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Spiriti
for Accordion and Orchestra
Jukka Tiensuu 2005
Jukka Tiensuu:
Spiriti (2005) Concerto for Accordion and Orchestra
Instrumentation: 2 flutes (also piccolo)
2 oboes
2 clarinets in Bb
2 bassoons
2 horns in F
2 trumpets in C
Timpani
Accordion solo
Strings (4.4.2.2.2 minimum)
Performance note
The form of Spiriti is cyclic, i.e. the performance may begin with any movement and end with any, as long as the order of the movements is
kept, and each movement played at least once. Always attacca, i.e. no extra pauses between movements. Accidentals apply till the end of the bar. However, they are occasionally repeated to facilitate sight-reading. Ornaments: mordent: , pralltrill: (start from above), vibrato slow: fast: (when combined means vibr. accel. or rall.) Tremoli are always measured (1/16-, 1/32- or 1/64-notes). Dynamics as usual, refer more to the physical effort than to the actual loudness. It is left to the conductor to fine adjust the dynamic
balance between the instruments. Glissandi are played evenly during the indicated time (not portamento).
glissando. Where an even glissando is not obtainable, simulate it by strong bendings within a (chromatic) scale. A small note-head at the end of the glissando-sign only shows the approximate ending pitch, it is not articulated. Likewise, normal notes in the middle of glissando are for orientation only, they are not to be re-attacked. quasi gliss As the character of the glissando - and not the actual in- between notes - is important here, the performer may do small changes
in the written pitches except for the first and the last pitch, if necessary to facilitate the performance of a rapid "glissando". (E.g. using alternative "not-so-good" fingerings, transposing a tone half-step up or down or, in the extreme case, leaving out one note altogether.)
_ tenuto, play note to the full length.
. normal staccato. For the clarity of writing used often as short-hand to indicate a shortish 16th-note.
short, sharp staccato (regardless of the written length of the note). A quarter-tone higher/lower than the written note. All accidentals are valid till the end of the bar.
x z A quarter-tone higher/lower than the written note. All accidentals are valid till the end of the bar.
u t A small pitch deviation, minimum 1/8-tone, maximum 1/6-tone higher/lower than the written note.
o dal niente/start from nothing (i.e. the audience should not be able to hear when the sound begins).
o al niente/let sound die (the last notes need not be heard by the audience)
l.v. let vibrate
Accordion: Registers and fingering according to the Finnish button accordion system. For other systems, the accordionist should makes his
or her own adjustments trying to get as close to the original as possible. Suoni reali, i.e. when combination registers are used, the lowest sounding octave is notated.
x Release the indicated (depressed) key at this point l.v. Leave keys down as long as convenient (until marked by x, see above) l.v. poco Lave keys down long enough to result in ca. 3-4 notes sounding at any one time. This always refers to both staves. You can
divide the passage between hands differently than indicated, if necessary to facilitate the execution, aslong as you select as identically sounding registers as possible. For an example, see model in movement II.
M N Start and end marks of continues "bellows-shake" (the keys are pressed down before the bellows are activated and the rhythm is
produced by the bellows, only).
additional notes:
The repeat in bars 61-70 of Scatto finale is optional.
The dynamics of bar 170 in Scatto finale is f if movement I follows, otherwise ff.
Decreasing sizes of note-heads are occasionally used to visualize the disappearence of sound (al niente). Even when not, the diminuendi esp. in mvt IV, difficult as they may feel, should strive for extreme quietness, even on the risk of the last notes not being heard.
/
a
fl11
I. IntroduzioneAllegro ispirando
SpiritiConcerto for Accordion and Orchestra
Jukka Tiensuu 2005
=112
poco dim.
fl2
ob1
poco dim.
ob2
cl1
poco dim.
cl2
bn1
poco
3
dim.
