast,

which includes

newcomer Amy

Carson as

Pamina and

old hand Réné

Pape as

Sarastro. And it would be hard to top

the Queen of the Night, Lyubov

Petrova, who makes her entrance on a

tank. Jonathan Lennie

ExtrasCastandcrew interviews.

LaNotte

����

��

Cert: 12 (£19.99)

Those stars, surely, go primarily to

Gianni di Venanzo’s superbly nuanced

black-and-white

camerawork,

meticulously

chronicling the

changing light and

moods of a day, a

night and a new

dawn in the life of

a disenchanted

bourgeois couple –

philandering

novelist Marcello Mastroianni and

bored wife Jeanne Moreau – as they

party and ponder the meaning of life

and their marriage. The second part of

Antonioni’s trilogy, it’s

considerably

clunkier in its clichés than

‘L’Avventura’ or ‘L’Eclisse’, despite

fine performances from the leads and

(inevitably) Monica Vitti and the

director’s eye for alienating

architecture and angles. That said, it’s

a typically attractive job from Eureka’s

Masters of Cinema label: lovely print,

and a booklet with a lengthy 1961

interview with the director and an

essay (undermined somewhat by

allusions to Abel Ferrara!) by Brad

Stevens. Geoff Andrew

ExtrasNone.

TheRound-up

����

��

Cert: 12 (£12.99)

Béla Tarr is a vocal fan of Hungarian

director Miklós Jansco, and it’s very

easy to see why. Made in 1965, this

dreamlike cautionary tale assumes the

backdrop of a secluded military prison

in 1869 where hoards of ragged

Hungarian freedom fighters are

rounded up, detained and, eventually,

politically assimilated by

occupying Austrian forces.

Jancsó chooses not to get

under the skin of individual

characters, but instead

views the masses from afar

via his sublimely

choreographed scenes (like

in his previous ‘The Red

and the White’) where he

paints the screen with

groups of people. If the

method of delivery is

sometimes a little

remote, the ideas about

the nature of power

and the precedents

of military rule are

as clear as mud.

David Jenkins

Extras Interview

with thedirector.

IAmLegend

����

��

Cert: 15 (£23.99)

The premise behind Boris Sagal’s 1971

zombie flick, ‘The Omega Man’, was

that most of the world’s population

had been wiped out due to biological

warfare. Francis Lawrence’s

entertaining, CGI-infested remake

sticks closer to Richard Matheson’s

source novel by linking the

apocalyptic scenario to a genetic

cancer cure that went horribly wrong.

It’s New York, 2012, and the city is

now mostly devoid of life bar a

few herds of deer and Will

Smith’s Robert Neville, a

lone, immune scientist

desperate to find an

antidote for the

scores of mutant,

rabid, nocturnal

zombie-like folk

who somehow didn’t

die. This, of course, is

where it all gets a tad silly

and monsterish. But

swallow the

improbables,

and there’s a

Film

PLEASE

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Highnote Branagh’s ‘TheMagicFlute’

TheMikeLeighCollection

A complete set of the great man's

works: two of these are new to DVD,

including the dark masterpiece 'Naked'.

TheCounterfeiters

German cinema continues to explore its

darkest historical corners with this fine,

intense prison camp drama.

TheAssassinationofJesse

James

bytheCowardRobertFord

Long, languorous and involving, modern

Western centres on an astounding

performance from Casey Affleck.

Bollywood

Burn��

����

Cert: exempt (£14.99)

‘Breathe into your legs!’ exhorts

Hemalayaa Behl within the first few

seconds of this high-tempo bhangra

Magazine–

TheReprint

����

��

Cert: exempt (£10, fro

m

thisisunbound.co.uk)

How best to describe David Hoyle?

Queer performance artist? Stand-up

comic? Agent provocateur? He’s been

all these things and more. Some years

ago he made a name for himself as The

Divine David, even securing his own

show on Channel 4. Since then he’s

dropped the ‘Divine’ but is no less

audacious, tackling everything from

immigration to gay gym bunnies. As

Northern comedian cabaret terrorists

go, he’s in a class all of his own. Filmed

during last year’s highly acclaimed

season of shows at the Royal Vauxhall

Tavern, ‘Magazine – The Reprint’ is a

must have. Paul Burston

ExtrasNone.

