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OLABISI ONABANJO UNIVERSITY AGO-IWOYE, NIGERIA CURRICULUM VITAE AND ANNUAL APPRAISAL FOR FULL APPRAISAL (2015) POST DESIRED: PRINCIPAL ARTS FELLOW A. PERSONAL DATA 1. Name: FADIREPO, Adejoke Adetoun 2. Department: Performing Arts 3. College/Faculty: Arts 4. Date and Place of Birth: 21st of March 1963/Ibadan Oyo State Nigeria 5. Nationality Nigerian 6. Marital Status: Married 7. No. of Children: One 8. Name and Address of the Spouse: Mr. Solomon Fadirepo 3, Araromi Street, Odo-Ona Ibadan, Oyo State, Nigeria. 9. Name and Address of Next of Kin: Ayeni Abayomi Emmanuel 3, Araromi Street, Odo-Ona Ibadan, Oyo State, Nigeria. 10. Date of First Appointment: 1st of June 2004 11. Status of First Appointment/Salary: Arts Fellow II AUSS 3 Step I 12. Present Position and Salary: Senior Arts Fellow 13. Date of Last Promotion/Regrading: October 2012 14. Date of Confirmation of Appointment 20 th June 2013 15. If not Confirmed, Why? 16. Period of present Contract; Not applicable 17. Total Number of Years of Teaching and Research in; 1

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OLABISI ONABANJO UNIVERSITYAGO-IWOYE, NIGERIA

CURRICULUM VITAE AND ANNUAL APPRAISAL FOR FULL APPRAISAL (2015) POST DESIRED: PRINCIPAL ARTS FELLOW

A. PERSONAL DATA1. Name: FADIREPO, Adejoke Adetoun

2. Department: Performing Arts

3. College/Faculty: Arts

4. Date and Place of Birth: 21st of March 1963/Ibadan

Oyo State Nigeria

5. Nationality Nigerian

6. Marital Status: Married

7. No. of Children: One

8. Name and Address of the Spouse: Mr. Solomon Fadirepo

3, Araromi Street, Odo-Ona Ibadan, Oyo State, Nigeria.

9. Name and Address of Next of Kin: Ayeni Abayomi Emmanuel

3, Araromi Street, Odo-Ona Ibadan, Oyo State, Nigeria.

10. Date of First Appointment: 1st of June 2004

11. Status of First Appointment/Salary: Arts Fellow II AUSS 3 Step I

12. Present Position and Salary: Senior Arts Fellow

13. Date of Last Promotion/Regrading: October 2012

14. Date of Confirmation of Appointment 20th June 2013

15. If not Confirmed, Why?

16. Period of present Contract; Not applicable

17. Total Number of Years of Teaching and Research in;

(a) Polytechnic/College of Education. Not applicable

(b) University 13years

i.Lagos State University 2003/2004 1year

ii.Olabisi Onabanjo University, Ago-Iwoye, 2004 till date. 12 years

B. EDUCATIONAL BACKGROUND1. Academic Qualifications/Institution Attended (with Dates)i. Certificate in Dramatic Arts, University of Ife (1981/1982)

ii. Diploma in Theatre Arts University of Ibadan (1984/1986)

iii. B.A. (Hons) Dramatic Arts (O.A.U. Ife) (1992/1997)

iv. M.A. Theatre Arts, University of Ibadan (1998/1999)

1

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2. Current Higher Degree Programme Registered for (if any): M.Phil. in Theatre Arts. University of Ibadan.

3 Awards and Distinction:i. University of Ibadan Theatre Arts Student’s Award (July, 1986)

ii. Ife Legacy Award (June, 2006)

iii. Merit Award (Performing Arts Students Association) as Most Approachable Lecturer,

2008

iv . Best of Nollywood (BON) Awards 2013

v . Award of Excellence (Unilorin Faculty of arts student’s Award) 2013

vi. Martozuan Theatre Stars (Tai Solarin College of Education, Omu Ijebu)

vii. Osun State Student’s Merit Award 2014

viii. Celestial Church of Christ Award of Excellence.(Ago Iwoye Parish 1) 2015

ix. Award of Excellence (C.C.C.Iyanu Oluwa District Headquarters, Ijebu Ode)

x. Award of recognition Archival Art Concept, (Ibadan. 2016)

C. WORK EXPERIENCE1. PREVIOUS WORK EXPERIENCE OUTSIDE THE UNIVERSITY SYSTEM:i. Labs Deroy Communication Centre, Basorun Ibadan.( Production Officer )

1986/1987

ii. Loto Productions. No. 5 Adewunmi Street Felele, Ibadan (Production Officer)

2001/2002

iii. Home Video Production/Television Serials/Series (Actress)

iv. (Stage Productions/Actress).

