Software para grabación.docx

7/30/2019 Software para grabación.docx

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Software para grabación, Emuladores, Settings y mas pt. 3

Y para mejorar el post anterior he aqui una serie de settings que usan varios guitarristas famosos, ya sea en los

emuladores que les pase o en sus equipos reales, les dará un sonido parecido al de su guitarrista favorito ;)

Algunos vienen mal escritos, no los escribí yo -.-

Jimi Hendrix of Jimi Hendrix Experiance

Gain - 4

Treble - 5

Mid - 5

Bass - 8

Reverb - 5

John Petrucci of Dream Theatre

1)Clean Channel:

Preamp Mode: Rhythm 1 Yellow

Gain: 6

Treble: 6.5

Middle: 3.5

Bass: 3

Lead 1 Drive: 0

Lead 2 Drive: 0

Master: 5.5

Presence: 8

Dynamic Voice: 7

Power Amps set on Deep And Modern

2)Main Distortion Channel:

Preamp Mode: Lead 1 Red

Gain: 6

Treble: 6Middle: 6

Bass: 4.5

Lead 1 Drive: 4.5

Lead 2 Drive: 0

Master: 4

Presence: 6.5

Dynamic Voice: 6.5

Power Amps set on Deep And Modern

3)Lead Channel:

Preamp Mode: Lead 2 Yellow (MarkII Lead Sound)

Gain: 7.5

Treble: 4.5Middle: 4

Bass: 5.5

Lead 1 Drive: 0

Lead 2 Drive: 6.5 Master: 6

Presence: 0

Dynamic Voice: 3

4)EFFECTS CHAIN:

Clean Sound - basic chorus sound

Lead Sound - 602 and 460 millisecond delay with 3 repeats

Crunch - 26 milliseconds delay

Tom Morello of Audioslave/Rage Against the Machine

Gain - 7



Treble - 10

Mid - 4

Bass - 4

Reverb - 0

Eric Clapton of Eric Clapton

Gain - 7Teble - 5

Mid - 7

Bass - 7

Presence - 8

Mick Thompson of Slipknot

Gain - 9-10

Treble - 8

Mid - 7

Bass - 8

Reverb - 2

Note tuning of B F B E Gsharp Csharp (low to high)

Jimmy Page of Led Zeppelin

Gain - 4

Treble - 8

Mid - 3

Bass - 7

Reverb - 2

Kurt Cobain of Nirvana

Gain - 7

Treble - 7

Mid - 4

Bass - 3Reverb - 2

Eddie Van Halen of Van Halen

Gain - 6

Treble - 4

Mid - 3

Bass- 9

Reverb - 4

John Frusciante of Red Hot Chili Peppers

Gain - 4

Treble - 8

Mid - 2Bass - 6

Reverb - 7

Kirk Hammet of Metallica

Gain - 7

Treble - 7

Mid - 2

Bass - 7

Reverb - 2

Keith Richards of Rolling Stones

Gain - 4.5

Treble - 4.5

Mid - 6.5



Bass - 5.5

Reverb - 1.5

Note use of open G tuning, D G D G B D (low to high)

The Edge of U2

Gain - 1.5

Treble - 7Mid - 5

Bass - 3

Reverb - 8.5

Brian May of Queen

Gain - 8.5

Treble - 4

Mid - 9

Bass - 5.5

Reverb - 4

Note Brian famously uses old sixpences to pick the strings of his guitar.

Jack White of The White StripesGain - 8

Treble - 7

Mid - 5

Bass - 8

Prescence - 8

Slash of Guns N' Roses

Gain - 6.5

Treble - 4.5

Mid - 7

Bass - 7

Presence ? 8

Justin Hawkins of The Darkness

bass- 6

treble-8

mid-8

gain-7

reverb-5

Dimebag Darrel of Pantera

Gain - 7

Treble - 10

Mid - 4

Bass - 9Reverb ? 0

Billie Joe Armstrong (newer) of Green Day

Drive - 6

Treble - 10

Mid - 8

Bass - 5

Reverb ? 3

Billie Joe Armstrong (older) of Green Day

Gain:9

Treble:10

Mid:8

Bass:5



Reverb:3

Dave Sullivan of Iron Maiden

Drive - 7

Treble - 9

Mid - 7

Bass - 4Reverb - 0

Use your brigde humbucker - I find this tone to be excellent for Maiden - The Trooper, Hallowed especially

Gary Moore of Thin Lizzy

Bass 7

Treble 7

Mids 8-10

Gain 5-7 depends on song

Coutour at 3-4 not so high to suck the mids but not os low to sound crappy

maybe a splash of reverb

Neck pickup

Dave Grohl of Foo Fighters

Distortion:8

Treble:7

Middle:5

Bass:3

Reverb:3 (room)

Joe Walsh of Eagles

Treble: 7

Bass:3

Mid: 4

Master:3Reverb:2

Presence:3

Billy Corgan of Smashing Pumpkins

For songs like 1979:

Bass: 8

Mid: 7

High/Treble: 6

Pickup Position: 2 or 4 (Strat)

For heavier songs like Zero or Jellybelly:

Bass: 10

Mid: 4

High/Treble: 8

Use a thick heavy distortion with medium tone and a lot of sustain.

