RAGO · Lauren Bradley 609.397.9374, ext. 129 or [email protected] NEW BIDDER REGISTRATION: Eliane Talec 609.566.7225 or [email protected] ... Honoria …

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11.11.1719/20th C. American/European Art 10:00AM

View condition reports in the online catalogue where they are added and updated, as needed. If you do not see the condition information required to inform your bidding on a lot, please let us know. Condition reports are not listed in the print catalogue.

IMPORTANT NOTICE TO ALL BUYERS:

The buyer’s premium for each lot purchased is 25% on the first $250,000 of the hammer price, 20% on the value between $250,000 and $3 million.

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AUCTIONEERS NOTES:

If you have questions on the condition of a work, we would be glad to provide our opinion, but all works are sold according to our Terms of Sale. Please call the Auction House for complete condition reports if you cannot view in person.

Condition reports are not listed in the catalogue.

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TEXT GLOSSARY:

Name of the artist (country of origin/date of birth-death) Title of the work, date of creation In italics-the actual title given to the work by the artist Without italics-an untitled work with a description based on imagery/style Medium and frame (if applicable) Signature Size: height x width; height x width x depth (for three-dimensional objects) Paintings are measured by the size of the support Sight: size of the visible work if obscured, framed or matted Image: size of the image Plate: size of the print impression Sheet: size of the paper Printer: name of master printer or workshop where a print is made Publisher: publisher of the print Literature: reference to the work of art in a book, exhibition catalogue or article Exhibition: exhibition history Provenance: ownership history

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CONTENTS

19/20th c. American/European Art: Lots 1–172, p. 1

Artist List: p. 98/99

Terms of Sale, p. 101

Auction Staff, p. 105

Shipping Information, p. 106

Condition Report Form, p. 107

Absentee Bid Form, p. 108

INQUIRIES/INFORMATION

SPECIALIST IN CHARGE:

Meredith Hilferty 609.397.9374 ext. 249 or [email protected]

PARTNER IN CHARGE:

Miriam Tucker 609.566.7224 or [email protected]

ABSENTEE BIDS:

Eliane Talec 609.566.7225 or [email protected]

TELEPHONE BIDS:

Guy Benthin 609.397.9374, ext. 124 or [email protected]

CONDITION REPORTS:

Amy Hunt 609.397.9374, ext. 128 or [email protected]

Lauren Bradley 609.397.9374, ext. 129 or [email protected]

NEW BIDDER REGISTRATION:

Eliane Talec 609.566.7225 or [email protected]

PAYMENTS & SHIPPING:

Karen Davies 609.397.9374, ext. 145 or [email protected]

UP TO THE MINUTE AUCTION & EXHIBITION INFORMATION:

1.866.RAGOARTS (724.6278) or ragoarts.com

FAX LINE FOR BIDS & CONDITION REPORTS:

609.397.9377

E-MAIL FOR BID FORMS:

[email protected]

11.11.1719/20th C. American/European Art 10:00AM

1 view all updated condition reports | ragoarts.com

1

WILLIAM TROST RICHARDS (American, 1833-1905)

Untitled Oil on canvas (framed) Signed 9 1/8” x 12”

PROVENANCE Robyn-Alexander Gallery, Pennsylvania (label on verso) Private Collection, Pennsylvania

$6,000–8,000

view all updated condition reports | ragoarts.com 2 3 view all updated condition reports | ragoarts.com

2

JAMES ABBOTT McNEILL WHISTLER (American, 1834-1903)

The Brothers (Blacksmiths), 1895-96 Lithograph From an edition of 31 14 3/8” x 8 7/8” (sheet)

PRINTER Goulding

LITERATURE Way 91, Levy 131, Spink/Chicago 128 ii/ii

PROVENANCE Private Collection, New York

$1,800–2,400

3

RAPHAEL LILLYWHITE (American, 1891-1958)

Untitled Oil on canvas mounted to board (framed) 24” x 30”


$2,000–4,000

4

WORTHINGTON (THOMAS) WHITTREDGE (American, 1820-1910)

Untitled (Landscape) Oil on canvas (framed) Signed 15 1/4” x 23 1/8”

PROVENANCE Private Collection, New Jersey

$4,000–6,000


5

KONRAD ALEXANDER MÜLLER-KURZWELLY (German, 1855–1914)

Untitled (Seascape) Oil on canvas (framed) Signed 10 1/2” x 18 1/4”

PROVENANCE Private Collection, Pennsylvania

$1,000–1,500

6

CHARLES CARYL COLEMAN (American, 1840-1928)

Houses Along the Canal Oil on canvas (framed) 8 1/2” x 10 1/4”


$1,000–1,500

7

WILLIAM HOLDBROOK BEARD (American, 1824-1900)

Luzerne, Switzerland, 1854 Oil on canvas (framed) Signed 31 1/4” x 41 1/2”


$3,000–5,000


8

EDWARD VOLKERT (American, 1871-1935)

Untitled (Sheep) Watercolor on paper (framed) Signed and inscribed 13 1/2” x 17 1/2” (sight)


$1,200–1,800

9

FREDERICK OAKES SYLVESTER (American, 1869-1915)

Untitled Two watercolors on paper (framed separately) Both signed and dated (illegible) 3 3/4” x 5 3/4” (sight) 3 3/8” x 5 1/4” (sight)


$700–1,000

10

FRANK DUVENECK (American, 1848-1919)

Riva degli Schiavoni, I, ca. 1880 Drypoint on chine appliqué paper (framed) Signed 8 1/2” x 13 1/8” (plate) 13 3/4” x 18” (sheet)

LITERATURE Poole 12


$2,500–3,500

11

FRANK DUVENECK (American, 1848-1919)

Riva degli Schiavoni, II, 1880 Drypoint on chine appliqué paper (framed) Signed 13 1/8” x 8 1/2” (plate) 17 7/8” x 13 1/4” (sheet)

LITERATURE Poole 13


$2,500–3,500


12

CECILIA BEAUX (American, 1855-1942)

Untitled (Woman) Pencil on paper (two sides, framed) Initialed on one side 3 5/8” x 5 1/8” (sight)

PROVENANCE Private Collection, Idaho

$1,000–1,500

13

EVERETT SHINN (American, 1876-1953)

Untitled (Woman in Interior), 1907 Monotype and pastel on paper (framed) Signed and dated 9” x 12 1/4” (sheet)


$800–1,200

14

JOSEPH STELLA (American, 1877-1946)

Marguerites and Wild Flowers, 1919 Crayon and silverpoint on paper (framed) Signed and dated 14” x 10 1/8” (sight)

PROVENANCE The Jordan-Volpe Gallery, Inc., New York (label on verso) Private Collection, New York

$3,000–5,000

15

JOSEPH STELLA (American, 1877-1946)

Untitled (Sketch of a Woman) Ink and watercolor on paper (framed) 7 1/2” x 5” (sheet)

PROVENANCE Rabin & Krueger Gallery, Newark, NJ (stamp on verso) Private Collection, Idaho

$600–800


16

JOHN MARIN (American, 1870-1953)

Carnival No. 3, 1905 Pencil and charcoal on paper (framed) Signed and dated 10 1/4” x 12 3/4” (sight)

PROVENANCE FAR Gallery, New York (label on verso) Private Collection, Maryland

$3,000–5,000

17

CHILDE HASSAM (American, 1859-1935)

Wooden Bridge, 1912 Pencil on paper (framed) Signed and dated 7 5/8” x 11 5/8” (sight)

PROVENANCE FAR Gallery, New York (label on verso) Private Collection, Maryland

$3,000–5,000

18

PIERRE BONNARD (French, 1867-1947)

Untitled (Southern Landscape with Houses and Trees), ca. 1930 Graphite on paper (framed) Estate stamp 4 1/2” x 6 1/4” (sight)

PROVENANCE C. & J. Goodfriend Drawings and Prints, New York (label on verso) Private Collection, New Jersey

$3,000–5,000

19

PIERRE BONNARD (French, 1867-1947)

Paysans au Travail, ca. 1910 Graphite on paper (framed) Stamped 8 5/8” x 5 3/8” (sight)

PROVENANCE Private Collection

$3,000–5,000


20

FERNAND TOUSSAINT (Belgian, 1873-1956)

Untitled (Still Life) Oil on canvas (framed) Signed 27” x 15”


$3,000–5,000

21

EGON SCHIELE (Austrian, 1890-1918)

Selbstbidnis, ca. 1917/1980 Bronze Signed, dated and numbered 279/300 10 1/2” high

LITERATURE Kallir 4 f

PROVENANCE Private Collection, Germany

$1,500–2,500

22

ERICH HECKEL (German, 1883-1970)

Untitled (Young Girl in White Chemise) Watercolor and pencil on paper (framed) Signed 11” x 12 3/8” (sheet)

PROVENANCE The Joan & Lester Avnet Collection, New York Private Collection, Idaho

$6,000–8,000


23

ILLYA ZEMSKY (Russian/American, 1892-1961)

Untitled (Nude Study) Charcoal on newsprint paper (framed) 23 3/8” x 15 1/2” (sheet)

PROVENANCE Alexander Gallery, New York (label on verso) Private Collection, Idaho

$2,500–3,500

24

LÉON BAKST (Russian, 1866-1924)

Mademoiselle Pawlow in the Role of Diana, 1910 Hand painted lithograph laid to board 12 5/8” x 9 3/4” (sheet)

PROVENANCE Private Collection, Maryland

$1,800–2,400

25

OSSIP ZADKINE (French/Russian, 1890-1967)

Untitled (Barn) Gouache on paper (framed) Signed 20 1/4” x 28 7/8” (sight)

PROVENANCE The artist Private Collection, New Jersey (by descent through family)

$4,000–6,000

26

RAOUL HAUSMANN (Austrian, 1886-1971)

Untitled, 1914 Oil pastel on paper (framed) Signed and dated 17 3/4” x 12 7/8” (sheet)

PROVENANCE Estate of Ira Genstein

$1,000–1,500


27

RAOUL DUFY (French, 1877–1953)

Le Peche from Quatre Bois, ca. 1910 Woodcut (framed) Signed and numbered 33/220 12 1/2” x 15 3/4” (image) 19 3/4” x 25 3/4” (sheet)


Note: From the second edition printed in 1953.

