Photo 1 Midterm Review

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    PHOTO 1MIDTERM REVIEW!

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    THESE TOPICS

    WILL BE COVERED

    1. Shutter speed

    2. Aperture3. Depth of field4. Point of departure5. Light metering &

    grey cards6. Bracketing7. Equivalent exposures

    8. Film speed

    9. Parts of the enlarger10. Easels11. Dodging & burning12. Processing film

    13. Darkroom chemistry14. Photoshop15. Principles of Composition

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    shutter speed

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    What is this?

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    What is this?

    shutter speed dial

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    What is this?

    What does it do?

    shutter speed dial

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    What is this?

    What does it do?

    shutter speed dial

    controls how long the shutter isopen - in fractions of a second

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    What is this?

    What does it do?

    What does shutter speed TECHNICALLY control inyour photograph?

    shutter speed dial

    controls how long the shutter isopen - in fractions of a second

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    What is this?

    What does it do?

    What does shutter speed TECHNICALLY control inyour photograph?

    shutter speed dial

    controls how long the shutter isopen - in fractions of a second

    how long the shutter is open - how much LIGHT gets in

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    What is this?

    What does it do?

    What does shutter speed TECHNICALLY control inyour photograph?

    What does shutter speed CREATIVELY control inyour photograph?

    shutter speed dial

    controls how long the shutter isopen - in fractions of a second

    how long the shutter is open - how much LIGHT gets in

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    What is this?

    What does it do?

    What does shutter speed TECHNICALLY control inyour photograph?

    What does shutter speed CREATIVELY control inyour photograph?

    shutter speed dial

    controls how long the shutter isopen - in fractions of a second

    how long the shutter is open - how much LIGHT gets in

    a sense of MOVEMENT or MOTION

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    What does the B stand for?

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    What does the B stand for?

    What does it do?

    bulb

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    What does the B stand for?

    What does it do?

    bulb

    lets you have complete controlover shutter speed

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    What does the B stand for?

    What does it do?

    bulb

    lets you have complete controlover shutter speed

    How?

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    What does the B stand for?

    What does it do?

    bulb

    lets you have complete controlover shutter speed

    press the shutter release once to open the shutter, thena second time to close it

    How?

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    What does the B stand for?

    What does it do?

    When would you use this?

    bulb

    lets you have complete controlover shutter speed

    press the shutter release once to open the shutter, thena second time to close it

    How?

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    What does the B stand for?

    What does it do?

    When would you use this?

    bulb

    lets you have complete controlover shutter speed

    if you want a REALLY long exposure time - maybe toshow city lights at night, or the movement of water over

    a long period of time, etc.

    press the shutter release once to open the shutter, thena second time to close it

    How?

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    What is this?

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    What is this?

    a tripod

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    What is this?

    a tripod

    When do you use this?

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    What is this?

    a tripod

    When do you use this?

    at shutter speeds of 1/60 or below

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    What is this?

    a tripod

    When do you use this?

    at shutter speeds of 1/60 or below

    What happens if you dont?

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    What is this?

    a tripod

    When do you use this?

    at shutter speeds of 1/60 or below

    What happens if you dont?it will be blurry and you will be disappointed. I promise.

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    If you wanted to take a picture of a running man sothat the action would be frozen - what shutter

    speed might you try?

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    If you wanted to take a picture of a running man sothat the action would be frozen - what shutter

    speed might you try? 1/1000

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    If you wanted to take a picture of a running man sothat the action would be frozen - what shutter

    speed might you try?What if you wanted to show movement - howwould you do that?

    1/1000

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    If you wanted to take a picture of a running man sothat the action would be frozen - what shutter

    speed might you try?What if you wanted to show movement - howwould you do that?

    1/1000

    1/30 (blur)

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    If you wanted to take a picture of a running man sothat the action would be frozen - what shutter

    speed might you try?What if you wanted to show movement - howwould you do that?

    1/1000

    1/30 (blur)

    1/30 & panning (sharper subject, blurred background)

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    aperture

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    What is this?

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    aperture ring

    What is this?

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    What does it do?

    aperture ring

    What is this?

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    What does it do?

    aperture ring

    controls the size of the aperture,measured in -stops

    What is this?

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    What does it do?

    aperture ring

    controls the size of the aperture,measured in -stops

    What is this?

    A low -stop number = a __________ aperture.

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    What does it do?

    aperture ring

    controls the size of the aperture,measured in -stops

    What is this?

    A low -stop number = a __________ aperture.LARGE

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    What does it do?

    What does aperture size TECHNICALLY control inyour photograph?

    aperture ring

    controls the size of the aperture,measured in -stops

    What is this?

    A low -stop number = a __________ aperture.LARGE

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    What does it do?

    What does aperture size TECHNICALLY control inyour photograph?

    aperture ring

    controls the size of the aperture,measured in -stops

    how large an aperture - how much LIGHT gets in

    What is this?

    A low -stop number = a __________ aperture.LARGE

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    What does it do?

    What does aperture size TECHNICALLY control inyour photograph?

    What does aperture size CREATIVELY control inyour photograph?

    aperture ring

    controls the size of the aperture,measured in -stops

    how large an aperture - how much LIGHT gets in

    What is this?

    A low -stop number = a __________ aperture.LARGE

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    What does it do?

    What does aperture size TECHNICALLY control inyour photograph?

    What does aperture size CREATIVELY control inyour photograph?

    aperture ring

    controls the size of the aperture,measured in -stops

    how large an aperture - how much LIGHT gets in

    DEPTH OF FIELD

    What is this?

    A low -stop number = a __________ aperture.LARGE

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    depth of field

    D h f Fi ld

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    Depth of Field

    /16

    /2

    /8

    D h f Fi ld

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    Depth of Field

    /16

    /2

    /8

    the wall of focus

    D h f Fi ld

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    Depth of Field

    /16

    /2

    /8

    the wall of focus how much (forwards and backwards) of your image

    will be in focus

    Depth of Field

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    Depth of Field

    Depth of Field

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    Depth of Field

    Depth of Field

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    Depth of Field

    If you want a greatdepth of field, what

    size aperture shouldyou use?

    Depth of Field

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    Depth of Field

    If you want a greatdepth of field, what

    size aperture shouldyou use? SMALL

    Depth of Field

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    Depth of Field

    If you want a greatdepth of field, what

    size aperture shouldyou use?

    Such as?

    SMALL

    Depth of Field

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    Depth of Field

    /16

    If you want a greatdepth of field, what

    size aperture shouldyou use?

    Such as?

    SMALL

    Depth of Field

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    Depth of Field

    /16

    If you want a greatdepth of field, what

    size aperture shouldyou use?

    Such as?

    SMALL

    Depth of Field

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    Depth of Field

    /16

    If you want a greatdepth of field, what

    size aperture shouldyou use?

    If you want a shallowdepth of field, what

    size aperture shouldyou use?

    Such as?

    SMALL

    Depth of Field

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    Depth of Field

    /16

    If you want a greatdepth of field, what

    size aperture shouldyou use?

    If you want a shallowdepth of field, what

    size aperture shouldyou use?

    Such as?

    SMALL

    LARGE

    Depth of Field

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    p

    /16

    If you want a greatdepth of field, what

    size aperture shouldyou use?