America

Unchained

����

��

Cert: 15 (£19.99)

This filmfollows comedian Dave

Gorman’s sometimes funny,

sometimes bizarre, sometimes

touching odyssey across the States. In

a beaten-up, and increasingly

temperamental, 1970 Ford Torino he

attempts (and more or less achieves) to

travel from one coast to the other

avoiding all chain-service outlets of

any kind . It’sa quest to discover the

last vestiges of America as it used to

be, before it was eaten and

homogenised by the all-consuming

corporations. The whole tripappears

cursed from the get-go, and the many

unforeseen disasters that befall him

and the filmadd the humour, pain and

poignancy needed to push the

narrative forward. Beautifully shot

and edited, this roadtripfrom hell has

a deeply melancholic heart. It’s far

more than a filmabout the sad loss of

quaint Mom and Pop stores in

Buttfuck, Nowhereville, in the

good ol’ US of A – it’s really

about the loss of innocence,

individuality and

community the world over

caused by rampant

capitalism and

the grasping,

all-powerful

suffocating grip

of ‘The Man’.

Tim Arthur

ExtrasNone.

TheBeatles:

Rare&Unseen

����

��

Cert: exempt (£9.99)

Don’t be taken in by the promises of

unseen home movies and the earliest

known live footage of The Beatles: this

is a low-budget music-channel filler

repackaged for the DVD market, reliant

on dead-end anecdotes and cameras

zooming slowly in on black-and-white

photos. Lined up to trudge through the

over-familiar story are some yellowing

inevitables (tour manager Sam Leach,

press officer Tony Barrow) and some

inexplicable randoms, including Phil

Collins, Tony Blair’s father-in-law and

ballroom dancer Len Goodman, who

pops up to compare the band to a ham

sandwich. Oh and, this being the

‘unauthorised’ account, you can forget

about actually hearing any of The

Beatles’ music. Footage from a recently

rediscovered 1975 interview with John

Lennon includes the revelation that the

band used to eat chicken on stage, but

unfortunately the DVD’s biggest sell,

the blurry stage

footage from 1962,

is largely obscured

by Steve Harley’s

floating head.

Bella Todd

ExtrasExtended

interviews.

Comedy

TV

Gay&lesbian

Health&

fitness

Recentgems

Music

Shameless:

Series1-5

����

��

Cert: 18 (£69.99)

Anobject lesson intheartofquitting

whenyou’reahead. In2004, ‘Shameless’

wasabreathof freshair.FuelledbyPaul

Abbott’s funnyandferociouswriting

andarrivingatexactly theright timefor

up-and-comingactors includingJames

McAvoy,Anne-MarieDuffandMaxine

Peake, itofferedbig-hearted,darkly

amusingandhyperactivecomedy

dramaof thehighestorder.But

somethingchanged.Thedepartureof

FionaGallagher (Duff)andSteve

McBride (McAvoy)wasaturningpoint.

Thevacuumtheyleftwasfilledbyold

drunkFrank.Carryingtheshowhas

provedbeyondhim,andhis family’s

entanglementwithfearsomelyviolent

drugdealers theMcGuireshasproved

evenmoreproblematic.Furthermore,

Abbotthasgraduallywithdrawnfrom

writingdutiesandthingsfeelnotably

moreprosaicasaresult. ‘Shameless’ felt

likeaneventwhenitbegan.Nowit feels

likeaninterminablesoap.PhilHarrison

Extras Interviewswithcastmembers

anddeletedscenes.

Money for old soap ‘Shameless’

workout. A minute later, she insists that

‘we’re going to feel the burn’ – a phrase

that 30 years ago sent over-enthusiastic

exercisers hobbling through the door of

the doctor’s surgery rather than leaping

across the threshold of super-fitness.

Not that there’s any risk involved in the

three graduated workouts here, just

that they seem slightly confused: Behl

doesn’t know whether to go for full-on

Indian exoticism or, indeference to her

regular LA clientele, a more

Americanised teaching style. Her

voiceover is irritating and sometimes

out of sequence with the music, though

you can turn it off once you’ve mastered

the moves. A short freestyle dance

routine shows why Bollywood-style

workouts are so popular, but joining a

class is still the best way to learn.

