Nick A. (Analyze all, but only MEMORIZE STANZAS 1-4)

Robinson Crusoe's Story Charles Edward Carryl

THE night was thick and hazy When the 'Piccadilly Daisy' Carried down the crew and captain in the sea; And I think the water drowned 'em; For they never, never found 'em,And I know they didn't come ashore with me.

Oh! 'twas very sad and lonely When I found myself the only Population on this cultivated shore; But I've made a little tavernIn a rocky little cavern, And I sit and watch for people at the door.

I spent no time in looking For a girl to do my cooking, As I'm quite a clever hand at making stews;But I had that fellow Friday, Just to keep the tavern tidy, And to put a Sunday polish on my shoes.

I have a little garden That I'm cultivating lard in,As the things I eat are rather tough and dry; For I live on toasted lizards, Prickly pears, and parrot gizzards, And I'm really very fond of beetle-pie.

The clothes I had were furry,And it made me fret and worry When I found the moths were eating off the hair; And I had to scrape and sand 'em, And I boiled 'em and I tanned 'em, Till I got the fine morocco suit I wear.

I sometimes seek diversion In a family excursion With the few domestic animals you see; And we take along a carrot As refreshment for the parrot,And a little can of jungleberry tea.

Then we gather as we travel, Bits of moss and dirty gravel, And we chip off little specimens of stone; And we carry home as prizesFunny bugs, of handy sizes, Just to give the day a scientific tone.

If the roads are wet and muddy We remain at home and study,— For the Goat is very clever at a sum,—And the Dog, instead of fighting, Studies ornamental writing, While the Cat is taking lessons on the drum.

We retire at eleven, And we rise again at seven;And I wish to call attention, as I close, To the fact that all the scholars Are correct about their collars, And particular in turning out their toes.

Ryan B.

O Captain! My Captain!BY WALT WHITMAN

O Captain! my Captain! our fearful trip is done,The ship has weather’d every rack, the prize we sought is won,The port is near, the bells I hear, the people all exulting,While follow eyes the steady keel, the vessel grim and daring;                         But O heart! heart! heart!                            O the bleeding drops of red,                               Where on the deck my Captain lies,                                  Fallen cold and dead.

O Captain! my Captain! rise up and hear the bells;Rise up—for you the flag is flung—for you the bugle trills,For you bouquets and ribbon’d wreaths—for you the shores a-crowding,For you they call, the swaying mass, their eager faces turning;                         Here Captain! dear father!                            This arm beneath your head!                               It is some dream that on the deck,                                 You’ve fallen cold and dead.

My Captain does not answer, his lips are pale and still,My father does not feel my arm, he has no pulse nor will,The ship is anchor’d safe and sound, its voyage closed and done,From fearful trip the victor ship comes in with object won;                         Exult O shores, and ring O bells!                            But I with mournful tread,                               Walk the deck my Captain lies,                                  Fallen cold and dead.

Mason B.

JabberwockyBY LEWIS CARROLL

’Twas brillig, and the slithy toves      Did gyre and gimble in the wabe:All mimsy were the borogoves,      And the mome raths outgrabe.

“Beware the Jabberwock, my son!      The jaws that bite, the claws that catch!Beware the Jubjub bird, and shun      The frumious Bandersnatch!”

He took his vorpal sword in hand;      Long time the manxome foe he sought—So rested he by the Tumtum tree      And stood awhile in thought.

And, as in uffish thought he stood,      The Jabberwock, with eyes of flame,Came whiffling through the tulgey wood,      And burbled as it came!

One, two! One, two! And through and through      The vorpal blade went snicker-snack!He left it dead, and with its head      He went galumphing back.

“And hast thou slain the Jabberwock?      Come to my arms, my beamish boy!O frabjous day! Callooh! Callay!”      He chortled in his joy.

’Twas brillig, and the slithy toves      Did gyre and gimble in the wabe:All mimsy were the borogoves,      And the mome raths outgrabe.

Shaun c. (Analyze all, but only memorize the first 3 stanzas)

Paul Revere's Ride

Henry Wadsworth Longfellow

Listen my children and you shall hearOf the midnight ride of Paul Revere,On the eighteenth of April, in Seventy-five;Hardly a man is now aliveWho remembers that famous day and year.

He said to his friend, "If the British marchBy land or sea from the town to-night,Hang a lantern aloft in the belfry archOf the North Church tower as a signal light,--One if by land, and two if by sea;And I on the opposite shore will be,Ready to ride and spread the alarmThrough every Middlesex village and farm,For the country folk to be up and to arm."

Then he said "Good-night!" and with muffled oarSilently rowed to the Charlestown shore,Just as the moon rose over the bay,Where swinging wide at her moorings layThe Somerset, British man-of-war;A phantom ship, with each mast and sparAcross the moon like a prison bar,And a huge black hulk, that was magnifiedBy its own reflection in the tide.