    If you want a shallowdepth of field, what

    size aperture shouldyou use?

    Such as?

    Such as?

    SMALL

    LARGE

    Depth of Field

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    p

    /16

    /1.4

    If you want a greatdepth of field, what

    size aperture shouldyou use?

    If you want a shallowdepth of field, what

    size aperture shouldyou use?

    Such as?

    Such as?

    SMALL

    LARGE

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    point of departure

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    What are the settings for our point of departure?

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    What are the settings for our point of departure?

    /8

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    What are the settings for our point of departure?

    /8 125

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    What are the settings for our point of departure?

    How do we use point of departure?

    /8 125

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    What are the settings for our point of departure?

    How do we use point of departure?

    as a STARTING POINT for light metering

    /8 125

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    What are the settings for our point of departure?

    How do we use point of departure?

    as a STARTING POINT for light metering

    /8 125

    Why are those settings our point of departure?

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    What are the settings for our point of departure?

    How do we use point of departure?

    as a STARTING POINT for light metering

    /8 125

    they give you a lot of room to make changes in youraperture and/or shutter speed, in either direction

    Why are those settings our point of departure?

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    light metering

    &grey cards

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    Remember that your cameras

    ROBOT EYE (a.k.a. the light meter/sensor) is trying to look at whatyoure photographing and find theMIDDLE VALUE.

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    Remember that your cameras

    ROBOT EYE (a.k.a. the light meter/sensor) is trying to look at whatyoure photographing and find theMIDDLE VALUE.

    If you try to get a light meter reading from a really darkor a really light area, your picture will not come out wellbecause the robot eye will think that is the middle value.

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    Remember that your cameras

    ROBOT EYE (a.k.a. the light meter/sensor) is trying to look at whatyoure photographing and find theMIDDLE VALUE.

    If you try to get a light meter reading from a really darkor a really light area, your picture will not come out wellbecause the robot eye will think that is the middle value.

    Instead, try to meter from something IN THE SAMELIGHT as your subject, that really is a middle value.(Or you can use a grey card!)

    A grey card can be used

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    A grey card can be usedif you want to be sureyou are metering from

    an official middle value.

    A grey card can be used

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    A grey card can be usedif you want to be sureyou are metering from

    an official middle value.

    A grey card can be used

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    A grey card can be usedif you want to be sureyou are metering from

    an official middle value.

    18 % grey

    A grey card can be used

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    A grey card can be usedif you want to be sureyou are metering from

    an official middle value.

    I dont want to

    brag or anything,but...

    18 % grey

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    bracketing

    What is bracketing?

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    What is bracketing?

    What is bracketing?

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    What is bracketing?taking the same photograph at different exposures

    What is bracketing?

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    Why would you do this?

    What is bracketing?taking the same photograph at different exposures

    What is bracketing?

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    Why would you do this?

    What is bracketing?taking the same photograph at different exposures

    to make sure you get a good exposure - especially insituations that are challenging to meter, or forphotographs that are really important to you

    What is bracketing?

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    Why would you do this?

    What is bracketing?taking the same photograph at different exposures

    to make sure you get a good exposure - especially insituations that are challenging to meter, or forphotographs that are really important to you

    How do you bracket?

    What is bracketing?

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    Why would you do this?

    t s b c t g?taking the same photograph at different exposures

    to make sure you get a good exposure - especially insituations that are challenging to meter, or forphotographs that are really important to you

    How do you bracket?1. light meter

    What is bracketing?

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    Why would you do this?

    gtaking the same photograph at different exposures

    to make sure you get a good exposure - especially insituations that are challenging to meter, or forphotographs that are really important to you

    How do you bracket?1. light meter

    2. choose which setting you want to keep (apertureor shutter speed)

    What is bracketing?

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    Why would you do this?

    gtaking the same photograph at different exposures

    to make sure you get a good exposure - especially insituations that are challenging to meter, or forphotographs that are really important to you

    How do you bracket?1. light meter

    2. choose which setting you want to keep (apertureor shutter speed)

    3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and alsoone up and one down.)

    What is bracketing?

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    Why would you do this?

    gtaking the same photograph at different exposures

    to make sure you get a good exposure - especially insituations that are challenging to meter, or forphotographs that are really important to you

    How do you bracket?1. light meter

    2. choose which setting you want to keep (apertureor shutter speed)

    3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and alsoone up and one down.)

    4. take the three photographs

    How do you bracket?

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    How do you bracket?

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    How do you bracket?

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    1. light meter

    How do you bracket?

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    1. light meter

    250

    /8

    How do you bracket?

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    1. light meter

    250

    /8

    2. choose which setting you want to keep (apertureor shutter speed)

    How do you bracket?

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    1. light meter

    250

    /8

    2. choose which setting you want to keep (apertureor shutter speed)

    How do you bracket?

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    1. light meter

    250

    /8

    2. choose which setting you want to keep (apertureor shutter speed)

    3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and also

    one up and one down.)

    How do you bracket?

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    1. light meter

    250

    /8

    2. choose which setting you want to keep (apertureor shutter speed)

    3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and also

    one up and one down.)

    500

    How do you bracket?

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    1. light meter

    250

    /8

    2. choose which setting you want to keep (apertureor shutter speed)

    3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and also

    one up and one down.)

    500 125

    How do you bracket?

    1 l h

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    1. light meter

    250

    /8

    2. choose which setting you want to keep (apertureor shutter speed)

    3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and also

    one up and one down.)

    4. take the three photographs

    500 125

    How do you bracket?

    1 l h

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    1. light meter

    250

    /8

    2. choose which setting you want to keep (apertureor shutter speed)

    3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and also

    one up and one down.)

    4. take the three photographs

    500 125

    /8 at 1/500 /8 at 250 /8 at 125

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    equivalent exposures

    Equivalent Exposures

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    Equivalent Exposures

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    What are equivalent exposures?

    Equivalent Exposures

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    What are equivalent exposures?different combinations of aperture/shutter speedsettings that give you the same exposure (range oflight/dark values)

    Equivalent Exposures

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    What are equivalent exposures?different combinations of aperture/shutter speedsettings that give you the same exposure (range oflight/dark values)

    Why do they matter?

    Equivalent Exposures

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    What are equivalent exposures?different combinations of aperture/shutter speedsettings that give you the same exposure (range oflight/dark values)

    Why do they matter?

    to help you make use of your CREATIVE controls(depth of field and the sense of movement) while still

    getting a properly exposed image

    Equivalent Exposures

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    What are equivalent exposures?different combinations of aperture/shutter speedsettings that give you the same exposure (range oflight/dark values)

    Why do they matter?

    to help you make use of your CREATIVE controls(depth of field and the sense of movement) while still

    getting a properly exposed image to help you NOT use a tripod but still get a clear and

    properly exposed image

    USING Equivalent Exposures

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    USING Equivalent Exposures

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    Lets say you are asked to shoot aphotograph of a pinwheel in

    motion, for the OMG itsSPRING!!! issue of a local magazine.

    USING Equivalent Exposures

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    Lets say you are asked to shoot aphotograph of a pinwheel in

    motion, for the OMG itsSPRING!!! issue of a local magazine.

