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i n i n memory MICHAEL JACKSON: Aug 29, 1958 - June 25, 2009 MICHAEL JACKSON: Aug 29, 1958 - June 25, 2009 19 theSun | MONDAY JUNE 29 2009 soul. Jones and Temperton knew what they were doing: Beat It , cannily, crossed over with the rock market thanks to its Eddie Van Halen riff, and Thriller itself redefined music  video. I’m just the right age to remember sneaking into clubs and seeing the place stop dead when the 15-minute zombie flick was played on the big screen. What Jackson wasn’t, in the context of 1980s megapop, is a “genius”. Unlike Prince or Springsteen, he wasn’t a self- sufficient auteur, and unlike Madonna, he didn’t create his persona through sheer force of will. What he was – and there’s no shame in this – was an incredible entertainer, an untouchable song and dance man. Speaking of which, even his dance routines weren’t self- generated. He may have tried to copyright the moonwalk as his own, but anyone with a sharp memory knows it was actually premiered by Jeffrey Daniel of Shalamar on Soul Train . Post-Thriller , the Jacksons temporarily reunited, most memorably with the video for Can You Feel It, on which the brothers, 100ft tall, stood atop the Golden Gate bridge, scatter- ing fairy dust on the mere mor- tals below. Less celebrated, but equally great, is the rock-funk scorcher they recorded with Mick Jagger, State of Shock . Michael relished these celebrity duets, and his oft-overlooked Paul McCartney collaboration, Say Say Say , features one of his most electrifying vocals. The unimaginable wealth which Thriller brought him led to Jackson’s mad emperor phase: the Neverland ranch, the chimpanzee companion, the diamond glove, the Moonwalker  movie, the oxygen tent, the insistence on the sobriquet “King of Pop”, the facial surgery. Five years passed before Jackson released another album. By the time of Bad , whose title track had a leather- clad Michael playing an uncon-  vincing street thug in the video, the singer’s skin was very, very white (due, it was claimed to widespread scepticism, to the condition vitiligo). Despite some superb tracks – notably the breathless urgency of Smooth Criminal – the writing was, like the album’s pseudo-grafti logo, on the wall. As Michael’s life continued to spiral out of control, from gruesome photos in which he appeared to have no nose to the scandal involving his strange relationship with 13-year-old Jordan Chandler, so the quality of his music deteriorated. He was still capable of putting out the occasional great record, such as Black or White from 1991’s Dangerous , which also featured the minimal, robotic New Jack Swing of the Teddy Riley-penned In the Closet , but Jackson’s 1990s were defined by the likes of the schmaltzy Heal the World and the pompous Earth Song . His antics became increas- ingly bizarre, from arriving on stage via jetpack to presenting himself as a Christ gure at the Brits (prompting Jarvis Cocker’s legendary stage invasion) to the giant efgy of himself he oated down the Thames to promote 1995’s half-hits, half-new album HIStory . A second child-abuse scandal broke out in the new millennium, exacerbated by Martin Bashir’s documentary and by Jackson, unfathomably, dangling his baby out of a Berlin hotel window. Although he was never found guilty, Jackson’s reputa- tion never recovered among the “no smoke without fire” brigade. Much of which comes down to a simple failure of imagination. What if Michael really did pay off the Chan- dlers because he just wanted the whole thing to go away? What if Michael really was so innocent he merely wanted to recapture his childhood with those sleepovers? What if, when he told Bashir “when I look at children’s faces, I see God”, he was being sincere? What if, in short, Michael really was – to quote his own Thriller video n “not like other guys”? The lynch mob had made up its mind, and Jackson’s audi- ence had shrunk. And, harsh as it may sound, this was probably no great loss: 2001’s Invincibl e doesn’t suggest the world has lost a productive talent, and it’s perhaps for the best that we never found out what the This Is It tour would be like. Nevertheless, Michael Jack- son is still loved for what he once was, his influence impossible to ignore. Right now, the more speculation and scum-slinging I hear, the more I feel drawn back to the purity of that four- decades-old a capella vocal. You and I must make a