Richard Barnes Presentation

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    Richard Barnes

    b. 1953 - Newark, NJ

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    1963 - Polaroid introduces color film

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    -Architectural Photography

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    1989 - Loma Prieta earthquake, California

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    1995 - Legion of Honor

    documented its

    renovation after

    the earthquake

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    It was discovered that the museum had been built upon what was once Golden

    Gate Cemetery. What began as architectural documentation turned into aninvestigation into the largest post-gold rush era cemetery ever excavated. Over

    two years, applying his experience from the excavations in Egypt, Barnes created abody of work documenting the disinterment of hundreds of burials from beneath

    the foundations of the museum.

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    Animal Logic Series 2004

    Barnes followed the logical steps and turned to the collections of different

    institutions for his work. Barnes began a body of work based on the role of themuseum in contemporary culture.

    -Egyptian Museum in Cairo

    -Smithsonian Institution,

    -Museum of Comparative Anatomy in Paris

    -Carnegie Museum of Natural History

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    Animal Logic Series 2004

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    My work is all about containment.

    Animal Logic Series 2004

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    Animal Logic Series 2004

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    Animal Logic Series 2004

    This work looks at the museum as a container of

    the celebrated and the forgotten, the odd and theeveryday, representative of the dreams and

    aspirations of the person, culture or nation that

    assembled it.

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    Animal Logic Series 2004

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    1997 - Unabomber trial

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    Unabomber Cabin (Sacramento) 1998

    In 1998 Barnes was commissioned by the New York Times Magazine to

    photograph the cabin of Ted Kaczynski, aka the Unabomber. Kaczynski, ourhomegrown philosopher/terrorist now serves a life-sentence in prison for crimes

    committed out of dedication to a cause, madness, or both.

    In addition to Kaczynskis incarceration, his rural home was also seized, as ifarchitecture itself were to be put on trial. The cabin, representing that iconic idealof rural self-sufficiency and simplicity was, in this case, seen as a container of evil

    and depravity.

    Unabomber Site (Montana) 1998

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    The cabin was shipped

    across the country to beused as evidence in his trial.My work looks at historicaland contemporary artifacts

    (in this case the cabinand its site), and using the

    imagery and methods of

    architecture /archaeologyit attempts to bridge the

    gap between the banal and

    the extraordinary, the cult

    o f ce lebr i ty and theseduct i veness o f the

    infamous.

    Unabomber Exhibit A-D 1998

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    Murmur 1 Nov. 15, 2005

    2005 - Murmur

    Starling

    migrationin Rome

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    Murmur 8 Dec. 14, 2005

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    Murmur 14 Jan. 21, 2006

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    Murmur 13 Jan. 20, 2006

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    Timeline

    1953 Born, Newark, NJ

    1963 Polaroid color film introduced

    1979 B.A. University of California, Berkeley

    1979 Begins work as an architectural photographer

    1989 Loma Prieta earthquake hits San Francisco Bay

    1994 Photographs the renovation and cemetery excavation of the Legion of Honor

    1995 Photographer for book on SFMOMA

    1995 Architectural restoration photographer for National Endowment for the Arts

    1996 Photographs the closed Stanford University Art Museum

    1997 Unabomber trial

    1998 Commissioned by New York Times Magazine to photograph Unabomber shed

    2000 Unabomber, San Jose Museum of Art, San Jose, CA

    2001 Still Rooms & Excavations, Carnegie Museum of Art, Pittsburgh, PA

    2004Animal Logic, Hosfelt Gallery, San Francisco

    2007Murmur, Hosfelt Gallery, New York

    h

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    my master photos:

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