    You find a pinwheel that is moving,and your cameras light meter tells

    you that you should use 1/500 and/2. This is the picture you get:

    USING Equivalent Exposures

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    Lets say you are asked to shoot aphotograph of a pinwheel in

    motion, for the OMG itsSPRING!!! issue of a local magazine.

    You find a pinwheel that is moving,and your cameras light meter tells

    you that you should use 1/500 and/2. This is the picture you get:

    USING Equivalent Exposures

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    Lets say you are asked to shoot aphotograph of a pinwheel in

    motion, for the OMG itsSPRING!!! issue of a local magazine.

    You find a pinwheel that is moving,and your cameras light meter tells

    you that you should use 1/500 and/2. This is the picture you get:

    /2 and 1/500 sec

    USING Equivalent Exposures

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    Lets say you are asked to shoot aphotograph of a pinwheel in

    motion, for the OMG itsSPRING!!! issue of a local magazine.

    You find a pinwheel that is moving,and your cameras light meter tells

    you that you should use 1/500 and/2. This is the picture you get:

    /2 and 1/500 sec

    Youre really happy with the

    exposure (the range of light anddark values) but it totally doesntshow motion. Like at all.

    USING Equivalent Exposures

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    Lets say you are asked to shoot aphotograph of a pinwheel in

    motion, for the OMG itsSPRING!!! issue of a local magazine.

    You find a pinwheel that is moving,and your cameras light meter tells

    you that you should use 1/500 and/2. This is the picture you get:

    /2 and 1/500 sec

    Youre really happy with the

    exposure (the range of light anddark values) but it totally doesntshow motion. Like at all.

    What should you do?

    USING Equivalent Exposures

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    USING Equivalent Exposures

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    /2 and1/500 sec

    USING Equivalent Exposures

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    /2 and1/500 sec

    What setting was responsible for

    freezing the motion of themoving pinwheel?

    USING Equivalent Exposures

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    /2 and1/500 sec

    What setting was responsible for

    freezing the motion of themoving pinwheel? shutter speed

    USING Equivalent Exposures

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    /2 and1/500 sec

    What setting was responsible for

    freezing the motion of themoving pinwheel? shutter speed

    What could you do to create thesense of motion in your

    photograph?

    USING Equivalent Exposures

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    /2 and1/500 sec

    What setting was responsible for

    freezing the motion of themoving pinwheel? shutter speed

    What could you do to create thesense of motion in your

    photograph? lower the shutter speed

    USING Equivalent Exposures

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    Since you got the EXPOSURE right, that means youre happy withthe relationship between your settings, you just need to use a

    lower shutter speed such as perhaps 1/30 sec.

    /2 and1/500 sec

    What setting was responsible for

    freezing the motion of themoving pinwheel? shutter speed

    What could you do to create thesense of motion in your

    photograph? lower the shutter speed

    USING Equivalent Exposures

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    Since you got the EXPOSURE right, that means youre happy withthe relationship between your settings, you just need to use a

    lower shutter speed such as perhaps 1/30 sec.

    Use an Equivalent Exposure chart to figure out what aperture touse with 1/30 sec so that you have the same EXPOSURE that youhad with 1/500 sec.

    /2 and1/500 sec

    What setting was responsible for

    freezing the motion of themoving pinwheel? shutter speed

    What could you do to create thesense of motion in your

    photograph? lower the shutter speed

    USING Equivalent Exposures

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    Use an Equivalent Exposure chart to figure out what aperture to use

    USING Equivalent Exposures

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    Use an Equivalent Exposure chart to figure out what aperture to usewith 1/30 sec so that you have the same exposure as with 1/500 sec.

    Use an Equivalent Exposure chart to figure out what aperture to use

    USING Equivalent Exposures

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    Use an Equivalent Exposure chart to figure out what aperture to usewith 1/30 sec so that you have the same exposure as with 1/500 sec.

    Use an Equivalent Exposure chart to figure out what aperture to use

    USING Equivalent Exposures

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    Use an Equivalent Exposure chart to figure out what aperture to usewith 1/30 sec so that you have the same exposure as with 1/500 sec.

    Use an Equivalent Exposure chart to figure out what aperture to use

    USING Equivalent Exposures

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    Use an Equivalent Exposure chart to figure out what aperture to usewith 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    Use an Equivalent Exposure chart to figure out what aperture to use

    USING Equivalent Exposures

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    Use an Equivalent Exposure chart to figure out what aperture to usewith 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    Use an Equivalent Exposure chart to figure out what aperture to use

    USING Equivalent Exposures

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    Use an Equivalent Exposure chart to figure out what aperture to usewith 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    500

    /2

    Use an Equivalent Exposure chart to figure out what aperture to use

    USING Equivalent Exposures

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    Use an Equivalent Exposure chart to figure out what aperture to usewith 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    250500

    /2

    Use an Equivalent Exposure chart to figure out what aperture to use

    USING Equivalent Exposures

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    Use an Equivalent Exposure chart to figure out what aperture to usewith 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    250 125500

    /2

    Use an Equivalent Exposure chart to figure out what aperture to use

    USING Equivalent Exposures

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    q p g pwith 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    250 125 60500

    /2

    Use an Equivalent Exposure chart to figure out what aperture to use

    USING Equivalent Exposures

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    q p g pwith 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    250 125 60 30500

    /2

    Use an Equivalent Exposure chart to figure out what aperture to use

    USING Equivalent Exposures

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    q p g pwith 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    1000 250 125 60 30500

    /2

    Use an Equivalent Exposure chart to figure out what aperture to use

    USING Equivalent Exposures

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    q p g pwith 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    1000 250 125 60 30 15500

    /2

    Use an Equivalent Exposure chart to figure out what aperture to use

    USING Equivalent Exposures

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    q p g pwith 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    1000 250 125 60 30 15 8500

    /2

    Use an Equivalent Exposure chart to figure out what aperture to use

    USING Equivalent Exposures

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    q p g pwith 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    1000 250 125 60 30 15 8

    /1.4

    500

    /2

    Use an Equivalent Exposure chart to figure out what aperture to use

    USING Equivalent Exposures

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    q p g pwith 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    1000 250 125 60 30 15 8

    /1.4

    500

    /2 /4

    Use an Equivalent Exposure chart to figure out what aperture to use

    USING Equivalent Exposures

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    q p g pwith 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    1000 250 125 60 30 15 8

    /1.4

    500

    /2 /4 /5.6

    Use an Equivalent Exposure chart to figure out what aperture to use

    USING Equivalent Exposures

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    with 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    1000 250 125 60 30 15 8

    /1.4

    500

    /2 /4 /5.6 /8

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    Use an Equivalent Exposure chart to figure out what aperture to use

    USING Equivalent Exposures

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    with 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    1000 250 125 60 30 15 8

    /1.4

    500

    /2 /4 /5.6 /8 /11 /16

    Use an Equivalent Exposure chart to figure out what aperture to use

    USING Equivalent Exposures

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    with 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    1000 250 125 60 30 15 8

    /1.4

    500

    /2 /4 /5.6 /8 /11 /16 /22

    Use an Equivalent Exposure chart to figure out what aperture to useh 1/30 h h h h 1/500

    USING Equivalent Exposures

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    with 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    1000 250 125 60 30 15 8

    /1.4

    500

    /2 /4 /5.6 /8 /11 /16 /22

    Use an Equivalent Exposure chart to figure out what aperture to useh 1/30 h h h h 1/500

