False Memories I - III

Morphoses for Orchestra

Jukka Tiensuu 2008

Jukka Tiensuu:

False Memories Morphoses for Orchestra

Instrumentation: 2 flutes, 2 oboes, 2 clarinets in Bb, bass clarinet, 2 bassoons, 2 horns in F, 2 trumpets in C, 2 trombones, tuba 3 percussions: 1. timpani (5 timpani needed). Seated far left (seen from the conductor) 2. crotales (played with two contrabass bows), tom-toms, large bass drum, large tam-tam. Seated far left (seen from the conductor). 3. vibraphone (played with two contrabass bows), tom-toms, large bass drum. Seated far right (seen from the conductor) strings

Performance note The movements may be performed in any order or separately. Setup: Trumpet 2, timpani and percussion 2 as far left as conceivable (seen from the conductor), trumpet 1 and percussion 3 equally far right. It

is suggested that the trumpets play standing and campani in aria. Notation: Accidentals apply till the end of the bar. However, they are occasionally repeated to facilitate sight-reading. x z A quarter-tone higher/lower than the written note. Also apply till the end of the bar, though occasionally repeated. Ornaments: All trills tr and ornaments are semitonal. Trills are always played till the end of the note (i.e. as long as it is tied to a note of the

same pitch). Mordent starts on the main note (as usual).

Slow, wide vibrato. Up and down ca. 2 times a second (sounds like a slowed-down opera recording).

Appoggiaturas are played before the beat.

All tremoli are measured.

The glissandi are played contiously during the indicated time (not portamento), but expression through change of speed is encouraged. A small note-head at the end of the glissando-sign only shows the approximate ending pitch, it is not articulated. Likewise, normal notes in the middle of glissando are for orientation only, they are not to be re-attacked.

Strings slide (glissando), wind players bend, the pitch a maximum amount of minor third up and down (wind players: use combination of fingering and embouchures to create as continuous a slide as possible).

_ tenuto, play note to the full (written) length. . All staccati are short regardless of the duration of the written note. Staccatissimo - as short as possible with the indicated dynamics.

o al niente, let the sound completely die away.

l.v. Let vibrate.

II. Nostalgy: perc. 2 and 3. will both need two (contrabass) bows for this movement. Let ring throughtout. The dynamics between the two and with the other

instruments should be carefully balanced. Strings: in bars 1-20 and 45-50 the violins, in bars 42-49 the violas, should play with a slight temporal distance. Each player (or stand) starting

and ending each note a fraction of a second later than the player/stand before. The distance between the first and the last stand should be roughly 1 - 1½ seconds.

III. Trauma: tr < > Trill always accelerando simultaneously with crescendo, then rallentando with diminuendo to make the effect more

"menacing".

fl11

= 104-112 Feroce Jukka Tiensuu 2008Morphoses for orchestraFalse Memories I: Review

3 3 3 3 3 3

3 3

3

fl23 3 3 3 3 3

3 3

3

ob13 3 3 3 3 3 3 3 3

ob23 3 3 3 3 3 3 3 3

cl1

3

3 3 3 3 3 3 3 3

cl23 3 3 3 3 3 3 3 3

bcl3 3 3 3 3 3 3 3

3

bn13 3 3 3 3 3 3 3

3

bn23 3 3 3 3 3 3 3

3

hn13 3 3 3 3 3 3 3

3

hn23 3 3 3 3 3 3 3

3

tpt1

tpt2

tn1

tn2

tba3 3 3 3 3 3 3 3 3

p.1Timp.

33 3

3 33 3

3 3

p.2

G. C.3

33

3 3

p.3G. C.

3 3 3

v13 3 3 3 3 3 3

3

3

v23 3 3 3 3 3 3

3

3

va3 3 3 3 3 3 3 3 3

vc3 3 3 3 3 3 3 3 3

cb3 3 3 3 3 3 3 3 3

2fl1

6

3 3 3 3

fl23 3 3 3

ob1

33 3 3

ob23

3 3 3

cl13 3 3 3

cl23

3 3 3

bcl3 3 3 3

bn13 3 3 3

bn23 3 3 3

hn13 3

hn23 3

tpt1

tpt2

tn1

tn2

tba

p.1

3 3

p.2

3 3

p.3

v13 3 3 3

v23 3 3 3

va3 3 3 3

vc3 3 3 3

cb3 3 3 3

3fl1

11

3 3

fl23 3

ob1

3

ob2

3

cl13 3

cl23 3

bcl

3 3

bn1

3

bn2

3

hn1

3 3

hn2

3 3

tpt1

3

tpt23 3

tn1

3

tn2

3

tba

3

p.1

3 3

p.2

3 3

p.3

3

v13 3

v2

3 3

va

3

vc3

cb3

4fl1

16

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3

v1

unis.

