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Market Cycles and Fibonacci of W.D.Gann Thursday, November 15 2012, 4:24 PM 99.68.1 Major Scale Grid 144 (Luigi) Page 68 Sections List 99 Electrons and Mythologies Impossible Correspondence Index From: [email protected] To: [email protected] Subject: Major Scale Grid 144 (Luigi) Date: 09/14/02 From 100.2 Magic Squares / Myth and Music << 396, 528, 639, 741, and 852 are found throughout the Bible in coded verses.(60) >> (Note: I see that you have noticed that the above Bible Code numbers (ex: 396) are also found within the 144 major Scale Grid below). The 144 Major Scale Grid (JPG) If you take a look at this diagram you will see some of the above numbers. This diagram is from a section in my book about the 167 major scales. It is very simple really. F/G, for example. These two notes are mirror partners around the C major scale. The F has 1 flat in its key signature and the G has 1 sharp. When the circle of 5ths completes its first cycle the second cycle commences from the Fx. This key has 13 sharps in its makeup and it is an enharmonic of the G major scale, as are the all following notes along from there, until the B(8#). B######## = B (8#). Each sharp represents a semitone so: B c c# d d# e f f# G. SO this key is an enharmonic of G major. Then next note in the scale, which is built according to the same major scale formula as always is C######### (C9#). This is an enharmonic of the note A, which normally follows the note G in the key of the first cycle. C c# d d# e f f# g g# A I know it looks very complicated but this scale does exist and it is its proper name! It isn't that difficult to construct a scale with this many sharps. One builds it with the knowledge of the first cycle. We can plot down the G major scale underneath and simply find the amount of sharps needed for the enharmonic scale: G A B C D E F# G = G Major B C D E F G A B = starting point. Each note now needs to be lifted to the relevant pitches above. The B, for example needs to become a G, as shown above. Likewise the C needs to become an A. The D needs to become a B:

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Page 1: New Bible Codes

Market Cycles and Fibonacci of W.D.GannThursday, November 15 2012, 4:24 PM

99.68.1 Major Scale Grid 144 (Luigi)

Page 68

Sections List­ 99 Electrons and MythologiesImpossible Correspondence Index

From: luigi.di­[email protected] To: [email protected] Subject: Major Scale Grid 144 (Luigi) Date: 09/14/02

From 100.2 Magic Squares / Myth and Music << 396, 528, 639, 741, and 852 are found throughout the Bible in coded verses.(60) >>

(Note: I see that you have noticed that the above Bible Code numbers (ex: 396) are also found within the 144 majorScale Grid below).

The 144 Major Scale Grid (JPG)

If you take a look at this diagram you will see some of the above numbers. This diagram is from a section in my bookabout the 167 major scales. It is very simple really. F/G, for example. These two notes are mirror partners around theC major scale. The F has 1 flat in its key signature and the G has 1 sharp. When the circle of 5ths completes its firstcycle the second cycle commences from the Fx. This key has 13 sharps in its make­up and it is an enharmonic of the Gmajor scale, as are the all following notes along from there, until the B(8#).

B######## = B (8#). Each sharp represents a semi­tone so:

B c c# d d# e f f# G. SO this key is an enharmonic of G major.

Then next note in the scale, which is built according to the same major scale formula as always is C######### (C9#).This is an enharmonic of the note A, which normally follows the note G in the key of the first cycle.

C c# d d# e f f# g g# A

I know it looks very complicated but this scale does exist and it is its proper name! It isn't that difficult to construct ascale with this many sharps. One builds it with the knowledge of the first cycle. We can plot down the G major scaleunderneath and simply find the amount of sharps needed for the enharmonic scale:

G A B C D E F# G = G Major

B C D E F G A B = starting point. Each note now needs to be lifted to the relevant pitches above. The B, for exampleneeds to become a G, as shown above. Likewise the C needs to become an A. The D needs to become a B:

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D d# e f f# g g# a a# B = 9 sharps in all so the next note would be D######### , or simply D (9#).

When all the sharps existing in this scale are added up they equal 61 in all. This breaks down to the 7.

In reverse F follows a similar journey. After the first cycle of 12 the Gbb begins the next cycle, and it is anenharmonic of F major.

Then the number of sharps and flats in each key is broken down to base 10, produces this grid. So the Fx with 13sharps is broken down to a 4, for example. You will notice that the nine number sequences of the vedic square areexisting along the 45 degree angles (except the 1 and 8 sequences, which exist vertically). This is what I mean about aplace where numbers and scale formula meet as one.

Luigi

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99.68.2 Major Scale Grid 144 (Luigi)

From: luigi.di­[email protected] To: [email protected] Subject: Major Scale Grid 144 (Luigi) Date: 09/14/02

The Mayan Grid in Thirds and Sixths Inversions (JPG)

These numbers look like a movement of a third and then a sixth. A third descending and a sixth ascending.

The mayan grid has these numbers at the 45 degree angles. The grid is plotted in diatonic thirds. The grid is brokendown to base 10 and the notes of the C Major scale are included according to the 1 3 5 7 9 2 4 6 8 number sequence.This sequence too resembles the flow of thirds and sixths in reverse.

C = 1 D =2 E = 3 F = 4 G = 5 A = 6 B = 7 C = 8 D = 9

The notes run as diatonic thirds from top left to bottom right, and in diatonic sixths in opposite flow.

The notes C F B are running along the 45 degree angle of this grid. These are the root C, and the visible Tri­tone pairF and B. This is also the numbers 1 4 7 repeated. The notes E A D repeat along the 45 degree angle and this will beseen also as the 3 6 9 sequence repeated. The next notes along the 45 degree angle are G C D, and the numbersaccompanying this are 5 8 2. These are the only sequences along this angle.

So these numbers have shown up along the 144 major scale grid, across the 45 degree angle of the mode box, as wellas in a couple of other places.

I am only just beginning to learn your angle on this about what these numbers represent. I have noticed that one needs

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to sometimes look in between sequences in order to find the numbers. 3 6 9 3 6 9 . Just by repeating this sequence onecan see the 3 9 6 and the 6 3 9 in reverse.

Luigi

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99.68.3 Comment on Section 53.4 Evolution and Creation (Luigi)

From: luigi.di­[email protected] To: [email protected] Subject: Comment on Section 53.4 Evolution and Creation (Luigi) Date: 09/15/02

Source: Section 53.4 Evolution and Creation

<< Creation Theory is:

What was before what is seen. The invisible half of universe. That which produced the visible. The inner world of man. >>

The Tri­tone satisfies this method. F# is the invisible axis in C Major. From there springs the duality of the modes,which then refers to the next quote:

(Ab Major) C Db Eb F G Ab Bb (C) D E F G A B C (C Major)

The C in brackets is the axis point and it will be seen that the second axis point is in between F and G both sides, that isF#/Gb. If you were to imagine an eruption of lava from this point , or a waterfall, then you can imagine how the noteseither side are like the visible manifestation of what is being created from this Tri­tone position.

<< Evolution Theory is:

What came after Creation Theory. The visible half of universe. That which was produced by the invisible. The outer world of manifestation. >>

This is the seven modes and their symmetrical partners. Each one springs from the F# invisible axis as a dual pair,minor with major and vice versa, the building blocks of the visible. The F# is an invisible intersection point thatreaches the C Major position, and at that point is F# Dorian, which means it is endowed with the power of creation thatthis mode possess (due to the influence it receives from the number 9). This F# Dorian lives within the E Major scale,at the second position of that scale. Therefore E Major is a clue to the invisible qualities within F# at that position. Theclue is that when C Major is mirrored it becomes the scale of Ab Major.

This is two steps of the augmented triangle of keys­ C Ab E. So a visible connection is established and the modal pairs(from the Mode box) are distributed as major/minor. The E Major is in an invisible role within the triangle effect andit can be seen to intersect the mode box through the F#.

I am working on two diagrams to show this visually. I am making no claims except that one can fit this informationperfectly to the above quotes.

Luigi

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99.68.4 More on Newton's Prism Gaps (Luigi)

From: luigi.di­[email protected] To: [email protected] Subject: More on Newton's Prism Gaps (Luigi) Date: 09/15/02

Hi Robert

Got another quote for you:

Source: Section 67.30 Harmonics

<< This "Gap" spans musical notes e flat to f flat in Helmholtz complete Determination of Tone Table. It representsthe gaps in Newtons prism light experiments wherein the gaps between the prism colors were found to be in Dorianscale ratio, raised to the 2/3 power. >>

I know we have covered this but I have just read the above again, although I don't believe I ever saw this particularquote that mentions F flat. This is one of the keys exposed in the mode boxes.

Anyway, I know you don't mind a bit of speculating so here goes!

The Dorian scale ratio ­ does this mean the ratio of 9:8 from the note C (the root) and the note D (the second positionthat is also the dorian position)? Perhaps these gaps commence a cycle of ratios according to the Dorian Mode:

D = 1:1 E = 9:8 F = 16:15 G = 9:8 A = 9:8 B = 9:8 C = 16:15 D = 9:8

I know this is not the exact ratios and I am bound to upset some tuning experts. However this is a start. Are the gapsbetween the prism colors according to this map that is then raised to the power of 2/3 (0.666)?

9:8 = 1.125 1.125 x 0.666 = 0.74925

So the first gap is D + 1.125 + 0.74925 = E + 0.74925 = F flat perhaps?

The 16:15 proportion is actually 0.666.

.666 x .666 = .443556

So is the next gap found from adding the .666 and the .443556 from the F flat or from the E?

D to F flat = 1.87425

1.87425 + .666 + .443556 = the next target point?