    USING Equivalent Exposures

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    with 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    1000 250 125 60 30 15 8

    /1.4

    500

    /2 /4 /5.6 /8 /11 /16 /22

    Use an Equivalent Exposure chart to figure out what aperture to usei h 1/30 h h h i h 1/500

    USING Equivalent Exposures

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    with 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    1000 250 125 60 30 15 8

    /1.4

    500

    /2 /4 /5.6 /8 /11 /16 /22

    /1130

    Use an Equivalent Exposure chart to figure out what aperture to usei h 1/30 h h h i h 1/500

    USING Equivalent Exposures

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    with 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    1000 250 125 60 30 15 8

    /1.4

    500

    /2 /4 /5.6 /8 /11 /16 /22

    /1130

    Use an Equivalent Exposure chart to figure out what aperture to usei h 1/30 h h h i h 1/500

    USING Equivalent Exposures

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    with 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    1000 250 125 60 30 15 8

    /1.4

    500

    /2 /4 /5.6 /8 /11 /16 /22

    /1130

    Use an Equivalent Exposure chart to figure out what aperture to useith 1/30 th t h th ith 1/500

    USING Equivalent Exposures

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    with 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    1000 250 125 60 30 15 8

    /1.4

    500

    /2 /4 /5.6 /8 /11 /16 /22

    /1130

    Use an Equivalent Exposure chart to figure out what aperture to useith 1/30 th t h th exposure ith 1/500

    USING Equivalent Exposures

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    with 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    1000 250 125 60 30 15 8

    /1.4

    500

    /2 /4 /5.6 /8 /11 /16 /22

    /1130

    these images areequivalent exposures

    Use an Equivalent Exposure chart to figure out what aperture to useith 1/30 th t h th exposure ith 1/500

    USING Equivalent Exposures

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    with 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    1000 250 125 60 30 15 8

    /1.4

    500

    /2 /4 /5.6 /8 /11 /16 /22

    /1130

    these images areequivalent exposures

    Use an Equivalent Exposure chart to figure out what aperture to usewith 1/30 sec so that you have the same exposure as with 1/500 sec

    USING Equivalent Exposures

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    with 1/30 sec so that you have the same exposure as with 1/500 sec.

    /2500

    1000 250 125 60 30 15 8

    /1.4

    500

    /2 /4 /5.6 /8 /11 /16 /22

    /1130

    these images areequivalent exposures

    USE A

    TRIPOD

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    film speed

    Film Speed

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    Film Speedrefers to the level of light inwhich you can photograph

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    which you can photograph

    Film Speedrefers to the level of light inwhich you can photograph

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    which you can photograph

    What changes?

    Film Speedrefers to the level of light inwhich you can photograph

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    which you can photograph

    What changes?the size of the silver particles

    Film Speedrefers to the level of light inwhich you can photograph

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    which you can photograph

    What changes?the size of the silver particles

    What is ASA/ISO?

    Film Speedrefers to the level of light inwhich you can photograph

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    which you can photograph

    What changes?the size of the silver particles

    What is ASA/ISO?

    scales we use to measure film speed

    Film Speedrefers to the level of light inwhich you can photograph

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    which you can photograph

    What changes?the size of the silver particles

    LOW speed film has _______ silver particles.

    What is ASA/ISO?

    scales we use to measure film speed

    Film Speedrefers to the level of light inwhich you can photograph

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    which you can photograph

    What changes?the size of the silver particles

    LOW speed film has _______ silver particles.SMALL

    What is ASA/ISO?

    scales we use to measure film speed

    Film Speedrefers to the level of light inwhich you can photograph

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    which you can photograph

    What changes?the size of the silver particles

    LOW speed film has _______ silver particles.SMALL

    it can be only used in situations that

    have HIGH levels of light

    What is ASA/ISO?

    scales we use to measure film speed

    Film Speedrefers to the level of light inwhich you can photograph

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    which you can photograph

    What changes?the size of the silver particles

    LOW speed film has _______ silver particles.

    HIGH speed film has _______ silver particles.

    SMALL

    it can be only used in situations that

    have HIGH levels of light

    What is ASA/ISO?scales we use to measure film speed

    Film Speedrefers to the level of light inwhich you can photograph

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    which you can photograph

    What changes?the size of the silver particles

    LOW speed film has _______ silver particles.

    HIGH speed film has _______ silver particles.BIG

    SMALL

    it can be only used in situations that

    have HIGH levels of light

    What is ASA/ISO?scales we use to measure film speed

    Film Speedrefers to the level of light inwhich you can photograph

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    which you can photograph

    What changes?the size of the silver particles

    LOW speed film has _______ silver particles.

    HIGH speed film has _______ silver particles.BIG

    SMALL

    it can be only used in situations that

    have HIGH levels of light

    it can be used in situations thathave LOWER levels of light

    What is ASA/ISO?scales we use to measure film speed

    You can think about film speed like little light sponges.Or like pixels.

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    You can think about film speed like little light sponges.Or like pixels.

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    LOW speed film has _______ pixels.

    You can think about film speed like little light sponges.Or like pixels.

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    LOW speed film has _______ pixels.SMALL

    You can think about film speed like little light sponges.Or like pixels.

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    LOW speed film has _______ pixels.SMALL

    You can think about film speed like little light sponges.Or like pixels.

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    LOW speed film has _______ pixels.SMALL low light-sensitivity

    You can think about film speed like little light sponges.Or like pixels.

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    LOW speed film has _______ pixels.SMALL

    low light-sensitivity low contrast

    You can think about film speed like little light sponges.Or like pixels.

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    LOW speed film has _______ pixels.SMALL

    low light-sensitivity low contrast low visibility of grain (pixels)

    You can think about film speed like little light sponges.Or like pixels.

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    LOW speed film has _______ pixels.SMALL

    low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time

    You can think about film speed like little light sponges.Or like pixels.

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    LOW speed film has _______ pixels.

    HIGH speed film has _______ pixels.

    SMALL

    low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time

    You can think about film speed like little light sponges.Or like pixels.

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    LOW speed film has _______ pixels.

    HIGH speed film has _______ pixels.BIG

    SMALL

    low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time

    You can think about film speed like little light sponges.Or like pixels.

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    LOW speed film has _______ pixels.

    HIGH speed film has _______ pixels.BIG

    SMALL

    low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time

    You can think about film speed like little light sponges.Or like pixels.

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    LOW speed film has _______ pixels.

    HIGH speed film has _______ pixels.BIG

    SMALL

    low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time

    high light-sensitivity

    You can think about film speed like little light sponges.Or like pixels.

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    LOW speed film has _______ pixels.

    HIGH speed film has _______ pixels.BIG

    SMALL

    low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time

    high light-sensitivity

    high contrast

    You can think about film speed like little light sponges.Or like pixels.

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    LOW speed film has _______ pixels.

    HIGH speed film has _______ pixels.BIG

    SMALL

    low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time

    high light-sensitivity

    high contrast high visibility of grain (pixels)

    You can think about film speed like little light sponges.Or like pixels.

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    LOW speed film has _______ pixels.

