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photography review processing - printing - studio use

Photo 2 & 3 Review

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8/4/2019 Photo 2 & 3 Review

http://slidepdf.com/reader/full/photo-2-3-review 1/18

photography reviewprocessing - printing - studio use

8/4/2019 Photo 2 & 3 Review

http://slidepdf.com/reader/full/photo-2-3-review 2/18

Photo 1 Photo 2 – Summer Shooting Assignments ! ! ! ! ! Cecil/Sturges

Directions: Shoot the following assignments with 35mm film and be ready to process the rolls on the first day of the 2011 / 2012school year. These images will ser ve as an important part of your getting started for next year and a catalyst for printing in class! If you are AP you will begin developing a concentration, a focused body of work unified by an underlying idea that has visual coherence.Use these summer assignments and other photos you take to begin thinking about a theme you would like to focus on next year.

DIGITAL

The Top 10

Through shooting the thousands of images this summer with your digital camera select the top 10 image to upload to

flickr and place in the “Advanced Photo 2011-2012” Group Pool. Search for the group, then ask to join and I will accept

you. Onl y consider images where color plays an important part in the composition!!!

CHOOSE 3 of the following to shoot on B&W film:

Portraiture & Lighting

Select no less than 6 individu als to shoot on this roll. By looking at the contact shee t I should be able to see that you

experimented with both artificial and natural lighting set-ups. Consider how the composition, light/contrast, proximity,

depth of field, and sense of movement all play a part in the composition!!!

1. Yourself 

2. A person that you are very familiar with

3. A person that you haven’t seen in a long time

4. A person that you just met...literally!!!!

5. A person that is older than 60

6. A person that is younger than 10

Landscape and Architecture

Take some time to travel to some old or perhaps new places. Thinking ahead to the AP test you will need to focus on

showing your expertise at compositing spaces and searching for those elements of art and principles of design!

Consider how the composition, light/contrast, proximity, depth of field, and sense of movement all play a part in the

composition!!!

1. Shoot roughly half the roll in a natural environment (15 images)2. Shoot roughly half the roll in a man-made environment (15 images)

A Specific Time of Day 

For this roll you will need to focus on taking images that describe a specific atmospheric quality based on a time of day.

Consider how the quality of available light effects and plays on objects and people in the compositions!!!

1. Search out scenes that describe a time of day through the specific us of light.

2. Look for spaces where light creates strong contrasts

3. Look for spaces where light creates a limited value range

The Senses

Shoot one roll that pays homage to the sights, sounds, tastes, touches, and smells of summer!

Anything goes with this one....though remember that the difference between a snapshot and a composed photograph is

huge!!!!

1. Consider purposeful compositions....ONLY!!!!

If you are taking Photo 2 AP:

In addition to assignments next year you will have an additional roll of film due every 2-3 weeks. Over the summer

consider a theme or concentration that you will explore in your photography. Start to narrow in on what interests you

and what you would like to explore for your AP concentration. Start shooting for this now!

If you want more film: 

Go to Techlab at 170 Maple Lawn Boulevard #170, Fulton, MD (240)295-1095 (techlabphoto.com). Ask for 35mm Black & White film, weuse 400 ISO (If you get different ISO make sure to change the ISOsetting on your camera or your pics won’t work. They also developB&W film (pharmacies and other stores won’t). KEEP YOUR FILM INTHE FRIDGE UNTIL YOU USE IT or PROCESS IT NEXT YEAR.

Photo 2 Photo 3 – Summer Shooting Assignments! !In Photo 3 next year you will have work due every 2-3 weeks. Use this summer to plconcentration, and themes to use next year.

Shoot at least 5 rolls (film or digital, of 24 exposures) related to your concentration tfilm to process or contact sheets of your digital work.

Concentration:

DIGITAL

The Top 10Through shooting the thousand of images this summer with your digital came

flickr and place in the Advanced Photo 2011-2012 Group Pool.

1. Only consider images where color plays an important part in the compos

CHOOSE 2 of the following assignments to build your bread

could also make them fit your AP concentration:

Portraiture & Lighting

Select no less than 6 individuals to shoot on this roll. By looking at the conta

experimented with both artificial and natural lighting set-ups. Consider how

depth of field, and sense of movement all play a part in the composit ion!!!

1. Yourself 

2. A person that you are very familiar with

3. A person that you haven’t seen in a very long time

4. A person that you just met...literally!!!!

5. A person that is older than 60

6. A person that is younger than 10

Landscape and Architecture

Take some time to travel to some old or perhaps new places. Thinking ahead

showing your expertise at compositing spaces and searching for those elemen

Consider how the composition, light/contrast, proximity, depth of field, and se

composition!!!

1. Shoot roughly half the roll in a natural environment (15 images)

2. Shoot roughly half the roll in a man-made environment (15 images)

A Specific Time of Day 

For this roll you will need to focus on taking images that describe a specific at

Consider how the quality of available light effects and plays on objects and pe

1. Search out scenes that describe a time of day through the specific us of li

2. Look for spaces where light creates strong contrasts

3. Look for spaces where light creates a limited value range

The Senses

Shoot one roll that pays hom age to the sights, sounds, tastes, touches, and sm

Anything goes with this one....though remember that the difference between huge!!!!

1. Consider purposeful compositions....ONLY!!!!

8/4/2019 Photo 2 & 3 Review

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film

lid

opener

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1. WATER RINSE Fill & Dump Cold Water – Rinses off dust 10oz.

2. DEVELOPER See ChartAgitate for 1st minute, then 10 secondsevery minute – Dump down the drain

5oz/5ozH₂0/Dev

3. STOP BATH 30 SecondsAgitate constantlyReturn to container 

10oz.

