The Art League School Catalog 2014/15

The Art League School

2014/15

Classes in Fine Arts and Fine Crafts

School CalendarSeptember 2014 — August 2015

Fall Term 2014Registration starts August 11, 2014

Start Date End Date

September 15 November 16

Winter Term 2015Registration starts November 10, 2014

Start Date End Date

January 5 March 8

Spring Term 2015Registration starts February 9, 2015

Start Date End Date

April 6 June 7

Summer Term 2015Registration starts May 11, 2015

Start Date End Date

June 22 August 23

Summer Art Camps 2015Registration starts February 9, 2015

Start Date End Date

June 15 August 21

COVER: Marjorie Forgues–OilInside Cover: George Tkabladze–Wood & Stone

Executive Director: Suzanne BethelSchool Director: Kathi Cohen

Catalog Design: Ariane D’Souza, Suzanne Bethel

Imitation is the sincerest of flattery.—Charles Caleb Colton

Be that as it may, this catalog or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of The Art League.

Copyright © 2014 by The Art LeagueAll rights reserved.

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ContentsThe Art League School

General Information/Policies ....................................................... 2–3

Location and Parking ..................................................... 3, back cover

Registration Form ................................................................................... 4

Faculty ........................................................................ inside back cover

Classes

Drawing ................................................................................................. 5–7

Watercolor ........................................................................................... 8–9

Painting ............................................................................................. 10–14

Printmaking ...................................................................................... 14–15

Photography ........................................................................................... 16

Arts & Technology ................................................................................. 17

Teen/Children ................................................................................... 18–21

Ceramics .......................................................................................... 21–22

Sculpture ......................................................................................... 23

Jewelry & Metal ............................................................................. 24–25

Glass.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25–26

Paper & Book .................................................................... 26–27

Fibers ................................................................................................ 28–32

Workshops

Teen/Children ................................................................................ 18–21

Claymation ............................................................................................. 21

Ceramics .......................................................................................... 22

Fibers ................................................................................................ 28–32

Drawing ............................................................................................ 33–34

Watercolor ...................................................................................... 35–36

Painting ............................................................................................ 37–42

Printmaking .................................................................................... 43

Photography .................................................................................. 44

Arts & Technology ................................................................................. 17

Sculpture ........................................................................................ 45

Jewelry .............................................................................................46–47

Glass . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25–26

Paper & Book .................................................................... 26–27

Becoming Professional ...................................................................... 33

Travel ......................................................................................................... 47

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“By nurturing the artist, we enrich the community.”

The Art League develops the artist through education, exhibition, and a stimulating, supportive environment, while sharing the experience of the visual arts with the community.

The Art League is a multifaceted, 501(c)(3) nonprofit visual arts organization that strives to “nurture the artist and enrich the community.” Operated exclusively for charitable and educational purposes since 1954, The Art League’s mission is to develop the artist through mission-based education, exhibit opportunities, and a stimulating and supportive environment, while sharing the experience of the visual arts with the community.

Community Support and Outreach 703-519-1741Donors drive our outreach programs and accessibility initiatves. Supporters of The Art League’s annual fund ensure that visual arts are present in Alexandria as a catalyst for personal enrichment, social engagement, and expressive catharsis.

We have a mission to reach under-served audiences through hands-on experiences in the visual arts. The Art League reaches out to the economically disadvantaged and the physically-, intellectually-, and emotionally- challenged in our community with the following programs.

IMPART (Injured Military Personnel & Art) In collaboration with Fort Belvoir’s Warriors in Transition Unit and the USO, The Art League provides recently injured military personnel with visual arts experiences developed for personal enrichment, improving motor skills, relaxed social engagement, and expressive catharsis.

Space of Her Own (SOHO) An award-winning partnership between The Art League and the Alexandria Court Service Unit, SOHO serves at-risk 10-year-old girls and enriches the Alexandria community. SOHO improves participant’s personal lives through artistic expression, develops meaningful and often long-lasting relationships between mentors and youths, and ultimately reduces juvenile criminal activity in the City of Alexandria.

Geri Gordon Scholarship Established in 1998 to celebrate former Art League School Director, Geri Gordon’s remarkable vision and 20 years of service and dedication, this fund provides need-based art scholarships for students of all ages and backgrounds.

Additionally, internships are available in our gallery, our school, and our development office throughout the year. They provide excellent work experience in the visual arts and meet college internship requirements. For details, please contact the relevant department.

The Gallery 703-683-1780The gallery is located on the first floor of the Torpedo Factory Art Center, in studio 21. Gallery Hours

Monday–Saturday 10:00am–6:00pmThursdays 10:00am–9:00pmSunday 12:00pm–6:00pm

Join as an Artist Member The Art League Gallery is a member gallery providing artists with the opportunity to have their work judged by esteemed local arts professionals, and to compete to exhibit their work in one of the largest galleries in the Washington metro area. The Gallery hosts monthly juried shows, solo artist exhibits, student/faculty shows, and special exhibitions and fundraisers. Membership is open to all.

The School 703-683-2323The school office is located on the 2nd floor of the Torpedo Factory Art Center (TFAC), room 216. The office is open 10:00am–5:00pm, Monday through Saturday. Classes are held in the TFAC and the Madison Annex.

ClassesThe Art League School is a non-accredited institution and is open to all. Day, evening, and weekend courses are offered in virtually all fine arts and many fine crafts. Our instructors are professional artists. The school offers youth classes for ages five through seventeen, and camps throughout the summer. Please call the school office or check the website for more information.

WorkshopsArt League instructors, and distinguished visiting instructors, offer concentrated week or weekend sessions in specific media, techniques, and subjects. Travel workshops to international and domestic locations are also offered year-round. For information on travel workshops, contact Margaret Cerutti at 703-549-5450 or [email protected].

Student/Faculty Show The public is invited to attend our annual Student/Faculty Show in The Art League Gallery, February 18–March 1, 2015. The reception will be held on Sunday, March 1, 2015.

Artfete: Open House & Holiday Party The public is invited to attend our annual open house and holiday party at the Madison Annex, December 5, 2014.

HolidaysClasses do not meet on Thanksgiving, Easter Sunday, Memorial Day, or July 4. These holidays, or any additional days designated by the instructor, will have make-up dates.

WeatherIn case of inclement weather, check our website home page, call the school office, or tune in for announcements on TBD (WJLA ABC 7 and NewsChannel 8) or WTOP 103.5 FM.

The Art LeagueWebsite www.theartleague.org Development 703-519-1741 Gallery 703-683-1780 Store 703-548-8127 School 703-683-2323

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School PolicyNo student will be denied admission on the basis of race, sex, or ethnicity. However, because of the need for group cooperation in classes, The Art League reserves the option of refusing admission to any person deemed incompatible with any class group due to disruptiveness, or for any impediment to the learning process of the group as a whole. Safety precautions and proper use of art materials and chemicals are rigorously practiced. Please use discretion when registering for classes, as The Art League cannot be held responsible for adverse reactions that may arise in some individuals. If you are pregnant, or think you may be, please consult a physician before registering.

The Art League reserves the right to substitute an appropriate instructor when it is necessary.

The Art League is not liable for personal injury or loss of property, including artwork belonging to students enrolled in the school.

To Register 1. Browse the catalog or website to find classes, workshops, or camps. Ongoing additions and corrections are published online. Please check www.theartleague.org/school for updates.

2. After making your selections, you may enroll online using Visa, Mastercard, or Discover, or enroll by mail, fax (703-683-0167) or in person. If by mail, fill out the registration form and send it with your payment made out to The Art League School at 105 North Union Street Alexandria, VA 22314.

3. Upon receipt of your registration form and payment in full you are registered, unless the class is full or cancelled. If the class is full or cancelled, you will be notified and are entitled to a full refund.

You may begin classes in any term and register for workshops at any time.

Late registrations will be honored for available classes only. A transfer fee of $20 will be assessed for each transfer from one class to another, unless the transfer was a result of an administrative decision. All transfers must be made before the third meeting of the class.

No class refunds are given unless we are notified by the Friday prior to the start of the term (see calendar on the inside of the front cover of the catalog). No workshop and camp refunds are given unless The Art League School office is notified at least ten days prior to the start of the camp or workshop. There is a non-refundable registration fee of $20 that is included in the tuition.

LocationThe Art League School is located in the Torpedo Factory Art Center (TFAC) at 105 North Union Street, Alexandria, VA 22314. Classes are also held at our Madison Annex location, which can be entered at either 305 Madison Street or 808 North Fairfax Street, Alexandria, VA 22314.

MetroTake the Yellow or Blue Line to the King Street Station; then take the Alexandria Dash Bus #2 or #5, eastbound. For the Madison Annex, stay on the bus until the Madison and North Fairfax Street intersection. For the TFAC, leave the bus at the King Street and Fairfax Street intersection then, walk 2 blocks east on King Street to North Union Street. Turn left on Union Street, and the TFAC is a half block down on the right. In addition, the free King Street Trolley runs every 15 minutes from the King Street Station to Union Street, seven days a week from 11:30am–10:15pm.

ParkingFor students in the TFAC classrooms, there is inexpensive evening and weekend parking at the City Hall lot at 108 North Fairfax Street. For students in the Madison Annex, free parking is available after 6:30pm at Colonial Parking on 267 Montgomery Street.

The Store 703-548-8127Our store is located in room 217 of the TFAC and is open 9:15am– 4:00pm, Monday through Saturday, while classes are in session. The first two weeks of each term, extended evening and weekend hours are 6:00pm–8:00pm, Monday through Thursday, and 10:00am–4:00pm, Sundays. For the remainder of the term, evening hours are 6:30pm–7:30pm Tuesday and Wednesday. Hours between terms are 10:00am–4:00pm Monday through Saturday. The store may close for lunch.

Art SuppliesThe Art League Store sells supplies at a discounted price to League students and members. Every effort is made to stock items requested by instructors, as well as popular materials for the fine artist. Our staff of professional artists can guide you in your selection.

Most class supply lists are available in the store. Due to our large enrollment, we are unable to email, fax, or read lists over the phone. To receive a class supply list by mail, send a self-addressed stamped envelope to the store.

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John Blee – Acrylic

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Registration Form 2014/2015 Mail or Fax this form with full payment to: School Office Info: THE ART LEAGUE SCHOOL Fax: 703-683-0167 105 NORTH UNION STREET Tel: 703-683-2323 ALEXANDRIA, VA 22314 www.theartleague.org Hours: Mon–Sat, 10:00am to 5:00pm

STUDENT INFORMATION

Name ______________________________________________________________________________________________

Email (for class confirmation) _________________________________________________________________________

Address (check if new address) [ ] _____________________________________________________________________

City _________________________________________________________________ State ________ Zip Code ________

Day Phone _______________________________________ Eve Phone ________________________________________

Minor’s Age ___________ Minor’s Adult Contact ___________________________________________________________

Emergency Contact & Phone __________________________________________________________________________

New to our School? [ ] yes [ ] no New to the Course(s)? [ ] yes [ ] no

Heard about the school by: [ ] Word of Mouth [ ] Radio [ ] Catalog [ ] League Social Media

[ ] Web search [ ] Torpedo Factory [ ] Other _________________________________________________________

COURSE INFORMATION

Term: [ ] Fall [ ] Winter [ ] Spring [ ] Summer and/or: [ ] Workshop* [ ] Camp

Course Title ______________________________________ Course Title ______________________________________

Instructor Instructor _________________________________________

Day/Time ________________________________________ Day/Time _________________________________________

Cost _____________________________________________ Cost ______________________________________________

*Workshop Date(s) ________________________________ & ________________________________________________

PAYMENT INFORMATION

[ ] Payment enclosed (check/money order payable to The Art League, no cash by mail please).

[ ] Yes, I would like to include $1 with my payment in support of the Student Scholarship Fund (ie: cost + $1) or other amount: _______________________[ ] VISA [ ] MasterCard [ ] Discover Network

Card # ___________________________________________________________ Exp. Date _____ / _____ 3-Digit Security Code ________

_________________________________________________________________________________________________________________________________

Cardholder’s name (please print) Cardholder’s signature required

All Students: By submitting this form you indicate that you agree to abide by the school policies (see page 3) including the refund policy that states —No refunds are given unless we are notified ten days prior to a workshop or camp, or the Friday prior to the start of term for classes (see school calendar). There is a nonrefundable registration fee of $20 (this fee is included in the tuition).Signature required __________________________________________ Name (please print) _________________________________________

For Office Use Only

Cash Receipt No. Register online at www.theartleague.orgor

(please specify)

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Basic Drawing (adult)Peter Böttger Scott Hutchison Tania Karpowitz Patrick Kirwin Thanasi Papapostolu Matthew Pinney Priscilla Treacy Nick XhikuThis class provides first-time/beginning students with a solid foundation in drawing. Working with pencil and charcoal, students learn to use line, value, gesture, and perspective. Students also develop the ability to “see” as artists. The class works with a variety of subjects including still life, figure, and landscape. Model fees are extra.

Fall, Winter & Spring (9 weeks)$180 Monday 7:00pm–9:30pm Hutchison$200 Tuesday 9:30am–12:30pm Karpowitz$180 Tuesday 7:00pm–9:30pm Kirwin$180 Wednesday 9:30am–12:00pm Xhiku$180 Wednesday 7:00pm–9:30pm Treacy$180 Thursday 7:00pm–9:30pm (Fall only)Böttger$160 Thursday 7:00pm–9:30pm (W: 8 wks, sts: Jan 29) Böttger$180 Saturday 1:00pm–3:30pm Hutchison$180 Sunday 10:30am–1:00pm Pinney

Fall, Winter, Spring & Summer (5 weeks)$110 Friday 7:00–9:30pm Treacy(starts: Fall–Oct 17; Winter–Feb 6; Spring–May 8; Summer–July 24)

Summer (9 weeks)$180 Monday 7:00pm–9:30pm Hutchison$180 Tuesday 9:30am–12:00pm Papapostolou$180 Tuesday 7:00pm–9:30pm Kirwin$180 Wednesday 9:30am–12:00pm Xhiku$180 Wednesday 7:00pm–9:30pm Treacy$165 Saturday 1:00pm–3:30pm (8 wks: No class July 4)Hutchison$165 Sunday 10:30am–1:00pm (8 wks: No class July 5) Pinney

SketchbooksStephen ProcopioThrough practice and demonstration, participants learn to develop more coherent and engaging sketchbooks. A portion of each class is spent examining and discussing artwork, including the masters e.g. Leonardo, Michelangelo, Rembrandt and contemporaries e.g. Eleanor Dickenson, James Jean, Craig Thompson. Time is spent drawing in and out of the classroom.

$130 Fall, Winter & Spring (6 weeks)Tuesday 9:30am–12:00pm

Gesture DrawingJackie Saunders Students capture the spirit and vitality of the human figure with pen and ink. Contour, cross-contour, and rhythmic lines interact with washes of diluted ink to create expressive, lively figure drawings. Model fees are extra.

$170 Fall (7 weeks)Sunday 2:00pm–5:00pm (starts: Oct 5)

Gesture DrawingAlex BeckThis class provides beginning/intermediate students with an understanding of gesture drawing. Working from models, students learn to draw using contour, rhythm, mass, and shape. Participants also learn how to draw quickly and more efficiently. Using a modernist approach, students learn to be economical and spirited when capturing the pose. Model fees are extra.

$200 Winter & Spring (9 weeks)Saturday 9:30am–12:30pm

Portrait DrawingJin Chung Lisa SemeradStudents develop consistency, accuracy, and confidence before using color. Weekly demonstrations and drills train students to see proportions, planes, values, and learn systematic human head construction. Continuing students may use their preferred media to draw from photos, or 2- and 3-week poses. Basic Drawing is a suggested prerequisite. Model fees are extra.

$200 Fall, Winter & Spring (9 weeks)Tuesday 9:30am–12:30pm (no Spring) ChungSunday 10:30am–1:30pm Chung

Summer $165 Wednesday 7:00pm–9:30pm(8 wks, starts: Jun 24) Chung$185 Tues & Thurs 9:30am–12:30pm(4 wks, starts: Jul 7) Semerad$185 Sunday 10:30am–1:30pm(8 wks ,starts: Jun 28) Chung

Pencil Techniques and ProjectsLisa SemeradStudents learn to use the various hardnesses of graphite pencils on many kinds of papers. The first seven weeks cover techniques such as blending, powders, washes, erasing, and line in expressive and realistic styles. Participants use their own photos and props or those supplied by the teacher. The last few weeks may be devoted to personal projects. This class is suitable for all levels and provides a great opportunity to work with a versatile draftsman and designer at your side. Supplies are inexpensive and uncomplicated. Previous drawing experience is required. A $10 materials fee, payable to the instructor, covers papers.

$185 Winter (9 weeks)Monday 7:00pm–9:30pm

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DrawingThanasi Papapostolou–Pencil

Remember to check for updates andadditions at www.theartleague.org

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Language of LineLisa SemeradApplying the academic concepts and emotional possibilities of line, this course offers a vital step for artists who would like to “loosen up.” Line variations in contour to hatching/cross-hatching, line systems, texture, movement, color interplay, and as an element of overall rhythm and design are covered. Paper varieties and surfaces and their effects on various media are discussed. Suggested materials: graphite, charcoal, colored pencils, pastels, acrylic paint, or ink.

$185 Winter (8 weeks)Saturday 1:00pm-4:00pm

Composition & Design FundamentalsLisa SemeradThe foundation of strong imagery is design—a vital element to all art forms. Students learn to recognize and control movement within the picture plane through study of shape, value, pattern, line, texture, and color in multiple formats. Most exercises are in abstract form, which are then related to both abstract and representational art. No previous drawing experience needed.

Spring (9 weeks)$200 Monday 7:00pm–10:00pm $185 Tuesday 1:00pm–3:30pm

Composition & Design ApplicationsLisa SemeradThis course builds on concepts learned in Composition and Design Fundamentals. Students use representation, depth, transparency, movement, narrative, and color to create more inventive, emotionally powerful, cohesive works of art. Students enjoy success applying theory and technique across a range of media, subject matters, and styles. Weekly concepts are applied to personal subjects or teacher’s assignments. Group critiques enrich the class. Previous experience in individual chosen media is required. Acrylics, oil bars, oil and chalk pastels, and abstract artists are welcome. Sorry, no oil paint.

$200 Winter (9 weeks)Thursday 12:30pm–3:30pm

Academic Figure DrawingMarjorie ForguesStudents learn the academic process used in the old French Academy. Participants study the sight-size method of measuring by working from a plaster cast. The class then expands their study by painting in monochromatic and limited palettes from the live model. Model fees are extra.

$190 Fall, Winter & Spring (9 weeks)Friday 7:00pm–10:00pm

$175 Summer (8 weeks) Friday 7:00pm–10:00pm

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Figure DrawingLisa Semerad Capture the figure quickly, accurately, and confidently. Draw from male or female models each week. Measuring, webbing, value, foreshortening, the head, and gesture drills are emphasized to build strong, well-placed beginnings. This class features weekly demos of technique using simple materials. Basic Drawing is helpful. Model fees are extra.

$185 Fall, Winter & Spring (9 weeks)Thursday 9:30am–12:00pm Thursday 7:00pm–9:30pm (No Winter)

$165 Summer (4 weeks)Tues & Thurs 1:00–3:30pm (starts: July 7)Tues & Thurs 7:00pm–9:30pm (starts: July 7)

IntermediateFigure Drawing: Long PoseLisa SemeradLonger poses allow for more focused, complete or experimental study. Using both clothed and nude models, poses range from 1–6 hours long. Composition, narrative, accuracy, style exploration, and creative approaches are emphasized. Numerous drawing materials are demonstrated. Prerequisites are basic drawing and beginning figure. Model fees are extra.

$200 Fall & Spring (9 weeks)Thursday 12:30pm–3:30pm

$200 Winter (9 weeks)Thursday 7:00pm–10:00pm

Introduction to Artistic Anatomical DrawingThanasi PapapostolouArtistic anatomy is considered by centuries of artists and art academies to be the indispensable bedrock of the figurative arts. This class introduces students to the basic principles of figure structure and anatomy. Progressing sequentially, students learn to “see” anatomical form and render it effectively. This class is a must for those seeking to further their understanding and perception in drawing, painting, or sculpting the human form. Students work from a live model and lectures. Drawing materials are required, and model fees are extra.

$200 Fall, Winter & Spring (9 weeks)Tuesday 1:00pm–4:00pm (no Spring)Sunday 3:00pm–6:00pm

$185 Summer (8 weeks)Sunday 3:00pm–6:00pm

Advanced Artistic Anatomical DrawingThanasi PapapostolouProgressing from the introductory class, and providing more detailed lectures and instruction, this class explores the relationship between anatomy and form. This class is best suited for those who have experience in figure drawing, painting, or sculpting and are looking to hone their skills and elevate the quality of their work. Students work from a live model. Drawing materials are required, and model fees are extra.

$200 Fall, Winter & Spring (9 weeks)Tuesday 1:00pm–4:00pm (Spring only)Sunday 6:30pm–9:30pm


Lisa Semerad–Charcoal and chalk

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IntermediateThe Figure and Portrait: A Modern Approach to Classical DrawingRobert LiberaceThis class explores beautiful master drawing techniques and the artists that used them. Using both authentic and contemporary materials, students study artists from Michelangelo to Ingres in order to develop a deeper understanding of the richness and power of their methods and materials. The fall and spring classes focus on red chalk, pencil, and silverpoint, while the winter class focuses on charcoal, pastel, and watercolor. Model fees are extra.

$345 Fall, Winter & Spring (9 weeks)Friday 10:00am–3:00pm (Winter starts: Jan 2)

Colored Pencil DrawingLisa SemeradParticipants explore drawing with this f lexible, fabulous, controllable color feast, and leave class with hands and clothes clean. Through study from still life and photos students learn about color, layering, mixed media, and solvent techniques, along with the rich color and texture possibilities of various paper surfaces. Previous drawing experience is recommended. Experienced students may pursue personal projects. Supply list is in the store. Bring supplies to first class.

Fall (9 weeks)$185 Monday 7:00pm–9:30pm$200 Tuesday 12:30pm–3:30pm

$200 Winter (9 weeks)Tuesday 12:30pm–3:30pm

$100 Summer (4 weeks)Wednesday 9:45am–12:45pm (starts: July 8)

Colored Pencil Drawing ContinuedLisa SemeradThis class is for people with a basic understanding of color selection and technique wishing to work on their own projects. Topics covered include composition, continuity, concept, and finish. The last hour each week concludes with a lesson for increasing creativity and originality. Supply list is in the store. Bring supplies to first class.


Fashion Illustration (ages 14 to adult)Delphine LeeThis course introduces basic illustration styles and techniques to aspiring fashion illustrators and designers. Students explore historic and contemporary fashion illustrations for inspiration. Students work on drawing, sketching, and textile rendering skills. Participants learn to accentuate illustrations through exaggeration and develop a unique style. Basic anatomy, design proportion, and rudimentary garment construction are covered. Students draw poses from supplied fashion photos and render actual fabric samples for drape, texture, and pattern. Familiarity with drawing materials (pencil, ink, marker, gouache) is helpful.

$185 Fall (9 weeks)Saturday 1:00pm–3:30pm

The Art of CaricatureDavid CarterThe form and communicative potential of the face is a poignant subject of expression for the artist. Caricature extends this visual vocabulary beyond nature’s normal repertoire. Whether for humor, satire, or the creation of fictional characters, caricature is “hyper-portraiture.” Students learn to combine anatomy with creative techniques for exaggerating and distorting the rhythms, gestures, and proportions that make each face unique. Prior drawing/portrait experience is helpful. Model fees are extra.

$155 Winter & Summer (6 weeks)Thursday 7:00pm–10:00pm (starts: W–Jan 15; Su–Jul 9)

Mastering Cartooning (ages 10 to adult)Ricky Bryant Jr.Students further develop their skills and practice methods in cartooning using a step-by-step process of various styles and techniques. The emphasis is on storytelling in comics—from writing a script, to drawing single panel and three-panel comics, and finally developing a one to two page story. This class aims to create fully finished portfolio pieces.

$185 Fall, Winter & Spring (9 weeks)Sunday 11:00am–1:30pm

$170 Summer (8 weeks)Sunday 11:00am–1:30pm

Open-Life Drawing Sessions This monitored open studio is for participants of all levels who like to work from the model using their own media. Sessions require a set enrollment, thus registration is encouraged over drop-in. Drop in* is for currently enrolled students, Art League members, and Benefactors of the League only. Five-week sessions are held twice each term (one immediately following the other).

