MUSIC

Plumbago books

Violeta ParraThe first English study of the Chilean cultural icon

Bethany BeardsleeThe soprano who sang the unsingable

Wilhelm FurtwänglerThought, Politics, Composition

Beethoven’s CelloFive Revolutionary Sonatas

Welcome PENDRAGON PRESS!

2018

Pendragon Press

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CONTENTS

Cover image: Madalena Lobão -Tello Violeta Parra: Embroidering Life (2014)

A.E. Housman VINCENT 7

Americanization of Zen Chanting SLOTTOW 8

Ballad and its Pasts ATKINSON 3

Bedřich Smetana PIERRE 5

Beethoven’s Cello MOSKOVITZ & TODD 4

Beethoven’s Conversation Books ALBRECHT 4

Benjamin Britten Studies STROEHER & VICKERS 11

Brahms and his Poets LOGES 5

Brahms and the Shaping of Time MURPHY 13, 16

British Musical Criticism and Intellectual Thought, 1850-1950 DIBBLE & HORTON 10

Building Bridges With Music ADLER 8

Building the Operatic Museum GIBBONS 12

Chant, Liturgy, and the Inheritance of Rome DICENSO & MALOY 3

Composing History HECKERT 10

Conductors in Britain, 1870-1914 PALMER 10

Consuming Music GREEN & MAYES 14

Courage of Composers and the Tyranny of Taste VARGA 6

Crafty Art of Opera HAMPE, WALTON 12

Cultivating String Quartets in Beethoven’s Vienna NOVEMBER 4

Cyril Scott Companion FOREMAN, SCOTT & DE’ATH 7

Czech Music around 1900 KRUPKOVÁ & KOPECKY 9

Dawn of Music Semiology DUNSBY & GOLDMAN 14

Debussy’s Resonance DE MÉDICIS, DUCHESNEAU & HUEBNER 12

Delius and Norway BOYLE 5

Dvořák Compendium SMACZNY 5

Edward J. Dent ARRANDALE 10

Ernest Newman WATT 11

Granville Bantock’s Letters to William Wallace and Ernest Newman, 1893-1921 ALLIS 10

I Sang the Unsingable BEARDSLEE, ZALLMAN PROCTOR 11

Listen with the Ear of the Heart GUARINO 15

Literary Britten KENNEDY 11

Lutosławski’s Worlds JAKELSKI & REYLAND 6

Martinů’s Subliminal States SVATOS 6

Medieval Cantors and their Craft BUGYIS, KRAEBEL & FASSLER 3

Montpellier Codex BRADLEY & DESMOND 3

Mozart’s Salzburg Years (1756-1781) COWDERY & SPRAGUE 8

Music, Indigeneity, Digital Media HILDER, STOBART & TAN 15

Musical Debate and Political Culture in France, 1700-1830 ARNOLD 13

Music and Music Theory of Paul Hindemith DESBRUSLAIS 13

Music and Soviet Power, 1917-1932 FROLOVA-WALKER & WALKER 7

Music Criticism in France, 1918-1939 KELLY & MOORE 13

Music in Goethe’s Faust BODLEY 6

Music in the West Country BANFIELD 10

Music into Fiction ZIOLKOWSKI 7

Music of Joseph Joachim UHDE 5

Music of Simon Holt CHARLTON 7

Must Close Saturday WRIGHT 15

Nadia Boulanger and the Stravinskys FRANCIS 6, 16

Nation and Classical Music RILEY & SMITH 14

New Perspectives on Handel’s Music VICKERS 3

On the Principles and Practice of Conducting THAKAR 12

Performing Propaganda MOORE 14

Pleasing and Interesting Anecdotes THOMSON MOORE 9

Pro Arte Quartet BARKER 11

Rameau Compendium SADLER 3

Recollections From My Life THOMSON MOORE 9

Reflections of an American Harpsichordist KIRKPATRICK 4

Sara Levy’s World CYPESS & SINKOFF 4, 16

Schubert’s Mature Instrumental Music BEACH 13

Scoring Race HIGGINSON 15

Singing the Crusades PATERSON 3

Sonatas of Henry Purcell SCHAB 12

Stravinsky’s “Great Passacaglia” TRAUT 14

Studies in the English Pantomime SEMMENS 8

That Jealous Demon, My Wretched Health NOBLE 13

Three Choirs Festival: A History BODEN & HEDLEY 11

Tuning the Kingdom KAFUMBE 14

Very Good for an American BOMBERGER 8

Violeta Parra DILLON 7

Violin RIGGS 12

Well-Travelled Musician OWENS 4

Wilhelm Furtwängler ALLEN 6

Worlds of Harpsichord and Organ SLOTTOW 8

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Early MUSIC & BarOqUE

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Chant, Liturgy, and the Inheritance of RomeEssays in Honour of Joseph DyerEdited by DANIEL J. DICENSO & REBECCA MALOY

Containing substantial new studies in music, liturgy, history, art history, and palaeography from established and emerging scholars, this volume takes a cross-disciplinary approach to one of the most celebrated and vexing questions about

plainsong and liturgy in the Middle Ages: how to understand the influence of Rome? Some essays address this question directly, examining Roman sources, Roman liturgy, or Roman practice, whilst others consider the sway of Rome more indirectly, by looking at later sources, received practices, or emerging traditions that owe a foundational debt to Rome. For a full list of contributors, please visit www.boydellandbrewer.com

DANIEL J. DICENSO is Assistant Professor of Music at the College of the Holy Cross. REBECCA MALOY is Professor of Musicology at the University of Colorado Boulder.$99.00/£60.00(s) October 2017978 1 90749 734 62 colour illus.; 28 b/w illus.; 596pp, 23.4 x 15.6, HBHenry Bradshaw Society Subsidia

