10.09.05 Junior Senior Ms Dynamite Gorillaz Franz Ferdinand Bon Jovi

Zi CMP Summer luil ends with HMVand Virgin launches, as well as EMI and Universal conférences

Packed autumn kicks off

by Paul Williams HMV and Virgin Retail's newly- launched digital services are heralding the start of an excep- tionally busy week for the music industry. HMV today (Monday) presses the button on its long-awaited downloads/subscription service with a launch at the Marquée in London, just three days after rival

and the switching to the crucially-important fourth quarter schedule. This will be underlined this aftemoon by EMI holding ils Abbey Road Studios, where retail- ers will have their first chance to hear material from Kate Bush's first studio album in 12 years, following confirmation last week of its release, alongside détails of new material by acts including Robbie Williams, Queen and Paul Rodgers, and Depeche Mode.

UniversaTs own UK sales con- férence takes place on Wednesday at the Linbury Theatre at London's Royal Opéra House, where the group will flag up new albums by UK artists such as Girls Aloud, Ms Dynamite and Sugababes. The two majors' big autumn offerings will be joined araong quarter four highlights by new albums ffom the likes of The Darkness, Enya, Franz Ferdinand, G4, Madonna, Ricky Martin, Pink, Jamie Culllum, David Gray, Katie Melua and Will Young. Mean- while, the push for Christmas will get underway in eamest this week

with the first new Rolling Stones studio album in eight years. Virgin Retail marketing and e- commerce director Steve Kincaid says, "Ifs been a fairly quiet sura- mer from a release point of view, but ifs ail starting to kick off." HMV product director Steve Gallant says, "l've never known it so busy - it almost feels we're into the Christmas build-up a month or soearly." Sandwiched between EMI and Universal's conférences tomorrow night (Tiesday) will be the Nation- wide Mercury Prize ceremony at London's Grosvenor House Hôtel,

EMI eues up Live 8 DVD EMI lias unveiled détails of its Live 8 DVD, which it is predicting coukUlcconic the biggesfcselljng

The major lias set a November 7 release date for the four-disc* sètrwIiicITwIll incorporate ^

highlights from ail the Live 8 concerts with the exception of the event at Cornwall's Eden Project and is expected to retail at no more than £50. " The release has been put together by the same team who worked on last year's Live Aid DVD, including Jill Sinclair, Frances Whitakcr and Nick Carroll on behalf of the Band Aid Trust and

Metropolis handling sound, mastering and authoring. "Apart from the two main concerts there are eight other concerts which are incorporated into it as well," says EMI chairman and CEO Tony Wadsworth. "Ifs a huge logistical project, but ifs corne together pretty quickly." Die Live 8 DVD will be one of the highlights of EMI's autumn

présentation at Abbey Road today (Monday). "As long as everything falls into place collectively this should be the biggest music DVD of ail time and, as far as the fourth quarter, ifs going to dominate the music DVD market," says Wadsworth. Proceeds from theJJVD will go to the Band Aid Trust for the relief of huiïgër and poverty in Africa.

while on Wednesday Apple is expected to unveil détails of its iDmes-enabled Motorola phone at a London briefing, with Apple CEO Steve Jobs beamed in by satellite from the company's HQin San Francisco. Rival Napster will also be in launch mode tomorrow as it unveils détails of a tie-up with radio station Club Asia to support Asian music online. EMI chairman and CEO Tony Wadsworth, believes the industry should be feeling "really positive" at the moment, not least with HMV and Virgin's digital launches.

HMV and Virgin rail out online Bricks-and-mortar retailers unveil pricing détails for new download services as theytrytoexpand online market p3 Dynamite album ready to explode Polydor aims to reactivate Ms Dynamite's fanbase and broaden herappeal with her October-released second album p6 Mrapping up ibe festive market Labels are using creative packaging totemptbuyers to their catalogue releases in the crucial fourth quarter p8 For the latest news as rt happens, log on to

10.09,05/£4.25

0 'What the pair do bring to the table is something unmatched by the likes of illines Music Store' - Editorial, pl4

IncorporaUng lono. MBL Future Hits. Giecn Sheel,

«tetcH^Road. CMP

To read ail the news as it happens each day, log on to musicweek.com

Your guide to the latest news from the music industry

Peters quits hîs position at TOTP

witli songwriter and virtuose violinist Sophie Solomon. Twenty-three-year- old Solomon is managed-by A&R vétéran, Nick Mander and will rel( her début album Poison Sweet this year.

• Emap's London-based Magic 105.4 is launching a weekly celebrity-based music sériés with t first show on September 18 hoster by TV présenter Ben Shepard. to spend two hours between 7pm and 9pm each Sunday BMI buys kit to ^

monitor music

Digital Services - to own, c exploit the technology that • Andi Petere is his position as Top Of The Pops executive producer to retum to live télévision presenting, He will front the BBC's autumn sériés of City Hospital, :ed, but ont by producer Sally alongside the BBC's i music Mark Cooper. O Nathan Joseph - widely known. Nat - has passed awaj founded Transatlantic 1961, one of the UK's first successful the modem era. The label played a pivotai raie in the massive boom m British folk music during the 1960s and 19705, discovering, recording and marketing artists such as Ralph McTell ' Bert Jansch. Full obituary on

it BlueArrow. • Mobile network 3 is to add tracks from more than 1,000 artists to its download library, after inking a deal

their mobile phones, by Destiny's Child and Oasis. • IPC-owned Uncut magazine is sponsoring a sériés of UK tours throughout September under the Americana banner. The magazine. Americana and AILCountry genres, is bringing Richmond Fontaine (El Cortez Records), Drive-By Truckers (New

position of chairman and CEO, while the company's senior A&R manager Ben Beardsworth becomes managing director. Beardsworth will jom Russell and XL co-owner Martin Mills in XL's senior management graup. vice président of Kobalt Music Group, as part of a number of staff changes at the Company. Christian Winchester of légal

Mark Mulcahy (Loose). © Warner Music deal which will see the label represent Craig David's entire back catalogue. The major last week finalised an exclusive licence agreement for the singeris material through an international agreement with Wildstar Records.

MTV Hits set to go interactive

senior vice président O Gerald Newson is taking over the job of Pamra chairman following Ashley Mason's décision to step down from the rôle. Newson, a member of the collecting society's board since 1999, is a member of the London Symphony Orchestra and a Musicians

nd the tone of the channel by • Channel 4 youth nu Popworld will return to TV sci on September 17 in a new Sati

his company Profound Media & Management Flower will be charged with creating marketing

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This week we ask; Will the launch of digital subscription services by HMV and Virgin Retail be the spur to encourage consumers to rent rather than buy music? Last week we asked: The 11 been the busiest yet with r time regulars including Glastonbury and V. But lias the market bëcome too saturated? The resultr

© Green Day dominated the MTV Music Awards, held in Miami last week, walking off with seven awgrds including best graup, video of the year and best rock video, Missy Elliott and Gwen Stefani both won two honours, as did Gorillaz who were honoured for the single Feel Good Inc. ® Coldplay's final dates of the year will see them embark on a short tour of the UK, beginning at London's Earls Court on December 14 before taking in Newcastle Métro Arena (18), Manchester Evening News Arena (19) and Belfast Arena (21). O AOL is rolling out its instant messenger interviews in the UK after success Stateside with artists such as Tori Amos and Dave Grohl. The AOL instant messenger interviews give fens the opportunity to submit questions and take part in an online chat with their favourite artists. • The Classic FM Gramophone Awards 2005 were launched last week, with six celebrities each championing a classical recording. Tara Palmer Tompkinson, Terry Waite, Jonathan Ansell, Sam WesL Emma B and Chris Smith are supporting works by Gounod, Bach, Haydn, Beethoven, Haydn and Berlioz respectively. • The closing summer festival season has been dedared a huge

slot at 10.30am in a I the audience for the flagship sériés. Hosted by Simon Amstell and Miquita Oliver, At It-produced Popworld was a fixture on the Sunday morning schedule for more than four years. O Gorillaz are breaking technological ground by going on

Apple to unveil iTunes phone O Apple is holding a press briefing this Wednesday when it is finaily expected to unveil the iTunes-enabled Motorola mobile phone. Under the banner "LOOO songs in your pocket changed everything. Here we go again", the company is pitching its new item in à live broadeast by CEO Steve Jobs from Apple's headquarters in San Francisco. • US company Creative Technology has been awarded a patent for the user interface it has developed for portable média players, which is also found in competing players. The technology enables users to navigate through tracks stored on the devices and is also used in the iPod and the iPod mini. © MVC's new owners have pledged their commitment to music. p4 ® HMV head of digital Mark Bennett

MltO Stephen Godfroy, foi managing director of Rough Trade Record Shops' Album Club, is also expected to talk about his match- making subscription service at Bertorelli's in London's Soho. • Robin Millar questions Whitfield Streefs future. p5 S Bournemouth Opéra House is re- launching itself as a major national T will host concerts from ail genres of music. For the past 10 international club and dance brand Slinky, but its owners are now looking to generate more business for the 1,500-capacity main auditorium and its 425-capacity adjacent bar. O MusicWorks focuses on emerging overseas markets. p5 • The Brit School for the Performing Arts and Technology, which has produced artists such as Katie Melua and Amy Winehouse, has

in the UK. 94% ot id équivalent qualifications. • Sony 8MG is releasing another single from George Michael's Patience album in download-only format to promote a documentary film about the singer which is being screened in théâtres and will be given a DVD release. The track, John And Elvis Are Dead, will be available on OctoberS. © Correction; Last week's Dooley caption should have said BMG Publishing headed Q2's market shares, and not as stated.

News

News edited by Paul Williams As HMV and Virgin roll out their digital services, so begins the battle for market leadership

Chains grapple for digital initiative

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STREISAND GUILTY TOO

"There's the ten greatest female artists, and then there's Barbra Streisand"

Barry Gibb

THE LONG AWAITED FOLLOW UP TO GUILTY,

THE 1980 MULTI PLATINUM SELLING ALBUM

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Lavishly packaged collections, including DVDs, are one of the industry's plans to boost sales, writes Ben Cardew

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Pulling out ail the stops for Ray Charles Warner Stratégie Marketing is hoping to capitalise on the Oscar-winning success of Taylor Hackford's 2004 film Ray and the recent publication of Mike Evans' biography The Birth Of Soul, with the release of Ray Charles Pure Genius: The Complété Atlantic Recordings (1952-1959), on September 19. This weighty seven-CD, one DVD set, will be packaged in an eye-catchlng Fifties-inspired record player case, effectively

tailor-made for retail campaigns. Remastering Charles' entire Atlantic Records repertoire, the set also includcs a dise of rarities and unreleased tracks, including a 1953 rehearsal session with Ahmet Ertegun referenced in the movie, plus outtakes from the 1958 (Night Time Is) The Right Time sessions and recordings made in a hôtel room on tour in 1959. The DVD features nine performances from the

Newport Jazz Festival in 1960 and an exclusive interview with Ertegun by Hackford. Ertegun has also contributed to the liner notes, while a hlstorical overview by music writer David Ritz is aiso included. Warner jazz catalogue manager Florence Haifon says, "This is something that hasn't been available before. There's plenty of unreleased material. People have seen the Ray film that was very successfui, so I think lie has earned new fans."