Fall, Winter, Spring & Summer (5 weeks)$65 Monday 10:00am–3:00pm *$20/drop in$65 Wednesday 10:00am–3:00pm (long pose) *$20/drop in$55 Friday 1:00pm–5:00pm (long pose) *$20/drop in

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Alex Beck–Ink

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Watercolor from Start to FinishGwen Bragg Rachel CollinsThis class introduces classic watercolor techniques and builds slowly from the simple to the more complex. Topics include use of value, control of the medium, color mixing, and composition. Demonstrations are part of the class, but painting from still life and photographs is emphasized. Experienced students focus on assignments to improve color handling, composition, and specific painting challenges.

Fall, Winter & Spring (9 weeks)$200 Monday 9:30am–12:30pm(Fall starts: Sept 22)Bragg$185 Monday 7:00pm–9:30pm(Fall starts: Sept 22) Bragg$185 Tuesday 7:00pm–9:30pm(Fall starts: Sept 23) Bragg$200 Thursday 9:30am–12:30pm Collins

Summer (7 weeks)$175 Monday 9:30am–12:30pm (starts: July 6) Bragg$160 Monday 7:00pm–9:30pm (starts: July 6) Bragg$160 Tuesday 7:00pm–9:30pm (starts: July 7) Bragg

Faces in WatercolorJackie SaundersLearn to draw and paint human faces using shape, proportion, sighting techniques, contour, and cross-contour line. Students learn to mix warm and cool flesh tones from fresh washes of watercolor pigment and define features with clean, descriptive shadow shapes. Correct placement of the features is taught to capture not only the likeness but the spirit of the model. Model fees are extra.

$180 Winter (8 weeks)Sunday 2:00pm–5:00pm

$100 Spring (4 weeks)Sunday 2:00pm–5:00pm (Starts: Apr 19)

Figures in the Landscape from PhotographsSteve FlemingPush watercolor landscapes to a more polished and advanced level by incorporating figures. Students improve their use of figures in compositions, striving for believable and painterly depictions. This class focuses on using photographs for subject reference and strong dynamic compositions, essential to award-winning painting. Class discussions cover color arrangement, organizing shapes for a stronger center of interest and editing images. This class covers all aspects of watercolor painting. Each class features a lesson and a complete demonstration. Some experience with watercolor is preferred.

$145 Fall (6 weeks) Wednesday 7:00–9:30pm (starts: Oct 8, no class Oct 29)

$185 Winter & Spring (9 weeks) Wednesday 7:00–9:30pm

$145 Summer (6 weeks)Wednesday 7:00–9:30pm

IntermediateCreative WatercolorSusan HerronThe focus in this continuing class is a loose and painterly approach to watercolor. Students are encouraged to simplify design plans and look for abstract shapes, contrasts, emotions, and moods. The emphasis is on inventive use of color and development of style.

Fall $200 Thursday 1:00pm–4:00pm (9 weeks)$180 Saturday 1:00pm–4:00pm (8 weeks, starts: Sept 27)

$200 Winter & Spring (9 weeks)Thursday 1:00pm–4:00pm Saturday 1:00pm–4:00pm

$155 Summer (6 weeks)Thursday 1:00pm–4:00pm (starts: July 9)Saturday 1:00pm–4:00pm (starts: July 11)

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Gwen Bragg–Watercolor

Beginning in WatercolorSusan HerronLearn the basics of color mixing, brush handling, and composition in watercolor with an emphasis on creative interpretation and developing a unique point of view. Students receive individual attention while painting a variety of subject matter. The class includes some outdoor painting, weather permitting.

Fall $200 Thursday 7:00pm–10:00pm (9 weeks)$180 Saturday 9:30am–12:30pm (8 weeks starts: Sept 27)

$200 Winter & Spring (9 weeks)Thursday 7:00pm–10:00pm Saturday 9:30am–12:30pm

$155 Summer (6 weeks)Thursday 7:00pm–10:00pmSaturday 9:30am–12:30pm (no class July 4)

Watercolor: A Complete ApproachSteve FlemingClasses focus on a loose and expressive approach to transparent watercolor giving both the beginner and the intermediate painter the knowledge to improve and understand this exciting medium. Brush work, color mixing, interpreting light, application of paint in various styles, and some basic design ideas are explored. Each week includes a complete painting demonstration with a specific lesson, painting time, and group critique. Some watercolor experience is helpful.

$155 Fall (6 weeks)Thursday 9:30am–12:30pm (starts: Oct 9, no class Oct 30)

$200 Winter & Spring (9 weeks)Thursday 9:30am–12:30pm

$155 Summer (6 weeks)Thursday 9:30am–12:30pm

Watercolor

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The Watercolor ExperiencePeter UlrichStudents work to develop confidence, consistency, and an individual style. Instruction is supported by class critique, demonstrations, and individual attention in solving problems in composition, value, and color harmony. The goal is to exploit the uniqueness and “magic” of watercolor with a variety of approaches. Beginners with some experience in drawing or other media are welcome.

$200 Fall, Winter & Spring (9 weeks)Wednesday 1:00pm–4:00pmSaturday 9:30am–12:30pm

The Watercolor StudioSteve FlemingThis class offers a unique, creative atmosphere where engaging the right brain in the painting process is the fundamental goal. Each week’s lesson is based on the core concept of moving one’s work to the next level. A discussion of concepts and artists as well as complete demonstrations and lectures establishes the direction of each class. Students are encouraged to work in their own personal style and direction, and there is no preferred method. Experience in watercolor painting is required.

$155 Fall (6 weeks)Thursday 1:00pm–4:00pm (starts: Oct 9, no class Oct 30)

$200 Winter & Spring (9 weeks)Thursday 1:00pm–4:00pm

$155 Summer (6 weeks)Thursday 1:00pm–4:00pm

IntermediateWater/Color/PaperDeborah EllisIn this class, the emphasis is on working with the elements that make watercolor unique and challenging—the water itself, the hues of different paints, and the complexities of various paper surfaces. Composition, exposure to works of other artists, and critique of our own work are a large part of the sessions. Class includes interior, still life, and outdoor sources, as well as an occasional life model, and museum/gallery visit. The individual participant’s objectives are a primary focus.


Watercolor: Moving OnGwen BraggThis class is designed for students with some experience in watercolor. Delve into challenging topics including mixing and using color, composing a successful painting, experimental approaches in watercolor, developing style and theme, and seeing and capturing the effects of light.

$200 Fall, Winter & Spring (9 weeks)Tuesday 9:30am–12:30pm (Fall starts: Sept 23)Tuesday 1:00pm–4:00pm (Fall starts: Sept 23)

$170 Summer (7 weeks)Tuesday 10:00am–1:00pm (starts: July 7)

Opaque Watercolor: Small FormatPriscilla TreacyMiniature painting has a rich tradition from medieval illuminated manuscripts to the Renaissance, and from India and Persia to Rome. The small format encourages the artist to create something intimate and personal. Gouache (opaque watercolor) is the perfect medium for this type of work. Gouache is a heavy, opaque watercolor paint. It is easier to handle than transparent watercolor because it can be continually reworked, or “corrected.” Students learn techniques and use of tools and materials while the instructor provides examples, designs, and source materials for paintings. Different surfaces and formats are explored and demos of the medium are included.

$155 Fall & Spring (6 weeks)Friday 10:00am–1:00pm (starts: Fall–Oct 3; Spring–Apr 24)

Sumi-É: Oriental Brush PaintingAiko Erickson Charlene Fuhrman Schulz Betzi RobinsonLearn the East Asian brush painting art form of sumi-é. Classes include lessons for beginning through advanced level painters. Each artist instructor brings a personal specialization. Different schools of this ancient art, from traditional to experimental, as well as composition and design, are explained over the year’s curriculum. The fall and spring sessions are team-taught by Betzi Robinson and Aiko Erickson. Charlene Fuhrman Schulz teaches the winter session. The summer session is team-taught by Charlene Fuhrman Schulz and Betzi Robinson.

$200 Fall, Winter & Spring (9 weeks)Monday 1:00pm–4:00pmTuesday 7:00pm–10:00pm (Winter only)

$155 Summer (6 weeks)Monday 1:00pm–4:00pm (starts: July 6)Tuesday 7:00pm–10:00pm (starts: July 7)

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Steve Fleming–Watercolor

Susan Herron–Watercolor

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Beginning/IntermediatePainting (Oil or Acrylic)Jin Chung Marjorie Forgues Scott Hutchison Tania Karpowitz Matt PinneyThis class introduces the underlying concepts of oil and acrylic painting and provides a solid foundation for further exploration. Composition, value, color, materials, and techniques are covered. Students paint from still life or the figure. Model fees are extra. Drawing experience is helpful.

$200 Fall, Winter & Spring (9 weeks)Monday 9:30am–12:30pm ChungMonday 7:00pm–10:00pm PinneyTuesday 1:00pm–4:00pm KarpowitzWednesday 7:00pm–10:00pm HutchisonFriday 9:30am–12:30pm (La profesora habla español) ForguesSaturday 9:30am–12:30pm KarpowitzSunday 1:30pm–4:30pm Pinney

$185 Summer (8 weeks)Monday 9:30am–12:30pm ForguesMonday 7:00pm–10:00pm PinneyWednesday 7:00pm–10:00pm HutchisonSaturday 9:30am–12:30pm HutchisonSunday 1:30pm–4:30pm Pinney

Intermediate Painting (Oil or Acrylic)Scott HutchisonThis class is designed to enhance the methods and techniques of the student with some exposure to painting. Students develop observational skills and knowledge of various subjects, including landscape, still life, and the model. Prerequisite is drawing/painting experience. Model fees are extra.

$200 Fall, Winter & Spring (9 weeks)Saturday 3:45pm–6:45pm

IntermediateOil or Acrylic PaintingMike FrancisThis class is designed for those with some background in painting and drawing, as well as for the more advanced. Students choose subject matter from photographs or still life, and learn new ways of improving the painting. Demos and short art history lectures, with emphasis on color and design, are given as time allows. Discussions focus on ongoing work, materials, techniques, and painting methods.

Fall, Winter & Spring (9 weeks)$200 Tuesday 7:00pm–10:00pm$265 Friday 10:00am–2:00pm

Painting Projects in Oil or PastelLisa SemeradThis class is for students who are familiar with their media and who need time and counsel to bring their ideas to fruition. Any style of painting is welcome as are other media such as oil pastel or charcoal. Emphasis is on composition, narrative, color, technique, and utility. Class time includes teacher demonstrations, individual help, and group critiques every other week during lunch or at the end of class. Students must supply their own photos or still life items and instruction using these items as a launching point for learning what to include or leave out of the composition.

Fall & Winter (8 weeks)$300 Wednesday 10:00am–3:00pm$180 Wednesday 7:00pm–10:00pm

Spring (9 weeks)$320 Wednesday 10:00am–3:00pm$200 Wednesday 7:00pm–10:00pm

Summer (4 weeks)$105 Wednesday 7:00pm–10:00pm (starts: July 8)

Oil PaintingTed ReedThis class is designed for students with a basic knowledge of the fundamentals of oil painting. Beginners learn the fundamentals including color, composition, form, and materials. Intermediate students hone existing skills and explore new challenges. Advanced students work with painting theory and focus on completing professional-quality work. Portrait, figure, and still-life painters are welcome. Model fees are extra for all students regardless of chosen subject matter.

$200 Fall, Winter, Spring & Summer (9 weeks)Tuesday 7:00pm–10:00pmWednesday 9:30am–12:30pm

Independent PaintingJohn BleeThis course provides an outlet for development of a personal pictorial language for both the beginner and the advanced painter. Painting subjects include the figure, still life, landscape, and the imagination. Abstraction is also an area of concentration. Instruction is geared towards the individual student.

$200 Fall, Winter & Spring (9 weeks)Sunday 5:30pm–8:30pm


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PaintingJin Chung–Oil

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Beginning–Advanced Pastel PaintingNancy Freeman For the beginner and intermediate pastel artist, this class provides an understanding of the basic concepts and techniques of soft pastels and drawing. Various subjects, textures, papers, and application techniques are explored. Continuing and advanced students develop facility, personal style, and a deeper understanding of the medium. A $10 materials fee is payable to the instructor.

Fall & Spring (9 weeks)$185 Tuesday 7:00pm–9:30pm$340 Wednesday 10:00am–3:00pm

Art Theory and Studies in CreativityCarol DupréThis is an ongoing seminar-type course engaged in theoretic approaches and a variety of interrelated disciplines as they affect/inform creative thinking and the making of artworks. Examination of sign, text, narrative, form, contemporary process, and consideration of “meaning” is offered. Iconography, process, and imagery are discussed. Class includes painting time, literary documents, and film.

$210 Fall & Winter (8 weeks)Tuesday 1:00pm–4:00pm

Still Life in OilKurt Schwarz John MurrayStill-life painting offers a way to hone skills. This class includes demonstrations of “blocking in” a painting. Students construct a permanent palette and produce archival quality paintings. Participants work to express value, light, and space in their work. Layering and “alla prima” are also covered.

$200 Fall, Winter, Spring & Summer (9 weeks)Wednesday 1:00pm–4:00pm F , Sp, Su:Schwarz; W:MurrayThursday 7:00pm–10:00pm (no Summer) Murray

Trompe L’oeil and Photo RealismPatrick KirwinThe difference between Photo Realism and Trompe L’oeil is one of composition. This class includes instruction on those differences, techniques for making texture, and creating a perfect illusion. New students work on an introductory project encompassing various techniques. Experienced participants have a choice of independent projects or projects designed by the instructor. Acrylics are used to speed up the process of learning but experienced artists are encouraged to use oils. Any media may be used.

$200 Fall, Winter, Spring & Summer (9 weeks)Monday 7:00pm–10:00pm

Portrait and Figure PaintingKurt Schwarz Jin ChungStudents improve their observational skills and gain an understanding of color and value. Emphasis is on completing and refining one’s work in oil or pastel painting. Model fees are extra. Supplies are discussed on the first day of class.

$200 Fall, Spring & Summer (9 weeks)Wednesday 7:00pm–10:00pm Schwarz

$200 Winter (9 weeks)Wednesday 7:00pm–10:00pm Chung

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Four Weeks One PoseMarjorie ForguesThis class provides an opportunity for painters with some previous experience to concentrate on classical painting techniques while capturing a single pose. Model fees are extra.

$165 Summer (4 weeks)Sunday 10:30am–3:30pm (starts: July 12)

Costumed Figure with Narrative ElementsTania KarpowitzStudents spend several weeks working from one or more clothed or costumed models in a complete setting. Participants may work on a long pose or move around making several paintings. Students have time to create their own stories through painting. Model fees extra.


IntermediatePortrait Painting (Oil or Pastel)Danni DawsonStudents of the long pose enjoy a 3- to 5-week pose to produce a finished painting. Participants study the structure of the head, the skull, the muscles, the planes on the face, and the features. Students also learn to create skin tone through color studies. Homework assignments deal with clothing and background. The instructor demonstrates “alla prima” painting and glazing. Various materials and techniques are analyzed. Model fees are extra.

$340 Fall, Winter & Spring (9 weeks)Thursday 9:30am–2:30pmSaturday 9:30am–2:30pm

Intermediate/AdvancedThe Classical Portrait and FigureRobert LiberaceThis class focuses on the two most important traditions in classical painting—Disegno and Colore. The first half of the term looks at the sculptural Tuscan approach of Disegno which involves a developed grisaille and subsequent layers of glazed paint. The second half of the term features the painterly Venetian practice of Colore which relies on direct application of paint. Model fees are extra.

$275 Fall, Winter & Spring (9 weeks)Friday 3:30pm–7:30pm (Winter starts: Jan 2)

John Murray–Oil

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Landscape PaintingFred MarkhamThis outdoor class focuses on composition, value organization, and color relation. Students examine the property of light and how it reveals form and color. Demonstrations clarify procedures for newcomers to plein air painting. Class is held indoors during inclement weather. Locations may not be metro accessible and students are responsible for their own transportation.

$150 Fall & Spring (4 weeks)Saturday 9:30am–1:30pm (Fall: Sept 20, Spring: May 2)

IntermediatePlein Air Landscape PaintingSara Linda PolyThis class concentrates on simplifying complex elements found in nature and building a solid composition. Students explore their personal reactions to landscape while learning design, value, color, light patterns, atmospheric perspective, and paint application. Demonstrations, critiques, and discussion of materials and techniques are included. Any medium is welcome as long as the student is experienced in its use. Class meets in a new local park each week, unless inclement weather is expected. Locations may not be metro accessible and students are responsible for their own transportation.

$200 Fall & Spring (7 weeks)Tuesday 10:00am–2:30pm (Fall starts: Sept 16; Spring starts: Apr 21)

Painting the LandscapeBobbi PratteStudents explore landscape painting and depicting the world that surrounds us. Realist and expressive approaches are covered. The challenge of showing space on a 2-D surface through linear and atmospheric perspective is explored, as well as composition, color, and technique for the landscape painter. All levels are welcome. Oil and acrylics are the mediums of choice.

$200 Fall, Winter & Spring (9 weeks)Monday 1:00pm–4:00pm

IntermediateLandscape Painting: Building Skills and ConfidenceSara Linda PolyThis indoor class covers choosing subject matter when working from photos or sketches, achieving a strong composition, and progressing to a better painting. The use of contrast, strong or subtle light, and color to show distance are explored. Participants are taught to “see” the landscape along with techniques for expressing their emotional reactions to any landscape. This includes painting skies, cloud formations, sunsets, sunrises, and night scenes. Demos, critiques, and personal attention are offered. Any medium is welcome.

$170 Winter (3 weeks)Tuesday 10:00am–4:00pm (starts: Mar 17)

Abstract PaintingDeanna SchwartzbergStudents of all levels develop a working knowledge of abstract painting and acrylic that challenges them to see and interpret in new ways. Color, line, movement, and form are taught through individual instruction and group discussion. Subjects include landscape, still life, and figure as well as non-representation. Model fees are extra.

$275 Fall, Winter, Spring & Summer (9 weeks)Friday 10:00am–2:30pm

Abstract Painting(Oil or acrylic)Bryan JerniganThis class develops students’ painting skills through the self-expression of color and form. Students use color concepts from Post-Impressionism to Action Painting. The motifs of landscape, figure, and still life are examined along with the classic compositional elements of line, balance, and contrast. For novice and experienced painters, students discover the different levels of abstract – from semi-abstract to non-representational. Students respond to color and emotion and document it in class.


$185 Summer (8 weeks)Saturday 1:00pm–4:00pm

Beginning/IntermediateAbstracting with Acrylic PaintsMarsha StaigerFind the fun and freedom of acrylic paints in this class. The versatility of acrylic allows a myriad of possibilities in technique and surface. Each class emphasizes an important element of strong visual art (e.g. color, composition, or value). Each term offers a unique focus: Fall—figure (model fees extra), Winter—mediums and techniques (supply fees extra), Spring—landscape (classes offsite).

$200 Fall, Winter & Spring (9 weeks)Wednesday 1:00pm–4:00pmWednesday 7:00pm–10:00pm

All LevelsWildly Abstract LandscapesBrenda BelfieldThis unique workshop empowers painters to experience landscapes and translate its essential elements into an abstraction. Those with a deep connection to nature and the need to express it learn to “trust the process”, using unconventional tools and media along with liquid acrylics and paper. By stimulating intuitive responses to “wild” nature, painters of all levels discover new creativity and possibilities for work. A small fee is payable to the instructor for supplied materials.

$160 Summer (6 weeks)Thursday 10:00am—1:00pm (starts: July 16)

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Fred Markham–Oil

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All LevelsAbstract Art— New & Creative ApproachesDelna DasturStudents explore imaginative ways to create abstract art by using a wide array of materials such as charcoal, pastel, ink, and paint. New methods to create texture, layers, and bold marks are taught along with the study of line, color, and composition. A different contemporary artist is introduced in each class to inspire new approaches to abstraction. Critiques and demonstrations contribute to this intuitive process.

$200 Fall (9 weeks)Tuesday 1:00pm–4:00pm

$185 Spring (8 weeks)Tuesday 1:00pm–4:00pm

Intermediate/AdvancedEmerge: Advanced Acrylic / Mixed MediaMarsha StaigerThis multi-faceted class stimulates participants to f ind personal ways to create their art. Course includes instructor demonstrations, weekly problem solving warm ups, and critiques. Individual and class brainstorming sessions generate new ideas and directions for growth. This class helps develop technical skills and fosters an intrepid approach towards painting. Each nine weeks focuses on a specific project: Fall—elements & principles, Winter—gels & mediums, and Spring—series work.

$340 Fall, Winter & Spring (9 weeks)Monday 10:00am–3:00pm

Developing the NarrativeBeverly RyanStudents link storylines and visual elements to say something with paint. Approaching content through personal experience, gestural drawing or painting, and experimentation with seemingly random ideas, participants make discoveries leading to individualistic work. Risk-taking, intuitive problem-solving, and discussion lead students to insightful solutions. The building of one’s individual vocabulary of forms is a goal.


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Abstract in Oil or Acrylic — Beyond the TangibleBeverly RyanThis class focuses on the development of non-objective paintings. Beginners concentrate on painting basics and composition while the advanced reach into 20th century and contemporary abstraction. All students explore personal expression, mark-making techniques and painting on a variety of surfaces. Pulling from the “real” world of figures and objects, the course investigates formal issues and new ways of working.

Fall, Winter & Spring (9 weeks)$265 Thursday 9:30am–1:30pm$200 Sunday 11:30am–2:30pm

Beginning/IntermediateAbstract Drawing and PaintingJoyce McCartenThis class is for students at all levels who want to learn the abstract painting process. There are no limits to what an artist can create if they learn the basic language of abstraction and how to manipulate paint. The pure excitement of color, the mystery of line, the safety of structure, and the fun of mixed media are emphasized as the student begins to explore a different, more freeing way of painting. Still life and figure are often used as a starting point. Model fees are extra.

$155 Summer (6 weeks)Monday 1:00pm–4:00pm (starts: July 6)Tuesday 7:00pm–10:00pm (starts: July 7)

Collage: When 2 + 2 > 4Rosemary LuckettStudents explore several ways to enliven collage surfaces and integrate materials using various adhesives. They discover the excitement of working from the heart, accessing the intuition, and making personal imagery by creating fantasy worlds, probing social issues, and transforming old items into new collaged pieces.

$200 Fall (9 weeks)Wednesday 1:00pm–4:00pm

Beverly Ryan–Oil


Scott Hutchison–Oil

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Printmaking in Black and WhitePriscilla TreacyExplore printmaking techniques for black and white prints without the use of solvents or acid. Students begin with monotypes (transfer drawing, dark and light fields) and move on to drypoint etching, learning to draw directly onto plates for printing. Participants add tone and texture to compositions with multi-technique plates. Emphasis is on individual work, composition/design, and best practices for inking, wiping and printing. Collographs may be included. Repeat students work on personal projects and print editions. A $20 lab fee for consumables is payable the first day of class.

$185 Fall &Spring (9 weeks)Wednesday 9:30am–12:00pm

Winter & Summer$185 Wednesday 1:00pm–3:30pm (9 weeks: Winter only)$150 Wednesday 1:00pm–3:30pm (7 weeks: Summer only)

Printmaking in ColorPriscilla TreacyExplore the exciting possibilities of printmaking in color. Students learn drypoint technique, collographs, and several methods of monotype. Multi-media techniques incorporate rolled color, papers applied via Chine collé, and even gold leaf. Emphasis is on individual work, composition/design, and beautiful craftsmanship. All printmaking is done without use of solvents or acid. A $30 lab fee for consumables is payable the first day of class.

$185 Fall &Spring (9 weeks)Wednesday 1:00pm–3:30pm

Winter & Summer$185 Wednesday 9:30am–12:00pm (9 weeks: Winter only)$150 Wednesday 9:30am–12:00pm (7 weeks: Summer only)

Abstract Exploration in PrintmakingPriscilla TreacyPrintmaking is an excellent medium for abstraction. Students may take a pre-planned, composed approach, or a more stream of consciousness, spontaneous approach to work. Monotypes, drypoint prints, and collographs lend themselves readily to non-objective compositions. Emphasis is on individual work, composition/design, and printing a satisfying image. All printmaking is done without use of solvents or acid. A $30 lab fee for consumables is payable the first day of class.

Winter & Summer $200 Friday 10:00am–1:00pm (9 weeks: Winter only)$160 Friday 10:00am–1:00pm (7 weeks: Summer only)

PrintmakingPriscilla Treacy– Drypoint

Collage: Art of TransformationRosemary LuckettThis is the perfect opportunity to finally use those papers, images, odds and ends, and other stashed away ephemera. Students integrate both disparate and complimentary fragments into new collage compositions. Participants are encouraged to ask questions, learn about adhesives, transform materials and ideas into new forms, and enjoy the play of creativity.