$800–1,200

28

WASSILY KANDINSKY (Russian/French, 1866-1944)

18 black and white woodcuts from Klange, 1913 From an edition of 300 5” x 4 1/4” (largest image)

PRINTER F. Bruckman A.G., Munich

PUBLISHER R. Piper & Co., Munich


$700–900

additional images online29

FERNAND LÉGER (French, 1881-1955)

Honoria Shelton, 1943 India ink and watercolor on paper (framed) Signed, dated and titled 6 1/2” x 5 1/2” (sheet)

PROVENANCE Private Collection, Florida

$6,000–8,000


30

MARIE LAURENCIN (French, 1883-1956)

Self-Portrait, 1921 Pencil on paper laid to board (framed) Signed and dated 8 1/4” x 6” (sheet)

PROVENANCE Wolverhampton Fine Arts, California (label on verso) Private Collection, Idaho

$1,500–2,500

31

WALT FRANCIS KUHN (American, 1877-1949)

Foreshortened Reclining Figure, 1928 Ink on paper (framed) Signed and dated 7 3/4” x 10 1/2” (sight) 9 7/8” x 13 7/8” (sheet)

PROVENANCE Kennedy Galleries, Inc., New York (label on verso) Salander-O’Reilly Galleries, Inc., New York (label on verso) Midtown Galleries, New York (label on verso) Barridoff Galleries, Maine (label on verso) Hobe Sound Galleries North, Maine (label on verso) Walt Kuhn Gallery at Cape Neddick Park, Maine (label on verso) Private Collection, Idaho

$1,000–1,500

32

DANIEL CHESTER FRENCH (American, 1850-1931)

Seated Lincoln from the plaster maquette, 1915 Bronze with additional marble base Signed, dated with foundry stamp “ART BRONZE” and stamped FP2 15” high, 21” with marble base

PROVENANCE Private Collection, California

$5,000–7,000


33

GASTON LACHAISE (American, 1882-1935)

Untitled (Nude) Blue crayon on paper (framed) Signed 9 1/2” x 7 1/8” (sight)


$1,000–1,500

34

GASTON LACHAISE (American, 1882-1935)

Untitled (Nude), 1927 Pencil on paper (framed) Signed and dated 10 1/8” x 7 3/8” (sheet)


$1,000–1,500

35

CHILDE HASSAM (American, 1859-1935)

The Old Mulford House, Easthampton, 1926 Etching Signed in pencil with cipher and inscribed with the title 8 1/2” x 11” (plate) 12 1/2” x 16 1/8” (sheet)

LITERATURE Eliasoph 264


$5,500–7,500

36

GEORGE BELLOWS (American, 1882-1925)

The Hold Up (Second State), 1921 Lithograph Signed From an edition of 29 13 1/3” x 10 3/4” (sheet)

PRINTER Bolton Brown

LITERATURE Mason 189 ii/ii, Bellows 13


$3,000–4,000


37

MAX WEBER (American, 1881-1961)

Still Life with Apples, 1928 Hand-colored lithograph Edition of ca. 50 impressions (not all hand-colored)

LITERATURE Estate No. 17, Rubenstein 90


$1,000–1,500

38

HARRY WILLSON WATROUS (American, 1857-1940)

Syro-Roman Glass, ca. 1925 Oil on board (framed) Signed 8 3/8” x 10 1/8”

PROVENANCE The Jordon-Volpe Gallery, New York (label on verso) Private Collection, New York

$1,000–1,500

39

HUBERT VOS (American/Dutch, 1855-1935)

Untitled (Still Life with Chinese Vase), 1923 Oil on canvas (framed) Signed and dated 40 1/2” x 30”


$8,000–12,000


40

ORRIN AUGUSTINE WHITE (American, 1883-1969)

Sycamore Oil on canvas (framed) Signed 30 1/8” x 36 1/8”


$3,000–5,000

42

HAYLEY LEVER (American, 1876-1958)

Untitled (Spring Time, Caldwell, New Jersey), 1928 Oil on canvas (framed) Signed 24” x 30”

PROVENANCE Clayton-Liberatore Art Gallery, New York (label on verso) Private Collection, New York

Note: Accompanied by copy of original receipt

$3,500–5,500

41

LUCIEN ABRAMS (American, 1870-1941)

Paysage Avec Dames Oil on canvas (framed) 25 1/2” x 21 1/4”

PROVENANCE A. M. Adler Fine Arts, Inc., New York Private Collection, Maryland

Note: Accompanied by original receipt

$800–1,200

43

ERNEST DAVID ROTH (American, 1879-1964)

Untitled (House in Landscape) Oil on canvas (framed) Signed 24 1/8” x 26”


$1,500–2,000


44

EDWARD HOPPER (American, 1882-1967)

Storefront Charcoal on paper (two sided, framed) 5 1/2” x 8 1/2” (sheet)

PROVENANCE Hirschl & Adler Galleries, Inc. (label on verso) Private Collection, New Jersey

$4,000–6,000

45

CHARLES BURCHFIELD (American, 1893-1967)

Untitled (Umbrellas) Graphite on paper (framed) 9 1/8” x 15 3/8” (sight)

PROVENANCE The artist Tony Sisti Private Buffalo Collection (Meibohm Fine Arts) Private Collection, New York

$1,000–1,500

46

GEORGE COPELAND AULT (American, 1891-1948)

City Sunset Oil on canvas (framed) 13 3/8” x 16 1/4”

PROVENANCE Vance Jordan Fine Art Inc., New York (label on verso) Private Collection, New York

$15,000–25,000


47

SAMUEL MARGOLIES (American, 1897-1974)

Men of Steel, ca. 1940 Drypoint on paper (framed) Signed and titled From an edition of 250 14 3/4” x 11 1/2” (plate) 17” x 13 5/8” (sheet)

PUBLISHER Associated American Artists, New York


$3,000–5,000

48

LOUIS LOZOWICK (American/Russian, 1892-1973)

Tanks #1, 1929 Lithograph Signed, dated, titled and numbered V/X 20 1/8” x 14 1/4” (sheet)

LITERATURE Flint 39


$1,500–2,000

49

WILLIAM ZORACH (American, 1887-1966)

The Dance, 1930 Bronze relief Signed and dated From an edition of six 8 3/4” x 8 1/2”

PROVENANCE Sotheby’s, New York, April 14, 1989, lot 263 Private Collection, New York

$1,500–2,500

50

MALVINA HOFFMAN (American, 1887-1966)

Head of a Balinese Woman Bronze on marble base Signed and inscribed “Bali (c) M. Hoffman, C.B.W.” 5 1/2” high, 8 3/4” (with base)

PROVENANCE Private Collection, Washington

$800–1,200


51

LUIGI RIST (American, 1888-1959)

Untitled (Deer), ca. 1930’s Woodcut in colors (framed) Signed From an unknown edition

LITERATURE Williams 2


Note: According to Williams, this print derives from a similar composition by the 17th C. Japanese artist Ogata Korin

$2,000–3,000

52

EUGENE BERMAN (Russian, 1899-1972)

Untitled, 1948 Watercolor and ink on paper laid to illustration board (framed) Initialed and dated lower recto 12 5/8” x 19 1/2” (sheet)

PROVENANCE The Estate of Manon Cleary Private Collection

$1,200–1,800

53

BEN SHAHN (American, 1898-1969)

Untitled (Distressed Figure) Gouache on paper (framed) Signed 10 1/2” x 8” (sight)


$1,800–2,400

54

REGINALD MARSH (American, 1898-1954)

Untitled, ca.1939 Oil on panel (framed) Signed 9 7/8” x 7 5/8”

PROVENANCE The artist Private Collection, California

$2,000–4,000

55

MILTON AVERY (American, 1885-1965)

Reclining Nude, 1941 Etching and aquatint on paper (framed) Signed, dated and numbered 65/100 3 1/2” x 7 1/4” (plate) 13” x 14 3/4” (sheet)

LITERATURE L22


$2,000–3,000


56

ARTURO TOSI (Italian, 1871-1956)

Untitled (Landscape) Oil on canvas (framed) Signed 20” x 24”

PROVENANCE Galleria d’Arte del Cavallino, Italy Private Collection, Maryland

$2,000–3,000

57

WALTER MATTERN (American, 1892-1946)

Untitled (Silos) Oil on board (framed) Signed 12” x 14”

PROVENANCE Private Collection, Arizona

$800–1,200

58

GUY C. WIGGINS (American, 1883-1962)

New York Winter (Fifth Ave. View) Oil on board (framed) Signed and titled 10” x 12 1/2”

PROVENANCE Denver Fine Art Gallery, Denver, PA Private Collection, Pennsylvania

$8,000–12,000


59

JOHN GRABACH (American, 1886-1981)

Untitled (Stowing Jibs) Oil on canvas mounted to panel (framed) Signed 12” x 16”


$1,800–2,400

60

KEITH SHAW WILLIAMS (American, 1906-1951)

The Printer Oil on canvas (Newcomb-Macklin frame) Signed 25 3/8” x 30 1/8”


$800–1,200

61

HENRY MARTIN GASSER (American, 1909-1981)

Harbor (Winter) Oil on Masonite (framed) Signed 10 3/4” x 13 5/8”


$1,000–1,500

62


Untitled (Industrial Town) Watercolor on paper (framed) Signed 10 5/8” x 14 1/2” (sight)

PROVENANCE Private Collection, Ohio

$800–1,200


63

LÉONARD TSUGUHARU FOUJITA (French/Japanese, 1886-1968)

Le Rêve, 1947 Lithograph (framed) Signed and noted EA 22” x 29 7/8” (sheet)

LITERATURE Buisson p. 454


$2,000–3,000

64

YOZO HAMAGUCHI (Japanese, 1909-2000)

Untitled (Grapes and Lemon) Mezzotint Signed and numbered 48/50 12 3/4” x 11 1/2” (plate) 13 1/2” x 12 1/4” (sight)


$1,000–1,500

65

YASUO KUNIYOSHI (Japanese/American, 1889-1953)

Café No. 2, 1936 Lithograph (framed) Signed, dated and noted 100 ed (from the edition of 100) 13 1/8” x 10 1/8” (sight)

LITERATURE Davis L-67


$4,000–6,000

66

ARNOLD NEWMAN (American, 1918-2006)

Yasuo Kuniyoshi, 1941 Gelatin silver print mounted to board Signed, dated and titled 7 5/8” x 9 3/4” (image) 17” x 14” (backing board size)


$1,000–1,500


67

ARNOLD NEWMAN (American, 1918-2006)

Max Ernst, New York City, 1942 Gelatin silver print mounted to board Signed, dated and titled 9 1/2” x 7 1/4” (image) 20” x 16” (backing board size)


$1,200–1,800

68

HENRI CARTIER-BRESSON (French, 1908-2004)

View from the Towers of Notre-Dame, Paris, France 1953 Gelatin silver print (framed, printed in 1980s) Signed and artist stamped 15 3/4” x 11 3/4” (sheet)


$2,000–3,00069

YOUSUF KARSH (Canadian, 1908-2002)

Winston Churchill Gelatin silver print drymounted to board (framed) Signed 19 3/4” x 15 3/4” (image) 27 7/8” x 21 7/8” (sheet)


$5,000–7,000


70


Innocence, The Artist’s Daughter, Dahlor, 1930 Carved mahogany on a stone base Signed 12” high 14” (with base)

LITERATURE P. S. Wingert, The Sculpture of William Zorach, New York, 1938 pages 19, 59 and 71, plate 4, cat. No. 6

PROVENANCE The artist Estate of Margaret Davis Christie’s, New York, March 16, 1990, lot 356 Private Collection, New York

$1,500–2,500

71


Innocence, The Artist’s Daughter, Dahlor, ca. 1928 Carved ebony on a wood base 12 1/4” high 14 5/8” (with base)

PROVENANCE The artist, Sotheby’s, New York, February 1, 1990, lot 309 Private Collection, New York

Note: This is from an edition of no more than six.