v2

va

vc

cb

5fl1

21

6 6 6

fl26 3 6 3 6 3

ob1

ob2

cl16 3 6

3

6 3

cl2

5 3 5 3 5 3

bcl3

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3

v16

3

6 63

v26 3 6

36 3

va5

3

5

3

5

3

vc

cb

6fl1

24

fl2

ob1

ob2

cl1

cl2

bcl3 3

bn13 3

bn2

33

hn1

3 3

hn2

3 3

tpt1

tpt2

tn1

33

tn2

33

tba

33

p.1

3

3

p.2

3

p.3

3

v1

v2

va

vc

33

cb

33

7fl1

28

6

6

fl26

3

ob1

ob2

cl15

5

cl25

5

bcl

bn1

bn2

hn1

5

hn25

tpt15

tpt2

5

tn1

tn2

tba

p.1

p.2

p.3

v15 5

v25

5

va

5

vc

cb

8fl1

32

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3

v1

(spiccato) (non spicc.)

v2

va

vc

cb

9fl1

37

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

(sempre)

tpt2

(sempre)

tn1

tn2

tba

p.1

p.2

p.3

v1

v2

va

vc

cb

10fl1

42

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

(sempre)

tpt2

(sempre)

tn1

tn2

tba

p.1

p.2

p.3

v1

(cedez a tempo)

v2

va

vc

cb

11fl1

47

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3

v1

v2

va

vc

cb

12fl1

54

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3

v1

v2

va

vc

cb

13fl1

59

6

fl26 3

ob1

ob2

cl16 3

cl2

5 3

bcl

cresc. p. a p.

bn1cresc. p. a p.

bn2

cresc. p. a p.

hn1

cresc. p. a p.

hn2

cresc. p. a p.

tpt1

tpt2

tn1

tn2

tba

poco cresc.

p.1

p.2

p.3

v16

3

v26 3

va5

3

vcpizz.

cresc. p. a p.

cbpizz.

cresc. p. a p.

14

fl169

cresc. p. a p.

fl2

cresc. p. a p.

ob1

cresc. p. a p.

ob2

cresc. p. a p.

cl1cresc. p. a p.

cl2

cresc. p. a p.

bcl63

bcl

cresc. p. a p.

bn1

bn1cresc. p. a p.

bn2

bn2cresc. p. a p.

hn1

hn2

tn1

tn2

tba

vc

cb

15fl1

75

6

6

fl26

3

ob15

5

ob25

5

cl1

cl2

bcl

bn1

bn2

hn1

5

hn25

tpt15

tpt2

5

tn1

tn2

tba

p.1

poco

p.2

p.3

v1pizz. + +

3

3

v2pizz. + + +

3

va

pizz.+ + +

vcpizz. + + +

3

cbpizz.

16fl1

78

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3

v1+ + + +

3

3

3

v2+ + + + + +

33

3

va

+ + + + + + +

3 3

vc+ +

3

cb

17fl1

81

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3

v1+ + arco3

3

3

v2+ + + + arco

33

va+ + + + +

3

vc+ +

3

cb

18fl1

84

marcato

fl188

fl2

marcato

fl2

cl1

marcato

cl1

cl2

marcato

cl2

bn1

marcato

bn2

tpt1

marcato

tpt1

tpt2

marcato

tpt2

tn1

marcato

tn2

marcato

v1

marcato

v1

v2

marcato

v2

vc

vc

arco

marcato

19

fl196

ob192

marcato

ob1

ob2

marcato

ob2

cl2

bcl

marcato

bcl

bn1

bn1

bn2

marcato

bn2

tpt1

tpt2con sord.

tn1

tn1

tn2

tn2

v1

v2

vc

vc

20fl1

100

33

3 3

fl2

ob1

ob2

cl1

35

5

cl2

bcl

bn1

bn2

hn1

(sempre)

hn2

(sempre)

tpt1

6

6

tpt23

3

3 3

tn1(sempre)

tn2

(sempre)

tba

p.1

p.2

p.3

v13 5

55 div.

v2div.

va3 3 3 3

div.

3

vcdiv.

cbarco

21

fl1110

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

v1105

(cedez a tempo)

v1

marcato

unis.

3

v2

v2unis.

marcato 3

va

unis.

marcato

va

vcunis.

marcato cresc.

( )

vc3

cb

marcato cresc.

( )

cb3

22fl1

113

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn13

tn2

3

tba

p.1

p.2

p.3

v13

5

v2

3

5

va

vc3

5

cb3

23fl1

117

3 3 3 3 3 3 3 3

rall.