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Singing the CrusadesFrench and Occitan Lyric Responses to the Crusading Movements, 1137-1336LINDA PATERSON This book constitutes the first comprehensive, modern analysis of Old French and Occitan lyric texts relating to the crusades. It brings out their full range, from propaganda for the crusades, to criticisms of crusading and crusaders through vituperation, humour or cynicism, to their use as a pretext for political or personal wrangling. It also shows how they shed light on many aspects of medieval life, among them chivalric and courtly values (often in tension with clerical ones), regional politics, sexual behaviour, personal experiences of crusading and captivity, the complex interaction of Christians, Greeks and Muslims, and bafflement in the face of failure and God’s imponderable purposes. Among the works considered are those by Marcarbru – and Richard “Lionheart”.LINDA PATERSON is Professor Emerita, University of Warwick.$99.00/£60.00(s) April 2018978 1 84384 482 2272pp, 23.4 x 15.6, HB

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The Montpellier CodexThe Final Fascicle. Contents, Contexts, ChronologiesEdited by CATHERINE A. BRADLEY & KAREN DESMOND

This book provides the first in-depth exploration of the contents and contexts of the Montpellier Codex’s final fascicle. It explores the manuscript’s production, dating, function, and notation, offering close-readings of individual works,

which illuminate compositionally progressive features of the repertoire as well as its interactions with existing musical and poetic traditions.CATHERINE A. BRADLEY is an Associate Professor at the University of Oslo. KAREN DESMOND is Assistant Professor of Music at Brandeis University. For a full list of contributors, please visit www.boydellandbrewer.com $99.00/£75.00(s) February 2018978 1 78327 272 32 colour illus.; 17 b/w illus.; 272pp, 23.4 x 15.6, HBStudies in Medieval and Renaissance Music

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Medieval Cantors and their CraftMusic, Liturgy and the Shaping of History, 800-1500Edited by KATIE ANN-MARIE BUGYIS, A.B. KRAEBEL & MARGOT E. FASSLER

Cantors made unparalleled contributions to the way time was understood and history was remembered in the medieval Latin West. The contributions here seek to address the fundamental question of how the range of cantors’ activities

can help us to understand the many different ways in which the past was written and, in the liturgy, celebrated across the middle ages. KATIE ANN-MARIE BUGYIS is Assistant Professor of Religious Studies at St. Martin’s University. MARGOT FASSLER is Kenough-Hesburgh Professor of Music History and Liturgy at the University of Notre Dame and Robert Tangeman Professor Emerita of Music History at Yale University. A.B. KRAEBEL is Assistant Professor of English at Trinity University.For a full list of contributors, please visit www.boydellandbrewer.com$90.00/£60.00(s) March 2017978 1 90315 367 3Library e-book 978 1 78204 630 121 b/w illus.; 391pp, 23.4 x 15.6, HBWriting History in the Middle Ages

york medieval Press

pa pe R baC k be St Se L L e R

The Rameau CompendiumGRAHAM SADLER

This book is the most authoritative and up-to-date source of quick reference on the Baroque composer and theorist Jean-Philippe Rameau (1683-1764).

[E]xcellent as both resource and model. CHOICE

[A] monumental dissemination of scholarship

transformed into an engaging and user-friendly handbook, and hopefully it can reignite interest in a broader revival of Rameau’s music. GRAMOPHONE

GRAHAM SADLER is Professor Emeritus at the University of Hull and Research Professor at Birmingham Conservatoire. $25.95/£19.99 June 2017978 1 78327 192 4, Library e-book: 978 1 78204 363 8 Personal e-book: 978 1 78204 971 513 b/w illus.; 281pp, 23.4 x 15.6, PB

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The ballad and its pastsLiterary Histories and the Play of MemoryDAVID ATKINSON The ballad genre, and its material, are frequently backward-looking in terms of subject and style: it is ideally suited to the reimagining of past events, both real and fictional. This volume addresses the past of the ballad and the past in the ballad. It challenges existing scholarship by embracing discontinuity rather than continuity, seeing the ballad as belonging to a culture of cheap print and imaginative literature rather than the rarefied construct of a mythical “folk”.$99.00/£60.00(s) June 2018978 1 84384 492 12 b/w illus.; 200pp, 23.4 x 15.6, HB

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new perspectives on Handel’s MusicEssays in Honour of Donald BurrowsEdited by DAVID VICKERS An international collaboration between leading scholars showcases a broad spectrum of observations on Handel and his music, covering many aspects of modern interdisciplinary and traditional philological musicology.For a full list of contributors, please visit www.boydellandbrewer.com

DAVID VICKERS is Lecturer in Academic Studies at Royal Northern College of Music (Manchester) and Council Member of the Handel Institute.$99.00/£60.00(s) October 2018978 1 78327 146 720 b/w illus.; 320pp, 23.4 x 15.6, HB

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The well-travelled MusicianJohn Sigismond Cousser and Musical Exchange in Baroque EuropeSAMANTHA OWENS

This book expands current knowledge of Cousser’s early life and professional career significantly, examining his particular role in the dissemination of music and musical styles throughout the German-speaking lands, as well as in early

eighteenth-century London and Dublin. Drawing upon a rich body of primary sources, above all the unparalleled evidence contained in Cousser’s so-called commonplace book, it reveals the practicalities of early modern musical exchange at a grass-roots level, from Pressburg (now Bratislava) to Paris, Hamburg to Dublin, and beyond.SAMANTHA OWENS is Associate Professor of Musicology at Victoria University of Wellington, New Zealand.$99.00/£60.00(s) October 2017978 1 78327 234 1367pp, 23.4 x 15.6, HBMusic in Britain, 1600-2000

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Reflections of an american HarpsichordistUnpublished Memoirs, Essays, and Lectures of Ralph KirkpatrickEdited by MEREDITH KIRKPATRICK

This collection of unpublished writings by the eminent harpsichordist and scholar Ralph Kirkpatrick contains his memoirs for the period 1933-77 as well as essays and reflections on a variety of topics, including performing, recording,

chamber music, and harpsichords and their transport. It also includes five lectures from a Yale University lecture series presented between 1969 and 1971.