$1,500–2,500

72

JOE BROWN (American, 1909-1985)

Jessie Owens, 1942 Bronze Signed, dated and titled 24 5/8” high


$1,800–2,400

73

JOE BROWN (American, 1909-1985)

Huddie Ledbetter (Leadbelly), 1950 Bronze on wood base Signed, dated, titled and numbered 4/45 13 5/8” high, 14 5/8” (with base)

PROVENANCE Estate of Joe Brown

$1,000–1,500


75

MARIO JOSEPH KORBEL (American, 1882-1954)

Untitled (Torso of a Woman) Bronze on stone base Signed “Mario Korbel (c)” with notation “R. B. C. No. 1” 4 1/4” high 7 5/8” (with base)


$400–600

76

ULRICH ELLERHUSEN (German/American, 1879-1957)

Untitled (Kneeling Woman), 1938 Five bronzes All signed and dated “U. Ellerhusen (c) 38” One stamped “Roman Bronze Works N.Y.” 3 3/4” high (each)


$400–600

74

GARY WEISMAN (American, b. 1952)

Two works of art:

Untitled (Male Torso) Etching on brown paper (framed) Signed and numbered 4/30 9 3/8” x 3 3/4” (plate) 11” x 5” (sheet)

Untitled (Male Torso) Bronze Signed 9” x 7” x 2 1/2”

PROVENANCE Collection of Alan Olswing

$800–1,200

77

DAVID DAVIDOVICH BURLIUK (Ukrainian/American, 1882-1967)

Untitled, ca. 1940s Oil on canvas (framed) Signed; 12” x 23 1/4”


$4,000–6,000

78

GEORGE GROSZ (German, 1893-1959)

Untitled (Man with Pipe), 1945 Pencil on illustration board (framed) Signed, dated and inscribed 8 3/4” x 5”


$1,200–1,800


79


Untitled (Street Scene with Car) Watercolor on paper laid down to board (framed) Signed 7 1/2” x 9 5/8” (sheet)


$700–900

80


Untitled (Side Street, Paris) Watercolor on illustration board (framed) Signed 28 3/4” x 16”


$700–900

81


Gloucester Four graphite on paper Each signed 11 3/4” x 18” (sheet, each)


$800–1,200

82

HARRY GOTTLIEB (American, 1895-1993)

Untitled (Landscape) Oil on canvasboard (framed) Signed 12” x 16”


$800–1,200

two of four | all pictured online


83

WALTER EMERSON BAUM (American, 1884-1956)

Untitled (Bucks County Autumn) Oil on canvasboard (framed) Signed 12” x 16”


$1,200–1,800

84


Untitled (Brook, Early Winter) Oil on board (framed) Signed 16” x 20”


$1,200–1,800

85

JOHN FABIAN CARLSON (American/Swedish, 1875-1947)

Woodland Silence, 1903 Oil on canvas (framed) Signed, titled and dated 25” x 32”

Exhibition The Paintings of Mr. and Mrs. John Fabian Carlson, Jim’s Antiques Fine Art Gallery, Lambertville, November 10 – December 24, 2000 (illustrated page 18, no. 11)


$10,000–12,000


86

HENRY BAYLEY SNELL (American, 1858-1943)

Untitled (Seascape) Oil on board (framed) Signed 6 5/8” x 8 1/2”


$2,000–3,000

87

HENRY BAYLEY SNELL (American, 1858-1943)

Untitled (Seascape at Sunrise) Oil on canvas (framed) Signed 16” x 20”


$2,000–3,000

88

ALFRED NUNAMAKER (American, 1915-1988)

Road to Bowman’s Hill Oil on canvas (framed) Signed 16” x 18”

PROVENANCE Newman Galleries, Philadelphia (label on verso) Private Collection, North Carolina

$2,500–3,500

89


Untitled (House near Allentown) Oil on board (framed) Signed 16” x 19 7/8”


$1,000–1,500


90

WILLIAM LANGSON LATHROP (American, 1859-1938)

Untitled (Montauk, Long Island) Oil on canvas Signed 26” x 36”

PROVENANCE Private Collection, Massachusetts

$5,000–8,000

91

ROBERT SPENCER (American, 1879-1931)

Untitled (Study of a Woman and Canal Boatman) Graphite on paper (framed) Initialed 6” x 5 1/2” (sight)


$600–800

92

EDWARD WILLIS REDFIELD (American, 1869-1965)

In the Forest of Fontainebleau, France, 1900 Oil on canvas (framed) Signed, dated and inscribed 16 1/4” x 12”


$7,000–9,000


93

HARRY LEITH-ROSS (American, 1886-1973)

Under the Dogwood Blossoms Oil on canvasboard (framed) Signed 8 1/8” x 16”


$3,000–5,000

94


House at Rocktown, 1970 Watercolor on paper (framed) Signed 13 1/2” x 21 3/8” (sight)

PROVENANCE Fred Clark Museum, Carversville, PA (label on verso) Private Collection, North Carolina

$1,800–2,500

95

FRANKLIN C. “WATTY” WATKINS (American, 1894 -1972)

Vista, 1963 Oil on canvas (framed) Signed 38” x 48”

EXHIBITION Franklin C. Watkins Retrospective Exhibition, Philadelphia Museum of Art, Philadelphia

PROVENANCE Kennedy Galleries, Inc., New York (label on verso) Private Collection, Maryland

$5,000–7,000

96

LOUIS MICHEL EILSHEMIUS (American, 1864-1941)

Untitled (Nude in Landscape) Oil on canvasboard (framed) Signed 12” x 11 1/2” (sight)


$1,200–1,800


97

JOHN FULTON FOLINSBEE (American, 1892-1972)

Spinney’s Mill Oil on board (framed) Signed 16” x 20”

LITERATURE John F. Folinsbee Catalogue Raisonné no. 1430


$5,000–7,000

98


Kingston Shacks (New Hope Lock) Oil on canvasboard (framed) Signed 10” x 14”


PROVENANCE Fred Clark Museum, Carversville, PA (label on verso) Private Collection, North Carolina

$5,000–7,000


99


Untitled (Duck Pond) Watercolor on paper (framed) Signed 18 1/4” x 27 3/8” (sight)


$800–1,200

100


Untitled (Canal Bridge, Ferry Street, New Hope) Watercolor on paper (Badura frame) Signed 8” x 11” (sheet)


$1,200–1,800

101


Sloop off the Point Oil on canvasboard (framed) Signed 10” x 14”



$2,500–3,500

102

MARIAN T. MACINTOSH (American, 1871-1936)

Untitled (Seated Women) Oil on canvas (framed) Signed 30” x 36 1/8”


$800–1,200


103

LOUIS K. STONE (American, 1902-1984)

Three works of art:

Untitled Gouache on paper (framed) 4” x 4 3/4” (sheet)

Two untitled screenprints (framed separately) One signed and dated ‘32 9 3/4” x 7 3/4” (sight) 9 3/4” x 12 1/2” (sight)


$1,200–1,800

104

GERALD COARDING (American, 1911-1986)

Untitled, 1950 Oil on canvas (framed) Signed and dated 9 5/8” x 13”


$800–1,200

105

JOSEPH MEIERHANS (American, 1890-1980)

Three Fisherman Oil on canvas (framed) Signed 36” x 48”

PROVENANCE Jim’s of Lambertville, New Jersey (label on verso) Private Collection, New York

$8,000–12,000


106


Untitled, ca. 1940 Oil on canvas Signed 32” x 40”


$1,500–2,500

107

CLARENCE CARTER (American, 1904-2000)

Transection #21, 1972 Oil on canvas (framed) Signed and dated 43” x 43”


$1,500–2,000

108

JOSEPH AMAROTICO (American, 1931-1985)

The Pendulum II Oil on board (framed) 54 3/8” x 48”

EXHIBITION Corcoran Biennial, April 1963-April 1964


$2,000–3,000

109

JOSEPH AMAROTICO (American, 1931-1985)

Untitled Acrylic on board (framed) 39 1/4” x 29 3/8” (sight)


$1,000–1,500


110


Untitled Oil on Masonite (artist-made frame) Signed 32” x 20”


$800–1,200

111

LLOYD RAYMOND NEY (American, 1893-1965)

Untitled, 1963 Watercolor on paper (framed) Signed and dated 18 3/4” x 24 5/8” (sight)


$800–1,200

112

ANTHONY MICHAEL AUTORINO (American, 1937-2015)

Lambertville Hill, 1995 Oil on canvas (framed) Signed and dated 30” x 40”


$2,000–3,000

113

FAYE SWENGEL BADURA (American, 1904-1991)

Untitled Watercolor on paper (framed) Signed 13 3/8” x 23 3/8” (sight)


$600–800


114


Canal Banks, 1999 Oil on board (framed) Signed, dated and numbered 24” x 20”


$1,200–1,800

115


Two works of art:

Buster, 1988 Oil on board (framed) Signed, dated and titled 8” x 10”

Sheep, 1993 Oil on board (framed) Signed, dated and titled 12” x 14”


$1,200–1,800

116

JOSEPH BARRETT (American, b. 1936)

Farmers Road Oil on canvas (artist-made frame) Signed and titled 36 1/8” x 30 1/8”


$3,000–5,000

117

JOSEPH BARRETT (American, b. 1936)

River Cottages Oil on canvas (artist-made frame) Signed and titled 10” x 10”


$600–800


118

AFTER GEORGES BRAQUE (French, 1882-1963)

Le Viaduc de L’Estaque, ca. 1950 Engraving and aquatint in colors (framed) Signed and numbered 118/150 16 3/4” x 20 3/4” (plate) 18” x 21” (sight)


Note: Based on Braque’s painting of 1908 currently in the collection of the Musée National d’Art Moderne, Paris

$2,000–3,000

119

HENRY MOORE (British, 1898-1986)

Doing Homework, 1974 Etching and aquatint on paper (framed) Signed and numbered 11/50 4 7/8” x 5 3/8” (plate) 7 3/4” x 8 3/8” (sight)


$800–1,200

120

HENRI MATISSE (French, 1869-1954)

Danseuse endormie au divan from Dix danseuses, ca. 1925-1926 Lithograph on Arches paper (framed) Signed and numbered 89/130 12 3/4” x 19 3/8” (sheet)

PUBLISHER Galerie d’Art Contemporain, Paris

LITERATURE Duthuit 485


$8,000–12,000

119A

HENRY MOORE (British, 1898-1986)

Sculptural Objects, 1949 Lithograph in colors (framed) Signed and inscribed From an edition of 3000 21 1/2” x 32” (sight)

PRINTER W S Cowell Ltd., England

PUBLISHER School Prints Ltd., London

Literature Cramer 7


$800–1,200


123

SALVADOR DALI (Spanish, 1904-1989)

Peace Menorah, ca. 1980 Gilt bronze on stepped Jerusalem stone base Signed and noted E.A. 16 1/2” high 20” high (with base)


$1,500–2,500

124

SALVADOR DALI (Spanish, 1904-1989)

The Wailing Wall Gilt bronze on Jerusalem stone base Signed and noted EA 12 7/8” high 14 1/4” high (with base)


$1,000–1,500

121

PHILIPPE HALSMAN (American, 1906-1979)

Dali Atomicus from the Dali/Halsman portfolio Gelatin silver print (framed) Artist stamped and numbered 155/250 9 3/8” x 12 5/8” (sight)

PUBLISHER Neikrug Press

PROVENANCE Private collection

$1,000–1,500

122

PHILIPPE HALSMAN (American, 1906-1979)

Dali Light Sculpture from the Dali/Halsman portfolio Gelatin silver print Estate stamped and numbered 86/250 14” x 11” (sheet)

PUBLISHER Neikrug Press


Note: Accompanied by six photographs of Dali by Arnold Eagle.

