Production Journal (Updated)

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    Production Journal

    Sondheim Suite

    https://www.youtube.com/channel/UCFphXVAr!"#$%lUS&ru%'

    (he idea )or my pro*ect was to record and +ideo the music o) +ariousartists as they sin, ori,inal son,s and co+ers. (he musicians will bene-t)rom the hi,h standard o) recordin, uality ha+in, a +isual they canupload anywhere alon, with it and bein, allowed to e0perience apro)essional wor1in, en+ironment. 2 plan to use the -nished recordin,sand +ideos as e+idence o) my abilities as a producer and sound en,ineer.(his is a *oint pro*ect with Joe Pearce but by the end o) the process we willha+e two entirely separate bodies o) wor1 to submit. (he wor1 will beuploaded to a 3ou(ube channel entitled 4Sondheim Suite4 named sobecause all recordin,s will ta1e place in the Sondheim 5oom. 2 am usin,

    this ima,e as the pro*ect artwor1:

    (he main sources o) inspiration )or this pro*ect are the 5adio 6 %i+e%oun,e 7https://www.youtube.com/user/bbcradio68 9XP7https://www.youtube.com/user/1e0pradio8 and ;P5 c around #?@ million a year )or SoundCloud alone.3ou(ube bein, a +ideo streamin, ser+ice still bene-ts )rom this hu,edemand )or music. Channels which showcase bands and musiciansper)ormin, their music and the co+ers o) others ha+e become hu,elypopular. %i+e %oun,e has around #@@@@@@ subscribers with 9XP and;P5 comin, in at &&@@@ and &&&@@@ respecti+ely. Clearly this 1ind o)music streamin, is pro+in, eBecti+e. Fans li1e to be able to see their

    )a+ourite musicians whilst also hearin, their music. ith that in mind thetar,et mar1et is anyone who en*oys the music o) the musicians 2 ha+erecorded but 2 would e0pect that the ,eneral audience will most li1ely beteena,ers who are +ery into music and li1e to listen to unheard talent.

    Suburbia

    https://www.youtube.com/watchD+EG,CHPSC,

    https://www.youtube.com/watchD+E

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    5ace Just Ian, Gut astin,

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    %o+ato. 2 thou,ht that this would be per)ect as a co+er o) a popular son, is,reat at attractin, peoples attention to a channel or artist. (his trac1 wasrelati+ely easy to record as it only consisted o) 1eys and +ocals. 5emialready 1new how to play the son, so 2 had him play in the chords throu,ha

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    in the li+e room then the !uitars were recorded +ia the 2SA Gne and-nally the +ocalists recorded separately in the +ocal booth. G+erall thistrac1 consisted o) Hrums !uitars =ass and Vocals. (his was thehardest to mi0 as there were a +ariety o) per)ormance and sound issues.Hue to the absence o) a pop shield there were a lot o) plosi+e sounds on

    the +ocal trac1. 2 remedied this by addin, low cut to the ' whichremo+ed the intensity o) those audio spi1es. Also the %ead Vocal andbac1in, +ocals werent uite wor1in, in harmony e+en when melodyned7both the pitch shi)t and modulation set to M&8 so 2 cut them so that theysan, a section each rather than to,ether only sin,in, to,ether durin,prechorus and the end o) the chorus. (he Hrums were out o) time inplaces so had to be cut up and mo+ed into time as did the !uitars 2accomplished this +ia cross)adin,. (he !uitars were ,i+en a bri,hter tone+ia amp inputs. (here was a drum -ll mid son, that was played badly so ithad to be cut and replaced with a re,ular section o) drummin,. (his

    session wasn4t +ideoed the same as the rest o) the pro*ect instead themedia team used actors in order to create a music +ideo )or the trac1. 2thou,ht that this would loo1 ,ood and would ma1e an interestin, chan,e)or the 3ou(ube channel whilst still bein, rele+ant to Sondheim Suite asthe audio was still recorded there.

    Patric1

    https://www.youtube.com/watchD+EnduVw&@S&w

    2 helped with a small side pro*ect that 2 will submit with this wor1 as it -tsthe criteria. Patric1 wanted me to record him playin, some drums solo. 2

    boo1ed Studio 6 set up and mi1ed the 1it and communicated with amedia team as they wanted +isuals to ,o alon, with this recordin,.2mi1ed the drum 1it usin, an Audi0 FL )or the 9ic1 Shure S

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    (ypically the ori,inal recordin, would play with the sample in order to ,i+e

    more authenticity to it but the ori,inals si,nal wasnt ,ood enou,h tolea+e in the son, so 2 cut it alto,ether. (he Floor (om was a problem as ithad a bad resonance which 2 remo+ed by attenuatin, the ?@I )reuency+ia the '. As well as this the sound o) the other drums werere+erberatin, inside the Floor (om and creatin, a low pitched bac1,roundhum. 2 remedied this by addin, a ,ate to the (om so that it shuts a)ter theinitial stri1e and rin,in, out has occurred.

    G+er+iew

    2 thin1 that Sondheim Suite could +ery easily compete in the mar1et it is

    aimed at enterin,. !i+en time to ,row 2 )eel that it could ta1e ad+anta,eo) the many musicians out there who may not ha+e the popularity toappear on channels such as %i+e %oun,e and 9XP but de-nitely ha+e thetalent and the moti+ation. 2 belie+e that we ha+e some +ery creati+emusicians showcased on the channel and that this is one o) the stren,thso) the pro*ect. (he lo,o is simplistic but stri1in, with the red colourin, andwhite bac1,round it also ,oes +ery well with 3ou(ubes colour scheme.

    Ad+ertisin, is an ob+ious method o) monetisin, this pro*ect as it is a3ou(ube channel once a channel reaches a certain popularity it isapproached by ad+ertisers and can e+entually e+en be paid to upload by

    3ou(ube. Also e+ents and ,i,s could be held or ad+ertised )or the artistson the channel with the channel ta1in, a certain amount o) re+enue.

    2) 2 were to redo this pro*ect 2 would ha+e made certain that 2 could ,et amedia team the musicians and the studio time to coincide as e+enthou,h the mimin, o) the son,s wor1ed it is still out o) time in places andis especially noticeable to me as the creator o) the pro*ect.

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