4. FIXER10 Minutes

(5 min. if not Arista)Agitate for 1st minute, then 10 secondsevery minute – Return to container 

10oz.

5. WATER RINSE

1 MinuteCold Water – Agitate constantlyChange once halfway

10oz.

6. PERMA WASH 2 MinutesAgitate ConstantlyReturn to container 

10oz.

7. WATER RINSE 5 MinutesCold Water – Agitate constantlyChange twice at 1½ minute intervals

10oz.

8. PHOTO FLO 30 Seconds Swirl, Return to container 10oz.

 ( DOUBLE IF 2 ROLLS

Squeegee negatives, hang in cabinet w/ your name on it. Rinse, dry, and put all developing materials away.

1 ROLL

68º = 9:45 min.

70º = 8:45 min.

72º = 7:50 min.

8/4/2019 Photo 2 & 3 Review

http://slidepdf.com/reader/full/photo-2-3-review 8/18

1. WATER RINSE Fill & Dump Cold Water – Rinses off dust 10oz.

2. DEVELOPER See ChartAgitate for 1st minute, then 10 secondsevery minute – Dump down the drain

5oz/5ozH₂0/Dev

3. STOP BATH 30 SecondsAgitate constantlyReturn to container 

10oz.

4. FIXER10 Minutes

(5 min. if not Arista)Agitate for 1st minute, then 10 secondsevery minute – Return to container 

10oz.

5. WATER RINSE

1 MinuteCold Water – Agitate constantlyChange once halfway

10oz.

6. PERMA WASH 2 MinutesAgitate ConstantlyReturn to container 

10oz.

7. WATER RINSE 5 MinutesCold Water – Agitate constantlyChange twice at 1½ minute intervals

10oz.

8. PHOTO FLO 30 Seconds Swirl, Return to container 10oz.

 ( DOUBLE IF 2 ROLLS

Squeegee negatives, hang in cabinet w/ your name on it. Rinse, dry, and put all developing materials away.

1 ROLL

10oz.

 5oz/5ozH₂0/Dev

  10oz.

  10oz.

 

10oz.

  10oz.

  10oz.

  10oz.

 

1 ROLL

8/4/2019 Photo 2 & 3 Review

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1. WATER RINSE Fill & Dump Cold Water – Rinses off dust 10oz.

2. DEVELOPER See ChartAgitate for 1st minute, then 10 secondsevery minute – Dump down the drain

5oz/5ozH₂0/Dev

3. STOP BATH 30 SecondsAgitate constantlyReturn to container 

10oz.

4. FIXER10 Minutes

(5 min. if not Arista)Agitate for 1st minute, then 10 secondsevery minute – Return to container 

10oz.

5. WATER RINSE

1 MinuteCold Water – Agitate constantlyChange once halfway

10oz.

6. PERMA WASH 2 MinutesAgitate ConstantlyReturn to container 

10oz.

7. WATER RINSE 5 MinutesCold Water – Agitate constantlyChange twice at 1½ minute intervals

10oz.

8. PHOTO FLO 30 Seconds Swirl, Return to container 10oz.

 ( DOUBLE IF 2 ROLLS

Squeegee negatives, hang in cabinet w/ your name on it. Rinse, dry, and put all developing materials away.

1 ROLL

( DOUBLE IF 2 ROLLS

 

8/4/2019 Photo 2 & 3 Review

http://slidepdf.com/reader/full/photo-2-3-review 10/18

1. WATER RINSE Fill & Dump Cold Water – Rinses off dust 10oz.

2. DEVELOPER See ChartAgitate for 1st minute, then 10 secondsevery minute – Dump down the drain

5oz/5ozH₂0/Dev

3. STOP BATH 30 SecondsAgitate constantlyReturn to container 

10oz.

4. FIXER10 Minutes

(5 min. if not Arista)Agitate for 1st minute, then 10 secondsevery minute – Return to container 

10oz.

5. WATER RINSE

1 MinuteCold Water – Agitate constantlyChange once halfway

10oz.

6. PERMA WASH 2 MinutesAgitate ConstantlyReturn to container 

10oz.

7. WATER RINSE 5 MinutesCold Water – Agitate constantlyChange twice at 1½ minute intervals

10oz.

8. PHOTO FLO 30 Seconds Swirl, Return to container 10oz.

 ( DOUBLE IF 2 ROLLS

Squeegee negatives, hang in cabinet w/ your name on it. Rinse, dry, and put all developing materials away.

1 ROLL

Squeegee negatives, hang in cabinet w/ your name on it. Rinse, dry, and put all developing materials away.

 

l

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the enla

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adjust the aperture(f/8 or 3 clicks from the

brightest to start)

adjust tfocu

raise the lamp house(remember to tighten it)

 put the negative carrier in the lamp hose(make sure the light is off)

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eaContact Easel-for printing from sheets of negatives orfrom negative photos(no enlargement)

Print or Masking Easel-for printing from negatives

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M O S T I  MP  OR T A NT 

Analyze

exposure

-is it correctly exposed-or over/under-exposed

-is there a sense of light

composition

-principles of composition

-depth of field

-action

-framing through the viewfinder

subject matter -does it support your idea

-is it distracting

-how is it framed

-what would you change or alter

printing considerations

-size-dodge/burn

-value range

Contact Sheet

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Richard Avedon’s instructions forprinting

Richard Avedon, Lyal Burr, coal miner, and his sons Kerry and Phillip, Utah, 1981

Dodging & Burning

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