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So we could make up two lists. One would represent the gaps according to the previous gap, and the other wouldsimply add the 2/3 to every note of the Dorian mode.

All these numbers have a hidden 27 connotation as well.

1 + 8 + 7 + 4 + 2 + 5 = 27

4 + 4 + 3 + 5 + 5 + 6 = 27

7 + 4 + 9 + 2 +5 = 27

Luigi

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99.68.5 The mirror of the 144 Pi numbers (Luigi)

From: luigi.di­[email protected] To: [email protected] Subject: The mirror of the 144 Pi numbers (Luigi) Date: 09/15/02

Source: 99GG Electrons and Mythologies

<< Jerry Iuliano told me he confirmed that the first 144 Pi numbers added to 666.

I then suggested he or I add the next 144 number block of Pi numbers, which I proposed will add together with thefirst 144 block, to sum1332. As of today, 8/10/01 we haven't added these yet.

Now I see that same number 1332^2, above, is the Linear Product, in your Subj: stable / unstable Email, dated Fri,Aug 10, 2001. I wonder what this implies or can reveal?

[email protected]

(Note: 8/15/01 Today I added the second 144 digits of Pi and the total is 626 + the first 144 digits of Pi (666),therefore 666 + 626 = 1292. So much for that theory of symmetry, unless someone notices some synchronicities in 626or 1292.) >>

The first 144 movements of the pi number will have 144 mirror movements. Here are the first 144 Pi numbers

1 4 1 5 9 2 6 5 3 5 8 9 7 9 3 2 3 8 4 6 2 6 4 3 3 8 3 2 7 9 5 0 2 8 8 4 1 9 7 1 6 9 3 9 9 3 7 5 1 0 5 8 2 0 9 7 4 9 4 4 59 2 3 0 7 8 1 6 4 0 6 2 8 6 2 0 8 9 9 8 6 2 8 0 3 4 8 2 5 3 4 2 1 1 7 0 6 7 9 8 2 1 4 8 0 8 6 5 1 3 2 8 2 3 0 6 6 4 7 0 93 8 4 4 6 0 9 5 5 0 5 8 2 2 3 1 7 2 5 3 5 9

Here would be the mirror numbers. The first few would look like this. The 3 is in the axis position.

4 8 5 8 .(3). 1 4 1 5:

Here are the 144 mirror numbers of Pi:

8 5 8 4 9 7 3 4 6 4 1 9 2 9 6 7 6 1 5 3 7 3 5 6 6 1 6 7 2 9 4 0 7 1 1 5 8 9 2 8 3 9 6 9 9 6 2 4 8 0 4 1 7 0 9 2 5 9 5 5 49 7 6 0 2 1 8 3 5 0 3 7 1 3 7 0 1 9 9 1 3 7 1 0 6 5 1 7 4 6 5 7 8 8 2 0 3 2 9 1 7 8 5 1 0 1 3 4 8 6 7 1 7 6 0 3 3 5 2 0 96 1 5 5 3 0 9 4 4 0 4 1 7 7 6 8 2 7 4 6 4 9

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I make these 666 as well

Luigi

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99.68.6 More on 432 (Luigi)

From: luigi.di­[email protected] To: [email protected], [email protected] Subject: More on 432 (Luigi) Date: 09/22/02

Hi

Don't know if you are familiar with this page but it has one or two interesting comments about Cheops and 432 and thenumber 9. If Cheops fundamental were 432, which is the note A, then the resonant frequency of F# would be the 27thovertone above that note. In which case it is either a very subtle clue or I have done the maths completely wrong!

Link

Lui

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99.68.7 More on 432 (Luigi)

From: luigi.di­[email protected] To: [email protected] Subject: More on 432 (Luigi) Date: 09/22/02

Hi again

Whereas this article puts the resonant frequency of the King's chamber at the note C. This would be freaky because Cand F# are the two axis points, the F# being a tri­tone interval from C. This would also be the 11th overtone, which ismy fav!

<< Unfortunately the article copy that I've got is truncated. I can however spot some key words on the use of a crystalreceiver to detect something about the bioplasmic field. The 8 Hz bioplasmic signal is said to be in harmony with earthresonance. 8 Hz is a sub­harmonic of the 256 Hz middle C of the scientific music scale. Middle C is also the resonantfrequency of the King's chamber of the Pyramid of Cheops. 8 Hz is also the frequency of perfect alpha rhythm duringdeep meditation. The neurophone could then be used for generating a 8 Hz state of consciousness. >>

Nurophone

Lui

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99.68.8 The mirror of the 144 Pi numbers (Luigi)

From: luigi.di­[email protected] To: [email protected] Subject: The mirror of the 144 Pi numbers (Luigi) Date: 09/25/02

Hi Guys

I found this a most enlightening read.

Lui

The Square of Nine is undoubtedly the most mysterious and popular of W. D. Gann's financial market calculators.There is something about this strange number wheel which intrigues all who see it, whether they be market enthusiastsor school children. There have probably been more courses written about the Square of Nine than any other of Gann'strading tools, yet there has been very little actually said.

This universal vital principle, "Brahma", which comes forth from the center as the lotus flower extending itself into 3dimensional space­time, is pure consciousness projecting itself into form according to mathematical relationships andharmonies. This projection can take on individual and physical form like a tree or a person, or it can be a group formlike a business, a school or even an essentially non­physical thought form like a financial market.

Gann Square of Nine

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99.68.9 Cheops pyramid and Euler's identity (Iuliano)

From: [email protected] To: [email protected] Subject: Cheops pyramid and Euler's identity (Iuliano) Date: 09/25/02

MP:

One of the greatest mysteries in the history of mathematical discovery is the symbolic meaning of Euler's identityequation:

(e^(i*Pi)) + 1 = 0....1748

where i = sqrt ­1. This equation is important because it is both aesthetically symbolic while also calculable as realfactor quantities, 0 , 1 , i ,Pi , and e.. Unbelievable as it may seem , one of the consequences of the Kabbalic SephiraMalkuth (288 sparks) and Cheops pyramid constructs, height and base leg, is just this aesthetic to real relationship, thatis any equation that is of the Eulerian identity form .36787... can be symbolically represented as both "beautiful" and"real" ala Euler's identity. Since symbols imply word to sound understanding one of these equations can be "poetically"expressed as:

The anti­log of the sum of the base legs (perimeter) of the Cheops pyramid divided by the Cheops height, divided bythe "charge" (expressed as surface area) of the Sephira Malkuth (288^2)) 82944, to the i­th power, plus one equalszero, or mathematically as:

[[(10^(4*bl/ht))/82944]^i] + 1 = 0 = (e^(i*Pi)) = Euler's identity

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So here one has a real object (Cheops pyramid at least 4500 + years old) interacting with a mythological derivative(288 sparks)3500 years old/philosophical (Leahy's 82944 surface area triple logic cube 1980's)... real to subconsciousidentity, which is accomplished by the rotation caused by the i­th power, sqrt negative one. This means that the sqrt ­ 1activator is the link of "realness" leading to imagery (subconscious­dreams etc.) and reciprocally as , imagery leadingto real entities. To observe the pyramid from the air the boundaries of the object to the gestalt of the minds observationof these boundaries are as..(A) the perimeter of the base as bottom limit and ..(B) the single point of the apex as toplimit. That is the geometric limits of the structure base to apex are the important aspects boundary of the observations,the is­ness of the pyramid itself ,the boundaries top and bottom, everything in between just the carrier vehicle toexpress the boundaries of the structure. So the pyramid is saying , what is important in the idea of the pyramid is notthe "stone" that makes up the structure but the "edgeness" defined by it's boundaries, base perimeter and it's apex. Theconcept of this "edgeness" is the intellectual action that understands as consciousness of the form itself..edgeness"..rather than the individual "monads" that make up the aspects of its form.The relationship of the Sephira Malkuth (288sparks) with the imaginary complex number sqrt ­1 ..( i )... is one of the proofs of the importance of Prof. Leahy'semphasis of his philosophy of the "thinking NOW, created 100" theory in it's approach to the connection ofconsciousness and reality. The use of 100 in the following equation can be thought of as the transmission(renormalization) of the value derived from the Sephira Malkuth (288) using the reciprocating values of the Cheopspyramid constructs: top and bottom boundaries..height and base leg.

Let ht = height of Cheops pyramid = 486.256 ft (Churchward/Ramsey ..1910 expedition Let bl = base leg of Cheops pyramid = 763.81 ft Let a(em) = fine­structure constant = 1/137.036006429 or 99.9999951% of the 1998 NIST value for a(em)..1/137.03599976

Root value:using Cheops constructs ht and bl as an exponential transmission:

288^(ht/bl) = 36.78780373..

Renormalization to creation using Leahy's "thinking NOW created 100":

[288^(ht/bl)]/100 = .3678780373...

"Thinking NOW , created 100" as a function of root value: invert Cheops constructs, ht and bl, to a new renormalizedvalue which is square root negative one to the square root negative one power: Euler's discovery ,1748,...i^i =.207879576:

[[288^(ht/bl)]/100]^(bl/ht) = i ^ i = .207879576

The amplitude for electron/photon interaction: a(em)

[cos(1/a(em)]^(bl/ht) = i ^ i = .207879576

Once the factors of ...i ^ i... are shown the following equivalences can be demonstrated:

Fine­structure constant...a(em)

cos(1/a(em) = i ^ ( i * ht/bl) 1/a(em) = cos^­1[i ^ ( i*ht/bl)]

Sephira Malkuth (288) as a function of imaginary powers.. i^ i :

288 = [[ i ^ ( i * ht/bl)] * 100] ^ (bl/ht)

So now one has creation root (288) as a function of imaginary powers transmissed by the action of "thinking NOW ,created 100 " It is known that the recursive factors of Leahy's triple logic cube, 82944, are Feigenbaum generated: bi­

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furcation constant:

Feigenbaum constant = F = 4.669201932..