AndrewShields

ExtrasNone.

IN CINEMAS and imax®

FROM JULY 24

What’sonwhereHow to use the listings

The films listed and reviewed

below are on their first run and

listed in the Central Cinemas and

Local Cinemas sections which

follow. For an index of venues,

please see below each review.

Abbreviations signify as follows:

Central – cinemas in the West

End/Soho area plus major

multiplexes within Zone 2; Locals

– Local cinemas within the M25.

For a full list of all other cinema

listings, please see What’s on

Where index at front of Other

Cinema section.�Denotes a Critics’ Choice

recommendation.�

– Films opening this week;

see Preview section for full

review.Film Certificates: U – suitable for

all ages; PG – parental guidance

advised; 12A – children under the

age of 12 are admitted only if

accompanied by a person of 18

years or over; 15 – no-one under

age 15 admitted; 18 – no-one

under age 18 admitted.Adulthood (18) (Noel Clarke, 2008,

GB) Noel Clarke, Adam Deacon, Scalett

Alice Johnson. 99 mins.When‘Kidulthood’ came out in 2006, I was put

off by the over-ambition of Clarke’s

screenplay, which tried to cram every

hot-button teen issue into amelodramatic 90 minutes of violence,

sex and drugs on London’s streets. It

had an impressive energy and a little

insight but the acting was ropey and the

directing superficial. Its follow-up,

‘Adulthood’, is again written by Clarke,

but now he directs and reassumes the

role of Sam Peel, a lad fresh out of jail

after serving six years for themanslaughter that brought the first

film to a close. There’s a thoughtful side

to this maturer sequel as Clarke ponders

the struggle of growing up. But there

are bum notes that will have people

chewing the arm rest. (Dave Calhoun)

Central: Apollo, Odeon Holloway Rd,

Vue Islington; Locals: Enfield,

Kingston, Streatham, Thurrock Vue

NEW Angus, Thongs and

Perfect Snogging (12A) (Gurinder

Chadha, 2008, GB) Georgia Groome,

Aaron Johnson, Alan Davies. 100 mins.

Central: Cineworld Fulham Road,

Cineworld Hammersmith, Cineworld

Shaftesbury Avenue, Cineworld

Wandsworth, Genesis, Odeon (Swiss

Cottage, Whiteleys), PeckhamMultiplex, Ritzy, Vue (Finchley Road

(at 02 centre), Fulham Bdwy); Locals:

Wide Release

NEW Baby Mama (12A) (Michael

McCullers, 2008, US) Amy Poehler,

Tina Fey, Greg Kinnear, Dax Shepard,

Sigourney Weaver. 99 mins.Central: Cineworld Wandsworth,

Genesis, Odeon (Swiss Cottage,

Whiteleys), Vue (Finchley Road (at 02

centre), Fulham Bdwy); Locals: Wide

ReleaseNEW Before the Rains (12A)

(Santosh Sivan, 2007, GB/India) Linus

Roache, Rahul Bose, Nandita Das,

Jennifer Ehle, Leopold Benedict. 98

mins.Central: Cinema on the Haymarket,

CineworldChelsea,Curzon

Mayfair�NEW BuddhaCollapsed Out ofShame (PG) (HanaMakhmalbaf, 2008, Iran/Fr)Abbas Alijome, AbdolaliHoseinali, Nikbakht Noruz. 77mins. Subtitles.Central: RitzyThe Chronicles of Narnia:

Prince Caspian (PG) (Andrew

Adamson, 2008, US) Ben Barnes,

Georgie Henley, Skandar Keynes. 144

mins. The latest Narnia adventure goes

‘dark’. But don’t be too worried.