Essential reading for anyone interested in the harpsichord, scholarship, and musical style. EARLY MUSIC AMERICA

MEREDITH KIRKPATRICK, the niece of Ralph Kirkpatrick, is a librarian and bibliographer at Boston University and the editor of Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar (University of Rochester Press, 2014).$99.00/£80.00(s) March 2017978 1 58046 591 5, Library e-book: 978 1 78204 363 8 Personal e-book: 978 1 78204 971 513 b/w illus.; 226pp, 9 x 6, HBEastman Studies in Music

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Sara Levy’s worldGender, Judaism, and the Bach Tradition in Enlightenment BerlinEdited by REBECCA CYPESS & NANCY SINKOFF

Sara Levy née Itzig (1761-1854), a Jewish salonnière and virtuosic harpsichordist, helped shape the cultural world of Berlin at the turn of the nineteenth century. She studied with W. F. Bach and anticipated the “Bach revival” later led

by her great-nephew Felix Mendelssohn. This book is the first exploration of this critical figure in the history of music, modern Jewish life, and Enlightenment culture from the perspectives of musicology, Jewish Studies, history, literary studies, gender studies, and philosophy.Both REBECCA CYPESS, Associate Professor of Music, and NANCY SINKOFF, Associate Professor of Jewish Studies and History and Director of the Center for European Studies, teach at Rutgers, the State University of New Jersey.For a full list of contributors, please visit www.boydellandbrewer.com$99.00/£80.00(s) June 2018978 1 58046 921 012 b/w illus.; 314pp, 9 x 6, HBEastman Studies in Music

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Cultivating String Quartets in beethoven’s viennaNANCY NOVEMBER

Focusing on a key transition period in the early nineteenth century, which bore witness to fundamental shifts in the ‘private’ sphere of music-making, the book explores the ‘cultivation’ of string quartets by composers, critics, listeners,

performers, publishers and patrons. It highlights these parties’ interactions, ideas and ideals, which were central to defining the unique cultures of chamber music arising in early nineteenth-century Vienna.NANCY NOVEMBER is Associate Professor in Musicology at the University of Auckland.$99.00/£60.00(s) October 2017978 1 78327 232 7Library e-book 978 1 78744 073 915 b/w illus.; 268pp, 23.4 x 15.6, HB

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beethoven’s CelloFive Revolutionary Sonatas and Their World MARC D. MOSKOVITZ & R. LARRY TODD

In 1796 the young Beethoven presented his first two cello sonatas at the court of Frederick William II, an avid cellist and the reigning Prussian monarch. Released in print the next year, these revolutionary sonatas forever altered the cello repertoire by

fundamentally redefining the relationship between the cello and the piano and promoting their parity. Beethoven continued to develop the potential of the duo partnership in his three other cello sonatas – the lyrical and heroic Op. 69 and the two experimental sonatas Op. 102, No. 1 and No. 2, transcendent compositions conceived on the threshold of the composer’s late style. In Beethoven’s Cello, the authors examine these seminal cornerstones of the cello repertoire and place them within their historical and cultural context. MARC D. MOSKOVITZ is principal cellist of the ProMusica Chamber Orchestra. R. LARRY TODD is Arts and Sciences Professor at Duke University.$39.95/£29.95 October 2017978 1 78327 237 2Library e-book 978 1 78744 136 1Personal e-book 978 1 78744 130 922 b/w illus.; 274pp, 23.4 x 15.6, HB

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beethoven’s Conversation booksEdited and translated by THEOD ORE ALBRECHT A complete new edition of Beethoven’s conversation books, now translated into English in their entirety for the first time. Covering a period associated with the revolutionary style of what we call “late Beethoven”, these often lively and compelling conversations are now finally accessible in English for the scholar and Beethoven-lover. THEODORE ALBRECHT is Professor of Musicology at Kent State University, Ohio.

volume 1: nos. 1 to 8 (February 1818 to March 1820)$80.00/£45.00(s) March 2018978 1 78327 150 41 b/w illus.; 396pp, 23.4 x 15.6, HB

volume 2: nos. 9 to 16 (March 1820 to September 1820)$80.00/£45.00(s) October 2018978 1 78327 151 11 b/w illus.; 400pp, 23.4 x 15.6, HB

volume 3: nos. 17 to 31 (May 1822 to May 1823)$80.00/£45.00(s) March 2019978 1 78327 152 81 b/w illus.; 400pp, 23.4 x 15.6, HB

12 volume Set$725.00/£395.00(s) August 2026978 9 11000 465 84800pp, 23.4 x 15.6, HB

E-BOOKS INSERT

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19TH CENTUry MUSIC

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brahms and his poetsA HandbookNATASHA LO GES

Johannes Brahms’s much-loved solo songs continue to be enjoyed in recordings and on recital stages all over the world. This book provides a wealth of information on the poets whose words he set, many of whom are still unfamiliar.

