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MUSIC STYLE AND COMPOSITION Aural and written examination Friday 20 November 2020 Reading time: 11.45 am to 12.00 noon (15 minutes) Writing time: 12.00 noon to 2.00 pm (2 hours) QUESTION AND ANSWER BOOK Structure of book Section Number of questions Number of questions to be answered Number of marks A 5 5 70 B 3 3 30 Total 100 Students are permitted to bring into the examination room: pens, pencils, highlighters, erasers, sharpeners and rulers. Students are NOT permitted to bring into the examination room: blank sheets of paper and/or correction fluid/tape. No calculator is allowed in this examination. Materials supplied Question and answer book of 21 pages An audio compact disc containing musical excerpts for Section A Instructions Write your student number in the space provided above on this page. All work that appears, including rough work, will be considered for assessment. You may write at any time during the running of the audio compact disc. All written responses must be in English. Students are NOT permitted to bring mobile phones and/or any other unauthorised electronic devices into the examination room. © VICTORIAN CURRICULUM AND ASSESSMENT AUTHORITY 2020 SUPERVISOR TO ATTACH PROCESSING LABEL HERE Victorian Certificate of Education 2020 STUDENT NUMBER Letter

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Page 1: MUSIC STYLE AND COMPOSITION - vcaa.vic.edu.au

MUSIC STYLE AND COMPOSITIONAural and written examination

Friday 20 November 2020 Reading time: 11.45 am to 12.00 noon (15 minutes) Writing time: 12.00 noon to 2.00 pm (2 hours)

QUESTION AND ANSWER BOOK

Structure of bookSection Number of

questionsNumber of questions

to be answeredNumber of

marks

A 5 5 70B 3 3 30

Total 100

• Studentsarepermittedtobringintotheexaminationroom:pens,pencils,highlighters,erasers,sharpenersandrulers.

• StudentsareNOTpermittedtobringintotheexaminationroom:blanksheetsofpaperand/orcorrectionfluid/tape.

• Nocalculatorisallowedinthisexamination.

Materials supplied• Questionandanswerbookof21 pages• AnaudiocompactdisccontainingmusicalexcerptsforSectionA

Instructions• Writeyourstudent numberinthespaceprovidedaboveonthispage.• Allworkthatappears,includingroughwork,willbeconsideredforassessment.• Youmaywriteatanytimeduringtherunningoftheaudiocompactdisc.• AllwrittenresponsesmustbeinEnglish.

Students are NOT permitted to bring mobile phones and/or any other unauthorised electronic devices into the examination room.

©VICTORIANCURRICULUMANDASSESSMENTAUTHORITY2020

SUPERVISOR TO ATTACH PROCESSING LABEL HEREVictorian Certificate of Education 2020

STUDENT NUMBER

Letter

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2020MUSICSTYLE&COMPEXAM 2

SECTION A – Question 1 –continued

Question 1 (14marks)Work:‘BoingBoomTschak’Composers/Creators:KarlBartos,RalfHutterandFlorianSchneiderPerformers:KraftwerkAlbum:Techno Pop(Remastered)(ModernEra,2009)

Thisquestionfeaturestwoexcerptsfromthiswork–excerpts1aand1b.Excerpt1bincludesallofexcerpt1aplusanother1minuteand11secondsofthework.Youhave25secondstoreadthetwopartsofthequestion.

Excerpt1a,firstplaying(0′53″)–30secondsofsilenceExcerpt1a,secondplaying(0′53″)–30secondsofsilence

Excerpt1a,thirdandfinalplaying(0′53″)–1minuteofsilence

a. Identifyfourwaysinwhichrepetitionisusedinexcerpt1a. 4marks

SECTION A

Instructions for Section AAnswer allquestionsinthespacesprovided.AnaudiocompactdiscwillruncontinuouslythroughoutSectionA.

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SECTION A – Question 1 –continuedTURN OVER

Excerpt1b,firstplaying(2′04″)–1minuteofsilenceExcerpt1b,secondplaying(2′04″)–2minutesofsilence

Excerpt1b,thirdandfinalplaying(2′04″)–3minutesofsilence

b. Discusshowelementsofmusicand/orcompositionaldevicesareusedtocreatethecharacterofthisexcerpt. 10marks

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SECTION A – continued

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SECTION A – Question 2 –continuedTURN OVER

Question 2 (16marks)Work:‘MyNameisTian’(movementthree)Composer/Creator:AnneBoydPerformers:KathyMarsh,TallPoppiesEnsemble,GeoffreyCollins,JohnHarding,AliceGiles,

DarylPrattandDavidStanhopeAlbum:Crossing a Bridge of Dreams(TallPoppiesRecords,2000)

Thisquestionfeaturesoneexcerptfromthiswork.Thesameexcerptwillbeusedforbothpartsofthequestion.Youhave25secondstoreadthetwopartsofthequestion.