Admittedly, the cosy wardrobe is gone,

the witch is put on ice and the lion has

gone walkabout. Also, while the four

Pevensie children – Peter, Susan,

Edmund, and Lucy – have spent a

boring year back at school in World

War II London, Narnia has undergone a

repressive 1,300-year dark age,

dispensing the likes of sweet faun Mr

Tumnus to history. But as soon as you

see the tunnel of Strand tube station

open before the four gas-mask-carrying

siblings and plonk them straight onto a

Swiss Family Robinson-style island,

you know all’s well. ‘Prince Caspian’

retains a winning, albeit old-fashioned

charm of its own. (Wally Hammond)

Central: Cineworld Fulham Road,

Cineworld Shaftesbury Avenue,

Cineworld Wandsworth, Clapham PH,

Empire, Genesis, GreenwichPicturehouse, Odeon (Camden Town,

Holloway Rd, Kensington), Peckham

Multiplex, Vue (Finchley Road (at 02

centre), Islington, Shepherds Bush);

Locals: Wide ReleaseCity of Men (Cidade dos

Homens) (15) (Paulo Morelli, 2007,

Bra) Douglas Silva, Darlan Cunha,

Rodrigo dos Santos, Camila Monteiro.

106 mins. Subtitles.A spin-off of, not a

sequel to, Brazilian director Fernando

Meirelles’s teen gangster movie ‘City of

God’, which in the meantime spawned a

TV series. The same restless camera

prowls through the same crime-ridden,

deprived Rio favelas, but there is a

small-screen soap opera feel to this

‘coming of age’ tale about two almost-

18-year-old boys, Ace and Wallace:the former is a father beforehis time,

thelatteris searching for the dad

he never knew. Friendssince childhood, the pair

become embroiled in the gang violence

that surrounds them. More emotionally

involving than Meirelles’s flashy,

overrated original, Morelli’s low-key

companion piece maintains a constant

simmer without ever coming to the boil.

(Nigel Floyd)

Central: Cineworld Fulham Road,

Cineworld Wandsworth, Genesis,

Odeon (Swiss Cottage, Covent Gdn,

Panton St, Whiteleys), Rich Mix, Ritzy,

Vue Shepherds Bush; Locals: West

India QuayA Complete History of My

Sexual Failures (18) (Chris Waitt,

2008, GB) Chris Waitt, Alexandra

Boyarskaya, Olivia Trench. 93 mins.

You’ll be throwing your arms up in

dismay at Waitt, the director and

subject of this doc about why this

scruffball’s love life is a total disaster.

Nevertheless, Waitt’s diary-like, rough-

and-ready film trots along merrily

enough as a one-gag pony. It begins as

an amusing idea: let’s visit all the

girlfriends who’ve dumped me over the

years. In apparent desperation at a lack

of material, Waitt latches on to newly

diagnosed erectile dysfunction for

company, but even that becomes a joke

when he necks five Viagras. (DCa)

Central: Odeon Panton St�Couscous (15) (Abdellatif

Kechiche, 2007, Fr) HabibBoufares, Hafsia Herzi,Faridah Benkhetache. 151mins. Subtitles.Set in theFrench port of Sète,director Kechiche’s‘Couscous’ is a rich and

quietly surprisingportrait of that town’sFrench-Tunisiancommunity. Basically an

ensemble piece, it pokesinto the lives of the two

extended familiesbelonging to aseparated, 60-year-old

Advertising Promotion

immigrant shipworker, Slimane

(Boufares). The film provides a series of

scenes that genuinely sparkle with life

and spontaneity. The performances,

too, , are superb. Kechiche is very

successful at placing a gnawing tension

at the heart of his film even if he proves

less adept at resolving it. (WH)

Central: Curzon Mayfair, Gate

Cinema, Greenwich Picturehouse,

Notting Hill Coronet, Renoir Cinema,

Screen/Baker St, Watermans�CSNY/Deja Vu (15) (Bernard

Shakey, 2007, US) Documentary. 96

mins.Neil Young took longtime

partners-in-protest Crosby, Stills &

Nash out on the road before 2006’s

midterm elections. They performed

songs from Young’s anti-Bush folk-

metal tirade ‘Living with War’ and other

agit-pop classics from their catalogue.

The results are detailed in this rough-

around-the-edges road doc directed by

Young under his regular nom de film,

Bernard Shakey. To date, Shakey’s

output has been hit and miss. So it comes

as something of a surprise to discover

that this is not justcompetent but, forthe first hour atleast, one of thefinest musicdocumentariesin recentmemory. Itexpertlybalanceselectrifyingconcertfootage andself-mockingbackstage

people affected by the war. But if, as

affable walrus David Crosby asserts,

the purpose of good art is to make its

audience feel something, anything,

then for the majority of its running

time this is a resounding success. (Tom

Huddleston)Central: Apollo�NEW The Dark Knight (12A)

(Christopher Nolan, 2008, US)

Christian Bale, Heath Ledger, Maggie

Gylenhaal, Aaron Eckhart. 152 mins.