Covering Brahms’s 32 song opuses published during four decades of song-writing, this book offers a way of understanding what Brahms believed to be the right poetic basis for his immortal music. It is designed to be an essential reference tool for students and scholars of Johannes Brahms, as well as performers and lovers of his songs.NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music, London.$90.00/£50.00(s) November 2017978 1 78327 236 540 b/w illus.; 461pp, 23.4 x 15.6, HB

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The Music of Joseph JoachimKATHARINA UHDE

Katharina Uhde follows Joachim’s compositional path through a changing cultural milieu. Joachim’s compositions display intimate knowledge of the works of Mendelssohn, Wagner, Liszt, Schumann and Brahms, yet he was no

mere imitator. Joachim’s style, classically conceived yet seasoned with a preference for dark, melancholy soundscapes and, in the earlier years, ciphers and ‘psychological’ programmaticism, emerges as the product of various personal and socio-cultural currents: his search for national, religious and cultural identity and a mature compositional style. His music throws light onto a vibrant decade, colored by realism, naturalism, new visual technologies and emerging academic disciplines, including psychology.KATHARINA UHDE is Assistant Professor for Violin and Musicology at Valparaiso University, IN.$99.00/£60.00(s) May 2018978 1 78327 284 610 b/w illus.; 256pp, 23.4 x 15.6, HB

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delius and norwayANDREW J. B OYLE

Norway was a primary source of inspiration for Delius: 20 summers of his adult life were spent there, and almost 40 works express his experiences of Norwegian nature or were composed to Norwegian texts. This book is the first

in-depth study of the influence the country and its artists had on the composer. The Delius that emerges from these pages is little known, even to most enthusiasts of his music: a driven and energetic personality and an artist searching for a language with which to express the existential crisis facing modern man in the early twentieth century.ANDREW J. BOYLE is an author and musician. He gained his PhD on the music of Frederick Delius from the University of Sheffield.$80.00/£45.00(s) June 2017978 1 78327 199 3Library e-book 978 1 78744 035 725 b/w illus.; 344pp, 23.4 x 15.6, HB

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The dvořák CompendiumJAN SMACZNY Authored by an internationally acknowledged authority on Dvořák and Czech music of the nineteenth century, the Compendium will serve as a comprehensible and useful reference work for specialist and non-specialist readers alike. Emphasis is placed on the full range of his activities as a composer including opera, his relationship with publishers (especially Simrock and Novello) and his particular affinity with audiences, notably in England and the United States. The Compendium also comprises a comprehensive list of works (based on Burghauser’s Thematic Catalogue of 1996 with extensive revisions), including publication details and dates of first performances; a bibliography; and, as its main part, an A to Z dictionary. The latter comprises detailed, up-to-date entries on all aspects of Dvořák’s life and works, including important information on cultural context such as his relationship to the artistic centres of Vienna, Berlin and London. JAN SMACZNY is emeritus professor of Music at Queen’s University, Belfast. $90.00/£50.00(s) August 2018978 1 78327 189 410 b/w illus.; 272pp, 23.4 x 15.6, HB

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bedřich SmetanaMyth, Music, and PropagandaKELLY ST. PIERRE

The legacy of Bedřich Smetana became so enmeshed in state ideology under Czechoslovakia’s communist regime that little has been written about the composer since the fall of that regime. This book reopens inquiry into

Smetana by exploring the earliest scholarship on the composer to reveal how it generated political myths about him and his works. It also examines the ways in which these myths were adapted in twentieth-century scholarship to suit the ideologies of the communist administration. Smetana – not just a nationalist composer, but also a national symbol – remains a dynamic figure whose mythology has been rewritten time and time again to suit shifting political perspectives.KELLY ST. PIERRE is assistant professor of musicology at Wichita State University.$90.00/£75.00(s) March 2017978 1 58046 510 6Library e-book: 978 1 78204 936 4178pp, 9 x 6, HBEastman Studies in Music

E-Books

In order to give librarians and researchers a real choice, many of the books in this catalogue will be available as e-books. Librarians should contact their usual

suppliers for further details of availability and price.

A small selection of e-books are available to buy directly from us at

www.boydellandbrewer.com

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19TH CENTUry MUSIC / 20TH CENTUry MUSIC

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Music in Goethe’s FaustGoethe’s Faust in MusicEdited by LORRAINE BYRNE B ODLEY

This book explores the musical origins of Goethe’s Faust and the musical dimensions of its legacy. It uncovers the musical furore caused by Goethe’s Faust and considers why his polemical text has resonated so strongly with composers.

Constituting the richest examination to date of the musicality of language and form in Goethe’s Faust and its musical rendering from the eighteenth to twenty-first centuries, the book will appeal to music, literary and Goethe scholars and students alike.For a full list of contributors, please visit www.boydellandbrewer.com

LORRAINE BYRNE BODLEY is Senior Lecturer in Musicology at Maynooth University and President of the Society for Musicology in Ireland.$99.00/£60.00(s) June 2017978 1 78327 200 6Library e-book 978 1 78744 022 75 b/w illus.; 356pp, 23.4 x 15.6, HB

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nadia boulanger and the StravinskysA Selected CorrespondenceEdited by KIMBERLY FRANCIS

Nadia Boulanger and Igor Stravinsky began corresponding in 1929 when Stravinsky sought someone to supervise the musical education of his younger son, Soulima. Boulanger accepted the position and began what would prove to

be a warm and lasting dialogue with the Stravinsky family. For fifty years Boulanger exchanged over 400 letters with Igor Stravinsky and an additional 389 with members of his immediate family. The selected letters published here are given in their entirety for the first time: in English translation, and with French originals on a companion website.KIMBERLY FRANCIS is Associate Professor of Music at the University of Guelph, Canada.$90.00/£80.00(s) March 2018978 1 58046 596 015 b/w illus.; 235pp, 9 x 6, HBEastman Studies in Music

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The Courage of Composers and the tyranny of tasteReflections on New MusicBÁLINT ANDRÁS VARGA