Meanwhile, his friend through alley and streetWanders and watches, with eager ears,Till in the silence around him he hearsThe muster of men at the barrack door,The sound of arms, and the tramp of feet,And the measured tread of the grenadiers,Marching down to their boats on the shore.

Then he climbed the tower of the Old North Church,By the wooden stairs, with stealthy tread,To the belfry chamber overhead,And startled the pigeons from their perchOn the sombre rafters, that round him made

Masses and moving shapes of shade,--By the trembling ladder, steep and tall,To the highest window in the wall,Where he paused to listen and look downA moment on the roofs of the townAnd the moonlight flowing over all.

Beneath, in the churchyard, lay the dead,In their night encampment on the hill,Wrapped in silence so deep and stillThat he could hear, like a sentinel's tread,The watchful night-wind, as it wentCreeping along from tent to tent,And seeming to whisper, "All is well!"A moment only he feels the spellOf the place and the hour, and the secret dreadOf the lonely belfry and the dead;For suddenly all his thoughts are bentOn a shadowy something far away,Where the river widens to meet the bay,--A line of black that bends and floatsOn the rising tide like a bridge of boats.

Meanwhile, impatient to mount and ride,Booted and spurred, with a heavy strideOn the opposite shore walked Paul Revere.Now he patted his horse's side,Now he gazed at the landscape far and near,Then, impetuous, stamped the earth,And turned and tightened his saddle girth;But mostly he watched with eager searchThe belfry tower of the Old North Church,As it rose above the graves on the hill,Lonely and spectral and sombre and still.And lo! as he looks, on the belfry's heightA glimmer, and then a gleam of light!He springs to the saddle, the bridle he turns,But lingers and gazes, till full on his sightA second lamp in the belfry burns.

A hurry of hoofs in a village street,A shape in the moonlight, a bulk in the dark,And beneath, from the pebbles, in passing, a sparkStruck out by a steed flying fearless and fleet;That was all! And yet, through the gloom and the light,The fate of a nation was riding that night;And the spark struck out by that steed, in his flight,Kindled the land into flame with its heat.He has left the village and mounted the steep,

And beneath him, tranquil and broad and deep,Is the Mystic, meeting the ocean tides;And under the alders that skirt its edge,Now soft on the sand, now loud on the ledge,Is heard the tramp of his steed as he rides.

It was twelve by the village clockWhen he crossed the bridge into Medford town.He heard the crowing of the cock,And the barking of the farmer's dog,And felt the damp of the river fog,That rises after the sun goes down.

It was one by the village clock,When he galloped into Lexington.He saw the gilded weathercockSwim in the moonlight as he passed,And the meeting-house windows, black and bare,Gaze at him with a spectral glare,As if they already stood aghastAt the bloody work they would look upon.

It was two by the village clock,When he came to the bridge in Concord town.He heard the bleating of the flock,And the twitter of birds among the trees,And felt the breath of the morning breezeBlowing over the meadow brown.And one was safe and asleep in his bedWho at the bridge would be first to fall,Who that day would be lying dead,Pierced by a British musket ball.

You know the rest. In the books you have readHow the British Regulars fired and fled,---How the farmers gave them ball for ball,>From behind each fence and farmyard wall,Chasing the redcoats down the lane,Then crossing the fields to emerge againUnder the trees at the turn of the road,And only pausing to fire and load.

So through the night rode Paul Revere;And so through the night went his cry of alarmTo every Middlesex village and farm,---A cry of defiance, and not of fear,A voice in the darkness, a knock at the door,And a word that shall echo for evermore!For, borne on the night-wind of the Past,

Through all our history, to the last,In the hour of darkness and peril and need,The people will waken and listen to hearThe hurrying hoof-beats of that steed,And the midnight message of Paul Revere.

Cullen C.

“How the Camel Got His Hump” by Rudyard Kipling

The Camel's hump is an ugly lump

Which well you may see at the Zoo;

But uglier yet is the hump we get

From having too little to do.

Kiddies and grown-ups too-oo-oo,

If we haven't enough to do-oo-oo,

We get the hump --

Cameelious hump --

The hump that is black and blue!

We climb out of bed with a frouzly head,

And a snarly-yarly voice.

We shiver and scowl and we grunt and we growl

At our bath and our boots and our toys;

And there ought to be a corner for me

(And I know' there is one for you)

When we get the hump --

Cameelious hump --

The hump that is black and blue!

The cure for this ill is not to sit still,

Or frowst with a book by the fire;

But to take a large hoe and a shovel also,

And dig till you gently perspire;

And then you will find that the sun and the wind,

And the Djinn of the Garden too,

Have lifted the hump --

The horrible hump --

The hump that is black and blue!