Clapton "woman", of Cream

Gain (2)

Bass (10)

Mid (10)

Treble (5)

Reverb (1)

Use it with a double Humbucker Guitar, and select both



Angus Young of AC/DC

Gain - 5

Treble - 10

Mid - 10

Bass - 5

Gary Rossington of Lynyrd Skynyrd

Treble - 5

Mid - 10

Bass - 5

Gain - 2-3

Mark Tremonti of Creed/Alter Bridge

Gain:10

Treb.:6

Mid.:3 or 4

Bass:7

Presence:6

Mike McCready of Pearl Jam

Treble: 7

Mid: 7

Low: 5

Daron Malakian of System of a Down

Amp Used: Crate VFX5212

Gain: 8

Treble: 6-7

Mids: 3-5

Bass: 10

Presence: 8Note the use of Drop D down 1/2 step (Db Ab Db Gb Bb Eb)

Tony Iommi of Black Sabbath

Gain - 7 or 8

Bass - 6

Middle - 6

Treble - 6

Channel - Overdrive

Kirk Hammett of Metallica

Gain - 9

Bass - 7Mids - 2

Treble - 10

Reverb - 3

Channel - Distortion

Kirk Hammett 2 of Metallica

Gain - 7

Treble - 7

Mid - 2

Bass - 7

Reverb - 2


Mick Mars of Motley Crue



Gain - 3

Bass - 2-3

Contour - 2-3

Treble - 10

Channel - Overdrive

Kurt Cobain of Nirvana

Gain - 7

Treble - 7

Mid - 4

Bass - 3

Reverb - 2

Channel - Overdrive

Kurt Cobain - Chorus Effect bits of Nirvana

Effects/Other - Ibanez CF-7 Pedal

Speed- 10

Depth- 5

Delay Time- 0 or 1.5Regen- 3

Mick Thompson of Slipknot

Gain - 9-10

Treble - 8

Mid - 7

Bass - 8

Reverb - 2

Effects/Other - Tuning of B F B E G# C# (low to high)


Noel Gallagher of Oasis

Gain- 5.5

Volume- 10

Treble- 7

Middle- 5.5

Bass- 4.5

Ray Davies of The Kinks

Gain- 7.5

Volume- 10

Treble- 10Middle- 6

Bass- 4

Steve Jones of Sex Pistols

Gain- 7

Volume- 10

Treble- 8.5

Middle- 6

Bass- 4

Alex Laiho of Children of Bodom

Treble: 9

Mid: 4



Bass: 7

Gain: 8

Reverb: 4

(on guitar)

Tone: 10

Pickup: Bridge

David Gilmour of Pink Floyd

Bass: 10

Middle: 6.5

Treble: 10

Gain: 1.5

or

Gain-2-3

Treble- 7-8

Mids- 9-10

Bass- 5-6

Reverb- 60-70%

Mark Tremonti of Creed/Alter Bridge

Gain: 7

Bass: 6

Mids: 4

treble: 7.5

Reverb: 1-2

Carlos Santana of Carlos Santana

gain 7

treble 10

mid 6bass 5

reverb 2

Jerry Cantrell of Alice in Chains

Gain 6-7

Treble 6-7

Mids 5-6

Bass 5-6

Reverb 3

Joe Perry of Aerosmith

Gain: 5.5

Treble: 2Mid: 7

Bass: 2

Volume: Full (used Fenders in the early days and switched to music Man during the Toys era, now uses a

mixture)

Pete Willis of Def Leppard

Gain- 4

Bass-4

Mid- 5

Treble-7

Reverb-4

Billy Gibbons of ZZ Top

Treble: 3



Middle: 10

Bass: 10

Prescense: 10

Gain: about 5 (crunchy type of sound)

Use a Les Paul guitar with not to much output in the pups and select both!

Buckethead of BucketheadBass: 5-6

Mids: 5-7

Treble: 7-8

Presence: 6

Boost clean channel with an OD

Tone: 5-6

Volume: 5-8 (have it boost the volume of the amp a little)

Distortion: 0

Randy Rhoads of Black Sabbath

Gain 7

Bass 7Mids 7

Treble 10

Reverb 0

Clapton of Cream

Prescense: 10

Treble: 10

Middle: 10

Bass: 10

Gain: 5

Stevie Ray Vaughan of Stevie Ray VaughanLow 10 (full)

Mid 7.5

High 5

Steve Vai

Clean:

Treble: 8

Mid: 5

Bass: 4

Lead:

Presence: 6

Treble: 6Mid: 7

Bass: 7

Gain: 8

Sublime

General

Treble 9-10

mid:0

bass: 7

with a hint of chorus...on clean

Buckethead

Bass: 5-6

Mids: 5-7



Treble: 7-8

Presence: 6

Slayer

Gain: 7

Treble: 7

Mid: 2Bass: 9

Kerry King

Gain - 9-10

Treble - 10

Mid - 4

Bass - 6-7

Reverb – 3

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Software para grabación.docx