$600–800


125

PABLO PICASSO (Spanish, 1881-1973)

Deux modeles vetus from La Suite Vollard, 1933 Etching on Montval paper with Picasso watermark Signed From an edition of 260 10 1/4” x 7 3/8” (plate) 17 1/8” x 13 1/2” (sheet)

PUBLISHER A. Vollard, Paris, 1939

LITERATURE Bloch 150 Baer 302 Bd


$7,000–9,000

126


Famille de Saltimbanques from La Suite Vollard, 1933 Etching on Montval paper with Vollard watermark Signed From an edition of 260 7 3/8” x 10 1/4” (plate) 13 1/4” x 17 3/8” (sheet)




$7,000–9,000


127

RENE MAGRITTE (Belgian, 1898-1967)

Oreille-Cloche (La Lecon de Musique) from Le Lien de Paille, 1969 Etching and aquatint in colors (published posthumously) Stamped signature, numbered 103/150 5 7/8” x 3 7/8” (plate) 10 1/2” x 8 1/2” (sheet)


$1,500–2,500

128

JOSEPH CORNELL (American, 1903-1972)

Untitled (Hotel du Nord), 1972 Screenprint in colors with stencil and varnish additions on Buff Arches paper (framed) Signed and numbered 72/125 16” x 12 1/4” (sight)

PUBLISHER Brooke Alexander Editions, New York


$1,000–1,500

129

MARC CHAGALL (French/Russian, 1887–1985)

Then the old woman mounted the Ifrit’s back, pl. 7 from Four Tales from the Arabian Nights, 1948 Lithograph in colors (framed) Signed and numbered 54/90 15 5/8” x 11 3/4” (sight)

PRINTER Albert Carman, City Island, New York

PUBLISHER Pantheon Books, New York

LITERATURE Mourlot 42


Note: Accompanied by Certificate of Authenticity, Weinstein Gallery, CA.

$6,000–8,000


130

MARC CHAGALL (French/Russian, 1887-1985)

La Baie des Anges, 1962 Lithograph in colors (framed) From an edition of 5000 35 1/2” x 21 3/4” (sight)

LITERATURE Sorlier 47 Mourlot 350


$800–1,200

131

BERNARD LORJOU (French, 1908-1986)

Untitled (Man with Horse) Oil on canvas (framed) Signed 24” x 32 1/2”


$1,500–2,500

132

JEAN JANSEM (French/American, 1920-2013)

Two works of art:

Untitled (Woman) Oil on canvas (framed) Signed 10 3/4” x 5”

Untitled Lithograph in colors (framed) Signed and noted épreuve d’artiste 17 3/4” x 22 7/8” (sight)


$2,000–3,000

133

MASSIMO CAMPIGLI (Italian, 1895-1971)

Untitled (Women Having Tea), 1938 Charcoal on paper (framed) Signed and dated 20” x 8 3/8” (sight)


$1,800–2,400


134


Le Repos de sculpteur II from La Suite Vollard, 1933 Etching on Montval paper with Vollard watermark Signed From an edition of 260 7 3/8” x 10 1/4” (plate) 13 1/8” x 17 3/8” (sheet)




$6,000–8,000

135


Erotic Series (Picasso, Raphael et la Fornarina VI: enfin seuls! Series 347), 1968 Etching (framed) Signed and numbered 43/50 11 5/8” x 20” (plate) 14 3/4” x 21 7/8” (sight)


$2,000–3,000

136


Minotaure caressant une Femme from La Suite Vollard, 1933 Etching on Montval paper with Vollard watermark Signed From an edition of 260 11 3/8” x 14 1/8” (plate) 13 1/4” x 17 5/8” (sheet)




$6,000–8,000

137


Minotaure vaincu from La Suite Vollard, 1933 Etching on Montval paper with Vollard watermark Signed From an edition of 260 7 3/8” x 10 1/4” (plate) 13 1/4” x 17 1/2” (sheet)


LITERATURE Bloch 197, Baer 365 Bd


$6,000–8,000


138

MAURICIO LEIB LASANSKY (Argentinean, 1914-2012)

Untitled Intaglio (framed) Signed and numbered 28/50 27 1/2” x 21 1/2” (sight)


$800–1,200

139

MANUEL LÓPEZ-VILLASEÑOR (Spanish, 1924-1996)

La montaña blanco (Ordesa, Pirineos), 1961 Mixed media on canvas Signed, dated and titled 47 1/4” x 59”

PROVENANCE Galería Kreisler, Madrid, Spain (stamp on stretchers) Private Collection, New Jersey

$2,000–3,000

140

RUFINO TAMAYO (Mexican, 1899-1991)

Manos sobre fondo azul, 1979 Etching in colors (framed) Signed and numbered 7/99 21 3/4” x 29 1/2” (sheet)

PUBLISHER Polígrafa, Barcelona

LITERATURE Pereda, 260


$1,500–2,500

141


Cabeza, 1975 Lithograph in colors (framed) Signed and numbered 11/100 29 1/8” x 21 1/2” (sheet)

LITERATURE Pereda, 187


$1,500–2,500


142


Untitled from Aztlan: Songes Mexicains, 1952 Lithograph in colors (framed) Signed and numbered 42/125 15” x 11” (sheet)


$800–1,000

143

DIEGO RIVERA (Mexican, 1886-1957)

Untitled (Sketch of a Woman), 1950 Graphite on paper (framed) Signed and dated 6 5/8” x 8 7/8” (sheet)


$1,200–1,800

144

ROBERT GWATHMEY (American, 1903-1988)

Country Rock Oil on canvas (framed) Signed 16” x 12”


$5,000–7,000


145

SYMEON SHIMIN (American, 1902–1984)

Jim Crow is His Enemy, 1948 Offset lithograph (framed) 38 3/8” x 27 1/2” (sight)

PUBLISHER Progressive Party


Note: Henry Wallace Presidential campaign poster

$2,500–3,500

146

WALTER HENRY WILLIAMS (American 1920-1988)

Two works of art:

Girl with Butterflies #2, 1964 Woodcut in colors (framed) Signed, dated, titled and numbered 10/210 20 3/4” x 26 7/8” (sight)

Fighting Cock #3, 1964 Woodcut in colors (framed) Signed, dated, titled and numbered 121/200 20 7/8” x 25 5/8” (sight)


$1,500–2,500

147

HUMBERT L. HOWARD (American, 1905-1990)

Untitled (Cats), 1968 Mixed media collage on Masonite (framed) Signed and dated 24” x 36”


$2,500–3,500

148

HUMBERT L. HOWARD (American, 1905-1990)

Untitled (Three Figures) Oil on canvas (framed) Signed 38 1/4” x 32”


$1,800–2,400


149

ROMARE BEARDEN (American, 1911-1988)

Untitled Watercolor on paper (framed) Signed 4 5/8” x 6 1/8” (sheet)


$2,000–3,000

150


Mother and Child, 1972 Screenprint in colors Signed and numbered 120/200 28” x 21 7/8” (sheet)

LITERATURE Gelburd-Rosenberg 53


$1,800–2,400

151


Three works from Jazz Series Introduction for a Blues Queen (Uptown at Savoy), Tenor Sermon and Brass Section (Jamming at Mintons), 1979 Lithographs in colors Each signed and numbered from an edition of 175 23 7/8” x 35 1/4” (sheet, largest)

LITERATURE Gelburd/Rosenberg 23, 24 and 27

PROVENANCE Private Collection, Connecticut

$3,000–5,000

151A

PETER MILTON (American, b. 1930)

Passage II, 1971 Resist-ground etching and engraving (framed) Signed, dated, titled and numbered 8/125 17 5/8” x 23 1/2” (plate) 18 5/8” x 24 1/4” (sight)

LITERATURE Milton 86

PROVENANCE The Estate of Manon Cleary Private Collection

$700–900


152

VYTAUTAS KASIULIS (Lithuanian, 1918-1995)

Untitled (Still Life) Tempera on canvas (framed) Signed 25 1/2” x 32”


$2,000–3,000

153

FELIX VARLA (Russian, 1903-1986)

Untitled Oil on canvas (framed) Signed 21 1/2” x 25 1/2”


$800–1,200

154

VACLAV VYTLACIL (American, 1892-1984)

Untitled, 1953 Mixed media on paper (framed) Signed and dated 20 1/2” x 28” (sight)


$1,500–2,500

155

HALE ASPACIO WOODRUFF (American, 1900-1980)

Marisa In Vogue, 1973 Acrylic on canvas (framed) Signed and dated 30” x 40”

PROVENANCE Private Collection, Connecticut

$8,000–12,000


156

M.F. HUSAIN (Indian, 1915-2011)

Mother And Child: A Tribute To Mother Teresa, The Great Humanist Of Our Time, 1980 Eleven photolithographs in colors, including titled page (in original cloth portfolio) Each signed and numbered 256/300 22” x 17” (sheet, each)


$3,000–5,000

three of eleven | all pictured online

157

SAKTI BURMAN (Indian, b. 1935)

Untitled (Group of Six Figures) Watercolor and ink on paper mounted to board Signed 19 3/8” x 25 1/2” (sheet)

PROVENANCE Private Collection, Pennsylvaina

$2,000–4,000

158

SAKTI BURMAN (Indian, b. 1935)

Untitled (Bouquets of Figures), 1969 Watercolor and ink on paper mounted to board Signed and dated 19 1/2” x 25 1/2” (sheet)


$2,000–4,000


159

DAVID FERTIG (American, b. 1946)

The Garden & The Studio from the Terrace, 1989 Oil on several pieces of paper mounted to Masonite (framed) Signed and dated 76” x 90”

PROVENANCE Marian Locks Gallery, Philadelphia (label on verso) Private Collection, New Jersey

$2,000–3,000

160

DAVID FERTIG (American, b. 1946)

The Apple Oil canvas Signed and titled 74 3/4” x 117 1/2”


$2,000–3,000

161

DIANE BURKO (American, b. 1945)

Lake Powell # 5 and #6, 1980 Colored pencil on paper (framed separately) Signed and dated 40” x 60” (each)

PROVENANCE Marian Locks Gallery, Philadelphia Private Collection, New Jersey

$2,000–4,000

162

LARRY DAY (American, 1921-1998)