I get it as well as you-oo-oo --

If I haven't enough to do-oo-oo!

We all get hump --

Cameelious hump --

Kiddies and grown-ups too!

Zak C. (only memorize the highlighted portion)

The Walrus and the CarpenterLewis Carroll, 1832 - 1898

The sun was shining on the sea,

Shining with all his might:

He did his very best to make

The billows smooth and bright--

And this was odd, because it was

The middle of the night.

The moon was shining sulkily,

Because she thought the sun

Had got no business to be there

After the day was done--

“It’s very rude of him," she said,

“To come and spoil the fun!”

The sea was wet as wet could be,

The sands were dry as dry.

You could not see a cloud because

No cloud was in the sky:

No birds were flying overhead--

There were no birds to fly.

The Walrus and the Carpenter

Were walking close at hand:

They wept like anything to see

Such quantities of sand:

“If this were only cleared away,"

They said, “it would be grand!”

“If seven maids with seven mops

Swept it for half a year,

Do you suppose," the Walrus said,

“That they could get it clear?”

“I doubt it," said the Carpenter,

And shed a bitter tear.

“0 Oysters, come and walk with us!”

The Walrus did beseech.

“A pleasant walk, a pleasant talk,

Along the briny beach:

We cannot do with more than four,

To give a hand to each.”

The eldest Oyster looked at him,

But never a word he said;

The eldest Oyster winked his eye,

And shook his heavy head--

Meaning to say he did not choose

To leave the oyster-bed.

But four young Oysters hurried up,

All eager for the treat:

Their coats were brushed, their faces washed,

Their shoes were clean and neat--

And this was odd, because, you know,

They hadn’t any feet.

Four other Oysters followed them,

And yet another four;

And thick and fast they came at last,

And more and more and more--

All hopping through the frothy waves,

And scrambling to the shore.

The Walrus and the Carpenter

Walked on a mile or so,

And then they rested on a rock

Conveniently low:

And all the little Oysters stood

And waited in a row.

“The time has come," the Walrus said,

“To talk of many things:

Of shoes--and ships--and sealing-wax--

Of cabbages--and kings--

And why the sea is boiling hot--

And whether pigs have wings.”

“But wait a bit," the Oysters cried,

“Before we have our chat;

For some of us are out of breath,

And all of us are fat!”

“No hurry!” said the Carpenter.

They thanked him much for that.

“A loaf of bread," the Walrus said,

“Is what we chiefly need:

Pepper and vinegar besides

Are very good indeed--

Now, if you’re ready, Oysters dear,

We can begin to feed.”

“But not on us!” the Oysters cried,

Turning a little blue.

“After such kindness, that would be

A dismal thing to do!”

“The night is fine," the Walrus said,

“Do you admire the view?

“It was so kind of you to come!

And you are very nice!”

The Carpenter said nothing but

“Cut us another slice.

I wish you were not quite so deaf--

I’ve had to ask you twice!”

“It seems a shame," the Walrus said,

“To play them such a trick.

After we’ve brought them out so far,

And made them trot so quick!”

The Carpenter said nothing but

“The butter’s spread too thick!”

“I weep for you," the Walrus said:

“I deeply sympathize.”

With sobs and tears he sorted out

Those of the largest size,

Holding his pocket-handkerchief

Before his streaming eyes.

“0 Oysters," said the Carpenter,

“You’ve had a pleasant run!

Shall we be trotting home again?”

But answer came there none--

And this was scarcely odd, because

They’d eaten every one.

Dylan D. (analyze all, memorize 3 stanzas)

Paul Revere's Ride

Henry Wadsworth Longfellow

Listen my children and you shall hearOf the midnight ride of Paul Revere,On the eighteenth of April, in Seventy-five;Hardly a man is now aliveWho remembers that famous day and year.

He said to his friend, "If the British marchBy land or sea from the town to-night,Hang a lantern aloft in the belfry archOf the North Church tower as a signal light,--One if by land, and two if by sea;And I on the opposite shore will be,Ready to ride and spread the alarmThrough every Middlesex village and farm,For the country folk to be up and to arm."

Then he said "Good-night!" and with muffled oarSilently rowed to the Charlestown shore,Just as the moon rose over the bay,Where swinging wide at her moorings layThe Somerset, British man-of-war;A phantom ship, with each mast and sparAcross the moon like a prison bar,And a huge black hulk, that was magnifiedBy its own reflection in the tide.

Meanwhile, his friend through alley and streetWanders and watches, with eager ears,Till in the silence around him he hearsThe muster of men at the barrack door,The sound of arms, and the tramp of feet,And the measured tread of the grenadiers,Marching down to their boats on the shore.