Bálint András Varga, perhaps the world’s most respected interviewer of living composers, here asks thirty-three composers how a creative artist can find courage to deal with the sometimes tyrannical expectations of the outside

world. The result: fresh, revealing, previously unpublished statements from such world-renowned composers as John Adams, Friedrich Cerha, George Crumb, Solfia Gubaïdulina, Georg Friedrich Haas, Giya Kancheli, György Kurtág, Helmut Lachenmann, Libby Larsen, Robert Morris, and Wolfgang Rihm, plus some members of the younger generation (e.g., Chaya Czernowin and Pascal Dusapin).BÁLINT ANDRÁS VARGA is the acclaimed author of György Kurtág: Three Interviews and Ligeti Homages; Three Questions for 65 Composers; and From Boulanger to Stockhausen: Interviews and a Memoir (all available from University of Rochester Press).$49.95/£25.00 May 2017978 1 58046 593 9Library e-book: 978 1 78744 004 3Personal e-book: 978 1 78744 001 2272pp, 9 x 6, HBEastman Studies in Music

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Martinů’s Subliminal StatesA Study of the Composer’s Writings and Reception,with a Translation of His American DiariesTHOMAS SVATOS Bohuslav Martinů (1890-1959) was one of the most productive and frequently performed composers of the mid-twentieth century, renowned for such works as his opera Julietta; the Double Concerto for Two String Orchestras, Piano, and Timpani; and Symphony no. 6 (“Fantaisies symphoniques”). History books, however, rarely give a sense of what he stood for as a musician. This book fills this gap by discussing the political, cultural, and musical challenges that he faced, and offers a first translation of his American Diaries, in which he set down his philosophy of music in direct and convincing terms.THOMAS D. SVATOS is an Assistant Professor in the Department of Interdisciplinary Studies, University College, Zayed University-Abu Dhabi.$99.00/£80.00(s) June 2018978 1 58046 557 120 b/w illus.; 317pp, 9 x 6, HBEastman Studies in Music

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wilhelm FurtwänglerArt and the Politics of the UnpoliticalRO GER ALLEN

Wilhelm Furtwängler (1886-1954) has entered the historical memory as a renowned interpreter of the canon of Austro-German musical masterworks. Yet more than sixty years after his death he remains a controversial figure: the

complexities and equivocacy of his high-profile position within the Third Reich still cast a long shadow over his reputation. This book builds an intellectual biography of Furtwängler, probing this ambiguity, through a critical examination of his extensive series of essays, addresses and musical compositions, some of which are made available here to the public for the first time. ROGER ALLEN is a Fellow of St Peter’s College, Oxford and author of Richard Wagner’s Beethoven (1870): A New Translation (Boydell Press, 2014).$80.00/£45.00(s) May 2018978 1 78327 283 912 b/w illus.; 304pp, 23.4 x 23.4, HB

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Lutosławski’s worldsEdited by LISA JAKELSKI & NICHOLAS REYLAND

A landmark volume which looks at the multi-facetted spheres that informed Lutosławski’s life and works and represents a new departure in the study of his music. Throughout his life, the composer steered musicologists away from the

connections between his extraordinary biography and concert music. He also sought to minimize scholarly attention to the many other spheres of creative activity – popular music, theatre music, film scoring, propaganda music, and educational music – that occupied him. In this volume, for the first time, the world’s leading Lutosławski scholars consider the full range of his musical output and the biographical, cultural and historical contexts in which those musics were created. For a full list of contributors, please visit www.boydellandbrewer.com

LISA JAKELSKI is Associate Professor of Musicology at the Eastman School Music, University of Rochester. NICHOLAS REYLAND is Senior Lecturer in Music at Keele University.$99.00/£60.00(s) May 2018978 1 78327 198 620 b/w illus.; 320pp, 23.4 x 15.6, HB

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The Music of Simon HoltEdited by DAVID CHARLTON

British composer Simon Holt (b. 1958) has been a leading presence in contemporary music since the early 1980s and Kites. His output is diverse, comprising chamber music, concertos for diverse instruments, songs, piano music and opera.

Bringing together well-known writers with composers and performers, this volume gives a complete overview of Holt’s creative work up to 2015 and Fool is hurt. It uses a variety of approaches to help readers, listeners and players to find ways into the pieces and to understand the influence of visual art and poetry on Holt’s work. Colour illustrations, music examples, tables and sketch facsimiles offer a rounded impression of Holt’s inspiration and thought to date. Also included are a wide-ranging conversation between Simon Holt and the artist Julia Bardsley, and a text by the conductor Thierry Fischer. The volume also offers the first detailed catalogue of Holt’s compositions.For a full list of contributors, please visit www.boydellandbrewer.com

DAVID CHARLTON is Professor Emeritus of Music History, Royal Holloway, University of London.$115.00/£65.00(s) September 2017978 1 78327 223 5, Library e-book 978 1 78744 069 239 colour illus.; 4 b/w illus.; 362pp, 23.4 x 15.6, HB

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Music and Soviet power, 1917-1932MARINA FROLOVA-WALKER & JONATHAN WALKER

The book offers unprecedent-ed access to primary sources that have been unavailable in English, or which lay unknown on archival shelves. Music and Soviet Power offers cultural history told through documents – both colourful

and representative – with an extensive commen-tary and annotation throughout.

