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Photography is the quintessential reflective medium, both in
the thoughts it provokes and in the act of capturing light
reflected off life’s many, varied surfaces.
Screen-viewed images will never replace images printed
on reflective media. Owning this Portfolio of rare and
beautiful photographs gives you an instant image collection
with which to reflect on the fine art of this ensemble
of brilliantly talented image makers.
This portfolio was produced to commemorate the
12th Anniversary of Gallery Two Seventy and the
30th Anniversary of Bergen County Camera.
A portion of the proceeds will help feed the
region’s hungry through Table to Table.
Epson Ultrachrome prints on Hahnemuhle Baryta paper.
Produced in an edition of 100, with 20 artists’ proofs.
Printed by Gallery Two Seventy.
Curated by Tom Gramegna.
GALLERY TWO SEVENTYat Bergen County Camera
WESTWOOD270 Westwood Avenue 201.664.4113
ENGLEWOOD10 N. Dean Street 201.871.4113
www.Gallery270.comwww.BergenCountyCamera.com
Celebrating 30 years of focusing on you.
Home of the
A portion of the proceedsof this portfolio benefit
22 PortfolioPortfolio
G A L L E R Y T W O S E V E N T YAT BERGEN COUNTY CAMERA
MELCHIOR DIGIACOMO
LUCIEN FLOTTE
BOB KRIST
PETER LIEPKE
MICHAEL MASSAIA
BARON WOLMAN
G A L L E R Y T W O S E V E N T YAT BERGEN COUNTY CAMERA
Gallery Two Seventy is a different kind of gallery,
where both avid collectors and people who simply
want to own fine art photographs can indulge their
acquisitive nature with extraordinary images
of exceptional value.
BOB KRIST “Mont Saint Michel” Coast of France, 2004. Bob Krist’s works appearregularly in National Geographic Traveler, Smithsonian, and Islands. He was named “TravelPhotographer of the Year” by the Society of American Travel Writers in 1994, 2007 and 2008.His “Spirit of Place” was called “the best book about travel photography we’ve ever read.”
LUCIEN FLOTTE,“Streaming” nearWoodstock, NY,2008Lucien Flotte’sobjective is to open aportal into theimagination byreframing the ordinaryto highlight thehidden. He combinestraditional photographywith digital technology,to shift reality and tointrigue the viewer.Flotte’s images reflecthis New Orleans roots.“Growing up there, Iwas always attracted tothe light, whether itbounced off themuddy Mississippi,refracted from man-made levees or wasdiffused by tropicalmists,” he says.
BARON WOLMAN“Bridgewalk 87” San Francisco, CA,May, 1987.As Rolling Stone’s first chiefphotographer, BaronWolman documented theSummer of Love and themusicians who made itfamous. Many fans aresurprised to learn he is amaster of a diverse rangeof photographic subjectsincluding aerial, sports,travel and glamour, to pickjust a few. They are no lessevocative than his mostfamous oeuvre; theconsistent thread is Baron’sunerring eye for a story,scene, person or placewhere history ishappening. This imagewas made during theGolden Gate Bridge’s 50thAnniversary Bridgewalk.
MICHAEL MASSAIA “Approaching Storm, Funtime Pier” SeasideHeights, NJ, 2009. Michael Massaia opts for film and the darkroom, producingluminous platinum prints that one might imagine as the life’s work of an elderlymaster, though he is only in his 30s. Most often, he shoots in the early morninghours and hones his prints with a perfectionist’s eye during the remaining hours.
PETER LIEPKE“Autumn in Soho”New York, NY,2009.Peter Liepke’s fineart photographyshows uplifting,inspiring resonanceand beauty. He doesnot set up his shotsin advance. Instead,Peter patientlyobserves, thencaptures theperfectly-framedmoment with his100 year-old Graflex.Peter is also a masterof two painstakingprocesses: platinum/palladium and gumbichromate printing.His stunning artmust be seen first-hand to be fullyappreciated.
MEL DiGIACOMO “Old Road Children Swimming” Antigua, WestIndies, 1980s. Consummate photographer Melchior DiGiacomo is at homeanywhere in the world as long as he has a camera at hand. He earned his reputationin the ultra-competitive world of tennis photography, and created dozens of covers atTime and Newsweek. Mel never puts his camera away, ever, and has documentedjust about everything in his personal work.