With nearly a quarter of ail physical sales hitting the tills in December, the UK's music sector should feel merrier than most m the run-up to the festive season. Yet, given the fragile state of the UK's retail economy and the increased and diver- gent compétition on customers' entertainment budgets, the industry has its vvork eut out to ensure music remains the Christmas gift of choice. One solution here, at least in the world of cata- logue, cornes in the shape of the boxed set - with lavishly packaged collections, replete with an impressive array of dises and extensive liner notes being used increasingly in an attempt to woo the Christmas punter. Naturally, the major labels, with their major budgets and vast back catalogues lead the field here. On November 7, Universel is to release Abba: The Complété Studio Recordings, com- prising a shelf-trembling nine CDs and two DVDs, as well as a booklet packed with unseen photos. Not to be outdone, on September 26, EMI issues The Band: A Musical History, a five CD, one DVD anthology of the hugely influential Canadien collective, complété with 88-page book. Other significant releases will be coming from Chicago (Warner), Miles Davis (Sony BMG), Pub- lic Enemy (Universel) and a collection of Island's Seventies progressive rock (Universel). But such sets are by no means limited to the majors. Sanctuary is to release no fewer than five boxed sets in the run up to Christmas, including collections from Uriah Heep, Venom and The Damned, as well as the charmingly titled four-CD compendium of British folk songs, Anthems In Eden. Sanctuary spécial markets manager John Reed recognises the importance that these special- ist releases can have. "For a corapany like Sanctu- ary that is built on catalogue, in an âge where CD sales are slipping and people are talking about downloads as the future, we are aware of a very healthy fan base for a niche catalogue," he says. Given that boxed sets - by virtue of price as much as anything else - tend to serve a fairly nar- row market, collectability here is key. This is par- ticularly so given that much of the music involved will probably already be owned by the customer. "When putting boxed sets together, you have to compile them with the collector in mind," says Démon Music Group sales and marketing director Danny Keene. Such thinking has led to some inspired packaging in recent years, for instance Decca's three Rolling Stones singles collections, which replicated the packaging of the original seven-inches. But while this might suggest that boxed sets are merely pandering to nostalgia, this is not always the case. John Reed acknowledges the importance of the much-referenced "£50 man", but suggests that many releases, such as Sanctuary's British folk box, are inspired as much by contemporaiy trends. More recently, DVD has also become a crucial element of many boxed sets. Matthew Chalkely, marketing planner for rock and pop at HMV, says that this is only natural. "The growth of DVD in the past five years, along with DVD boxed sets selling very well, means it makes sense for record labels to put in a DVD element," he explains. How- ever, not everyone agréés as to their worth as part of a boxed set. Reed, for one, is unconvinced. "The consumer will pay to buy a combination CD/ DVD package, but they will also pay to buy separate audio and visual packages," he says. "Do you want to have ail your eggs in one basket? In our expéri- ence you can't necessarily ask that the market pays much more for a package with a DVD in it." Keene shares his doubts. "DVD is a relative!)' new format," he says. "From a commercial point of yiew, we should maximise the revenue from sell- ing DVDs before we start giving them away." Naturally, any expense in content and packag- ing will put pressures on margins. EMI director of

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arc gearing up for catalogue Steve Davis admits that packaging can be a "thomy subject". "There is a focus that says you bave to eut down on packaging costs, he says. "But there is a market whereby people expect and want lavish packaging and it is a big spur to them buying." In addition, the type of dedicated music fan that tends to buy such collectables means the quality of the producl is paramount. "We are tar- geting a very sophisticated audience that is vvell versed and knows what it wants," says Reed. "So the quality of the product has to match that. But there are alternatives to enhancing a set's aesthetic value. "If you are going to put a box with a gold dise in it, a fan will always have to pay 'X amount of money," says Universal's head of cata- logue Daryl Easlea. "But there are other ways to add value, for example, the booklet content and the overaïl look" Certainly, detailed and authori- tative liner notes, often written by well-known journalists or experts-in-their-field, are now com- monly used. For instance, the fortheoming Ray Charles boxed set [see breakout] holds an in- depth historical overview by the author David Ritz, while the mammoth deluxe édition of Jeff Wayne's War Of The Words houses an 80-page book by renowned arehivist Greg Brookes, along- side tvvo SACDs, four CDs and a DVD, Of course, while this ail makes for an ex-tremely attractive proposition for hardeore fans, as far as retailers are concemed, boxed sets bring a différ- ent set of deraands - particularly regarding shelf space. However, despite the oft-held view that shops dislike stocking them, Chalkely says that specialists welcome boxes as a way of driving incrémental sales and distinguishing themselves against the mass market approaeh of •.

kets. "Other retailers - supermarkets as opposed to speciahsts and independents - can t fit them in the shops." he says. "And when people are in the shop getting a boxed set they might buy other things." Indeed, for the past few years, HMV has published a 24-page supplément in magazines such as Un eut for the sole purpose of promoting its boxed set stock in the run up to Christmas. Boxes also make an obvious centrepiece around which displays and campaigns can be built. Furthermore, for Daiyl Easlea there is also a prestige factor. "There's a credibility to boxed sets," he says. "You see them behind the tills. Its like a book shop stocking the Oxford English Dictionary although they might only sell one or two a year." And with the bar raised at the top, ripples are also being felt at the budget end of the market - or what Union Square marketing director Steve Bunyan calls the "cheap and cheerful impulse purchases". often sold in supermarkets, as opposed to the more expensive "considered pur- chases" that remain in the realra ofthe specialists. While these collections may be cheaper than their lavish cousins, they still rely on quality packaging and liner notes in the fight for that precious shelf space. Indeed, Deraon has even housed some of its sets in custom-designed slipeases exclusive to individual retailers, including HMV, Virgin and Asda, in an attempt to fit better onto their shelves. Q.4 is also vitally important to tire budget sector. "Boxes do very well in the run up to Christmas," says Keene. "They have a big perceived value as a gift. The récipient thinks that they are getting something worth more than the £4.99 price point." With this in mind Démon has a busy schedule of releases in place, with six additions to

Directory

2006

its Emporio boxed set range, including The Essential Ella Fitzgerald and Christinas Memo- ries, as well as a three CD Beginner's Guide To Blues. Delta is equally active, with 23 three-CD boxed sets due for release before Christmas, including John Denver's Greatest Hits and a King Tubby compilation, as well as 14 Christmas-relat- ed double CDs. Union Square, for its part, is releasing 20 boxed sets across its four labels - Easy, Essential Guides, Simply and Soho - in the coraing months, including Easy Jazz, The Essen- tial Bob Marley: The Best of the Early Years and The Essential Songs of Andrew Lloyd Webber. The lavish treatment given to high-end boxes has even trickled down to the standard reissue market. Since 1997, Universal's Deluxe Editions pioneered the trend of packaging a re-mastered version of an original album with a dise of bonus material in a clear slip case, in what Daryl Easlea describes as a "real connossieur's package". This Deluxe treatment is to be extended to Siouxsie And The Banshees' The Screara and Tears For Fears' Songs From The Big Chair in the run up to Christmas. The label also has its successful Sound & Vision sériés, ofteringtwo CDs and one DVD in a single package, with releases so far from arlists including Abba and Marvin Gaye. Sirailarly, EMI has its three-CD Platinum Col- lection and its Sight And Sound sets, which com- bine an artist's greatest hits on CD and DVD. Both Cliff Richard and David Bowie have Platinum Collections coming out in the fourth quarter and Duran Duraris Greatest will be released as a Sight And Sound compilation. Sony BMG's Legacy Edi- tions are similar to Universal's Deluxe Editions, a re-mastered version of the original

FieM day for Dylan fans Bob Dylan fans are facing a détails by writer Eddie busy autumn, with a flnrry of Gorodetsky. Zimmerman-rclated releases to The label is working closely accompany the UK première of on promotion with publisher Martin Scorsese's feature- Simon & Schustcr, which is

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Home to be screened on BBC2 in Septembcr. Ail will offer retailers the opportunity to run campaigns around existing catalogue titles. Sony BMG is releasing the companion soundtrack ta the

Scrapbook 1956-1966 on October 1, as well as a paperback édition of Dylan's Chronicles on September 19. The Scrapbook, created in | association with Dylan himself, | includes rare photographs, HL film on Septembcr 5, with 28 tracks, spanning 1959 to 1966, on two CDs, including rare private recordings, live concert, TV and festival recordings, as well as 12 alternate takes from album include a 60-page booklet, with historical liner notes from Andrew Loog Oldham and Al Kooper, plus track-by track

facsimiles of handwritten lyrics and an array of memorabilia in a slip-cased hardback. Finally, on October 3, Paramount Entertainment will issue the two-disc DVD of No Direction Home, with previously unreleased footage from , concerts, studio recording 1 sessions and interviews. Dylan ■ will also feature prominently on , the fortheoming DVD édition of {

Eeorge Harrison's 1971 Concert Dylan: new for Bangladesh. fans targeted Sony BMG catalogue marketing manager Luke Southern says that such high- level activity will heip ta open up a new fan base for the singer. "It's going ta establish Wm as a legend," he says. "New Fans will want to discover more of his back catalogue. That is a big deal for us." album alongside a dise of bonus material and, occasionally, a DVD. New releases before Christ- mas include a Legacy Edition of Patti Smith's clas- sic album Horses, due out in November. Undoubtedly, while margins remain tight, such extravagant treatment will buck certain trends within the industiy. But so long as the quarter four gifts market retains its importance, there will

seemingly always be a viable market for boxed sets. They may be expensive and often unwieldy, but at least such treatment is testament to the inhérent worth of the music. "In our âge where the value of music is in a sense open to question, boxed sets are a retum to the idea of buying the package as an artefact," says Reed. "After ail," he adds wisely, "You can't download a boxed set"

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The arrivai of established brands into the digital arena may be the catalyst forgrowth

Digital to feel the high street effect On the surface, HMV and Virgin's new download/ subscription services hardly look likely to re-invent the digital music wheel. They're offering much the same top-line content and similar pricing models as their already-established rivais and are peppering their sites with such familiar extra-curricular activity as exclusive artist live perfonnance downloads and genre-specific radio station streams. But, crucially, what the pair do bring to the table is something unmatched by the likes of iTunes Music Store - decades-long réputations as trasted, knowl- edgeable music retail brands for both labels and record buyers alike. That will be invaluable in helping to grow a market, which still only represents around 2% of ail UK music sales. While the UK's digital music sector bas doubled in size in little more than 12 months, for many music buyers it remains a somewhat daunting place to ven- ture. So the arrivais of such established brands as HMV and Virgin may be just the catalyst that is need- ed to encourage more of them to dip their toes into what continues to remain an iTlmes-dominated zone. As such, the two rivais will have an important rôle to play in not only growing the sector, but educating

their huge customer bases about its benefits and pos- sibilities, too. And with around 340 high street stores between them in the UK, they already have the kind of immédiate access to mainstream consumers that digital-only players can only dream of. The fact that the two bricks-and-mortar specialists have launched their services so closely to one another, giving the média yet another excuse to focus again on the digital sector, will only further raise the profile of légal downloading and subscription services among the millions who regularly buy music, but currently believe downloading is not for them. Given that the UK's légal digital music market was starting from virtually zéro at the start of last year, the industry should be rightly encouraged about how rap- idly it has grown. Winning over the technology-sawy music fan is one thing, but in the physical world over the last few years it has been the more mature, super- market-purchasing consumer who has increasingly been driving the industry's bottom line. Ultimately, only by bringing them into this exciting new world can digital ever hope to be atrue mass-market success - and it needs players such as HMV and Virgin on board to achieve that.