Firstplaying(1′41″)–30secondsofsilenceSecondplaying(1′41″)–1minuteofsilence

a. Describetheuseoftonecolourinthisexcerpt. 6marks

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SECTION A – Question 2 –continued

Thirdplaying(1′41″)–1minuteofsilenceFourthplaying(1′41″)–2minutesofsilence

Fifthandfinalplaying(1′41″)–3minutesofsilence

b. Referringtothelayersofsound,discussthestructure/formofthisexcerpt.Youmayuseadiagramorcharttopresenttheorderofmusicalevents. 10marks

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SECTION A – continuedTURN OVER

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SECTION A – Question 3–continued

Question 3 (12marks)Work:‘ActI.SceneI.No.3.Thestreetawakens’fromRomeo and Juliet,Opus64Composer/Creator:SergeiProkofievAlbum:Romeo and Juliet(AndréPrevinconductstheLondonSymphonyOrchestra;EMIClassics,

1987)

Thisquestionfeaturestwoexcerptsfromthiswork–excerpts3aand3b.Excerpt3bincludesallofexcerpt3aplusanother1minuteand22secondsofthework.Youhave25secondstoreadthetwopartsofthequestion.

Excerpt3a,firstplaying(0′11″)–30secondsofsilenceExcerpt3a,secondplaying(0′11″)–30secondsofsilence

Excerpt3a,thirdandfinalplaying(0′11″)–1minuteofsilence

a. Describethecharacteristicsofthemainmelodyinexcerpt3a. 4marks

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SECTION A – continuedTURN OVER

Excerpt3b,firstplaying(1′33″)–1minuteofsilenceExcerpt3b,secondplaying(1′33″)–2minutesofsilence

Excerpt3b,thirdandfinalplaying(1′33″)–3minutesofsilence

b. Explainhowinterestiscreatedandmaintainedinexcerpt3b.Inyourresponse,refertovariation. 8marks

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2020MUSICSTYLE&COMPEXAM 10

SECTION A – Question 4 –continued

Question 4 (12marks)Work:‘MarimbaSpiritual’Composer/Creator:MinoruMikiPerformers:JanPustjens,KeikoAbe,RuudWiener,PeterPrommelandHermanRiekenAlbum:Go Between(EditionsEG,1987)

Youhave25secondstoreadthequestion.Firstplaying(1′30″)–30secondsofsilenceSecondplaying(1′30″)–1minuteofsilenceThirdplaying(1′30″)–2minutesofsilence

Fourthandfinalplaying(1′30″)–3minutesofsilence

Therearetwocontrastingsectionsinthisexcerpt.

Explainhowrhythm/timeandtextureareusedtocreatecontrastbetweenthetwosectionsinthisexcerpt.Youmayincludeadiagramorchart.

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SECTION A – continuedTURN OVER

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SECTION A – Question 5 –continued

Question 5 (16marks)Work:‘Ninochka’Composer/Creator:SimonKentPerformers:TheBigOneAlbum:Spoon Relief (NewmarketMusic,1995)

Thisquestionfeaturesoneexcerptfromthiswork.Thesameexcerptwillbeusedforbothpartsofthequestion.Youhave25secondstoreadthetwopartsofthequestion.

Firstplaying(1′45″)–30secondsofsilenceSecondplaying(1′45″)–1minuteofsilence

a. Describethetreatmentofarticulationinthisexcerpt. 10marks

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SECTION A – Question 5 –continuedTURN OVER

Thirdplaying(1′45″)–2minutesofsilenceFourthandfinalplaying(1′45″)–3minutesofsilence

b. Describethetreatmentofdynamicsinthisexcerpt. 6marks

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END OF SECTION A

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TURN OVER

CONTINUES OVER PAGE

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SECTION B – Question 1 –continued

Question 1 (10marks)InUnit3youstudiedanAustralianwork(orasectionofanAustralianwork,oracollectionofAustralianworks).

Identifythework.

Title

Sectionofworkstudied(ifapplicable)

Composer/Creator

Explainhowthecomposer/creatorusescontrasttocreatethestructure/formofthiswork.Youmayincludeadiagramorchart.

SECTION B

Instructions for Section BAnswerallquestionsinthespacesprovided.

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SECTION B – continuedTURN OVER

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SECTION B – Question 2–continued

Question 2 (10marks)Thisquestionreferstotheotherwork(shortwork/movement/collectionofminorworks)youstudiedinUnit3.

Identifytheotherwork.

Title

Sectionofworkstudied(ifapplicable)

Composer/Creator

a. Identifyonecontextualissueassociatedwiththiswork. 2marks

b. Explainhowthecontextualissueidentifiedinpart a.influencedthecreationofthiswork.Inyourresponse,refertoelementsofmusicand/orcompositionaldevices. 8marks

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SECTION B – continuedTURN OVER

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SECTION B – Question 3–continued

Question 3 (10marks)InUnit4youstudiedawork(shortwork/movement/collectionofminorworks)createdsince1950.

Identifythework.

Title

Sectionofworkstudied(ifapplicable)

Composer/Creator

SelecttwoelementsofmusicfromthelistbelowandanalysetheirtreatmentintheworkyoustudiedinUnit4:• melody• harmony• tonality• instrumentation• rhythm/time

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END OF QUESTION AND ANSWER BOOK