Then he climbed the tower of the Old North Church,By the wooden stairs, with stealthy tread,To the belfry chamber overhead,

And startled the pigeons from their perchOn the sombre rafters, that round him madeMasses and moving shapes of shade,--By the trembling ladder, steep and tall,To the highest window in the wall,Where he paused to listen and look downA moment on the roofs of the townAnd the moonlight flowing over all.

Beneath, in the churchyard, lay the dead,In their night encampment on the hill,Wrapped in silence so deep and stillThat he could hear, like a sentinel's tread,The watchful night-wind, as it wentCreeping along from tent to tent,And seeming to whisper, "All is well!"A moment only he feels the spellOf the place and the hour, and the secret dreadOf the lonely belfry and the dead;For suddenly all his thoughts are bentOn a shadowy something far away,Where the river widens to meet the bay,--A line of black that bends and floatsOn the rising tide like a bridge of boats.

Meanwhile, impatient to mount and ride,Booted and spurred, with a heavy strideOn the opposite shore walked Paul Revere.Now he patted his horse's side,Now he gazed at the landscape far and near,Then, impetuous, stamped the earth,And turned and tightened his saddle girth;But mostly he watched with eager searchThe belfry tower of the Old North Church,As it rose above the graves on the hill,Lonely and spectral and sombre and still.And lo! as he looks, on the belfry's heightA glimmer, and then a gleam of light!He springs to the saddle, the bridle he turns,But lingers and gazes, till full on his sightA second lamp in the belfry burns.

A hurry of hoofs in a village street,A shape in the moonlight, a bulk in the dark,And beneath, from the pebbles, in passing, a sparkStruck out by a steed flying fearless and fleet;That was all! And yet, through the gloom and the light,The fate of a nation was riding that night;And the spark struck out by that steed, in his flight,

Kindled the land into flame with its heat.He has left the village and mounted the steep,And beneath him, tranquil and broad and deep,Is the Mystic, meeting the ocean tides;And under the alders that skirt its edge,Now soft on the sand, now loud on the ledge,Is heard the tramp of his steed as he rides.

It was twelve by the village clockWhen he crossed the bridge into Medford town.He heard the crowing of the cock,And the barking of the farmer's dog,And felt the damp of the river fog,That rises after the sun goes down.

It was one by the village clock,When he galloped into Lexington.He saw the gilded weathercockSwim in the moonlight as he passed,And the meeting-house windows, black and bare,Gaze at him with a spectral glare,As if they already stood aghastAt the bloody work they would look upon.

It was two by the village clock,When he came to the bridge in Concord town.He heard the bleating of the flock,And the twitter of birds among the trees,And felt the breath of the morning breezeBlowing over the meadow brown.And one was safe and asleep in his bedWho at the bridge would be first to fall,Who that day would be lying dead,Pierced by a British musket ball.

You know the rest. In the books you have readHow the British Regulars fired and fled,---How the farmers gave them ball for ball,>From behind each fence and farmyard wall,Chasing the redcoats down the lane,Then crossing the fields to emerge againUnder the trees at the turn of the road,And only pausing to fire and load.

So through the night rode Paul Revere;And so through the night went his cry of alarmTo every Middlesex village and farm,---A cry of defiance, and not of fear,A voice in the darkness, a knock at the door,

And a word that shall echo for evermore!For, borne on the night-wind of the Past,Through all our history, to the last,In the hour of darkness and peril and need,The people will waken and listen to hearThe hurrying hoof-beats of that steed,And the midnight message of Paul Revere.

Andrew Flanders

The Road Not TakenBY ROBERT FROST

Two roads diverged in a yellow wood,And sorry I could not travel bothAnd be one traveler, long I stoodAnd looked down one as far as I couldTo where it bent in the undergrowth;

Then took the other, as just as fair,And having perhaps the better claim,Because it was grassy and wanted wear;Though as for that the passing thereHad worn them really about the same,

And both that morning equally layIn leaves no step had trodden black.Oh, I kept the first for another day!Yet knowing how way leads on to way,I doubted if I should ever come back.

I shall be telling this with a sighSomewhere ages and ages hence:Two roads diverged in a wood, and I—I took the one less traveled by,And that has made all the difference.

Evan H. (analyze all, memorize only 4 stanzas)

Annabel LeeIt was many and many a year ago,In a kingdom by the sea,That a maiden there lived whom you may knowBy the name of ANNABEL LEE;And this maiden she lived with no other thoughtThan to love and be loved by me.

I was a child and she was a child,In this kingdom by the sea;But we loved with a love that was more than love-I and my Annabel Lee;With a love that the winged seraphs of heavenCoveted her and me.

And this was the reason that, long ago,In this kingdom by the sea,A wind blew out of a cloud, chillingMy beautiful Annabel Lee;So that her highborn kinsman cameAnd bore her away from me,To shut her up in a sepulchreIn this kingdom by the sea.