The City Showcase can only

benefit music as a whole Emerging musicians both need and deserve more opportunities to develop and showcase work. City Showcase benefits from London's wealth of talent - we select performers for our annual festival either through our London borough trials (this year held with Paddington Development Trust and Collage Arts) or through the many démos we reçoive. Some of the talent is young and raw, some of it is ready-to-go. It is really important for the future viability and prosperity of the business that we take the time to work with and invest in talent of The point is simple; if we invest in talent, we can grow our business ail genres. Currently the industry climate is focusing on rock and indie acts. City Showcase prides itself on showcasing the broad spectrum of music and culture found in London. As well as hold- ing nights dedicated to rock and indie, there will be gigs dedicated to Asian and urban acts as well as an evening of dassical music. Commercially this is not always easy so City Showcase has been established as non-profit-making

Londo eeded a tional music showcase - what bet- ter way of creating this platform than by giving it to new and emerging musicians and have them perform to the public in retail outlets. By creating a public facing, firee international music festival in develop musicians by working with them and providing frce workshops whereby small labels, publishers and musicians can seek expert guidance to grow business- es and develop careers. This year we are also showcas- ing Canadien artists Leeroy Stag- ger, Joël Plaskett and MadViolet (ail known in Canada but only emerging here) and hosting a workshop which explores how to break North America through Canada - again new opportunities and new markets. The point is simple: ifwe invest in talent; showcase it to the world and develop new collaborations, Nanette Rigg is the organiser of this weelTs City Showcase, a five-day sériés of ' bands will play In

How excited are you about Kate Bush's new album?

EMI has confirmed that Kate Bush's new album, a double-disc set titled Ariel, will be released on November 7. After a 12-year wait, how excited are you about hearing her new work? Mark Ellen, Word "Kate Bush's entire catalogue has been on a permanent loop in my house since my 19-year-old and, strangely, it's only m, •e. But there's always b anticipation about her every appearance. She's only ever toured once, in 1979, and it was featured on night of the week." Terry Underhill, Real Radio "Kate Bush was, wlthout doubt, the iconic female superstar of the late Seventies and Eighties and to this day she remains one of the world's most collectable stars. For 11 years her fans have waited for more magie and now the waiting is over. A génération grew up with her haunting lyrics and amazing vocals and, if the rumours are to be believed, this will be one of ; collections ever. As an [ cannot wait for reclusive lifestyle rersona adds to her

Richard Kihlstrom, Borders "Very excited. 'Bona fide legend', 'truly original artist' and 'great British eccentric' are words that have been applied to a lot of people, but are true in only a very few cases, and she's one of them. It'll be a great event for the industry as a whole and, we hope, for Borders in particular, She's a perfect fit with our customer profile.' Anthony Batson, The Rock Box, Camberley "We've got lots of Kate Bush back catalogue in stock and so we're very excited. We were actually playing the Hounds Of Love this morning and, even though we're mainly a rock and indie specialist, she's definitely someone who appeals."

1 doubt we'll sell many copies of it I think she's a bit too much of an establishment figure for the type of customers we get, so we'll probably only sell five or six copies. But then I haven't heard it yet so you never know. She's the type of artist that can always surprise people."

Fbntm is edited by Jim U(kin Anthony H Wilson and Yvette Livesey discuss their préparations to stage their 14th In The City, which this year boasts a host of big personalities

You've had sonie pretty amazing characters tum up to ITC over the years, and you have Chris Blackwell, Seymour Stein, Mick Rock and Steve Jones making an appearance in sonie shape or forni this year. But who have heen the liighlights of previous events? Tony: Malcolm McLaren when lie told after the Nancy stabbing was good. Peter Grant was also amazing. ITC bas changed my life because thereis no way I would have met some of these people or heard their stories. Eno was also very good and the characters change every year. Yvette; Lyor Cohen was a really mspirational character. And who are you still trying to persuade to put in an appearance? Tony The great Atlantic producer Jerry Wexler, Td love to have him. Also Alain Levy and Martin Bandier Yvette: Greil Marcus we want You've had some pretty wild thèmes over the years, including Year Zéro and the first conférence in 1992 was billed as Cannes, New York, Kiss My Ass. What was that ahout? Tony: In about 1990, Yvette and I were travelling back from Midem and Yvette suddenly asked, "Why do you ail go to Cannes?" We decided we should try something here and there would be no need to go to Cannes. Yvette: We knew it wouldn't work in London, though. People in the industry need to get away from where they live and work, and we support from the city. And this year's theme?

The music industry was mouming ( of its chief architects last week following the death of David Fine. August 30 al his Surrey home.

Colleagues were quick to passing of one of the last great characters and executives with Lucian Grainge, Universal Music Group International chainnan and CEO, praising Fine's "dignified and unflashy" approach. Grainge adds, "He was someone who was an uncomplicated thinker, a straight shooter and extremely professional. He was certainly the modem architect of what PolyGram became and someone who created an environment where everyone felt protected." Richard Constant général counsel at Universal Music Group International, who worked with Fine during his many years as the boss of PolyGram, adds, "David Fine was a dedicated professional who braught PolyGram several years of uninterrupted growtli during his

Tony I went to the crossroads... When Robert Johnson sold his soul to the devil that was a symbol of the essence of rock'n'roll. This year we are saying we have woken up to a lot of the issues the industry had been facing, such as how to deal with the internet Ifs like we've gone through ail the ups and downs, we've been at I are finally able to What is it that you think ITC has given the music industry and Manchester? Tony: Rob Partridge, the PR, once called opportunity to see or hear so many big names talking about the business. Tony: When we first thought of ITC in wave with bands such as the Happy Mondays. It was better than Tokyo and Paris. But we knew that could disappear overnight like Liverpool after The Beatles moved t

great city using the confidence of Manchester's youth to preserve the city's rôle as one of Britain's music capitals. Ifs a good job because two years later, when we started, Happy And why do you think it is successful after so many years and how many years do you think you have got left in you? Yvette: 1 think we've enjoyed continued success because people can see we are emotionally and creatively involved. Four or five years ago we wondered whether the conférence had run its course. We thought maybe we'd had our day. It was a tough time, but I think the industry was going through a bad period and no-one had any money. I think we'll

City in 1992. and torged strong management teai around him, giving them the freedon

isiness and, as head of IFPI, ail the important work he did to improve the international profile of the industry.'1 Fine's career actually began in film in his home country of South Africa. But by 1951 he had joined the and six years later moved to the country's biggest music group Gallo. He spent two décades there, rising to

John Kennedy, IFPI chainnan and CEO, also praised the former IFPI chainnan: "David Fine's contribution to the success of the recording industry during the Eighties and Ninetles is greatly underestimated. He brought a great business vision and an understanding of the dynamics needed for lire industry to prosper, He knew his own strengths and weaknesses

promotional front Actoss the UK trademark Kanye West bear suit as part of a r promotion with rel

by one

Birthday 'boy' in Elton shocker Remember where you heard it Here's yet another reason to raise your cap to Sir Elton John, who managed to leave even Gary Farrow speechless (sadly, not for long though) when he turned up the other weekend at his old pals 50th birthday bash. With a guestiist mixing industry names and celebs, including Alain Levy, George Michael, Sharon Osboume and Richard & Judy gatliered at Elton's den in the Soutlr of France, Captain Fantastic managed to steal the show with a spécial cake baked in honour of the birthday boy, Reflecting Elton's nickname of Squirrel Cheeks McNought for Farrow (he reckons his face looks like a squirrel's), it came in the shape of a huge chocolaté squirrel neatly finished off with the word cunt on it.. But the highlight for Chelsea fan Farrow was Elton reading out a message from the football club's manager José Mourinho, which read, "Have a great day -1 owe it ail to

best. with olhers pitching in including Seau Paul and Sharleen Spiteri. While Kanye West's new album Late Registration looked like missing out on the top spot to local boys McFly this week. Mercury certainly can't be criticised for leaving rocks unturned on the

imagine that developers licking their lips at getting their hands on that prime bit of real estate in Whitfîeld Street to tum into a suite of (uxurious pads for new média millionaires. Perhaps they might even call the complex White Riot since much of The Clash's début album was produced at the then CBS studios, or even Your Pretty Face Is Going To Hell after one of Iggy Pop's finest moments recorded in Noho. But Robin Millar is rietermined that won't happen and good luck to him... Which pop star got pei' hammered at a c she couldn't then Fulleris 19 En its first non-pop signing in the shape of Boy Least Likely To... Virgin has picked up the massive club tune Rocket by Braund Reynolds... Could the rumours that The Darkness's Justin Hawkins is to executive praduce a new celebrity darts TV show called Strictly Corne Darting be tme?... After a hotly contested bidding battle, EMI Publishing has secured sought after Island records act The Feeling.. Stay tuned next week for news of

to its new premises this Wednesday, Meanwhile, ex-Sugababe Siobitan with Boy Kill Boy agam.