    HIGH speed film has _______ pixels.BIG

    SMALL

    low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time

    high light-sensitivity

    high contrast high visibility of grain (pixels) needs less light or time

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    parts of the enlarger

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    Parts of the Enlarger

    {

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    Parts of the Enlarger

    {

    lamphouse {

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    Parts of the Enlarger

    lamphouse {

    lamphouse {

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    Parts of the Enlarger

    lamphouse {

    {

    lamphouse {

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    Parts of the Enlarger

    lamphouse

    bellows

    {

    {

    lamphouse {

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    Parts of the Enlarger

    a p ouse

    bellows

    {

    {

    lamphouse {

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    Parts of the Enlarger

    p

    negative carriergoes here

    bellows

    {

    {

    lamphouse {

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    Parts of the Enlarger

    p

    negative carriergoes here

    bellows

    {

    {

    lamphouse

    heightadjustmentknob

    {

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    Parts of the Enlarger

    p

    negative carriergoes here

    bellows

    {

    {

    lamphouse

    heightadjustmentknob

    { moves EVERYTHINGup and down

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    Parts of the Enlarger

    p

    negative carriergoes here

    bellows

    {

    {

    lamphouse

    heightadjustmentknob

    { moves EVERYTHINGup and down

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    Parts of the Enlarger

    p

    negative carriergoes here

    bellows

    {

    {

    lamphouse

    heightadjustmentknob

    { moves EVERYTHINGup and down

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    Parts of the Enlarger

    p

    negative carriergoes here

    bellows

    fine focus

    {

    {

    lamphouse

    heightadjustmentknob

    { moves EVERYTHINGup and down

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    Parts of the Enlarger

    p

    negative carriergoes here

    bellows

    fine focus

    {

    {

    moves the bellowsup and down

    lamphouse

    heightadjustmentknob

    { moves EVERYTHINGup and down

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    Parts of the Enlarger

    p

    negative carriergoes here

    bellows

    fine focus

    {

    {

    moves the bellowsup and down

    easel goes here

    lamphouse

    heightadjustmentknob

    { moves EVERYTHINGup and down

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    Parts of the Enlarger

    p

    negative carriergoes here

    bellows

    fine focus

    {

    {

    moves the bellowsup and down

    easel goes here

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    the easels

    Easels

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    Easels

    This is a ________ easel.

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    Easels

    This is a ________ easel.CONTACT

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    Easels

    This is a ________ easel.CONTACT

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    It is used when making:

    Easels

    This is a ________ easel.CONTACT

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    It is used when making: contact sheets

    Easels

    This is a ________ easel.CONTACT

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    It is used when making: contact sheets pinhole positives

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    Easels

    This is a ________ easel.CONTACT

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    It is used when making: contact sheets pinhole positives collage negatives photograms

    Easels

    This is a ________ easel.CONTACT

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    It is used when making: contact sheets pinhole positives collage negatives photograms

    Easels

    This is a ________ easel.CONTACT

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    It is used when making: contact sheets pinhole positives collage negatives photograms

    This is a __________________ easel.

    Easels

    This is a ________ easel.CONTACT

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    It is used when making: contact sheets pinhole positives collage negatives photograms

    This is a __________________ easel.PRINTING / MASKING

    Easels

    This is a ________ easel.CONTACT

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    It is used when making: contact sheets pinhole positives collage negatives photograms

    This is a __________________ easel.PRINTING / MASKING

    It is used when making:

    Easels

    This is a ________ easel.CONTACT

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    It is used when making: contact sheets pinhole positives collage negatives photograms

    This is a __________________ easel.PRINTING / MASKING

    It is used when making:

    enlargements from negatives

    Easels

    This is a ________ easel.CONTACT

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    It is used when making: contact sheets pinhole positives collage negatives photograms

    This is a __________________ easel.PRINTING / MASKING

    It is used when making:

    enlargements from negatives

    It helps your prints have:

    Easels

    This is a ________ easel.CONTACT

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    It is used when making: contact sheets pinhole positives collage negatives photograms

    This is a __________________ easel.PRINTING / MASKING

    It is used when making:

    enlargements from negatives

    It helps your prints have: neat, white borders

    Easels

    This is a ________ easel.CONTACT

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    It is used when making: contact sheets pinhole positives collage negatives photograms

    This is a __________________ easel.PRINTING / MASKING

    It is used when making:

    enlargements from negatives

    It helps your prints have: neat, white borders regular sizes

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    dodging & burning

    Dodge & Burn

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    Dodge & BurnDodging and burning are darkroom (andPhotoshop!) techniques used to change the

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    exposure of PART of your image - whenPART of an image is too light or too dark

    Dodge & BurnDodging and burning are darkroom (andPhotoshop!) techniques used to change the

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    exposure of PART of your image - whenPART of an image is too light or too dark

    To _________ is to protect an area from lightwhile you further expose the rest of the image.

    Dodge & BurnDodging and burning are darkroom (andPhotoshop!) techniques used to change the

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    exposure of PART of your image - whenPART of an image is too light or too dark

    To _________ is to protect an area from lightwhile you further expose the rest of the image.

    DODGE

    Dodge & BurnDodging and burning are darkroom (andPhotoshop!) techniques used to change the

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    exposure of PART of your image - whenPART of an image is too light or too dark

    To _________ is to protect an area from lightwhile you further expose the rest of the image.

    To _________ is to further expose one specificarea of an image to make it darker while youprotect the rest of the image.

    DODGE

    Dodge & BurnDodging and burning are darkroom (andPhotoshop!) techniques used to change the

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    exposure of PART of your image - whenPART of an image is too light or too dark

    To _________ is to protect an area from lightwhile you further expose the rest of the image.

    To _________ is to further expose one specificarea of an image to make it darker while youprotect the rest of the image.

    DODGE

    BURN

    For example: Dodge & Burn

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    For example: Dodge & Burn

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    For example:The arabber (fruit merchant) is too dark because of incorrectmetering; but reducing exposure to the whole image in the darkroomwould also get rid of what little detail there is in the background.

    Dodge & Burn

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    For example:The arabber (fruit merchant) is too dark because of incorrectmetering; but reducing exposure to the whole image in the darkroomwould also get rid of what little detail there is in the background.

    Dodge & Burn

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    We shouldprotect thearabber at alower exposure,

    while furtherexposing thebackground.

    For example:The arabber (fruit merchant) is too dark because of incorrectmetering; but reducing exposure to the whole image in the darkroomwould also get rid of what little detail there is in the background.

    Dodge & Burn

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    We shouldprotect thearabber at alower exposure,

    while furtherexposing thebackground.

    This is called

    __________

    For example:The arabber (fruit merchant) is too dark because of incorrectmetering; but reducing exposure to the whole image in the darkroomwould also get rid of what little detail there is in the background.

    Dodge & Burn

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    We shouldprotect thearabber at alower exposure,

    while furtherexposing thebackground.

    This is called

    __________DODGING

    How to Dodge (a very basic tutorial)

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    1. expose the image until you are happy with the arabbers levels

    How to Dodge (a very basic tutorial)

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    1. expose the image until you are happy with the arabbers levels

    How to Dodge (a very basic tutorial)

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    1. expose the image until you are happy with the arabbers levels

    How to Dodge (a very basic tutorial)but see how light the background is?

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    1. expose the image until you are happy with the arabbers levels

    How to Dodge (a very basic tutorial)

    2. cut out a cardboard protector that is about the same size as

    but see how light the background is?