6

6

fl23 3 3 3 3 3 3 3 6

3

ob13 3 3 3 3 3 3 3

ob23 3 3 3 3 3 3 3

cl13 3 3 3 3 3 3 3 5

5

cl2

3 3 3 3 3 3 3 3 5

5

bcl3 3 3 3 3 3 3 3

bn13 3 3 3 3 3 3 3

bn23 3 3 3 3 3 3 3

hn1

3

3 3 3 3 3 3 35

hn23 3 3 3 3 3 3 3 5

tpt1

3 3 3 3 3 3 3 3 5

tpt2

3 3 3 3 3 3 3 35

tn1

3 33 3 3 3 3 3

tn2

3 3 3 3 3 3 3 3

tba3 3 3 3 3 3 3 3

p.13

33

33

3

p.23 3 3 3 3 3

p.33 3 3 3 3 3

["huh"](short exhale)

v1

3 3 3 3 3 3 3 3

rall.

5 5

v2

3 3 3 3 3 3 3 3 55

va

3 3 33

33

33

5

vc

3 3 3 3 3 3 3 3

cb

3 3 3 3 3 3 3 3

p.21 Crotales bowed

~ 40 Languido moltoJukka Tiensuu 2008

Morphoses for orchestraFalse Memories II: Nostalgy

(upbow sempre)

on repeat)(

2 sempre simile, col arco e l.v.

p.28 10

sempre)(<

p.3Motor ON (slow)

Vibraphone bowed(upbow sempre) play on repeat only sempre simile, col arco e l.v.

p.3

v11 volta con sord.a

poco portamento

v1

v2con sord. poco portamento

v2

vcpizz. l.v.

cb+vc play on repeat only

on repeat)(

vc

3

3 3 3

cbpizz. l.v.

on repeat)(

(vibr.)(simile)

cb

3

2

fl120

espressivo

3

fl2

espressivo3

3

tpt1

espressivo

tpt2con sord.

p.214

p.2

p.3

p.3

v1

v1

dolce

ord.

3

3

3

v2

v2

suave3 6 3

vacon sord.

calmo3 3 3

vc

cb

3

3fl1

27

fl2 z z

ob1

ob2 z z

cl1

cl2

bn1

bn2

tpt1

tpt2

p.2

sempre l.v.(come prima)

p.3sempre l.v.

(come prima)

v1div.

zs.v.

z 1.+2. soli

espressivo

ord.(slow vibr.)

v2senza sord.

div. s.v. 1.+2. soliord.

espressivo

(slow vibr.)

vasenza sord. s.v.

vc

cb

4fl1

38

fl2

ob1

ob2

cl1

cl2

tpt1con sord.

tpt2

p.2

(l.v.)

p.246

p.3

v1

Tutti

v1div.

v2

Tutti

v2div.

vacon sord.ord.

va

div.

vcpizz. l.v.

piu

cb

pizz. l.v.

fl11

~84-96 Eccitante Jukka Tiensuu 2008Morphoses for orchestraFalse Memories III: Trauma

3 3 3

fl19 3

3

3

3

fl23 3

fl23

3

cl1

cl1

cl2

cl2

p.1Timp.

p.1

p.2

G.C.Tam-tam

p.2

soft sticks sempre Tam-tam(slow) l.v.

p.3G.C.

p.3

soft sticks sempre

v1con sord. legatissimo

v1senza sord.

3

v2con sord. legatissimo

v2

va

vacon sord.

3

3

3

2fl1

14 3 3 3

fl120

3 3

fl23

3 3 3

fl2

cl1

cl13 3 3

cl2

cl2

p.1

p.1

p.2Tam-tam l.v.

p.2

p.3

p.3

v13 3

v1ord.

v2senza sord.

v2ord.

va

va

3fl1

25

fl2

ob1 ( )

vibr.

ob2 ( )

slow wide vibr.

cl13 6 3

3

cl23

bcl

bn1( ) ( )

slow wide vibr.

bn2 ( )

slow wide vibr.

hn1

hn2

tpt1

tpt2

tn1

con sord.

tn2

tba

p.1

p.2G.C. 3

p.33

v1( )

( )

slow wide vibr.

v2( )

( )

slow wide vibr.

vasenza sord.

vcpizz. 3

cbpizz.

4fl1

28

fl2

ob1

ob2

cl1

cl2

bcl3 3 3 3

bn1

3 3

bn23 3

hn16 3 3

hn23 3

tpt1

tpt2

tn1senza sord. this bar on repeat only

tn2this bar on repeat only

tba3 3

p.1

p.23

p.33

v1div. unis.

v2div. unis.

vadiv. unis.

3

vc

arco div.3

3

cbarco div.

3

5fl1

31

fl2

ob1

ob2

cl15

cl25

bcl5

bn13

bn2

3

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1( )

p.2

Tam-tam

p.3

v1

3

v23

va

vcunis.

3

cbunis.

6fl1

38

56

fl2

5 6

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1senza sord.

tn2

tba

p.1

p.2

p.3

v1div.

v2div.

va3 div.

vc

div.

cb

div.