3 3 3
bn2
hn1
poco dim.
hn2
tpt1
tpt2
tmp
Ac
j
f
v1div.
v2
(div.)
va(div.)
vc
div. unis.(div.)
cb
div. pizz.
poco dim.
2fl1
5
fl2
ob1
ob2
cl1
3 3
cl2
bn1
3 3 3 3
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac dolce
(cluster gliss.)
6 3
(overlapping, quasi gliss.)
v1
v2
va
vc
cb
3
fl1
12
rall. p. a p.
fl2
ob1
ob2
cl1
3 3 3 3
cl2
3 3 3 3 3 3 3
bn1
bn2
hn1
hn2
tpt1
tpt2
3 3 3 3 3 3
tmp
Ac
rall. p. a p.
eeee
p. a p. cresc.
M
v1
pizz. (l.v.)
v2
va
vc
cb
4
fl1
17=40
fl2
ob1
ob2
cl1
55
3
cl2
3 55 3
bn1
bn2
hn1
3 33
hn2
3 3 3
tpt1
tpt2
tmp
Ac
=40 N
piu
(l.v.)3
v1
arco (div.) (id.)
v2
va
vc
sul C
cb
arco sul E
5
fl1
20muta in piccolo=80
piccolo
fl2
muta in piccolo piccolo
ob1
ob2
cl1
cl2
bn1
3 3
bn2
3 3
hn1
hn2
tpt1
tpt2
tmp
Ac
legatissimo (l.v. poco)
(8va bassa)
ffff=80
(8va bassa)
ffff
v1
(unis.)
8va
6 6
v2
va
vc
unis., marcato sulla corda div.
cb
legatissimo div. 3 3
6
fl1
24
6
fl2
ob1
ob2
cl1
cl2
bn1
3 3 3
bn2
3 3 3
hn1
hn2
tpt1
tpt2
tmp
Ac
v1
8va 8va
poco
8va
v2
va
vc
cb
3 33
non div.
3 3
7
fl1
29muta in flauto
rall. molto =30
fl2
3
u
poco
ob1
ob2
cl1
(sotto voce)
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
rall. molto =30
v1
8va1.-4.soli
3
u
poco
v2
1.-4.soli
va
vc
cb
div. unis.(non div.)
3 3
8
fl1
34 attacca
fl2
muta in flauto
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
harmon mute + slow + o + o...
tpt2
harmon mute + slow + o + o...
tmp
Ac
attacca
v1
senza vibr.
tutti div.l.v.
v2
senza vibr.tutti div.
l.v.
va
senza vibr.div.
l.v.
vc
senza vibr. l.v.
cb
div.senza vibr.
unis. ( ) l.v.
9
fl1
6
fl2
,( )
ob1
ob2
cl1
cl2 x
hn1
hn2
tpt1
con sord.
prc
(tacet)
Ac
1aaaa (cassotto)
Lento celesteJukka Tiensuu 2005
II. Elevazione
=30
u uuu
l.v.
Ac poco
(let tones die one by one)
l.v.
8va
poco
bbbb
l.v.
( )
v.1
v.2
va zz
vc zz
cb
10
fl1
11
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
prc
Ac
8vacon ardore
, , ( )
z( )
(vibrati espressivi)
poco
( ) ( )
( )
v.1
v.2
va
vc
cb
11
fl1
16
fl2
ob1
ob2
cl1
cl2
bn1
3
bn2
3
hn1
hn2
tpt1
tpt2
prc
Ac
hhhh (legato)
8va
5
u
poco
l.v.
aaaa (loco)
v.1
div.
v.2
div.
va
div.
vc
div.
cb
div.
12
fl1
21
poco
fl2
ob1
ob2
cl1
poco
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
prc
Ac
l.v. poco
l.v.
v.1
unis.
poco
v.2
unis.
va
unis.
vc
unis.
cb
13
fl1
26
fl2
ob1
ob2
cl1
(sotto voce)
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
con sord.
prc
Ac
Performed (model):
Ac
B.S.
eeeel.v. poco
v.1
div.1.-4.soli
v.2
div.1.-4.soli
va
div.
vc
div.
cb
div.