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    the arabber

    1. expose the image until you are happy with the arabbers levels

    How to Dodge (a very basic tutorial)

    2. cut out a cardboard protector that is about the same size as

    but see how light the background is?

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    the arabber

    1. expose the image until you are happy with the arabbers levels

    How to Dodge (a very basic tutorial)

    2. cut out a cardboard protector that is about the same size as

    but see how light the background is?

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    the arabber3. move the protector up and down under the enlarger lamp

    while exposing the background further

    1. expose the image until you are happy with the arabbers levels

    How to Dodge (a very basic tutorial)

    2. cut out a cardboard protector that is about the same size as

    but see how light the background is?

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    the arabber3. move the protector up and down under the enlarger lamp

    while exposing the background further

    1. expose the image until you are happy with the arabbers levels

    How to Dodge (a very basic tutorial)

    2. cut out a cardboard protector that is about the same size as

    but see how light the background is?

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    the arabber3. move the protector up and down under the enlarger lamp

    while exposing the background further

    1. expose the image until you are happy with the arabbers levels

    How to Dodge (a very basic tutorial)

    2. cut out a cardboard protector that is about the same size as

    but see how light the background is?

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    the arabber3. move the protector up and down under the enlarger lamp

    while exposing the background further

    1. expose the image until you are happy with the arabbers levels

    How to Dodge (a very basic tutorial)

    2. cut out a cardboard protector that is about the same size as

    but see how light the background is?

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    the arabber3. move the protector up and down under the enlarger lamp

    while exposing the background further

    1. expose the image until you are happy with the arabbers levels

    How to Dodge (a very basic tutorial)

    2. cut out a cardboard protector that is about the same size as

    but see how light the background is?

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    the arabber3. move the protector up and down under the enlarger lamp

    while exposing the background further

    1. expose the image until you are happy with the arabbers levels

    How to Dodge (a very basic tutorial)

    2. cut out a cardboard protector that is about the same size as

    but see how light the background is?

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    the arabber3. move the protector up and down under the enlarger lamp

    while exposing the background further

    1. expose the image until you are happy with the arabbers levels

    How to Dodge (a very basic tutorial)

    2. cut out a cardboard protector that is about the same size as

    but see how light the background is?

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    the arabber3. move the protector up and down under the enlarger lamp

    while exposing the background further

    4. ta-da!

    Dodging

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    before

    after

    Dodging

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    before

    after

    Dodging

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    before

    after

    For example: Dodge & Burn

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    For example: Dodge & Burn

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    For example:The white floral arrangement in the lower right hand corner is fartoo light and takes away from the rest of the image, which isproperly exposed. Increasing exposure to the whole image in thedarkroom would make the majority of the image far too dark.

    Dodge & Burn

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    For example:The white floral arrangement in the lower right hand corner is fartoo light and takes away from the rest of the image, which isproperly exposed. Increasing exposure to the whole image in thedarkroom would make the majority of the image far too dark.

    Dodge & Burn

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    We shouldfurther exposeONLY the white

    flowers, whileprotecting therest of the image.

    For example:The white floral arrangement in the lower right hand corner is fartoo light and takes away from the rest of the image, which isproperly exposed. Increasing exposure to the whole image in thedarkroom would make the majority of the image far too dark.

    Dodge & Burn

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    We shouldfurther exposeONLY the white

    flowers, whileprotecting therest of the image.

    This is called

    __________

    For example:The white floral arrangement in the lower right hand corner is fartoo light and takes away from the rest of the image, which isproperly exposed. Increasing exposure to the whole image in thedarkroom would make the majority of the image far too dark.

    Dodge & Burn

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    We shouldfurther exposeONLY the white

    flowers, whileprotecting therest of the image.

    This is called

    __________BURNING

    How to Burn (a very basic tutorial)

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    1. expose the image until you are happy with the levels in themajority of the image

    How to Burn (a very basic tutorial)

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    1. expose the image until you are happy with the levels in themajority of the image

    How to Burn (a very basic tutorial)

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    1. expose the image until you are happy with the levels in themajority of the image

    How to Burn (a very basic tutorial)

    2. cut out a cardboard protector that protects everything

    h hi fl

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    except the white flowers

    1. expose the image until you are happy with the levels in themajority of the image

    How to Burn (a very basic tutorial)

    2. cut out a cardboard protector that protects everything

    h hi fl

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    except the white flowers

    1. expose the image until you are happy with the levels in themajority of the image

    How to Burn (a very basic tutorial)

    2. cut out a cardboard protector that protects everything

    t th hit fl

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    except the white flowers3. move the protector up and down under the enlarger lamp

    while exposing the white flowers further

    1. expose the image until you are happy with the levels in themajority of the image

    How to Burn (a very basic tutorial)

    2. cut out a cardboard protector that protects everything

    t th hit fl

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    except the white flowers3. move the protector up and down under the enlarger lamp

    while exposing the white flowers further

    1. expose the image until you are happy with the levels in themajority of the image

    How to Burn (a very basic tutorial)

    2. cut out a cardboard protector that protects everything

    t th hit fl

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    except the white flowers3. move the protector up and down under the enlarger lamp

    while exposing the white flowers further

    1. expose the image until you are happy with the levels in themajority of the image

    How to Burn (a very basic tutorial)

    2. cut out a cardboard protector that protects everything

    t th hit fl

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    except the white flowers3. move the protector up and down under the enlarger lamp

    while exposing the white flowers further

    1. expose the image until you are happy with the levels in themajority of the image

    How to Burn (a very basic tutorial)

    2. cut out a cardboard protector that protects everything

    except the white flowers

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    except the white flowers3. move the protector up and down under the enlarger lamp

    while exposing the white flowers further

    1. expose the image until you are happy with the levels in themajority of the image

    How to Burn (a very basic tutorial)

    2. cut out a cardboard protector that protects everything

    except the white flowers

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    except the white flowers3. move the protector up and down under the enlarger lamp

    while exposing the white flowers further

    1. expose the image until you are happy with the levels in themajority of the image

    How to Burn (a very basic tutorial)

    2. cut out a cardboard protector that protects everything

    except the white flowers

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    except the white flowers3. move the protector up and down under the enlarger lamp

    while exposing the white flowers further

    1. expose the image until you are happy with the levels in themajority of the image

    How to Burn (a very basic tutorial)

    2. cut out a cardboard protector that protects everything

    except the white flowers

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    except the white flowers3. move the protector up and down under the enlarger lamp

    while exposing the white flowers further

    4. ta-da!

    Burning

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    before

    after

    Burning

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    before

    after

    Burning

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    before

    after

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    processing film

    Loading Your Film:What goes into the changing bag?

