1
Plan Child's Bedroom To 'Grow' with Child RALEIGH Children seem to outgrow every- thing even their bed- rooms. Clothing can be re- placed, but a room is something else, observes Mrs. Edith McGlamery, extension house furnish- ings specialist. North Carolina State University. Carefully planned, it can grow with the child and involve few major changes. A youngster's bed- room is like a home within a home. It's a place for more than sleeping. Playing, study- ing, day dreaming, lis- tening to records, munching on snacks and talking with friends are all a part of the bedroom scene during the growing years. A major criterion for creative decorating is adjustability. At all ages and stages, a child's room should be sized for his needs with furnish- ings at the right height to develop good habits of neatness, cleanliness and grooming. Properly chosen ac- cessories toy and book shelves, rods and pegs for, clothing, a mirror for those initial efforts at grooming can be placed low to serve the toddler and be adjusted upward as he adds inches. Be sure to include a good- sized bulletin board for showing off artistic efforts. And make them savable pictures and momentos become dear to an older child. Stackable furniture is a good choice. Pieces can be added as the child and his collections grow. Brightly enamel-painted and top-coated with polyurethane, the fur- niture will be cheerful, scuff and stain resistant, and suds washable. There also are furniture lines that feature tough, washable, laminated, plastic surfaces. Flooring should not be overlooked in planning. Because children of all ages spend much time on the floor, playing, study- ing and visiting, floor coverings should be easy to care for, safe, warm and attractive. Easy washing, no- iron fabrics are best for window treatments, bed coverings and pillows. While furniture and flooring are simple and suitable for years, fabrics can take on the decorative job of creating room personality at var- ious age stages. The newer durable and scrubbable carpet- ings are worth consider- ing. Vinyl in combination with washable scatter rugs is a good choice. Whatever the final scheme, some pre- thought with an eye to growth possibilities, easy upkeep, and activ- ities the room will serve is likely to result in greater satisfaction for children and parents. . t; n fcjr? < *&&\u25a0 if ;. -ISf^H I Pfe> 1 sbsWßwß \u25a0\u25a0KNHHHHI BUSY CUTTING NEW RE- CORD -- Ramsey Lewis Works hard recording his second album for Columbia Records at a re- cent session. Lewis, one of more succesrful musicians to rise from the jazz field, de- fends similar artists who make a name for themselves, develop a larger following, and make money in the process. Lewis Defends Jazz Ramsey Lewis is one of the mest successful pianists to come out of the jazz mold. His pre- vious albums on Cadet Records, particularly "The In Crowd" and "Wade in the Water," were found not only on the jazz lists, but the pop music charts as well. And his debut LP for Columbia Records, "Upendo Ni Pamoja (Swahili for Love is Together)" is no exception. But Lewis feels he has achieved this success with the same professional approach and musical sincerity of any jazz purist. And he believes it is wrong to label a musician a "sell-out" when a recording he has done becomes a com- mercial triumph. "I have seen it happen to every musician," States Ramsey, "that moves his career to a point where he could pay his bills successfully and put a couple of dollars in the bank. I've seen people like Cannon- ball Adderley, Ahmad Jamal, Dave Brubeck, Enroll Garner, and Wes Montgomery, as well as myself, get criticized for what we have done and still do. "I know from the bottom of my heart that I am playing with the same honesty and sin- cerity that I did before I start- ed making chart records. But certain critics say I am not. So I got to the place about six years ago that I just forgot a- bout that side of it. 1 just