[A] fascinating and invaluable book. MUSICAL TIMES

MARINA FROLOVA-WALKER is Professor in Music History at the University of Cambridge and a Fellow of Clare College, Cambridge. JONATHAN WALKER, who has a PhD in Musicology, is a freelance writer, teacher and pianist.$25.95/£19.99(s) April 2017978 1 78327 193 1, Library e-book: 978 1 78204 023 1Personal e-book: 978 1 78204 972 2432pp, 23.4 x 15.6, PB

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The Cyril Scott CompanionUnity in DiversityEdited by LEWIS FOREMAN, DESMOND SCOT T & LESLIE DE’ATH

English composer, writer, and poet Cyril Scott (1879-1970) was admired by composers as diverse as Debussy, Strauss, Stravinsky and Percy Grainger. This Compendium provides a comprehensive analysis and appraisal of all of Scott’s

available music and a broad picture of his entire output in literary, dramatic and philosophical genres, including unpublished and hitherto completely unknown literary works.DESMOND SCOTT, the son of Cyril Scott, is a Theatre Director, Radio and TV writer, as well as sculptor. LESLIE DE’ATH is Professor, Faculty of Music, Wilfrid Laurier University, Waterloo, Canada. LEWIS FOREMAN is a writer on British music. His latest publication for Boydell & Brewer is Felix Aprahamian.$80.00/£45.00(s) May 2018978 1 78327 286 040 b/w illus.; 432pp, 23.4 x 15.6, HB

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a.e. HousmanHero of the Hidden LifeED GAR VINCENT

A.E. Housman (1859-1936), a seemingly inaccessible, aloof man, never set out to be a professional poet, yet poetry poured out of him and became his monument. His poetry was set to music by composers including Arthur Somervell, Ralph

Vaughan Williams, George Butterworth, Ivor Gurney, John Ireland and Samuel Barber. This biography reveals by contrast a man of many facets, one companionable in small groups, generous to a fault, and always on the lookout for humour and fun; a master of English prose; a witty and compelling after-dinner speaker; an occasional writer of nonsense verse; a frequenter of the music hall; and much more. It weaves together his scholarly life and the biographical elements in his poetry to examine his emotional and sexual needs with dispassion and empathy and to uncover his hidden sensibilities and creative world.EDGAR VINCENT is a writer whose book Nelson: Love & Fame (Yale University Press, 2003) was a New York Times Notable Book and one of Atlantic Monthly’s Books of the Year.$34.95/£25.00 February 2018978 1 78327 241 9, Library e-book 978 1 78744 098 2Personal e-book 978 1 78744 099 945 b/w illus.; 496pp, 23.4 x 15.6, HB

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violeta parraLife and WorkEdited by LORNA DILLON

Violeta Parra was an extraordinary figure. She is best known for her contribution to the Latin American New Song movement and for her visual art, which was exhibited in the Musée des Arts Décoratifs of the Louvre gallery in 1964.

Parra spent her early career singing Mexican songs in bars and researching traditional Chilean culture. All the different phases of Parra’s life and work are discussed in this book, with analyses of her music, paintings, sculptures, embroideries (arpilleras), and poetry. Her exhibition in the Louvre gallery and the music venue that she set up before she died, La Carpa de la Reina, are also covered. Among the individual essays collected here are seminal works by Patricio Manns and Leonidas Morales, which have been translated into English for the first time. These works introduce the historical and biographical context for Parra’s work. Other essays feature the latest research and findings by Catherine Boyle, Ericka Verba, Paula Miranda, Serda Yalkin, Romina A. Green, and Lorna Dillon. The book also includes an interview with Violeta Parra’s brother, the influential poet Nicanor Parra and a Foreword by Marjorie Agosín.LORNA DILLON earned her PhD at King’s College London. She is currently a network facilitator and associate lecturer at the University of Kent.$95.00/£60.00(s) October 2017978 1 85566 321 3Library e-book 978 1 78744 071 5214pp, 23.4 x 15.6, HBMonografías

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Music into FictionComposers Writing, Compositions ImitatedTHEOD ORE ZIOLKOWSKI

Illuminates unexplored dimensions of the music-literature relationship and the sometimes unrecognized talents of certain famous writers and composers.THEODORE ZIOLKOWSKI is Professor Emeritus of German and Comparative

Literature, Princeton University.$34.95/£19.99 February 2017978 1 57113 973 3, Library e-book: 978 1 78204 917 3Personal e-book: 978 1 78204 928 9

1 b/w illus.; 260pp, 9 x 6, HBStudies in German Literature Linguistics and Culture

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PENDraGON PrESS

PENDraGON PrESS

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Mozart’s Salzburg years (1756-1781)Insights and ImagesWILLIAM COWDERY & CATHERINE SPRAGUE

Encompasses the composer’s early years of travel throughout Europe as a child prodigy, his so-called ‘years of servitude’ in Salzburg as court composer, his subsequent search for a suitable position, and his return to his native city.

Though there is no shortage of books about the life and work of Wolfgang Amadeus Mozart, this volume offers the reader new details and insights into the composer, accompanied by new and startling images never before seen in the Mozart literature.CATHERINE SPRAGUE is a pianist and independent researcher. WILLIAM COWDERY of Cornell University is author of Mozart books and countless publications in musicology. $49.95/£35.00 February 2018978 1 57647 204 0480pp, 10 x 7, HB

Pendragon Press

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Studies in the english pantomime, 1712-1733RICHARD SEMMENS

This book offers five significant and interrelated studies on pantomime entertainments in eighteenth-century England, with a particular focus on music and dancing. Topics covered include a chapter which contextualizes the

significant contributions of pioneering English choreographer, dance theorist, and historian John Weaver (1673-1760); an in-depth reading of John Thurmond’s Harlequin Doctor Faustus (1723) at Drury Lane Theatre; an examination of a rival production of the work; and studies on how disparate entertainment types – musical theatre, masquerades, and magic shows – were significant elements in what the critics noticed about the Faustus pantomimes, and their unprecedented success. $48.00/£40.00(s) January 20179781576472774208pp, 9 x 6, HBWendy Hilton Dance and Music

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building bridges with MusicStories from a Composer’s LifeSAMUEL ADLER