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After taking over the cirarts, McFly and tire Island team last week took over Alton Towers for the launch party for n

"Wonderland" for the day) hefore meeting the band and watch them play a full Irvc set, PSctured are (l-r) Island head of press Nick

McEwerr, Island press director Ted Cumirrings. Island press assistant Satab Hait McFIy's tom Flctcher, Island product manager Saralt Boor man, McFIy's Oowgie Poynter and Harry Judd, island TV Promotions' Holljf Davles, Island Sales1 David Hawte, island senior press officcr Heather Bcdmctid, Mtfl/S D-unry Jones and Island régional proma manager Plril Witts, IdOtOSMUSlCWEEK 15

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maintaining the fine balance between discovering and nurturing new talent whilst creating a wide and accessible music policy for a young audience. An ambassador for Radio 1 and the BBC, you'll develop strong relations with key players î in the music industry - record companies. promoters, artists, managers and music producers. You'll chair the weekly Pla/list meeting, and lead the small team that select and events and securing major opportunities for live music across Radio 1. This rôle cails for an exceptional candidate who has highly developed stratégie understanding and knowledge of contemporary popular music, someone who appréciâtes the creative musical process, and who can systematically seek out and develop great new music in the UK and from around the world. You'll be responsible for setting the musical direction of the UK's number one youth music brand. To apply, please email your CV along with a covering letter to laura.raznick@bbc.co.uk by I9th September 2005. Please quote reference number 78651.

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Virtual Music Stores is a leading provider of retail in-store media-on-demand technology. With rail outs of its technobgy underway in the United States and Canada, to be followed shortly in the UK and Europe, we vvs'n lo appoint a Digital Asset Manager lo manage the company s digital conieni localed in the West End and working with the VMS Technology Team, the successful applicont will be responsible for the maintenance and further development of VMS' content databases working to support the company's worldwide content stratégies. Salary negotiable.

Qualïfied accountant Qualified accountant with good ail round général practice experience required to manage a small team in growing entertainment sector chartered accountancy firm, based in London's West End. Relevant industry experience préférable.

Phase reply by e-mail to LD@dalesevans.co.uk Dates Evans & Co Limited, Chartered Accounlants 88/90 Baker Street, London W1U 6T0

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OCTOBER 01/02/03 THE UK'S INTERNATIONAL MUSIC CONVENTION

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Datafile

Britain's most comprehensive charts service

Week 36

Upfront p2Q > TV & radio aîrplay p23 > New releases p26 > Singles & aibums c

SINGLES NUMBERONE GORILLAZ DARE (Parlophone) Wilh vocal assistance from former Happy MondaVrEitler Shaun Ryder, Gorillaz' Dare eams EM1 ils tirsl nûmber one single in 46 attempts. Its iast chart-topper was Robbie Williams' Radio iast October. For the Parlophone label, the wait bas been twice as long, dating back to Kylie Minogue's November 2003 hit Slow, ARTIST ALBUMS NUMBERONE MCFLY WONDERLAND (tsland) McFly's début album Room On The Third Floor spent one week at one, but managed 38 weeks in the Top 75 and has so far sold 662,510 copies, a total Wonderland must be fancied to surpass, given the fact its first-week sales were almost 10,000 higherthanitspredecessor. COMPILATIONS NUMBERONE VARIOUS Now! 61 (EMI/Virgin/UMTV) Sales are down 26.4% week-on-week to 32,985, taking Now! 613 cumulative sales in six weeks at number one to 711,518. For the fifth week in a row, UMTV/WSM's Festival isrunner-up. AIRPLAY NUMBERONE OASIS THE IMPORTANCE OFBEING IDLE(BigBrother) Of Oasis' two 2005 chart-toppers, Lyla sold significantly more copies but The Importance Of Being Idle is a far bigger airplay hit than its predecessor jumping 6- 1 on the chart this week. Lyla, by comparison, never went higher than number 11.

Lull before quarterfour kicks in by Alan Jones Ten years ago Iast month, the Blur Vs Oasis battle for chart honours was resolved in favour of the former, whose Countiy House topped the singles chart with sales of 274,000, leaving Oasis' CWhat's The Story) Moming Glory runner-up on sales of

In 2005, singles rarely sell iiï those quantities and Oasis' latest, The Importance Of Being Idle, topped the chart Iast week with sales of47,235. It suffered a 59% downtum m sales - to 19,354 - on its second week in the chart and slides to number five, being replaced at number one by_Btur ffontinkn Damon Albarn's cartoon band Gonllaïlixth single Dare - but with sales of just 26,661, less than 10% of those enjoyed by Country House, and the lowest tally for a number one since Elvis Prosley's It's Now Or Never took the title 31 weeks ago, at the beginning of February, with sales of 21,887. Physical singles sales were down 12.7% at 353,951 Iast week, while downloads slipped by 3% to 480,193. The market overall was olf 7.4% at 834,144 saies. The slippage was even greater at the top end ofthe chart, with Rihanna and Daniel Powter's début singles holding at two and

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McFly: The youngest I three respective falls of 24.4% i on-week. one You're Beautiful also suffered a much higher than average décliné of49.2%, as itfell 5-10. That's primarily a resuit of the physical formats ofthe single being deleted. Their sales declined 59.5% in the week, while downloads of You're Beautiful fell only 18.8%. Meanwhile, Blunt's BackTo Bedlam ends an eight-weekreign at the top of the album chart, as its sales fell by 18.3% to 54,218. It falls 1-3 with new albums debuting at one and two for the

McFly's Wonderland the new champion, outselling Kanye West's Late Registration by 6.3%. Wonderland s salea^71,517 - were only the 20th highest for a number one in 35 chart weeks so far in 2005, but Late Regislration's 67,240 sales were the best for a number two album for eight weeks and the eighth highest of the year. Overall, album sales dipped by 4% Iast week to 2.47m. Their troubles were largely down to the compilations sector, which conlributed just 467,384 sales - 19% of the total, and an 18-week low. Artist sales were down just

SINGLES Sales versus Iast week; -7% Year to date versus Iast year; +33% MARKET SHARES Universal 26,4% EMI Sony BMG Warner Others 177%

ALBUMS Sales versus Iast week:-L9% Year to date versus Iast year: 29% MARKET SHARES Universal 323% EMi Other

17.3% 18.2% 15.4%

COMPILATIONS Sales versus Iast week: -12.0% Year to date versus Iast year -15.8% MARKET SHARES Universal 332% Sony BMG 174% EMI 215% Warner 15.7% Others 122% RADIO AIRPLAY MARKET SHARES Universal 3

Other CHART SHARE Origin of singles sales (Top 75): UK: 64.0% US: 33.3% Other 27% Origin of albums sales (Top 75): UK; 640% US: 360% Other 00%

ALBUMS TH1SWEEK Elbow Leaders Of The Free World (V2); Architecture In Helsinki In Case We Die (Moshi Moshi); Busta Rhr (Polydor);TheRollingf SEPTEMBER12 David Gray Life In Slow Motion (East West); lan Brown The Greatest (Polydor); Bloodhound Gang Hefty Fine (Polydor); Tracy Chapman Where You Live (Elektra); UT Kim The Naked Trath (Atlantic): Paul McCartney Chaos And Création In The Back Yard (Parlophone): SigurRosTakk(EMI) SEPTEMBER» GoldieLookin Chain The Best 6LC Album Evr Part 2 (Atlantic): Devendra Banhart Cripple Crow (XL): Bon Joui Have A Nice Day (Mercury): Echo And The Bunnymen Siberia (Cooking Vinyl): Shaggy Clothes Drop (Island): Skye Mind

How You Go (East West) SEPTEMBER 26 The Corrs Home (Atlantic): The Mitchell Brothers A Breath Of Fresh Attire (679): Sheryl Crow Windflower (Atlantic): Jamie Cullum Catching Taies (UCJ): Seau Paul The Trinity (Atlantic): Katie Melua Piece By Piece (Dramatico) OCTOBER3 The Beta Band Greatest Hits (Régal); Noise Next Door Play It Loud (Warner Bros): Ms Dynamite Judgement Days (Polydor): Franz Ferdinand You Could Have IL (Domino): Leftfield A Final il (Hard Hands): The Go! Team Thunder.

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I inhlnino Strike (Memphis Industries) album by Kale Bush on November nr^nurîTih ~ 7 titled Acrial. The double album ration MminV will be her first since 1993-s The Audio Bullys Wavs (Island)' RetI shoes and wi" be Precede[l at Sugababes Taller In More Ways (Island), ^ by |ead Kjng of ^ The Cardigans Super Extra Gravity Mountain, on October 24. Both the (Polydor): Ricky Martin Life (Sony BMG): a|bum and sing|e have been tATu Dangerous And Moving (Polydor) produced by Kate Bush.

THIS WEEK Coldplay Fix You (Parlophone): Shaggy Wild Tonight (Island); lan Brown AH Ablaze (Polydor) SEPTEMBER 12 The Subways With You (WEA): Kaiser ChiefsIPredict A Riot (Polydor); Bon Jovi Have A Nice Day (Mercury): Sean Paul We'll Be Buming (Atlantic); Jem WishKATO); Jamie Cullum GetYour Way (UCJ): 50 Cent Oulta Control (Polydor) SEPTEMBER» Kanye West Gold Digger (Roc-A-Fella): The Duke Spirit Cuts Acrass The Land (Loog): Franz Ferdinand Do You Want To (Domino): Rachel Stevens I Said Never Again (But Here We Are Again) (Polydor): Kelly Clarkson Behind These Hazel Eyes (Sony BMG): Sheryl Crow GoodfsGood (Polydor); f ' '

SEPTEMBER 26 Ricky Martin I Don't Care (Sony BMG): Charlotte Church Call My Name (Sony BMG): TATU AH About Us (Polydor); Basement Jaxx Do Your Thing (XL): Missy Elliott Teary Eyed (Atlantic): Ms Dynamite Judgement Day (Polydor): Sugababes Push The Button (Island) OCTOBER3 Backstreet Boys Just Want You To Know (Jive): Bloc Party Two More Years (Wichita); James Blunt High (Atlantic): Audio Bullys Im In Love (Source); The Cardigans You Need Some Fine Wine And You Need To BeNicer (Polydor): Depeche Mode Precious (Mute): Robbie Williams Tripping (Parlophone) OCTOBER10 U2 AH Because Of You (Island): Lee Ryan Turn Your Car Around (Brightside)

Upfrant

Top of the

crocs

Early groundwork paves way for second big noveltyhitofthe year - by a singing and dancing crocodile

did was to put it on our Pop Juniors compilation album which is targeted at the three- to seven- year-old démographie and was released in May. It was quite key to set up because it was us seeding

lollies, Schnappi tattoos and the single. Reaction forms gauging response to the track were also supplied and Ruftett says they have received promising results. "Everyone came back saying the

Peyton Peyton (Hed Kandi) KEVIN GREENING, PRESENTER, 1022 "He looks like Michael Stipc with a few decent meals inside him. And he should do since he's the food pundit on Queer Eye For The Straight Guy UK. Dont let this stop you falling for this i of

out from tire mamstream co crowd. Her way with a slinky Latin rhythm tums trad country into something altogether more alluring and exotic, but there are also enough lowdown guitars to keep Stetson hats firmly attached to purist heads." Texas Red Book (Mercury) ANCELfl JflY, BREAKFAST SHOW, REAL