2. PREVIOUS WORK EXPERIENCE IN OTHER UNIVERSITIES: i. Uni Ibadan Performing Company (Theatre Artist) 1980/1984

ii. Obafemi Awolowo University Acting Company (Actress/Costumer) 1987/1997

iii. Lagos State University Lekki Campus (Lecturer) 2003/2004

3. DETAILS OF TEACHING EXPERIENCE AT OLABISI ONABANJO UNIVERSITY:(i) TEACHING FUNCTION: (Lecturing/300 Level Course Adviser)

Harmattan Semester:I taught the following courses in Harmattan Semester:

PER 105: Phonetics and Phonology I

PER 205: Phonetics and Phonology II

PER 301: Acting Mime & Speech

2

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PER 401: Acting Mime & Speech

PER 303: Dramatic Literature/ Theory/Criticism (Team)

PER 403: Dramatic Literature / Theory /Criticism (Team)

PER 415: Improvisation (Team)

Rain Semester: I taught the following courses during the Rain Semester:

PER 204: Acting Mime & Speech

PER 216: Children’s Theatre & Creative Dramatics

PER 302: Acting Mime & Speech

PER 404: Aesthetics in Arts (Team)

PER 206; Phonetics and phonology I

PER 106; Phonetics and phonetics II

I have also been involved in the supervision of student’s long essays since 2004.

(i11) Administrative Functionsa. Coordinator: Performing Arts Unit (2009 -2010)

b. 300 Level: Students’ Adviser

c. Member; Faculty Open Seminar (2015 till date)

d. Chairman Departmental Disciplinary Committee (2011till date)

f. Chairman; Comittee on Departmental Seminar (2012 till date)

e. Member; Faculty Affiliation Committee (2016 till date)

(iv) Contribution to the NationEducating the Populace through academic and practical works.(Home video )

D. MEMBERSHIP OF/AND REGISTRATION WITH PROFESSIONAL BODIES1. Nigerian Association of Theatre Arts Practitioners (N.A.N.T.A.P), Member.

2. Association of Nigerian Theatre Practitioner,(A.N.T.P) Member.

3. Society of Nigerian Theatre Artist (S.O.N.T.A), Member.

4 Theatre and Movie Practitioners Association In Nigeria (T.A.M.P.A.N),Member.

E. PUBLICATIONSI. Thesis /Dissertations: (i). A.A. Ademuyiwa (1997) “Directorial Approach to the Concept of Myth: Jide

Ogungbade as a case study” B.A. Thesis,Obafemi Awolowo University.Ile-Ife

(ii). A.A. Ademuyiwa (1999) “Acting in Nigeria: The Female Experience”, Masters

Thesis. University of Ibadan

II. Books; Nil

III Contribution to Books (1)

3

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(1) A.A Fadirepo.(2014) “Kola Oyewo; The Master craftsman”; In Dimensions

of the New Nigerian Theatre; Critical Essays in Honour of Kola Oyewo.

Alpha Crownes Publishers.UK

1V Festschrift (2) (1) A.A Fadirepo (2013) “Gender and Inequality;The Incantations of the sexist Males”

. In Arts,Culture &Communication in a Postcolony;A Festschrift for Lawrence

Olanrele Bamidele.(492-499) Akoh &Inegbe (eds) Alpha Crownes

Publishers.UK

(2) A.A. Fadirepo (2011) “Gender Perspective Through The Eye of the Video”. In

Development in the Theory and Practice of Contemporary Nigerian Drama

and Theatre: A Festschrift in Honour of Dapo Adelugba (129-135) Oni &

Adeyemi (eds) United Kingdom: Alpha Crownes Publishers

F Published Journals (8)(1) A.A Fadirepo. (2014) “Symbolism and Religious Semiotics;The Celestial

Church of Christ Example” . (41-50) Ago Iwoye Journal of Languages

and Literary Studies (AJOLL).Department of Nigerian and Foreign

Languages and Literatures, Faculty of Arts,Olabisi Onabanjo

University, Ago Iwoye.