[100^(bl/ht)/(sqrt(tan F)) = 288....tan in radians

substituting into the imaginary/complex form:

(tan F) ^(­1/2) = [[(288^(ht/bl))/100] ^ (bl/hy) = i ^ i

The creation root , 288, (Sephira Malkuth) can now be shown as a function of both Feigenbaum bi­furcation andimaginary rotation into an imaginary field, i ^ i, scaled by Cheops constructs:

[[tan F) ^ ­ (ht/2/bl)] * 100] ^ (bl/ht) = 288 =

[[(i^((i*ht/bl))*100] ^ (bl/ht)

The great mystery of Euler's identity (e^(Pi*i)) +1 = 0, can now be demonstrated as a function of the creation root..288:

1/(e^(Pi/2)) = i ^ i e^(Pi/2) = 1 ^ (1/i) e^(Pi*i/2) = i = sqrt­1 e^(Pi*i) = ­1 (e^(Pi*i)) + 1 = 1 = Euler's identity

Using creation root Sephira Malkuth ...288

[[(288^(ht/bl))/100] ^ (bl/ht) = i ^ i = 1/(e^(Pi/2))...invert: (100^(bl/ht)) / 288 = i^(1/i) = e^(Pi/2)

transferring 1/i to the Sephira Malkuth root equation:

(100(i*bl/ht))/(288^i) = i = sqrt ­1 = e^(Pi*i/2)

squaring the equations:

(100^(2*i*bl/ht))/(288*(2*i)) = ­1 = e^(Pi*i)

transferring the ­1 constant to end up at Euler's identity:

(e^(Pi*i))+ 1 = 0

Sephira Malkuth /Euler's identity:

[[100^(2*i*bl/ht)]/(288^(2*i))] + 1 = 0

simplifying by canceling ones:

e^(pi*i) = [100^(2*i*bl/ht)]/(288^(2*i))

formulas of the form..e^(pi*i) are called quadratic reciprocity forms used extensively in Schroedinger wave equations.Leahy's triple logic cube (82944) is rotated into the rotated form of the "thinking NOW created 100" :

e^(Pi*i) = [10^(4*i*bl/ht)]/(82944^i) or quadratic reciprocity..

[(10^(4*bl/ht))/82944)] ^ i = e^(Pi*i)

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the imaginary number i cancels to reality:

(10^(4*bl/ht))/82944 = e^pi

The Feigenbaum constant has a very simple way to express Euler's identity:

[(tan F) ^ i] +1 = 0

comparing to the Cheops form:

[[[10^(4*bl/ht)]/82944]^ i ] +1 = 0

The Cheops form has incredible geometric symbolism, that is four base legs (perimeter) divided by height in log formdivided by 82944 to the i­th power, plus one = zero

All Eulerian forms can demonstrate this effect:

EULERIAN IDENTITY: (e^(Pi*i)) + 1 = 0

FEIGENBAUM BIFURCATION CONSTANT: F= 4.669201932 [(tan F) ^ i] +1 = 0

GOLDEN MEAN : phi = 1.618033989 [[(10^(4*bl/ht))/[[COS^­1((sqrt5 ­ 1)/4))*4]^2]] ^i ] +1 = 0 COS^­1 in degrees

COLLECTIVE UNCONSCIOUS: Cheops/Sephira Malkuth/Leahy: [[[(10^(4*bl/ht))/82944] ^ i] +1 = 0

FINE­STRUCTURE CONSTANT: electron­photon interaction [(cos(1/a(em))) ^ (­i*2*bl/ht)] + 1 = 0

NATURES CHARGED MASSES: electron ­proton emev = .5110007784 mev = electron pmev = 938.271998 mev = proton [[(10^(4*bl/ht))/[(10*pmev)^(emev^(­ht/2/bl))]] ^ i ] +1 = 0

NATURES CHARGED MASSES: electron , proton and the collective unconscious: emev = .5110044323 mev pmev = 938.271998 mev [(pmev*(emev^2)/666))^ (2*bl*­i/ht)] + 1 = 0

J.Iuliano

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99.68.10 Re: The Mysterious Origins of the W.D. Gann's Square of Nine by Brad Steward (CodeUFO)

From: CodeUFO To: [email protected], luigi.di­[email protected], [email protected] Subject: Re: The Mysterious Origins of the W.D. Gann's Square of Nine by Brad Steward (CodeUFO) Date: 09/25/02

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In a message dated 9/24/02 5:21:14 PM, luigi.di­[email protected] writes:

<< The Square of Nine is undoubtedly the most mysterious and popular of W. D. Gann's financial market calculators.>>

Some interesting related alphanumerics:

SQUARE = 81 = (9 squared) SQUARE OF NINE = 144 SQUARE OF FIVE = 144 SQUARE OF FOUR = 162 162 + 144 + 144 = 450

(FOUR + FIVE + NINE = 144)

SQUARE OF ONE = 136 SQUARE OF TWO = 160 SQUARE OF SIX = 154 136 + 160 + 154 = 450

(ONE + TWO + SIX = 144)

450 + 450 = 900

­Gary­

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99.68.11 Re: The Mysterious Origins of the W.D. Gann's Square of Nine by Brad Steward (Luigi)

From: luigi.di­[email protected] To: [email protected], [email protected], [email protected] Subject: Re: The Mysterious Origins of the W.D. Gann's Square of Nine by Brad Steward (Luigi) Date: 09/25/02

<< (ONE + TWO + SIX = 144) >>

Excellent deductions (or is that additions) Gary!! I was hoping some inspiring numbers would come from it. Afterreading this post I quickly flicked through a few numbers I had put to the modes of the major scale. I recall that one ofthem added up to 126. I said to myself "if it is the Dominant mode then I will freak"! This is because it is thedominant that kinda takes the keys round a circle of fifths, so this has correlations to light (is that right?), I am 99%sure!

Anyway it is the Dominant mode that adds up to this number. As a Mode it is known as the MIXOLYDIAN

MIXOLYDIAN =126

So what of the 18 difference I wonder? Again it's one of them numbers that explains so much!

Gary, have you done some alphanumerics on the signs of the zodiac? I'm sure you have!! I have just turned this zodiacchart, numbered 1 to 144 , into base ten. Then I added the musical notes/colors to these numbers. I found that thenumbers 147 and 825 define the Circle of Tones structure I am always harping on about! 147 is CEG# (one of theaugmented triangles), and 825 is D F# Bb (the other one). Anyway I want to get this chart together and send it to youRobert if possible.

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Cheers Lui

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99.68.12 PHI & planetary orbits (Tombuoyed)

From: [email protected] To: [email protected] bcc: [email protected] Subject: PHI & planetary orbits (Tombuoyed) Date: 09/25/02

Dave,

I came across this page of John Harris, who finds a PHI series relationship among the orbital periods, radii, angularmomenta and velocities of each planet out to Saturn.

Solar System Exponential Periods...

When I saw his first table on the page titled:

"The Solar System Exponential Periods and the Phi­Series Multipliers"

I immediately thought of your of your trinary logic expressed in the PHI series.

Tom Mellett

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99.68.13 PHI & planetary orbits (MetPhys)

From: [email protected] To: [email protected] Subject: PHI & planetary orbits (MetPhys) Date: 09/15/02

PHI & Planetary Orbits

Very amazing to me. I have seen at least 4 other ways of mapping the solar systems dynamics and this Phi based map ismost logical. I noticed there is a phi relationship between the fragmented asteroid belt and mercury which reinforcesmy long time assumption of mercury's future in this phrase,

Sometime in the future mercury will be the next planet to fragment and move out of the solar system.

[email protected]

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99.68.14 Re: The Mysterious Origins of the W.D. Gann's Square of Nine by Brad Steward (MetPhys)

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From: [email protected] To: luigi.di­[email protected], [email protected], [email protected] Subject: Re: The Mysterious Origins of the W.D. Gann's Square of Nine by Brad Steward (MetPhys) Date: 09/25/02

In a message dated 9/25/2 12:21:14 AM, luigi.di­[email protected] writes:

<< This universal vital principle, "Brahma", which comes forth from the center as the lotus flower extending itself into3 dimensional space­time, is pure consciousness projecting itself into form according to mathematical relationships andharmonies. >>

I recently read something to the effect that the Mayan Tzolkin of 260 permutations of light is also a map of pureconsciousness projecting itself but over the years, and after examining David Wilcox' claim of a basis ConsciousnessUnit (CU) of his own invention, I added to that, another letter so the missing energy was included with consciousness,making it an ECU, Energy/Consciousness Unit From what I found over the years and especially from book QuartumOrganum listed in the bibliography, there are only these two existing, consciousness and energy. Energy produces theforms and consciousness learns from it and arranges for the production for more complicated forms­ ECU.

So to tie this to consciousness projecting itself into form according to mathematical relationships (ratio, music) andharmonies (music, square of 9) thru the Tzolkin and I Ching in the form of pure ECU's is just what Michio Kakurecently admitted on Art Bells Radio Show, "The mind of God is music". Of course we have known that intimately fora long, long time so we are happy that he is up to speed.

[email protected].

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Sections List­ 99 Electrons and MythologiesImpossible Correspondence Index

© Copyright. Robert Grace. 2002

This is a copy of a webpage.