Patricia Vonne Guitars & Castanets (Measured Records)

Universel TVs internationa the biggest challenge has been replicating a campaign, which developed over two years in Schnappi's home country of Germany, in a much shorter period of time. "We were aware that we had to spend a lot of time on this song for it to become a big hit, but at the same time we didn't

the launch of the Jamba ringtone, which was featured in TV ads running throughout summer. Republic Media, which handles Crazy Frog's press, has recently undertaken a campaign targeting childrei | ' " 1 ' ■vho llE

MARKETING: Henrielta Bannister, UMTV. NEW MEDIA: Emma TrantUMTV. PRESS: Sue Harris, Carly Griffiths, Rcpublic ONLINE PR:KirstyCoopcr, Press On IL TV: Nild Sande™. Stuart Kenning, Molly Udbrake-Hult, Non Stop, RADIO: JanHenshaw, UMTV. POP CLUB PROMOTION: Craig Jones, Eurosolutioa

You're really throwing on me:

director sets Hawkins in new light

Juice 107.6

ofits personalities growing by the month, UverpooTs Juice 107.6 is on track to meet the aspirations of owner Absolute Radio's programme and opérations director Clive Dickens, who wants to take the station to the number one spot with the broader 15- year-old plus démographie. The station has "

from market leader Radio City. Hurst, currently the number two Liverpool radio personality in the breakfast slot, recently helped to take the show ahead of Radio One for the firsttime. Revenue at the station is also on the rise, enjoying a 60% cllmb over the past two years, while audience share has climbed 85%. Dickens says variety plays a strong part in the station's strategy for success. "Although

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Airplay K Nietsen Music Control

TV Airplay Chart

// ^ ! IJ ! THE PUSSYCAT DOLLS FEAT. BUSTA RHYMES DONT CHA 532

2 GORILLAZ DARE 490 ftl © SUGABABES PUSH THE BUTTON 445

4 3 COLDPLAY FIX YOU mmom 421 5 S SEAN PAUL WE BE BURNIN' 416 6 0 CHARLOTTE CHURCH CALE MY NAME 408 7 8 RIHANNA PONDE REPLAY oefiam 390 8 6 F00 FIGHTERS DOA 368 9 MARIAH CAREY SHAKEIT OFF defjam 342 10 M FRANZ FERDINAND DO YOU WANT TO 294 11 17 DANIEL POWTER BAD DAY w»«rbMs 269 12 a 50 CENT OUTTA CONTROL poivra 267 13 9 JAMES BLUNT YOU'RE BEAUTIFUL 266 14 13 THE BLACK EYEDPEAS DONT LIE 265 15 30 KANYE WEST GOLDDIGGER 260 16 19 KELLY CLARKSON BEHIND THESE HAZEL EYES 258 17 15 GREEN DAY WAKE ME UP WHEN SEPTEMBER ENDS «m* 255 18 20 JEMWISHI »VB«C 251 19 99 MS DYNAMITE JUDGEMENT DAY 246 20 7 AKON BELLY DANGER (BANANZA) 245 21 30 NICKELBACK PHOTOGRAPH «« 243 22 46 JAMESY P NOOKIE ^ 242 23 24 MYLO VS MIAMI SOUND MACHINE DOCTOR PRESSURE BREAS™ 226 24 10 JESSICA SIMPSON THESE BOOTS ARE MADE FOR WALKIN' COIO«B.» 225 25 130 BACKSTREET BOYS JUST WANT YOU TO KNOW 212 26 26 OASIS THE IMPORTANCE OF BEING1DLE 211 27 22 KAISER CHIEFSIPREDICT A RIOT 208 28 23 MARIAH CAREY WE BELONG TOGETHER «H 206 29 S6 TATUALLABOUTUS P<XVD0B 198 30 12 GIRLS ALOUD LONG HOT SUMMER pavl»l, 195 31 25 2PAC FEAT. ELTON JOHN GHETTO GOSPEL 191 31 10 AMERIE TOUCH amm 191 33 16 LIBERTY XSONG 4 LOYERS ïiEîl,; 189 34 16 GWEN STEFANI COOL mœain 180 35 59 LES RYTHMES DIGITALES JACQUES YOUR BODY... 178

172 168 36 35 THE WHITE STRIPES MY DOORBELL

37 26 SIMON WEBBELAY YOUR HANDS ,NœBiT

38 43 SHAGGY WILD 2NITE 165 39 2, CRAIG DAVID ALL THE WAY wi8Meœ 161 40 3, VANESSA BROWN WHIPPED 160

m reloascd today (September 5),

boon fnirly well supported by radio - it's moved ally bas bcen TV, with massive video fcaUiring Ihe glamorous

2 : u GORILLAZ DARE RARLOPHONE THE PUSSYCAT DOLLS FEAT. BUSTA RHYMES DONT CHA ASM 4 2 2PAC FEAT. ELTON JOHN GHETTO GOSPEL interscope « 7 n SUGABABES PUSH THE BUTTON ISLAVO RIHANNA PONDE REPLAY DEFJAM thcir paces.lt tops tire TV airplay chart for a foorth straight 8© 9 I CHARLOTTE CHURCH CALL MY NAME SONY m JAMES BLUNT YOU RE BEAUTIFUL ATLANTIC

—

There's no change in the top two spots, but Top 10 entries from Charlotte Church and Sugababes could change that next week

KAISER CHIEFSIPRED1CT A R10T F00 FICHIERS DOA

THE BLACK EYEDPEAS DONT ΠGWEN STEFANICOOL HARD-FILIVING FOR THE WEEKEND T4 ON THE ROAD Goldfrapp Salin

Depcche Mode Fîghters DOA; Pussycat Dofls fcat Busta Rhymcs Dont Cha;

Friday Night with

h

ii'inifiHt'ii'Hiy'iyii

10.09.05 MUSICWEEK 23

Oasis climb five places to the top spot, displacing Coldplay in the process. Jamesy P, Sean Paul, Keane, Jo O'Meara and the Sugababes make encouraging gains

Q 5 I G0RILLA2 OARE RURLCPHONE 22 26 17817 21 5 | GOLDFRAPP OOHLALAMUTE 22 25 17281 3 ! 5 | RIHANNA PON DE REPLAY DEF JAM yfT THE PUSSYCAT DOUS FEAT. BUSTA RHYMES DONT CHA MW 23 ~fc227 5 12 ) GWEN STEFANI COOL INTERSCOPE 21 16574 5) 2 (THEWRITESTR1PES MYDOORBELLxi 21 5 j 101 LES RYTHMES DIGITALES JACQUES YOUR BODY„. DATA 21 8 12 OASIS THE IMPORTANCE OF BE1NGIDLE BIGBROMR 19 15016 8110 | FREEMASONS FEAT. AMANDA WILSON LOVE ON MY MIND loaded ' 19 132» 10 2 j COLDPLAY FIX YOU rarlopkone 18 13516 lOj 14 j KAISER CHIEFS IPREDICT A RIOT b-umque/polydor 18 10724 12j 171 FOOFIGHTERS DOArca 17 15701 12 1 | THE BLACK EYEDPEAS DONT LIE mt 17 12778 12 24 j SEAN PAUL WE BE BURNIN" ahantic 17 9519 15) 5 1 THE MAGIC NUMBERS LOVEMEUKEYOUheavenly 16 13168 15 17 | FRANZ FERDINAND DO YOU WANTTO DOMINO 16 12117 15115 j KTTUNSTALL SUDDENLYI SErellhtless 16 9473 18 23 j KANYE WEST GOLDDIGGER ROC A-felia 15 1040? 18] 30 j MYLO VS MIAMI SOUND MACHINE DOCTOR PRESSURE rreastfed 15 10238 18| 4 | JAMIROQUAI SEVEN DAYSIN SUNNY JUNE sonybmg 15 10229 2ljoj MCFLY IUBEOKisiand 14 10891 21 © JAMESY P NOOKIE SMOOVE 14 10513 21124 GOLDIE LOOKIN CHAIN YOUR M1SSUSIS A NUTTER atiakîic 14 8416 24 0 HARD-FI UVING FOR THE WEEKEND necessary 12 6932 24 0 X-PRESS 2 GMITskint 12 4806 26|15 SUPAFLY VS FISHB0WL CET DOWN EVE industries 11 6926 26 j 24 DAVID GRAY THE ONE I LOVE IWAïlahtic 12 11 6490 28] 301 SIMON WEBBE LAY YOUR HANDS innocent 10 10 8351 28( 271 THE BRAVERY UNCONDUIONAL loog 10 28 0 JEM W1SHI SONYBMG 10 | DAMIAN MARLEY WELCOME TO JAMROCK ISLANO 10 57W

Iff lî

DANia POWTO! BAD DAV wari® bks JAMES BUINT YOU'RE BEAUTIFUL WIMTIC f

M GWEN STEFANI COOl INTERSCOPE » 6 9 COLDPLAY FlXYOUPASimro 0» « 8 15 KTTUNSTALi SUDDENLY ISEE REUNTIESS EB3 J»

8 NATAUEIMBRUGUA C0UNT1NG DOWN THE DAYS kighiside ms 12; 10 DAVID CRAY THE ONE 1 LOVE mwnMnc » « M:21 G0RI11AZ DARETOEOPHOEÎ » wo 16 11 CREEN DAY VVAKE ME UP WHEN SEPTEMBER ENDS REPRISE DBS «J inc 18] 13 MARIAH CAREY WE BELONG TOGETHER Mf JAM « 20! 30 RIHANNA PON DE REPLAY otFjAJj M 22i 17 TEXAS GETAWAY MERCURY M 24,0 MYDO VS MIAMI SOUND MACHINE DOCTOR PRESSURE BK/OTID - 0, 26125 27124 CIRES ALÛUD LONG HOl SUMMER POIVOOS TOECORAL IN THE MORNING DEETASONIC - » - 28127 18

THE MAGIC NUMBERS LOVE ME UNE YOU HEAVEHIV KT TUNSTAU OTHER SIOE OF THE WORLD RHINHBS GOLDFRAPP OOH LALAMUIE "i" ss, .7

The UK Radio Aii

A /// / / -y y

i 6 OASIS THE IMPORTANCE OF BEING IDEE 1620 40 68.51 37 2 ; 10 5 DANIEL POWTER BAD DAY 2453 -1 60.75 •8 3 ■ 6 0 COLDPLAY FIX YOU K#L™ 1659 10 57.99 ■14 4 5 u GWEN STEFANI COOL 1879 17 57.64 14 5 3 17 10 JAMES BLUNT YOU'RE BEAUTIFUL 2344 ■4 53.78 ■12 6 8 , 12 KTTUNSTALL SUDDENLY I SEE MIlîss 1509 27 53.17 9 7 7 THE BLACK EYEDPEAS DONT UE 2108 14 51.25 -4 8 10 8 DAVID GRAY THE ONE I LOVE 1309 5 48.03 W 9 11 1 GORILLAZDARE 1403 33 4L03 20 10 18 3 0 JEMWISHI w** 605 74 38.02 33