(2) A.A Fadirepo.(2014) “Christian Drama and Psychotherapy; Ore Ofe Films as

Cases of Study”. Ife. The Centre For Psychological Studies.Ile Ife

(3) A.A. Fadirepo (2013) “Acting Skills: A Panacea to Stress Management

Technique”. In Ife Psychologia. Ife Center for Psychological

Studies. Ile-Ife. (161-166)

(4) A.A. Fadirepo. (2013) “Aesthetics of the African/Yoruba Film” OYE; Ogun

Journal of Arts. Vol xix.The faculty of Arts, Olabisi Onabanjo

University, Ago Iwoye (183-193)

(5) A.A Fadirepo (2011) “Motif and the African Drama/Theatre: A case study

of No More the Wasted Breed” by Femi Osofisan, LINGUA

FRANCA, 2ndNational Journal of FOAA. Volume 1 No 1.(292-309).

(6) A.A Fadirepo (2010) “Advancing the Role of Women in Nigerian Politics

through the Film Medium”. African Journal of Research in Personnel and

Counselling Psychology. Volume 2 Number 1 (129-133. )

(7) A.A Fadirepo . (2010) “Career Choice and Gender Challenges: The

Nigerian Actress in Perspective”. The Parnassus, University of

Uyo Journal of Cultural Research.(37-47)

4

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(8) A.A Fadirepo Adejoke.(2008) “Thespian Arts: The Gift, The Glamour and

the Greed.” The Parnassus, University of Uyo Journal of Cultural Research.

(296-304)

G CONFERENCES ATTENDED WITH DATES AND PAPERS READ

(1) A.A Fadirepo (2008) Workshop Facilitator for Acting in the conference; ;Behind

The Screen; Building Capacity in The Film Industry,by Remdel Optimum

Communication.Akure

(2) A.A Fadirepo (2009) Workshop Facilitator for Acting in the conference; ;Behind

The Screen; Building Capacity in The Film Industry,by Remdel Optimum

Communication.Akure

(3) A.A Fadirepo. ( 2010)‘Gender And Equality;The Incantations of The Sexist

Males’’ Being a paper presented at the 23rd annual conference and A.G.M.of the

Society of Nigerian Theatre Artist (SONTA) June 2nd-6th Nassarawa State

University

(4) A.A Fadirepo.(2010) ‘Advancing the Role of Women in Politics Through the Film

Medium’’ Being a Paper Presented at the conference;Behind The Screen;

Building Capacity in The Film Industry.by Remdel Optimum Communications,

Akure

(5) A.A Fadirepo.(2012) ‘’ Aesthetics In The African/ Yoruba Video Film’’ Being a

paper presented at the 3rd Ife Film Festival .Obafemi Awolowo University,Ile-

Ife.29th Nov-5th Dec

(6) A.A Fadirepo. (2013) “Acting Skill; A Panacea To Stress Management

Technique’’ Being a Paper Presented at The Annual Benchmark Conference of

Psycology.Ife Center For Psychology Studies.March 7th-Communications, Akure

(7) A.A Fadirepo. (2013) “Aesthetics In The African/ Yoruba Video Film’’ Being a

paper presented at the 1st International Conference of Yoruba Films. Adeleke

University, Ede

(8) A.AFadirepo (2015) “Making of Gender in Nollywoods Films;The image,

identity and crisis” Being a paper presented at The University of Texas Africa

Conference, Africa & Diaspora.

(9) A.A Fadirepo (2016) “Script to street”; Sustainable Quality Film Industry .

Redeemer’s University. Ede.