Market Cycles and Fibonacci of W.D.GannTechnical Analysis ­ Menu

1. Technical Analysis ­ Elliott Wave, Gann and Chart Patterns

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2. Elliott Wave Introduction

3. Secrets of Price Bars

4. Fibonacci Number Sequence

5. Market Cycles and Fibonacci

Market Cycles and Fibonacci

The relevance of trading with TIME­cycles alone is far less accurate than forecasting with PRICE. But itsrelevance will increase if, as the forecasted times approach, price patterns and momentum indicators showsigns of reversal. Also, when trading markets like futures and commodities, the capital required to coverrisks can be large due to leverage. Therefore, these long­term cycles only provide useful information in alimited capacity.

I discuss cycles here to illustrate:

How several long­term cycles have accurately predicted significant market turningpoints.The amazing mathematical "coincidences" I have discovered while searching for anaccurate market­timing method.

You may wish to bare this information in mind if trading long­term markets, such as stocks, possiblyoptions or perhaps long­term index futures where a turning point is possible?

In the final two parts of this course (19 and 20) I will go through many examples of trading, on differenttime frames, using all the information shown throughout the course: A kind of "How to put all theinformation together".

For now, I hope you find this cycles information as fascinating as I do.

Gann and Fibonacci Relationships in the Universe

Below are some cycles that have been found by scientists and astronomers when studying the universe.Numbers that we have seen through this course (such as numbers that are or are near to Fibonaccinumbers, or Gann multiples and fractions, are highlighted).

Note a tremendous amount of Fibonacci relationships!

Also, one of Gann’s major techniques for market timing was to use fractions of a circle, specifically intoquarters, eighths and thirds, to count the number of days/weeks/months between highs and lows. Forexample, the circle has 360 degrees, 90 is one quarter, 45 is one eighth. Important numbers to countbetween highs/lows are therefore 30, 45, 60, 90, 135, (90 + 45), 150, 180, 210, 225, 270, 315, 330 and360.

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Rounding up one eighth of 90 is 11, two­eighths is 22, three­eighths is 33, 45, 56, 67, 78 and 90. These areother numbers to look out for.

Common Numbers in Solar Activity (in Earth Years):

Common NumbersSolar Activity (years)

FibonacciNumbers Part (%) of... Gann Other Days +

1.09 Fibonacci 1 One plus 9/100 . . .

1.5 . . Gann 150 . .

2.2 Fibonacci 2 and2.236

Gann 2/8 of 90= 22 . . .

2.7 Fibonacci 2.618 . Gann 3 x 90 / 100 . .

3.5 Fibonacci 34 /10 33 is 3/8 of 90 Gann 350%360 degrees / 100 . .

4.4 Fibonacci 4.236 . Gann 45 / 10 . .

5.5 (Fibonacci 5 and55

Gann 56 is 5/8of 90) . . .

8 (Fibonacci 8) Fibonacci 8 . . . .

10.2 Fibonacci 1 x 10 90 plus one­eighth of 90 Gann 10 eleven = 101 .

11 . . Gann 1/8 of 90 . .

15 (Gann 1.5 x 10) . . Gann 1.5 x 10 . .

12Monthly cycles

Fibonacci 144 =12x12 . . . .

17 . . . . 7days in aweek + 10

22.2 Fibonacci 21 2.236 x 10 Gann 22 = 2/8 of 90 .

26 Fibonacci 2.618x 10

25 is a Gann%of 100) . . .

34 (Fibonacci 34. Gann33 is 3/8 of 90) Fibonacci 34 Gann 33 is 3/8

of 90) . . .

45) Fibonacci 89

Gann 45degreeshalf of 90degrees

. . .

59 Fibonacci 55 Gann 56 is 5/8of 90 . . .

85 Fibonacci 89 . 85 (near to Fibonacci89, Gann 90) . .

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96 Fibonacci 8 x 12 . Gann 100% . .

169 Fibonacci 1.618x 100

168 is 90 +7/8of 90) . . .

178 Fibonacci 377 Ð200 = 177 . . 180 degrees

in a circle .

200 Fibonacci 2 x100 . Gann 200% . .

400

Fibonacci 2 x200

Fibonacci 38%of 1000)

. Gann 400% . .

600

Fibonacci 3 x200

Fibonacci 62%of 1000)

. Gann 200% x 3 . .

900Fibonacci 89 x

10or 89% of 1000

. Gann 300% x 3Gann 90 degrees x 10 . .

2400(2 x 12 x 100)

Fibonacci 233 x10) . . . .

Humanistic, Historical Points (in years):

Historical Points(years)

FibonacciNumber Gann Other

4.3 Fibonacci 4.236 . .

5.2 Fibonacci 555 /10 . .

7.1 . . 7 days in a week

10.5 Fibonacci 5 x 2 Gann 10 multiple .

12.5 Fibonacci 13 Gann 12 .

16.1 Fibonacci 1.618 x10 . .

22.0 Fibonacci 21 Gann 2/8 of 90 .

35 Fibonacci 34 Gann 350% .

55 (Fibonacci 5556 is 5/8 of 90 . .

130 Fibonacci 13 x 10 . .

170 . . 168 is 90 + 7/8 of

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1.62 x 100 90

200 . Gann 200% .

263 Fibonacci 2.618 x100 . .

317 Fibonacci 34 Gann 350 ­ Fibonacci 34 =316 .

350 (Gann 350%, ten times Fibonacci 34 =340) .

350Gann 350%

10 x Fibonacci 34 = 340.

Problems with Counting Cycles

As well as regular cycles there are random fluctuations in things, too. The random occurrences cancamouflage the regular cycles and also generate what appear to be new, smaller cycles, which they may notbe. If you are zealous enough you can find regularity in almost anything, including random numbers whereyou know that the regularity has no significance and know it will not continue. This is the problem withmarket­timing signals.

Also, many things act as if they are influenced simultaneously by several different rhythmic forces, thecomposite effect of which is not regular at all.

The cycles may have been present in the figures you have been studying merely by chance. The ups anddowns you have noticed which come at more or less regular time intervals may have just happened to comethat way. The regularity ­ the cycle ­ is there all right, but in such circumstances it has no significance.

The following examples illustrate this problem of cycles appearing/disappearing.

Cycles in the Stock Market

When forecasting stock market cycles, the cycles are influenced by random events. Cycles are inherentlyunreliable and their predictive value provides only specific probabilities when the suggested time period isapproached.

Fixed time cycles are apparent in stock market tops and bottoms. But eventually a cycle will cease tocontinue. For example, the four­year cycle in the US stock market held true from 1954 to 1982 producingaccurate forecasts of 8 market bottoms. Had an investor recognized the cycle in 1962, he could haveamassed a fortune over the next 20­years. But in 1986, the cycle’s prediction of a low failed to provide abear market and in 1987 its rising portion failed to prevent the largest crash since 1929.

Another cycle that may have disappeared is the 3­year cycle that began in 1975, forecasting lows in 1978,

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1981, 1984, 1987 and 1990 – there was no significant bottom in 1993, 1996 or 1999.

Other long­term cycles (such as Kondratieff and Benner/Fibonacci) as well as Elliott Wave counts,suggest that the ultra long­term bull market may be coming to an end.

Therefore, many old or existing cycles may come to an end and new ones begin.

It is difficult at the best of times to recognize a cycle taking place, but with the high probability of areversal in ultra long­term trend at the time of writing (March 2002) it is even harder to confirm.Nevertheless, the text below explains how a lot of cycles have been seen on the long­term US stockmarket.

Fibonacci Relationships in the Stock Market Cycles

1 year is a little less than 13 months, a little less than 55 weeks and a little less than 377 days. Thus aFibonacci time period in one natural duration is close to a Fibonacci duration in another.

The Kondratieff Cycle is a common, often­quoted cycle of financial and economic behavior that lastsapproximately 54 years. This 54­year cycle is very close to a Fibonacci 55 number!

The 54 (55) year cycle was recognized by the Maya tribes of ancient Central America, the ancientIsraelites, and rediscovered in the 1920’s by Russian economist Nikolai Kondratieff (hence the name of theKondratieff Cycle.)

Fractions of the Kondratieff Cycle (54 Years)

Dividing the Kondratieff Cycle of 54 years by 2 equals 27 years, and dividing by 2 again equals 13.5years. This is near to a Fibonacci number 13 and, 13.5 years multiplied by 12 months equals 162 months –a Fibonacci 1.62!

Dividing 54 by 3 equals 18 years and dividing this by 2 equals 9 years, or 108 months. Dividing by 2 againleaves a smaller cycle of 4.5 years, which is 54 months – almost a Fibonacci 55!

Two­thirds of 54 equals 36 years. 5­times 36 years gives 180 years. This is the same as 180 degrees is halfa circle, or half a planetary orbit.

All these periods are inter­linked by Fibonacci! How bizarre!

Remember that the proportion of two­thirds was used greatly by Gann. It is also near to a Fibonacci 0.618ratio.

Let us take a look at a long­term chart illustrating the Kondratieff cycle:

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Figure 333: Kondratieff 54­Year Cycle over US Wholesale Prices.

Also, on the US stock market, the Kondratieff Cycle appears to subdivide into harmonic sub­cycles ofbetween 16 and 20 years. The last set of sub­cycles saw US stock market lows in 1842, (+17) 1859, (+18)1877, (+19) 1896, (+18) 1914, (+18) 1932, (+17) 1949, (+17) 1966 and (+16) 1982.

Figure 335: Long term Dow Jones showing dips on Kondratieff cycles: 1842, (+17) 1859, (+18) 1877,(+19) 1896, (+18) 1914, (+18) 1932, (+17) 1949, (+17) 1966 and (+16) 1982.