111 13 4 « THE PUSSYCAT DOLLS FEAT. BUSTA RHYMES DONT CHA 1205 23 37.75 14 12 9 7 «6 JAMIROQUAI SEVEN DAYS IN SUNNY JUNE sonvbmo 1597 1 36.34 -29 13 6 SIMON WEBBE LAY YOUR HANDS 1216 0 34.31 H 14 15 5 2 RIHANNA PON DE REPLAY 964 28 34.13 11 15 16 6 >8 GOLDFRAPP OOH LA LA 522 5 33.74 16 16 11 8 43 THE MAGIC NUMBERS LOVE ME LIKE YOU ««v 705 -17 3026 ■21 17 2° 7 13 KAISER CHIEFS I PREDICT A RIOT outoowxio 1131 34 29.03 7 18 7 8 30 CRAI6 DAVID ALL THE WAY ««bros 1344 -22 28.07 -76 19 24 5 15 MCFLY HLBEOK ^ 771 -22 25.78 ■ 9 20 19 5 21 FREEMASONS FEAT. AMANDA WILSON LOVE ON MY MIND ioadlo 790 6 24.98 -12

: 21 27 23 39 BODYROCKERSI LIKE THE WAY >»cm 1244 7 24.89 14 22 30 7 0 ROBERT POSTGOTNONE «œ™ 547 •30 24.07 15 23 17 15 54 CHARLOTTE CHURCH CRAZY CHICK sonve» 1486 -12 23.10 ■24 24 29 7 16 THE WHITE STRIPES MY DOORBELL 548 10 22,66 7 25 M 3 0 MYLO VS MIAMI SOUND MACHINE DOCTOR PRESSURE «usm 733 6 22219 21 ■ Higtet nliy O Btggcst increJM in audiMice ■ AutEance inaejîe ■ Kigbest Tcç 50 ClinAer K Bmest increase m plays H Anitence increaje d 503 ivtTO,

Cool 1s the fourth single from Stefanlfs début safcs wock-i week, TIjo album sold 17,112 copies

gjfpyE rVÎYMIND

[éË ? 1

m ih ' y:;-.: I mm

THE BLACK EYEOPEAS DONT LIE

24 MUSICWEEK 10.09,05

K Nielsen Music Control

irplay Chart

GREEN DAY WAKE ME UP WHEN SEPTEMBER ENDS NERINfl PALLOT ALL GOOD PEOPLE FRANZ FERDINAND DO YOU WANT TO MARIAH CAREY WE BELONG TOGETHER FDD FICHIERS DOA NATALIEIMBRU6LIA COUNTING DOWN THE DAYS PAUL MCCARTNEY FINE LINE LES RYTHMES DIGITALES JACQUES YOUR BODY KANYE WEST GOLD DIGGER JAMESYPNOOKIE THEROLLING STONES STREETS OF LOVE SEAN PAUL WE BE BURNIN' THE CDRAL IN THE MORNING LEE RYANARMYOF LOYERS KEANETHISIS THE LAST TIME JOHN LEGEND NUMBER ONE JO O'MEARA WHAT HURTS THE MOST SUGABABES PUSH THE BUTTON SHERYLCROW GOOD IS GOOD SUPAFLY VS FISHBOWL LET'S GET DOWN KELLY CLARKSON SINGE U BEEN GONE GIRLS ALOUD LONG HOT SOMMER SCISSOR SISTERS TAKE YOUR MAMA HARD-FILIVING FOR THE WEEKEND 100 on Sat Sept 3 2005. Stolions ranjced fay audience figures on la

SinGLE minoED PRomoTions GETTING IT ON! 0870 011 3748 or07860 391 902 TONY@SINGLEMINDED.COM 1 WWW.SINGLEMINDED.COM

13. Simon Webbe YourHands Dipping 4-6 on ils reachesa ni %

COLDPLAY F1X YOU PARLOPKONE THE PUSSYCAT DOILS/BUSTA RHYMES DONT CHA AtM ROBERT POSTGOTNO; MYLO VS MIAMI SOUND MACHINE DOCTQR PRESSURE BREASTTED 2259 NERINA PALLOT ALL GOOD PEOPLE m FRANZ FERDINAND DO YOU WANT TO domino FOOFIGHTERS DOArca KANYE WEST GOLD DIGGER roc-A fella JAMESYPNOOKIE smc JO O'MEARA WHAT HURTS THE MOST sanctuary SUGABABES PUSH THE BUTTON isu SHERYL CROW GOOD IS GOOD a&m SUPAFLY VS FISHBOWL LETS GET DOWN eye industries HARD-n LIVING FOR THE WEEKEND NECESSARY SIMPLE MINDS HOME SAN 18 KATIE MELUA NINE MILLION BICYCLES dramatico 19 GOLDIE LOOKIN' CHAIN YOUR MISSUS IS A NUTTER ATLANTIC 9.74 2Ô| ALEX MCEWAN MAKE A WAVE fori

li'il'Il'FiH'i'Hifl | OASIS THE IMPORTANCE OF BEINC IDEE

KT TUNSTAU SUDDENLY1SEE | LIBERTY X SONG 4 LOYERS KAISER CHIEFSIPREDICT A R10T GWEN STEEAN1COOL 9 | PUSSYCAT DOLLS FEAT. BUSTA RHYMES DONT CHA IW SUGABABES PUSH 1HE BIOTON

RADIO THREE Jazz legends - lou

É 4 | OASIS THE IMPORTANCE 0F6E1NG1DLE BioeramER 2 6 JEMWISHI SWBMC 2 COLDPLAY FIX YOU , «RUSTOE 1 KT TONSTAU. SUDDENLY I SEE BEUNTUS e DAVID GRAY1 HE ONE I LOVE IHÏATIAKHC J NERINA PALLOT ALL GOOD PEOPLE 1MM □ ROBERT POST GOT NONE MEROim 8 il DANIEL POWTER BAD DAY wb.tr asos S 4 PAUL MCCARTNEY FINE LINE (WMKK 10 J THE ROaiNG STONES STREE1S OF LOVE VIKIN n n JO O'MEARA WHAT HURTS THE MOST SAKcraw n P GOLDFRAPP OOH LA LA wm n 29 ALEX MCEWAN MAKE A WAVE K*œ n 20 SIMPLE MINDS HOME SATtClUAm 15 15 GWEN STEFANI COOL miERSaK 15 8 j SHERYL CROW GOOD IS GOOD «M 15 29 KATIE MELUA NINE MILLION BICYCLES «amaiico 18 u | BEULAH SWEET KINDASOMETHING tomusaioassics 19 201 SIMON WEBBE LAY YOUR HANOS la-oceiT 19 u i JOHN LEGEND NUMBER ONE cotuueiA

Albums FRONTLIKE RELEASES CLASSICAL □ NYHAM, M1CHAEL MSfl AND BW OAW Oetlan ClJgm (CD MNBCO1012) DANCE □AGK THE UKING Of TH1NCS Kg Wl ICO fACÎOR 15 ON FACTOR15DI □ BUDOS BANDJHE THE BUDOS BAHD Daplw (CD DAP 00SCD)

Elvis Costello Tlie Right Spectacle (Démon Vision DEMONDVD 003) Having taken RtfflfT consummate ^.SPECTAOE care with ils | acclaimed | repackaging of 1 album back I catalogue. Démon bas applied the same high standards to this DVD, which contains 27 promotional videos of tracks released between 1978 and 1994, with a playing time of more than 90 minutes, and 70 minutes of bonus footage of Costello performing for UK, Dutch and Swedish TV caméras from 1977 to 1983. The resuit is an engrossing study of the development of one of the UICs most enduring talents, with a video commentary from Costello himself. Many of the performances herein hâve rarely becn seen since the original release of the songs in question, and there is little doubt they will be welcomed enthusiastically by Costello's still large fanbase.

Always And Forever: An Evening Of Songs At Royal Albert Hall (Epie 2019919) ofaco ; recording from F which first 1 surfacedthe I followingyear, 1 andsoldabout

under a différent catalogue number. Hardcore fans would argue that as this was recorded at a concert to promote his covers album Songs, it includes rather too many remakes - Hello, The Impossible Drcam, Love The One You're With et al - and that he was in even better form for the 1989 Wembley gig which is also available on DVD. Ail true - but equally it is an opportunity to see one of the finest song stylists of his time, and a poignant reminder of his sublime vocal skills. Duran Duran GreatesKEMI 3116380) mm With Duran m Duran to tour MBîfflBM the UK in WSlHrjJlSIl December, EMI bas once again repackaged Greatest, this time accommodating the CD and a pared-down version of the DVD in a single package with a 'Sight & Sound' sticker on the front.

□VISION 8UAK CARPATWA ftoolBy (CO PRO 079) ROOTS _ SIN INFILTRATION VP (CD VPRL1731'

IVE IN LONDON VOL 2 HlHil (CO HRKCO 8107) ' t H1U.B1LLV WJD WESTERN SWINGliGEND" RA Ultra (CD ESC 65122) EBOX HITS Amlnl (CO ACHCO «12) IN DUBW1ZE Earthqiatr (CO EQCO 0081 tS soundtrack Oarra □ VAR10US MUROERBAU. (0ST) RynxliKlCD RC01«)62) to URBAN _ ■ Y0UCANT IMAGINE H0W MUCH FUN WE'RE HAVING Rhyniesa>w

OTHER □B0DUF SONGS BODUF S0NCS Kranky (CD KRAHK 085) □ CLUE TO KA10 ONE WAYITS EVERY DAY The Leaf Label (CD BAY 45C0 LP BAY 45V) ■C0C0R0SIE N0AHS ARK Toucb & Go (CD TG 281C0 LP TG 281LP) □ DEERH00F GREEN COSMOS Ail Tomorrows Parties (CD ATPRCO17) □DMX KREW WAVE CO Rephlex (CD CAT165CO) □FIANCER SPIRITUALS Nonplacc (CD NON 18CD LP NON 18LP) □ MARCLAY/TONE/WOLFF EVENT Asphode! (CD ASP 2032) □PEST Ali OUI FALLOUT Ninja WCDZ^UO^ZENUO) □ YOUNGSL RIOWRD MN AIVE SlSÏÏjag Jaguwar (CO JAG 71) CATALOGUE & REISSUES □ ALARM SOUND AND THE FURY Snapper (CD SBOX 023)

iHUP, THE UNTREAmE 368) ^^E^noSSr&ENlTO CHANCED m Urt Jealoos (CD JLS )2) E BURCKS Hadpen (CD HPfi 0I7CD) BOU VACABOU Rytodi* (CD HNCO1486) XIS HOWS AEOUT THAT THEN Cherry Red rmi'