5

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(10) H. INTERNATIONAL THEATRE CONFERENCES, WORKSHOPS AND PROJECTS

(1) A.A Fadirepo (2015) “From Lecture Hall to Practice; Sustainable quality in

Acting,Olabisi Onabanjo University as a case study” Being a paper presented

at the Annual Africa Conference. Austin ,Texas

(2) A.A Fadirepo (2013) “Developing Theory and Criticism in Nollywood; Nostra

Theory as Paradigm” Being a paper presented at The second Annual

International Interdisciplinary Conference.Catolic University of Eastern Africa

(CUEA) Nairobi, Kenya

(3) Writers workshop (1998) A Horse on my Back Organized by the Goethe

Institute Nigeria/Germany

(4) Sophocles (1996) Oedipus (Workshop and Performance) Directed by

Mathias, Gerht and Jide Ogungbade. (Organized by the Goethe Institute),

Nigeria/Germany (Performer)

(5) Tomoluju Ben (1996)– Amona (The Pathfinder) Conference, Workshop,

Performance . Organized by the Goethe Institute. Nigeria/Germany

(Performer)

(6) Ogunyemi Wale (1984) – Langbodo ,Directed by Dapo Adelugba,

Organized by the Common Wealth Institute,London (Performer)

Signature ..................................... Date..........................

6

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FADIREPO ADEJOKE ADETOUN

FORMAT FOR SCORINGPART II (To be completed by Head of Department and Provost of college/Dean of Faculty)

1. Overall Evaluation by the Head

PROFESSIONAL OUTSTANDING VERY GOOD GOOD AVERAGE POORTeaching /Professional CompetenceResearch ActivityContribution to curriculum developmentOverall contribution to the University/Nation

2. PUBLICATIONS AND THEIR SCORING

(a) Referred Books (Maximum of 5 Points)Festschrift/Books (3)

S/N TITLE OF THE BOOK NAMES OF AUTHOR

YEAR OF PUBLICATION

COMMENTS/ASSESSMENT

SCORE

1 “Gender and Inequality; The

Incantations of the feminist

males” Arts, Culture

&Communication in a

Postcolony; A Festschrift for

Lawrence Olanrele

Bamidele (129-135)

(Eds)

Akoh&Inegbe

A.A Fadirepo

2013 This is a highlight

on female gender

issues and the

point of view of

the feminist

males

7

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2 “Kola Oyewo; The master

craftsman”

Dimensions of the new

Nigerian Theatre; Critical

Essays in Honour of Kola

Oyewo (29-36)

(Ed)Toyin

Ogundeji

A.A Fadirepo

2014

Alpha Crownes

publishers.UK

Kola Oyewo is

discussed as a

quintessential

artist,a

professional

actor and a

scholar.His

legacy of

discipline, hard

work and

commitment to a

successful career

is the thrust of

this paper

3 “Gender Perspective through

the Eye of the Video”

Developments in the Theory &

Practice of Contemporary

Nigerian Drama & Theatre. A

Festschrift in Honour of Dapo

Adelugba. (139-135)

(Eds) Oni &

Adeyemi

A.A Fadirepo

2011

Alpha crowns

publishers.UK

The image of the

African women

on dramatic

video is brought

into perspective

in this essay. The

author also

highlights the

audio-visual

appeal of the film

video, and how it

has helped to

make or mar the

image.It is a

good scholarly

work.

8

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(bi) Published Journal Articles (8) (Maximum of 3 points per article)

S/N TITLE OF THE ARTICLE NAMES OF AUTHOR

YEAR OF PUBLICATION

COMMENTS/ASSESSMENT

SCORE

1 “Symbolism and Religious

Semiotics; The Celestial

Church of Christ Example”

Ago Iwoye Journal of

Languages and Literary

Studies(AJOLL).Department

of Nigerian and Foreign

Languages and Literatures,

Faculty of Arts,Olabisi

Onabanjo University, Ago

Iwoye. (41-50)

A.A

Fadirepo

2014 Symbolism as a

theatrical and theoretical

frame work is used to

analyse the doctrines of

the Celestial Church of

Christ as an African

Church which uses

concrete and

nonconcrete symbols as

modes of worship

2 “Christian Drama and

psychotherapy; Ore Ofe

films as case of study” The

Centre For Psychological

Studies.Ile Ife (269-277)

A.A

Fadirepo

2014 Four plays by Ore Ofe

are analysed to bring to

fore the didactic and

pedagogic effects of

films on the consummate

audience

3 “Acting skills; A Panacea to

Stress Management

Technique” Ife Psychologia.