$155 Winter (6 weeks)Monday 1:00pm–4:00pm (starts: Jan 19)

Artful Apps Nancy FreemanExplore the wide range of iPad drawing, painting, and transformation apps. Starting with the basics of using apps, students learn useful tricks to aid composition and visualization out in the field or in the studio. Students learn to work with the versatile features and powerful abilities unique to digital media. Apps covered range from simple drawing and camera apps to full artists’ studio with multiple media and serious controls (digital charcoal, watercolor, oil painting) image editors and specialized media simulators. Participants must bring their iPad or iPhone.


Studio PaintingNo InstructorArtists who like a place and time to paint in any medium find this setting ideal. There is no instructor.

$150 Fall, Spring & Summer (9 weeks)Sunday 10:00am–4:30pm

$135 Winter (8 weeks)Sunday 10:00am–4:30pm (no class Feb 15)

Kurt Schwarz–Oil

15

Silk Screen PrintingNancy McIntyreSilk screen printing can fill a page with color in a single stroke, or build layer upon transparent layer of intricate detail. Screen prints may be vibrant or subtle, sharp-edged, or brushy and textured. Students create hand-painted, hand-cut, and photographic stencils, and print through them using water-based non-toxic inks. Lab fee of $50, payable to the instructor, covers supplies and screen.

$215 Fall, Winter, Spring & Summer (9 weeks)Monday 12:30pm–3:30pm (Winter only)Monday 7:00pm–10:00pm

Continuing Silk Screen PrintingNancy McIntyreFor those who have already taken screen printing at The Art League or have significant silk screen experience elsewhere, this class offers individual instruction as students follow their own path working in this versatile medium. Course limited to two students.


Silk Screen Open StudioNancy McIntyreThis studio is for students who are taking or have taken Silk Screen Printing at The Art League. It offers an opportunity for currently enrolled or former silk screen students to work independently, on a drop-in basis, for $10.00/hour.

Fall, Winter & Spring (9 weeks)Monday 4:00pm–7:00pm

Summer (9 weeks)Monday 4:30pm–7:00pm

Discover Graphics Atelier, Inc. also offers printmaking classes through The Art League. The studio houses two etching and two lithographic presses and all other essentials for quality printmaking. Experienced printmakers may apply to be an affiliate artist, for access to the studio for a fee. For more information, call director Penny Barringer 703-549-1381 or visit www.discovergraphics.org.Supplies: Most supplies are available in the classroom. Other supplies are available in the Art League Store and are discussed by the instructor at the first class.

Beginning/IntermediateEtching and Intaglio TechniquesPam Day Nancy Aldrich-WolfEtching is a technique that allows the printmaker to achieve wide tonal range and unlimited detail. Students learn to produce images and small print editions with line etching, aquatint, soft ground etching and dry point techniques on zinc plates. A $40 lab fee is payable to instructor.

Fall, Winter & Spring $205 Tuesday 7:00pm–10:00pm (9 weeks) Day$205 Thursday 11:00am–4:00pm (5 weeks) Aldrich-Wolf

Summer $145 Tuesday 7:00pm–10:00pm (6 weeks) Day$205 Thursday 11:00am–4:00pm (5 wks, starts: Jul 2) Aldrich-Wolf

All LevelsLithography (stone & metal plate)Penny BarringerLithography enables artists to achieve multiple prints using a wide range of techniques including crayon and pencil shading, washes and pen and ink. Students learn to grind a stone and/or prepare a metal plate, develop an image and print a small edition. A $45 lab fee is payable to instructor.

$235 Winter & Spring (6 weeks)Tuesday 10:00am–3:00pmSaturday 10:00am–3:00pm

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Intermediate/AdvancedPrintmaking Projects and TechniquesPenny BarringerThis class is designed for students with some background in printmaking as well as more advanced students. Working with a master printmaker, students refine their skills in intaglio, lithography and/or monotype printing by focusing on individual or class projects. New and more advanced techniques are introduced for student exploration. A $40 lab fee is payable to instructor.

Fall, Winter & Spring $235 Wednesday 10:00am–3:00pm (6 weeks; Fall starts: Oct 22)$185 Thursday 7:00pm–10:00pm (8 weeks; Fall starts: Oct 16)

Summer $195 Wednesday 10:00am–3:00pm (5 weeks starts: Jul 1)$145 Thursday 7:00pm–10:00pm (6 weeks starts: Jul 2)

Introduction to Monotype PrintmakingPenny Barringer Harriet LawlerLearn to make unique one-off prints by manipulating inks directly on printing plates. Whether monotype or monoprint, these painterly print processes call for work in color. Wide ranges of inking techniques, both abstract and realistic, are used. Some experience with color is helpful. A $40 lab fee is payable to the instructor.

$205 Fall (5 weeks)Thursday 10:00am–3:00pm (starts: Oct 23) Barringer

Winter $205 Tuesday 10:00am–3:00pm (5 weeks) Barringer$145 Saturday 1:00pm–4:00pm (6 weeks) Lawler

$205 Spring (5 weeks)Saturday 11:00am–4:00pm Barringer

Woodblock PrintmakingEd McCluneyThis direct and versatile printing process is one of the oldest methods of printing. This course is designed for beginners as well as accomplished printmakers. Using gouges, students learn or improve cutting skills, create personal images and experiment with various types of wood and interesting papers. Prints are hand pulled by traditional rubbing methods or manual presses. Both black and white and color printing are explored. A $40 lab fee is payable to the instructor.

$205 Fall & Spring (9 weeks)Wednesday 7:00pm–10:00pm

$145 Summer (6 weeks)Wednesday 7:00pm–10:00pm

Ed McCluney–Woodblock

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Introduction to PhotographyAlison Duvall Pete Duvall Stephen GoslingLearn the fundamentals of photography, using either a film or a digital camera. Students become proficient in the use of their cameras including aperture, shutter speed, and exposure. Each class includes both a lecture and critique. Students shoot on their own each week and bring images to class for discussion. Instructors may hold off-site photo shoots.

$200 Fall, Winter & Spring (9 weeks)Thursday 10:00am–12:30pm A. Duvall Thursday 7:00pm–9:30pm (Winter only) P. DuvallSunday 6:00pm–8:30pm Gosling

Summer (9 weeks)$200 Wednesday 7:00pm–9:30pm P. Duvall$185 Sunday 6:00pm–8:30pm (8 weeks) Gosling

Intermediate Photography IPete DuvallThis class is for those who are familiar with their camera and would like more in-depth discussion on developing composition and style while honing and adding techniques, and discussing equipment choices. Included are weekly critiques of student work. A manually operated camera, film or digital, and comfort shooting in manual mode is required.

$200 Fall & Winter (9 weeks)Wednesday 7:00pm–9:30pm


Intermediate Photography IIPete Duvall

This class is for those who have completed Intermediate I and are looking to further their study of photography. With a concentration on fine art photography, this class focuses on refining technique and composition, as well as developing themes into cohesive bodies of work. Class includes weekly assignments and critiques.

$200 Spring (9 weeks)Wednesday 7:00pm–9:30pm

Night PhotographyPete DuvallWe see with our mind’s eye rather than our physical eye. This class explores time exposures at night, limited or controlled light sources, and catching movement on film. Students participate in bi-weekly shoots in the area, critiques, and technical discussions. A camera with manual capability, a small notebook, a tripod, and a working knowledge of photography are required.

$200 Fall & Spring (9 weeks)Thursday 7:00pm–9:30pm

Introduction to PhotographyAndargé AsfawLearn the fundamentals of photography using either a film or a digital camera. Students become proficient in the use of their cameras including aperture, shutter speed, and exposure. Class includes camera exercises, lectures, discussions, critiques, home assignments with reviews, and class field trips held during regular class time or on a Saturday. Field trips enhance the learning experience by providing one-on-one hands-on instruction. Please bring your camera manual to each class.

$200 Fall (9 weeks)Wednesday 7:00pm–9:30pm Thursday 7:00pm–9:30pm

$200 Winter (9 weeks)Monday 7:00pm–9:30pm Wednesday 7:00pm–9:30pm

$200 Spring (9 weeks)Wednesday 7:00pm–9:30pm

$200 Summer (9 weeks)Monday 7:00pm–9:30pm Thursday 7:00pm–9:30pm

Darkroom & Film PhotographyAlison DuvallLearn the basics of traditional black & white photography including proper film exposure, film development, and printing of negatives. Any skill level is welcome from beginner to advanced. 35mm and medium format cameras are welcome, but not required. There is also an opportunity to experiment with the plastic Holga “toy camera.”



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Photography

Andargé Asfaw–Photograph

Pete Duvall–Photograph

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Jumpstart to the Artful iPadNancy FreemanThis class introduces art apps to artists. From simple ways to improve your work with traditional media to producing finished images, this course gets students started with the basics and presents some of the easier drawing, painting, and transformation apps. There are thorough demonstrations of each app and time to explore them. This class also covers moving, organizing, and sharing files. $175 September 13 & 14, 2014 (Sat–Sun) 10:00am–4:00pm

The Artful iPadNancy Freeman With a concentration on ArtRage, ArtStudio, and others, this workshop takes full advantage of the versatile features and powerful abilities unique to digital media. Besides the traditional media simulators, this class covers brush options, layers, and selections. Complete demonstrations are followed by time to explore. Jumpstart to the Artful iPad workshop or basic iPad image skills are a prerequisite.$175 January 3 & 4, 2015 (Sat–Sun) 10:00am–4:00pm

Art on the Go… With Your iPadBobbi PratteExplore the possibilities of “digital plein air” painting and sketching. Bring your iPad, enjoy a day of making art outside of the studio and find new ways to enhance the painting experience. Digital artists who work inside discover the benefits of working from nature, while traditional painters discover the benefits of traveling light. Ways to show those images immediately to Facebook fans or email them to friends and family are also discussed. Participants visit a near-by outdoor venue or two, to show the portability and possibilities of “Art on the Go.”$95 May 3, 2015 (Sunday) 10:00am–4:00pm

The Artful iPad ContinuedNancy FreemanTransforming images is one of the most powerful features of digital art making. Starting with some easy and fun transformation apps, this class progresses to amazingly powerful ones. Finally participants spend time using painting and transformation apps together to produce compelling images. Complete demonstrations are followed by time to explore. Jumpstart to the Artful iPad workshop or basic iPad image skills required.$175 March 21 & 22, 2015 (Sat–Sun) 10:00am–4:00pm

Artful AppsNancy FreemanExplore the wide range of iPad drawing, painting, and transformation apps. Starting with the basics of using apps, students learn useful tricks to aid composition and visualization out in the field or in the studio. Students learn to work with the versatile features and powerful abilities unique to digital media. Apps covered range from simple drawing and camera apps to full artists’ studio with multiple media and serious controls (digital charcoal, watercolor, oil painting) image editors and specialized media simulators. Participants must bring their iPad or iPhone.


Motion, Light, And Sound: Dynamic Sculptures And InstallationsJohn KauffmanLearn how artists create interactive installations and kinetic sculptures. This workshop teaches how to incorporate motion, light, and sound into your work with a simple, inexpensive device called a microcontroller. Without any prior knowledge of electronics or programming, participants learn to achieve interactive pieces that respond to environmental changes. Students bring a laptop and, prior to the workshop, directly order a kit of parts ($80). Parts are reusable and students can continue to experiment in the future with no further investment in tools.$180 September 13 & 14, 2014 (Sat–Sun) 10:00am–4:00pm

$180 December 6 & 7, 2014 (Sat–Sun) 10:00am–4:00pm

$180 June 13 & 14, 2015 (Sat–Sun) 10:00am–4:00pm

Photoshop WorkshopAlison DuvallCome learn the basics of Adobe Photoshop and how to apply these skills to photos. Everything from adjusting and correcting photos to creating new images is discussed. This class is taught using Adobe Photoshop Creative Cloud. Students should bring a laptop and download the free trial from www.adobe.com prior to the first class.$100 Dec 2 (Tu), 4 (Th), 9 (Tu) & 11 (Th), 2014 7:00pm–9:00pm

$100 Mar 24 (Tu), 26 (Th), 31 (Tu) & Apr 2 (Th), 2015 7:00pm–9:00pm

Lightroom WorkshopPete DuvallLearn to use Adobe Lightroom as the centerpiece for digital photography workf low and integrate it with Photoshop. Participants learn to use the program to organize, edit, print, or share images. This class is taught using Lightroom 4. Students should bring a laptop and download the month-long trial of Lightroom 4 from www.adobe.com prior to class.$95 September 6, 2014 (Saturday) 11:00am–4:00pm

$95 March 21, 2015 (Saturday) 11:00am–4:00pm

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Manga Character CreationRicky Bryant Jr.Students learn to create an original Manga (Japanese-style comic) character. Participants explore new methods for designing different expressions, poses, and costumes. Character construction, face development, body proportions, inking, shading, coloring, and final design are covered.



Exploring Multiple MediumsRebecca AdamsStudents learn the fundamentals of art through projects that emphasize different skills and media. By drawing, painting, some multi-media techniques, and sculpture, participants explore different ways of making effective works of art. This course is ideal for portfolio preparation. Students demonstrating proficiency are encouraged to pursue independent projects approved by the instructor. All skill levels are welcome. A $15 materials fee is payable to the instructor.

$185 Fall & Spring (9 weeks)Sunday 1:30pm–4:00pm

Creative Drawing and Painting for TeensKaren DayThis course is designed for teens wishing to expand their artistic skills, personal expression, and visual understanding within a structured format. Students use a variety of media as they explore relationships between form, texture, and color. An emphasis on design and composition is encouraged, and traditional as well as abstract methods are employed.


Photography for TeensAlison Duvall

Learn the fundamentals of photography, using either a film or a digital camera. Students become proficient in the use of their cameras including aperture, shutter speed, and exposure. Each class includes both a lecture and critique. Students shoot on their own each week and bring images to class for discussion.


Painting & Drawing for Teens (ages 14 & up)This course is designed for strengthening artistic skills. A variety of media is explored using traditional and abstract subject matter. Each lesson emphasizes composition and design. Projects are generally completed by the end of each class session, leading to a larger body of work for those developing a portfolio. Please come with all supplies.$175 July 6–10, 2015 (Mon–Fri) 9:30am–12:30pm or 1:00pm–4:00pm

$175 July 27–31, 2015 (Mon–Fri) 9:30am–12:30pm or 1:00pm–4:00pm

Manga Comic Workshop for TeensRicky Bryant Jr.Students learn to draw manga-style characters in this fun and creative workshop. Manga methods, designs, and techniques for creating engaging heroes with expressive eyes, unique hair, and awesome costumes are explored. Materials are included.$155 July 6–10, 2015 (Mon–Fri) 9:30am–12:00pm

$155 July 20–24, 2015 (Mon–Fri) 1:00pm–3:30pm

Fashion Illustration for TeensDelphine LeeStudents delve into the history of fashion illustration through several eras and learn to create their own contemporary style. Students learn to sketch quickly, capturing the proportions and balance of the body and face. This class explores drawing different garments, and rendering a variety of textiles like leather, fur, chiffon and lace. Class concludes with group sharing and critique of illustrations made during the week.$155 August 3–7, 2015 (Mon–Fri) 1:00pm–3:30pm

Darkroom Photography for Teens (ages 12 & up)Alison DuvallStudents explore a variety of techniques: cyanotypes, photograms, basics of black and white darkroom, and pinhole camera. Bring a 35mm film camera. Loaner cameras available, contact school office for info. All other materials provided.$180 July 13–17, 2015 (Mon–Fri) 1:00pm–4:00pm

$180 July 27–31, 2015 (Mon–Fri) 1:00pm–4:00pm

Ceramics Workshop for Teens: Wheel TechniquesStudents concentrate on developing wheel techniques in a relaxed and imaginative environment. Each day, students work on the potters’ wheel. All materials provided.$190 July 13–17, 2015 (Mon–Fri) 9:30am–12:00pm

Life Size Paper MachéLisa SchumaierStudents delve into realism, fantasy, or the whimsy in creating 3-D, life-size figures out of paper, chicken wire, paint, and miscellaneous objects. A $20 materials fee payable to instructor.$190 July 20–24, 2015 (Mon–Fri) 9:30am–12:30pm

Jewelry Workshop for TeensNick BarnesParticipants complete three projects. Project 1: forging and soldering techniques using sterling silver to make a finger ring. Project 2: cold connection techniques such as riveting, entrapping, and bolting as they make a pin or pendant using Plexiglas, aluminum, brass, and cubic zirconia. Project 3: explores linking materials with a combination of fabrication and soldering techniques. Students are encouraged to bring personal items to include in their final project. A $45 materials fee, paid to the instructor, covers the cost of project specific materials.$240 August 10–14, 2015 (Mon–Fri) 10:00am–3:00pm

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Teen ClassesDephine Lee–Marker

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Art Fun-damentals (ages 5–8)Suzanne Kordalski Parrish Joann LiuJean Stark Ali Wunder Jennifer YamaneChildren discover the world of texture, line, shape, and color as they create original artwork. A wide range of basic media skills are developed including painting, drawing, collage, printmaking, and sculpture. Each term expands the artistic horizon of the children, whether they are new to art or repeating the class. A $15 materials fee is payable to the instructor at the first class meeting. Students need to purchase a few basic supplies in addition to those in the fee.

$170 Fall, Winter & Spring (9 weeks)Wednesday 4:00pm–6:00pm (Fall) LiuWednesday 4:00pm–6:00pm (Winter & Spring) WunderThursday 4:00pm–6:00pm StarkSaturday 10:00am–12:00pm YamaneSaturday 1:00pm–3:00pm YamaneSunday 11:00am–1:00pm LiuSunday 1:30pm–3:30pm Liu

Summer $100 Tuesday 10:00am–12:00pm (4 wks starts: July 7) Parrish$100 Tuesday 1:00pm–3:00pm (4 wks starts: July 7) Parrish$150 Thursday 10:00am–12:00pm (7 wks starts: July 9) Parrish$150 Thursday 1:00pm–3:00pm (7 wks starts: July 9) Parrish$150 Saturday 10:00am–12:00pm (7 wks starts: July 11) Yamane$150 Saturday 1:00pm–3:00pm (7 wks starts: July 11) Yamane

The Art of Cartooning (ages 8 to adult)Ricky Bryant JrStudents learn to create interesting and expressive characters using step-by-step methods. Emphasis is on learning to draw a human character through facial expressions, hair, costume, and different poses. Each week demonstrates specific techniques that allow the student to find his or her own style whether it be “traditional western” heroes, manga characters, or “indie” comics.



Mastering Cartooning (ages 10 to adult)Ricky Bryant JrStudents further develop their skills and methods in cartooning using a step-by-step process of various styles and techniques. The emphasis is on storytelling in comics—from writing a script, to drawing single panel and three-panel comics, and finally developing a one to two page story. This class aims to create fully finished portfolio pieces.



Beyond Art Fun-damentals (ages 8–10)Karen DayBuilding on the skills learned in Art Fun-damentals, children expand their knowledge through a range of media including painting, drawing, printmaking, and collage. A $15 materials fee is payable to the instructor at the first class. Students need to purchase a few basic supplies in addition to those in the fee.

$170 Fall & Spring (9 weeks)Sunday 1:30pm–3:30pm

Basic Drawing for Young People (ages 9–13)Marcia MadisonStudents are introduced to classical and contemporary notions of drawing. Participants learn the language of two-dimensional space as they explore composition, mark-making, line, light and shade.


Drawing and Painting (ages 9–12)Karen DayStudents study basic drawing and painting concepts. A multimedia approach helps the student gain confidence with varied materials. Visual concepts such as composition and color theory are explored. Students are introduced to a variety of artists’ works that can be motivational.

$180 Fall, Winter & Spring (9 weeks)Saturday 9:30am–12:00pmSaturday 1:00pm–3:30pm

Mixed Up Mediums (ages 9–12)Rebecca AdamsThis course is designed to expose young artists to a variety of materials and techniques in drawing, painting, collage, and fundamental three-dimensional principles. Participants combine mediums through projects such as portraits, still lifes, landscapes, and abstractions. Examples in Modern and contemporary art and design serve to develop a strong understanding of current modes of creativity. Independent thinking, problem solving skills, and self-expression are at the core of this unique survey course. A $15 materials fee is payable to instructor.

$170 Fall & Spring (9 weeks)Sunday 11:00am–1:00pm

Sculpture for Young People (ages 8–12)Rebecca AdamsThis course is designed to introduce young artists to a survey of traditional and non-traditional methods of sculpture and three-dimensional design. Examples in Modern and contemporary art and architecture serve to encourage experimentation in a variety of mediums and techniques. Projects in clay, wire, plaster, paper, wood, and assemblage provide an excellent foundation for building and mastering the language of sculpture and spatial problem solving skills. All levels of experience are welcome. A $25 materials fee is payable to instructor.

$155 Winter (8 weeks)Sunday 11:00am–1:00pm

Handbuilding Ceramics (ages 10 to adult)Kathlyn Avila-ReyesParticipants with all levels of experience explore clay in a supportive atmosphere, guided by a skilled instructor. A variety of hand building skills are taught, with an emphasis on creativity and having fun. Students are encouraged to explore their own ideas and projects. All work is fired for permanence. The fee includes 25 pounds of clay, glazes, and firing in the electric kiln.


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Rebecca Adams–Ink

Children’s Classes

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Painting CampOpen to all levels to build painting skills in a relaxed and imaginative environment. Curriculum includes the basics of value, perspective, and color mixing. Projects may include acrylics or watercolors. All materials provided.$155 June 29–July 3, 2015 (Mon–Fri) ages 8–12

9:30am–12:00pm*

$155 July 20–24, 2015 (Mon–Fri) ages 8–12

9:30am–12:00pm*

$155 August 10–14, 2015 (Mon–Fri) ages 8–12

9:30am–12:00pm* or 1:00pm–3:30pm*

Cartooning CampThis camp explores the methods, techniques and procedures used in the creation of comic strips and comic books. The focus is on the principles of visual storytelling and drawing techniques that relate to the cartoon art form. All materials are provided.$155 June 22–26, 2015 (Mon–Fri) ages 8–12

9:30am–12:00pm*

$155 July 13–17, 2015 (Mon–Fri) ages 8–12

9:30pm–12:00pm*

$155 August 3–7, 2015 (Mon–Fri) ages 8–12 9:30pm–12:00pm* or 1:00pm–3:30pm*

Photo CampAlison DuvallStudents explore a variety of photography techniques including cyanotypes, photograms, the basics of black and white darkroom, and pinhole camera photography. All equipment and materials are provided.$180 July 20–24, 2015 (Mon–Fri) ages 8–11

1:00pm–3:30pm*

Ceramics CampStudents concentrate on developing ceramic skills in a relaxed and imaginative environment. All materials provided.$190 July 6–10, 2015 (Mon–Fri) ages 10–13

9:30am–12:00pm* or 1:00pm–3:30pm*

$190 July 20–24, 2015 (Mon–Fri) ages 10–13

1:00pm–3:30pm*

$190 July 27–31, 2015 (Mon–Fri) ages 10–13

1:00pm–3:30pm*

Summer Art CampsArt camp provides a wonderful way of introducing children to several forms of visual art. In our basic art camp, each day brings a new project which may include drawing, painting, printmaking, or sculpture. Specialty camps focus on immersing the children in one medium. Camps come in all-day and half day sessions over a five-day week. Tuition for the all-day camps includes a supervised lunch hour. Create a custom all-day session by combining a basic camp with a specialty camp. (*Combinable camps are denoted by an asterisk.*) When creating your own all-day session, there is an additional $35 per week charge for the supervised lunch hour. Campers in any all-day session should bring their own lunch for the midday break.