14
fl1
30 t
fl2
ob1t
t
ob2x
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
prc
Ac
Ac
l.v. poco
(poco)
v.1
un.v.
be covered by the sustained tones.N.B. Individual entries should not
tutti t
v.2
n.v.tutti
va
unis. zz xn.v.
vc
unis. xn.v.
cb
15
fl1
36 x
fl2
ob1
ob2 t
cl1
z
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
prc
Ac
l.v. poco8va
v.1
ux zdiv.
(tremoli misurati)
poco sul pont.
3 3
trem. molto rall.
v.2z (tremoli misurati)
poco sul pont.
33
trem. molto rall.
va
vc
cb
16
fl1
43
fl2
ob1
ob2
cl1u
cl2
bn1
bn2
hn1 u
hn2
tpt1 u
tpt2
prc
Ac
jjjj
poco
(l.v.)3
piu
(l.v.)
3
M3
( )
N aaaa
ffff
3
bbbb
v.1
ord. div.
v.2
ord. div.
va
div.
vc
div.
cb
div.
17
fl1
47
muta in piccolo
attacca
fl2
muta in piccolo
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
prc
Ac
B.S.8va
"shivering"
3
3
trem. molto rall.
attacca
33
v.1
unis.non vibr.
v.2
unis.non vibr.
va
unis.non vibr. zz
vc
unis.non vibr.
cb
unis.non vibr.
18
fl1
21picc.
6
fl1
33
3
fl2
picc.
fl2
3
Ac
1
cccc
Allegretto acceso
III. Esaltazione
cccc
8va sempre
Jukka Tiensuu 2005=96
poco (l.h.)(l.h.)
3 3
(l.h.)3
Ac
7
(l.h.)(l.h.)
Ac
10
(l.h.) 3 3 3
Ac
17
(l.h.)
Ac
Ac
(l.h.)
3 3
(l.h.)3
v1
1.+2. soli8va 8va
6 6
8va
v1
3
v2
v2
19
fl1
40
fl1
45
fl1
53
6 6
fl2
fl2
fl2
Ac
( ) cccc
poco
Ac3
Ac
cccc
(8va sempre)
v1
v1
v1
8va8va
tutti
v2
v2
v2
cb
div.6
cb
non div.
3
3 3
20
fl1
61
fl1
67
fl2
(quasi gliss.)
fl2
bn1
bn2
Ac (l.h.)
3 3
(l.h.)3
Ac
v1
v1
8va
v2
v2
vc
cb
cb
3 3
21
fl1
73
3
fl1
80
fl2
3
fl2
bn1
bn1
bn2
3
bn2
Ac
Ac
v1
3
1.+2. soli8va
v1
8va 8va
6 6
v2
v2
8va 8va
vc
vc
cb
6
cb
22
fl1
85 (quasi gliss.)
6
fl1
91
fl2
fl2
bn1
bn1
bn2
bn2
Ac
eeee
Ac
bbbb
8va bassa
(wide gliss. with variable speed)
eeee
v1
tutti8va
v1
8va
v2
v2
vc
vc
cb
non div.
cb
poco
3 3
23
fl1
100
6 6
fl1
107
fl2
fl2
bn1
poco
bn1
bn2
poco
bn2
Ac
bbbb
sempre
(B.S.)