Ife Center for Psychological

Studies. Ile-Ife. (161-166)

A.A

Fadirepo

2013 Technique of character

execution is expatiated

as an alternative to the

clinical management of

stress

4 “Aesthetics of the

African/Yoruba Films” The

faculty of Arts, Olabisi

Onabanjo University, Ago

Iwoye (183-193)

A.A

Fadirepo

2013 Theory of aesthetics as

a science of sensible

knowledge and

suggested premises

towards appreciating

works of art especially

film video is the thrust of

this paper

5 “Motifs and the African A.A 2011 The paper examines the

9

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Drama/Theatre: A Case Study

of Femi Osofisan’s No More

the Wasted Breed”. LINGUA

FRANCA, 2ndNational

Journal of FOAA. Volume 1

No 1.(292-309).

Fadirepo main features which

serve as the motif of the

African drama that is

metamorphosed into the

theatre of the Africans

with its attendant

aesthetics. It is very

good work.

6 “Career Choice and Gender

Challenges: The Nigerian

Actress in Perspective” The

Parnassus, University of

Uyo Journal of

Cultural Research.(37-47)

A.A

Fadirepo

2010 The writer has attempted

to elucidate on various

socio-cultural factors that

militate against this

choice of career and

also advocate for a more

positive disposition to

this profession by the

stake holders i.e.

parents and the society

so as not to label the girl

child as social misfits in

the course of practising

art. It is an excellent

work.

7 “Advancing the Role of

“Women in Nigerian politics

through the Film Medium”.

.African Journal of Research

in Personnel and

Counselling Psychology.

Volume 2 Number 1 (129-

133. )

A.A

Fadirepo

2010 This work illuminates on

the role of women in

Nigeria politics through

the film medium. It is a

good work.

8 “Thespian Arts: The Gift, The

Glamour and the Greed” . The

A.A

Fadirepo

2008 The expediency to add

training to the talent of

10

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Parnassus, University of

Uyo Journal of Cultural

Research.(296-304)

acting in order to give

the profession a sense

of value is the sole

concern of this paper.

The author traced the

history of performance

and illuminate on how

the profession has been

adulterated by mediocre

because of the glamour.

It is indeed an

illuminating scholarly

piece.

(bii) Percentage of Distribution of Total Published Journal Articles

11

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S/N TOTAL NO. OF PUBLISHED ARTICLES

NUMBER OF INTERNATIONAL ARTICLES AND PERCENTAGES

NUMBER OF NATIONAL AND LOCAL ARTICLES AND PERCENTAGE

NUMBER OF IN-HOUSE ARTICLES AND PERCENTAGES

No. % No. % No. %

11 4 7

NOTE: Kindly ensure that the percentage distribution satisfied the criteria stated in page

3 of the criteria for promotion of academic staff, 2005.

3. PERCENTAGE OF PUBLICATIONS IN PRINTAssistant Lecturer - Lecturer II - Minimum of 50%s

Lecturer. II – Lecture I - Minimum of 60%

Senior Lecture - Professor - Minimum of 80%

S/N TOTAL NUMBER OF PUBLICATION (JOURNAL AND BOOKS)

TOTAL NUMBER OF PUBLICATION IN PRINT AND PERCENTAGE PUBLISHED

TOTAL NUMBER OF ARTCILES AND CHAPTERS IN BOOKS ACCEPTED FOR PUBLICATION AND PERCENTAGE

No. % No. %

11 11

4. Comments by Head of Department, including special recommendation for

12

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(a) Promotion (stating rank to be promoted) or

(b) Special Recommendation/Reprimand

The departmental review panel has recommended that Mrs. Fadirepo Adejoke, should be

promoted for the position of Principal Art Fellow. The panel has awarded 50 points,

indicating a conviction about her overall usefulness to the Department, Faculty, University

and the Nigerian Society. That she has been able to come up with such publications and

productions in spite of her administrative responsibilities and practical projects is

commendable having scored 100% of publications in prints. . Mrs. Fadirepo Adejoke was

scored as follows:

Core Academic/Artistic DisciplinePublications: Teaching Workload: Teaching Experience: Administrative Responsibility:

On the basis of the above facts, the panel strongly recommends her for promotion Head of Department _____________ Date: _____________

(5) Comments by Provost of College/Dean of Faculty (on same line as in item 4 above)

Signature of Provost of College/Dean of Faculty Date…………………..