Basic Art CampEnjoy the experience of art for five days. Each day brings a new project, and each week is different. All materials are provided.$155 (Mon–Fri) 9:30am–12:00pm or 1:00pm–3:30pm

$345 (Mon–Fri) 9:30am–3:30pm

June 22–26

ages 5–7 ages 8–11

am, pm, or all-day am*, pm*, or all-day

June 29–July 3


am, pm*, or all-day am*, pm*, or all-day

July 6–10

ages 5–7 ages 8–11 ages 12 & up

am, pm*, or all-day am, pm*, or all-day pm*

July 13–17



July 20–24



July 27–31

ages 5–7 ages 8–11 ages 12 & up

am*, pm, or all-day am*, pm*, or all-day am*

August 3–7



August 10–14



August 17–21


am, pm, or all-day am, pm, or all-day

Drawing CampStudents concentrate on the concepts, skills, and fun of drawing. Open to all levels to build rendering skills in a relaxed and imaginative environment. Curriculum includes the basics of line, perspective, gesture, and form. All materials provided.$155 June 22–26, 2015 (Mon–Fri) ages 8–11

9:30am–12:00pm* or 1:00pm–3:30pm*

$155 July 13–17, 2015 (Mon–Fri) ages 8–11

9:30am–12:00pm* or 1:00pm–3:30pm*

Art Camper

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Ceramics Camp II: Wheel TechniquesStudents concentrate on developing wheel techniques in a relaxed and imaginative environment. Each day, students work on the potters’ wheel. All materials provided.$190 July 13–17, 2015 (Mon–Fri) ages 10–13

1:00pm–3:30pm*


9:30am–12:00pm*

Sculpture CampThe diversity of clay and other media is the focus of this camp on the third dimension. All materials provided.$190 June 29–July 3, 2015 (Mon–Fri) ages 5–7

9:30am–12:00pm*

$190 June 29–July 3, 2015 (Mon–Fri) ages 8–11

1:00pm–3:30pm*

$190 July 27–31, 2015 (Mon–Fri) ages 8–11

9:30am–12:00pm*

$190 July 27–31, 2015 (Mon–Fri) ages 5–7

1:00pm–3:30pm*

Jewelry CampNick BarnesStudents explore various materials and techniques as they produce jewelry projects. All materials are included.$195 August 3–7, 2015 (Mon–Fri) ages 9–12

9:30am–12:30pm* or 1:00pm–4:00pm*

Fiber CampEnjoy the experience of art through fiber for five straight days. Each day brings a new fiber technique such as weaving, surface design, basketry, felting, and more. All materials are included.$170 July 6–10, 2015 (Mon–Fri) ages 7–11

9:30am–12:00pm*

$170 July 20–24, 2015 (Mon–Fri) ages 7–11

9:30am–12:00pm*


9:30am–12:00pm*

Clay Animation Movie Camp (ages 8–12)Andrew Morgan Jesse TurnbullThis camp is ideal for anyone who has ever wanted to make his/her own animated movies. Students go through all the steps the pros take—from character creation to construction, sometimes even destruction! Students use real animator’s clay, design sets, and work in small groups to make a 3-minute movie with sound and voices! Participants should bring a bag lunch. This class has a 12 student cap, and adults may not register.$340 August 11–14, 2014 (Mon–Thurs) 10:00am–2:30pm Morgan

$340 August 18–21, 2014 (Mon–Thurs) 10:00am–2:30pm Morgan

$340 June 22–25, 2015 (Mon–Thurs) 10:00am–2:30pm Turnbull

$340 August 10–13, 2015 (Mon–Thurs) 10:00am–2:30pm Turnbull

$340 August 17–20, 2015 (Mon–Thurs) 10:00am–2:30pm Turnbull

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Student work being made into a movie in Clay Animation Camp

The Art League Ceramics Studio is located at our Madison Annex in Old Town, Alexandria. The studios are large, bright, and well equipped, easily stimulating creativity. Open studio time allows students to practice and expand their skills outside of class. Students interested in a complete clay experience may participate in our assistant work-study program and have the opportunity to learn how to mix glazes, recycle clay, and load kilns. Participants in the assistants program are eligible for tuition reduction. Please call The Art League School for details.The Art League offers daytime, evening, and weekend classes accommodating beginners and those with advanced skills. Students may choose to make pieces on the potters’ wheel, handbuild, or take a sculptural approach to their work. Most instructors can teach all methods of construction. Additional workshops are available during the year for students to work with well known, established artists from around the country.The Art League fires the majority of its work at cone six oxidation in electric kilns at no additional cost. The facility also fires with gas reduction, raku, or wood kilns for an additional fee.

Throwing/Handbuilding CeramicsCarlos Beltràn Baldiviezo Susan CohenSusan Greenleaf Jack Heimerman Lori KatzBlair Meerfeld Allison Severance Joan UlrichThe materials fee includes 25 pounds of clay, glazes, and firing in the electric kiln. New students may buy tools for approximately $20 at the first class. Students of all levels are welcome.

Fall, Winter, Spring & Summer (9 weeks)$245 (includes$75materialsandfiringfee)Monday 7:00pm–9:30pm (Fall & Winter) Cohen Monday 7:00pm–9:30pm KatzMonday 7:00pm–9:30pm (Spring & Summer) SeverenceTuesday 10:00am–12:30pm MeerfeldTuesday 1:30pm–4:00pm SeveranceTuesday 7:00pm–9:30pm MeerfeldTuesday 7:00pm–9:30pm SeveranceWednesday 10:00am–12:30pm KatzWednesday 7:00pm–9:30pm MeerfeldThursday 5:30pm–8:00pm UlrichThursday 8:00pm–10:30pm UlrichFriday 10:00am–12:30pm GreenleafFriday 1:00pm–3:30pm MeerfeldFriday 7:00pm–9:30pm MeerfeldSunday 9:30am–12:00pm Heimerman Sunday 12:30pm–3:00pm HeimermanSunday 3:00pm–5:30pm HeimermanSunday 6:00pm–8:30pm (handbuilding only) Beltràn Baldiviezo

Susan Cohen–Ceramics

Ceramics

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Jumpstart in CeramicsBlair MeerfeldHave you always wanted to try pottery? In this one-day event, participants explore the creativity and diversity of clay in a fun, relaxed environment. Supplies are included.$45 September 6, 2014 (Saturday) 10:00am–12:30pm

$45 December 13, 2014 (Saturday) 10:00am–12:30pm


$45 June 20, 2015 (Saturday) 10:00am–12:30pm

$45 September 12, 2015 (Saturday) 10:00am–12:30pm

Handbuilding Ceramics (ages 10 to adult)Kathlyn Avila-ReyesParticipants with all levels of experience explore clay in a supportive atmosphere, guided by a skilled instructor. A variety of hand building skills are taught, with an emphasis on creativity and having fun. Students are encouraged to explore their own ideas and projects. All work is fired for permanence. The fee includes 25 pounds of clay, glazes, and firing in the electric kiln.


Surface Decoration TechniquesCarlos Beltràn BaldiviezoFind exciting alternatives to dipping, pouring and brushing glazes. Students learn a variety of hand-building techniques to create ceramic works. The class shows multiple ways to create a unique and expressive surface finish:image transfer, decals, monoprint, brushwork, patinas, embossing, sgraffito, stamping, stains, wax and lacquer resists, slips, mason stains, china painting, stencils, faux, glazes and glazing. Students are encouraged to explore numerous approaches. All work is fired. Tuition includes clay, glazes, and firing in an electric kiln.

$245 Fall, Winter, Spring & Summer (9 weeks)Wednesday 7:00pm–9:30pm

Tiles & MosaicsCarlos Beltràn BaldiviezoKitchen back splashes, garden carpets, small fountains, and tiles to be hung as works of art are just a few of the projects students create in this beginning to advanced class. Instruction includes techniques like slip trailing, bas relief, scraffitto, gold, lusters, and more.

$245 Fall, Winter, Spring & Summer (9 weeks)Thursday 10:00am–12:30pm

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Raku Firing WorkshopStaffExperience the Raku firing process and learn about its vibrant possibilities. Each participant may bring up to six pieces of previously bisque-fired ware, up to 10” in diameter. Glazes are included with the firing fee. Raku tongs and safety gear are furnished. Large scale works may be fired for an additional charge. For further information regarding this fascinating method of firing your work, contact Blair Meerfeld at The Art League Ceramics Department: [email protected]. $75 Offered monthly. Please check www.theartleague.org for dates.

Woodfiring WorkshopBlair Meerfeld Allison SeveranceDiscover the magic of firing pots in a wood kiln! This is a unique opportunity to experience the entire process of firing a woodfired salt kiln as pots are naturally decorated by the flames, wood ash, and salt. Students begin by loading the kiln on Saturday morning and allowing it to preheat through the night. The main firebox is lit early Sunday morning and finishes Sunday evening. Along with a lot of shared food and conversation, Blair and Allison place a strong emphasis on their glazing, stacking, stoking, and salting techniques. Participants may bring 12–18 pieces. This workshop is held offsite at the instructors’ studio in Maryland. For details please contact Blair Meerfeld at The Art League Ceramics Department: [email protected].$195 Dates to be announced Begins at 10:00am

Porcelain Pots for Contemporary CultureMike JabburIn this workshop students learn unique approaches to wheel throwing, altering, and trimming porcelain pottery. Discussions focus on inspiration, design craftsmanship, utility, expression, and the role of functional pots in contemporary culture.$5 January 30, 2015 (Fri Potluck/Slide Show) 7:00pm-9:00pm OR

$95 January 30, 2015 (Fri Potluck/Slide Show) 7:00pm-9:00pm &

January 31, 2015 (Sat) 10:00am–4:00pm

Adapting Traditional Handbuilding TechniquesTrevor DunnLearn multifaceted techniques to create sculptural objects, ceremonial vessels, and large coil-built pots. Topics covered include coiled and hammered Chinese water jar construction, f simple molds to create composite sculptural pieces, and many other tricks of the trade. Discussions include sources of inspiration and ways to develop individual work. Evening lecture describes the influence of the instructor’s travels to China and Mexico on his work.$5 June 12, 2015 (Fri Potluck/Slide Show) 7:00pm-9:00pm OR

$180 June 12, 2015 (Fri Potluck/Slide Show) 7:00pm-9:00pm &

June 13 & 14, 2015 (Sat–Sun) 10:00am-4:00pm

Lori Katz–Ceramic

Trevor Dunn–Ceramic


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Beginning/Intermediate SculptureNick XhikuThis course introduces students to the possibilities of artistic expression through volume. Students discover the main principles of proportion along with the mysteries and surprises that accompany the creative process. Participants work with a model to better capture the physical and psychological character of nature. The fee includes two bags of clay. Model and firing fees are extra.

$245 Fall, Winter, Spring (9 weeks)Thursday 1:00pm–4:00pm

Wood and Stone SculptureGeorge Tkabladze Nick Xhiku Carving these ancient mediums is a great experience for every sculptor. This class provides students with the techniques and skills needed for stone and wood carving, starting with the sketch and continuing to the carving, finishing, patina, and mounting of the piece on a base. Students work on an individual project in the medium they choose. The studio is equipped with power and hand tools. Wood and stone are available for purchase in class.

$225 Fall, Winter & Spring (9 weeks)Thursday 7:00pm–10:00pm XhikuSaturday 9:30am–12:30pm Tkabladze

$210 Summer (8 weeks)Thursday 7:00pm–10:00pm XhikuSaturday 9:30am–12:30pm Tkabladze

Figure SculptureThanasi PapapostolouThis class introduces the concepts and techniques of sculpting the human form. Students begin to develop the basic skills of clay modeling and figure assemblage, while learning to see, perceive, and reproduce the human form with all of its complexities. Live models and anatomical casts are used. Tuition includes two bags of clay. Model and firing fees are extra.

$245 Fall, Winter, Spring & Summer (9 weeks)Tuesday 9:30am–12:30pm (No Summer)Tuesday 7:00pm–10:00pm

Figure SculptureGeorge TkabladzeWhat could be more fascinating to sculpt than the human figure? Sculpt a hand, head, torso, or an entire person. This class encourages full development of each student’s artistic talent through one-on-one instruction. Life models are used for the creation of small clay figures or larger figurative fragments. The fee includes two bags of clay. Model and firing fees are extra.

$245 Fall, Winter, Spring & Summer (9 weeks)Saturday 1:00pm–4:00pm

$220 Summer (8 weeks)Saturday 1:00pm–4:00pm

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Rosemary Luckett–Wood

Sculpture from ScrapRosemary LuckettLearn how to integrate collected materials and ideas into a 3-D sculpture using adhesives, fasteners, and shaping where necessary. Drawing on the tradition of Miro, Rauschenberg, and Nevelson, students balance objects and ideas into a free standing sculpture. A $5 materials fee is payable to the instructor.

$165 Winter (6 weeks)Sunday 1:30pm–4:30pm (starts: Jan 18)

Mystery Solved: Facial ReconstructionJoe MullinsEver wondered how experts recreate a face when the subject may have been dead for thousands of years? By utilizing modern forensic techniques and materials, each student puts together a sculpted reconstruction of a human head starting with only a skull as a reference. At the end of the course, the real subjects are revealed, solving a 7-week mystery! Cast skulls and plasticine are included, other supplies are extra.

$250 Fall, Winter & Spring (7 weeks)Wednesday 7:00pm–10:00pm

Metal SculptureBrian KirkStudents learn basic metalsmithing techniques, focusing on oxyacetylene welding, brazing, and an introduction to arc welding. Ferrous and nonferrous metals and their applications are discussed. Students create a free-standing mask, or independent projects, in steel. Supplies are discussed at the first class. Opportunity for supervised open studio time is available to enrolled students.

$280 Fall, Winter, Spring & Summer (9 weeks)Monday 7:00pm–10:00pm

Metal SculptureDonna ReinselThis course is designed for both the absolute beginner and the experienced artist. Students learn oxyacetylene welding and cutting, metal-bending, drilling, grinding, finishing techniques, and the use of proper safety precautions. Working with the instructor, students design their own projects and create sculptural works while they hone metal working skills. Individual attention and a hands-on approach address the needs of students at all skill levels. Opportunity for supervised open studio time is available to enrolled students. No class July 5th.

$280 Fall, Winter & Spring (9 weeks)Monday 10:00am–1:00pmSunday 10:00am–1:00pm

$255 Summer (8 weeks) Sunday 10:00am–1:00pm

Open Studio for SculptureThis monitored open studio is for currently enrolled Art League students. If the group desires a model, the monitor collects additional model fees. Students must bring their own materials.

Fall, Winter & Spring $80 Friday 10:00am–3:00pm (8 weeks: Fall only)$85 Friday 10:00am–3:00pm (9 weeks: Winter & Spring)

Joe Mullins–Facial Reconstruction

Sculpture

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The Art League’s jewelry program covers various aspects of designing and creating art jewelry and small metal objects. Each class is suited for beginners, unless noted. The studio is equipped with an extensive assortment of tools and machines. Personal tools and supplies are discussed during the first class. A $20 lab fee is payable to the instructor at the first class to cover consumables. Basic jewelry tool kits may be rented or purchased for home use for the duration of any jewelry class.

Silver Jewelry the Easy Way—Wax ModelingGretchen RaberThis fast and fun approach allows students to design jewelry with simple tools and inexpensive materials. Participants explore various wax working and model making methods used to create rings, earrings, pendants, or bracelets from start to finish. Completed models are sent out to be cast in metal. Finishing techniques are covered upon return of the cast work.

$250 Winter (5 weeks)Thursday 10:00am–3:00pm (starts: Jan 8)

$250 Spring (5 weeks)Saturday 10:00am–3:00pm (starts: Apr 11)

Wax CarvingMary Ellen TrozzoHard wax carving techniques are one aspect of model making in jewelry design. Through demonstrations and hands-on experience, students explore techniques such as layout, carving hollow forms and mirror images, texturing, faux granulation, and flame finishing. Although models are sent out for completion, upon return, finishing techniques are explained. Prior use of basic jewelry hand tools is prerequisite.

$175 Winter (5 weeks)Thursday 7:00pm–10:00pm (starts: Feb 12)

Metal JewelryNick Barnes Michael BrehlTina Chisena Gretchen RaberLearn how to design and create stunning art jewelry from silver sheet, wire, and other metals. Traditional tools and their uses are covered in depth. Beginners explore the basic jewelry-making skills of layout, sawing, soldering, forming, surface texturing, chain making, simple stone setting, and finishing. More advanced students expand their basic skills with an emphasis on creativity, design, and play. By exploring the properties of materials such as colored metals, woods, Lucite, and precious metals, along with cold connection riveting and stamping, participants increase their design and jewelry-making palette in a broad and exciting way. Beginners and more advanced students benefit from individual attention as they build their jewelry skills.

Fall (5 weeks)$250 Monday 10:00am–3:00pm(starts: Sept15orOct 20)Raber$250 Wednesday 10:00am–3:00pm(starts:Sept17orOct 22)Barnes$175 Wednesday 7:00pm–10:00pm (starts: Sept 17 or Oct 22)Barnes$250 Thursday 10:00am–3:00pm(starts: Sept18orOct23) Brehl$175 Thursday 7:00pm–10:00pm (starts: Sept 18) Brehl$250 Saturday 10:00am–3:00pm (starts: Sept 20) Barnes$250 Sunday 11:00am–4:00pm (starts: Oct 12) Brehl

Winter (5 weeks)$250 Monday 10:00am–3:00pm (Starts: Jan 5 or Feb 9) Raber$250 Wednesday 10:00am–3:00pm (Starts: Jan 7 or Feb 11) Barnes$175 Wednesday 7:00pm–10:00pm (Starts: Jan 7 or Feb 11) Barnes$250 Saturday 10:00am–3:00pm (Starts: Jan 10) Barnes$250 Sunday 11:00am–4:00pm (Starts: Jan 11) Brehl

Spring (5 weeks)$250 Monday 10:00am–3:00pm (Starts: Apr 6)Raber $210 Monday 10:00am–3:00pm(4 wks, starts: May 11)Raber $250 Wednesday 10:00am–3:00pm (Starts: Apr 8 or May 13) Barnes$175 Wednesday 7:00pm–10:00pm (Starts: Apr 8 or May 13) Barnes$250 Thursday 10:00am–3:00pm (Starts: Apr 9) Brehl$175 Thursday 7:00pm–10:00pm (Starts: Apr 9) Brehl$250 Sunday 11:00am–4:00pm (Starts: Apr 12) Brehl$210 Sunday 11:00am–4:00pm (4 wks, starts: May 17) Brehl

Summer (5 weeks)$175 Monday 7:00pm–10:00pm (starts: July 13) Chisena$250 Wednesday 10:00am–3:00pm (starts: June 24) Barnes$175 Wednesday 7:00pm–10:00pm (starts: June 24) Barnes$250 Thursday 10:00am–3:00pm (starts: June 25) Barnes$250 Saturday 10:00am–3:00pm (starts: June 27) Barnes$250 Sunday 11:00am–4:00pm (starts: July 28) Brehl

SandcastingMichael BrehlStudents cast a small gold or silver object using the ancient technique of sandcasting. The class includes a short introduction to wax working and finishing techniques. This is a perfect opportunity for projects such as wedding bands.

$175 Fall (5 weeks)Thursday 7:00pm–10:00pm (starts: Oct 23)

Enameling on MetalAbby GoldblattBasic enameling techniques for beginners are taught every term. Advanced students may work on their own projects with teacher’s instruction in specialized techniques including cloisonné and the etching techniques of bassetaille and champlevé. There is a $20 lab fee for all enameling classes; this covers the cost of studio consumables and enamels, not metal.

Fall, Winter & Spring $250 Tuesday 10:00am–3:00pm (5 wks: F–Sept 16; W–Jan 6; Sp–Apr 7)$210 Tuesday 10:00am–3:00pm (4 wks: F-Oct 21; W-Feb 10; Sp-May 12)$250 Tuesday 7:00pm–10:00pm (9 weeks)

Summer (5 weeks)$250 Tuesday 10:00am–3:00pm (starts: June 23)$175 Tuesday 7:00pm–10:00pm (starts: June 23)

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Jewelry & MetalGretchen Raber–Silver


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Pound It Out—All Things HammeredMichael BrehlStudents transform sheet copper, silver, or gold into hollow forms; a cone, cube or sphere. Participants also learn the art of repoussé— an ancient metalwork technique used to create a bas relief sculptural surface. Students use hammers, steel forms, chasing and repoussé tools, and soldering methods to create detailed jewelry, containers, or small sculptures.


$175 Summer (5 weeks)Sunday 5:00pm–8:00pm (starts: July 12)

Basic BezelsTina ChisenaBeginner and intermediate metalsmiths learn to master one of the oldest and most widely used stonesetting techniques: bezel setting. A bezel is a thin band of metal, used to hold a stone or object onto a piece of jewelry. Proper forming, fitting, soldering, and finishing are demonstrated. Students fabricate one to two bezels and set something into them. Students may bring materials to be set, including cabochon stones, wood, plastic, tile fragments, etc. Inexpensive cabochons are available for purchase from instructor. Students are encouraged to bring drawings or designs with simple forms for projects.

$175 Fall (5 weeks)Monday 7:00pm–10:00pm (starts: Sept 29)

Jewelry with Gems: StonesettingMary Ellen TrozzoStonesetting demonstrations and discussions of stone characteristics refine students’ setting skills. Bezel, tube, and flush setting and construction tips are taught. A basic kit is available for purchase from the instructor, including stones, sterling settings, burrs, and polishers.

$250 Winter (5 weeks)Thursday 12:30pm–5:30pm (starts: Feb 12)

$175 Spring (5 weeks)Thursday 7:00pm–10:00pm (starts: May 14)

Stonesetting ContinuedMary Ellen TrozzoStudents learn to make custom settings with various styles of bezels, prong settings, and settings for unusual shaped stones. Techniques such as channel setting and fancy tube settings are introduced. There is also discussion of stone characteristics as they relate to design and fabrication of jewelry/wearable art.

$250 Spring (5 weeks)Thursday 12:30pm–5:30pm (starts: May 14)

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GlassStained GlassJimmy Powers

Beginning students learn basic techniques for making a small stained glass panel: design, cutting, foiling and/or leading, soldering, puttying, applying a patina, and framing. Intermediate and advanced students hone skills and learn new techniques to be used on advanced projects. (Pregnant women should check with their doctor before registering.) Supplies are discussed at the first class.

$200 Fall, Winter, Spring & Summer (9 weeks)Monday 7:00pm–9:30pmTuesday 7:00pm–9:30pmSaturday 10:00am–12:30pmSaturday 1:00pm–3:30pm

Mosaics Anita Bucsay Damron

Students design and create a fine art mosaic piece using a variety of materials such as glass, ceramic, stone, shell, metal, and polymer. Planning and design, including selection of materials, methods, and tools will be covered. Several projects will be offered, or students may bring in a project of their choice with instructor guidance. A materials fee of $100 for new students is payable to the instructor.

$185 Fall, Winter & Spring (9 weeks)Tuesday 10:00am–12:30pmThursday 7:00pm–9:30pmSunday 10:00am–12:30pm (Winter only)


Mary Ellen Trozzo – Silver, stone

Joseph Cavalieri–Screen Print on Glass

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All LevelsPainting, Airbrushing, and Silk-screening on Stained GlassJoseph CavalieriThis workshop starts with cutting, copper foiling and soldering stained glass, and quickly moves to learning modern methods of hand painting, air brushing, and silk-screening onto glass. Enamel paints are kiln fired on to the glass, a tradition dating from the Middle Ages. Most supplies and tools, including all paints, glass and several silk-screen images are provided. Expect to have fun with this historic medium and make at least one finished panel. No previous experience with glass is necessary. $500 September 8–12, 2014 (Mon–Fri) 10:00am–4:00pm

Mosaic Mirror WorkshopAnita Buscay DamronStudents design and create a 10” x 10” mosaic mirror using a variety of materials such as glass, ceramic, stone, shell, metal, and polymer. Students are encouraged to bring in findings and materials that they want to incorporate into works and favorite tools they want to use. On day one, participants assemble the mosaic mirror, and on day two attach hanging hardware and grout the mosaic. All skill levels (beginning to advanced) are welcome. Tools are available for student use. A materials fee of $35 is payable to the instructor on the first day of class. $100 September 14, 2014 (Sunday) 10:00am–4:00pm &

September 28, 2014 (Sunday) 10:00am–12:00pm

Sashiko Ware: Indigo and WhiteUrsula Marcum

Students make a set of Asian-inspired kiln glass dishes in the traditional indigo and cream colors. Using basic design principles, instructor guides participants on the best use of stringers, rods, and elements created in class, to make elegant and unusual compositions. This workshop covers firing schedules and supplies all the materials for a small platter and two coordinating dishes. A $50 materials fee is payable to instructor. All levels welcome. This workshop is held offsite.$110 September 6, 2014 (Saturday) 10:00am–4:00pm

$110 September 7, 2014 (Sunday) 10:00am–4:00pm

Kiln Glass: The Next StepUrsula MarcumThis workshop is ideal for students who completed an Introduction to Kiln-formed Glass, or those who jumped into creating with glass on their own and have questions about the process. Basic design concepts and refining glass cutting skills (including using a circle cutter) are covered. Gain a better understanding of common problems– and how to avoid them. Simple methods for coldworking an edge to create more professional work are explored. Firing techniques are reviewed so that participants are prepared to work and adapt firing schedules appropriately on their own. A $100 materials fee is payable to the instructor. All levels welcome. This workshop is held offsite.$195 November 1 &2, 2014 (Sat–Sun) 10:00am–4:00pm

All LevelsHoliday PartywareJudith ConwayIn this one-day workshop, participants are exposed to many ideas to make a set of contemporary dishes to grace the holiday table, or to give as a seasonal gift. Using basic design principles, students are guided on the best use of stringers, rods, and elements made in-class, to make elegant, unusual patterns inspired by several folk traditions. Firing schedules will be covered and all materials will be supplied. Join this workshop for the fun! A $50 materials fee is payable to the instructor. All levels welcome. This workshop is held offsite.$100 December 13 & 14, 2014 (Sat–Sun) 10:00am–4:00pm

Introduction to Kiln Glass: A Hands-On ExperienceUrsula MarcumThis class introduces beginners to the technical and artistic side of the medium of fused and slumped kilnformed glass. The instructor demonstrates glass cutting, explains the steps of a firing schedule and discusses the importance of glass compatibility and annealing. Students experiment with design possibilities using a wide variety of frit, stringers, confetti, sheet glass and iridized glass in the Bullseye Glass palette. Participants create a set of example tiles, a thick color study tile and two fused and slumped bowls. Tuition includes all materials and the use of basic tools. A $100 materials fee is payable to the instructor. All levels welcome.$195 February 7 & 8, 2015 (Sat–Sun) 10:00am–4:00pm

Strip Cut Kiln Glass PlatterUrsula MarcumDesign and create a gallery-worthy strip-cut 8” x 8” glass plate in this fantastic one-day workshop. Pre-cut glass strips in a subtle palette of nine gorgeous tints, white, French vanilla, and clear Bullsye glass will be provided. Instructor will guide students in creating an original design, learning to dam it properly, and firing and cold working edges for a professional finish, and slumping it into a mold. A $60 materials fee is payable to instructor. All levels welcome.$115 June 6, 2015 (Saturday) 10:00am–4:00pm

$115 June 7, 2015 (Sunday) 10:00am–4:00pm

CalligraphyHermineh MillerThis class is structured to give beginning students solid basic skills in the calligraphic arts and help intermediate students learn new hands. Working with dip pens and large nibs, students learn control of ink and paint, letter structure, rhythm, alphabet analysis, spacing, and basic page layout. Students are supported in their skill development by progressive instruction that builds upon previously given information. A number of small calligraphic projects are assigned to build confidence in newly acquired skills.