Central: BFI IMAX, Cineworld

Chelsea, Cineworld Fulham Road,

Cineworld Hammersmith, Cineworld

Wandsworth, Clapham PH, Electric,

Everyman, Genesis, Greenwich

Picturehouse, Notting Hill Coronet,

Odeon (Camden Town, Holloway Rd,

Kensington, Marble Arch, Putney,

Swiss Cottage, Leicester Sq,Tottenham Court Rd, West End,

Whiteleys), PeckhamMultiplex, RichMix, Rio,Ritzy,TricycleCinema,Vue

imaginative approach to genre. We

follow three young British women

(Winstone, Burley, Breckin) on a girls’

holiday to Mallorca. They meet four

well-spoken boys, deckhands in charge

of a yacht, and drinks flow. They laugh,

they flirt, and cinematographer Nanu

Segal makes much of the lazy, early

evening sun. We’re soon afloat in the

plush vessel, where we remain as the

sun sets and things turn nasty. The

women give the best performances, but

the men are more interesting. David

Bloom’s admirable script struggles

with maintaining the tension once the

blood starts flowing, but there’s enough

restraint here to label the film respectful

trash. (DCa)Central: Cinema on the Haymarket,

Vue (Shepherds Bush, Fulham Bdwy,

West End); Locals: Wide Release

The Edge of Love (15) (John

Maybury, 2008, GB) Matthew Rhys,

Keira Knightley, Sienna Miller, Cillian

Murphy. 111 mins.War is an escapist

fantasy in Maybury’s claustrophobic,

boozy, sensual vision of 1940s London

as experienced by Dylan Thomas and

the two women in his life. His wife

Caitlin (Miller) and childhood lover

Vera (Knightley) are having a war of

their own over the poet (Rhys). The

reality of the Blitz is

left

the impending Normandy landings. But

the mission is compromised and this

well-scrubbed half-dozen are forced to

flee to Paris, evading the Gestapo and

plotting the murder of villainous Oberst

Heindrich (Bleibtreu). ‘Female Agents’

is a proud throwback to the classic

wartime spy thriller, tossing in all the

expected plot twists, double crosses and

foot chases. But it never manages to

capture the spirit of its forebears thanks

to a plodding script, uninspired

direction and some unintelligible

narrative convolutions. (THu)

Central: Cinema on the Haymarket,

Odeon Swiss Cottage, Watermans;

Locals: Croydon ClocktowerThe Forbidden Kingdom (12A)

(Rob Minkoff, 2008, US) Jet Li, Jackie

Chan, Michael Angarano, Yifei Liu.

104 mins. The ’80s action fantasy may

be long dead, but nobody told the folks

behind this film about softhearted

Boston street punk and kung-fu fanatic

Jason Tripitakas (Angarano), who finds

a magic staff and is transported to a

mystical land populated by figures

from Chinese mythology. There’s not a

lot to love. Director Minkoff keeps

things visually flat and uninspired.

Angarano is a singularly unappealing

lead. But this won’t make a jot of

difference to the film’s target audience

of pre-teens eager to catch the first on-

screen pairing of legends Jackie Chan

and Jet Li. (THu)Central: Cineworld Wandsworth,

Genesis, Odeon (Holloway Road,

Mezzanine, West End), Peckham

Multiplex, Vue (Islington, Shepherds

Bush); Locals: Wide Release�Gone Baby Gone (15) (Ben

Affleck, 2007, US) Casey Affleck,

Karen Ahern, Michelle Monaghan,

Morgan Freeman, Amy Ryan. 114

mins. When little Amanda McCready

goes missing, hopes are dim. So her

devoted aunt and uncle hire a young

boyfriend-girlfriend team of private

investigators (Casey Affleck and

Monaghan) who then spend time

earning the trust of the cynical detective

on the case (Harris) and the heartbroken

police captain (Freeman), who knows

parental sorrow all too well. Affleck’s

soft-spoken poise is the movie’s

backbone. The rub, though, is that the

film’s compelling ambiguities come to a

head in a final, puzzle-solving final-reel

development that is so mawkishly

convoluted that it threatens to upend all

the fine work that went before it.