Untitled (Figures at a Table) Oil on canvas (framed) Signed 54 1/4” x 50 1/8”


$2,000–3,000


163

ROBERT KULICKE (American, 1924–2007)

Untitled (Pear), 1962 Oil and graphite on paper (framed) Signed and dated 9 1/4” x 7 1/4” (sight)


$1,000–1,500

164


Untitled Pen and oil on paper (framed) Initialed 8 5/8” x 6 7/8” (sight)


$1,000–1,500

165

JARED SANDERS (American, b. 1970)

Gross Ventre Dawn, 1999 Oil on board (framed) Signed, dated and titled 28” x 17 7/8”

PROVENANCE Mountain Trails Gallery, Jackson Hole, WY (label on verso) Private Collection, New Jersey

$2,000–3,000

166

ANNE PACKARD (American, b. 1933)

Untitled (Landscape with House) Oil on canvas (framed) Signed 16” x 20”

PROVENANCE The artist Private Collection, Pennsylvania (acquired from artist)

$2,000–4,000


167


Untitled, 1961 Two mixed media on paper (framed separately) 6 1/2” x 5 3/4” (sight), 7 1/8” x 5 3/4”


$1,000–1,500

168


Untitled (Pear), 1982-1998 Glazed tile Signed and dated 4 3/8” x 3 5/8” (irregular)

PROVENANCE Private Collection, England

$800–1,200

169

FAIRFIELD PORTER (American, 1907-1975)

Precipice, 1975 Watercolor on paper (framed) Signed and dated 15 5/8” x 11 5/8” (sight)

PROVENANCE Hirschl & Adler Galleries, Inc., New York (label on verso) Brooke Alexander, Inc., New York (label on verso) Private Collection, Maryland

$1,500–2,500

170

FAIRFIELD PORTER (American, 1907-1975)

The Christmas Tree, 1971 Lithograph in colors (framed) Signed and numbered 34/100 27” x 21” (sight)

PROVENANCE Dolan/Maxwell Gallery, Philadelphia (label on verso) Private Collection, Pennsylvania

$1,000–1,500


171

PETER MAX (American, b. 1937)

Vincent Van Gogh Mixed media on paper (framed) Signed and inscribed 40 1/2” x 31” (sheet)

PROVENANCE Private Collection North Carolina

Note: This lot is accompanied by a photograph of the artist with the painting.

$6,000–8,000

172

CHARLES LEVIER (French/American, 1920-2003)

Untitled (Three Women) Oil on canvas (framed) Signed 30” x 40”


$2,000–3,000


ARTIST LIST ARTIST LIST

Abrams, Lucien (American, 1870-1941) ......................... 41

Amarotico, Joseph (American, 1931-1985) ........ 108, 109

Ault, George Copeland (American, 1891-1948) ............ 46

Autorino, Anthony Michael (American, 1937-2015) .............................................................................. 112, 114, 115

Avery, Milton (American, 1885-1965) ............................. 55

Badura, Faye Swengel (American, 1904-1991) ............. 113

Bakst, Léon (Russian, 1866-1924) ................................... 24

Barrett, Joseph (American, b. 1936) ....................... 116, 117

Baum, Walter Emerson (American, 1884-1956) 83, 84, 89

Beard,Wiliam Holdbrook (American, 1824-1900) ............ 7

Bearden, Romare (American, 1911-1988) ..... 149, 150, 151

Beaux, Cecilia (American, 1855-1942) ............................ 12

Bellows, George (American, 1882-1925) ........................ 36

Berman, Eugene (Russian, 1899-1972) ........................... 52

Bonnard, Pierre (French, 1867-1947) ........................ 18, 19

After Braque, Georges (French, 1882-1963) ................. 118

Brown, Joe (American, 1909-1985)........................... 72, 73

Burchfield, Charles (American, 1893-1967) ................... 45

Burko, Diane (American, b. 1945) ................................... 161

Burliuk, David Davidovich (Ukrainian/American, 1882-1967) ................................... 77

Burman, Sakti (Indian, b. 1935) .............................. 157, 158

Campigli, Massimo (Italian, 1895-1971 .......................... 133

Carlson, John Fabian (American/Swedish, 1875-1947) 85

Carter, Clarence (American, 1904-2000) .................... 107

Cartier-Bresson, Henri (French, 1908-2004) ............... 68

Chagall, Marc (French/Russian, 1887–1985) ....... 129, 130

Charles Levier (French/American, 1920-2003) ............ 172

Coarding, Gerald (American, 1911-1986) ...................... 104

Coleman, Charles Caryl (American, 1840-1928) ............. 6

Cornell, Joseph (American, 1903-1972) ........................ 128

Dali, Salvador (Spanish, 1904-1989) ..................... 123, 124

Day, Larry (American, 1921-1998) .................................. 162

Dufy, Raoul (French, 1877–1953) ..................................... 27

Duveneck, Frank (American, 1848-1919) .................. 10, 11

Eilshemius, Louis Michel (American, 1864-1941) ........ 96

Ellerhusen, Ulrich (German/American, 1879-1957) ...... 76

Fairfield Porter (American, 1907-1975) ............... 169, 170

Fertig, David (American, b. 1946) .......................... 159, 160

Folinsbee, John Fulton (American, 1892-1972) 97, 98, 101

Foujita, Léonard Tsuguharu (French/Japanese, 1886-1968) ....................................... 63

French, Daniel Chester (American, 1850-1931) ............ 32

Gasser, Henry Martin (American, 1909 - 1981) ..................................................................... 61, 62, 79, 80, 81

Gottlieb, Harry (American, 1895-1993) .......................... 82

Grabach, John (American, 1886-1981) ........................... 59

Grosz, George (German, 1893-1959) ............................... 78

Gwathmey, Robert (American, 1903-1988) ................. 144

Halsman, Philippe (American, 1906-1979) ............ 121, 122

Hamaguchi, Yozo (Japanese, 1909-2000) .................. 64

Hassam, Childe (American, 1859-1935) ................... 17, 35

Hausmann, Raoul (Austrian, 1886-19710 ....................... 26

Heckel, Erich (German, 1883-1970) ................................ 22

Hoffman, Malvina (American, 1887-1966) ..................... 50

Hopper, Edward (American, 1882-1967) ...................... 44

Howard, Humbert L. (American, 1905-1990) ....... 147, 148

Husain, M.F. (Indian, 1915-2011) ................................... 156

Jansem, Jean (French/American, 1920-2013) ............. 132

Kandinsky, Wassily (Russian/French, 1866-1944) ........ 28

Karsh, Yousuf (Canadian, 1908-2002) .......................... 69

Kasiulis, Vytautas (Lithuanian, 1918-1995) .................. 152

Korbel, Mario Joseph (American, 1882-1954) .............. 75

Kuhn, Walt Francis (American, 1877-1949) ..................... 31

Kulicke, Robert (American, 1924–2007) ................................................................... 163, 164, 167, 168

Kuniyoshi, Yasuo (Japanese/American, 1889-1953)..... 65

Lachaise, Gaston (American, 1882-1935) ................ 33, 34

Lasansky, Mauricio Leib (Argentinean, 1914-2012) .... 138

Lathrop, William Langson (American, 1859-1938) ....... 90

Laurencin, Marie (French, 1883-1956) .......................... 30

Léger, Fernand (French, 1881-1955) ............................... 29

Leith-Ross, Harry (American, 1886-1973) 93, 94, 99, 100

Lever, Hayley (American, 1876-1958) ............................ 42

Lillywhite, Raphael (American, 1891-1958) ...................... 3

López-Villaseñor, Manuel (Spanish, 1924-1996) ........ 139

Lorjou, Bernard (French, 1908-1986) ............................ 131

Lozowick, Louis (American/Russian, 1892-1973) ......... 48

MacIntosh, Marian T. (American, 1871-1936) .............. 102

Magritte, Rene (Belgian, 1898-1967) ............................. 127

Margolies, Samuel (American, 1897-1974) ..................... 47

Marin, John (American, 1870-1953) ............................... 16

Marsh, Reginald (American, 1898-1954) ....................... 54

Matisse, Henri (French, 1869-1954) ............................. 120

Mattern, Walter (American, 1892-1946) ....................... 57

Max, Peter (American, b. 1937) ....................................... 171

Meierhans, Joseph (American, 1890-1980) . 105, 106, 110

Milton, Peter (American, b. 1930) ............................... 151A

Moore, Henry (British, 1898-1986) ...................... 119, 119A

Müller-Kurzwelly, Konrad Alexander (German, 1855–1914) .......................................................... 5

Newman, Arnold (American, 1918-2006) ................ 66, 67

Ney, Lloyd Raymon (American, 1893-1965) .................. 111

Nunamaker, Alfred (American, 1915-1988) ................... 88

Packard, Anne (American, b. 1933) ............................... 166

Picasso, Pablo (Spanish, 1881-1973) ................................................... 125, 126, 134, 135, 136, 137

Redfield, Edward Willis (American, 1869-1965) ............ 92

Richards, William Trost (American, 1833-1905) .............. 1

Rist, Luigi (American, 1888-1959) ................................... 51

Rivera, Diego (Mexican, 1886-1957) ............................ 143

Roth, Ernest David (American, 1879-1964) ................... 43

Sanders, Jared (American, b. 1970)............................... 165

Schiele, Egon (Austrian, 1890-1918)................................ 21

Shahn, Ben (American, 1898-1969) ................................ 53

Shimin, Symeon (American, 1902–1984) ..................... 145

Shinn, Everett (American, 1876-1953) ............................. 13

Snell, Henry Bayley (American, 1858-1943) ............ 86, 87

Spencer, Robert (American, 1879-1931) ......................... 91

Stella, Joseph (American, 1877-1946) ....................... 14, 15

Stone, Louis K. (American, 1902-1984) ........................ 103

Sylvester, Frederick Oakes (American, 1869-1915) ......... 9

Tamayo, Rufino (Mexican, 1899-1991) ........ 140, 141, 142

Tosi, Arturo (Italian, 1871-1956) ....................................... 56

Toussaint, Fernand (Belgian, 1873-1956) ....................... 20

Varla, Felix (Russian, 1903-1986) .................................. 153

Volkert, Edward (American, 1871-1935) ............................ 8

Vos, Hubert (American/Dutch, 1855-1935) .................... 39

Vytlacil, Vaclav (American, 1892-1984) ....................... 154

Watkins, Franklin C. “Watty” (American, 1894 -1972) ... 95

Watrous, Harry Willson (American, 1857-1940) ............. 38

Weber, Max (American, 1881-1961) ................................ 37

Weisman, Gary (American, b. 1952) ................................. 74

Whistler, James Abbott McNeill (American, 1834-1903) 2

White, Orrin Augustine (American, 1883-1969) .......... 40

Whittredge, Worthington (Thomas) (American, 1820-1910) ........................................................ 4

Wiggins, Guy C. (American, 1883-1962) ........................ 58

Williams, Keith Shaw (American, 1906-1951) ............... 60

Williams, Walter Henry (American 1920-1988) ........... 146

Woodruff, Hale Aspacio (American, 1900-1980) ........ 155

Zadkine, Ossip (French/Russian, 1890-1967) ................ 25

Zemsky, Illya (Russian/American, 1892-1961) ............... 23

Zorach, William (American, 1887-1966) ............. 49, 70, 71

101 view all updated condition reports | ragoarts.com

APPROXIMATION OF LOT TIMES

Note: It is impossible to predict with certainty how slowly or quickly an auction will advance. These lot times are therefore provided as a convenience; they are not a guarantee of any kind. You are advised to be fully available at least 60 minutes on either side of the time specified.