BOB KRIST “Mont Saint Michel” Coast of France, 2004. Bob Krist’s works appearregularly in National Geographic Traveler, Smithsonian, and Islands. He was named “TravelPhotographer of the Year” by the Society of American Travel Writers in 1994, 2007 and 2008.His “Spirit of Place” was called “the best book about travel photography we’ve ever read.”
LUCIEN FLOTTE,“Streaming” nearWoodstock, NY,2008Lucien Flotte’sobjective is to open aportal into theimagination byreframing the ordinaryto highlight thehidden. He combinestraditional photographywith digital technology,to shift reality and tointrigue the viewer.Flotte’s images reflecthis New Orleans roots.“Growing up there, Iwas always attracted tothe light, whether itbounced off themuddy Mississippi,refracted from man-made levees or wasdiffused by tropicalmists,” he says.
BARON WOLMAN“Bridgewalk 87” San Francisco, CA,May, 1987.As Rolling Stone’s first chiefphotographer, BaronWolman documented theSummer of Love and themusicians who made itfamous. Many fans aresurprised to learn he is amaster of a diverse rangeof photographic subjectsincluding aerial, sports,travel and glamour, to pickjust a few. They are no lessevocative than his mostfamous oeuvre; theconsistent thread is Baron’sunerring eye for a story,scene, person or placewhere history ishappening. This imagewas made during theGolden Gate Bridge’s 50thAnniversary Bridgewalk.
MICHAEL MASSAIA “Approaching Storm, Funtime Pier” SeasideHeights, NJ, 2009. Michael Massaia opts for film and the darkroom, producingluminous platinum prints that one might imagine as the life’s work of an elderlymaster, though he is only in his 30s. Most often, he shoots in the early morninghours and hones his prints with a perfectionist’s eye during the remaining hours.
PETER LIEPKE“Autumn in Soho”New York, NY,2009.Peter Liepke’s fineart photographyshows uplifting,inspiring resonanceand beauty. He doesnot set up his shotsin advance. Instead,Peter patientlyobserves, thencaptures theperfectly-framedmoment with his100 year-old Graflex.Peter is also a masterof two painstakingprocesses: platinum/palladium and gumbichromate printing.His stunning artmust be seen first-hand to be fullyappreciated.
MEL DiGIACOMO “Old Road Children Swimming” Antigua, WestIndies, 1980s. Consummate photographer Melchior DiGiacomo is at homeanywhere in the world as long as he has a camera at hand. He earned his reputationin the ultra-competitive world of tennis photography, and created dozens of covers atTime and Newsweek. Mel never puts his camera away, ever, and has documentedjust about everything in his personal work.
BOB KRIST “Mont Saint Michel” Coast of France, 2004. Bob Krist’s works appearregularly in National Geographic Traveler, Smithsonian, and Islands. He was named “TravelPhotographer of the Year” by the Society of American Travel Writers in 1994, 2007 and 2008.His “Spirit of Place” was called “the best book about travel photography we’ve ever read.”
LUCIEN FLOTTE,“Streaming” nearWoodstock, NY,2008Lucien Flotte’sobjective is to open aportal into theimagination byreframing the ordinaryto highlight thehidden. He combinestraditional photographywith digital technology,to shift reality and tointrigue the viewer.Flotte’s images reflecthis New Orleans roots.“Growing up there, Iwas always attracted tothe light, whether itbounced off themuddy Mississippi,refracted from man-made levees or wasdiffused by tropicalmists,” he says.
BARON WOLMAN“Bridgewalk 87” San Francisco, CA,May, 1987.As Rolling Stone’s first chiefphotographer, BaronWolman documented theSummer of Love and themusicians who made itfamous. Many fans aresurprised to learn he is amaster of a diverse rangeof photographic subjectsincluding aerial, sports,travel and glamour, to pickjust a few. They are no lessevocative than his mostfamous oeuvre; theconsistent thread is Baron’sunerring eye for a story,scene, person or placewhere history ishappening. This imagewas made during theGolden Gate Bridge’s 50thAnniversary Bridgewalk.
MICHAEL MASSAIA “Approaching Storm, Funtime Pier” SeasideHeights, NJ, 2009. Michael Massaia opts for film and the darkroom, producingluminous platinum prints that one might imagine as the life’s work of an elderlymaster, though he is only in his 30s. Most often, he shoots in the early morninghours and hones his prints with a perfectionist’s eye during the remaining hours.