pact/We must bring salvation back/Where there is love, I’ll be there... It’s hard to assimilate the knowledge that, from this moment on, he won’t. – The Independent On record MICHAEL Jackson, the King of Pop who began his career as part of the Jackson 5, recorded nine solo albums between 1972 and 2001, including Thriller , the top- selling album of all time. The Jackson brothers released their first album with Motown in 1968, and Michael released his first solo album, Got to Be There, with the legendary black music label in 1972. He switched to Epic in 1976, releasing his first album under that label the same year, Off the Wall , which was produced by Quincy Jones. In 1995, Jackson released HIStory, Past, Present, Future, a double album of old and new singles. His last album, Invincible, was released in 2001. Thriller , which came out in 1982, remained at the top of the charts for two years and was at No.1 for 37 straight weeks. Ac- cording to industry experts, it sold between 50 and 60 million copies. A number of other compila- tions and singles were also released over the course of his career. They include The Essential Michael Jackson, Micheal  Jackson King of Pop and Remember the Time. Jackson sold some 750 million records during his ca- reer, according to US gures. – dpa MJ Discography » 1972 – Got To Be There, Motown » 1972 – Ben, Motown » 1973 – Music & Me, Motown » 1975 – Forever, Michael, Motown » 1979 – Off the Wall , Epic » 1982 – Thriller , Epic » 1987 – Bad, Epic » 1991 – Dangerous, Epic » 1995 – HIStory, Past, Present, Future, Epic » 2001 – Invincible, Epic Friends and fellow artistes remember MJ pg 20 Thriller legacy that lives on MICHAEL Jackson was one of the biggest stars in the history of music along with the Beatles and Elvis Presley, thanks in a large part to his top-selling album of all time, Thriller . With his high-pitched voice and extraordinary dance skills, Jackson left his mark on modern music, selling a total of 750 million records according to US statistics, a record for a solo artiste. When Thriller came out in December 1982, Jackson, who was then aged 24, was already a star, having made his debut at age four alongside his brothers in the funk group, the Jackson 5. But it was Thriller , Jackson’s sixth solo album, that was his breakthro ugh. The album spent 80 weeks in the top 10 in the US, including 37 weeks at No.1. It went platinum 27 times in the US, and is the only album to be the top-selling album two years in a row (1983-1984). Thriller went platinum in 16 countries, including Britain, France and Japan. Seven of the album’s nine songs were released as singles. It was in a performance of one of those songs, Billy Jean, in a May 1983 televised performance for the 25th anniversary of Motown, that he rst performed his signature “moonwalk” dance move. The legendary black music label first launched Jackson’s career as part of the Jackson 5 in 1968. But it was Thriller, Jackson’s second solo album produced by Quincy Jones, that pushed him and black music in the mainstream. A mix of soul, disco-funk and pop, the album benefited from collaboration with a number of top artistes, including former Beatle Paul McCartney (on The Girl is Mine) and guitarist Eddie Van Halen (Beat It ). The success of the album was also due to social factors. It came out at the height of the vinyl era and the beginning of the MTV era. Music videos provided a perfect format for Jackson’s dancing skills. His ingenious videos helped fuel the success of the channel, which in turn helped crown him the King of Pop. The video for the single Thriller , a 13-minute horror lm spoof directed by John Landis, revolutionised music videos with its choreographed zombies dancing with Jackson. But Jackson was never able to match the success of Thriller with his following albums. Bad (1987), Dangerous (1991) and Invincible (2001) generated less and less cr itical interest and sales. Child sex abuse allegations and his changing appearance also damaged his career. – AFP Market demand SONY Music Malaysia is preparing to release more copies of Michael Jackson’s albums currently available in the market, including his all- time bestseller, Thriller (the 25th anniversary re-release), The Essential Michael Jackson as well as the DVD, Michael Jackson, Live in Bucharest: Dangerous Tour. So far, the company has received orders for some 5,000 units of Jackson’s albums, which will be on sale soon.