NOTE: Please note that for the post of senior lecturer and above, brief comments about

the content and quality of the article/book/chapters in books are necessary before

sorting.

13

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FILM PRODUCTIONS TO MENTION A FEW

S/NTITLE OF THE PLAY

NAMES OF AUTHOR

PERIODPART-TAKEN

COMMENTS/ASSESSMENT

1Ajaku

AkataKunle Afod 2015

Mother-in

law

A pretentious mother-in law

of an African

setting,wicked,and

compromising,later

confessed and disgraced

2 Ayo MiBukunmi

Adesina2015 Mother

Compassionate mother who stood by her daughter despite her inability.Very emotional character

3 Excursion Bogunbe Abiola 2015Old

woman

Grand epic story of cause and effect of disobedience resulting in the ruins of a city with a touch of supernaturalism.Insightful

4 Eta Oko Toyin Aimakhu 2015 Mother

Travails of a concerned mother of triplets who became helpless after the death of her husband. Good characterisation

5Isola

Folorunso

Ademola

Adelakun2015 Mother

Repercussion of

disobedience, girl turned

mother despite a good

moral upbringing. Very

creative

6 Sanmi Aloma 2015 Mother

Travails of a disabled

mother and her tragic

death.Very educative

7 Egbo Inu Kenny George 2014 Mother An educative story of a

young boy who was

involved in a rape case with

14

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a pathetic consequence as

the spirit of the raped victim

pursued them for

vengeance

8The

journeyOpe Ayeola 2014 Aunt

The film is on religious

hypocrisy and restitution. It

is entertaining and

educative

9 Eje TutuRazaq

Owooniran2013 Mother

The story of the other twin

and the experience of a

mother.Strong

Characterisation

10 Akudaaya Waheed Folarin 2013 Mother

A poverty stricken mother. w

ho left her son uncatered for

discovered too late the

importance of good moral

upbringing, very emotional.

11 The

Promise

(Soap)

Lamson Yusuf 2010 Ashabi The role of Ashabi portrays

a poverty stricken widow

who in a bid to save her

only son, lost her life. The

part was beautifully

executed.

12 Kamson’s

and

Neighbours

(Soap)

Tunji

Bamishigbin

2010 Aunty

Rhoda

An eccentric old lady caught

in a troubled family web, an

inciting characterisation.

13 The

Divorce

Wale Ogunyemi

2009

(1)

Director

(2) Tayo

Ajao

A career minded and a

nagging house wife. An

excellent interpretation.

14 Omajuwa:

Child of

Destiny

(Soap)

Lamson Yusuf 2009 Bosede

Mother of

Omajuwa

A long abandoned woman,

single parent who lost

everything except her child.

She who later reconciled

with her husband, though

15

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too late. An excellent

attempt.

15 Abe:

(Razor

Blade)

Yemi Amodu 2009 Osunlaya A politico/historical play

which illuminates on the

story of Nigeria during the

period of independence. A

characterisation that is

unique.

16 Olorun

Juwon lo

Bukky Black 2009 Aunty A domestic strife on marital

subjugation Aunty was

religious character who

preaches peace. A good

and inciting artistic

interpretation.

17 Owo Eje Remdel

optimum,

communications

2005 Alake A concubine and an ally to

the capitalist Olowoporoku

in a game of oppression and

deceit which recapitulated

later on the victims. A very

good work

18 Temi Nikan Oyeyiga

Gbenga

2009 Doctor An over possessive

tendency drives this aged

woman to murder her son’s

wives. So she can have him

for herself only. She

confessed and was

rewarded for this vice with a

life long jail term. An

interesting movie.

19 The

Narrow

Path

Tunde Kelani 2005 Awero’s

Mother

A caring mother whose child

was mistakenly disvirgined

out of ignorance she was

the mother of a lady with the

‘Broken Pot’. A very

interesting movie

16

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20 Koseegbe Tunde Kelani 2004 Mako’s

Wife

A loving wife/mother who

endured all the way in order

to rehabilitate a straying

son. A good masterpiece.

21 The staff Wale Adenuga 2008 Iyalode A chief who wants the best

for her community. She

alongside others resolved

an age long family crisis. It

is aesthetically over

powering.