play what I feel and let it go at that." Ramsey also feels that peo- ple have a tendency of spending ing too much time categori- zing musicians, and that is the reason for the phrase "sell-out" to be shouted by purists. "I just kind of back away from titles because that means the person coming to see you or to buy your records expects you to come out of that par- ticular bag all the time. I want the flexibility to make excur- sions into other musical forms when I feel it necessary. So I would like to be known just as a contemporary artist that's reflecting his time." And Lewis has been reflec- ting his time since the late fifties and early sixties when he became nationally known through his trio rarely traveled outside the comfortable sur- roundings of his native Chicago. The Ramsey Lewis Trio, as it was called then and still is to- day, blended gospel and rhythm and blues influences with jazz, and it came out something that was unique and interesting to listen to. "Imight add" Ramsey com- ments, "that our playing on "The In Crowd," our first so called hit in 1965, was no dif- ferent than several of the re- cords we had released years be- fore. The point I'm trying to make is that I play the same way now, but the basic bag tha I am coming out of might be a bit broader." Lewis does point out, how- ever, that his time for writing music has decreased a great deal. "I am a creature of the times. In the past I had, not by choice, a lot of time to write more as I once did." From the jazz circuit, to college concerts and one nigh- ters, Ramsey Lewis has been able to entertain and educate his listeners with equal effec- tiveness. And he feels he has not had to compromise to do this. "The only thing that an artist can do is to be sincere to himself and to his and try to give the best performance that he can at all times. And after that, all he can do is leave it up to the public to talk about it." Tavern Lectures PA VIA, Italy _ Dr. Giorgio Pedini, a surgeon, has begun a aeries of health lectur- es in village taverns, telling his wine-drinking listeners about such things as high blood pres- sure and heart ailments. Saturday, Nov. 11, 1972 THE CAROLINA TIMES- f J^sS^^k WW;. ? 1 V \u25a0 *S > VI n iii Jngßßn ***Sm FM j -ft JUm LAWRENCE HARPER WHO IS CONFINED TO A WHEEL CHAIR HAS Che CygjilU Cimig HO Baxter 8t r r I pw?* rmmcdm For Sale i BUY ONE AND MAKE A CONTRIBUTION TO A | MANWHO GAVE HIS ALL TO SAVE ANOTHER r |CIOROXI "T. HALF 3-D BRANDI SLICED Lb. 59< |, \u25a0 Red Emperor Grapesp APPLES I m lb. 39* 44*1 PRICES GOOD THRU SAT.. jfl NOV.. \u25a0 RIGHTS RESERVED ''"Ji ~ * * '"H PURE VEGETABLE!*' Shorterangl We Reserve The Highlit! To Limit Quantities JV ; \u25a0 * None Sold To Dealers |B CAN Prices Good Thru II I fv LIMIT ONE AX THIS PRICE WITU jfl^C SiiM H# $5 0 ° or more ORDER Jg^HjL JDETERGENTO MB OR MORE ORDEK IT o '"\u25a0 l 7 jlk ';: I fe. D 1 3 CA^ ASTOR FRO/EN mRANGE JUCEfc rfINSWERSI TO TURKEY QUESTIONS i). How run you tell when a turkey i* done? A. Start to check for done- ness during the last hour of roasting to avoid overcooking. Check the roast meat ther- mometer inserted into the center of thigh next to the body, not touching bone. Make sure thermometer has not been displaced. When the turkey is done, the tempera- ture should read 180° to 185* F. Also, cover the thumb and forefinger with paper. Pinch thickest part of drumstick. Meat should feel soft. {J. Why ure llie major leg ten- don* removed from Itutlerball Turkey*? A. ThiH makes carving the drumsticks much easier. (J. IN there an ea*y way to re- move the gilrielN and neek from the turkey cavilled? A. The giblets and neck for all Butterhall Swift's Premium Turkeys are in plastic bags which can l>e removed from the neck and body cavities easily and without waiting for the bird to thaw completely. Roasting directions are print- ed on the giblet hag for cooks who know all about turkey and e«|>eciaHv for thoee who don't. 3B