19th/20th C. American/European Art:

10:00–11:00 | lots 1–80

11:00–12:00 | lots 81–158

12:00–12:10 | lots 159–172

Property from the Collection of an Important American Corporation:

12:30–1:25 | lots 200–274

Post War & Contemporary Art

1:30–2:30 | lots 500–579

2:30–3:30 | lots 580–658

3:30–4:30 | lots 659–738

4:30–5:25 | lots 739–812

TERMS OF SALE

1. General

Rago Arts and Auction Center (Hereafter referred to as “the Auction House” “we” “us” or “our”).

609-397-9374 (p) / 609-397-9377 (f)

By bidding at auction you agree to be bound by these Terms of Sale as amended and supplemented, whether you bid in the room, through a representative, by phone, by internet, or absentee bid. If you have any questions after having read the Terms of Sale, please contact the Managing Partner, Miriam Tucker, at [email protected] or 609.397.9374, extension 141 or 609-566-7224.

Each item of property (a “Lot” or “Lots”) in this catalogue is offered for sale subject to these Terms of Sale, as changed or supplemented by provisions a) written in other places within these Terms of Sale, b) in written supplements to this catalogue or other materials prepared by us and c) as stated by the auctioneer or posted in writing at the auction, prior to a bid being accepted for a Lot. No other communications, in writing or orally, by any employee of the Auction House is intended to be binding, and such other communications are made for informational purposes only.

2. Catalogue Descriptions and Consignor Warranties

ALL LOTS DESCRIBED IN THIS CATALOGUE ARE SOLD “AS IS” EXCEPT AS EXPRESSLY STATED OTHERWISE. Our catalogue descriptions for Lots are expressions of our opinion only. All measurements listed in the catalogue are approximate. We recommend that you inspect the condition of a Lot prior to bidding at auction to ensure your satisfaction with condition. THE AUCTION HOUSE MAKES NO WARRANTIES, EXPRESS OR IMPLIED, AS TO THE MERCHANTABILITY OR FITNESS FOR PURPOSE EXCEPT AS OTHERWISE EXPRESSLY STATED IN THESE TERMS OF SALE. Catalog illustrations may not be to scale or reflect the depicted Lot’s actual size.

For each Lot, the consignor has represented and warranted to us that the consignor is the owner of such Lot or is acting as authorized agent of the owner of the Lot and has the right to transfer title to the Lot free of all liens, claims, and encumbrances.

Neither the consignor nor we make any warranty or representation, express or implied, as to whether you will acquire any reproduction rights, copyrights or other intellectual property rights in, or with respect to any Lot.

The Auction House retains all rights to photographs and other intellectual property contained in this catalogue.

3. Withdrawal

The Auction House reserves the right to withdraw a Lot from auction for any reason and with no liability whatsoever for such withdrawal.

4. Condition Reports and Pre-Auction Viewings

Condition reports are rendered as specialist opinion by the staff of the Auction House and/or independent consultants and not as statements of fact. We do not guarantee the

content of written or verbal condition reports.

Condition reports can be accessed online at ragoarts.com. If you would like additional information, please call (609) 397-9374, fax condition report requests to (609) 397-9377 or e-mail them to [email protected]. Our specialists will respond to requests as quickly as possible. If you need a condition report, please request and review them prior to reserving phone lines.

Please be patient. We get many requests and we make every effort to respond to all of them in a timely fashion. The Auction House is not liable or responsible for any errors or failure to do so.

5. Estimates

The estimates provided in this catalogue are neither a representation nor a prediction of the hammer price that will be realized at auction, price realized at a post-auction sale, or price realized upon resale, which may be substantially different from our estimates in this catalogue. We shall not be liable for any discrepancies between our estimates and a price realized.

6. Qualifying to Bid

As a security measure for our consignors and us, all bidders must establish credit. You will be asked to furnish identification and a valid credit card number, credit references and/or (for absentee, phone and online bidders) an initial deposit in the form of a pre-authorization hold equal to 10% of the low estimate of the total number of Lots on which you are bidding. First time and international bidders on Asian Lots with a total low estimate of $5,000 or greater will be asked to: a) furnish an initial deposit in the form of a pre-authorization hold equal to 30%; and b) grant the Auction House the right to charge your credit card 30% of the selling price on the date of the auction. If you are bidding as agent, we reserve the right to request a letter of authorization from your principal. If you are successful and do not remit payment as specified, the amount owed will be charged to your credit card together with such charges set forth in these Terms of Sale. If you have any questions, contact Eliane Talec, 609.397.9374, ext. 118 or 609-566-7225.

Bidding Numbers: All bidders must register and receive a bidding number from the Auction House prior to bidding at auction.

7. Absentee Bids

Absentee bids submitted by fax, mail or online must be received by us no later than two hours prior to the start of an auction’s published start time. We accept absentee bids by phone from qualified bidders even during the auction up to 30 minutes before a Lot goes on the block. Absentee bidders are emailed their bid confirmations. If you do not receive a bid confirmation by 5 pm on the day prior to the auction, please call us. When you do receive a bid confirmation, please double check it for accuracy.

All absentee bidding is handled as though you are in attendance. We bid on all designated Lots for you one bidding increment above where the competition stops up to your bid amount. Please check and comply with increments. In case of failure to comply, we will reduce each off-Increment bid to the increment below it. Generally, the auctioneer

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will follow the bidding increments listed below; however, the auctioneer may change bidding increments during the auction for a particular Lot at the auctioneer’s sole discretion.

“Plus” bids: Several people may leave identical bid amounts. Therefore on your bid sheet you have the opportunity in addition to listing your bid amount, to also list a “Plus” bid. An earlier bid received by the Auction House wins in the event of a tie, but if a later bid has an added “plus” bid to a higher increment and the earlier bid does not have a “Plus” bid that matches or exceeds the “Plus” bid, the later bid would win the Lot.

All absentee bidder names and bids are held in strictest confidence, disclosed only in the event of a question after the sale. Absentee bidding is a convenience offered to our customers and, while we will make every effort to execute your instructions, the Auction House is not liable or responsible for any errors or failure to bid.

If you place absentee bids with the Auction House and then choose to attend the auction in person, bid by phone or by any other means, it is solely your responsibility to cancel any or all absentee bids prior to the start of the auction. If you do not or cannot, regardless of reason, you will be held responsible for the purchase of any Lot for which you have placed a successful bid.

8. Telephone Bids and Contingency Bids

We guarantee you a line and a phone agent for bidding provided we receive your request by fax, mail, phone, or online by 4:00 p.m. on the day prior to the auction. After that time, we will gladly accept your absentee bids as outlined in Paragraph 7 above. Changes to bid lists left with us prior to the deadline will be accommodated as best we can, as will follow-up phone bids for those who attend, but must leave the auction and other exceptional cases. Telephone bidders are emailed bid confirmations. If you do not receive a bid confirmation by 5:00 pm on the day prior to the auction, please call us. When you do receive a bid confirmation, please double check it for accuracy. We can call you at two phone numbers ONLY during the auction. If you are unsure of where you or your agent will be during the sale, we recommend you fill out a contingency bid on the bidding form that you submit to us. Contingency bids are only available to you if you have made a telephone bid and have notified us, no later than 30 minutes prior to the auction’s published start time, that due to unforeseen events, you may not be on the telephone at the time of the sale and therefore wish to leave a bid directly with the phone agent to make on your behalf. Please do not change your phone number after your phone lines have been confirmed; if you do, the Auction House will not be responsible for any breakdown in communications.

We do not have the capacity to assign phone agents to clients who want to listen only or who will not bid the minimum selling price. Therefore, if you request to reserve a phone agent for bidding, you must be willing to open bidding and bid to the low estimate should the bidding go that far.

Bids are placed on the telephone at the discretion of the Auction House and at the caller’s risk. Telephone bidding is a

convenience offered to our customers and, while we will make every effort to execute your instructions, the Auction House is not liable or responsible for any errors or failure to bid.

9. Internet Bids

The Auction House has engaged the services of third party online bidding platforms called Bidsquare and Live Auctioneers. Please proceed to these sites for all necessary information on how to bid and buy online using these platforms. UNDER NO CIRCUMSTANCES, INCLUDING, BUT NOT LIMITED TO, NEGLIGENCE, SHALL THE AUCTION HOUSE AND ITS CONSIGNORS BE LIABLE FOR LOST PROFITS OR ANY SPECIAL, INCIDENTAL, OR CONSEQUENTIAL DAMAGES THAT RESULT FROM THE USE OF, OR THE INABILITY TO USE, THESE SITES.

If you place absentee bids with the Auction House and/or a third party site and also bid in person, by phone or any other means, it is solely your responsibility to cancel these absentee bids prior to the start of the auction. If you do not or cannot, regardless of reason, you will be held responsible for the purchase of any Lot for which you have placed a successful absentee bid.

Absentee bids left with third party online bidding platforms are released to the Auction House when a Lot comes up for sale. Such absentee bids are considered received by us at the time they are released to us by the online bidding platforms.

10. Reserves

A reserve is the confidential minimum price established by the Auction House and the consignor. The reserve will never exceed the low estimate of a Lot. The Auction House prohibits consignors from bidding on their own Lots, but the Auction House may implement the reserve by bidding on behalf of the consignor at the auction up to the reserve. The Auction House will indicate in the catalogue or by saleroom announcement or notice when parties with an interest In a Lot, for example a beneficiary of an estate, may be bidding on such Lot.

11. Bidding Increments

Generally, bidding increments are made as follows; however, the auctioneer has the sole and exclusive power, discretion, and authority to regulate the bidding and change the bidding increments.

• $10 until $100 is reached

• $25 until $500 is reached

• $50 until $1,000 is reached




• $1,000 until $30,000 is reached



• $10,000 over $100,000

12. Auctioneer’s Determination Final

A Lot will be sold to the highest bidder as determined in the sole and exclusive judgment of the auctioneer. The auctioneer will also have the sole and exclusive power

and authority to: a) resolve any disputes between bidders; b) determine whether to pass or re-offer a Lot for sale; c) reject or challenge any bid or advance in the bidding; d) exclude any bidder from the auction and/or auction premises; and e) otherwise regulate the bidders, the bidding and the bidding increments.

13. Successful Auction Bids

Upon the fall of the auctioneer’s hammer an agreement for the sale of the Lot is created between the successful bidder and the consignor.

14. Auction Results

Preliminary auction results will be available online shortly after each auction at www.ragoarts.com. Final auction results will be available as soon as the Auction House has audited and verified all sales/bids, usually within one day of an auction.