$170 Fall (8 weeks)Saturday 10:00am–12:30pm

$185 Winter & Spring (9 weeks)Saturday 10:00am–12:30pm

Decorated and Paste PapersHermineh MillerBanish boring white paper! Glimpse the many possibilties for creating colorful, textured backgrounds for calligraphy, collage, or journaling. One day is spent on a variety of techniques, including colored pencils, ragging/sponging techniques, gesso, salt, alcohol and more. The second day is devoted to paste papers. Participants explore texture, layering, and pattern making approaches. Students leave with their own handmade samples of all techniques, directions, paste recipes and bibliographies.$175 March 21 & 22, 2015 (Sat–Sun) 10:00am–4:00pm

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Paper & Book

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Tunnel BooksNancy JohnsonTunnel books are like stage sets with layers of scenery that are joined together. Each frame adds depth to the next, expanding the landscape, photograph, or significant event when fully extended. In this workshop, students design and construct their own personal tunnel book. A $25 supply fee, payable to the instructor, covers the cost of supplies.$175 August 23 & 24, 2014 (Sat–Sun) 10:00am–4:00pm

Three Books PlusHermineh MillerLearn to make three different book forms. Participants make origami envelopes to bind into a “pocket” book. Next, a variation on this form is folded. Participants also make a single signature book using decorative paper for the pages. If time permits, students make a meander book. Last, students learn to make a Coptic bound book of several signatures. Students will fold signatures, cover the book boards, punch holes, and sew the book together. This book form opens flat, making it an excellent journal or sketchbook. Variations on these basic forms are displayed to spark further exploration of binding possibilities. $175 December 13 & 14, 2014 (Sat–Sun) 10:00am–4:00pm

Introduction to Pop-Up BooksNancy JohnsonMaking pop-ups involves trial and error and a sense of play. Students begin to understand how strategically placed folds raise and lower flaps, causing a specific effect. Participants make “working models” of each pop-up taught, and learn the magic behind each motion. The instructor collects a $20 materials fee to cover the cost of consumable supplies.$175 March 28 & 29, 2015 (Sat–Sun) 10:00am–4:00pm

More Pop-Up BooksNancy JohnsonThrough scoring, cutting, and folding of paper in specific ways, it is possible to create amazing, moveable structures inside the pages of a book or card. The surprise within is revealed as the item is opened or closed. This workshop invites artists to further explore the kinetic properties and possibilities found with paper. A $20 materials fee, payable to the instructor, covers the cost of papers used in the workshop.$175 June 20 & 21, 2015 (Sat–Sun) 10:00am–4:00pm

Cover to Cover: How to Make BooksNancy JohnsonMaking your own books is easier than you may think. With some instruction, a few simple tools, and easy to find materials, participants gain the knowledge to make beautiful books step-by-step. The workshop includes instruction for making multiple types of books. The instructor collects a materials fee of $20 to cover the cost of consumable supplies.$175 August 22 & 23, 2015 (Sat–Sun) 10:00am–4:00pm

Japanese Papermaking and BeyondSaaraliisa YlitaloJapanese washi paper is characterized by its thinness and strength. This class covers all the steps of Japanese papermaking, starting with pulp preparation, cooking and scraping fibers clean, and beating them into pulp. Participants form sheets using the nagashizuki method with flexible screens as is practiced in Japan with kozu, gampi, and abaca (Philippine hemp) fibers. Students also explore decorative and very large sheets of paper. This method does not demand expensive Japanese screens (sugeta) and equipment, but instead is adaptable to our own western studios. No papermaking experience is required. A supply fee is payable to the instructor, and varies depending on the materials used.

$150 Fall & Winter (4 weeks)Thursday 10:00am–2:00pm

Intermediate Japanese PapermakingSaaraliisa YlitaloBuilding on the introductory class skills, students learn to use gampi and hemp as pulp fibers. Students also learn how to size and dye papers and explore casting and pulp painting. Prerequisite is Japanese Papermaking.

$150 Winter (4 weeks)Thursday 10:00am–2:00pm (starts: Feb 5)

Spinning Thread from PaperSaaraliisa YlitaloThe art of making thread and using it to weave cloth dates back to 7th century Japan. In this class students prepare Japanese papers to make shifu; twist the paper into thread using a rough brick, hand held spindles and spinning wheels; and finally weave a small piece of cloth on a simple card loom from these hand spun threads. Participants also explore coloring on the paper and discuss contemporary uses for paper thread such as book binding, knitting, and weaving. A supply fee is payable to the instructor, and varies depending on the materials used.

$150 Fall (4 weeks)Thursday 10:00am–2:00pm (starts: Oct 16)

Intermediate Spinning Thread from PaperSaaraliisa YlitaloThis class continues where the first paper spinning class ends. Students continue to spin paper using all the methods learned previously with an emphasis on using a spinning wheel. Participants dye, strengthen, and size papers as well as learn some novelty spinning and weave a small project with the spun yarn. Spinning Thread from Paper is a prerequisite.


Joomchi: Textured Handmade PaperSaaraliisa YlitaloJoomchi is a Korean technique for making textured, handmade paper. Students combine layers of mulberry papers of various shapes and colors to create a new piece of paper. This technique is similar to felting, but uses paper instead of wool. The resulting crinkled papers can be used in surface design, bookmaking, collage, or anywhere one would use decorative paper. A supply fee is payable to the instructor, and varies depending on the materials used.$95 March 28, 2015 (Saturday) 10:00am–4:00pm


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Beginning/IntermediateCard WeavingLinda HurtCard weaving produces narrow straps, belts, leashes, and trims. Students learn to read weaving patterns and warp cards with their choice of colors. A $20 materials fee is payable to the instructor and covers supplies.$60 October 11 & 18, 2014 (Saturday) 1:30pm–4:30pm

$60 Feb 28 & Mar 7, 2015 (Saturday) 1:30pm–4:30pm

Inkle WeavingLinda HurtInkle weaving produces such items as belts, or guitar straps. Participants learn to read inkle weaving patterns, and warp a loom with their choice of colors. Projects may be taken home between sessions so participants may practice weaving. Tuition includes loom rental and materials.$80 November 1 & 8, 2014 (Saturday) 1:30pm–4:30pm

Inkle Weaving: Beyond the BasicsLinda HurtStudents learn about various pick up techniques used to create patterns in their weaving. Participants must have basic inkle warping and weaving skills. Materials included, loom rental if needed is extra.$70 February 14 & 21, 2015 (Saturday) 1:30pm–4:30pm

Sprang: Fabric with Natural ElasticityLinda HurtSprang is ancient method of weaving fabric that looks like netting or lacework, but is constructed almost entirely of warp threads strung on a simple frame. Earliest examples date from the Bronze Age, yet today it is used to fashion hammocks and other more decorative items such as scarves and sashes. No prior weaving or fiber experience required for this introductory workshop. A kit and materials fee is payable to the instructor.$50 January 25, 2015 (Sunday) 11:00am–4:00pm

$50 May 24, 2015 (Sunday) 11:00am–4:00pm

Continuing Rigid Heddle: Projects & TechniquesLinda HurtStudents with prior weaving experience on a simple rigid heddle loom learn more advanced techniques such as the use of two heddles, planning a project, yarn selection, and finishing. Looms are available for rental.

$155 Fall, Winter & Spring (7 weeks)Thursday 7:00pm–9:30pm (starts: F–Oct 2; W–Jan 22; Sp–Apr 23)Saturday 10:00am–12:30pm (starts: F–Oct 4; W–Jan 24; Sp–Apr 25)

$120 Summer (5 weeks)Saturday 10:00am–12:30pm

Projects & Advanced Weaving TechniquesAndrea Blackmon Marilyn HarringtonStudents develop practical experience in planning, weaving, and finishing projects, or pursuing advanced harness techniques. Looms available for rent include 4- to 10-harness floor looms and portable 4- to 8-harness table looms.

$185 Fall, Winter & Spring (9 weeks)Tuesday 1:00pm–3:30pm HarringtonTuesday 7:00pm–9:30pm Blackmon

$115 Summer (5 weeks)Tuesday 1:00pm–3:30pm HarringtonTuesday 7:00pm–9:30pm Blackmon

The Art League’s fiber studio provides large workspaces with an assortment of floor looms, table looms, spinning wheels, dyeing facilities, silk steamer, and an extensive fiber library. Open studio is available to members and students for a nominal fee. Floor loom rental fees include open studio time.

Unraveling the Secrets of SilkRenate Maile-MoskowitzSilk has been the luxurious companion of felters, papermakers, and fiber artists for centuries. This workshop explores the endless possibilities of silk cocoons and silk fabrics through the techniques of unraveling, stretching, degumming, dyeing, embossing, devoré, and felting. Tuition includes all materials.$110 September 27, 2014 (Saturday) 10:00am–4:00pm

All About WoolSylvia DeMarParticipants learn the differences between long and short wools, fine versus coarse wools, dual-coated sheep, and more to enable them to choose the best type of wool for any project. Wool washing, sorting, and preparation techniques are included in this three part workshop. No experience necessary. A $10 materials fee is payable to the instructor.$80 Oct 23, 30 & Nov 6, 2014 (Thursday) 7:00pm–9:30pm

Basic WeavingLinda HurtIn this basic weaving overview we sample hand-controlled techniques such as tapestry, rug making, hand controlled lace, and cloth making. Learn to dress a rigid-heddle loom, weave samples and an independent project. A $15 materials fee is payable on the first day. Students may rent a loom for $25.

$185 Fall, Winter & Spring (9 weeks)Thursday 7:00pm–9:30pmSaturday 10:00am–12:30pm

$125 Summer (5 weeks)Saturday 10:00am–12:30pm

Introduction to 4-Shaft WeavingAndrea Blackmon Marilyn HarringtonIn this introduction to the versatile and more complex 4-harness loom, students learn to dress the loom, weave samples of various loom-controlled patterns, and have an opportunity to weave an independent project. A $25 materials fee is payable on the first day of class. Students may rent a floor loom for $30.

$185 Fall, Winter & Spring (9 weeks)Tuesday 11:00am–1:30pm HarringtonTuesday 7:00pm–9:30pm Blackmon$115 Summer (5 weeks)Tuesday 1:00pm–3:30pm HarringtonTuesday 7:00pm–9:30pm Blackmon

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FibersRenate Maile-Moskowitz–Felt

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TapestryTea Okropiridze

Students are introduced to basic and intermediate Gobelin tapestry weaving techniques, creating a miniature woven tapestry sample on a small frame loom. Warping the loom, color mixing and hatching, finishing, and design shaping techniques are covered. The instructor works closely with students in class and provides individual guidance and demonstrations. A $30 fee is payable to the instructor for materials and frame loom use.$170 September 13 & 14, 2014 (Sat–Sun) 10:00am–4:00pm

$170 March 21 & 22, 2015 (Sat–Sun) 10:00am–4:00pm

$155 Fall, Winter, Spring & Summer (7 weeks)Saturday 10:00am–12:30pm(starts: Fall–Oct 4; Winter–Jan 24; Spring–Apr 25; Summer–Jul 11)

Dyeing: Indigo—A Blue Like None OtherSylvia DeMarUnlike conventional dyes, indigo uses the air to impart its unique shades of blue to natural fibers. Participants explore the mysteries of setting up an indigo vat, producing color, and caring for and maintaining your indigo vat. No previous dye experience is needed. A $10 materials fee is payable to the instructor.$85 November 9, 2014 (Sunday) 10:00am–5:00pm

$85 March 8, 2015 (Sunday) 10:00am–5:00pm

All levelsPlain Weave Isn’t So PlainMarilyn HarringtonPlain weave is a fabric structure often abandoned in favor of the supposedly more exciting twills and tied weaves, but plain weave can be exciting and dramatic. In this round robin workshop, students weave a variety of beautiful plain weave samples including crimp cloth, passementarie, clasped weft and more, mostly on a 4-shaft loom. Each student is assigned a warp with suggested materials. Early enrollment is suggested, in order for students to warp their looms prior to the workshop. A $10 materials fee is payable to the instructor.$165 January 3 & 4, 2015 (Sat–Sun) 10:00am–4:00pm

Dyeing: Natural Color KitchenSylvia DeMarStudents explore the use of natural dyes, beginning with the extraction of dye colors from raw materials such as tree bark, roots, or leaves. Preparing both plant and animal fibers for using a minimum of two mordants is covered. Participants take home samples dyed in class. Dye room safety is emphasized. A $25 materials fee is payable to the instructor and covers supplies.$150 June 6 & 7, 2015 (Sat–Sun) 10:00am–3:00pm

Acid and Fiber Reactive DyesSylvia DeMarThis workshop is a great introduction to dyeing for any fiber artist. Day one introduces acid dyes specifically designed to work on wool, alpaca, and other protein-based fibers. Day two expands the options with an introduction to fiber-reactive dyes that work with both plant and protein fibers. Dye room safety is emphasized.$150 February 7 & 8, 2015 (Sat–Sun) 11:00am–4:00pm

Hand Spindles: The Portable Spinning ChoiceSylvia DeMarWith a hand spindle, one can produce the same great yarns that a wheel produces with the added luxury of taking it anywhere! The easy, portable nature of hand spindles makes them a must for anyone with an interest in spinning. Participants learn the fundamentals of drafting, spinning, and finishing both single- and two-ply yarns. The history and variety of this great tool are also examined. A $15 materials fee, payable to the instructor, covers a drop spindle and fiber.

$90 Fall (3 weeks)Sunday 1:00pm–3:30pm (starts: October 5)

$90 Summer (3 weeks)Wednesday 7:00pm–9:30pm (starts: July 22)

Spinning: The Wheel Goes RoundSylvia DeMarStudents learn the fundamentals of spinning: drafting, spinning, and finishing both single and 2-ply yarns using a spinning wheel. Instruction includes how to choose the right wheel, use of handcards and the drum carder, spinning wheel maintenance, how to measure the yards spun, and how to gauge the grist of yarn. Participants may use a school wheel or bring their own. Some open studio time is available for practice. A $10 materials fee is payable to the instructor.

$125 Fall & Spring (6 weeks)Sunday 10:00am–12:30pm (Fall only starts: Sept 28)Wednesday 7:00pm–9:30pm (Spring only starts: Apr 22)

Survey of Spinning Techniqueswith Varied MaterialsSylvia DeMarLearn a variety of spinning techniques beyond single-ply wool yarn, beginning with a balanced two-ply, expanding to multi-plys, cabled-plys, Navajo-ply, and novelty types. Explore the spinning of variegated rovings for a variety of effects and also blend fibers to create striped, segmented, and heathered rovings. Possible plant and animal fibers include: llama, alpaca, camel, mohair, silk, cashmere, angora, f lax, hemp, cotton, bamboo, tencel, soy silk, eco-spun, nylon, and fake cashmere. Participants may use a school wheel or bring their own, and must be comfortable spinning single-ply yarns. A $20 materials fee is payable to the instructor.

$95 Spring (4 weeks)Sunday 10:00am–12:30pm (starts: May 10)

$95 Summer (4 weeks)Wednesday 7:00pm–9:30pm

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Felted JewelryRenate Maile-MoskowitzStudents explore the endless possibilities of using wool to make necklaces, rings, pendants, earrings, and other jewelry. Materials are included in the tuition.$70 December 7, 2014 (Sunday) 10:00am–2:00pm

Felted Masks: The Art of DisguiseRenate Maile-MoskowitzMasks are a unique way to translate fantasies and ideas while using natural fibers. This workshop explores the use of needle felting, wet wool felting, and simple sewing. This is a non-latex, natural fiber version of mask creation. At the end of the day a materials fee is payable to the instructor based on materials used.$80 September 22, 2014 (Monday) 10:00am–4:00pm

$80 October 4, 2014 (Saturday) 10:00am–4:00pm

Felted FlowersRenate Maile-MoskowitzStudents create a lovely bouquet of felted flowers while learning the basics of wet and needle felting. Materials are included in the tuition.$75 October 19, 2014 (Sunday) 12:00pm–4:00pm

$75 April 25, 2015 (Saturday) 12:00pm–4:00pm

Felted SlippersRenate Maile-MoskowitzParticipants learn the ancient art of making perfectly fitted wool slippers. Students learn the process of layering fibers, using a resist, molding felted wool while “fulling” the fibers, cutting the wool, and shaping it to meet the unique shape and size of each foot. A materials fee is payable to the instructor. $80 November 5, 2014 (Wednesday) 10:00am–4:00pm

Sculptural Needle Felting Renate Maile-MoskowitzStudents are introduced to the basic techniques of needle felting while completing a small figure or sculptural object. All materials are included in the tuition.$70 January 12, 2015 (Monday) 12:00pm–4:00pm

Nuno Felted De-Gummed OrganzaRenate Maile-MoskowitzStudents create their own specific fabric by degumming organza to achieve unusual and varied textures. Nuno felting further highlights and compliments these special effects. At the end of the day a materials fee is payable to the instructor based on materials used.$80 January 17, 2015 (Saturday) 10:00am–4:00pm

Felted HandbagRenate Maile-MoskowitzParticipants create a beautiful seamless handbag with a shoulder strap or handle. Some felting experience would be preferable as it helps determine the complexity and size of the finished bag. At the end of the day a materials fee is payable to the instructor based on materials used.$80 February 4, 2015 (Wednesday) 10:00am–4:00pm

Cracked Earth Technique for FeltingRenate Maile-MoskowitzLearn to create “cracks” on any kind of wool felt. Come prepared with an idea of an item to create such as scarf, tote, etc. and learn to create unique dried earth-type cracks as part of the object’s design. At the end of the day a materials fee is payable to the instructor based on materials used.$70 February 25, 2015 (Wednesday) 12:00pm–4:00pm

Beginning / IntermediateKnittingBarbara Garren Diana KreutzThis course is for both the absolute beginner and those who have some experience but wish to increase their skills. Beginners learn the basics: pattern reading, casting on, knitting, purling, cabling, and casting off while creating a fashionable scarf. Students with prior experience may work on a project of their choice to increase their skills. All instruction is individualized to meet the needs of each student. Materials are extra.

$105 Fall, Winter, Spring & Summer (5 weeks)Tuesday 7:00pm–9:00pm GarrenThursday 11:00am—1:00pm GarrenSunday 10:00am–12:00pm Kreutz

Knitting Projects: Beyond SquareBarbara Garren Diana KreutzThis class is designed for those who are beyond scarves and are ready to knit that project that she/he is afraid to undertake alone. Participants are guided through “intermediate knitter” growing pains while learning to read a pattern, fix mistakes, and figure out gauge and sizing.

$90 Fall, Winter & Spring (4 weeks)Tuesday 7:00pm–9:00pm Garren (starts: F-Oct 21; W-Feb 10; Sp-May 12)Thursday 11:00am–1:00pm Garren (starts: F-Oct 23; W-Feb 12; Sp-May 14)Sunday 10:00am–12:00pm Kreutz (starts: F–Oct 26; W–Feb 15; Sp–May 17)

BeginningJumpstart in Wet FeltingRenate Maile-MoskowitzParticipants discover the endless creative possibilities of wool felt in this hands-on introductory course. This is a great opportunity for novices to learn the basics of this fiber medium. All materials are included in the tuition.$90 September 15, 2014 (Monday) 10:00am–4:00pm

$90 September 15 & 22, 2014 (Monday) 7:00pm–10:00pm

$90 January 5, 2015 (Monday) 10:00am–4:00pm

$90 January 5 & 12, 2015 (Monday) 7:00pm–10:00pm

Jumpstart in Nuno FeltingRenate Maile-MoskowitzNuno or lamination felting has become the couture craze of felting in Europe and on international runways. This felt is lightweight with drape and flexibility. Students explore the technique, which permanently combines fabric and wool through a felting process without sewing or hemming. Materials are included.$105 October 11, 2014 (Saturday) 10:00am–3:00pm

$105 January 10, 2015 (Saturday) 10:00am–3:00pm

$105 April 11, 2015 (Saturday) 10:00am–3:00pm

Intermediate/AdvancedFelting: Expanding the PossibilitiesRenate Maile-MoskowitzStudents with some felting experience continue to explore the possibilities of 2-D and 3-D design in felt. A variety of techniques are addressed including inlay, mosaic style, cut outs, Mola style, transparency, pleating, and resist dyeing.

$160 Fall, Winter & Spring (7 weeks)Monday 10:00am–1:00pm (starts: F–Sept 29; W–Jan 19; Sp–Apr 6)Monday 7:00pm–10:00pm (starts: F–Sept 29; W–Jan 19; Sp–Apr 6)

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Silk PaintingDenise VauthierStudents spend a weekend with silks–dyeing, manipulating, and preparing pieces for further embellishment. Surface design techniques such as watercolor, resists, and immersion dyeing, and fixing methods are taught. General discussion of textile dyes and color theory is presented. Participants make samples and scarves to take home. A $45 materials fee is payable on the first day.$175 November 1 & 2, 2014 (Sat–Sun) 10:00am–4:00pm

$175 July 18 & 19, 2015 (Sat–Sun) 10:00am–4:00pm

Surface Design: BatikDenise VauthierStudents explore the magical art of batik - layering colors of dyes, resisting with wax when a desired color is achieved and creating beautiful cloth. Batik, which means “wax writing” in Indonesian, is an ancient liquid resist technique for creating designs and patterns on fabric. Participants experiment with its unique characteristics as they learn to manipulate the wax and other resists. Colors, dyes, discharges, design, resources, and modern ways to achieve a batik “look” are covered. Materials fee of $45 payable at start of class. $175 August 8 & 9, 2015 (Sat–Sun) 10:00am—4:00pm

Surface Design: ShiboriCandace Edgerley Denise VauthierShibori is a Japanese word for the technique of resist dyeing fabric by stitching, binding, or wrapping. Students learn the basics of this art, Arashi (pole wrapped), Trikit (stitch resist), and Boshi (capping), while making samples using silk and cotton fabrics. Dyes, discharges, and the care of silk are covered. Students design and complete two personal silk scarf projects. Materials fee of $45 due at first session.$175 Nov 13 & 14, 2014 (Thurs–Fri) 10:00am–4:00pm Vauthier

$175 Mar 14 & 15, 2015 (Sat–Sun) 10:00am–4:00pm Edgerley

Low Water Immersion DyeingCandace EdgerleySave time! Save water! Save dye! Learn this fast and colorful way to dye cotton, silk and rayon for quilting, rag weaving, and rug hooking, or create cloth to serve as a basis for other surface techniques such as stamping or painting. LWI yields unique pieces of cloth with multiple colors and subtle underlying patterns. The technique can also be used on yarns. All materials are included.$90 October 17, 2014 (Friday) 10:00am—3:00pm

Thermofax Screen PrintingCandace EdgerleyLearn to use a Thermofax machine to create small screens to print images with paint onto fabric or paper. Students have the opportunity to use prepared screens and create some of their own. Discussions include tips for those who own their own Thermofax and for those sending images to commercial printers. Materials are included in tuition. Additional materials may be purchased from the instructor at the end of the workshop. Students are encouraged to bring additional fabric and items to print.$105 December 13, 2014 (Saturday) 10:00am—4:00pm

Rug Making: A Non-Traditional ApproachMichael HeilmanStudents explore the contemporary design potential of non-traditional rug making techniques. Using hand held tools and various yarns, cloth strips, and other materials, participants experiment with color, texture, and sculpting to create a myriad of surfaces, patterns, and effects for rugs or wall hangings. Initial tools and practice materials to begin are provided for a $30 materials fee, payable at first class.

