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Jock Young: The Criminological Imagination Introduction: The Legacy of C. Wright Mills

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    Jock Young:

    The

    Criminological

    Imagination

    Introduction: The Legacy of C. Wright Mills

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    Mills published SociologicalImagination in 1959

    --advocated sociology as avocation

    --idealized craftsmanship: joyof writing, weaving theory andresearch, conceptuallyinsightful and empiricallygrounded

    the key nature of the SI wasto situate human biography inhistory and in social structure to bridge gap betweenhuman actors and historicaland social settings in which

    they find themselves.

    He talks of the earthquakesof social change, and of

    widespread feelings of peoplefeeling themselves adrift, ofbeing unable to understandwhat is happening to them, ofindividualizing their problems.

    Nowadays men often feel that

    their private lives are a seriesof traps.

    if the downside of such amomentum is feelings ofentrapment and alienation, the

    upside is an increasedreflexivity, a dereification of thesocial world, and anawareness of the ever-presentpossibility of change.

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    The sociological imagination:

    --personal troubles of a milieu

    --public issues of structure

    In a world characterized byinstability, in work, family and

    community In late modern social

    order chaos of reward and identity

    people face an existential quandray;

    their uncertainty can be interpreted inself-blame and failure, yet the

    widespread nature of economic and

    cultural instability and its daily

    dissemination on the global media,

    facilitate feelings of connectedness and

    of recognizing the parallel nature of the

    social condition

    Mills identifies two

    opposing tendencies

    where academic

    sociology loses

    contact with social

    reality

    -- abstracted

    empiricism

    -- grand theory

    Goode says there

    has been a neglect of

    the transformative

    politics in Mills work

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    1. Closing down the imagination

    the confetti of Greek letters

    seems in a different universe

    from the louche bars, dope

    smokers, snitches and police

    harassment in downtown

    Pittsburgh

    abstracted empiricism

    the data mysteriously detach

    themselves from their subject

    matter and lose all context

    paradoxically, the less their

    contact with the subject matter

    the more knowledgeable they

    feel

    whole swaths of theory and

    controversy are simply not

    mentioned p12

    --the war against drugs

    --the failure of deterrence --racism in drug enforcement

    --drug war counterproductive

    --police corruption common

    this is the study of deviance

    without deviance

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    the authors.the more they are distanced from what

    they are studying, the more secure they feel

    How do we understand such research?

    as theory atrophies, methodology becomes a substitute And what of Mills three guidelines? there is no history

    the actors have no past, and their future is mundane

    The researchers are searching for generalizations

    independent of people, structure, history and place --the new social science orthodoxy looks to positivism

    --compare to the work of Bourgois on crack dealers

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    Let me introduce you to the datasaur

    The elevation of the journal

    --theories decontextualized to become operational

    what we need is a method which can deal withreflexivity, contradiction, tentativeness a method whichis sensitive to the way people write and rewrite theirpersonal narratives.

    Mertons social structure and anomie manifestly

    connects private troubles to public issues where is hisevidence that the american dream is a sop for thosewho might reel against the entire structure were thisconsoling hope removed?

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    bracketing off issues of power

    and inequality [is] more

    pronounced in criminology

    the criminological gaze is

    more exposed to problems ofpower, stigmatization, and the

    context of values than any

    other area of social sciences

    norms are formed, broken,

    disputed and selectively

    enforced deviance isenacted and concealed

    the 1960s and 1970s was the

    time of a cultural turn a

    stress on the interpretative

    rather than the mechanistic

    focusing on the way in which

    human actors generate

    meaning consisting of two

    strands, subcultural and

    labelling, phenomenological

    and constructionist p19

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    --statistics are social constructions

    --deviance is not in the act but a quality imposed on it

    --meaning is dependent on social contexts

    --people construct meaning, in sitns beyond their control --individuals have to be placed within wider structure

    --contested definitions of deviance in pluralistic society

    --agencies of social control impose defns of powerful

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    The hubris of positivism:

    --growth of the criminal justice system

    --universities have expanded to train practitioners

    --market society has become dominant ethos

    --qualitative methods seen as 2ndto quantitative

    the affinity between positivist criminology and thebureaucratic needs of the criminal justice system is aquestion of shared notions of ontology and of social

    order, of world views which are coincident in theirmapping of the social world and the place of the deviantwithin it, backed by common anxieties about socialorder.

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    7. Mayhem, Magic and Margaret Mead

    late modernity brings with a loosening of the ties

    between social structure and behaviour, between

    material predicament and the subcultural solutions which

    human beings create in order to facilitate and give

    meaning to their lives

    Words become blurred, eg. marriage, gay, rape

    in late modernity such narratives not only change but

    they are more fragmented, they are contested and they

    co-exist, That is, there are several possible/plausiblenarratives available at any one time. And in a media

    saturated society these narratives are freely available ...

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    none of the choices available has the weight of absolute

    certainty as in the past. Narratives lose their singularity,

    their cohesion and their gravitas. The narratives are

    not only contested, but they are not coherent, well

    formed: they are contradictory and inconsistent not onlybetween themselves but within themselves. There is

    always an element of mayhem in late modernity.

    [yet] much ethnographic work has] vignettes of urban

    life which have as much validity as a posed photographat a formal wedding. It replaces the reification of

    numbers with the reification of representation.

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    The meta-narrative of the lensinterpretive structure

    Ethnography and incoherencehomo performans

    The metaphor of the photographif reality

    Hiatus and relationshiporientalism and power The ethnographers audience readers choose

    Ethnography and the end of innocenceMead

    -- representativeness, masquerading, translation probs

    -- arguments over what counts as sex

    -- the influence of the meta-narrative