”After over sixty years of teaching and finally retiring for the third time in May of 2016, I felt the urge to write down the many stories I

have experienced during my long life. This book covers occurrences from my early childhood in Nazi Germany, emigrating to the United States at age ten, my education on the high school and college levels, my years in the army (an education, to be sure, albeit of a different kind), as well as the many professional experiences as a composer, conductor, teacher, author and administrator both in America and abroad. I have tried to relate the many encounters with some of the most important personalities in the world of music, the other arts, academia, religion, and even politics. My life has been blessed with a most supportive family, many good friends, and a host of students who have made my teaching years rewarding and colorful. Building Bridges with Music seems to have been part of my destiny and I have embraced this enthusiastically whenever the opportunity presented itself. I invite you to have this experience with me through this book.” —Samuel Adler$39.95/£30.00(s) July 2017978 1 57647 303 0Library e-book 978 1 57647 268 2300pp, HBAmerican Music and Musicians

Pendragon Press

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worlds of Harpsichord and organLiber Amicorum David FullerBRUCE GUSTAFSON

With a foreword by William Christie, reflecting on a half-century of musical friendship with David Fuller, essays by an international roster of musicologists present new research about the music, theory, and organology of the

harpsichord and the organ. Chronologically, the subjects range from the seventeenth to twentieth centuries, all the articles being written by colleagues and former students of the honoree. A closing section presents a survey of the career and writings of David Fuller with tributes from distinguished colleagues.$60.00/£50.00(s) January 2018978 1 57647 237 8300pp, HBFestschrift

Pendragon Press

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very Good for an americanEssays on Edward MacDowellEdited by E. D OUGLAS B OMBERGER

This collection of essays explores topics of relevance to understanding Edward MacDowell (1860-1908) and his music. He came of age during an era when the infrastructure of concert music in the United States was expanding rapidly and at the height of his career,

MacDowell was widely recognized as America’s leading composer. He studied in Paris and Germany and was influenced by Wagner and Liszt. MacDowell’s growing body of works for piano and orchestra earned him the reputation of America’s most important young composer, which led to his appointment as first professor of music at Columbia University in 1896.$48.00/£40.00(s) July 2017978 1 57647 305 4, 22 b/w illus.; 244pp, 9 x 6, HBAmerican Music and Musicians

Pendragon Press

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The americanization of Zen ChantingSTEPHEN SLOT TOW Zen Buddhist practice has its own indigenous music: the ritual chanting which, along with bells and percussion instruments, form a part of virtually every Zen ceremony and formal event, both monastic and lay. And, like the other aspects of Zen teaching and practice, the chanting of sutras, dharanis, gathas, dedications, and readings has undergone a widely varied range of adaptations as part of its migration to and continuing development in the North American context. These adaptations have been characterized by two opposing tendencies: the conservative desire to keep practices “pure” and unadulterated (in some cases, an idealized and simplified projection of “pure”) versus the urge to individualize and innovate to fit changing contemporary North American contexts. The purpose of this book is to study in some detail how this tension plays out in different aspects of chanting. Because Zen practice in America is highly decentralized, even within the same teaching lines the degree of standardization in chanting practice varies widely, resulting in a large range of solutions to the problem of adapting a traditional Japanese religious musical practice to American contexts. $54.00/£45.00(s) April 2018978 1 57647 250 7, 300pp, HB

Pendragon Press

9www.boydellandbrewer.com

PENDraGON PrESS

PENDraGON PrESSWe are pleased to announce that Boydell & Brewer is now the distributor of Pendragon Press. Located at the edge of the Berkshire

Mountains in Hillsdale, New York, Pendragon Press was founded in 1972 by the late Claire Brooke and publishes a range of books on

music, musicology, and music theory. Now led by her brother, Bob Kessler, a musician

in his own right, Pendragon Press continues to publish books by established scholars and new musicologists with revolutionary ideas.

HErE arE SEVEral ExCITING NEW TITlES FrOM THE PENDraGON lIST:

Czech Music around 1900Edited by LENKA KRUPKOVÁ & JIRÍ KOPECKY

The extraordinary dynamics of the period of about two decades before the outbreak of World War I were determined by the rise of a young generation of composers who now accepted the “global” character of Czech music as a matter of course,

thanks to the international success of works by Bedrich Smetana and Antonín Dvorák. Composers like Leos Janácek, Josef Bohuslav Foerster, Josef Suk, and especially Vítezslav Novák had extraordinary talent, received good training, and gradually won support from influential publishers. With courage and critical perspective they came to terms with the bequest of the “fathers”, the “founders” of Czech music, as well as with the works of their own more famous contemporaries like Richard Strauss, Gustav Mahler, and Gustave Charpentier. One of the aims of this book is to draw attention to some unjustly forgotten treasures of Czech music.$65.00/£45.00(s) November 2017978 1 57647 302 330 b/w illus.; 308pp, 23.4 x 15.6, HBStudies in Czech Music

Pendragon Press

pleasing and Interesting anecdotesAn Autobiography of Giacomo Gotifredo FerrariSTEPHEN THOMSON MO ORE

The chatty and highly informative memoirs of the musician and composer Giacomo Gotifredo Ferrari (1763-1842) have remained inaccessible to the English-reading public since their original appearance in Italian in 1830, although there were two

republications in Italy in the 20th century. This is the first translation into any other language.STEPHEN THOMSON MOORE is Head of the Sound & Image Department of the Green Library, Florida International University, Miami, Florida.$48.00/£40.00(s) December 2017978 1 57647 223 1300pp, PBLives in Music