$115 Fall, Winter & Spring (5 weeks)Thursday 7:00pm–9:30pm

Jumpstart in Surface DesignJulie BoothParticipants spend an “open studio” weekend to work and play on a surface design project of their choice. Instructor provides pigment-based fabric paints along with painting, printing, resist, and mark-making tools. A $15 materials fee is payable to the instructor. Open to all levels. Students with prior experience may work on personal projects.$175 June 13 & 14, 2015 (Sat–Sun) 10:00am–4:00pm

Exploring Surface DesignJulie BoothLearn printing, painting, and mark-making techniques, using pigment based fabric paint, paint sticks, and more, on a variety of fabrics. Students work toward an individual project of their choice incorporating the unique multi-layered fabrics created. A $20 materials fee is payable to the instructor.

$180 Winter & Spring (8 weeks)Wednesday 7:00pm–10:00pm (starts: W-Jan 14; Sp-Apr 15)

Surface Design Techniques for TextilesCandace EdgerleySilk screen on textiles using dyes allows the fabric artist to create simple designs or intricate detail without disturbing the feel of the fabric. Students create personal images using methods like mono-printing, photographic stencils, cut stencils, and stencils made with a Thermofax machine. Color mixing and handling of thickened dyes on different fabrics are covered. A lab fee of $50 payable at the first class covers most supplies.

$225 Winter & Spring (5 weeks)Tuesday 10:00am–3:00pm (starts: Feb 3 30)Tuesday 10:00am–3:00pm (starts: Apr 7)

Fabric Resists Using Common Household MaterialsJulie BoothDiscover amazing surface design effects achieved with simple household materials. Flour, sugar, and liquid detergent are just a few of the resists students explore. Armed with whisk, stove, and microwave, the instructor provides recipes yielding exciting results. Students experiment with crackle, drawing, printing, stenciling, and rubbing techniques. Participants make resist technique samplers and some multi-layered fabrics, combining application techniques. A $20 materials fee is payable to the instructor.$175 December 13 & 14, 2014 (Sat–Sun) 10:00am—4:00pm

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Fabric Painting, Printing, andStitching to Tell a Story with ClothJulie BoothStudents use a variety of fabric printing and painting techniques along with basic hand stitching to tell a story in cloth. Participants are encouraged to “find” their stories through a series of surface design exercises and to expand their concept of story. Discussion on the use of color, shapes, size, and arrangement aids in the process. Surface design techniques include: gelatin mono printing, found object printing, brayer rubbing, and collograph techniques, along with a variety of painting, relief printing, and fabric resist techniques. Students are introduced to basic hand stitching and embellishment techniques to add a textural element to their projects. Formats for presentation are also discussed. A $25 materials fee is payable to the instructor.

$160 Fall (7 weeks)Wednesday 7:00pm–10:00pm (starts: Sept 17, no class Sept 24 or Oct 15)

$220 Spring (5 weeks)Wednesday 10:00am–3:00pm (starts: Apr 22)

Patching, Stitching, Weaving:Creating Healing ClothJulie BoothPatching, stitching, appliquéing, darning, and needle weaving are all methods to mend or “heal” fabric. Focusing on the theme of healing, students explore personal symbolism to create a richly stitched and meaningful cloth. Students gather inspiration from the mending and stitching traditions of other cultures including Japanese Boro, Indian Kantha, and the molas of the San Blas Islands. Needle weaving techniques are taught to add dimension and attach or embed small personal objects to the work. Students are encouraged to bring recycled or repurposed cloth, and/or cloth with personal history or meaning. A $15 materials fee is payable to the instructor.$175 March 21 & 22, 2015 (Sat–Sun) 10:00am–4:00pm

Beginning / AdvancedRibbon Work for Millinery:Elegant EmbellishmentsJan WutkowskiCockades, hat bands, scallops, origami, these are a few of the intriguing ribbon pieces students learn in this workshop. Ribbons in all their colors, widths, and patterns have always been a mainstay in simply embellishing hats and clothing, yet there are many techniques for taking a length of ribbon and creating something eye-catching and unusual. Hands-on learning guides participants through some of the mysteries of making lovely cockades and trims. Bring a hat with no trim and experiment with hatband tricks, veiling, brim trims, and other delightful ways of using ribbon embellishments. Over a dozen different techniques are covered in class. Students bring supplies.$210 September 20 & 21, 2014 (Sat–Sun) 10:00am–4:00pm

Beginning / AdvancedRock the BlockJan WutkowskiLearn to make small hat blocks to create standard or unusual hat forms. Using easy-to-find, inexpensive household materials participants design and carve a shape–a button, a heart, a top hat, a teardrop…there’s a multitude of possibilities! After creating a block, students choose from two types of straw (parisisal, sinamay) to block a hat into shape on their form. Perfect for cocktail hats, bridal pieces and special occasion headwear. Fun and inventive! A materials fee of $50 is payable to instructor.$210 January 3 & 4, 2015 (Sat–Sun) 10:00am–4:00pm

Beginning / AdvancedMillinery Feather Techniques and TrimsJan WutkowskiFeathered hats have been popular for centuries, and this workshop teaches participants to identify the best feathers to create striking embellishments for their own hats. First, students learn to “burn” ostrich feathers to create the elusive wispy, skeletal look and even ‘burn” interesting patterns into the feathers. Second, students construct a large and dramatic feather “flower” 10” across. Third, students learn ways of combining, cutting, and curling various feathers (pheasant, coq, biot, nagoire) for texture and style on hats and headpieces. Students may bring in a few of their own hats to see how these feather techniques and trims can add beautiful and unique pizzazz to their hat collection. A materials fee of $50 is payable to the instructor.$210 September 19 & 20, 2015 (Sat–Sun) 10:00am–4:00pm

Beginning / AdvancedStraw Braid Boaters & Fanciful TrimsJan WutkowskiCreate the cutest little boater using various methods of sewing straw braid onto a buckram frame. Participants start with a classic boater buckram shape and a length of straw braid. Using several different artistic methods of laying down the straw braid, students create pretty lines on a classic shape. Discover how to sew braid to the form for the best results, and design treatments for the bottom side of the brim and linings. Most importantly, discover lovely and unique patterns created by the laying down of straw in various styles. Additionally, learn to use braid to fashion leaves, flowers, and other trims. A materials fee of $50 is payable to the instructor.$210 June 20 & 21, 2015 (Sat–Sun) 10:00am–4:00pm

Rug Making: A Non-Traditional Approach ContinuedMichael HeilmanA continuation of the introductory course, this class will allow students to work on self-selected projects under the instructor’s supervision. Advanced techniques will be explored, as well as dyeing of yarn and fabric.

$115 Fall & Winter (5 weeks)Thursday 7:00pm–9:30pm (Fall starts Oct 23; Winter starts Feb 12)

Spinning Thread from PaperSaaraliisa YlitaloFor a full description, please see page 27.


Joomchi: Textured Handmade PaperSaaraliisa YlitaloFor a full description, please see page 27.$95 March 29, 2014 (Saturday) 10:00am–4:00pm

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Becoming ProfessionalFrom Amateur to ProfessionalSusan AbbottThis very intensive workshop demystifies the business side of being a professional artist. Students learn about building a resume, approaching galleries, organizing shows, coping with rejection, slides, publicity, marketing, taxes, and many other topics. Each participant receives a booklet of worksheets and information.$100 March 28, 2015 (Saturday) 10:00am–4:00pm

Photographing Your ArtworkPete Duvall & Alison DuvallThis workshop covers the basics of taking images of artwork for gallery submission, website use, or print reproduction. Lighting, lens use, backdrops, film and digital options are explored. Both 2-D and 3-D artwork are discussed. Participants should bring a camera (film or digital) that can be operated in full manual mode and notebook. No artwork needed.$95 September 7, 2014 (Sunday) 11:00am–4:00pm

Basic Matting and FramingEileen Yeager & Ron YeagerThis two-day workshop covers the fundamentals of matting and framing, excellent for artists, collectors or anyone interested in getting into the framing business. Students learn design and preservation techniques, knowledge of tools, basic and custom mats, hands-on mat cutting, mounting, and pre-cut frame assembly. A $20 materials fee, payable to instructor, covers supplies and use of tools.$175 September 6 & 7, 2014 (Sat–Sun) 10:00am–4:00pm

$175 January 3 & 4, 2015 (Sat–Sun) 10:00am–4:00pm


$175 June 20 & 21, 2015 (Sat–Sun) 10:00am–4:00pm

Creative Matting and MountingEileen Yeager & Ron YeagerWant to learn money saving decoration for mats? Improve traditional plain mats with pencils and paints, paper or fabric, gold pens and more. Learn to cut ovals, circles, or V-grooves. Float mounting, spacers, and shadow box mounting are covered in this hands-on workshop. Mat cutting experience is not necessary to take this workshop. A $20 materials fee, payable to instructor, covers supplies and use of tools.$95 September 8, 2014 (Monday) 10:00am–4:00pm

$95 March 30, 2015 (Monday) 10:00am–4:00pm

Wood Frame Cutting and JoiningEileen Yeager & Ron YeagerThis workshop picks up where pre-cut frame joining leaves off. Students learn to cut to length, miter, join and assemble a wood frame. Painting and embellishing frames are demonstrated. A $20 materials fee, payable to instructor, covers supplies and use of tools to build an 11” X 14” frame.$95 January 2, 2015 (Friday) 10:00am–4:00pm

$95 June 19, 2015 (Friday) 10:00am–4:00pm

Crash Course in DrawingDeirdre Saunder

This workshop is ideal for beginners and those in need of a refresher course. Fundamental drawing techniques primarily in pencil and charcoal are taught. Students learn to use line, value, gesture, and perspective, and develop the ability to “see” as artists. Subjects include still life, figure, landscape, and photographic references. Model fees and supplies are extra.$175 September 13 & 14, 2014 (Sat–Sun) 10:00am–4:00pm


Studying the Hands & Feet in Figure DrawingDan Thompson

This workshop is designed to focus on the hands and feet of a model in figure drawing. The foot is covered Saturday and the hand is addressed on Sunday. Beginning with an overview and exploring structures to interpret from life, students are guided through the practical applications of drawing the anatomy, proper movement, planes, light and shadow. Given the huge potential of hands and feet for expression, this opportunity promises significant developments in student drawing and painting, with a push toward profound craftsmanship and feeling. Model fees are extra.$200 August 23 & 24, 2014 (Sat–Sun) 9:30am–4:30pm

Abstract DrawingJoyce McCarten

This workshop is designed to help the accomplished artist move into new territory. Artists draw from a model within a setup for gestures, long poses, and intuitive exercises. Traditional elements of drawing are examined in the transitional work of various 19th and 20th century artists. Students are encouraged to work against their own grain to allow unpredictable ideas to emerge. Model fees are extra. The limit is 12 students.$250 September 3–5, 2014 (Wed–Fri) 9:30am–4:30pm

$250 September 16–18, 2015 (Wed–Fri) 9:30am–4:30pm

Drawing 101Rick Weaver

All levels of artists gain a better understanding of the principles of drawing from observation. Demonstrations and exercises are used to explain perspective, light and shadow, line and mass, and simplifying techniques. All topics are adapted to levels suited to the student body. This is a great place to start for beginners and an invaluable back-to-basics course for the more experienced student.$175 December 13 & 14, 2014 (Sat–Sun) 10:00am–4:00pm

Drawing Workshops

Avis Fleming–Etching


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Basic Drawing IntensivePriscilla TreacyLearn to translate the 3-D world into a 2-D drawing! This intensive workshop provides training in basic drawing techniques including: light and shadow, line quality, positive/negative space, composition, perspective, and proportion. Through a series of demonstrations and exercises based on still life, students learn to create visually interesting drawings while acquiring a sound understanding of materials and the methods that lead to success. No prior experience is necessary.$175 June 13 & 14, 2015 (Sat–Sun) 10:00am–4:00pm

Linear PerspectivePatrick KirwinMany artists cite “perspective” as one of the most difficult challenges to overcome when setting up a composition. In this workshop, students enhance their ability for critical observation as they learn the rules of perspective, perspective measurement, division of shapes into an even or odd number of spaces, circles in perspective, and inclined planes. This knowledge can then be applied to real drawing and painting situations and used to create clear spatial order within pictures.$175 September 13 &14, 2014 (Sat–Sun) 10:00am–4:00pm


Traveling with your Sketchbook Susan Abbott This popular three-day workshop teaches students to use gesture, contour, collage, and color to record their travels. Participants learn to use the sketchbook as a journal, and to make it a work of art. Students use picturesque Old Town Alexandria as source material, and for inspiration look at many artists’ sketchbook journals. Past students say, “This class changed my life!”$200 March 20, 2015 7:00pm–9:00pm (Fri) &

March 21 & 22, 2015 10:00am–4:00pm (Sat–Sun)

Sketchbook WorkshopAvis FlemingIncrease your enjoyment of travel, nature, and outdoor activity by keeping a sketchbook. Basic drawing techniques in pen, pencil, and watercolor are adapted for speed and smaller scale, and consideration is given to developing sketches into finished work.$165 June 13 & 14, 2015 (in Old Town only) 11:00am–4:00pm OR

$215 June 13 & 14 (Alex) & June 15, 2015 (National Zoo) 11:00am–4:00pm

Problem Parts: Hands & FeetDavid CarterMany times overlooked by even the most prolific artists, the hands and feet do not need to be the avoided extremities that people make them out to be. In this course, the essential aspects of anatomy, form simplification, and gesture are taught using references from photos and live models to render believable hands and feet. Model fees are extra.$175 January 3 & 4, 2015 (Sat–Sun) 10:00am–4:00pm

Drawing the Human HeadRick WeaverThis workshop is a two-day summary of the academic drawing principles an artist must understand to give an effective rendering of the human head. Starting with the mechanics of neck and head movement, participants progress to a comprehensive look at proportion, ball and plane simplification of the head, straight-line simplification, skeletal and muscular anatomy, and structural analysis of the features, volume as planes, and light and shade. All work is from a live model. Model fees are extra.$175 June 20 & 21, 2015 (Sat–Sun) 10:00am–4:00pm

Vitality: Gesture in the Human FigureDan ThompsonThis workshop focuses on the ability of each participant to capture the sense of energy specific to each pose. All skill levels are encouraged to participate. By means of varying pose lengths (from very short to intermediate) the exercises cover the first marks, abbreviations of the pose, longer linear relationships, and the calligraphy of the start. Students may work in oil or drawing media. Model fees are extra.$200 December 13 & 14, 2014 (Sat–Sun) 9:30am–4:30pm

4 Color Chalk PortraitsDan ThompsonThis workshop explores the portrait in color on hand-toned paper. A long portrait pose allows for lessons on drawing the head in vine and compressed charcoal, combined with pastel and red chalk. Students learn about shape, orientation, hatch mark, transparency, plane, and tonality, as well as how to gain from the complexity of materials in creating chromatic effects in form. Time is also spent on preparing the paper. Model fees are extra.$200 August 22 & 23, 2015 (Sat–Sun) 9:30am–4:30pm

Ink and Watercolor in the Spanish TraditionRobert LiberaceSpain produced some of the most dynamic masters of water-based media. This workshop, inspired by the works of artists from Goya to Sorolla, studies their methods and techniques. Both monochrome ink and full palette watercolor are explored along with elements of portraiture, costume, and architecture. Model fees are extra.$300 March 20–22, 2015 (Fri–Sun) 10:00am–4:00pm

Robert Liberace–Ink, Watercolor

David Carter–Pencil


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Know Your Watercolor PaletteRachel CollinsThe color part of watercolor offers a unique set of challenges. In this workshop, a series of paint-handling exercises teaches the watercolorist to use the colors on his or her palette with more confidence and understanding. The focus is on acquiring knowledge that may be applied to every future painting, rather than on producing a finished painting in class.$175 December 2 & 3, 2014 (Tues–Wed) 10:00am–4:00pm

Wet-in-Wet LandscapeSusan HerronAdding paint to wet paper creates exciting and sometimes unexpected results. Students in this course create beautiful landscapes using the wet-in-wet technique.$175 June 13 & 14, 2015 (Sat–Sun) 10:00am–4:00pm

Expressive Flowers in WatercolorSusan HerronWith flowers as subject matter, students are encouraged to create spontaneous and loose watercolor paintings incorporating drips, spatters, and watercolor crayons. Beginners are welcome. $175 September 13 & 14, 2014 (Sat–Sun) 10:00am–4:00pm

Birds in WatercolorSusan HerronUsing birds as subject matter, students explore color, texture, and composition with a variety of techniques in watercolor and acrylic. The emphasis is not on photo-realism but on using abstraction to interpret the beauty of birds to create imaginative and lyrical painting. $175 December 6 & 7, 2014 (Sat–Sun) 10:00am–4:00pm

Line and Wash in WatercolorPeter UlrichWhereas shape is well understood as an important compositional element, line is an oft-neglected element. In this workshop, students employ graphite, ink pen, rigger brush, crayon, or pastel to produce line elements together with watercolor washes to define shapes. Through the contrast of these two compositional features one creates dynamic paintings. Ink pen is also a useful tool for sketching in a travel journal. Using a collection of his travel sketchbooks, the instructor demonstrates how efficiently ink and wash are for capturing travel memories. $175 December 13 & 14, 2014 (Sat–Sun) 10:00am–4:00pm

$175 June 18 & 19, 2015 (Thurs-Fri) 10:00am–4:00pm

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Jumpstart in WatercolorRachel CollinsThis intensive workshop gives students a chance to explore the many possibilities of the medium. It serves as a basic introduction to watercolor, a refresher for someone who hasn’t painted for a while, and a preparation for students looking to pursue a longer study of the medium. No previous watercolor experience is required, although basic drawing skills are helpful.$175 January 3 & 4, 2015 (Sat–Sun) 10:00am–4:00pm

$175 June 16 & 17, 2015 (Tues–Wed) 10:00am–4:00pm

Jumpstart in Sumi-éBetzi RobinsonThis course is designed for those who have admired an oriental brush painting and wondered, “How’d they do that?” as well as those who have never picked up a brush. This workshop involves two days of intensive instruction in sumi-é for the absolute beginner or artist in another medium wishing to expand their horizon. There is step-by-step, hands-on instruction in the fundamentals of the techniques employed in this fascinating art with its traditions stretching back more than a thousand years. Previous participants in this workshop are welcome.$175 January 3 & 4, 2015 (Sat–Sun) 10:00am–4:00pm

Negative Painting: A Positive Experience for WatercoloristsRachel CollinsLearn to create exciting images in watercolor by painting around the subject, rather than painting the subject directly. In the process, participants think about painting in a whole new way and develop both painting and composition skills. For watercolor painters with some experience.$175 September 3 & 4, 2014 (Wed–Thurs) 10:00am–4:00pm

Watercolor by DesignRachel CollinsA little pre-planning does wonders to ensure the success of a painting. This class focuses first on effective methods of working with design elements to construct strong compositions through the process of painting in watercolor. For watercolorists with at least a little experience.$265 March 31–Apr 2, 2015 (Tues–Thurs) 10:00am–4:00pm

Rachel Collins–Watercolor


Watercolor Workshops

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Sumi-é Technique: P’o MoBetzi RobinsonP’o Mo, or “splash ink,” is an ancient Chinese painting technique carried into the modern era by using watercolors on Japanese gold Shikishi Boards. As pure pigments are applied to a damp surface, the colors move and mix themselves. This class is a wonderful way to explore color combinations and create paintings from abstract, spontaneous developments. Almost any subject becomes possible. Previous experience in sumi-é painting is not necessary.$175 March 21 & 22, 2015 (Sat–Sun) 10:00am–4:00pm

Summer Flowersin the Spontaneous Style of Sumi-éCharlene Fuhrman-SchulzThis workshop offers intensive instruction for those who wish to paint flowers in the splashing ink style of Sumi-é painting. It is ideal for the first time painter or for those wishing to refine their skills. The workshop offers step-by-step, hands-on instruction and concentrates on flowers such as the iris, wisteria, morning glory, peony, and lotus. Instruction also includes background wash, and the subjects typically associated with traditional flower paintings such as birds, rocks, butterflies, and bees.$175 June 20 & 21, 2015 (Sat–Sun) 10:00am–4:00pm

Gestural FloralsJackie SaundersParticipants paint flowers as living, moving “little people.” The individual personalities of flowers are captured with rhythmic contour line and fresh washes of undiluted pigments mixing directly on the paper. Students are encouraged to strive for a lively expression, not botanical accuracy. A small “model” fee is charged. $175 June 20 & 21, 2015 (Sat–Sun) 10:00am–4:00pm

Making Space—Perspective In WatercolorGwen BraggPaintings take on new life and dimension as students work from objects, photographs, and outdoor locations in Old Town. Each day has a particular focus on linear and aerial perspective and creating the illusion of depth. $175 June 22 & 23, 2015 (Mon–Tues) 10:00am–4:00pm

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Achieving Dramatic Effects in WatercolorPeter Ulrich

This workshop explores bold effects achieved by dramatic value contrast and the excitement of adjacent complementary colors. Students learn to create colorful, interesting, and transparent shadow areas from dull and black areas in reference photos. Creative use of compositional elements to enhance the center of interest is demonstrated. The importance of selection of subject matter is addressed, including the powerful effects achieved by “looking into the light” to create eye-catching art.


$175 September 15 & 16, 2015 (Tues–Wed) 10:00am–4:00pm

Landscape In and OutSusan Abbott

Participants begin in the studio, and look at composition, color, and a wide range of historical and contemporary approaches to landscape painting. Next, the workshop moves outside for plein air sessions, putting into practice some new and challenging approaches to painting foliage, water, skies, and gardens. Oil, watercolor, or acrylic are welcome.

$345 September 9–12, 2014 (Tues–Fri) 10:00am–4:00pm

Landscape Painting in Sumi-éCharlene Fuhrman-Schulz

Learn to paint landscapes using ink, brush, and rice paper. The workshop is ideal for the first time painter or for those wishing to refine their skills, and offers step-by-step, hands-on instruction. The techniques covered range from spontaneous (or splashing ink) to fine line detail and washes. Instruction concentrates on the elements necessary to create a landscape painting in the oriental style — that is mountains, waterfalls, trees, and mist.