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Benner Cycle

The diagram below is based on Samuel Benner’s cyclic discoveries but I have modified and updated it to fitthe behavior of the stock market.

It uses 3 cyclic periods to project each reversal point.

The first cycle goes: 8­years, 9­years, 10­years, and begins in 1902. The projected lows were forecast on1902, (+8) 1910, (+9) 1919, (+10) 1929, (+8) 1937, (+9) 1946, etc.

The next cyclic periods project reversals in years of 16­years, 18­years, 20­years (i.e. double the period ofthe first cycle). Starting with an 18­year period from 1903, this cycle forecast lows in 1903, (+18) 1921,(+20) 1941, (+16) 1957, (+18) 1975, etc.

The next cyclic period again uses the 16­18­20­year counts, but begin in 1913. This cycle projected marketturning points on 1913, (+20) 1933, (+16) 1949, (+18) 1967, (+20) 1987, etc.

If you compare this Benner Cycle with a long­term stock market chart, you will see how it predicted manyof the historic high and low turning points (Figure 335.)

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Figure 334: Benner Cycle.

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Figure 335: Long­term US stock market chart showing Benner counts from Figure 334. (Note all counts ofeach cycle are painted the same color on this chart. E.g. 8­9­10 year counts are all red.) This cycle hasaccurately called significant market lows over the last 100 years.

More Recognized Cycles

The 20 Year Cycle

The 20­year cycle has accurately called the historic and dramatic lows in the US stock market in 1903,1921, 1942, 1962 and 1982. The next target for a low on this cycle is 2002, which coincides with theKondratieff Cycle and other signals calling for a reversal around 2002­2003. (As the market may now bein a bear market, the reversal will only be a correction holding below previous highs…. If the cycleis to continue?)

The 8 and 12 Year Cycles

The ideal years called by the 8­year cycle in the US stock market are: 1934 (1933), 1942, 1950 (1949),1958 (1957), 1966, 1974, 1982, 1990 and 1998. (Brackets indicate actual market bottoms, otherwise yearshown is an actual bottom!) The next 8­year cycle occurs again in 2006.

The 12­year cycle is less reliable but coincides well with the other historic lows. The next forecast low

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called by the 12­year cycle is in 2010.

The 4 Year Cycle

The 4­year cycle has been very accurate over the last 50 years, calling a majority of turning points since1954. Recently, the 4­year cycle has hit in 1994, 1998… the next being in 2002.

The 4­year cycle is usually explained by fundamentalists as being caused by the 4­year US presidentialelection. Each Presidential term usually contains 2 years of down­move followed by 2­years of up move.

The 1.697 Year Period

The 1.697­year period is also interesting.

Astronomers have discovered many cycles, one of which is a weak cycle at 3.39 years. This is exactlydouble the 1.697 period.

The 3.39 year (40.68 month) cycle is also the dominant cycle in the US stock market and commonly calledthe 40 month cycle and is, according to Edward Dewey, a famous cyclic analyst, the most commonlyreported cycle of all.

This finding of cycles that are exactly half as long as others is a very common occurrence. They are calledharmonics. (Also remember how market prices often retrace 50%.)

Finding cycles of the same length in different series is also common.

A Background to Financial Astrology

This next section explains how some traders use Financial Astrology to forecast market cycles.

Note: I do NOT use Financial Astrology myself. I haven’t studied it a great deal and do not profess to be anexpert but, firstly, I have tried the services of a couple of Financial Astrologists and found the forecasts tonot be greatly accurate, mainly because they are rather ambiguous.

For example, they may say the Dow will go up from November 13th­16th, fall from 20th­17th … We allknow that a lot can happen in a 3­day period!

Secondly, in the books that I have read illustrating charts with reversal signals caused by Astrological signs,I found there to be too many methods of generating signals.

For example, as well as planets changing signs (of the Zodiac) there are also Moon nodes, depogees andapogees, aspects, declinations, planets going direct or retrograde, solar and lunar eclipses, etc. to consider.

The purpose of this section is to illustrate how the astrological aspects of the planets in our solarsystem are related to each other by Fibonacci relationships. Again, it is uncanny!

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There are nine planets that revolve around the sun. The order of the planets, starting with the nearest to theSun is: Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune and Pluto.

(A method of remembering the order of the planets is the phrase, "My Very Easy Method, Just SUN andPluto."

My ­ Mercury

Very ­ Venus

Easy ­ Earth

Method ­ Mars

Just ­ Jupiter

S ­ Saturn

U ­ Uranus

N ­ Neptune

And

Pluto ­ Pluto

Some traders use a forecasting method where the Sun is the center of the universe, called the heliocentricmethod.

But most astrological traders use a method where the Earth is the center of the universe, called thegeometric method. This makes sense because the basis of astrological trading is that different planets shinerays onto the Earth and also the Moon has such a strong effect on our planet, (e.g. tides, calendar monthsbeing near to lunar cycles, etc.)

Interplanetary Synodic Periods

A Synodic Period is the length of time two planets meet in Conjunction, which means revolving 360degrees to each other. The 360­degree period is divided into fractions known as the Sextile (60 degrees),Square (90 degrees), Trine (120 degrees), Opposition (180 degrees), and back to Conjunction again.

Many of the Sydonic Planetary Cycles conform to the Fibonacci Summation series (1, 1, 2, 3, 5, 8, 13, 21,34, 55, 89, 144, etc. Ratios of 0.618, 0.382, 1.618, 2.618, etc.)

The importance of Fibonacci numbers cannot be overemphasized!

Its relationship to natural harmonic vibration is not by chance. (Also note Gann fractions of a circleand fractions of 90 recurring again!)

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Mercury – Pluto 0.24 (Fib. 0236) Mars – Pluto 1.89 (Fib. 1 + Fib. 89.1 + Gann 90/100)

Mercury – Neptune 0.24 or 2 x 12 / 100) Mars – Neptune 1.90 (Gann 90)

Mercury – Uranus 0.24 Mars – Uranus 1.92 (Gann 90)

Mercury – Saturn 0.24 Mars – Saturn 2.00 (Fib. 2)

Mercury – Jupiter 0.24 Sun – Mars 2.13

Mercury – Mars 0.27 Mars – Jupiter 2.23 (Fib. 2.236)

Sun – Mercury 0.31* (1 third) Jupiter – Pluto 12.45

Mercury – Venus 0.39 (Fib. 0.382) Jupiter – Neptune 12.78 (Fib. 13)

Venus – Pluto 0.61 (Fib. 0.618) Jupiter – Uranus 13.81

Venus – Neptune 0.61 Jupiter – Saturn 19.85

Venus – Uranus 0.61 Saturn – Pluto 33.43 (Fib. 34)

Venus – Saturn 0.62 Saturn – Neptune 35.86

Venus – Jupiter 0.64 Saturn – Uranus 45.36 (Half 90, 89)

Venus – Mars 0.91 (Fib. 89, Gann 90degrees)

Uranus – Pluto 127.13

Sun – Pluto 1.00 (Fib. 1) Uranus – Neptune 171.40

Sun – Neptune 1.00* Neptune ­ Pluto 492.32

Sun – Uranus 1.01*

Sun – Saturn 1.03* (Fib. 3)

Sun – Jupiter 1.09* (Gann 9)

Sun ­ Venus 1.59 (Fib. 1.6)

(* Solar combinations in reality are those participated in by the earth.)

Venus­Uranus

Venus revolves around the Sun in 61% of 1 year (365 days) or 225 days. (225 was an important Gannnumber because 180 + 45 = 225.) These two planets possess the unique Fibonacci relationship of the 0.618Golden Section! (225 days is also a similar number to the Fibonacci fraction 2.236!) Uranus revolvesaround the Sun in 84 years (Gann 7 x 12).

Jupiter­Saturn

Jupiter revolves around the Sun in 11.8 years. Saturn revolves around the Sun in 29.4 years. Their Synodicperiod is 19.8 years. Jupiter and Saturn are the largest planets in our solar system and Saturn is the onlyplanet whose magnetic pull is touched by another planet – Jupiter.

Venus­Pluto

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The planets of Venus and Pluto have an average Synodic period of 61.6% of one year. This is very close toa Fibonacci 0.618 Golden Mean! In other words, it takes approximately 225 days for the two planets tomeet at conjunction and travel through sextile (60), square (90), trine (120), opposition (180) and back toconjunction.

Mars­Jupiter

Mars revolves around the Sun in 1.91 years. Jupiter completes its revolution in 11.8 years. Their Synodicperiod from Conjunction to Conjunction is 2.23 years. (A Fibonacci 2.236 number!)

Every other conjunction of Mars­Jupiter is 4 and one­third years or 233 weeks – another Fibonaccinumber!

Venus­Jupiter

The Synodic period of Venus­Jupiter is 0.64 years or 233 days – another Fibonacci number!

Saturn­Uranus

The Synodic period for the Saturn­Uranus combination is 45 years. (Gann one­eighth of 360 degrees of acircle or half of 90 is 45.)

Uranus makes a complete revolution around the Sun in 84 years. Saturn makes the revolution in 29 years.The difference is 55 years – another Fibonacci number!

Jupiter­Uranus

Jupiter is the largest planet in our solar system. It takes approximately 11.8 years to revolve around the Sun(near 12 years). Uranus takes 84 years (Gann 7 x12) to revolve around the Sun. The Synodic period ofJupiter­Uranus is 13.8 years – near to a Fibonacci number 13.