Ac
(l.v. poco) (l.h.)
ffff
v1
1.+2. soli8va
v1
8vatutti
8va
v2
v2
vc
poco
vc
cb
cb
33
24
fl1
112
fl2
bn1
bn2
hn1
hn2
Ac
cccc15ma
cccc
8va
3 33 3 3
3
v1
8va8va
v2
vc
cb
25
fl1
120
fl2
bn1
bn2
hn1
hn2
Ac
15ma
8va
33 3
3
3
v1
v2
vc
cb
26
fl1
129
(subito)
fl2
(subito)
ob1
cl1
3 3 3 3 3 3
bn1
bn2
hn1
hn2
Ac
eeee 8va sempre
Ac
136
eeee
8va sempre
3
v1
v2
vc
cb
27
fl1
142
3
fl2
ob1
cl1
bn1
bn2
3 3 3 3
hn1
hn2
Ac
cccc
41
(fingering for button-accordion:)
15ma
413
232
(l.h.)
v1
8va 1.+2. soli
8va
6 6
v2
va
vc
cb
div. 3 3 3 3
28
fl1
148
muta in flauto
fl2muta in flauto
ob1
ob2
cl1
cl2
bn1
bn2
3 3
hn1
hn2
tpt2
con sord.
tpt2
con sord.
tmp
Ac
15ma
(loco) ffffl.v.
cadenza ad lib.
3
ffff
v1
8vatutti
v2
va
vc
pizz.
cb
33 pizz.
29
fl1
157attacca
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt2
con sord. via sord.
tpt2
con sord. via sord.
tmp
Ac
eeee8va
attacca
eeee 8va
v1
(non spiccato)
v2
(non spiccato)
va
(non spiccato)
vc
cb
30
fl1
1
IV. Incubo nostalgico
Jukka Tiensuu 2005Adagio tetro=40
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
sempre
tpt2
sempre
tmp
Ac
jjjj
poco
( )
z
bbbb
v1
v2
va
vc
cb
31
fl1
8
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
eeee(non cassotto)
l.v. poco8va
3
3 3
3
v1
v2
va
div.
vc
div.
cb
div.
32
fl1
12
fl2
ob1
ob2
cl1
(non dim.)
cl2
(non dim.)
bn1
(non dim.)
bn2
(non dim.)
hn1
(non dim.)
hn2
(non dim.)
tpt1
tpt2
tmp
Ac
l.v. poco
( )m
espressivo 3
(l.v. poco, come prima)
cantabile
3
3 3
v1
v2
va
vc
cb
33
fl1
18
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
3 l.v.
v1
(div.)
v2
va
vc
div.
cb
34
fl1
22
fl2
ob1
ob2
cl1
cl2
bn1
x u3
bn2
hn1 x u
3
hn2
tpt1
tpt2
tmp
Ac
legatissimo (l.v. poco)
( )
jjjj l.v.
bbbb
v1
v2
va
vc
unis., marcato sulla corda div.
cb
35
fl1
27
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
3 3 33
v1
v2
va
vc
cb
36
fl1
30
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
jjjj 33
aaaa
v1
(unis.) (div.)
v2
va
vc
div.
cb
37
fl1
33
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
63
3 3l.v. pocoffff
(cassotto)
bbbb
v1
v2
va
(div.)
vc
(div.)
cb
(div.)
38
fl1
37 u
fl2
ob1
ob2
cl1u
cl2
bn1u
bn2
hn1 u
hn2
tpt1 u
tpt2
tmp
Ac
( )
zz
( ) l.v. poco jjjj 3
3
3
aaaa
v1
v2
va
(unis.)
vc
cb
(unis.)
39
fl1
42
fl2
ob1
ob2
cl1
33
cl2
33
bn1
3
3
bn2
3
3
hn1
33
hn2
3
3
tpt1
tpt2
tmp
Ac
l.v. (l.v.)
(l.v.)3
v1
3
(unis.)
v2
3
va
(div.) (unis.)
vc
(div.) (unis.)
cb
(div.)
40
fl1
46
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
(non cassotto)
eeeel.v. poco
8va3
8va
3
v1
(div.) (unis.)8va
v2
8va
va
vc
cb
(unis.)
41
fl1
50
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
(gliss. ord.)
(chrom. overlapping, quasi gliss.)
v1
(div.)
v2
va
vc
(div.)
cb
42
fl1
53 attacca
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
ffff (l.v.)