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inin memory MICHAEL JACKSON: Aug 29, 1958 - June 25, 2009MICHAEL JACKSON: Aug 29, 1958 - June 25, 2009

19theSun | MONDAY JUNE 29 2009

soul. Jones and Tempertonknew what they were doing:Beat It , cannily, crossed overwith the rock market thanks

to its Eddie Van Halen riff, andThriller itself redefined music

 video. I’m just the right age toremember sneaking into clubsand seeing the place stop deadwhen the 15-minute zombieflick was played on the bigscreen.

What Jackson wasn’t, inthe context of 1980s megapop,is a “genius”. Unlike Prince orSpringsteen, he wasn’t a self-sufficient auteur, and unlikeMadonna, he didn’t create hispersona through sheer forceof will. What he was – andthere’s no shame in this – wasan incredible entertainer, anuntouchable song and danceman.

Speaking of which, even hisdance routines weren’t self-generated. He may have tried to

copyright the moonwalk as hisown, but anyone with a sharpmemory knows it was actuallypremiered by Jeffrey Daniel of Shalamar on Soul Train .

Post-Thriller , the Jacksonstemporarily reunited, most memorably with the video forCan You Feel It, on which thebrothers, 100ft tall, stood atopthe Golden Gate bridge, scatter-ing fairy dust on the mere mor-tals below. Less celebrated, but equally great, is the rock-funkscorcher they recorded withMick Jagger, State of Shock .Michael relished these celebrityduets, and his oft-overlookedPaul McCartney collaboration,Say Say Say , features one of hismost electrifying vocals.

The unimaginable wealthwhich Thriller  brought himled to Jackson’s mad emperorphase: the Neverland ranch,the chimpanzee companion, thediamond glove, the Moonwalker  movie, the oxygen tent, the

insistence on the sobriquet “King of Pop”, the facialsurgery.

Five years passed beforeJackson released anotheralbum. By the time of  Bad ,whose title track had a leather-clad Michael playing an uncon-

 vincing street thug in the video,the singer’s skin was very, verywhite (due, it was claimed towidespread scepticism, to thecondition vitiligo). Despite somesuperb tracks – notably thebreathless urgency of Smooth Criminal – the writing was, likethe album’s pseudo-graffiti logo,on the wall.

As Michael’s life continuedto spiral out of control, fromgruesome photos in which he

appeared to have no nose to thescandal involving his strangerelationship with 13-year-oldJordan Chandler, so the qualityof his music deteriorated.

He was still capable of puttingout the occasional great record,

such as Black or White  from1991’s Dangerous , which alsofeatured the minimal, roboticNew Jack Swing of the TeddyRiley-penned In the Closet , but Jackson’s 1990s were definedby the likes of the schmaltzyHeal the World  and thepompous Earth Song .

His antics became increas-ingly bizarre, from arriving onstage via jetpack to presentinghimself as a Christ figure at theBrits (prompting Jarvis Cocker’slegendary stage invasion) to thegiant effigy of himself he floateddown the Thames to promote1995’s half-hits, half-new albumHIStory . A second child-abusescandal broke out in the newmillennium, exacerbated by

Martin Bashir’s documentaryand by Jackson, unfathomably,dangling his baby out of a Berlinhotel window.

Although he was neverfound guilty, Jackson’s reputa-tion never recovered amongthe “no smoke without fire”brigade. Much of which comesdown to a simple failure of imagination. What if Michaelreally did pay off the Chan-dlers because he just wantedthe whole thing to go away?What if Michael really was soinnocent he merely wanted torecapture his childhood withthose sleepovers? What if, whenhe told Bashir “when I look at children’s faces, I see God”, hewas being sincere? What if, inshort, Michael really was – toquote his own Thriller video n“not like other guys”?

The lynch mob had made upits mind, and Jackson’s audi-ence had shrunk. And, harsh as

it may sound, this was probablyno great loss: 2001’s Invincibl edoesn’t suggest the world haslost a productive talent, and it’sperhaps for the best that wenever found out what the ThisIs It tour would be like.

Nevertheless, Michael Jack-son is still loved for what he oncewas, his influence impossibleto ignore. Right now, the morespeculation and scum-slingingI hear, the more I feel drawnback to the purity of that four-decades-old a capella vocal. You and I must make a pact/We must bring salvation back/Where there is love, I’ll be there... It’s hard toassimilate the knowledge that,from this moment on, he won’t.– The Independent 

On recordMICHAEL Jackson, the King of Popwho began hiscareer as partof the Jackson5, recorded ninesolo albumsbetween 1972 and2001, includingThriller , the top-selling album of alltime.