Squares, conjunctions and oppositions occur at intervals of 3.4 years. (Ten­times 3.4 is 34 – anotherFibonacci number!) 3.4 years is 41 months, which has been regarded as a very important stock marketcycle period.

Mars­Uranus

The Mars­Uranus Synodic period is 1.9 years (almost a Fibonacci number 2. Nine is an important Gannnumber.). Mars revolves around the Sun in 1.8 years (180 degrees / 10) and Uranus takes 84 years (7 x 12).

Mars­Saturn

The Synodic period of Mars­Saturn is approximately 2 years – another Fibonacci number.

Mercury

Mercury is the closest planet to the Sun and orbits it very quickly. In 88 days, which is one­day off aFibonacci number 89!

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Venus

Venus is the next closest planet to the Sun and orbits the Sun every 225 days. This is very close to aFibonacci 233 and ten­times a Fibonacci 2.236 number! (Gann 180 + 45 degrees = 225.)

Planets in Signs of the Zodiac

Astrological traders use the Zodiac, which is a circle divided into 12 parts of 30 degrees, totaling 360degrees. Each segment of the Zodiac/circle is called a sign and has its own influence.

The Earth moves around the Sun once a year to allow the Sun to pass through each of the 12 Zodiac signs.

Each planet also travels through each sign on the Zodiac. The table below shows the approximate length oftime that each planet stays in each of the twelve signs of the Zodiac. (These times vary depending on theretrograde motion of the individual planet.)

Planet Average Time in Zodiac Sign (30 degrees ofcircle)

Moon 2.25 days (Fibonacci 2.236)

Mercury 18 days (One­third of 54, Fibonacci 55)

Venus 23 days (Fibonacci 21, 2.236 x 10, Gann 2/8 of90 is 22)

Sun 30 days (One­third of 90, Fibonacci 89)

Mars 46 days (Gann 45 degrees)

Jupiter 365 days (Fibonacci 377, 360 degrees of acircle)

Saturn 2.5 years (Gann 250%)

Uranus 74 years (Gann Three­Quarters)

Neptune 144 years (Fibonacci 144)

Pluto 204 years (Gann 200%)

The financial astrologer should be aware of when planets change from one sign to another. And when thereare several planets in one sign of the Zodiac at one time. (For example, in October 1974 when the stockmarket was at a major low, four planets were in the sign of Virgo. And in August 1987 five planets were inthe sign of Leo at the height of the stock market before it crashed in the autumn!)

As well as looking for planets changing from one Zodiac sign to another, the financial astrologer also looksfor several lunar (phases of the Moon) events happening on the same day. For example, when there is a fullmoon or if the Moon’s orbit brings it to its closest point to the Earth’s equator.

The Moon takes 28 days to orbit around the Earth. The Farmer’s Almanac mentions the New Moon andFull Moon aspects as an aid in helping farmers to plant and harvest.

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WD Gann and Astrology

Gann’s writings are quite ambiguous and he didn’t reveal his exact trading methods, leaving the trader towork them out for himself. However, Gann was obviously fascinated by the planets, mathematics and howthey affect the markets.

Of the few clues left on his charts about Astrology, he wrote "The faster moving planets are the key" and"The retrograde motion of Mercury will affect the trend in Grain prices."

Does Financial Astrology Work?

First we know for sure that Fibonacci relationships are extremely common in stock market pricerelationships! I have illustrated dozens of chart patterns that show accurate Fibonacci retracements andrelationships between waves.

The fact that the planets in our solar system repeatedly show Fibonacci relationships between eachother is equally amazing. Do you not agree?

Important risk warning: There is risk of loss trading futures.The information presented in this site is for informational purposes only. Investment in futures involves ahigh degree of risk, your investment may fall as well as rise, you may lose all your original investment andyou may also have to pay more on the original amount invested. Consult your broker or advisor prior tomaking any investment decisions. Past or simulated performance is not a guide to future performance. ©Copyright 1999­2004 Philip Riou. All rights reserved.Philip Riou, Futures­Investor, Mont Cuet Road, Chouet, Vale, Guernsey, GY3 5AT. Tel: +44 (0) 1481246035. Email philriou@futures­investor

New Bible Codes Discovered!

Vibration Rates for Creation and Destruction!

From: "Healing Codes for the Biological Apocalypse" by Dr Leonard Horowitz and Dr Joseph Puleo

READ THE BOOK

The codes on this page were found in the Bible which has been with us for thousands of years, yet hidden inplain sight.

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Dr. Joseph (Joey) S. Puleo discovered the code after speaking with a visiting angel several times.

For this page, we are concerned only with 'Creation and Destruction' as it relates to the pyramid of Giza,Coral Castle in Florida constructed by Edward Leedskalnin, and Nicola Tesla.

In this incredible book by Dr. Horowitz and Dr. Puleo, they elucidate the discovery of this New Bible Codewhich begins with telling us on page 35, that Pythagoras was murdered, and his school was burned and thathe was an astrologer.

Pythagoras, as many people know was a physician and a mathematician. He worked with radionics andmathematics, sound and light and used them in healing and the practice of spiritual medicine. Besidesastrology, Pytagoras taught geometry as part of that science and of course, mathematics is a correspondingpart of both.

Astrology, though denounced by many and scoffed at, has been used from the beginning of the knowledge inancient times all the way up to today, including by our beloved President Reagan.

Joey tells us that his visiting angel taught him about numbers, starting with 8. He began 1X8=8; 2X8=16,3X8=24, etc. all the way to 8X8=64. The pointed out that 64 is an important cardinal number and that6+4=10 which added together becomes 1 using the Pythagorean skein.

The angel continued that 8X8 = 64 which is the number of squares on a chess board that the Egyptiansinvented, that there are eight octaves in music and 88 keys on a standard regulation size piano.

Next the angel taught Joey about the number 9. Using the English alphabet ... numbering the letters A=1through I=9, then starting over with J=1 through R=9, and repeating S=1 through Z=8, the numbers add upto 126 ­ which adds together to equal 9.

In another column, and listing 1X3=3, 2X3=6, 3X3=9, all the way to 26X3=78=15=6, all the ending 1 digitnumbers equal 3, 6, 9 all the way down and added together = 153 = 9.

See: 153

In a third column, and listing 1X6=6, 2X6=12=3, all the way down to 26X6=156=3, again all the final digitnumbers add to 153=9. All the final single digit numbers add to 3, 6, and 9.

In a fourth column, and listing the numbers 1X9=9, 2X9=18=9 all the way down to 26X9=234 = 9, all thefinal digit numbers are 9, which again added together = 234=9.

The angel explained that English and Hebrew alphabets can be equally deciphered and even though Englishis read left to right and Hebrew is read right to left, the mathematical result is the same.

The first language called Babel was invented to express at least in part the Godly perfection of mathematics.Babel came from the early Semitic Mesopotamian language called Akkadian, meaning 'gate to God'.

Other languages developed since then do not translate the same mathematically and the 'gate to God' ishidden.

On page 40, we are told: "Specifically, each sound or syllable, especially in Hebrew, emits a special frequencywhen spoken or sung ­ frequencies of spiritual value. The fact is, sounds generate electromagnetic frequencies.These form the basis for today's computerized language translation and word processing programs. They canprint out the Hebrew or English characters and words in response to the sound or wave frequencyrecognitions or vibrational reconnaissance.

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"Another strange thing is that there are twenty­two characters in the Hebrew alphabet. There are twenty­twodegrees between Fa and So on the music scale. And there is a twenty­two year sun cycle wherein every elevent years it reverses its polarity from north to south.

Joey was then visiting by Jeshua and told to go to the Hebrew alphabet. But Joey couldn't find a book in allof Spokane or Idaho. Jeshua then told Joey to look in the Bible ­"my book", he called it ­ Psalm 119.

There it is ­ all laid out complete. See: Psalm 119.

We are told then that King James VI of Scotland and James I of England, a member of the Scottish Right,Knights Templar, and Freemasons, decided to commission the writing of a new encoded English Bible,ensuring that the special arcana numbers, that Jeshua had directed Joey to recover, would never be lost tothe "illumined."

Note: We have read about the reasons that the Bible has been revised, changed, and reworded numeroustimes since then, but if we believe there is a special numerical encoding in the King James version, then thatis the only version that will give you the proper coding.

By following the number coding in Psalm 119, we find that after the first Hebrew word Aleph, is verse 1,after the second word Beth, the next verse is 9, after Gimel, the next verse is 8, and on through the alphabet,writing down the verse number following the letter, and at the end, you have a listing of final digits that looklike this:

1,9,8,7,6,5,4,3,2,1,9,8,7,6,5,4,3,2,1

And there are 8 verses between each Hebrew letter.

Joey tells us that the King James Bible is encoded with the Pythagorean skein and the truth, "Anyone whoreached the highest degrees of Freemasonry were given this knowledge to spiritual acquire higher matrices ofthought and the spiritual power in it."

Revealing the Numbers in NUMBERS

The book of Numbers used to be called, "In the Wilderness".

Joey was visited by an angel again. The angel said: "You have your challenge. You're working for God, butnot everything is given."

NOTE: That's the way we all get our clues to work on our missions. We are given clues, but not all theanswers. The answers have to be derived from the clues and its not easy.

The angel asked a series of question of Joey: "How many day are there in a week?" "How many colors in arainbow are visible?" The answer was 'seven'.

The angel asked, "What about the verse in the Bible: the something son of the something son?" Joeyanswered, "Well its the seventh son of the seventh son."

The angel asked, "Now how many musical notes are there?" The answer was 'seven'.