7fl1

43

fl2

ob1

ob2

cl1

33

cl2

3

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1( )

tn2( )

tba

p.1

p.2

p.3

v1unis.

3 div. 3

v2unis. 3 div. 3

vaunis.

33

vc

3

unis. 3

cb

unis.3

div. unis.3

8fl1

48

fl2

ob1

ob2

cl1

5 6

cl25 3

bcl

bn1

bn2

hn1

3 3

hn2

3 3

tpt1

tpt2

tn1

tn2

tba

3 3

p.1( )

p.2G.C. 3 3

p.33 3

v1

v2unis.

vadiv.

vc

cb

9fl1

51 legatissimo

fl2legatissimo

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3

v1unis.

v2

vaunis.

vc

cb

10fl1

54 on repeat: all players softer (f->mf, etc.) bars 57-68.

fl2

ob1

ob2

cl1legatissimo

cl2legatissimo

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3

v1ord.

on repeat: all players softer (f->mf, etc.) bars 57-68.

v2ord.

va

vc

cb

11fl1

58 3

fl162 3

3

fl165 3 3

fl23

fl23 3

fl23 3

cl13 3

cl13 3

cl13

cl23

cl23 3

cl23 3

v13

v1

33

v13 3

v23

v23 3

v23 3

12fl1

68

legato sempre5

55

fl2

legato sempre5

55

ob1

legato sempre5

5 5

ob2

legato sempre5

5 5

cl1

legato sempre5

5 5

cl2

legato sempre

5 5

5

bcl

bn1

bn2

hn1legato sempre

hn2legato sempre

tpt1legato sempre

tpt2

legato sempre

tn1

tn2

tba

p.1

p.2

Tam-tam l.v.

p.3

v1

div.

v2

div.

va

div. div.

vcdiv. sul D

sul G

cb

div. unis.sul E

13fl1

71

fl2

ob1 ( )

vibr.

ob2 ( )

slow wide vibr.

cl13 3 3 3

3

cl23

bcl

bn1( ) ( )

slow wide vibr.

bn2 ( )

slow wide vibr.

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3

v1unis. 6

66

( )

6

( )

slow wide vibr.

v2

unis.5

6

6

( )

( )

slow wide vibr.

vaunis. 5

6

6 5

senza sord.

vc

unis.5

55

cb

14fl1

74

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

on repeat only

6 6

tpt2

on repeat only

6 6 6

tn1

tn2

tba

p.1

on repeat only 3

p.23 3

p.33

v1

v2

va

vcpizz. 3

cbpizz.

15fl1

77

6 5

5

fl2

5

5

ob1

ob2

cl1

6

55

cl2

55

bcl

bn1

bn2

hn1

hn2

tpt1

6

tpt2

tn1

tn2

tba

p.13

p.23 3 3

p.33 3 3 3 3

v1

1. solo

6

tutti div.div.

v2div. unis.

vadiv. unis. div.

vcarco

div.pizz. arco3 3

cb

arco div. pizz.

16fl1

81

5

5

10

fl25

5

10

ob15

5

5

5

10

ob25

5

5

5

10

cl1

5

5

10

cl2

5

5

10

bcl

bn1

bn2

hn1

hn2

tpt15

55

5

10

tpt2

5

5

10

tn1

tn2

tba

p.13

p.23 3

p.33 3

v1unis.

v2

va

div. unis.

vc

div.unis. pizz. arco

div.unis.

cb

17fl1

84

6

fl2

ob1

6

ob2

cl1

6

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

6 6 6

tpt2

6 6 6

tn1

tn2

tba

p.1

33

p.23 3 3 Tam-tam l.v.

p.33 3

v1

1. solo

6

v2

va

vc

3

cb3

18fl1

87

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba3 3

p.1

p.2

p.3

v1

Tutti

v2

va

vc

33

cb3 3 3 3

19fl1

90 5

fl2

5

ob1

5

ob2

5

cl1

5

cl2

5

bcl

bn1

bn2

hn1legato sempre

hn2legato sempre

tpt1legato sempre

tpt2

tn1

tn2

tba

p.1( )

p.2Tam-tam

p.3

v1

6

66 5

div.

v25

6

6 6

div.

va5

6 65

div. unis.

vc

5

55 5

div. unis.

cb5 5

div. unis.

20fl1

94

legato al fine

5 5

poco rall. al fine

3

fl2

legato al fine

5 5

3

ob1

legato sempre

5 5

ob2

legato sempre

5 5

cl1

legato sempre

5 5

cl2

legato sempre

5 5

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba3

p.1

p.2damp Tam-tam (silence)

p.3

v1

unis.poco rall. al fine p. a p. meno vibr. senza vibr.

v2unis.

p. a p. meno vibr. senza vibr.

va

3

vc

cb3