15. Invoicing, Buyer’s Premium and Sales Tax

All successful bidders will be sent invoices by e-mail or mail (if we do not have an email address on file) within two business days following an auction.

We charge a buyer’s premium on each Lot sold in amount equal to: 25% of the hammer price up to and including $200,000.00; and 20% on that part of the hammer price above $200,000.00 (the “Buyer’s Premium”).

Successful Bidders who bid through third party online bidding platforms pay the Buyer’s Premium and a surcharge that offsets the fee levied by the third party online bidding platform on the Auction House. For more details on this surcharge, see the Terms of Sale posted with each of our auctions on Bidsquare or Live Auctioneers.

The Auction House will collect New Jersey sales tax on all Lots picked up from the Auction House’s New Jersey premises or shipped to a New Jersey address.

16. Payment of the Purchase Price and Transfer of Title

The hammer price, the Buyer’s Premium, any applicable surcharges or fees and taxes shall be added together to comprise the total purchase price for each Lot (the “Purchase Price”). Payment of the Purchase Price in full is due immediately upon your receipt of our invoice. If payment is not received in full within fifteen (15) days, the Auction House reserves the right to impose interest at a rate of 1.5% per month prorated from the date of auction.

Upon our receipt of payment in full in good and clear funds from you, title to a Lot transfers to you. If you make payment by check, title shall not transfer to you until the check has cleared.

17. Methods of Payment and Credit Card Processing Fee

Cash. Check. Wire Transfers. Money Order. PayPal. NOTE: A 2% surcharge will be added for payments made by PayPal.

Buyers can pay with their credit card of choice by using PAYPAL. Rago’s paypal link is paypal.me/billpayragoartscom. Rago also accepts Visa, Mastercard, and Discover from buyers in person who have proper identification and pay through our credit card terminals.

18. Authenticity Guarantee

The consignor is providing an authenticity guarantee for certain Lots, to the extent indicated in the catalogue (as explained below), for a period of four (4) years from the date of auction (the “Authenticity Guarantee”). We are not personally liable for the Authenticity Guarantee. For purposes of the Authenticity Guarantee, authenticity is defined as a true work that is not a fake. Your sole remedy under the Authenticity Guarantee, to the exclusion of any other remedy available to you under the law, shall be the return of any portion of the Purchase Price paid by you to us. Refunds provided under the Authenticity Guarantee shall not include packing, shipping or insurance expenses incurred by you. For the avoidance of doubt, the Authenticity Guarantee is available only to you and may not be transferred to your heirs, agents, transferees, assigns or subsequent buyers.

To make a claim under the Authenticity Guarantee, you must submit, at your expense, an opinion in writing from a recognized expert, pre-approved by the Auction House, regarding the authenticity of the Lot at issue. If the Lot is judged inauthentic by the expert, prior to receiving a refund of any amount of the Purchase Price paid by you to us, the Lot must be returned to us in the same condition as at time of auction.

If you have satisfied the requirements of this Section 18 and we have not yet paid the consignor, we will refund your payment of the Purchase Price or any portion thereof to you.

If you have satisfied the requirements of this Section 18 and we have paid the consignor, we will: (i) refund to you the Buyer’s Premium (as defined below) and any taxes paid; and (ii) make written demand upon the consignor for the payment of the balance of the Purchase Price you paid. If the consignor fails to refund the balance of the Purchase Price, the Auction House will furnish you with the name and address of the consignor and assign all of the Auction House’s rights against the consignor to you. You hereby agree that upon this assignment of the Auction House’s rights, the Auction House will have no further liability to you or responsibility to pursue your claim against the consignor.

The Authenticity Guarantee excludes the following:

• Any lot description that states there is a conflict of specialist opinion;

• Any lot description that states (or is bracketed in a section described as) “as is“ or “not guaranteed”;

• Any typographical errors in our Lot descriptions or catalogue;

• Wear on furniture;

• Flakes, surface scratches, or manufacturing flaws in glass or ceramic Lots;

• The description of clocks and lighting devices, whether in the catalogue or a condition report, as such descriptions may be incomplete and not identify every mechanical replacement, repair, or defect. The absence of reference to the condition of a clock or lighting device does not imply it to be in working condition or without defects, repairs, restorations, or replacement parts. No

warranty is made that any watch is in working condition or without defects, restorations, or working parts. Buyers are advised to check watch works prior to auction;

• The description of jewelry, whether in the catalogue or a condition report, is rendered as opinion and not a representation of fact, including, but not limited to, specialist opinion as to authenticity, the enhancement or treatment of gemstones, the weight of gemstones, the country of origin, the authorship or origin (manufacture) of an item, its period (or c.) or the authenticity of its marks;

19. Transfer of Risk of Loss

Risk of loss shall transfer to you upon your pick-up of a Lot or the 14th day after the auction, whichever is earlier. We are not responsible for any damage or loss that occurs to the Lot past such dates.

20. Pick-Up, Shipping and Storage Fees

All Lots must be removed from the premises of the Auction House no later than fourteen (14) days after an auction.

If Lots are not removed within thirty (30) days after an auction, you will thereafter be assessed a $10.00 per Lot storage charge per day and we may, in our sole discretion, remove any Lot to public storage at your risk and expense. All associated charges with such public storage will be charged to you and must be paid prior to our release of a Lot to you. Uncollected Lots left at the Auction House for ninety (90) days following an auction will be sold or donated.

If you choose to pick up a Lot from the Auction House following an auction you must call 24 hours in advance to arrange pick-up. Regular hours for pick up are Monday – Friday, from 9:00 a.m. – 11:30 a.m. and from 1:00 p.m. to 5:00 p.m. Please bring your own packing materials. The Auction House is closed on Federal holidays and on Mondays following full auction weekends. Weekend pick-ups are made by special arrangement and/or by appointment only.

If you choose to ship a Lot from the Auction House you are solely responsible for the shipment. We will work with any shipper of your choosing. If you have any shipping preference for any reason, please make sure your shipper carries insurance. We are not responsible for any damage or loss that occurs while your objects are in another’s care. We will also not be responsible for any damage or loss that occurs if you choose a shipping method that we have advised against, and we will require a waiver from you acknowledging this.

As a convenience to you, we will, if requested, release a Lot to a third party shipper. This company will pack and ship or arrange shipment for you via UPS, FedEx or other carrier, fully insured, for a fee payable in advance by credit card. Shipments are made within a few days after payment has been received. For the avoidance of doubt, we will not be responsible for any damage or loss that occurs to a Lot once we release it to a third party shipper.

All international customs, duties, and other tariffs are your responsibility. The Auction House and all third party shippers will declare the hammer price plus the Buyer’s Premium as

the value of a Lot in all cases.

Oversized Lots are objects such as furniture, andirons, floor vases, or any other item whose safe packing will exceed the limits of common carriers. The Auction House can arrange delivery by freight almost anywhere in the United States, fully insured, for a fee. The delivery of oversized, large, heavy, or expensive objects is not an inexpensive proposition and we urge you to consider this before bidding.

21. Export and Import

The Auction House and the consignor make no representations or warranties as to whether any Lot is or is not subject to export or import restrictions or any embargoes and will have no responsibility with regard to these matters.

22. Endangered Species

You are responsible for checking any applicable laws and regulations regarding the importation of Lots containing materials made from endangered species. An export or import license may be required for the export or import of such Lots and it is your sole responsibility to familiarize yourself with International, U.S. Federal and State laws or requirements regarding the necessary export, import, endangered species or other permit required prior to bidding at auction. We will not rescind the sale of a Lot that is transferred to you and later seized by government authorities due to the presence of endangered species material.

23. Firearms

The Auction House only sells antique firearms as defined by the U.S. Bureau of Alcohol, Tobacco and Firearms. Due to New Jersey firearms regulations, all handguns, pistols, and revolvers will only be shipped via Federal Express and will only be delivered to a person who holds a Federal Firearms License or a Curios and Relics License. Handguns, pistols, and revolvers can only be picked up at the Auction House by a person who holds a Federal Firearms License or the proper New Jersey handgun permits, which must be shown and logged. There are no exceptions. No firearms will be sold or shipped internationally. It is your sole responsibility to familiarize yourself with your local laws and requirements for the possession of firearms; to identify and obtain any necessary license or permit prior to bidding; and to abide by all Federal, State and local laws and requirements. The Auction House and the consignor make no representations or warranties as to whether any Lot is or is not subject to such restrictions and will have no responsibility with regard to these matters.

24. Jewelry

For centuries, natural gemstones have been enhanced in a variety of ways, including heating, oiling and other methods. These treatments are accepted by the international jewelry and gemstone trade. The Auction House makes no representations or warranties, express or implied, as to whether natural stones have been treated or enhanced, whether specifically referenced or not.

All stones have been identified by standard gemological field tests as the mounting permits and the Auction House will make available to prospective buyers any


gemological certificates in its possession. It will not always be feasible to obtain a qualified lab report on every stone offered through the Auction House. If you wish to have a grading or gemological report from an independent recognized laboratory such as the Gemological Institute of America, the European Gemological Laboratories or the American Gemological Institute, you may request one at your own expense or hire an independent adviser of your choosing.

Weights given are based solely on measurements and known gemological formulae; they are approximate, not exact. Weight may differ once a stone is removed from its setting. You are advised to verify weight estimates prior to bidding at auction

25. Coins and Currency

Grading is a not an exact science. It is a matter of opinion as to condition and other attributes. Because of this, grading can and will differ among third party grading services (even though consensus grading is employed by most), independent experts, dealers, collectors and auction houses, including our own. Due to the subjectivity of coin and currency grading, a given piece evaluated twice by the same expert may be assigned a different grade each time. Opinion as to the grading, condition or other attributes of any Lots may have a material effect on value.

Therefore all coins and currency are sold “as is” by the Auction House, except as to authenticity, as expressly stated in the Terms of Sale. They are sold without any additional express or implied warranty, including, but not limited to, grade. This includes all coins and currency, including, but not limited to, those:

• Referencing the opinion of a third-party grading service;

• With no reference to the opinion of a third-party grading service;

• With reference to the opinion of the Auction House as to grading;

• Subsequently submitted to a third-party grading service for determination or certification;

• Encapsulated and therefore unable to be physically examined.

The Auction House reserves the right to differ with the grades assigned to any Lot, by certificate or otherwise, regardless of the grading service, and will not be bound by any prior or subsequent opinion, determination or certification by third-party grading services including, but not limited to, National Guaranty Company (NGC), Professional Coin Grading Service (PCGS), Paper Money Guaranty (PMG) and Currency Grading and Authentication (CGA) or any other any grading service, third party organization or dealer. There is no guarantee or warranty implied or expressed that the grading standards utilized by the Auction House will meet the standards of any grading service at any time in the future.

The Auction House has graded uncertified coins and currency with reference to the current interpretation of the American Numismatic Association’s standards at the time of grading.

The Auction House reserves the right to re-grade any Lot re-consigned for any reasons,

including, but not limited to a change of grading standards, differences in opinion, mishandling over time.