The Jacksonbrothers releasedtheir first albumwith Motown in1968, and Michaelreleased his firstsolo album, Got toBe There, withthe legendaryblack music labelin 1972.

He switchedto Epic in 1976,releasing hisfirst album underthat label the

same year, Off the Wall , whichwas produced by

Quincy Jones.In 1995,

J a c k s o nr e l e a s e dHIStory, Past,P r e s e n t ,Future, adouble album of old and newsingles. His last album, Invincible,was released in 2001.

Thriller , which came out in1982, remained at the top of thecharts for two years and was atNo.1 for 37 straight weeks. Ac-cording to industry experts, itsold between 50 and 60 millioncopies.

A number of other compila-tions and singles were alsoreleased over the course of his

career.They include The Essential Michael Jackson, Micheal   Jackson King of Pop andRemember the Time.

Jackson sold some 750million records during his ca-

reer, according to US figures. – dpa

MJ Discography» 1972 – Got To Be There, Motown» 1972 – Ben, Motown» 1973 – Music & Me, Motown» 1975 – Forever, Michael, Motown» 1979 – Off the Wall , Epic» 1982 – Thriller , Epic» 1987 – Bad, Epic» 1991 – Dangerous, Epic» 1995 – HIStory, Past, Present,

Future, Epic» 2001 – Invincible, Epic

Friendsand fellowartistesrememberMJ

pg 20

Thriller legacy that lives onMICHAEL Jackson was one ofthe biggest stars in the history ofmusic along with the Beatles andElvis Presley, thanks in a large partto his top-selling album of all time,Thriller .

With his high-pitched voice andextraordinary dance skills, Jacksonleft his mark on modern music,selling a total of 750 million recordsaccording to US statistics, a recordfor a solo artiste.

When Thriller  came out inDecember 1982, Jackson, who wasthen aged 24, was already a star,having made his debut at age fouralongside his brothers in the funkgroup, the Jackson 5. But it was

Thriller , Jackson’s sixth solo album,that was his breakthrough.The album spent 80 weeks in the

top 10 in the US, including 37 weeksat No.1. It went platinum 27 times inthe US, and is the only album to be

the top-selling album two years in arow (1983-1984).

Thriller  went platinum in 16countries, including Britain, Franceand Japan. Seven of the album’s ninesongs were released as singles.

It was in a performance of one ofthose songs, Billy Jean, in a May 1983televised performance for the 25thanniversary of Motown, that he firstperformed his signature “moonwalk”dance move.

The legendary black music labelfirst launched Jackson’s career aspart of the Jackson 5 in 1968. But itwas Thriller, Jackson’s second soloalbum produced by Quincy Jones,that pushed him and black music in

the mainstream.A mix of soul, disco-funk andpop, the album benefited fromcollaboration with a number of topartistes, including former Beatle PaulMcCartney (on The Girl is Mine) and

guitarist Eddie Van Halen (Beat It ).The success of the album was

also due to social factors. It cameout at the height of the vinyl era andthe beginning of the MTV era.

Music videos provided a perfectformat for Jackson’s dancing skills.His ingenious videos helped fuel thesuccess of the channel, which in turnhelped crown him the King of Pop.

The video for the single Thriller , a13-minute horror film spoof directedby John Landis, revolutionised musicvideos with its choreographedzombies dancing with Jackson.

But Jackson was never able tomatch the success of Thriller withhis following albums. Bad (1987),

Dangerous (1991) and Invincible (2001) generated less and less cr iticalinterest and sales.

Child sex abuse allegationsand his changing appearance alsodamaged his career. – AFP

Market demandSONY Music Malaysia is preparingto release more copies of MichaelJackson’s albums currently availablein the market, including his all-time bestseller, Thriller  (the 25thanniversary re-release), The Essential Michael Jackson as well as the DVD,Michael Jackson, Live in Bucharest:Dangerous Tour.

So far, the company has receivedorders for some 5,000 units ofJackson’s albums, which will be onsale soon.