Susan Abbott–Watercolor


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Painting WorkshopsLearning from the MastersSusan AbbottPast painters have much to teach about all aspects of art. Through a combination of art history and painting exercises, students look at the techniques and approaches of master painters from Giotto to De Kooning, focusing on their use of composition, color and narrative. Basic painting experience is required.$345 Sept 9–13, 2015 (Wed–Sun) 10:00am–4:00pm

Painting in Danni’s Living Room or Rose GardenDanni DawsonParticipants paint exquisite flower scenes in Danni’s beautiful rose garden or paint from interesting still lifes arranged in her home. Painters with previous experience savor the rich colors and delicate shapes of nature in full bloom, or delight in the variety of subject matter present in still lifes. A gourmet lunch is provided each day. The workshop is located offsite in Arlington, and participants are responsible for transportation.$420 August 18–22, 2014 (Mon– Fri) 10:00am–4:00pm

$420 December 8–12, 2014 (Mon– Fri) 10:00am–4:00pm

$420 June 8–12, 2015 (Mon– Fri) 10:00am–4:00pm

$420 August 17–21, 2015 (Mon– Fri) 10:00am–4:00pm

Linear PerspectivePatrick KirwinMany artists cite “perspective” as one of the most difficult challenges to overcome when setting up a composition. In this workshop, students enhance their ability for critical observation as they learn the rules of perspective, perspective measurement, division of shapes into an even or odd number of spaces, circles in perspective, and inclined planes. This knowledge can then be applied to real drawing and painting situations and used to create clear spatial order within pictures.$175 September 13 &14, 2014 (Sat–Sun) 10:00am–4:00pm


Mastering ColorDavid CarterWhat color should you use? How do you mix it? An understanding of color theory is essential for students making the transition from drawing to painting. Using acrylic paints, this course helps students who are unsure of the role color relationships play in art and design. Lectures, demonstrations, exercises, and discussions are included.$175 August 23& 24, 2014 (Sat–Sun) 10:00am–4:00pm

$175 August 22 & 23, 2015 (Sat–Sun) 10:00am–4:00pm

Costumed Portrait PaintingDan ThompsonThis intensive course is for intermediate and advanced students of figure and portrait painting. Participants investigate fine portraiture in oil from direct observation. Students may work on a series of three alla prima heads from life or one-session portraits. The models are posed in costume each morning so that painting may commence immediately, as the bulk of instruction is individual to each student’s studies. Discussion points include color, texture, and brush handling throughout the development of each painting.$310 August 25–27, 2014 (Mon–Wed) 9:30am–4:30pm

Jumpstart in ColorKurt SchwarzStudents learn to mix oil colors through various “color studies.” These painting exercises are designed to hone the perception of temperature and improve the ability to mix color accurately. Participants then learn to apply the paint cleanly with an emphasis on wet-in-wet mixing directly on the canvas.$175 December 6 & 7, 2014 (Sat–Sun) 10:00am–4:00pm

Crash Course in Acrylic PaintingDeirdre SaunderThis workshop is ideal for beginners or those in need of some additional basic painting knowledge. Fundamental painting techniques are taught using a variety of brushes, palette knives, rollers, and other tools. Color mixing, the use of acrylic mediums, and the use of different painting surfaces are covered as the students explore the use of photographic references and subject matter ranging from still life to landscape.$175 December 13 & 14, 2014 (Sat–Sun) 10:00am–4:00pm

Vitality: Gesture in the Human FigureDan ThompsonThis workshop focuses on the ability of each participant to capture the sense of energy specific to each pose. All skill levels are encouraged to participate. By means of varying pose lengths (from very short to intermediate) the exercises cover the first marks, abbreviations of the pose, longer linear relationships, and the calligraphy of the start. Students may work in oil or drawing media. Model fees are extra.$200 December 13 & 14, 2014 (Sat–Sun) 9:30am–4:30pm

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Dan Thompson–Oil

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Still Life DemonstrationRobert JohnsonRobert Johnson paints a one-day still life, from bare canvas to a finished painting. The demonstration includes comments and discussion throughout. Topics include: elements of an aesthetically appealing setup, good design and successful foundations, brushes and expressive brushstrokes, and more. Attendants may ask questions throughout the demonstration. As the work nears completion, thoughts and concerns regarding the process of finishing a painting are addressed.$80 December 6, 2014 (Saturday) 10:00am-4:00pm

Jumpstart in Pastel PaintingJoe SpollenUsing a modest palette of soft pastels, participants are introduced to this fundamental medium for making color studies, quick sketches, or ambitious paintings. Participants work from a still life set-up to ensure confidence in the diverse applications of pastel and complete a finished, frameable work. Special attention is given to the preparation of surfaces, pastels durability, and versatility. The use of pastels for this workshop is included. Students need to purchase a few other basic supplies.$175 March 21 & 22, 2015 (Sat–Sun) 10:00am–4:00pm

Exploration in ArtPriscilla TreacyThis workshop explores varied ways of making an image on a two-dimensional surface. Each day introduces two different black and white and/or color mediums with the emphasis on unusual and unique approaches to materials and their uses. The class accommodates both the Realist and Abstractionist; subject matter isn’t really important here. This is a relaxed class with an “anything goes” attitude to creating art that encourages exploration. Some techniques covered are oil pastel and wax sgrafitto drawing, ink and crayon “etching”, water media monotypes, and watercolor over wax resist. The simple names belie their capacity to create startlingly beautiful things. A materials fee is payable to the instructor for some items. $175 March 17 & 18, 2015 (Tues–Wed) 10:00am–4:00pm

Color for PaintersSusan AbbottIf color theory is Greek to you, this intensive class demystifies the language of hue, tone and complements. Using structured exercise and gouache pigments, participants delve into color properties and relationships in ways that immediately strengthen one’s personal painting approach. Basic drawing experience is required.$345 March 24–27, 2015 (Tues–Fri) 10:00am–4:00pm

Classical Portrait PaintingRick WeaverLearn the master technique of separating drawing from color in a painting. Working on a life-size head and shoulders portrait, this workshop covers the basics of creating a monochrome under-painting, followed by a rendering of form in grays, and then rounding out the portrait in a final color step. Variations of this valuable system of painting were used by most painters before the 19th century, and may be adapted to many individual painting styles today.$175 March 28 & 29, 2015 (Sat–Sun) 10:00am–4:00pm

Oil PortraitDan ThompsonThis course is for intermediate painters for the purpose of investigating fine portraiture in oil from direct observation. By means of longer poses and through grisaille and color, students enhance their accuracy of drawing, creating a likeness, and implying planar construction, via archetypes of the head. Lectures and demonstration include learning to paint the interrelation of facial features and creating a complete portrait. Students are provided a wealth of knowledge and experience for future work.$310 August 24–26, 2015 (Mon–Wed) 9:30am–4:30pm

From Grisaille to Glaze: The Classical PortraitRobert LiberaceThis workshop looks at the traditional painting approach, used by artists such as Giorgione, Rembrandt, and Ingres, that involves developing a portrait through successive layering. The monochrome grisaille develops the forms and values. Thinly applied glazed layers develop color, enhance form, and complete the portrait. Both traditional and modern pigments and mediums are used and discussions about the anatomy of the face are featured. Model fees are extra.$300 Dec 5–7, 2014 (Fri–Sun) 10:00am–4:00pm

Dissecting the Figure: An Anatomical Approach to Drawing and PaintingRobert LiberaceThis class involves the development of a thoroughly modeled portrait and f igure through comprehensive anatomical exploration. The morning session features écorché drawing, which highlights the specific relationships of muscle and bone. The afternoon session features one long pose for the entire five days, allowing artists to fully analyze the figure through paint.$450 September 9–13, 2015 (Wed–Sun) 10:00am–4:00pm

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Robert Johnson–Oil

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Precious Metals: Drawing & PaintingUsing Silver and CopperRobert LiberaceArtists have long exploited the special properties of these beautiful metals to create works of extraordinary beauty. Participants spend two days using silver wire for drawing with Italian Renaissance artists as inspiration. The next three days highlight the Baroque Dutch model of painting on copper plate and the lustrous effects that can be achieved with this technique.$450 September 8–12, 2014 (Mon–Fri) 10:00am–4:00pm

Still Life and Floral in OilRobert A. JohnsonThis workshop concentrates on capturing the natural beauty of flora and other still life subjects in oil while working directly from life. The beauty and power of fresh undisturbed oil paint, as well as the expressive and descriptive quality of the brushstroke is stressed. The instructor demonstrates and emphasizes the direct alla-prima approach to painting. All levels welcome.$315 March 27–29, 2015 (Fri–Sun) 10:00am–4:00pm

Taking the Bull by the Horns:Creating a Body of WorkDiane TeslerParticipants plan and begin a series of three to four paintings based on their own photos and sketches. On the first evening, students meet with Diane to review ideas and plan subject matter for the week. Rolled canvas and stretching supplies are used to move beyond standard canvas sizes. This workshop offers a chance to explore an idea in depth and from different angles while initiating the practice of developing several paintings simultaneously. Following the workshop, participants are encouraged to keep in contact with Diane via email for feedback on the work in progress.$330 November 17, 2014 1:00pm–3:00pm (Mon) &

November 18–21, 2014 10:00am–4:00pm (Tues–Fri)

$330 March 13, 2015 1:00pm–3:00pm (Fri) &

March 16–19, 2015 10:00am–4:00pm (Mon–Thurs)

Landscape in AcrylicSusan HerronStudents learn to use acrylic as an opaque medium or like a transparent watercolor. Participants experiment with acrylic on a varnished surface with lifting, layering, and texturing to create an exciting landscape.$175 December 13 & 14, 2014 (Sat–Sun) 10:00am–4:00pm

Painting Skies and Dramatic Light in the LandscapeSara Linda PolyThis workshop covers the choice and use of photos or sketches for reference material, starting with a strong composition, simplifying, and creating mystery and excitement for added drama. Also explored are the use of contrast, color, strong and subtle light passages, and atmospheric perspective. Students study techniques for painting skies, cloud formations, sunrises, sunsets, and night scenes. Any medium is welcome.$175 December 2 & 3, 2014 (Tues–Wed) 10:00am–4:00pm

Weekends in the Plein Air LandscapeMike FrancisThis workshop is composed of two afternoon painting sessions. Participants meet along the Potomac in Alexandria. Artists of all media are invited to join in for session demos, critiques, and discussions of the materials and techniques. Prerequisite: some experience in drawing and painting. Students supply all materials, including easels. Locations may not be metro accessible and students are responsible for their own transportation.$90 October 11 & 12, 2014 (Sat–Sun) 1:00pm–4:00pm

(Rain dates October 18 & 19, 2014)

$90 April 25 & 26, 2015 (Sat–Sun) 1:00pm–4:00pm

(Rain dates May 2 & 3, 2015)

Fast Figure PaintingKurt SchwarzFocus is placed on dark shapes, essential planes and masses, as well as color and value. Through the use of 15-minute to half-hour poses students begin to develop a quick and masterful paint-handling technique for capturing the figure. Model fees are extra.$175 June 13 & 14, 2015 (Sat–Sun) 10:00am–4:00pm

Portrait InterpretationsTania KarpowitzLooking at portraits in art history, this workshop examines how the portrait has been reinterpreted over time. Students experiment with materials, composition, and thinking about their own view of what makes a portrait. As students uncover their idea, they focus on developing their image. Participants are encouraged to start thinking about these ideas before class and to bring some examples of portrait images by other artists. Students must bring drawing materials. All media are welcome. Model fees extra.$175 January 3 & 4, 2015 (Sat–Sun) 10:00am–4:00pm

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Mike Francis–Oil


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Painting Skies in the LandscapeBobbi PratteThe sky sets the stage in a landscape painting. In this workshop, students focus on depicting skies in a convincing and expressive manner. Participants look at the work of Turner and Constable who were masters of painting skies. Attention is also given to the different types of clouds, the effects of atmosphere on color and edges, how clouds reflect light in the sky and the importance of observation. Acrylic is the medium of choice. Some painting experience is desirable. $175 September 13 & 14, 2014 (Sat–Sun) 10:00am–4:00pm

Landscape Painting Techniques: Snow & Winter ScenesPatrick KirwinThis workshop is instrumental in developing an acute eye for color and texture as participants study the effects of sunlight and snow. White snow accepts a plethora of color depending on the light of day. It often can be seen to be blue or violet in the shadows, with warm yellows and oranges in the light. Snow at night offers different colors. Working from photos, participants learn to paint snow in various lights, conditions, and textures. Students supply their own materials.$175 December 13 & 14, 2014 (Sat–Sun) 10:00am–4:00pm

Landscape Painting Techniques: Water, Seascapes, Lakes & WaterfallsPatrick Kirwin

From ocean waves on beaches to tranquil lakes and reflections, water in its various settings is studied. An emphasis is placed on learning the color combinations that make painting water convincing. Using the correct brushes to make the shapes of water is also demonstrated.$175 July 18 & 19, 2015 (Sat–Sun) 10:00am–4:00pm

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Landscape Painting Techniques: RocksPatrick KirwinWorking on location at Great Falls Park in Virginia, participant paint landscapes featuring its fantastic rock formations in this two-day plein air workshop. An emphasis is placed on the value structure to create form. Texture and rock striation are also covered with some interesting and surprising techniques. Participants paint the raging river water and the instructor demonstrates the color differential of dry rock and wet rock.$175 June 13 & 14, 2015 (Sat–Sun) 10:00am–4:00pm

(Rain dates: June 20 & 21, 2015)

A Week in Thomas, West VirginiaDanni Dawson, Mike Francis, Paul Lucchesi & Kurt SchwarzSpend a week painting still life or landscape with Danni Dawson, Mike Francis, and Kurt Schwarz or sculpting with Paul Lucchesi. Participants may choose to focus on one style or switch freely among the four instructors. Workshop includes lunch. Lodging is not included.$495 August 25–29, 2014 (Mon–Fri) 10:00am–5:00pm

$495 August 24–28, 2015 (Mon–Fri) 10:00am–5:00pm

A Week in the Indiana CountrysideDiane TeslerStudents spend a week of intensive painting in Diane’s Midwest hideaway. Northern Indiana farm country is a land of space and austere beauty. A variety of locations around the town of Kewanna (population 500) and the surrounding countryside offer wonderful painting possibilities. Students may work in oil and gouache. Each class is limited to five. Lunch and dinner at Diane’s house are included. Travel and lodging are additional. Please call the school for further information.$510 August 4–8, 2014 (Mon–Fri)

$510 August 11–15, 2014 (Mon–Fri)

$510 August 3–7, 2015 (Mon–Fri)

$510 August 10–14, 2015 (Mon–Fri)

Sara Linda Poly–Oil

Tanya Karpowitz–Oil


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Vermont Landscape Painting RetreatSusan AbbottParticipants gather for a Thursday evening introduction and spend the following five days working plein air in and around Susan’s 1840’s farmhouse and studio, surrounded by woods, meadows, and hills near Plainfield, Vermont. Students may work in watercolor, oil, acrylic, or pastel. Some prior painting experience is required, but first time plein air painters are welcome. Class is limited to fourteen. Lunch and snacks are provided. Travel and lodging are additional. Please email Susan at [email protected] for further information.$525 August 5–10, 2015 (Thurs–Tues)

Introduction to EncausticBeverly RyanParticipants learn to paint with encaustic, a mixture of beeswax and pigment. This course covers basic techniques of painting and fusing, transparent and opaque layering, scribing, image transfer, combining oil paint and wax, collage, tools, recommended supports, and safety concerns. The workshop consists of demonstrations and hands-on experience. Workshop fee includes materials, four supports, and use of equipment.$310 September 13 & 14, 2014 (Sat–Sun) 10:00am–4:00pm

$310 January 3 & 4, 2015 (Sat–Sun) 10:00am–4:00pm

$310 September 12 & 13, 2015 (Sat–Sun) 10:00am–4:00pm

The Next Step in Encaustic PaintingBeverly RyanEncaustic painters explore this exciting medium on five consecutive afternoons. Demonstrations and plenty of hands-on time provide the opportunity for students to review basic techniques, try new materials, develop imagery for a series, work on a larger format, explore mixed media, hone tool skills, and connect with other encaustic enthusiasts. Workshop fee includes most materials, two 15” X 15” panels, three 9” X 9” panels, and use of equipment.$425 March 23–26, 2015 (Mon–Thurs) 1:00pm–5:00pm

Personal Narrative TriptychBeverly RyanUsing photo-transferred personal images and acrylic paint, participants create a mixed media narrative triptych on small wooden panels. The workshop includes planning a composition and instruction in several photo transfer techniques. Narratives emerge as painted and imported imagery are layered. A $45 fee, payable to the instructor, covers three 12” X 12” cradled wooden panels.$175 September 6 & 7, 2014 (Sat–Sun) 10:00am–4:00pm

$175 August 29 & 30, 2015 (Sat–Sun) 10:00am–4:00pm

Abstract Landscapes - Inside OutBrenda BelfieldStudents gain experience painting from sketches and photos of nearby locations. Demonstrations and discussions focus on how to simplify and create simple masses of trees and buildings and various techniques to create exciting abstractions. All media are welcome. Demonstrations are with acrylic and mixed media.$175 August 30 & 31, 2014 (Sat–Sun) 10:00am–4:00pm

Jumpstart into AbstractionBrenda BelfieldThis intuitive abstract painting workshop teaches the creative process: developing ideas that are not pictured in your mind but come from a process of experimentation and discovery, analysis and revision. Through demonstrations and challenging assignments, students experience the creative process and develop abstract self-expression with acrylics and mixed media on paper and canvas. All levels are welcome.$175 July 11 & 12, 2015 (Sat–Sun) 10:00am–4:00pm

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Patrick Kirwin–Colored Pencil


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Mixing It UpDelna Dastur

This workshop investigates an adventurous way to approach art. Participants experiment fearlessly with a variety of mediums. Splattering ink, brushing on charcoal, adding on, or ripping off are just a few methods that are explored. The aim is to be completely innovative by breaking away from the familiar and discovering new dimensions. Personal growth is emphasized while overcoming old restrictions.


Intermediate/AdvancedAbstract PaintingJoyce McCarten

Abstract painting can be representational or non-subjective. Whatever the preference, working in a series can lead to making work that is personal and satisfying. Students have three days to take ideas and develop them through drawing, painting, and mixed media. New creative solutions to conceptual problems are discovered as students learn to paint in layers, integrate subject and ground, and use transparencies, found images, and lost and found lines.

$280 March 16–18, 2015 (Mon–Wed) 9:30am–4:30pm

Acrylic Paint with Printing TechniquesMarsha Staiger

Discover painterly monotype, relief stamp making, and image transfers in acrylic. Due to the quickly made multiples of print making, this workshop encourages students to explore many possibilities in their work and examine the various dimensions of mark making, as well as positive and negative space relationships.


Color Imagined: High Flow Acrylics in ActionMarsha StaigerThis workshop allows one to immerse their senses in a world of delightful color. High flow acrylics are immensely satisfying when used in markers or brushed directly on paper, Yupo, primed or raw canvas. High flow acrylics allow one to break loose from the limitations of regular acrylics. Splash, move, and apply paint in an entirely new way.$175 September 12 &13, 2015 (Sat–Sun) 10:00am–4:00pm

Gel & Medium Techniques for Abstract AcrylicsMarsha StaigerFind out how to manage the many aspects of acrylic paint and use a wide variety of mediums and gels to expand its possibilities. Discover how to modify opacity, transparency, and texture. Experiment with additives that allow the creation of anything from watery glazes to sculptural impasto from the same tube of paint. Build a notebook for future reference.$265 December 6–8, 2014 (Sat–Mon) 10:00am–4:00pm

$265 March 28–30, 2015 (Sat–Mon) 10:00am–4:00pm

Collage Me: Paper & Found ObjectsMarsha StaigerMake, find, and give life to ideas through the process of collage during this workshop. Multiple support surfaces for collages are explored for use with the participants’ personal collage choices. Acrylic polymer and matte medium give most papers the environment it needs to be a stable resource for collaged artwork.$175 June 20 & 21, 2015 (Sat–Sun) 10:00am–4:00pm

EmergeMarsha StaigerThis multifaceted workshop stimulates participants to find personal ways to create art. Course includes instructor demonstrations, problem solving warm-ups, and critiques. Individual and class brainstorming sessions generate new ideas and directions for growth. Participants work toward six pieces of work with a personal direction.$400 August 24–28, 2015 (Mon–Fri) 10:00am–4:00pm

Jumpstart to the Artful iPadNancy FreemanFor a full description, please see page 17.$175 September 13 & 14, 2014 (Sat–Sun) 10:00am–4:00pm

The Artful iPadNancy Freeman For a full description, please see page 17.$175 January 3 & 4, 2015 (Sat–Sun) 10:00am–4:00pm

Art on the Go… With Your iPadBobbi PratteFor a full description, please see page 17.$95 May 3, 2015 (Sunday) 10:00am–4:00pm

The Artful iPad ContinuedNancy FreemanFor a full description, please see page 17.$175 March 21 & 22, 2015 (Sat–Sun) 10:00am–4:00pm

Marsha Staiger–Acrylic



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Silk Screen PrintingNancy McIntyreStudents explore the silkscreen medium for twelve focused hours. Returning students should come with a project in mind. Beginners learn the three basic types of silkscreen stencil (cut, photographic, and hand-painted) and create two small editions of prints, using only non-toxic, water-based inks. All supplies are included. Limited to eight students.$210 December 13 & 14, 2014 (Sat–Sun) 9:30am–4:00pm

The Monotype PartyMike Francis Pattee Hipschen Thomas HipschenIn the last quarter of the 1800’s, monotype parties were the rage for all artists in Europe and America. In this two-day intensive workshop, participants use their drawings, paintings, or photos as reference as they explore the printing territory pioneered by Edgar Degas. Demonstrations include traditional monotype printing techniques and manipulation of the image with watercolor, gouache, and pastels. A gourmet lunch is served daily. A $20 lab fee, payable to the instructor, covers all supplies and lunch. This workshop is offsite.$215 March 21 & 22, 2015 (Sat–Sun) 10:00am–4:00pm


Jumpstart in Etching Penny BarringerThis fundamentals workshop is a great place for beginners to start and an invaluable refresher course for more experienced students. Techniques covered are line etching, aquatint and dry point. Students produce prints in all techniques. Limited to ten students. A $20 lab fee, payable to the instructor, covers all supplies except plates, printing paper and paper towels.$170 December 6 & 7, 2014 (Sat–Sun) 10:00am–3:00pm

All LevelsJumpstart in Wood EngravingRosemary Feit CoveyWood engraving allows the printmaker to create detailed images and prints without a press. This workshop is appropriate for the beginner with no art experience and also the more accomplished artist. Engraving surfaces include resingrave, maple, and boxwood. Supplies are available for purchase in the store. Ages 14 to adult and all levels are welcome.$175 June 13 & 14, 2015 (Sat–Sun) 10:00am–4:00pm

Linoleum CutsPenny BarringerDiscover this relief printing process that doesn’t require a press to print. Linoleum is an easy–to–cut alternative to wood. A $20 lab fee is payable to the instructor.$170 March 6 & 7, 2015 (Sat–Sun) 10:00am–3:00pm

Monotype ExplorationsPenny BarringerExplore the techniques used by Degas, Sargent and Prendergast. Subtractive, additive, color blending and painterly techniques are the focus of the workshop. A $20 lab fee is payable to the instructor.$170 October 18 & 19, 2014 (Sat–Sun) 10:00am–3:00pm

$170 April 4 & 5, 2015 (Sat–Sun) 10:00am–3:00pm

Beginning / IntermediateIntensive MonotypePenny BarringerStudents delve into the fascinating monotype process in an intensive workshop. A new inking technique with water-based or oil-based inks is explored each morning and afternoon. A $40 lab fee payable to the instructor covers all supplies except paper and paper towels. Limited to ten students.$360 June 22–26, 2015 (Mon–Fri) 10:00am–3:00pm

Plein Air Landscape MonotypesBobbie Pratte & Penny BarringerThis workshop combines water-based monotype techniques with plein air painting. Participants spend the first day painting on Mylar at the chosen site and the second day in the printing studio transferring their paintings to paper through the monotype printing process. A $20 lab fee is payable to instructors.$190 May 14 & 15, 2015 (Thurs–Fri) 10:00am–4:00pm

Advanced MonotypePenny BarringerThis workshop focuses on an in-depth exploration of several monotype techniques: viscosity, Chine Collé and multilayer printing. Students are encouraged to pursue individual projects. A $40 lab fee covers all materials except paper and paper towels. Limited to eight students.$360 June 8–12, 2015 (Mon–Fri) 10:00am–3:00pm

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Printmaking Workshops


Nancy McIntyre–Screen Print

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Jumpstart in PhotographyAlison Duvall & Pete Duvall

Learn to use your camera beyond “auto” mode. Day one teaches the basics of your camera, including exposure, white balance, ISO, and lens choices. Day two includes time photographing “out in the field” with the instructors, followed by detailed discussion on downloading, editing, and organizing digital images. Students should bring a camera with charged batteries.$165 January 3 & 4, 2015 (Sat–Sun) 11:00am–4:00pm

Alternative Photo ProcessAlison Duvall & Pete DuvallIn this hands-on workshop, participants learn some of the lesser-known photo processes. This course covers how to take images, manipulate them, and put them on almost any surface using Fuji’s instant print film. The world of the cyanotype and its beautiful blue, turn-of-the-century look is also explored. Students also make their own pinhole cameras and take photos with them. All materials are supplied but students are encouraged to bring their own slides, images, and materials on which to transfer images. A $40 lab fee is payable to the instructor.$165 June 20 & 21, 2015 (Sat–Sun) 11:00am–4:00pm

Architectural PhotographyLibby CullenLearn the elements of good architectural photography including perspective, scale, lighting, and composition, as well as technical aspects such as camera formats, lenses, filters, and lighting. On day one, students meet on location as the instructor works alongside the students, teaching through demonstration and lecture. A critique of the students’ work followed by editing features in Photoshop occurs in the classroom on day two. Both film and digital cameras are welcome.$175Sept 13 &14, 2014(Smithsonian American Art Museum)11:30am–5:30pm