The angels, not half so happy in heaven,Went envying her and me-Yes!- that was the reason (as all men know,In this kingdom by the sea)That the wind came out of the cloud by night,Chilling and killing my Annabel Lee.

But our love it was stronger by far than the loveOf those who were older than we-Of many far wiser than we-And neither the angels in heaven above,

Nor the demons down under the sea,Can ever dissever my soul from the soulOf the beautiful Annabel Lee.

For the moon never beams without bringing me dreamsOf the beautiful Annabel Lee;And the stars never rise but I feel the bright eyesOf the beautiful Annabel Lee;And so, all the night-tide, I lie down by the sideOf my darling- my darling- my life and my bride,In the sepulchre there by the sea,In her tomb by the sounding sea.

Edgar Allan Poe

Evan K.

Paul Revere's Ride

Henry Wadsworth Longfellow

Listen my children and you shall hearOf the midnight ride of Paul Revere,On the eighteenth of April, in Seventy-five;Hardly a man is now aliveWho remembers that famous day and year.

He said to his friend, "If the British marchBy land or sea from the town to-night,Hang a lantern aloft in the belfry archOf the North Church tower as a signal light,--One if by land, and two if by sea;And I on the opposite shore will be,Ready to ride and spread the alarmThrough every Middlesex village and farm,For the country folk to be up and to arm."

Then he said "Good-night!" and with muffled oarSilently rowed to the Charlestown shore,Just as the moon rose over the bay,Where swinging wide at her moorings layThe Somerset, British man-of-war;A phantom ship, with each mast and sparAcross the moon like a prison bar,And a huge black hulk, that was magnifiedBy its own reflection in the tide.

Meanwhile, his friend through alley and streetWanders and watches, with eager ears,Till in the silence around him he hearsThe muster of men at the barrack door,The sound of arms, and the tramp of feet,And the measured tread of the grenadiers,Marching down to their boats on the shore.

Then he climbed the tower of the Old North Church,

By the wooden stairs, with stealthy tread,To the belfry chamber overhead,And startled the pigeons from their perchOn the sombre rafters, that round him madeMasses and moving shapes of shade,--By the trembling ladder, steep and tall,To the highest window in the wall,Where he paused to listen and look downA moment on the roofs of the townAnd the moonlight flowing over all.

Beneath, in the churchyard, lay the dead,In their night encampment on the hill,Wrapped in silence so deep and stillThat he could hear, like a sentinel's tread,The watchful night-wind, as it wentCreeping along from tent to tent,And seeming to whisper, "All is well!"A moment only he feels the spellOf the place and the hour, and the secret dreadOf the lonely belfry and the dead;For suddenly all his thoughts are bentOn a shadowy something far away,Where the river widens to meet the bay,--A line of black that bends and floatsOn the rising tide like a bridge of boats.

Meanwhile, impatient to mount and ride,Booted and spurred, with a heavy strideOn the opposite shore walked Paul Revere.Now he patted his horse's side,Now he gazed at the landscape far and near,Then, impetuous, stamped the earth,And turned and tightened his saddle girth;But mostly he watched with eager searchThe belfry tower of the Old North Church,As it rose above the graves on the hill,Lonely and spectral and sombre and still.And lo! as he looks, on the belfry's heightA glimmer, and then a gleam of light!He springs to the saddle, the bridle he turns,But lingers and gazes, till full on his sightA second lamp in the belfry burns.

A hurry of hoofs in a village street,A shape in the moonlight, a bulk in the dark,And beneath, from the pebbles, in passing, a sparkStruck out by a steed flying fearless and fleet;That was all! And yet, through the gloom and the light,

The fate of a nation was riding that night;And the spark struck out by that steed, in his flight,Kindled the land into flame with its heat.He has left the village and mounted the steep,And beneath him, tranquil and broad and deep,Is the Mystic, meeting the ocean tides;And under the alders that skirt its edge,Now soft on the sand, now loud on the ledge,Is heard the tramp of his steed as he rides.

It was twelve by the village clockWhen he crossed the bridge into Medford town.He heard the crowing of the cock,And the barking of the farmer's dog,And felt the damp of the river fog,That rises after the sun goes down.

It was one by the village clock,When he galloped into Lexington.He saw the gilded weathercockSwim in the moonlight as he passed,And the meeting-house windows, black and bare,Gaze at him with a spectral glare,As if they already stood aghastAt the bloody work they would look upon.

It was two by the village clock,When he came to the bridge in Concord town.He heard the bleating of the flock,And the twitter of birds among the trees,And felt the breath of the morning breezeBlowing over the meadow brown.And one was safe and asleep in his bedWho at the bridge would be first to fall,Who that day would be lying dead,Pierced by a British musket ball.