The angel asked, "Now how many months in a year are there?" "Twelve"

The angel asked, "How many apostles are there?" "Twelve"

The angel asked, "That is correct. And what are we working with?" "Numbers!"

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The angel then illuminated the page of the Bible he wanted Joey to go to. Its the Book of Numbers. Chapter7 ­ starting at verse 12.

Numbers ­ Chapter 7

Joey read the chapter and it didn't make any sense to him. Joey also found a numerical Musical Patternencloded in the King James Bible from Psalm 120 through 134.

Below are the results of his research and studies:

(From Page 60, Fig 2.5):

Evolution of the Gregorian Musical "Solfeggio" (Scale) form Initially Six (6) Notes

The Original Solfeggio

1. Ut ­ queant laxis2. Re ­ sonare fibris3. Mi ­ ra gestorum4. Fa ­ muli tuorum5. Sol ­ ve polluti6. La ­0 biireatum

The Earlier Modified Solfeggio

1. Ut ­ queant laxis2. Re ­ sonare fibris3. Mi ­ ra gestorum4. Fa ­ muli tuorum5. Sol ­ ve polluti6. La ­ biireatum

7. SI ­ Sancto Iohannes

The Current Modified Solfeggio

1. Do ­ queant laxis2. Re ­ sonare fibris3. Mi ­ ra gestorum4. Fa ­ muli tuorum5. Sol ­ ve polluti6. La ­ biireatum

7. TI ­ Sancto Iohannes

(From Page 177: Fig 5.6):

The Secret Solfeggio Frequencies: Sound Vibration Rates for Creation and Destruction:

1. Ut = 396 = 92. Re = 417 = 33. Mi = 528 = 6

4. Fa = 639 = 95. Sol = 741 = 3

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6. La = 852 = 6

(From Pages 166 & 167):

Definitions of Tones in the Latin Solfeggio Including "Hidden Entries" From Webster's Dictionary

Note 1: The typos on this page are the same as the book.

Note 2: Emphasis added by italics in each definition denotes special relevance to the book.

UT­quent laxis

1. a syllable used for the first note in the diatonic scale in an early solminzation system and later replaced bydo. 2. the syllable sung to this note in a medieval hymn to St. John the Baptist. <Gk. ­Gamut­ 1. the entirescale or range; the Gamut of dramatic emotion from grief to joy. 2. the whole series of recognized musicalnotes [1425­75]; late ME (Middle English)><ML (Medieval Latin)­contraction, of Gamma, used to representthe first lowest tone of (G) in the Medieval Scale Ut, Re, Mi, Fa, So, La, Si. <Gk ­ Gamma­ 1. the third letterof the Greek alphabet. 2. the third in a series of items. 3. a star that is usually the third brightest in aconstellation. 4. a unit of weight equal to one microgram. 5. a unit of magnetic field strength equal to 10 tothe fifth power gauss. (quent: needing), (laxis: loose; axis­an affiliation of two or more nations. Also AxisPowers.)

RE­sonare fibris (Res­o­nance)

1 a: the state of quality of being resonant. b(1) a vibration of large amplitude in a mechanical or electricalsystem caused by a relatively small periodic stimulus of the same or nearly the same period as the natural vibrationperiod of the system 2. the prolongation of sound by reflection; reverberation. 3a. Amplification of a source ofspeech sounds, esp. of phonation, by sympathic vibration of the air, eesp. in the cavities of the mouth, noseand pharynx. b. a characteristic quality of a particular voice speech sound imparted by the distribution ofamplitudes among the cavities of the head, chest, and throat. 4a. a larger than normal vibration produced inresponse to a stimulus whose frequency is close to the natural frequency of the vibrating system, as an electricalcircuit, in which a value much larger than average is maintained for a given frequency. 5a. a quality of enrichedsignificance, profundity, or allusiveness; a poem has a resonance beyond its surface meaning. 6. the chemicalphenomenon in which the arrangements of the valance electrons of a molecule changes back and forthbetween two or more states. (in percussing for diagnostic purposes) a sound produced when air is present[1485­95]; <MF (Middle French), <L Resonantia, Echo=Reson (are) to resound + Antia­ance. (Re­a prefix,occurring orig. in loan words from Latin, use to form verbs denoting action in a backward direction, Actionin answer to or intended to undo a situation, or that performance of the new action brings back an earlier state ofaffairs. (fibris: fibre string, vocal cord.)

MI­ra gestorum (Miracle)

1. an extraordinary occurrence that surpasses all known human powers or natural forces and is ascribed to adivine or supernatural cause esp. to God. 2. a superb or surpassing example of something; wonder, marvel1125­75, ME<L Miraculum=Mira(Ri) to wonder at. fr (French): sighting, aiming to hold against the light.(gestorum: gesture; movements to express thought, emotion, any action, communication, etc. intended foreffect.)

FA­muli tuorum (Famuls.)

... plural Famuli, 1a. servant/s, or attendant/s, esp. of a scholar or a magician [1830 ­ 40<L (Latin), servant, offamily. (Tourum ­ quorum ­ 1. the number of members of a group required to be present to transact business or

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carry out an activity legally. usu. a majority. 2. a particularly chosen group. [1425­75;<L quorum of whom;from a use of the word in commissions written in Latin specifying a quorum.)

SO­lve polluti (So­lve')

1. to find the answer or explanation for; clear­up; explain; to solve a mystery or puzzle, to work outthe answer or solution to (a mathematical problem.) [1400­50, Late ME<L Solvere to loosen, releasedissolve=so­var, after velarl, of se­set­luere to wash; (see Ablution.) Ablution n. 1. a cleansing with water orother liquid, esp. as a religious ritual. [1350­1400]. (Pollutii­pollute­luted, 1. to make foul or unclean,)

LA­bii reatum (Labi­al)

1. of pertaining to or resembling a Labium. 2. of pertaining to the lips, 3. (of a speech sound) articulatedusing one of both lips. 4. of or designating the surface of a tooth facing the lips. 5. the labial speech sound,esp. consonant, [1585­95]; ML lingual. (reatum ­ reaction ­ 1. a reverse movement or tendency; an action in areverse direction or manner. 2. a movement toward extreme political conservatism; 3. a desire to return to anearlier system or order. 3. action in response to some influence, event etc.; 4. a physiological response to anaction or condition. b. a physiological change indicating sensitivity to a foreign matter.) 6. mech. theinstantaneous response of a system to an applied force, manifested as the exertion of a force equal inmagnitude, but opposite in direction, to the applied force [1635­45].

SI (Sancte Johannes)

1. a person of exceptional holiness, formally recognized by the Christian Church esp. by Canonization. 2. aperson of great virtue or benevolence. 3. a founder or patron, as of a movement. 4. a member of any variousChristian groups. 5. to acknowledge as a Saint. Canonize [1150­1200]; ME Seinte. Canon: 1. an ecclesiasticalrule or law enacted by a council or other competent authority and, in the Roman Catholic Church, approvedby the Pope. 3. a body of rules, principles, or standards accepted as axiomatic and universally binding, esp. ina field of study of art. 6. any officially recognized set of sacred books. 10. the part of the mass betweenSanctus and the communion. 11. consistent, note­for­note imitation of one melodic line by another, in which thesecond line starts after the first. (axiomatic). 1. pertaining to or of the nature of an axiom; self­evident. 2. auniversally accepted principle or rule. 3. a proposition in logic or mathematics that is assumed without proof forthe sake of studying consequences that follow from it.

On page 67, Joey tells us that when there is a pattern change in the Bible, there is a hidden code beingrevealed to you. In this case, he is speaking of, "A song of degrees". He also reveals that there is a code inLeviticus beginning with Chapter 23:26, dealing with 'atonement' or 'a tone­ment'. speaking of 'tone'.

After a few more clues he discovered about music, he begins to tell us about the history of King James VI ofScotland, the Knights Templar, and Freemasonry.

Many people have believed in these groups including our own Presidents. Hitler did also. One discovers thatthere is much power in belonging to these groups, both positive and negative.

Freemasonry itself is not evil but it is used in evil ways by people with evil intentions. The symbols andknowledge and the pursuit of knowledge for philosophical and religious purposes itself is not evil. What ISEVIL is how FREEMASONRY IS USED TO PROMOTE AND MAINTAIN POWER!! We would all bebetter off if the Freemasons stopped trying to control the world.

Here are several cases :

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Back in the Early 1900's an inventor named Nikola Tesla developed Free­ Energy methods which couldsupply all the world with FREE Electricity. One of these experiments was a tower built at Colorado Springswhich could power electricity for the whole USA and possibly the world. The concept was based on a simpleconcept that the Earth is always spinning, creating friction in the universe. This friction creates electricity inthe ionosphere that we call lightning or electrical storms. So energy and electricity didn't need to be produced by work or application of energy which relied upon a constant source.

Tesla's Financier J.P. Morgan had the rights to Tesla's Patents and Tesla was always building dozens of newinventions. Well the story goes that when Tesla was building his Tower at Colorado Springs, J.P. Morgan wasnot clued in as to what it was Tesla was building exactly. When it was finished and Tesla told Morgan that itcould supply the world with electricity, Morgan replied "Great, so where do we put the meters?" To whichTesla responded "There are no meters, This is Wireless Free­Electricity" and at that point J.P. Morgan cutoff funding to Tesla and had the project buried. J.P. Morgan himself was not the all powerful figure peoplemake him out to be, but there were powerful Freemasons and Skull and Bones members in particular,behind him. The J.P. Morgan bank was controlled more by Harold Stanley, a Skull and Bones member.Today it is called the Morgan­Stanley Bank. Check out the Skull and Bones Page to get the finer details ofthe direct influence in Banking.