PETER LIEPKE“Autumn in Soho”New York, NY,2009.Peter Liepke’s fineart photographyshows uplifting,inspiring resonanceand beauty. He doesnot set up his shotsin advance. Instead,Peter patientlyobserves, thencaptures theperfectly-framedmoment with his100 year-old Graflex.Peter is also a masterof two painstakingprocesses: platinum/palladium and gumbichromate printing.His stunning artmust be seen first-hand to be fullyappreciated.
MEL DiGIACOMO “Old Road Children Swimming” Antigua, WestIndies, 1980s. Consummate photographer Melchior DiGiacomo is at homeanywhere in the world as long as he has a camera at hand. He earned his reputationin the ultra-competitive world of tennis photography, and created dozens of covers atTime and Newsweek. Mel never puts his camera away, ever, and has documentedjust about everything in his personal work.
Photography is the quintessential reflective medium, both in
the thoughts it provokes and in the act of capturing light
reflected off life’s many, varied surfaces.
Screen-viewed images will never replace images printed
on reflective media. Owning this Portfolio of rare and
beautiful photographs gives you an instant image collection
with which to reflect on the fine art of this ensemble
of brilliantly talented image makers.
This portfolio was produced to commemorate the
12th Anniversary of Gallery Two Seventy and the
30th Anniversary of Bergen County Camera.
A portion of the proceeds will help feed the
region’s hungry through Table to Table.
Epson Ultrachrome prints on Hahnemuhle Baryta paper.
Produced in an edition of 100, with 20 artists’ proofs.
Printed by Gallery Two Seventy.
Curated by Tom Gramegna.
GALLERY TWO SEVENTYat Bergen County Camera
WESTWOOD270 Westwood Avenue 201.664.4113
ENGLEWOOD10 N. Dean Street 201.871.4113
www.Gallery270.comwww.BergenCountyCamera.com
Celebrating 30 years of focusing on you.
Home of the
A portion of the proceedsof this portfolio benefit
22 PortfolioPortfolio
G A L L E R Y T W O S E V E N T YAT BERGEN COUNTY CAMERA
MELCHIOR DIGIACOMO
LUCIEN FLOTTE
BOB KRIST
PETER LIEPKE
MICHAEL MASSAIA
BARON WOLMAN
G A L L E R Y T W O S E V E N T YAT BERGEN COUNTY CAMERA
Gallery Two Seventy is a different kind of gallery,
where both avid collectors and people who simply
want to own fine art photographs can indulge their
acquisitive nature with extraordinary images
of exceptional value.
Photography is the quintessential reflective medium, both in
the thoughts it provokes and in the act of capturing light
reflected off life’s many, varied surfaces.
Screen-viewed images will never replace images printed
on reflective media. Owning this Portfolio of rare and
beautiful photographs gives you an instant image collection
with which to reflect on the fine art of this ensemble
of brilliantly talented image makers.
This portfolio was produced to commemorate the
12th Anniversary of Gallery Two Seventy and the
30th Anniversary of Bergen County Camera.
A portion of the proceeds will help feed the
region’s hungry through Table to Table.
Epson Ultrachrome prints on Hahnemuhle Baryta paper.
Produced in an edition of 100, with 20 artists’ proofs.
Printed by Gallery Two Seventy.
Curated by Tom Gramegna.
GALLERY TWO SEVENTYat Bergen County Camera
WESTWOOD270 Westwood Avenue 201.664.4113
ENGLEWOOD10 N. Dean Street 201.871.4113
www.Gallery270.comwww.BergenCountyCamera.com
Celebrating 30 years of focusing on you.
Home of the
A portion of the proceedsof this portfolio benefit
22 PortfolioPortfolio
G A L L E R Y T W O S E V E N T YAT BERGEN COUNTY CAMERA
MELCHIOR DIGIACOMO
LUCIEN FLOTTE
BOB KRIST
PETER LIEPKE
MICHAEL MASSAIA
BARON WOLMAN
G A L L E R Y T W O S E V E N T YAT BERGEN COUNTY CAMERA
Gallery Two Seventy is a different kind of gallery,
where both avid collectors and people who simply
want to own fine art photographs can indulge their
acquisitive nature with extraordinary images
of exceptional value.