You know the rest. In the books you have readHow the British Regulars fired and fled,---How the farmers gave them ball for ball,>From behind each fence and farmyard wall,Chasing the redcoats down the lane,Then crossing the fields to emerge againUnder the trees at the turn of the road,And only pausing to fire and load.

So through the night rode Paul Revere;And so through the night went his cry of alarmTo every Middlesex village and farm,---

A cry of defiance, and not of fear,A voice in the darkness, a knock at the door,And a word that shall echo for evermore!For, borne on the night-wind of the Past,Through all our history, to the last,In the hour of darkness and peril and need,The people will waken and listen to hearThe hurrying hoof-beats of that steed,And the midnight message of Paul Revere.

Maddie L.

A Red, Red RoseBY ROBERT BURNS

O my Luve is like a red, red roseThat’s newly sprung in June;O my Luve is like the melodyThat’s sweetly played in tune.

So fair art thou, my bonnie lass,So deep in luve am I;And I will luve thee still, my dear,Till a’ the seas gang dry.

Till a’ the seas gang dry, my dear,And the rocks melt wi’ the sun;I will love thee still, my dear,While the sands o’ life shall run.

And fare thee weel, my only luve!And fare thee weel awhile!And I will come again, my luve,Though it were ten thousand mile.

Claire L.

Shakespeare, Romeo and Juliet

Juliet. O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name;Or, if thou wilt not, be but sworn my love,And I'll no longer be a Capulet. 'Tis but thy name that is my enemy;Thou art thyself, though not a Montague.What's Montague? it is nor hand, nor foot,Nor arm, nor face, nor any other partBelonging to a man. O, be some other name!What's in a name? that which we call a rose By any other name would smell as sweet;So Romeo would, were he not Romeo call'd,Retain that dear perfection which he owesWithout that title. Romeo, doff thy name,And for that name which is no part of theeTake all myself.

Thou know'st the mask of night is on my face,Else would a maiden blush bepaint my cheek For that which thou hast heard me speak to-nightFain would I dwell on form, fain, fain denyWhat I have spoke: but farewell compliment!Dost thou love me? I know thou wilt say 'Ay,'And I will take thy word: yet if thou swear'st, Thou mayst prove false; at lovers' perjuriesThen say, Jove laughs. O gentle Romeo,If thou dost love, pronounce it faithfully:Or if thou think'st I am too quickly won,I'll frown and be perverse an say thee nay, So thou wilt woo; but else, not for the world.In truth, fair Montague, I am too fond,

And therefore thou mayst think my 'havior light:But trust me, gentleman, I'll prove more trueThan those that have more cunning to be strange. I should have been more strange, I must confess,But that thou overheard'st, ere I was ware,My true love's passion: therefore pardon me,And not impute this yielding to light love,Which the dark night hath so discovered.

OR

Hamlet, Act III, Scene I [To be, or not to be]William Shakespeare, 1564 - 1616

To be, or not to be: that is the question:

Whether ‘tis nobler in the mind to suffer

The slings and arrows of outrageous fortune,

Or to take arms against a sea of troubles,

And by opposing end them? To die: to sleep;

No more; and by a sleep to say we end

The heart-ache and the thousand natural shocks

That flesh is heir to, ‘tis a consummation

Devoutly to be wish’d. To die, to sleep;

To sleep: perchance to dream: ay, there’s the rub;

For in that sleep of death what dreams may come

When we have shuffled off this mortal coil,

Must give us pause: there’s the respect

That makes calamity of so long life;

For who would bear the whips and scorns of time,

The oppressor’s wrong, the proud man’s contumely,

The pangs of despised love, the law’s delay,

The insolence of office and the spurns

That patient merit of the unworthy takes,

When he himself might his quietus make

With a bare bodkin? who would fardels bear,

To grunt and sweat under a weary life,

But that the dread of something after death,

The undiscover’d country from whose bourn

No traveller returns, puzzles the will

And makes us rather bear those ills we have

Than fly to others that we know not of?

Thus conscience does make cowards of us all;

And thus the native hue of resolution

Is sicklied o’er with the pale cast of thought,

And enterprises of great pith and moment

With this regard their currents turn awry,

And lose the name of action.--Soft you now!

The fair Ophelia! Nymph, in thy orisons

Be all my sins remember’d.

Jack L.

Paul Revere's Ride

Henry Wadsworth Longfellow

Listen my children and you shall hearOf the midnight ride of Paul Revere,On the eighteenth of April, in Seventy-five;Hardly a man is now aliveWho remembers that famous day and year.

He said to his friend, "If the British marchBy land or sea from the town to-night,Hang a lantern aloft in the belfry archOf the North Church tower as a signal light,--One if by land, and two if by sea;And I on the opposite shore will be,Ready to ride and spread the alarmThrough every Middlesex village and farm,For the country folk to be up and to arm."