Plan fcjr?I -ISf^H 3B To Pfe>newspapers.digitalnc.org/lccn/sn83045120/1972-11-11/ed-1/seq-11.pdf · I've seen people like Cannon-ball Adderley, Ahmad Jamal, Dave Brubeck, Enroll Garner,

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Page 1: Plan fcjr?I -ISf^H 3B To Pfe>newspapers.digitalnc.org/lccn/sn83045120/1972-11-11/ed-1/seq-11.pdf · I've seen people like Cannon-ball Adderley, Ahmad Jamal, Dave Brubeck, Enroll Garner,

Plan Child's BedroomTo 'Grow' with Child

RALEIGH Childrenseem to outgrow every-thing even their bed-rooms.

Clothing can be re-placed, but a room issomething else, observesMrs. Edith McGlamery,extension house furnish-ings specialist. NorthCarolina State University.Carefully planned, it cangrow with the child andinvolve few majorchanges.

A youngster's bed-room is like a homewithin a home. It's aplace for more thansleeping. Playing, study-ing, day dreaming, lis-tening to records,munching on snacks andtalking with friends areall a part of the bedroomscene during the growingyears.

A major criterion forcreative decorating isadjustability. At all agesand stages, a child'sroom should be sized forhis needs with furnish-ings at the right heightto develop good habits ofneatness, cleanliness andgrooming.

Properly chosen ac-cessories toy and bookshelves, rods and pegsfor, clothing, a mirror forthose initial efforts atgrooming can beplaced low to serve the

toddler and be adjustedupward as he adds inches.Be sure to include a good-sized bulletin board forshowing off artisticefforts. And make themsavable pictures and

momentos become dearto an older child.

Stackable furniture isa good choice. Pieces canbe added as the child andhis collections grow.Brightly enamel-paintedand top-coated withpolyurethane, the fur-niture will be cheerful,scuff and stain resistant,and suds washable.There also are furniturelines that feature tough,washable, laminated,plastic surfaces.

Flooring should not beoverlooked in planning.Because children of allages spend much time onthe floor, playing, study-ing and visiting, floorcoverings should be easyto care for, safe, warmand attractive.

Easy washing, no-iron fabrics are best forwindow treatments, bedcoverings and pillows.While furniture andflooring are simple andsuitable for years,fabrics can take on thedecorative job of creatingroom personality at var-ious age stages.

The newer durableand scrubbable carpet-ings are worth consider-ing. Vinyl in combinationwith washable scatterrugs is a good choice.

Whatever the finalscheme, some pre-thought with an eye togrowth possibilities,easy upkeep, and activ-ities the room will serveis likely to result ingreater satisfaction forchildren and parents.

. t; n

fcjr? < *&&\u25a0 if ;. -ISf^HI Pfe>

1

sbsWßwß\u25a0\u25a0KNHHHHI

BUSY CUTTING NEW RE-CORD -- Ramsey Lewis Workshard recording his second albumfor Columbia Records at a re-

cent session. Lewis, one ofmore succesrful musicians torise from the jazz field, de-fends similar artists who make

a name for themselves, developa larger following, and makemoney in the process.

Lewis Defends JazzRamsey Lewis is one of the

mest successful pianists to comeout of the jazz mold. His pre-vious albums on Cadet Records,particularly "The In Crowd"and "Wade in the Water," werefound not only on the jazzlists, but the pop music chartsas well. And his debut LP forColumbia Records, "UpendoNi Pamoja (Swahili for Loveis Together)" is no exception.

But Lewis feels he hasachieved this success with thesame professional approach and

musical sincerity of any jazzpurist. And he believes it iswrong to label a musician a"sell-out" when a recordinghe has done becomes a com-

mercial triumph."I have seen it happen to

every musician," States Ramsey,

"that moves his career to a

point where he could pay his

bills successfully and put a

couple of dollars in the bank.I've seen people like Cannon-ball Adderley, Ahmad Jamal,Dave Brubeck, Enroll Garner,and Wes Montgomery, as wellas myself, get criticized forwhat we have done and still do.

"I know from the bottom

of my heart that I am playingwith the same honesty and sin-cerity that I did before I start-ed making chart records. Butcertain critics say I am not. SoI got to the place about sixyears ago that I just forgot a-bout that side of it. 1 just playwhat I feel and let it go at that."

Ramsey also feels that peo-ple have a tendency of spendinging too much time categori-zing musicians, and that is the

reason for the phrase "sell-out"to be shouted by purists. "Ijust kind of back away fromtitles because that means theperson coming to see you or tobuy your records expectsyou to come out of that par-ticular bag all the time. I wantthe flexibility to make excur-sions into other musical formswhen I feel it necessary. So Iwould like to be known justas a contemporary artist that'sreflecting his time."