□ CARTER, BETTY LETS FALL IN LOVE Cambil (CD 69219) □CLEFTONES,THE HEART AND SOUL Ccllectables (CD COL 9914-2) □ CUCK. DANNY NIGKT OF THE UVING Appaloosa (CO AP137)

p": □ DENNY, SANDY WHERE THE TIME GOES Sanctuary (CO Cf/RCO 1181) nnFSwnNn paru nRSTPiarFacûiiic,mwim«m7i □ EMERSON, KETin AT THE MOVIES Sanctuary (CO CMCTD12141 □ EMERSON. KEITH HONKY Sanctuary (CO CMRCO12151 □ EM, BRIAN 4 HAROUIBUOD THE PEARL Vrrgin Catalogne (CO ENOCD B) □ ESS1C, DAVID INTO THE lOWERING SKV Appaloosa (CD AP 14121 □ EVANS.BIliCÛNOUCTEOBY GUHTHER SCHUUER Gambil (CD 69214) □ FtAMINGOS, THE IONLY HAVE ETES FOR WU ColeclaUts (CO COL 9916-2) □ FLANAGAN, TOMMY THE TRIO Gambil (CD «2)8) □GARNER. ERROL MOONGLOW Midnitc Jazz & Blues (CD MJB 0141 □ OEOBCIA YEUDW HAMMERS JOHNSON OLO GREY MULE BACM (CO BACMCOD 0731 nCCTZ, STAN AUTU1AN LEAVES Mdnle Jazz 4 Bte (CD MJB DIS)

□ OOOOMAN, BENNY CLASSICS194M7 Classis (CD 1385) □ HARIMAN, JOHNNYIHE TOKYO ALBUMS GamW (CD 692161 □H1NES, EARL ONE FOR MY BA6Y Black liai (CD BICD 760198) □ HODCES, JOHNNY ClASSICS 1951-52 ClassrŒ (CO 1389) □HOUDAY, B1UJE NICHE AND DAY iOTra Gold (CD FG 320) □ HORSBUIÎCH, WAYNE SONGS OF THE ISIANDS Jasmine (CD JASCD 4251 □ JONNSTON. DANIEL FEAR YOURSELF Stelchbook (CO SKETCH 003) □ KSUEN, KITTY LlTTlf THINGS MEAN ALOT Jasrrâc ICO JASCD 424) □ LEGRAND, MICHEL LE JAZZ GRAND Cherry Red (CD FMFOUR1) □ UGHT CRUST DOtlCHBOYSJHE IDNE STAR STATE 193541 Caille (CD CCD 2611 □UDHTTOOT. CORDON IF YOU COULÛ READ MY M1N0 Falct» (CD UN 3930) □ MARVIN, JOHNNY 11.1 THE MAN WHOS BEEN EORGOITEN BACM ICD BACMCOD 0751

J MOODY, JAMES CLASSICS 1951 Classis (CD 1388) □ MORSE LEE [El [ l onill f lt, BSSSSSSS □NEKTAR MAGIC IS A CHILD Edeclic (CD DNECD1211)

26 MUSICWEEK 10.09j05

Albums listed this week: 251 Yearto date: 8,650 Singles listed this week: 136 Yearto date: 4,710 011(020)^218327 or e-mailed to owcn^musio Records released 12.09.05 n NOCHES DE FLAMENCO VOL 3 Oiscmedi (CO DM 406302) M HOCHES DE FLAMENCO VOL 4 Oiscmedi (CD DM 40640?) nNOCHES DE FLAMENCO VOL 5 Oiscmedi (CD DM 406502) nWHTÎlSIDEfi.LVN iih'iIriMl ANO jltlf'.r>(TMiCD 11f.'CD 238^ nNORVa RED CLASS1CS1945-47 Cbssics (CD 1386) H PARKER. LEO LET ME TELL YOU BOUT IT Blue Note (CD 3114912) nPATTON, CHARLEY THE DEFINITIVE Swpper (CD S8QX 021) ; '1PENTAGRAH 6c FORP.VARNLD 5r. ip{>T (CD COVilf.O ■]?) □POWELt BUDINNER FIRES Colleclabtes (CD COL 6740-2) □ RED LORRY YELLOW LORRY TALK ABOUT THE WEATHER Cherry Red (CD CDMGOTH 24) REGENTS, THE BARBARA ANN Codeclables (CO COL 9922-2) □REINHAROT. DJANGO DJANGO REINHARDT Centurion (CD IEJG 2012) QREINHART, DICK A BROKEN HEART FOR A SOUVENIR BACM (CD BACMCOD124) □ RODCERS, JIMMIE HONEYCOMB Cotloclabfes (CD COL 933-2) □SHINER, MERVIN STEPP1N OUT BACM (CO BACMCDD125) □SMim JIMMYTHE SOUNOS OF JIMMYSMITH Bluo Note (CO3U4272) □ SPEAR OF DEST1NY BEST OF Snapper (CD SMDCD146) □ STAFFORD. JO BEAUT1FULISLE OF SOMEWHERE BACM (CD BACMCOD 123) □ SYMPHONY IN PERIL THE WHORES TROPHY Facedown (CD FCD 041) □TAYLOR. CECIL KARD DRIVING JAZZ Gambit (CO W221) □ TAYLOR, CECIL THE GREAT PARIS CONCERT Bladc bon (CO BLCD 760201) QTERR0RVIS10N FOR ONE NIGHT ONLY Snapper (CD SMACO 918) VALENTTNES ULY MAEBELLE Wlectables (CD COL 9923-2) □THEATRE OF HATE BEST OF Snapper (CO SMDCO 206) □ TURRENTTNE. STANLEY THATS WHERE1TS AT Bîue Note (CD 3114952)

□ VAR10US A FINE ROMANCE Snapper (CO SBOX 026) □ VARIOUS SOUNOS FROM MOTOR CITY Air (CO NSTBX 456F) □ VARIOUS HILLBILLY BOP, BOOGIE AND THE HOftKY TONK BLUES Jasnwe

□VARIOUS 100 UNFORGETTABLE SONGS Flalpack (CD FPF1121 □VARIOUS THE VERY BEST OF THE RAT PACK Air (CO NSTBX 456) □WASHINGTON, DINAH THE BEST OF Worton (CO 221399) □ WATERMAN, STEVE 0CT08ER ARR1VAL H>riro Jazz (CD HYDROCD 03) □WILLIAMS, CURLEY SWING AND BOOGIE Cattle (CD CCO 257)

□ SPEARS, BILLIE JO COUNTRY MUSIC COMES TO EUROPE Air (0160VO) □ VARIOUS RHYTHMLOUNGE 3 Large (LARCD 008)

Singles □THOM, SSMMIWISH1WAS A PUNK ROCKER (WITH MWERS IN MY BAIABA Legscy

□XflŒSS 2 GM n/IBASW - □ YEUO, MIKE LITTLE WWBA FasKon UE" FASH 001) □ ZOO BRAZIL BOF AND SIAOE/TBA Airtigrii RranJinçs (12' AIR 031) l POP ■ 50 CENT OUTIA CÛN-TROL/TBA Potylor (00988526000988543012' 9885302) l " - CTS DIRTY LITTLE SECRET/TBA Mydor ICO 9384832 T 9884836) l

suggesting that EMI may be putting out a sériés of similar titles rather like Univcrsal's d+Vision sets. The CD has sold more than 771,000 copies n'. 1998, and the DVD nearly 60,000, so this new package should generate plenty of interest, especially as it is bcing given the full press treatment. The Average Whitc Band Live At Montreux 1977 (Eagle Vision EREDV 455) H Oneofthebest

Montreux excellent set captures the Average "■" te Band at the peak of their îr, and making their only performance at the jazz festival in July 1977. The main feature finds the band at its irrésistible best, effortlessly pumping out 2+-carat funk, with outstanding soulful vocals from both Alan Gorrie and Onnie Mclntyre. The set is sprinkled with hits, including obvious highlights such as Pick Up the Pièces and Cut The Cake and also includes a brilliant 17- ite version of Marvin Gaye's I Heard It Through The Grapevine.

□ OJ cmis & DAVID PENN ESPERANZA/TBA DelMed (CD DFTD UlCOS ir DriD IZ'DFIDIM) □ DJ DOZIA OH A E VA/TBA Bodt 82'ROC 007)

□ HAHMOND, LOL PIANO LESSONS EP/TBA Big Chili ICO CHILLEP 009 DM CHIUEP 0O9D) □HEART 1HR0B TIME FOR ENSOR EIVTBA Minus 02'MINUS 31) □ HIU. K1M RIGHINOWIBA Caicrclo Groows (IT CG 0010) □ JA22JUICE6UGAE □«traïASBEI1

RISON BAND PUT SOME CR1T IN IT/TBA Tnj Thoughls (T MGFIO 0021 SOUEBODTS SP0I7TBA Sunday Best (DN SBEST Z9D12" SBEST 29)

□ LWID PEOPtE 1RIP EP/TBA Cijhon ^ □MOLEJHE HV DOO ARTHUR EP Artubus HT ABB 003) KEN BLUE FUTURE EfWl CorabiraUm OT CORE 0341)

£ A HIGHER PLACE London 3m Radio (CD HEDKCDX OU)

DES BERUN ZONA OE CURVAdW Ungladl QT ™ m) OSHYFX PLASTIC S0U1/TBA Bats 112' 6INC0 331 QsiiVEH CITY SHIVER/TBA 20720 Vision (17 VIS 22A) DsOfHlSTICAnONS FEET AND H1PS71BA Ira ThoughB (T MGFID 0011 □ SPITTIRE SHAKE IT PerlKlo (CO CDPER 003) □ SPOON, DAVE SUNRISE ER71BA Bh Love (12* Bl 020) □ STARS. RACNEAt mTBESEWASVOU/lBAHossydS-HUSSYBOOl) □sniMANT DJÏ W1CKED OJ/TBA Slinvlain 07 TOOL 015)

■ PAUL. SEAH WE BE BURNIN/IBA Allanlic (CD AT 02I8C0 CO AT 0218CDX17 AT021811 QSA8TAIH,DANTRVlNT0SAY/TBA0neLiltleInffian(r708TP7) □ SADCYHOMŒY GOOD DAY DOIVNTBA Mîasured (CD MRMONKEY 2SCD) ■ STATUS QUO RARTY AIHT OVER YE1/TBA SanctmiY (CO SANXS 4007 SANSE 400) □ VEK. TOM N0TH1NG BUT GREEN UGHTS/TBA KIIsum 07 KITSUNE 026) ^ .(ES THIS CLEGY HIS AUIDPSV Earadio (CO MOSH 319CD) □ BRIGADE MAOE10 WRECK/TBA Mighl» Atoll (CD MTV 3731 □ CKTPS FOR THE POOR LSD WHO SAID THAT7/TBA liMsible Spis (T INV 015)