Then he said "Good-night!" and with muffled oarSilently rowed to the Charlestown shore,Just as the moon rose over the bay,Where swinging wide at her moorings layThe Somerset, British man-of-war;A phantom ship, with each mast and sparAcross the moon like a prison bar,And a huge black hulk, that was magnifiedBy its own reflection in the tide.

Meanwhile, his friend through alley and streetWanders and watches, with eager ears,Till in the silence around him he hearsThe muster of men at the barrack door,The sound of arms, and the tramp of feet,And the measured tread of the grenadiers,

Marching down to their boats on the shore.

Then he climbed the tower of the Old North Church,By the wooden stairs, with stealthy tread,To the belfry chamber overhead,And startled the pigeons from their perchOn the sombre rafters, that round him madeMasses and moving shapes of shade,--By the trembling ladder, steep and tall,To the highest window in the wall,Where he paused to listen and look downA moment on the roofs of the townAnd the moonlight flowing over all.

Beneath, in the churchyard, lay the dead,In their night encampment on the hill,Wrapped in silence so deep and stillThat he could hear, like a sentinel's tread,The watchful night-wind, as it wentCreeping along from tent to tent,And seeming to whisper, "All is well!"A moment only he feels the spellOf the place and the hour, and the secret dreadOf the lonely belfry and the dead;For suddenly all his thoughts are bentOn a shadowy something far away,Where the river widens to meet the bay,--A line of black that bends and floatsOn the rising tide like a bridge of boats.

Meanwhile, impatient to mount and ride,Booted and spurred, with a heavy strideOn the opposite shore walked Paul Revere.Now he patted his horse's side,Now he gazed at the landscape far and near,Then, impetuous, stamped the earth,And turned and tightened his saddle girth;But mostly he watched with eager searchThe belfry tower of the Old North Church,As it rose above the graves on the hill,Lonely and spectral and sombre and still.And lo! as he looks, on the belfry's heightA glimmer, and then a gleam of light!He springs to the saddle, the bridle he turns,But lingers and gazes, till full on his sightA second lamp in the belfry burns.

A hurry of hoofs in a village street,A shape in the moonlight, a bulk in the dark,

And beneath, from the pebbles, in passing, a sparkStruck out by a steed flying fearless and fleet;That was all! And yet, through the gloom and the light,The fate of a nation was riding that night;And the spark struck out by that steed, in his flight,Kindled the land into flame with its heat.He has left the village and mounted the steep,And beneath him, tranquil and broad and deep,Is the Mystic, meeting the ocean tides;And under the alders that skirt its edge,Now soft on the sand, now loud on the ledge,Is heard the tramp of his steed as he rides.

It was twelve by the village clockWhen he crossed the bridge into Medford town.He heard the crowing of the cock,And the barking of the farmer's dog,And felt the damp of the river fog,That rises after the sun goes down.

It was one by the village clock,When he galloped into Lexington.He saw the gilded weathercockSwim in the moonlight as he passed,And the meeting-house windows, black and bare,Gaze at him with a spectral glare,As if they already stood aghastAt the bloody work they would look upon.

It was two by the village clock,When he came to the bridge in Concord town.He heard the bleating of the flock,And the twitter of birds among the trees,And felt the breath of the morning breezeBlowing over the meadow brown.And one was safe and asleep in his bedWho at the bridge would be first to fall,Who that day would be lying dead,Pierced by a British musket ball.

You know the rest. In the books you have readHow the British Regulars fired and fled,---How the farmers gave them ball for ball,>From behind each fence and farmyard wall,Chasing the redcoats down the lane,Then crossing the fields to emerge againUnder the trees at the turn of the road,And only pausing to fire and load.

So through the night rode Paul Revere;And so through the night went his cry of alarmTo every Middlesex village and farm,---A cry of defiance, and not of fear,A voice in the darkness, a knock at the door,And a word that shall echo for evermore!For, borne on the night-wind of the Past,Through all our history, to the last,In the hour of darkness and peril and need,The people will waken and listen to hearThe hurrying hoof-beats of that steed,And the midnight message of Paul Revere.

Morgan (memorize 4 stanzas)

“The Blind Men and the Elephant”by John Godfrey Saxe

It was six men of Indostan, to learning much inclined, who went to see the elephant (Though all of them were blind), that each by observation, might satisfy his mind.

The first approached the elephant, and, happening to fall, against his broad and sturdy side, at once began to bawl: "God bless me! but the elephant, is nothing but a wall!"

The second feeling of the tusk, cried: "Ho! what have we here, so very round and smooth and sharp? To me tis mighty clear, this wonder of an elephant, is very like a spear!"