Nikola Tesla had also built the world's first flying saucer that flew on Free­Energy and the Masons stole thatfrom humanity as well. This technology was given to Hitler in the 1920's sometime through the Thule andVril Society and their connections with American and British Masonic Secret Societies.

(2) HEMP / Cannabis Marijuana was outlawed directly by the Freemasons in this country andinternationally for the sole purpose of creating synthetic petrochemical and pharmaceutical alternatives thatthey could sell through multinational corporations they control, at highly inflated prices. Back in the 1930'sDupont had a patent on a synthetic chemical compound that breaks down wood pulp for making paper fromtrees. You didn't need to cut down trees to make paper because for thousands of years virtually all knownpaper was made from Hemp and it can be produced at 1/4 the cost, 1/5 the pollution it's 10 times strongerand lasts 10 times longer.

Even the Founding Father Masons knew this. The Declaration of Independence was printed on Hemp Paperas well as the Constitution. The Flag sown by Betsy Ross was made out of Hemp. The soldiers clothes in theRevolutionary War were made out of Hemp and so were the covered wagons of the earlt settlers. Canvas isDutch for Cannabis.

BUT, when the FREEMASONS find it in their interest to get rid of something for profit and power, itdoesn't matter if GOD put it there, it won't get in the way of business as usual for the FREEMASONS.Cannabis seed oil is a machine­grade lubricant which is natural and NON­PETROLEUM based. It is alsoFREE and doesn't need to be DRILLED OUT OF THE EARTH with expensive polluting machinery.

COTTON could never in it's wildest fantasies compete with HEMP. HEMP is far SUPERIOR. It is 26 timesstronger and lasts 10 times longer than cotton. There are NO chemicals needed to produce Hemp whereas youneed HALF of all the chemicals produced to grow cotton. Hemp has NO naturalenemies except the government and you need pesticides to grow cotton. The 1st levi jeans were not made outof Cotton, they were made out of HEMP / Marijuana.

By now, you're probably wondering how this all fits in with the Freemasons.

(A) Dupont's chief financial backer was Andrew Mellon of the Mellon Bank of Pittsburgh, in which he wasthe owner and largest stockholder. Mellon, in his role as Hoover's Secretary of the Treasury, in 1931appointed his future nephew­in­law Harry J. Anslinger to be head of the newly reorganized Federal Bureau

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of Narcotics and Dangerous Drugs, which evolved into the DEA. Anslinger was one of the main proponents ofcriminalization of Hemp / Marijuana. William Randolph Hearst newspaper chain promoted "yellowjournalism" using racism and lies to turn the public's mind on what they called a "new drug threat".Weyerhauser (Skull and Bones) and their control of the Lumber Industry

(B) Medicine and Pharmaceuticals : In 1900 Percy Rockefeller was initiated into Skull and Bones. TheRockefeller Family has always controlled the American Medical Association (AMA) since the very beginning.When originally consulted on this issue in the 1930's the AMA was all for Cannabis Tinctures / MarijuanaMedicine, but for some reason their stance changed. Anslinger had blackmailed the AMA!! Anslinger wasresponsible for prosecuting the doctor's that prescribed narcotic drugs for "illegal purposes". The FBN hadprosecuted more than 3000 AMA doctors for illegal prescriptions through 1939. In 1939, the AMA madespecific "peace" with Anslinger over marijuana and the result was that only 3 doctor's were prosecutedover the next 10 years!!

(C) Cotton : The Decorticator had just been discussed in popular mechanics in 1938 as a new method ofharvesting Hemp which would promise to put cotton back in it's place as an inferior material. Newtechnology was allowing cotton to get an edge up on Hemp at this time. Well Eli Whitney has always beenfamous for the "Cotton Gin" and the Whitneys' again had an interest in preserving their empire.Surrounding the entirety of Marijuana Criminalization there are Freemasons in the background keepingsociety from progress while promoting their own personal financial agenda.

(D) Petrochemicals and Oil : Rockefeller has always been involved with the Mason groups but they are alower­level power family. Actually, the Whitney's (BIG TIME Skull and Bones Family) were the real powerbehind Standard Oil. "Harry Payne Whitney (Initiated into Skull and Bones in 1894) inherited twoStandard Oil fortunes from both the Payne and the Whitney families. William Collins Whitney marriedFlora Payne, daughter of Standard Oil Treasurer Oliver Payne. The Paynes are not in Skull and Bones, butadding the Payne piece of the Standard Oil fortune made Whitney's fortune that much larger. A quote byLammott Dupont (President of Dupont) in the 1930's: "Synthetic plastics find application in fabricating awide variety of articles, many of which in the past were made from natural products," ..."Consider ournatural resources. The chemist has aided in conserving natural resources by developing synthetic products tosupplement or wholly replace natural products". ­Popular Mechanics­­June 1939

FROM: http://www.freedomdomain.com/freemason.html

Joey now tells us on page 164 that the Bible gives us the 'matrix' in Exodus through Moses ­ Chapter 13:12­15.

12 you are to give over to the LORD the first offspring of every womb. All the firstborn males of yourlivestock belong to the LORD . 13 Redeem with a lamb every firstborn donkey, but if you do not redeem it,break its neck. Redeem every firstborn among your sons. 14 "In days to come, when your son asks you,'What does this mean?' say to him, 'With a mighty hand the LORD brought us out of Egypt, out of the landof slavery. 15 When Pharaoh stubbornly refused to let us go, the LORD killed every firstborn in Egypt, bothman and animal. This is why I sacrifice to the LORD the first male offspring of every womb and redeem eachof my firstborn sons.'

7358 rechemrekh'­em

from 'racham' (7355); the womb (compare 'racham' (7356)):­­matrix, womb.

A matrix is something within or from which something else originates, develops or takes form. There are

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'hidden meanings behind what is said and therein lie the codes.

Joey tells us that in the King James Bible, the word "Selah", a musical term that means to "sprout" ­ giverise to life ­ can be found seventy ­one times. The term "Higgaion" is used once but are interchangeble asseen in Psalm 9:16. The term Higgaion means "a deep sound".

Oxygen or breath is required for both Selah and Higgaion and so is God. The term God or "Yah Vah" inHebrew means "to breathe is to exist".

He also tells us that 71 Selahs and one Higgaion is significant ­ because it equals 72 (the names of God) whichadds to 9. Also important is that every 72 years = one degree of astrological declination. This changes themagnetic fields on earth and alters the consciousness of the humans as well. These changes become moreimportant because it keeps people from developing the unseen ears and eyes that could hear and see into thespiritual realms.

Really important, Joey tells us on page 169 is that 'to be saved by grace' alone, this cleansing of guilt andillumination could could be best achieved by singing or listening to hymns that used the Solfeggio notes.

"Moreover, this hidden knowledge, and related vocal actions taken by "144,000" spiritually enlightenedpeople, would bring about the social transformation of planet earth ­ that is, as describe under "LA­biireatum", the "reverse movement" back from mankind to 'Godkind'.

In Revelation 7:4, the magical number of 144,000 is promised to be composed of "all the tribes of thechildren of Israel." These 144,000 people are the chosen ones ... 12,000 people from each tribe.

"However, the Pythagorean skein numbers provided here are: nine (9) for 144,000 that is completion; three(3) each for 12,000 tribal representatives from each of twelve (12) tribes ­ that is, 3x12=36=9, or 3_3=6, or3x3=9, all numerologically powerful, if not magical. Remember that Tesla and Keely said, "If you only knewthe power of the 3's, 6's, and 9's!"

The 144,000 are 'sealed' which derives from the German word for Selah. He tells us this same 144,000 singingthe sound frequencies of faithful and trusting servants will be responsible for the deliverance of God in thegreatest 'paradigm shift' in history.

The deception ­ found in Psalms Chapters 120­132, is the seven 'song of degrees'. The critical number is 6. Hetells us that the seventy one (71) Selahs and one (1) Higgaion" produced nine (9) or completion of thespiritual work accomplished by the masses singing in unison the six degrees of tonal frequencies.

The six notes of the Solfeggio compares closely to the meanings of the words and overall message in therecovered hymn to John the Baptist. 144,000 enlightened people need to sing these frequencies to bring aboutthe transformation of the planet.

Another deception told to Joey by Jeshua in a visit about the clock we use. The Roman clock we use isupsidedown and should have the twelfth hour at bottom. If we use the correct clock given to mankind byGod (Genesis 1:5 and John 11:9) the left and right brain function will improve as will people's spiritualreceptivity. This thesis was additional supported by the number codes discovered in the Bible.

As a side note, a lightbeing I communicate with myself told us that if you are right­handed and normally doeverything with one hand, you should make the effort to use both hands equally when you can which willdevelop the other side of the brain and assist in developing the receptivity of spiritual understanding.

Joey tells us on page 173 that the Romans and the Catholic church, by changing the language from Hebrewand Greek to Latin basically dumbed down the people and they had little chance to recover their divine link.

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Coupled with the upsidedown Roman clock, humanity has really been deceived.

Jeshua told Joey that humanity is going 'tock tick' instead of 'tick tock'.

As a reminder, we are told "These previously secret sound frequencies, or electromagnetic vibrations arelikely the primary ones associated with the matrix of creation and destruction. That is, they were likely thefrequencies used by God to form the cosmos in six days as well as the tones required to shatter Jericho's greatwall in 6 days.

MI for miracles = 528 ­ is the exact frequency used by genetic engineers throughout the world to repair DNA.

See: PHI SOUND AND HEALING

See also: PATTI CONKLIN

See also: CORAL CASTLE