B.S.(1/32 triplets)
( ) attacca
ffff
v1
(unis.)
v2
(div.) (unis.)
va
(div.) (unis.)
vc
(unis.)
cb
43
fl1
1
V. Scatto finaleJukka Tiensuu 2005
Presto chiassoso=120(tremoli misurati, non flz)
fl2
(tremoli misurati, non flz)
ob1
ob2
cl1
(tremoli misurati, non flz)
cl2
(tremoli misurati, non flz)
bn1
bn2
hn1
(tremoli misurati, non flz)
hn2
(tremoli misurati, non flz)
tpt1
tpt2
tmp
Ac
ffff M eeee
ffff ffff
v1
sul pont.simile
v2
sul pont.simile
va
sul pont. simile
vc
sul pont. simile
cb
sul pont. simile
44
fl1
8
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
poco
tpt2
poco
tmp
Ac
v1
v2
va
vc
cb
45
fl1
16
fl2
ob1
ob2
cl1
cl2
bn1
3 3 3 3 3 3 3 3
bn2
Ac
12 Nmolto legato
3 3 3 3 3 3 3 33 3 3 3 3 3
33
Ac
3
cresc.
33
3 3 3 33
v1
v2
va
vc
cb
46
Ac
20 M N
Ac
23M N
v1
6 6 6 6 6 6 6 6 6 6
v1
6 6 6 6 6 6 6
v2
5 6 6 6 6 6 6 6 6 6
v2
6 6 6 6 6 6 6 3
va
3 6 6 66 6 6 6 6 6
va
6 6 6 6 6 6 6 6
vc
5 66 6 6
6 6 6 6
vc
6 6 6 6 6 6
6 6 3
cb
5 5 5 5 5 5 5 5
cb
5 5 5 5 5 5 5 5 5
47
fl1
26
fl2
ob1
3 3 3 3 3 3 3 3
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
3 3 3 3 3 3
tpt2
tmp
Ac
3
3
v1
v2
va
vc
cb
48
fl1
30
fl1
33
fl2
fl2
ob1
3 33 3 3 3
3
ob1
3
3 3 3
ob2
ob2
cl1
cl1
cl2
cl2
bn1
33
3
3
bn1
3 3
Ac
iiii ...3 eeee
Ac
8va
legatissimo (overlapping)
ffff
33
33 ...3
ffff
3
3
6 6 6 6
49
fl1
37 6
3
5
fl2
6
ob1
6
ob2
6
cl1
6
5
cl2
6
5
5
5
bn1
6
bn2
63 3 3 3
3
hn1
hn2
tpt1
tpt2
tmp
Ac
8va
subito
(B.S.)
v1
v2
va
vc
div. unis.
cb
50
fl1
42 non legato
ob1non legato
cl1
non legato
cl2non legato
Ac
40 eeee legatissimo
subito cresc. molto
Ac
6
6
3
jjjj(B.S. sempre)
ffff
6 6 6 6
ffff
v1
molto sul pont.6 6 6 6 6 6
v1non legatoord.
v2
molto sul pont.6 6 6 6 6 6
v2non legatoord.
va
molto sul pont.6 6
6 6 6 6
va
non legatoord.
vc
molto sul pont.
6 6 6 66 6
vc
cb
molto sul pont.
5 5 5 5 5 5
cb
51
Ac
466 3
Ac
50
(chrom.)
v1
(non spicc.) non div. div.
v1
3
v2
(non spicc.) non div. div.
v2
3
va
(non spicc.)
va
3
vc
ord.(non spicc.)
vc
ord.3
cb
ord.(non spicc.)
cb
ord.3
div.
div.