And Lewis has been reflec-ting his time since the latefifties and early sixties whenhe became nationally knownthrough his trio rarely traveledoutside the comfortable sur-roundings of his native Chicago.The Ramsey Lewis Trio, as itwas called then and still is to-day, blended gospel and rhythmand blues influences with jazz,and it came out something thatwas unique and interesting tolisten to.

"Imight add" Ramsey com-ments, "that our playing on"The In Crowd," our first socalled hit in 1965, was no dif-ferent than several of the re-cords we had released years be-fore. The point I'm trying to

make is that I play the sameway now, but the basic bagtha I am coming out of mightbe a bit broader."

Lewis does point out, how-ever, that his time for writingmusic has decreased a greatdeal. "I am a creature of thetimes. In the past I had, notby choice, a lot of time towrite more as I once did."

From the jazz circuit, tocollege concerts and one nigh-ters, Ramsey Lewis has beenable to entertain and educatehis listeners with equal effec-tiveness. And he feels he hasnot had to compromise to dothis.

"The only thing that anartist can do is to be sincere tohimself and to his and tryto give the best performancethat he can at all times. Andafter that, all he can do is leaveit up to the public to talk aboutit."

Tavern LecturesPAVIA, Italy _ Dr.

Giorgio Pedini, a surgeon, hasbegun a aeries of health lectur-es in village taverns, telling hiswine-drinking listeners aboutsuch things as high blood pres-sure and heart ailments.

Saturday, Nov. 11, 1972 THE CAROLINA TIMES-

f J^sS^^k WW;.

?

1 V \u25a0

*S> VIn iii Jngßßn***Sm FM j

-ft JUm

LAWRENCE HARPER WHO IS CONFINED TO AWHEEL CHAIR HAS

Che CygjilU CimigHO Baxter 8t r r I pw?*

rmmcdm For Sale iBUY ONE AND MAKEA CONTRIBUTION TO A |MANWHO GAVE HIS ALLTO SAVE ANOTHER

r

|CIOROXI "T.HALF 3-D BRANDI

SLICED Lb. 59< |,

\u25a0 Red Emperor Grapesp APPLES Im lb. 39* J« 44*1

PRICES GOOD THRU SAT.. jflNOV.. \u25a0

RIGHTS RESERVED

''"Ji ~

*

* '"H

PURE VEGETABLE!*'Shorterangl

We Reserve The Highlit!To Limit Quantities JV ; \u25a0

*

None Sold To Dealers |B CANPrices Good Thru II I

fvLIMIT ONE AX THIS PRICE WITU jfl^C

SiiM H# $5 0 ° or more ORDER Jg^HjL

JDETERGENTOMB

OR MORE ORDEK

ITo '"\u25a0 l 7jlk';: I fe.

D W»

13CA^ASTOR FRO/EN

mRANGE JUCEfc

rfINSWERSITO TURKEYQUESTIONS

i). How run you tell when aturkey i* done?A. Start to check for done-ness during the last hour ofroasting to avoid overcooking.Check the roast meat ther-mometer inserted into thecenter of thigh next to thebody, not touching bone.Make sure thermometer hasnot been displaced. When theturkey is done, the tempera-ture should read 180° to 185*F. Also, cover the thumb andforefinger with paper. Pinchthickest part of drumstick.Meat should feel soft.{J. Why ure llie major leg ten-don* removed from ItutlerballTurkey*?A. ThiH makes carving thedrumsticks much easier.

(J. IN there an ea*y way to re-move the gilrielN and neekfrom the turkey cavilled?A. The giblets and neck for allButterhall Swift's PremiumTurkeys are in plastic bagswhich can l>e removed fromthe neck and body cavitieseasily and without waiting forthe bird to thaw completely.Roasting directions are print-ed on the giblet hag for cookswho know all about turkeyand e«|>eciaHv for thoee whodon't.

3B