The Auction House will not be liable for any patent or latent defect or controversy pertaining to or arising from any encapsulated coins or currency. In any such instance, purchaser’s remedy, if any, shall be solely against the service certifying and purchaser hereby agrees that it shall have no remedy against the Auction House.

Please note that certain types of plastic may react with a coin’s metal or transfer plasticizer to notes, causing damage. Avoid storage in materials that are not inert.

26. Failure to Make Payment

If you fail to make payment, we shall charge you interest at the rate of 18% per annum from the date of the auction.

In addition to other remedies available to the Auction House by law, the Auction House may, at its option:

i. Cancel the sale of any Lot for which payment by you has not been made or for any Lot for which you have made payment and retain all payments made by you for such Lots as liquidated damages;

ii. Resell any Lot for which payment by you has not been made, whether at public auction or private sale; or

iii. Pursue any combination of i) and ii) above.

In the event of non-payment, you will be responsible to the Auction House and the consignor for any deficiency, any and all costs and expenses, including reasonable attorneys’ fees, collection fees and expenses, late charges, interest, storage fees and other damages. The Auction House may, at its discretion, apply any proceeds of sale otherwise due to you or monies held for you in the Auction House’s possession to satisfy your obligations to us.

27. Rescission by the Auction House

In the event the Auction House receives notice of an adverse claim with respect to a sold Lot, the Auction House shall have the right (but not the obligation), in its sole and absolute discretion, to rescind the sale to you, upon written notice to you. Upon such notice, you will promptly return the purchased Lot to the Auction House’s premises in the same condition as when you purchased it. Following our receipt of the Lot, we will then promptly refund you the full Purchase Price, including the Buyer’s Premium and applicable taxes paid. You will have no further recourse against the Auction House or the consignor, and the Auction House and the consignor shall not be liable for any damages of any nature suffered by you.

28. Governing Law and Forum for Disputes

The laws of New Jersey shall govern the Terms of Sale and all of our auctions. Any disputes that may arise in connection with any auction or sale shall be governed by and construed in accordance with New Jersey law. You agree to submit to the jurisdiction of the courts of the State of New Jersey with respect to any dispute arising in connection with any auction and/or any sales. You agree that the Federal and State courts sitting in New Jersey shall have exclusive jurisdiction over any claims

asserted by you against the Auction House in connection with any auction and/or any sales. You further agree that the Auction House may, in its sole discretion, assert any claims it has against you in connection with any auction and/or any sales in any Federal or State courts sitting in New Jersey or in any other jurisdiction where you or assets owned by you may be found. In the event that the Auction House brings an action to enforce the Terms of Sale and/or to collect any sum due and owing to it, the Auction House shall be entitled to collect (in addition to any other amounts it Is owed) its reasonable attorney’s fees, collection agency fees, and cost of suit from you.

29. Limitations of Liability

The Auction House is not liable for any breach or default by the consignor of a Lot.

30. Severability and Waiver

If any provision of these Terms of Sale shall be deemed unlawful, void, or unenforceable under applicable law, that provision shall be stricken and severed from the remaining provisions, which shall remain in full force and effect. Failure to enforce any of the provisions in these Terms of Sale shall not be deemed a waiver of the right to enforce any other provisions of these Terms of Sale.

31. No Assignment

Unless the Auction House consents in writing, you may not assign your rights or any of your obligations hereunder.

32. No Modifications

These Terms of Sale may not be changed unless the Auction House and you have agreed to do so in a written agreement signed by both parties.

33. Miscellaneous

These Terms of Sale shall apply to both auction and private sales.

Paragraph and subheadings are included in these Terms of Sale for ease of reference and should not be used to interpret the meaning of the substantive provisions.

RAGO FINE ART DEPARTMENT

Auction Management: Meredith Hilferty, Miriam Tucker

Specialist-in-Charge: Meredith Hilferty

Fine Art Cataloguer: Amy Hunt

Specialist: Lauren Bradley

Specialist, Client Relations, Fine Art: Mick Byers

RAGO ARTS AND AUCTION CENTER

Partners-in-Charge: David Rago, Suzanne Perrault, Miriam Tucker

Chief Operating Officer: Michael Ingham

Chief Administrative Officer: Eliane Talec

Co-Directors, Trust, Estates and Appraisals: Sebastian Clarke, Laurel Porcelli

Art Director: Anthony Barnes

Photography Studio Director: Lynnette Mager Wynn

Photographer: Jared Kramer

Director, Client Services: Karen Davies

Manager of Client Services/Inventory Coordinator: Martine Webber

Foreman of Operations: Croix Leadem

Art Handlers and Movers: Casey Kochis (crew chief), Jason Kwon (group leader),

Charles Chamberlin, Sean Leslie, Richard Palleschi, Justin Thomas

Design Director/Personal Property Manager: Arlen Sam Brown

Controller: Lisa Kolva

Digital Content Creator: Nicholas Fonteix

Digital Marketing Assistant: Olivia Tornick

Public Relations/Marketing Assistant: Robin Harris

Administrative Staff: Kathy Buscavage, Guy Benthin, Kara Baylor

Our thanks to the entire auction staff.

view all updated condition reports | ragoarts.com 106

SHIPPING/RECEIPT OF PURCHASED PROPERTY

A bid is a contract to buy. So on the fall of the auctioneer’s hammer, the successful bidder becomes the owner and assumes full responsibility for the purchased property. This includes all costs and the expenses of any handling, shipping, insurance, taxes, or export.

When the Auction Center receives and processes your payment, your property is released for shipping, delivery by freight, or pick-up. Please allow up to three weeks.

NOTE: Some property in this sale may require specialized shipping. Please call us for our recommendations.

SHIPPING SMALL ITEMS BY COMMON CARRIER (UPS, FEDEX, DHL OR USPS):

We have engaged shippers to pick up several times a week from the auction house. Our recommended shippers for small items are Masterpiece Shipping and The Flemington UPS Store. Once we receive your payment and the completed shipping form authorizing the release of your property to the shipper, we will add your lot(s) to the list for the next pick up. You will receive a shipping quote for your approval within 48 hours after the shipper has picked up your lot(s). If for any reason the quote is not acceptable to you, your property will be returned to the auction house so that you can make alternate arrangements.

Masterpiece Shipping

David and Vicki Child, Owners-Operators

Buckingham Green

4950-C Old York Road

Buckingham, PA 18912-2000

T: 215-794-1199 | F: 215-794-1177 | [email protected]

The UPS Store #1752

203 Main Street

Flemington, NJ 08822

T: 908-806-4842 | F: 908-806-4843 | [email protected]

SHIPPING LARGER ITEMS BY FREIGHT:

Some furniture, bulky or odd shaped items may exceed the allowable dimensions or weight restrictions of UPS, Fed Ex and similar carriers. The auction house can provide assistance in arranging for delivery by freight. Depending on the location, we can recommend a variety of third party shippers. We are also happy to work with the freight company of your choosing. Please keep in mind that delivery of these types of items can be an expensive proposition and we urge you to consider this before bidding. Please remember that it is your responsibility to pay for all deliveries.

PICK UP AT RAGO:

Hours for pick up are Monday – Friday, from 9:00 a.m. – 11:30 a.m. and from 1:30 p.m. to 5:00 p.m. The shipping department closes each day from 11:30 – 1:30. The Auction House is closed on Federal holidays and on Mondays following two and three day auctions. We require 24 hours’ notice in advance of pick up. Please bring your own packing materials.

IMPORTANT NOTES:

Weekend pick ups are made by special arrangement and/or by appointment only.

New Jersey sales tax of 6.875% must be added to your invoice when picking up merchandise unless you have a valid resale number on file.

All property must be paid for and removed from Rago Arts & Auction Center within 15 business days of the auction. Unless special arrangements are agreed upon in writing before the sale. Storage fees are charged beginning on day 16. For more details see our Terms of Sale.

C O N D I T I O N R E P O R T F O R M

We are happy to provide you with condition reports on all lots as requested. We are neither professional restorers nor conservators and specialist opinions are subjective and not a statement of fact. Therefore, we do not guarantee the content of the written or verbal condition report. Not withstanding this report, all lots are offered and sold in accordance with the Terms of Sale listed in print and online at ragoarts.com.

Lot# Description Specific Questions

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Name ________________________________________________________________________________________________________________________

Telephone ___________________________________________________________________________________________________________________

E-mail ________________________________________________________________________________________________________________________

INTERNAL USE ONLY

Check Condition Online Add to/confirm in AuctionFlex

Print Initials: ___________________________ Date __________________________________________________________________________

phone: 609.397.9374fax: 609.397.9377

BIDDING FORM

ABSENTEE BID

PHONE BID

Name ___________________________________________________________________________________ Business Name ____________________________________________________________

Address ______________________________________________________________________________________________________________________

City __________________________________________________________ State _____________________________________________________ Country ________________________

Zip Code ____________________________________________________ E-mail _____________________________________________________

Telephone __________________________________________________ Fax ________________________________________________________

CC # (Visa/MC/Disc.) _______________________________________________________ Exp. Date _________________ CSV code (from back) __________________

If using Resale ID, a copy must accompany this form. Resale ID Number ____________________________________________ State _____________________

Lot# Description Absentee/Contigency Phone

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TELEPHONE BID PHONE NUMBER – DAY OF SALE:

1). _____________________________________________________________________________________

2). _____________________________________________________________________________________

CHECK, SIGN AND DATE BELOW OR BIDS WILL NOT BE EXECUTED I am bound by Terms of Sale I have read the condition report(s) online / requested all needed information I am responsible to contact Rago if bid confirmation is not received by 5pm on the day prior to the auction I am responsible for canceling Absentee Bid if I choose to bid in person/by phone I understand the buyer’s premium (see below)

The buyer’s premium for each lot purchased is 25% on the first $250,000 of the hammer price, 20% on the portion from $250,000 through $3,000,000.

Signature _____________________________________________________________________________ Date ________________________________________________________________________

P L E A S E A D H E R E T O T H E B I D D I N G I N C R E M E N T S

$10 until $100 is reached $25 until $500 is reached $50 until $1,000 is reached $100 until $3,000 is reached $250 until $5,000 is reached $500 until $10,000 is reached $1,000 until $30,000 is reached $2,500 until $50,000 is reached $5,000 until $100,000 is reached $10,000 over $100,000

Rago’s guarantees you a line and a phone agent for bidding until 4 PM on the day prior to an auction. After that time, we will gladly accept your absentee bids, even during the auction and will do our best to accommodate before the lot goes on the block.

Buyer Number

INTERNAL USE ONLY

Check Boxes Above Absentee/Plus New/Hold AF: confirm contact info/check notes Addendum Increments

Print Initials: ___________________________ Date/Time ___________________________________________________________________

phone: 609.397.9374fax: 609.397.9377e-mail: [email protected]

Documents

RAGO · Lauren Bradley 609.397.9374, ext. 129 or [email protected] NEW BIDDER REGISTRATION: Eliane Talec 609.566.7225 or [email protected] ... Honoria …