52
fl1
54
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
(B.S.)
gggg (B.S.)
gggg
v1
v2
va
vc
cb
53
fl1
58
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
jjjj
non legato sempre
( )
ffff( )
v1
v2
va
vc
cb
54
cl1
813 3 3
cl2
3 3
Ac
62
Ac
68 70
8va
Ac
8va
73
Ac
78
(m)
Ac
aaaa
ffff
va
33
vc
3
55
cl1
85 33
53
cl1
893
3
cl1
93
cl2
3 3
5
cl2
33 3
cl2
Ac
Ac
Ac
va
5 3
va
3 3
va
pizz.
vc
3 35
vc
3 3
vc
pizz.
56
Ac
973
3
Ac
101
Ac
105
3
Ac
109
3
Ac
113 6
Ac
1163 3 3
57
fl1
119
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
poco
tpt2
poco
tmp
Ac
v1
div. div.
v2
(div.)
va
arco div.
vc
arco div. unis.
(div.)
cb
(div.)
58
fl1
124
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
v1
. . . unis.
v2
div.unis.
va
unis.
vc
div.
cb
pizz. arco
59
fl1
127
6 6 6 3
fl2
5 5 5
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
v1
legatissimo6 6 6 6 5
div.
v2
legatissimo5 5 5 5
div.
va
vc
cb
60
fl1
130
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
v1
unis.
v2
unis.
va
vc
unis.
cb
pizz.
61
fl1
134
fl2
ob1
ob2
cl1
cl2
bn1
3 3 3 3 3 3
bn2
3 3 3
hn1
hn2
tpt1
tpt2
tmp
Ac
M6
N3
v1
v2
va
vc
cb
62
fl1
138
fl2
ob1
ob2
cl1
cl2
bn1
55
bn2
55
hn1
hn2
tpt1
tpt2
tmp
Ac poco dim.
8va
( ) cresc.
v1
non div.(non spicc.)
v2
non div.(non spicc.)
va
(non spicc.)
vc
(non spicc.)
cb
arco(non spicc.)
63
fl1
1425
fl2
5
ob1
quasi gliss. 5 5
ob2
quasi gliss. 5 5
cl1
quasi gliss. 5 5
cl2
quasi gliss. 5 5
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
v1
div. non div. div. non div. div.
v2
div. non div. div. non div. div.
va
vc
cb
64
fl1
146quasi gliss. 3 3 3 3
fl2
quasi gliss.
ob1
quasi gliss. 5 5 5 5
ob2
quasi gliss. 5 5 5 5
cl1
quasi gliss. 5 5 5 5
cl2
quasi gliss. 5 55 5
bn1
quasi gliss.
5 55 5
bn2
quasi gliss.
5 55 5
hn1
hn2
tpt1
tpt2
tmp
Ac
v1
div. non div. div.unis. pizz.
v2
div. non div. div.unis. pizz.
va
pizz.
vc
pizz.
cb
pizz.
65
fl1
152
fl2
ob1
ob2
cl1
3 3 3 3 3 3
cl2
bn1
bn2
hn1
hn2
tpt1
3 3 3 3 3 3
Ac
150(chrom.)
Ac
M N
v1
arco
v2
arco
vc
cb
pizz.
66
fl1
156
fl2
ob1
ob2
cresc.
cl1
cresc.
cl2
cresc.
bn1
cresc.
bn2
cresc.
hn1
cresc.
hn2
cresc.
tpt1
tpt2
tmp
Ac
kkkk (B.S.)(B.S. sempre)
gggg
v1
v2
va
arco
cresc. poco a poco
vc
arco
cresc. poco a poco
cb
div{ 1. pizz.2. spicc. unis. spicc.
cresc. poco a poco
67
fl1
162
fl2
ob1
cresc.
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
(chrom.)
sempre8ba
8ba
v1
v2
va
vc
(sul C)
cb
martellato
68
fl1
166
(attacca 1st mvt.)
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac8ba
(attacca 1st mvt.)
8ba
v1
v2
va
vc
flautando ord.
cb
flautando
ord.