22. Ota Peter Momoh 2008 Wicked

Aunty

Hiding under the guise of

philanthropy Aunty, through

her wickedness changed

her brother’s destiny. She

later confessed and became

insane after wards. A very

good work

I. CONTRIBUTIONS TO THE NATIONAL AND INTERNATIONAL LIFE:1. Within the University:

i. Improving the image of the Department Through Student’s Practical Works on

Stage and Home Video.

ii. An active member of ASSU, OOU Chapter

iii. A member of O.O.U Cooperative Multipurpose Society, Ago-Iwoye

iv. A member of ASSU cooperative Multipurpose Society, O.O.U, Ago-Iwoye

2. Outside the University:i. Improving the National Image Through Academics and Practical works

ii. Performance of Nigerian Plays (London Commonwealth Festival 1984):

Play Title Date

a. Langbodo by Wale Ogunyemi, (London) 1984

b. Adaption of Oedipus by Sophodes (Germany) 1996

c. Andora Goco Kinshasi by Femi Osofisan (Germany) 1998

iii. Performance of Nigeria Plays (Germany 1996/1998)

iv. Youth Counselor: Celestial Church of Christ Parish I, Ago-Iwoye

v. Member: Women Bible Fellowship (C.C.C. Ago-Iwoye) 2004 – date

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vi. Juvenile Matron: C.C.C. Deliverance Parish, Ibadan 2006 – date

vii. Church Matron: C.C.C. Mosimi Parish, Sagamu 2006 – date

vii Church Matron; CCC Hossanna Parish, Ibadan 2011- date

FILM/STAGE PRODUCTIONS

FILMS PERFORMED ; TO MENTION A FEW

(1) Ajaku Akata (2015)

(2) Ayo Mi (2015)

(3) The Excursion (2015)

(4) Eta Oko (2015)

(5) Isola Folorunso (2015)

(6) Sanmi (2015)

(7) Egbo Inu (2014)

(8) The Journey (2014)

(9) Eje Tutu (2013)

(10)Akudaaya (2013)

(11) Langbodo (2012)

(12)A holiday in hell (2012)

(13) Kamsons and Neigbour (2010)

(14) The Promis (2010)

(15)Olorun Juwon (2009)

(16) Omajuwa (2009)

(17) Abe (2009)

(18) Temi Nikan (2009)

(19)Ota (2008)

(20) The Staff (2008)

(21)Owo Eje (2005)

(22) Koseegbe (2004)

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Fadirepo Adejoke Adetoun

Department of Performing Arts

Olabisi Onabanjo University,Ago Iwoye

23/2/2016

To

The Registrar

Through

Dean, Faculty of Arts

Through

Head, Performing Arts Department.

Dear sir

Postgraduate Studentship Information

I humbly wish to inform the school that I have been offered a provisional admission for

postgraduate studies, (Phd) at the Redeemer’s University, Ede, Osun State Nigeria. I hereby

attach my schedule of lectures which is on Thursdays alone However, i promise to be on my

duty post on Monday, Tuesday, Wednesday and on Friday .Thanks so much for your

consideration.

Yours sincerely

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Fadirepo Adejoke Adetoun

Department of Performing Arts.

Olabisi Onabanjo University,

Ago Iwoye.

23/2/2016.

The Secretary,

Asuu Cooperative,

Olabisi Onabanjo University,

Ago Iwoye.

Dear Sir,

APPLICATION FOR CONSUMER LOAN

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I humbly request for a consumer loan to the tune of five hundred thousand naira

only (500,000).The loan is meant for the part completion of my apartment.

I will be grateful if my request is granted.

Yo

urs sincerely,

___________________

Fadirepo Adejoke Adetoun,

Department of Performing Arts,

Olabisi Onabanjo University,

Ago Iwoye.

23/2/2016.

The Secretary,

Asuu Cooperative,

Olabisi Onabanjo University,

Ago Iwoye.

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Dear Sir,

APPLICATION FOR A RENT LOAN

I humbly request for a consumer loan to the tune of two hundred thousand naira

only (200,000). The loan is meant for the payment of my present apartment.

I will be grateful if my request is granted.

Yours sincerely,

_______________

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