(Jessica Winter)Central: Apollo, Empire, Odeon (Swiss

Cottage, Panton St), RitzyHancock (12A) (Peter Berg, 2008,

US) Will Smith, Charlize Theron, Jason

Bateman. 92 mins.Smith plays

Hancock, a lazy, drunken member of the

superhero fraternity. He looks like a

tramp, he kips on benches, and he

leaves behind him a trail of destruction

(Finchley Road (at 02centre), Shepherds Bush,

Fulham Bdwy); Locals: Wide

ReleaseDonkey Punch () (Olly Blackburn,

2008, GB) Jaime Winstone, Sian

Breckin, Tom Burke, Nichola Burley. 99

mins. This bloody, waterborne horror

doesn’t exactly scream with originality,

but the filmmakers make up for it with a

strong atmosphere of sex and violence,

good performances and a mostly

(andonstage)mishaps withABC Newscorrespondent MichaelCerre’s ‘embedded’reports. The fun driesup as the focus shiftsto explore the lives of

to archiveas Mayburykeeps thingspersonal,depictingalleyways atnight and smokypubs as an intensefriendship buildsbetween Caitlin and

Vera. Maybury’s shooting style is dark

and angular; the production design,

costumes and make-up are all too

precious. If only Maybury let a little air

out of his film. (DCa)Central: Empire, Odeon (Kensington,

Swiss Cottage, Covent Gdn),Watermans; Locals: CroydonClocktowerFemale Agents (15) (Jean–Paul

Salomé, 2008, Fr) Sophie Marceau,

Julie Depardieu, Marie Gillain, Moritz

Bleibtreu. 117 mins. Subtitles.1944: a

team of female French evacuees, led by

Marceau’s resistance fighter, are hired

by the Special Operations Executive to

infiltrate a Nazi hospital and retrieve a

geologist who holds information key to

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Contact details:Chris Pastfield T: 020 7813 6004E: chrispastfield@timeout.com

Group Commercial Director:Graeme TottleAdvertising Director:St John BetteridgeSenior Account Managers:Phil Peachey,Nigel Clarke,Karen PooleJeremy SaundersAccount Managers:Michelle DaburnJessica Baldwin,Copy Controller:Chris PastfieldAdvertising Designer:Jason Tansley

Bespoke Creative Treatments:

I Am Legend

The Dark KnightDeadline for advertisement delivery is Wednesday the week prior to publication

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Orders for Advertisements are accepted on and subject toTime Out’s Standard Terms and Conditions For The Insertion Of Advertisements (‘Standard Terms’), full detailsof which are available on the Time Out website at www.timeout.com.

All advertisements must be prepaid unless a previously approved account has been agreed. Failure to comply withthe agreed terms may (in addition to Time Out’s own remedies) result in third party intervention and additionalcharges being incurred. Credit accounts are payable strictlythirty days from the date of invoice.

Time Out shall be entitled to charge late payment fees andlate placement fees details of which are set in the Standard Terms, in the event that payment is not made bythe due time and/or advertisements are not submitted by theCopy Date, and, where applicable, agreed copy deadline.

Acceptance of all advertisements is conditional upon theAdvertiser’s warranty that advertisements do not contravene any law or regulation and does not infringe anythird party rights.

Time Out reserves the right to refuse, amend or otherwisedeal with all advertisements submitted to it at its absolutediscretion and without explanation. All advertisementsmust comply with the British Code of Advertising Practice.

Time Out maintains a totally impartial editorial policy.Advertisers are never guaranteed an editorial mention inexchange for taking the advertisement .

The person placing the order for the insertion of the Advertisement with Time Out warrants and confirms thatthey are contracting with Time Out as principal notwithstanding that they may be acting directly or indirectlyas an advertising agent or media body or in some otherrepresentative capacity

TERMS & CONDITIONS SUMMARY

Advertising rates& data

Standard terms and conditions can be found at timeout.com

Time Out Magazine Ltd, Universal House,251 Tottenham Court Road, London W1T 7AB Tel: (020) 7813 6000 Fax: (020) 7813 6100

http://www.timeout.com email: advertising@timeout.com