The works of Hilma af Klint (1862-1944) are fascinating, unique, and at the same time they challenge the conventional definitions of abstract art and its origins. Hilma af Klint strived to give expression to insights and experiences that were manifested in her inner world using an innovative universe of symbols and colours, unlike anything known at the beginning of the 20th century. For most visitors this Swedish artist will be a totally new and surprising acquaintance, among other reasons because she stated in her will that the ground-breaking paintings were to remain concealed from the public for at least twenty years after her death. Through this touring exhibition, organized by Moderna Museet in Stockholm, Hilma af Klint has finally aroused great international attention due to the occult, abstract visual universe and beauty of the works. Shown here are 250 paintings and works on paper, including early landscape studies, automatic drawings and her great central suite The Paintings for the Temple.

HILMA AF KLINT

SOUTH WING UNTIL 6 JULY

Overwhelming, symbolic and radical in size, Hilma af Klint’s series The Ten Largest, 1907, depict mankind’s four phases. Photo: Kim Hansen

PHILIP GUSTON

EAST WING 4 JUNE – 7 SEPTEMBER

Philip Guston (1913-1980) is one of the most important American painters from the second half of the 20th century. From the end of the 1940s he was a highly respected member of the circle of Abstract Expressionist painters in New York, but around 1968 he changed course dramatically, abandoning abstraction for a strikingly figurative, almost comic-strip-like mode of expression. Guston thus became a standard-bearer for the revival of the figurative tradition in American art in the 1970s and 1980s. This exhibition, organized in collaboration with Schirn Kunsthalle in Frankfurt, marks the centenary of Guston’s birth with a concentrated selection of these late works – a milestone in American painting. The exhibition title Painting Smoking Eating implies that during the last ten years of his life Guston only drew and painted himself and his immediate surroundings. Combining misery, sensitivity and humour, this relationship with reality is transformed into a pictorial world of great human strength.

Philip Guston. The Studio, 1969, and The Line, 1978, both oil on canvas. Private collection © The Estate of Philip Guston

This summer’s major exhibition is a comprehensive presentation of one of the leading modernist artists. Emil Nolde (1867-1956) is a classic painter, a powerful colourist and one of the most important representatives of German Expressionism. His close ties with Denmark – both biographical and geographical – also give him a natural position in Danish art history, which makes it even more surprising to realise that the last comprehensive retrospective of his works in Denmark dates back many years. In the meantime, we can now draw on a wealth of recent research findings, some of which open up new fascinating perspectives on the artist and his work. This exhibition, organized in collaboration with Städel Museum, Frankfurt, presents an overview of Nolde’s entire career, presented in thematic chapters such as Origins, Seascapes, View of an Exotic World and Magus from the North. Included are works, which since Nolde’s death have only been shown – if at all – in his own house in Seebüll in Schleswig-Holstein.

EMIL NOLDE

WEST WING 4 JULY – 19 OCTOBER

Emil Nolde. Masks and Dahlias, 1919, oil on canvas. Self-portrait, 1917, oil on plywood. Both © Nolde Stiftung Seebüll

The exhibition will clearly show how Emil Nolde experimented with different approaches to painting until he found his own characteristic style. Here you will find on show not only Nolde’s impressive landscapes and paintings of flowers, but also Berlin nightlife scenes as well as paintings from his voyage to the South Seas and images with religious content. One of the objectives of this retrospective has also been to locate the artist in his contemporary context. Therefor a major theme in itself is Nolde’s long life of nearly 90 years, his work as an artist, and his presence as a figure in Germany from the late 19th century to the post-war years. With generous loans from the Nolde Foundation Seebüll and several important loans from museums and private collectors, we have brought together more than 140 works, including 90 paintings. Offering a rare and exciting chance to learn more about the many varied facets of Emil Nolde’s life and work.

From Nolde’s travel to the South Seas: Tropical Sun, 1914, oil on canvas. © Nolde Stiftung Seebüll / Photo: Krause, Johansen

SUMMER AT LOUISIANASummer is the perfect time to enjoy the unique interaction between art, architecture, and nature, which has secured Louisiana a position as one of the world’s most famed and beloved museums. A tour of the Sculpture Park, where each piece of art is per-fectly positioned, is in itself an important part of the Louisiana experience. Here you can explore the hidden pathways, sunbathe in the grass, feast on the panoramic view of the Sound or proceed unto the beach. The Louisiana Collection is of international importance and shown in selected presentations, apart from major features such as the Asger Jorn Gallery and the Giacometti Gallery, that are almost always on view. Children and youngsters will enjoy the Children’s Wing, a vibrant and inspiring three-storey setting for activities and workshops. Through Summer you will find a variety of cultural offers at Louisiana: concerts in the Park, Literature Festival, etc. Do not forget to visit our splendid Cafe and high-quality Shop, and note our generous opening hours. For more information visit www.louisiana.dk.

The Calder terrace in front of the Louisiana Cafe is a perfect place to relax and enjoy the most wonderful view of a Danish Summer’s day. Foto: Kim Hansen

TUESDAY-FRIDAY OPEN UNTIL 22:00

Cover: Emil Nolde, Frau T. mit roter Kette, Sylt, 1930, watercolor on paper. © Nolde Stiftung Seebüll. Photo: Krause, Johansen.Works by Emil Nolde, Hilma af Klint, and Philip Guston are © Billedkunst.dk 2014.

Louisiana Museum of Modern ArtGl. Standvej 13 DK-3050 Humlebæk +45 4919 0719 mail@louisiana.dk

Opening hoursTuesday-Friday: 11:00-22:00 Saturday-Sunday: 11:00-18:00 Public holidays: 11:00-18:00 Monday: closed

Admission pricesIndividuals: DKK 110Students with student ID: DKK 95 Children and youth up to 18: free

Groups (min. 15): Per person: DKK 100 Per student: DKK 90

Louisiana Members: freeMembers’ guests (max. 4): DKK 90

IN 2014 LOUISIANA RECEIVES SUPPORT FROM A.O. THE FOLLOWING:

OLAFUR ELIASSONOPENING 20 AUGUST

COMING SOON

LOUISIANA LITERATURE21 – 24 AUGUST

Sponsor of Louisianas architecture exhibition

Main Corporate Partners:

WEST W

ING EM

IL NOLDE 4 July – 19 October

EAST WING

PHILIP GUSTON4 June – 7 Septem

ber Painting & The Painterly W

orks from the Louisiana

Collection / Hall Gallery 4 June – 3 August SOUTH W

ING

HILMA AF KLINT

until 6 July Ascher Collection & Kusam

a Installation until 6 July

Gl. Strandvej 13 +45 4919 0719

3050 Humlebæ

k ww

w. louisiana.dk

SCULPTURE PARK

HENRY MOORE

(Panoramic view

)

ASCHER COLLECTION

KUSAMA

INSTALLATION

CALDER TERRACE

WESSEL BAGGE

COLLECTION

EAST WING

(BELOW GROUND LEVEL)

CHILDREN’S WING

CONCERT HALL

NORTH WING

WEST W

ING

SOUTH WING

ASGER JORN GALLERY

GIACOMETTI

GALLERY

HALL GALLERY