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    Loading Your Film:What goes into the changing bag?

    tank (including lid & post)

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    Loading Your Film:What goes into the changing bag?

    tank (including lid & post) 2 reels

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    Loading Your Film:What goes into the changing bag?

    tank (including lid & post) 2 reels

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    Loading Your Film:What goes into the changing bag?

    tank (including lid & post) 2 reels can opener

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    can opener

    Loading Your Film:What goes into the changing bag?

    tank (including lid & post) 2 reels can opener

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    can opener

    Loading Your Film:What goes into the changing bag?

    tank (including lid & post) 2 reels can opener

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    can opener scissors

    Loading Your Film:What goes into the changing bag?

    tank (including lid & post) 2 reels can opener

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    can opener scissors

    Loading Your Film:What goes into the changing bag?

    tank (including lid & post) 2 reels can opener

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    can opener scissors your film

    Loading Your Film:What goes into the changing bag?

    tank (including lid & post) 2 reels can opener

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    can opener scissors your film

    Processing Your Film (the condensed version)

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    Processing Your Film (the condensed version)

    1. The 1st chemical to go into yourtank is ____________.

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    Processing Your Film (the condensed version)

    1. The 1st chemical to go into yourtank is ____________.DEVELOPER

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    Processing Your Film (the condensed version)

    1. The 1st chemical to go into yourtank is ____________.DEVELOPER

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    You mix developer using a 1:1ratio (one equal part of each)

    of _______ and __________.

    Processing Your Film (the condensed version)

    1. The 1st chemical to go into yourtank is ____________.DEVELOPER

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    You mix developer using a 1:1ratio (one equal part of each)

    of _______ and __________.WATER

    Processing Your Film (the condensed version)

    1. The 1st chemical to go into yourtank is ____________.DEVELOPER

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    You mix developer using a 1:1ratio (one equal part of each)

    of _______ and __________.WATERconcentratedDEVELOPER

    Processing Your Film (the condensed version)

    1. The 1st chemical to go into yourtank is ____________.DEVELOPER

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    You mix developer using a 1:1ratio (one equal part of each)

    of _______ and __________.WATERconcentratedDEVELOPER

    Developer is dependent on

    ______ and _____________.

    Processing Your Film (the condensed version)

    1. The 1st chemical to go into yourtank is ____________.DEVELOPER

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    You mix developer using a 1:1ratio (one equal part of each)

    of _______ and __________.WATERconcentratedDEVELOPER

    Developer is dependent on

    ______ and _____________.TIME

    Processing Your Film (the condensed version)

    1. The 1st chemical to go into yourtank is ____________.DEVELOPER

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    You mix developer using a 1:1ratio (one equal part of each)

    of _______ and __________.WATERconcentratedDEVELOPER

    Developer is dependent on

    ______ and _____________.TIME TEMPERATURE

    Processing Your Film (the condensed version)

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    Processing Your Film (the condensed version)

    2. The 2nd chemical to go into

    your tank is .

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    y ____________

    Processing Your Film (the condensed version)

    2. The 2nd chemical to go into

    your tank is .STOP BATH

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    y ____________

    Processing Your Film (the condensed version)

    2. The 2nd chemical to go into

    your tank is .STOP BATH

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    y ____________

    What does stop bath do?

    Processing Your Film (the condensed version)

    2. The 2nd chemical to go into

    your tank is .STOP BATH

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    y ____________

    What does stop bath do?

    arrests the developing process

    Processing Your Film (the condensed version)

    2. The 2nd chemical to go into

    your tank is .STOP BATH

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    y ____________

    What does stop bath do?

    arrests the developing process

    What can you substitute for

    stop bath?

    Processing Your Film (the condensed version)

    2. The 2nd chemical to go into

    your tank is .STOP BATH

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    y ____________

    What does stop bath do?

    arrests the developing process

    What can you substitute for

    stop bath?water

    Processing Your Film (the condensed version)

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    Processing Your Film (the condensed version)

    3. The 3rd chemical to go intoyour tank is ____________.

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    Processing Your Film (the condensed version)

    3. The 3rd chemical to go intoyour tank is ____________.FIXER

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    Processing Your Film (the condensed version)

    3. The 3rd chemical to go intoyour tank is ____________.FIXER

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    What does fixer do?

    Processing Your Film (the condensed version)

    3. The 3rd chemical to go intoyour tank is ____________.FIXER

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    What does fixer do?removes unexposed silver from

    the film

    Processing Your Film (the condensed version)

    3. The 3rd chemical to go intoyour tank is ____________.FIXER

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    What does fixer do?removes unexposed silver from

    the film

    Fixer is the only chemical thatcannot EVER be...

    Processing Your Film (the condensed version)

    3. The 3rd chemical to go intoyour tank is ____________.FIXER

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    What does fixer do?removes unexposed silver from

    the film

    Fixer is the only chemical thatcannot EVER be...

    poured down the drain

    Processing Your Film (the condensed version)

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    Processing Your Film (the condensed version)

    CHECK YOUR FILM!

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    Processing Your Film (the condensed version)

    CHECK YOUR FILM!

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    Processing Your Film (the condensed version)

    CHECK YOUR FILM!Maybe I need to

    fix these longer...

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    g

    Processing Your Film (the condensed version)

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    Processing Your Film (the condensed version)

    4. Water wash!

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    Processing Your Film (the condensed version)

    4. Water wash!

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    Processing Your Film (the condensed version)

    4. Water wash!

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    +

    Processing Your Film (the condensed version)

    4. Water wash!

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    +

    Processing Your Film (the condensed version)

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    Processing Your Film (the condensed version)

    5. The 4th chemical to go into

    your tank is ____________.

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    Processing Your Film (the condensed version)

    5. The 4th chemical to go into

    your tank is ____________.PERMA WASH

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    Processing Your Film (the condensed version)

    5. The 4th chemical to go into

    your tank is ____________.PERMA WASH

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    What does Perma Wash do?

    Processing Your Film (the condensed version)

    5. The 4th chemical to go into

    your tank is ____________.PERMA WASH

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    What does Perma Wash do?

    Perma Wash is like soap for your

    film - it removes the fixer andother gross things

    Processing Your Film (the condensed version)

    5. The 4th chemical to go into

    your tank is ____________.PERMA WASH

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    What does Perma Wash do?

    Perma Wash is like soap for your

    film - it removes the fixer andother gross things

    Processing Your Film (the condensed version)

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    Processing Your Film (the condensed version)

    6. Water wash!

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    Processing Your Film (the condensed version)

    6. Water wash!

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    Processing Your Film (the condensed version)

    6. Water wash!

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    +

    Processing Your Film (the condensed version)

    6. Water wash!

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    +

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    Processing Your Film (the condensed version)

    7. The 5th chemical to go into

    your tank is ____________.

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    Processing Your Film (the condensed version)

    7. The 5th chemical to go into

    your tank is ____________.PHOTO FLO

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    Processing Your Film (the condensed version)

    7. The 5th chemical to go into

    your tank is ____________.PHOTO FLO

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    What does photo flo do?

    Processing Your Film (the condensed version)

    7. The 5th chemical to go into

    your tank is ____________.PHOTO FLO

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    What does photo flo do?

    photo flo prevents water spotsfrom forming on your negatives,similar to that stuff at the end of acar wash or in your dishwasher

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    darkroom chemistry

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    sink

    developer

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    sink

    developer

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    sink

    stop bath developer

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    sink

    stop bath developer

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    sink

    fixer stop bath developer

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    sink

    fixer stop bath developer

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    sink

    water fixer stop bath developer

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    sink

    water fixer stop bath developer

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    sink

    water fixer stop bath developerwhat do I do?