$175Dec 6 & 7, 2014(Nat. Building Museum)10:00am–4:00pm

$175March 21 & 22, 2015(Library of Congress)10:00am–4:00pm

$175June13&14, 2015(Hirshhorn Museum)10:00am–4:00pm

Portrait PhotographyRobin ReidIn this off–site workshop addressing studio portraiture, the goal is to teach the student how to quickly produce a saleable, flattering photograph. Topics include lighting principles, use of strobes, portraiture posing, and flaws. Sample sheets, educational resources, reviews, and critiques are made available.$175 August 9 & 10, 2014 (Wed–Thurs) 10:00am–4:00pm

$175 September 24 & 25, 2014 (Wed–Thurs) 10:00am–4:00pm

$175 December 3 &4, 2014 (Wed–Thurs) 10:00am–4:00pm

$175 February 28 & March 1, 2015 (Sat–Sun) 10:00am–4:00pm

$175 May 16 & 17, 2015 (Sat–Sun) 10:00am–4:00pm

Basic Photographic Lighting ToolsRobin ReidPhotography is all about capturing light. But what light is needed? Daylight doesn’t always cooperate; but pop-up flash is limited. Before one invests blindly, learn about the tools professionals use: flash, strobe, reflectors, umbrellas, gels, gobos, grids, and snoots. Participants learn to make many of these tools inexpensively. In addition, participants learn how the color of light impacts the final product, and how and when to change the size of the lights. The principles taught in this workshop are essential to all types of photography. This workshop is taught off-site in a professional studio in Alexandria.$95 October 18, 2014 (Saturday) 10:00am–4:00pm

$95 December 13, 2014 (Saturday) 10:00am–4:00pm

$95 February 18, 2015 (Wednesday) 10:00am–4:00pm

$95 April 22, 2015 (Wednesday) 10:00am–4:00pm

$95 August 1, 2015 (Saturday) 10:00am–4:00pm

Photoshop WorkshopAlison DuvallLearn the basics of Adobe Photoshop and apply these skills to photos. Everything from adjusting and correcting photos to creating new images is discussed. This class is taught using Adobe Photoshop Creative Cloud. Students should bring a laptop and download the free trial from www.adobe.com prior to the first class.$100 Dec 2 (Tu), 4 (Th), 9 (Tu) & 11 (Th), 2014 7:00pm–9:00pm

$100 Mar 24 (Tu), 26 (Th), 31 (Tu) & Apr 2 (Th), 2015 7:00pm–9:00pm

Lightroom WorkshopPete DuvallLearn to use Adobe Lightroom as the centerpiece for digital photography workf low and integrate it with Photoshop. Participants learn to use the program to organize, edit, print, or share images. This class is taught using Lightroom 4. Students should bring a laptop and download the month-long trial of Lightroom 4 from www.adobe.com prior to class.$95 September 6, 2014 (Saturday) 11:00am–4:00pm


Libby Cullen–Photograph

Robin Reid–Photograph

Photography Workshops

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Portrait Sculpture WorkshopCharles FlickingerThe focus is on the anatomy of the head and capturing likeness, personality, and mood in terra cotta. Students sculpt from a single pose in this two day intensive workshop. Visualizing 3-D form and choosing tools are addressed. Clay is included. Model and firing fees are extra.$190 January 3 & 4, 2015 (Sat–Sun) 10:00am–4:00pm

$190 June 20 & 21, 2015 (Sat–Sun) 10:00am–4:00pm

Plaster Casting & Mold MakingNick XhikuStudents learn the art of plaster casting as well as rubber mold making and waste mold making in this step-by-step intensive workshop. This is a valuable course for sculptors and ceramic artists who wish to make multiples or cast in other materials. A materials fee is payable to the instructor.$175 March 28 & 29, 2015 (Sat–Sun) 10:00am–4:00pm

Bas Relief SculptureNick XhikuThis course introduces students to the principles of bas-relief, which serves as a bridge between two-dimensional and three-dimensional art. Students explore different methods of the bas-relief process as they build up and out of the flat surface of clay. Principles of perspective are addressed. Class begins with a simple project and progresses to more complex ones.$175 December 6 & 7, 2014 (Sat–Sun) 10:00am–4:00pm

A Week in Thomas, West VirginiaDanni Dawson, Mike Francis, Paul Lucchesi & Kurt SchwarzSpend a week painting still life or landscape with Danni Dawson, Mike Francis, and Kurt Schwarz or sculpting with Paul Lucchesi. Participants may choose to focus on one style or switch freely among the four instructors. Workshop includes lunch. Lodging is not included.$495 August 25–29, 2014 (Mon–Fri) 10:00am–5:00pm

$495 August 24–28, 2015 (Mon–Fri) 10:00am–5:00pm

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Motion, Light & Sound: Dynamic Sculptures & InstallationsJohn KauffmanLearn how artists create interactive installations and kinetic sculptures. This workshop teaches how to incorporate motion, light, and sound into your work with a simple, inexpensive device called a microcontroller. Without any prior knowledge of electronics or programming, participants learn to achieve interactive pieces that respond to environmental changes. Students bring a laptop and, prior to the workshop, directly order a kit of parts ($80). Parts are reusable and students can continue to experiment in the future with no further investment in tools.$180 September 13 & 14, 2014 (Sat–Sun) 10:00am–4:00pm


$180 June 13 & 14, 2015 (Sat–Sun) 10:00am–4:00pm

Figure SculpturePaul LucchesiStudents of all levels have an opportunity to study portrait and figure sculpture with an internationally famous sculptor. Students work in clay, with emphasis on anatomy, technique, and expression. Three bags of clay are included. Model and firing fees are extra and may be paid to the instructor. $390 December 11–14, 2014 (Thurs–Sun) 10:00am–3:30pm

$390 March 19–22, 2015 (Thurs–Sun) 10:00am–3:30pm

Figure Sculpture WorkshopCharles FlickingerThe focus of this workshop is the anatomy of the figure, gesture, and proportion. The gesture is the core of any figurative work, therefore the essential movement, rhythm and flow of the pose is stressed. What lighting best illuminates form, texture, or detail is discussed. Use of tools to achieve various types of surfaces is explored as well as the engineering aspects of building small figures in clay. Includes two bags of clay. Model fees are extra.$190 September 6 & 7, 2014 (Sat–Sun) 10:00am–4:00pm


Sculpture Workshops

Nick Xhiku–Wood

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Metal Clay and EnamelingPaula Coupe & Abby GoldblattThis workshop introduces the expanded possibilities of metal clay when paired with enameling. The first day students create jewelry pieces from metal clay. Basic techniques for working with the clay are covered along with design considerations for future enameling. On day two basic procedures are demonstrated and students enamel their own work. Clay and a $15 clay tool kit are available for purchase. A $20 materials fee paid to the enameling instructor covers all other supplies.$185 February 21 & 22, 2015 (Sat–Sun) 10:00am–4:00pm

Felted JewelryRenate Maile-MoskowitzStudents explore the endless possibilities of using wool to make necklaces, rings, pendants, earrings, and other jewelry. Materials are included in the tuition.$70 December 7, 2014 (Sunday) 10:00am–2:00pm

Blacksmithing for SilversmithsMichael BrehlLearn to make your own tools. Mushroom, blowhorn, anticlastic, and raising stakes can be made, as well as chasing tools and a stonesetting jig. If participants complete one blowhorn stake and one mushroom stake the cost of the class is far less than the retail cost of those two stakes. Cutting, forming, welding, grinding, sanding, and polishing techniques are demonstrated. Prior jewelry or silversmithing experience is required. Welders, grinders, and other large power tools are used. This workshop is physically demanding and also requires reasonably good eyesight and depth perception. A materials fee is payable to the instructor (approximately $70) but varies depending on the material used. Registered students should contact the instructor at least one week prior to class to discuss individual material needs.$185 June 13 & 14, 2015 (Sat–Sun) 10:00am–4:00pm

Chain Making for BeginnersNick BarnesStudents learn the ancient art of manufacturing a chain link in sterling silver. Using their own design, students fabricate bracelet length of chain, along with an elegant simple catch. This workshop is good for complete beginners, or students who wish to brush up fabricating and soldering skills. Skills covered include: coiling, jump ring cutting, sawing, filing, soldering, fabrication, clean up, and mass media burnish polishing. Through the use of hands on samples and personal one to one instruction, students design and make a chain to wear home after the class. A materials fee of approximately $40 is payable to the instructor.$100 November 8, 2014 (Saturday) 10:00am–4:00pm

Acrylic Carving Techniques for JewelersNick BarnesThis workshop explores how acrylic like materials can be carved and manipulated through heat forming, to create an infinite variety of form and decorative carved finishes for small scale jewelry. Students are expected to have a working knowledge of sawing, file work, and a basic working knowledge of how to use a flex shaft rotary tool. This is a fast paced one day workshop exploring the creative and artistic possibilities of acrylic carving, using its unique properties. A materials fee of approximately $40 is payable to the instructor.$100 November 15, 2014 (Saturday) 10:00am–4:00pm

Silver Soldering for JewelryGretchen Raber Tina ChisenaStudents spend an intensive hands-on day devoted to working with the acetylene torch. Torch safety is stressed along with techniques, materials, and equipment. Participants practice with metal and silver solders. Materials are included.$95 November 1, 2014 (Sat) 10:00am–4:00pm Chisena

$95 February 28, 2015 (Sat) 10:00am–4:00pm Raber

Jumpstart in EnamelingAbby GoldblattThis workshop is an easy and inexpensive way for the beginner to experience the beauty and versatility of enamel. For those considering an enameling class, this is an excellent opportunity to try out this exciting art form. A $45 materials fee covers all supplies.$165 August 22 & 23, 2015 (Sat–Sun) 10:00am–3:00pm

Jump into Metal ClayPaula CoupeThis workshop provides an opportunity to learn about and experiment with the three types of metal clay—Precious Metal Clay (PMC), and the newest clays, BRONZclay and COPPRclay. Students have the opportunity to make a pendant and/or earrings with each clay type, and learn the different properties, techniques, and finishing possibilities for all three. All levels are welcome. A $50 tool and materials fee, which includes enough clay for each project, is payable to the instructor. Additional tools and clay are available for purchase.$165 August 19 (Tu), 21(Th) & 26 (Tu), 2014 10:00am–1:00pm

$165 August 19 (Tu), 21(Th) & 26 (Tu), 2014 7:00pm–10:00pm

$165 August 18 (Tu), 20(Th) & 25 (Tu), 2015 10:00am–1:00pm

$165 August 18 (Tu), 20(Th) & 25 (Tu), 2015 7:00pm–10:00pm

The New Silver: Precious Metal ClayPaula CoupeParticipants make fine silver jewelry with ease and speed using a different approach from conventional methods. PMC is a compound of fine silver particles mixed into an organic binder that can be rolled, shaped, and textured with amazing detail. Students learn about the various types and forms of PMC and try the basic techniques for creating and finishing jewelry. Metal clay and a $15 tool kit may be purchased from the instructor.$185 December 13 & 14, 2014 (Sat–Sun) 10:00am–4:00pm

$185 June 20 & 21, 2015 (Sat–Sun) 10:00am–4:00pm

Jewelry Workshops

Abby Golblatt–Cloisonné Enamel

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Twisted and Braided Wire Ring DesignNick BarnesStudents learn the ancient art of wire twisting and braiding, and manufacture a sterling silver band of their design. The workshop is good for complete beginners, or students who wish to brush up on their fabricating and soldering skills. Skills covered include: twisting and braiding, forging, sawing, filing, soldering, fabrication, clean up, and mass media burnish polishing. Through the use of hands on examples and one on one instruction, students design and make a ring to wear home after the class. A materials fee of approximately $40 is payable to the instructor.$100 March 7, 2015 (Saturday) 10:00am–4:00pm

Metal Carving Techniques for JewelersNick BarnesThis workshop explores how the use of hand files, saws, and gravers, as well as flex shaft accessories can create infinite variety of form and decorative carved finishes for small-scale jewelry. Students are expected to have working knowledge of basic metalworking, including annealing copper based metals; hard soldering; and cutting and cleaning sheet metals. This is a fast paced one-day workshop exploring the creative and artistic possibilities of metal forming, and therefore there is not time for instruction on basics. Tuition includes studio fee. A tools and materials list is available from the instructor once registered. Space is limited to 10 students.$110 March 14, 2015 (Saturday) 10:00am–4:00pm

Fold Forming Meets EnamelingNick Barnes & Abby GoldblattSaul Bell Award winning artists, Abby Goldblatt and Nick Barnes, team up again for this course. Through extensive demonstrations and play periods, students explore the exhaustive shapes and colors that these techniques bring to small-scale jewelry or larger sculptural pieces. Using samples as inspiration combined with an emphasis on playfulness, students are guided in the design development of their own unique pieces. Through the process of enameling, color may be draped over forms to enhance and tease the viewer, or to add the surprise of an additional element. Tuition includes the use of enamels. An optional tool kit is available for purchase from the instructors.$275 March 27–29, 2015 (Fri–Sun) 10:00am–4:00pm

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The Art League offers workshops led by distinguished visiting instructors, as well as Art League instructors. Instruction in a specific medium is offered in concentrated 2-day to 2-week sessions. For individual brochures on any of the workshops listed below, please call Margaret Cerutti at 703-683-1780x13 or email [email protected].

Costumes of Downton AbbeyHenry F. Dupont Winterthur MuseumMuseum Day Trip Early Fall 2014

Early Autumn on the Chesapeake:Solomons Island, MDwith Peter UlrichPlein Air Painting, open to all media $225 (accomodation not included) October 19–21, 2014

The Mansions of Newport:Fine Art Collections in Holiday SplendorMuseum Overnight Trip November, 2014

Bahamas Winter Painting Retreat 2015with Susan AbbottPlein Air Painting, Open to All Media $1,790 (airfare not included) February 4 –9, 2015

Photographing the Wonders of Antiquity, Culture, and Landscape: Ethiopia–The Cradle of Civilizationwith Andarge Asfaw*Open to Artists of All Media* Early Spring 2015

Madrid: Through the Eyes of the Artistwith Robert LiberaceMuseum Exploration/Drawing Spring 2015

Painting the Chesapeake:the Eastern Shorewith Peter UlrichPlein Air Painting, Open to All Media Spring 2015

Provence 2015with Susan AbbottPlein Air Painting June 2015

Peter Ulrich–Watercolor

TravelWorkshops

Nick Barnes–Gold

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During 2014, The Art League is celebrating 60 years of bringing the visual arts to the community. Please join us during these Anniversary events, exhibits, and programs:

Influence and Inspiration: The Art League Faculty Celebrates 60 YearsAugust 7 – September 21, 2014Location: a special exhibit at The Athenaeum 201 Prince Street Alexandria, VirginiaReception: September 7, 2014

Contemporary RealismSeptember 10 – October 6, 2014Juror: Dorothy Moss, Smithsonian American MuseumLocation: The Art League GalleryReception: Thursday, September 11

Art on TapOctober 3, 2014Artistically Inspired Local Brews & BitesLocation: The Art League Gallery

Art NowOctober 8 – November 3, 2014Juror: Cory OberndorferLocation: The Art League GalleryReception: Thursday, October 9

Portrait & Figure FestivalOctober 23 – October 25, 2014Location: The Art League’s Madison Street Annex

Artfete: Open House & Holiday PartyDecember 5, 2014Location: The Art League’s Madison Annex+ Annual Jewelry & Ceramics SaleDecember 5 – 7, 2014

Thanks to you—The Art League’s students, faculty & artists—we are thriving in our milestone 60th year:

In the past year, you have supported:

10,000 class enrollments3,250 exhibited artworks1,040 artist members345 volunteers/mentors/interns125 artist instructors70 outreach participants18 free community events

Additional promotional support for The Art League’s 60th Anniversary Celebration Project has been generously provided through a matching grant by the Alexandria Marketing Fund and a sponsorship by the Montgomery Center. For more information on 60th Anniversary Celebration programming, visit: www.theartleague.org.

The Art League thanks all of our funders and donors for their support of our programs and services. For more information on how you may help support and sustain The Art League, please stop by our Development Office, or contact Charlene Haskell at [email protected] or at 703-519-1741.

United Wayof the National Capital Area

#56520 #8069

Rebecca Adams BA, Smith College; Rhode Island School of Design

Nancy Aldrich-Wolf BA, University of North Carolina

Andargé Asfaw Graduate of the Hallmark Institute of Photography

Kathlyn Avila-Reyes BS, Virgina State; Art Certification, Corcoran College of Art + Design

Nick Barnes BA, The Polytechnic School of Wolvehampton; Montgomery College

Penelope Barringer BFA, Syracuse University

Alex Beck BFA Ringling College of Art & Design

Brenda Belfield BA George Washington University; Corcoran College of Art + Design

Carlos Beltràn Baldiviezo BFA, Mississippi State University

Andrea Blackmon BS, University of Minnesota

John Blee MA, Hunter College; BFA, Maryland Institute College of Art; studied with Helen Frankenthaler and Robert Motherwell

Ricky Bryant Jr MFA Savannah College of Art & Design

Julie Booth BA, Wesleyan University; Certificate Degree, Scientific Illustration, Rhode Island School of Design

Gwen Bragg NWS; MFA, BS, James Madison University

Michael Brehl MFA, University of Washington, Seattle; BFA, University of Wisconsin at Madison

Peter Böttger MFA, Sculpture, The Royal Danish Academy of Fine Arts

David Bowen Carter MFA, American University; BFA, James Madison University

Tina Chisena MFA, Towson University

Jin Chung BA, Virginia Commonwealth University

Susan Cohen MFA, George Washington University; BA, Smith College

Rachel Collins MALS, University of Wisconsin; BA, Middlebury College

Anita Damron MA University of Massachusetts

Delna Dastur MFA, American University; BA, Wellesley College

Danni Dawson MFA, BFA, George Washington University

Karen Day BFA, Cleveland Institute of Art

Pamela Day BA, Lawrence University

Sylvia DeMar BA, University of Maryland; Spinning for over 25 years

Carol Dupré MFA, George Washington University; BA, University of Maryland

Alison Duvall BFA, Syracuse University

Peter Duvall BFA, Syracuse University

Candace Edgerley Northern Illinois University; Corcoran College of Art + Design

Deborah Ellis AB, Cum Laude, Radcliffe College; Art Students’ League, New York

Aiko Erickson BA, California State University at Long Beach; Corcoran College of Art +Design; Apprentice to Kawai Bolcusetsu and Ando Seisen

Steven Fleming BA, Old Dominion University; Maryland College of Art and Design

Marjorie Forgues Apprenticeship with Robert Liberace; Northern Virginia Community College

Michael Francis MFA, George Washington University; BFA, Maryland Institute College of Art;Corcoran College of Art + Design

Nancy Freeman BFA, Wayne State University

Charlene Fuhrman-Schulz MA, Washington University, St Louis; Studying under paintingmaster I-Hsiung Ju

Barbara Garren BA, West Chester University of Pennsylvania; MBA, Marymount College; knitting for over 40 years

Abby Schindler Goldblatt MFA, BA, Kent State University

Stephen Gosling BA LIverpool John Moores University

Susan Greenleaf Trinity University; Columbia Visual Arts Center at Antioch University

Marilyn Harrington Springwater Fiber Workshop Artist

Michael Heilman BA, JD, University of Wisconsin; 10 years making & weaving rugs

Jack Heimerman BFA, Northern Arizona University

Susan Herron NWS; BFA, University of Maryland

Linda Hurt BFA University of Washington; over twenty years experience knitting, spinning, and weaving

Scott Hutchison MFA, George Washington University; BFA, Drake University

Bryan Jernigan BS Oklahoma State University; MA Drake University

Tania Karpowitz MFA, Indiana University; BFA, Boston University

Lori Katz Jersey City State University; George Washington University

Brian D. Kirk MIS, Sculpture & Ceramics, Virginia Commonwealth University; BFA, GeorgeWashington University; Corcoran College of Art + Design

Patrick Kirwin MFA, George Washington University; BA, Columbus College of Artand Design; Skowhegan School of Painting and Sculpture

Diana Kreutz BA, University of Maryland

Harriet Lawler Over 20 years of printmaking experience

Delphine Lee BFA Parsons School of Design

Robert Liberace MFA, George Washington University

Rosemary Luckett BS, Saint Mary College; Marymount Universitystudied with Jennie Lea Knight, Anne Truit, Hank Harmon;

Joann Liu BA, University of Mary Washington

Marcia Madison Corcoran College of Art + Design

Renate Maile-Moskowitz BFA,MFA University of Maryland;BS equivalent, University of Stuttgart, Germany

Frederick Markham MFA, George Washington University; Postbaccalaureate, Universityof Kentucky; BFA, Transylvania University

Joyce McCarten BA, Penn State University; Corcoran College of Art + Design; NorthernVirginia Community College

Nancy McIntyre BFA, Rhode Island School of Design

Blair Meerfeld BA, Adams State College

Hermineh Miller MFA, BA, Michigan State University; Eastern Michigan University

Joe Mullins James Madison University; Savannah College of Art & Design

John Murray Maryland Institute College of Art; Pennsylvania Academy of Fine Arts

Tea Okropiridze MFA State Institute of Culture, Tblisi Georgia

Thanasi Papapostolou MFA, New York Academy of Art; BFA, University of Pennsylvania;Four Year Certificate, Sculpture, Pennsylvania Academy of the Fine Arts

Suzanne Kordalski Parrish MA, George Mason; BFA, Virginia Polytechnic Institute andState University

Matthew Pinney MFA, Pennsylvania Academy of the Fine Arts; BFA, Indiana University

Sara Linda Poly Maryland Institute College of Art; Northern Virginia Community College;Prince George’s County Community College

Jimmy Powers BS, James Madison University

Bobbi Pratte Parsons School of Design

Stephen Procopio BA in Studio Art, Messiah College

Gretchen Raber MFA, American University; BS, State University of NY

Ted Reed JD, Cum Laude, Harvard Law School; AB, Studio Art and English Literature,Summa Cum Laude, Bowdoin College

Donna Reinsel Frostburg State University; BS, University of Maryland; Catholic University;BFA, Corcoran College of Art + Design

Betzi Robinson BFA, Carnegie Mellon University

Beverly Ryan MS, Columbia University; BA, Franklin and Marshall College; CorcoranCollege of Art + Design

Jacqueline Saunders MFA, University of Arkansas

Deanna Schwartzberg BFA, New York University; Corcoran College of Art + Design;George Washington University; Art Students’ League, NY

Kurt Schwarz BFA, George Washington University

Lisa Semerad Northern Virginia Community College; Apprenticeships with NelsonShanks and Danni Dawson

Allison Severance BFA, Hood College

Joe Spollen BA, George Washington University; studio assistant to Peter Thrasher &William Woodward

Marsha Staiger BA, University of Louisville in Kentucky

Jean Stark BFA & MAT, Maryland Institute College of Art

George Tkabladze MFA & BFA, Sculpture, Tbilisi State Academy of Fine Arts, Tbilisi, Georgia. Tbilisi I. Nikoladze Art College, Tbilisi, Georgia.

Priscilla Treacy MA, Villa Schifanoia, Graduate School of Fine Arts of Rosary College,Florence, Italy; BA, Oberlin College

Mary Ellen Trozzo BA, University of Maryland; Fachhochscule für Gestaltung, SchwabischGmund, Germany; Columbia School of Gemology

Jesse Turnbull BFA Maryland Institute College of Art

Joan Ulrich Northern Illinois University; Lill Street Studios, Chicago Illinois

Peter Ulrich PhD, MIT; BS, Yale

Ali Wunder BA in Studio Art, Messiah College

Nick Xhiku BS and Post-graduate studies, Sculpture, Academy of Fine Arts, Tirana, Albania

Jennifer Yamane MAT, George Mason University; BA in Studio Art, Middlebury College

Saaraliisa Ylitalo MA, Montclair State University; BA, Lawrence University

FacultyJack Heimerman–Ceramics

105 North Union StreetAlexandria, Virginia 22314 www.theartleague.org | 703-683-2323

School Term DatesSeptember 2014–August 2015

Fall Term 2014September 15–November 16

Winter Term 2015January 5–March 8

Spring Term 2015April 6–June 7

Summer Term 2015June 22–August 23

Summer Art Camps 2015June 14–August 21

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The Art League Celebrates 60 Years

&PORTRAIT

FIGUREFESTIVAL

October 23–25, 2014$335Old Town Alexandria, VAFind out more & register at www.theartleague.org

“By nurturing the artist, we enrich the community. The Art League develops the artist through education, exhibition, and a stimulating, supportive environment, while sharing the experience of the visual arts with the community.”

Portrait by Danni Dawson

Documents

The Art League School Catalog 2014/15