The third approached the animal, and, happening to take, the squirming trunk within his hands, "I see," quoth he, the elephant is very like a snake!"

The fourth reached out his eager hand, and felt about the knee: "What most this wondrous beast is like, is mighty plain," quoth he; "Tis clear enough the elephant is very like a tree."

The fifth, who chanced to touch the ear, Said; "E'en the blindest man can tell what this resembles most; Deny the fact who can, This marvel of an elephant, is very like a fan!"

The sixth no sooner had begun, about the beast to grope, than, seizing on the swinging tail, that fell within his scope, "I see," quothe he, "the elephant is very like a rope!"

And so these men of Indostan, disputed loud and long, each in his own opinion, exceeding stiff and strong, Though each was partly in the right, and all were in the wrong!

So, oft in theologic wars, the disputants, I ween, tread on in utter ignorance, of what each other mean, and prate about the elephant, not one of them has seen!

John Godfrey Saxe (1816 - 1887)

Rylan T.

“Robinson Crusoe's Story”

By Charles Edward Carryl

THE night was thick and hazy When the 'Piccadilly Daisy' Carried down the crew and captain in the sea; And I think the water drowned 'em; For they never, never found 'em,And I know they didn't come ashore with me.

Oh! 'twas very sad and lonely When I found myself the only Population on this cultivated shore; But I've made a little tavernIn a rocky little cavern, And I sit and watch for people at the door.

I spent no time in looking For a girl to do my cooking, As I'm quite a clever hand at making stews;But I had that fellow Friday, Just to keep the tavern tidy, And to put a Sunday polish on my shoes.

I have a little garden That I'm cultivating lard in,As the things I eat are rather tough and dry; For I live on toasted lizards, Prickly pears, and parrot gizzards, And I'm really very fond of beetle-pie.

The clothes I had were furry,

And it made me fret and worry When I found the moths were eating off the hair; And I had to scrape and sand 'em, And I boiled 'em and I tanned 'em, Till I got the fine morocco suit I wear.

I sometimes seek diversion In a family excursion With the few domestic animals you see; And we take along a carrot As refreshment for the parrot,And a little can of jungleberry tea.

Then we gather as we travel, Bits of moss and dirty gravel, And we chip off little specimens of stone; And we carry home as prizesFunny bugs, of handy sizes, Just to give the day a scientific tone.

If the roads are wet and muddy We remain at home and study,— For the Goat is very clever at a sum,—And the Dog, instead of fighting, Studies ornamental writing, While the Cat is taking lessons on the drum.

We retire at eleven, And we rise again at seven;And I wish to call attention, as I close, To the fact that all the scholars Are correct about their collars, And particular in turning out their toes.

Nancy

“Sympathy”I know what the caged bird feels, alas! When the sun is bright on the upland slopes; When the wind stirs soft through the springing grass, And the river flows like a stream of glass; When the first bird sings and the first bud opes, And the faint perfume from its chalice steals-- I know what the caged bird feels!

I know why the caged bird beats his wing Till its blood is red on the cruel bars; For he must fly back to his perch and cling When he fain would be on the bough a-swing; And a pain still throbs in the old, old scars And they pulse again with a keener sting-- I know why he beats his wing!

I know why the caged bird sings, ah me, When his wing is bruised and his bosom sore,-- When he beats his bars and he would be free; It is not a carol of joy or glee, But a prayer that he sends from his heart's deep core, But a plea, that upward to Heaven he flings-- I know why the caged bird sings!

Paul Laurence Dunbar

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“If”

Rudyard Kipling

If you can keep your head when all about you Are losing theirs and blaming it on you; If you can trust yourself when all men doubt you, But make allowance for their doubting too; If you can wait and not be tired by waiting, Or, being lied about, don't deal in lies, Or, being hated, don't give way to hating, And yet don't look too good, nor talk too wise;

If you can dream - and not make dreams your master; If you can think - and not make thoughts your aim; If you can meet with triumph and disaster And treat those two imposters just the same; If you can bear to hear the truth you've spoken Twisted by knaves to make a trap for fools, Or watch the things you gave your life to broken, And stoop and build 'em up with wornout tools;

If you can make one heap of all your winnings And risk it on one turn of pitch-and-toss, And lose, and start again at your beginnings And never breath a word about your loss; If you can force your heart and nerve and sinew To serve your turn long after they are gone, And so hold on when there is nothing in you Except the Will which says to them: "Hold on";

If you can talk with crowds and keep your virtue, Or walk with kings - nor lose the common touch; If neither foes nor loving friends can hurt you; If all men count with you, but none too much; If you can fill the unforgiving minute With sixty seconds' worth of distance run - Yours is the Earth and everything that's in it, And - which is more - you'll be a Man my son!