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    sink

    water fixer stop bath developerwhat do I do? develops the paper

    (oxidizes silver)(pH 11 or 12 = base)

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    sink

    water fixer stop bath developerwhat do I do? develops the paper

    (oxidizes silver)(pH 11 or 12 = base)

    stops thedeveloping(low pH = acid,neutralizes the

    developer)

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    sink

    water fixer stop bath developerwhat do I do? develops the paper

    (oxidizes silver)(pH 11 or 12 = base)

    stops thedeveloping(low pH = acid,neutralizes the

    developer)

    stabilizesthe image

    (removes unexposedsilver from the paper)

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    sink

    water fixer stop bath developerwhat do I do? develops the paper

    (oxidizes silver)(pH 11 or 12 = base)

    stops thedeveloping(low pH = acid,neutralizes the

    developer)

    stabilizesthe image

    (removes unexposedsilver from the paper)

    cleans the print(washes off allthe chemicals)

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    sink

    water fixer stop bath developerwhat do I do? develops the paper

    (oxidizes silver)(pH 11 or 12 = base)

    stops thedeveloping(low pH = acid,neutralizes the

    developer)

    stabilizesthe image

    (removes unexposedsilver from the paper)

    cleans the print(washes off allthe chemicals)

    how long?

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    sink

    water fixer stop bath developerwhat do I do? develops the paper

    (oxidizes silver)(pH 11 or 12 = base)

    stops thedeveloping(low pH = acid,neutralizes the

    developer)

    stabilizesthe image

    (removes unexposedsilver from the paper)

    cleans the print(washes off allthe chemicals)

    how long? 1 1/2 minutes(90 sec)

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    sink

    water fixer stop bath developerwhat do I do? develops the paper

    (oxidizes silver)(pH 11 or 12 = base)

    stops thedeveloping(low pH = acid,neutralizes the

    developer)

    stabilizesthe image

    (removes unexposedsilver from the paper)

    cleans the print(washes off allthe chemicals)

    how long? 1 1/2 minutes(90 sec)30 sec

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    sink

    water fixer stop bath developerwhat do I do? develops the paper

    (oxidizes silver)(pH 11 or 12 = base)

    stops thedeveloping(low pH = acid,neutralizes the

    developer)

    stabilizesthe image

    (removes unexposedsilver from the paper)

    cleans the print(washes off allthe chemicals)

    how long? 1 1/2 minutes(90 sec)30 sec

    5 minutes

  • 8/8/2019 Photo 1 Midterm Review

    346/391

    sink

    water fixer stop bath developerwhat do I do? develops the paper

    (oxidizes silver)(pH 11 or 12 = base)

    stops thedeveloping(low pH = acid,neutralizes the

    developer)

    stabilizesthe image

    (removes unexposedsilver from the paper)

    cleans the print(washes off allthe chemicals)

    how long? 1 1/2 minutes(90 sec)30 sec

    5 minutes5 minutes

  • 8/8/2019 Photo 1 Midterm Review

    347/391

    sink

    water fixer stop bath developerwhat do I do? develops the paper

    (oxidizes silver)(pH 11 or 12 = base)

    stops thedeveloping(low pH = acid,neutralizes the

    developer)

    stabilizesthe image

    (removes unexposedsilver from the paper)

    cleans the print(washes off allthe chemicals)

    how long?

    I should bereplaced when...

    1 1/2 minutes(90 sec)30 sec

    5 minutes5 minutes

  • 8/8/2019 Photo 1 Midterm Review

    348/391

    sink

    water fixer stop bath developerwhat do I do? develops the paper

    (oxidizes silver)(pH 11 or 12 = base)

    stops thedeveloping(low pH = acid,neutralizes the

    developer)

    stabilizesthe image

    (removes unexposedsilver from the paper)

    cleans the print(washes off allthe chemicals)

    how long?

    I should bereplaced when...

    1 1/2 minutes(90 sec)30 sec

    5 minutes5 minutes

    if I am a brown color

  • 8/8/2019 Photo 1 Midterm Review

    349/391

    sink

    water fixer stop bath developerwhat do I do? develops the paper

    (oxidizes silver)(pH 11 or 12 = base)

    stops thedeveloping(low pH = acid,neutralizes the

    developer)

    stabilizesthe image

    (removes unexposedsilver from the paper)

    cleans the print(washes off allthe chemicals)

    how long?

    I should bereplaced when...

    1 1/2 minutes(90 sec)30 sec

    5 minutes5 minutes

    if I am a darkpurple color if I am a brown color

  • 8/8/2019 Photo 1 Midterm Review

    350/391

    sink

    water fixer stop bath developerwhat do I do? develops the paper

    (oxidizes silver)(pH 11 or 12 = base)

    stops thedeveloping(low pH = acid,neutralizes the

    developer)

    stabilizesthe image

    (removes unexposedsilver from the paper)

    cleans the print(washes off allthe chemicals)

    how long?

    I should bereplaced when...

    1 1/2 minutes(90 sec)30 sec

    5 minutes5 minutes

    if I get cloudy whenyou drip hypo check in

    if I am a darkpurple color if I am a brown color

  • 8/8/2019 Photo 1 Midterm Review

    351/391

    sink

    water fixer stop bath developerwhat do I do? develops the paper

    (oxidizes silver)(pH 11 or 12 = base)

    stops thedeveloping(low pH = acid,neutralizes the

    developer)

    stabilizesthe image

    (removes unexposedsilver from the paper)

    cleans the print(washes off allthe chemicals)

    how long?

    I should bereplaced when...

    1 1/2 minutes(90 sec)30 sec

    5 minutes5 minutes

    N/Aif I get cloudy when

    you drip hypo check inif I am a darkpurple color if I am a brown color

  • 8/8/2019 Photo 1 Midterm Review

    352/391

    sink

  • 8/8/2019 Photo 1 Midterm Review

    353/391

    Photoshop

    (but only a few things)

  • 8/8/2019 Photo 1 Midterm Review

    354/391

    I want to select an area of my image (becausethen I can copy it, delete it, or change it!)

  • 8/8/2019 Photo 1 Midterm Review

    355/391

    I want to select an area of my image (becausethen I can copy it, delete it, or change it!)

    What are some ways I can do this?

  • 8/8/2019 Photo 1 Midterm Review

    356/391

    I want to select an area of my image (becausethen I can copy it, delete it, or change it!)

    What are some ways I can do this?

  • 8/8/2019 Photo 1 Midterm Review

    357/391

    I want to select an area of my image (becausethen I can copy it, delete it, or change it!)

    What are some ways I can do this?

  • 8/8/2019 Photo 1 Midterm Review

    358/391

    I want to select an area of my image (becausethen I can copy it, delete it, or change it!)

    What are some ways I can do this?

  • 8/8/2019 Photo 1 Midterm Review

    359/391

  • 8/8/2019 Photo 1 Midterm Review

    360/391

    I just want to MOVE something, and it isnt working,and I want to destroy the computer. (I feel this way

    sometimes too.)

  • 8/8/2019 Photo 1 Midterm Review

    361/391

    I just want to MOVE something, and it isnt working,and I want to destroy the computer. (I feel this way

    sometimes too.)

    How can I make it move?

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    362/391

    How can I make it move?

    I just want to MOVE something, and it isnt working,and I want to destroy the computer. (I feel this way

    sometimes too.)

    How can I make it move?