□ SLEATER KINNEY JUMPERS/TBA Sot FVp (CO SPCD 698) □ STEREOUBINTERLOCK/TBA Too ftire V PURE 176) □ STEREOLAB KVBERJiEIICKA BABICKAFT, 1/TBA Tm Pm (7 PURE 174) □VARIOUS CLUB AC30 45 CHib AC30 (CD AC 302065) ROOTS □ KNOIS, KEHNY UP THERE/TBA Ljsll (10" 1RS 07) URBAN □ADOUSTEPUiyiBATraRqnOZ-TRRZQO

□ YAYlt TONY SO SE0UCT1VE/TBA Wnscgpo (CD 983436017 98»

One Blue Voice (Sanctuary SVEF0097) 1 Alison Moyet 1 bas been in the 1 public eye for re than 20 le'thing of a 1 surprise that I this is her first live DVD set - and it is a good le, recorded before an intimate audience at The Hospital in London's Cuvent Garden. The concert draws heavily on Moyet's

sold its album. Voit than 137,000 copies nce its release last year. With a igular four-piece band and a ring quartet giving sterling tpport, she performs a poweriul t including songs such as WindmiUs Of Your Mind and Almost Blue. Bonus features include four extra performances, iic videos embedded in a long but interesting interview. er Roadrage 2005 (Roadrunner DVD 09439) 1 Hotontheheels 1 ofthisyear's I successful 1 Roadrage tour 1 cornes this, the I fourth budget

I clips of meta] bands signed to the Roadrunner label. Once again, it's a métal fans delight, rounding up no fewer than 31 incendiary videos in a two-hour frenzv from acts such as Cradle Of Filth", SUpknot and 3 Inches Of Blood. Alan Jones 10.09.05 MUS1CWEEK 27

Gorillaz score their first number one of their career by throwing Oasis from pôle position with Dare - the heavily rotated track featuring vocals from Shaun Ryder mmsmsssm

The Officiai UK

n© GORILLAZ OARE ISRlOPWÏlE 2|C JESSICA SIMPSON THESE BOOTS ARE MADE FOR WALKIN' C0UJ«8IA 3|2 RIHANNA PONDE REPLAY DEFJAM 41 1 OASIS THE IMPORTANCE OF SEING IDLE BICBROTHEB 516 DANIEL POWTtRBADDAY WWTOBROS 6 2 SIMON WEBBE LAY YOUR HANDS PITOENI 7 DAVID GRAY THE ONE 1 LOVE mr/Aiumc 8 1 4 THE BUCKEYEDPEAS DONT LIE MM 9 ICI LIS RYTHMES DIGITALES JACQUES YOUR BODY (MAKE ME SWEAT1 DAIA 10!O GWEN STEFANICOOL ISIERSCOPE 1115 JAMES BLUNT YOURE BEAUTIFUL Atuuinc 12|C KT T1INSTALL SUDOENLYISEE SUfKIlESS I3|7 GIRLS ALOUD LONG HOÎ SUMMER POLVDOR 14 J 8 MCFLYTLLBE OK isyw islu CRAZY FROG POPCORN ousio 15|® KAISER CHIEFSIPREDICT A RIOVSINK THAT SH1P B umawoLYDOS 17|0 PAUL MCCARTNEYRNE UNE «RLOPHOSE ISj 12 FREEMASONS FEAT. AMANDA WILSON LOVE ON MY MIND iMe 19|0 ELSOW FORGET MYSELF n 20| 14 BABYSHAMBLES FHCK FOREVER ROUCHTRADE îllO MY CHEMICAL ROMANCE THE GHOST OF YOU REPRISE 22|0 BIG ANG FEAT. SIOBHAN TTS OVER NOW AELAMWITHEWORU) 23j 15 KELLY CLARKSON SINCE U BEEN GONE RCA 24 j 17 CIARA FEAT. UIDACRIS OH lAIACE 25j 10 THE WHITE STRIPES MY DOORBELL XUECOROISCS 26jO R KELLY FEAT. GAME PLAYAS ONLY JIVE 27116 M1HT ROYALE SINGIN' IN THE RAIN OIREOION 28j 22 GOLDFRAPP OOH LA LA uuiE 29118 AMERIE TOUCH COIUMBIA 30125 2PAC FEAT. ELTON JOHN GHETTO GOSPEL INTOISCOPE 31(0 FUNERAL FOR A FRIEND MONSÎERS Alumc 32 21 AKON BELLY DANGER (BANANZA) «VERSAI 33120 CRAIG DAVID ALLTHEWAY WAIWBROS 34126 MARIAH CAREY WE BELONG TOGETHER DEFJAM 35jl3 THE ROLUNG SIDNES STREETS OF LOVE/ROUGH JUSTICE VttCW 36(27 HVP ROC VA BODY (MIC CHECK12) POSITIVA P 3! MATTAFK BIG CITY UFE BUDDBISI PUNK 38|© SYSTEM OF A DOWN QUESTION AMER1CAS/C01UMBIA 39jO JJ72 COMING HOME IAKOIA 40® THE 0RD1NARY BOYS UFE WILL BE THE DEATH OF ME 8 «QUE e Th «d IK Owts Cmoan, 2«B m lui i DANIEL POWTER BAD DAY V/ABKEKBROIHEBS 2(0 RIHANNA PON DE REPIAY DEFJAM 3|2 JAMES BLUNT YOURE BEAUTIFUL AIEAmC 4 O FRANZ FERDINAND DO YOU WANT TO DOMIRO 51 4 BLACK EYEDPEAS DONT UE MM 6 j 5 GORIUAZ DARE msumM 716 KAISER CHIEFS I PREDICT A RIO! B-UNIQUE/POLYMS 8: 8 OASIS THE IMPORTANCE OF BEING IDLE B1C6B0IUER 9] 9 GOIOFRAPPOOHLALA MUTE io|ii WHITE STRIPES MY DOORBELL XL ni 3 MCRYIUBEOK ISIAVD 12(10 KEUY CLARKSON SINCE U BEEN GONE RCA 13| 7 COLOPLAY FIX YOU KRICPTO 14 21 MYLOVS MIAMI SOUND MACHINE DOCIOR PRESSURE BHEASITH) 15 12 BODYROCKERSIUKE THE WAY MERCURY 16(0 C1RLS ALOUD LONG HOT SUMMER POIVDOB 17124 KT TUNSTAU. SUDOENLY 1 SEE REIEKTLESS 18)16 AKON BANANZA (BEUV DANGER) ISIMD H! 18 GWEN STEFANI COOL INIERSCOPE 20! 15 JAMIROQUAl SEVEN OAYS IN SUNNY JUNE SONYMUSIC

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Singles Chart

BODYROCKERSILIKE THE WAY

SYSTEM OFADOWN QUESTION

THE MAGIC NUMBERS LOVE ME LIKE YOU BUSbYUAI UULLb h I BUSTA RHYMES DON T CHA

THE BRAVERY UNCONDITIONAL BOYS LIFE WILL BE THE DEATH OF ME E THIS TOWN AINT BIG ENOUGH FOR E

m, WORLD (IS THIS THE WAY TO)

In a Top 75 chart with just seven new entries, McFiy's more grown-up offering cornes out on top at number one, beating Kanye West into second place

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The Officiai UK

33

COLDPLAY X& EMPLOYMENT®

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F BELIEVE THE TRUTH ID THE STORY GOES /mR DANIEL POWTER

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i 55 61 CHARLOTTE CHURCH TISSUES AND ISSUES ® 56 = CHRIS REA HEARTBEATS - GREATES! HITS 57 52 ; 34 EMINEMENCORE®3®2 58 47 43 ELV i S PRESLEY ELV1S ■ 30 #1 HITS ® 2 ® 2 59 50 A ALANIS MORISSETTE JAGGED LITTLE P1LL - ACOUSTIC 60 4, 32 REM IN Jiim- THE BEST OF -1988-2003 ® j ® 2 61 44 29 ATHLETE TOURIST® 62 É OPETH GHOST REVERIES ^ pj!si2H(i), 63 j " J(ANO HOME^SWEET HOME 64 r THE SUBWAYS YOUNG FOR ETERNITY 65 42 r LONGVIEW MERCURY® 66 19 BLOC PARTY SILENT ALARM ® 67 55 74 SNOW PATROL FINAL STRAW ® 4 ® 1 68 65 24 STEREOPHONICS LANGUAGE.SEX.VIOLENCEOTHER? ® 69 0 r FUNERAL FOR A FRIEND HOURS ® 70 0 — MAXIMO PARK A CERTAIN TR1GGER ® 71 7 THE BEACH BOYS THE VERYBESI OF ® 72 8 SYSTEM OF A DOWN MEZMER1ZE 73 53 NATALIEIMBRUGLIA C0UNT1NG DOWN THE DAYS ® Mi0jij(828ittaîn2iAB„ 74 72 BRITNEY SPEARS GREATEST HITS - MY PREROGATIVE ® : 75 62 1' EDITORS THE BACK ROOM ®

KTTUNSTALL7 MAûtli INE PtYROUX 2- '■WilAHCA^Ya SUPER FURRY ANIMAIS «>

surprîsingly, the 1977 classic Slowhand,

VAR10US NOW THAT'S WHATICALL MUSIC! 61 VARIOUS RENAISSANCE - THECLASSICS VARIOUS NEW WOMAN - THE NEW COLLECTION 2005

VARIOUS THE BEST CLUB ANTHEMS 05 VARIOUS DRUM&BASS ESSENTIALS US SUMMER HOUDAY DANCE CRAZE

VARIOUS PLAY TIME - THE COMPLETE FUN PACKAGE VARIOUS SLAMMIN' V1NYL PRESENTS HARDCORE HEAVEN 2 VARIOUS WESTWOOD - HD US IN THE MIX - REVIVAL VARIOUS ELECTRIC VARIOUS CLUBLAND 7 VARIOUS R&B DANCE MIX

VARIOUS BOB S1NCLAR - IN THE HOUSE BLOC PARTY S1LENT ALARM REf FAITHLESS FOREVER FATTHLESS - THE GRE ATEST HITS

PENDULUM HOLD YOUR COLOUR

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Box sets from

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Deep Purple Listen, Learn, Read On The Beatles The Capitol

EMI

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WWfir'jfl Box set catalogue éUmJUJ Available to order free from EMI Distribution I M ■ 01926 888888 [as 1

1 BOXCAT 2005 Includes full détails of over 100 box and multi dise sets.