Pendragon Press

Recollections from My LifeAn Autobiography by A. B. MarxSTEPHEN THOMSON MO ORE

This new translation, complete with annotation and commentary, of Adolf Bernhard Marx (1795-1866) – Western music’s single most influential theorist – will make available to English readers for the first time this important view of music in Germany during

the time of Beethoven, Mendelssohn, and other familiar names from the concert hall. STEPHEN THOMSON MOORE is Head of the Sound & Image Department of the Green Library, Florida International University, Miami, Florida.$68.00/£55.00(s) April 2017978 1 57647 249 1274pp, 9 x 6, PBLives in Music

Pendragon Press

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BrITISH MUSIC

BrITISH MUSIC

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british Musical Criticism and Intellectual Thought, 1850-1950Edited by JEREMY DIBBLE & JULIAN HORTON British music between 1850 and 1950 reflected changes and developments in society, education, philosophy, aesthetics, politics and the upheaval of wars, often signifying a distinctively British national history. All of these changes informed the published work of contemporary music critics. The book focusses on major figures such as Grove, Parry, Shaw, Dent, Newman, Heseltine, Vaughan Williams, Dyson, Lambert and Keller, yet does not neglect less influential but nevertheless significant critics. It covers a range of themes from the historical, scientific and philosophical to matters of repertoire, taste, interdisciplinary influence, musical democratisation and analysis. The book will be of interest to scholars and students of nineteenth- and early twentieth-century British music and music in Britain as well as to music enthusiasts attracted to standard works of popular music criticism.JEREMY DIBBLE is Professor of Music at Durham University. JULIAN HORTON is Professor of Music at Durham University.$99.00/£65.00(s) June 2018978 1 78327 287 710 b/w illus.; 272pp, 23.4 x 15.6, HBMusic in Britain, 1600-2000

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Conductors in britain, 1870-1914Wielding the Baton at the Height of EmpireFIONA M. PALMER

Considers the emerging function and status of orchestral conductors in Britain, and the nature of the opportunities available to them, from the late Victorian era until the outbreak of World War I. It does so by examining and

comparing the profiles and impact of eight men whose work supplied the needs of a variety of institutions across the period and whose significant contributions were overshadowed by the emergence of virtuoso interpreters. This book deepens our understanding of the internal networks, influences and priorities within musical life in Britain in the late nineteenth century.FIONA M. PALMER is Professor of Music at the National University of Ireland Maynooth.$99.00/£60.00(s) March 2017978 1 78327 145 0Library e-book 978 1 78204 939 5Personal e-book 978 1 78204 961 617 b/w illus.; 320pp, 23.4 x 15.6, HBMusic in Britain, 1600-2000

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Music in the west CountrySocial and Cultural History across an English RegionSTEPHEN BANFIELD The first regional history of music in England. Ranging over seven hundred years, from the minstrels, waits, and cathedral choristers of the fourteenth century to the Bristol Sound of the late twentieth, this book explores the soundscape of the West Country, from its gateway cities of Bristol and Salisbury in the east to the Isles of Scilly in the west, and examines music-making in tiny villages as well as conditions in important centres such as Bath, Exeter, Plymouth, and Bournemouth. What emerges is both a study of the typical and a portrait of the unique. STEPHEN BANFIELD is Emeritus Professor of Music at the University of Bristol.$50.00/£30.00(s) March 2018978 1 78327 273 014 b/w illus.; 442pp, 23.4 x 15.6, HBMusic in Britain, 1600-2000

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Granville bantock’s Letters to william wallace and ernest newman, 1893-1921‘Our new dawn of modern music’Edited by MICHAEL ALLIS

Granville Bantock’s letters to the Scottish composer William Wallace and the music critic Ernest Newman provide a fascinating window into British music and musical life in the early twentieth century and the ‘dawn’ of musical

modernism. The letters highlight Bantock’s and Wallace’s development of the modern British symphonic poem, their contribution (with Newman) to music criticism and journalism, and their attempts to promote a young generation of British composers – revealing an early frustration with the musical establishment. Confirming the impact of visits to Britain by Richard Strauss and Sibelius, Bantock offers opinions on a range of composers active around the turn of the twentieth century. MICHAEL ALLIS is Professor of Musicology at the School of Music, University of Leeds.$130.00/£75.00(s) October 2017978 1 78327 233 48 b/w illus.; 292pp, 23.4 x 15.6, HB

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Composing HistoryNational Identities and the English Masque Revival, 1860-1920DEB ORAH HECKERT

This book focuses on the masque, an early modern English musico-dramatic genre that was reinvented during the Victorian period as a vehicle for nationalistic, historically-inflected popular entertainments. As conceptions of national

identity became increasingly dependent on the image of ‘Merrie England’ located in the English Renaissance and in the folk traditions of the countryside, genres such as the masque that were integrally connected to these ideological constructions became important ways in which national identity was represented. This in turn had profound ramifications for the ideologies of the English Musical Renaissance and its construction of a national musical idiom at the turn of the twentieth century.DEBORAH HECKERT is a Lecturer at Stony Brook University and has taught at the University of Virginia, Utah State University, and Brooklyn College-CUNY.$99.00/£55.00(s) April 2018978 1 78327 207 525 b/w illus.; 224pp, 23.4 x 15.6Music in Britain, 1600-2000

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edward J. dentA Life of Music and WordsKAREN ARRANDALE This first full biography of Edward J. Dent (1876-1957) covers not only his pioneering music scholarship and cultural activities but also his personal crusades on behalf of music and opera, gays, refugees, and the culturally destitute. Drawn from a wide variety of unpublished sources, from behind Dent’s carefully constructed public persona of a cosmopolitan gentleman scholar the picture emerges of a more complex and fascinating human being. His seminal books and articles remain fresh and vital and his writing hugely entertaining, while his ideas on the importance of the arts in everyday life are as relevant as ever. KAREN ARRANDALE is a Life Member of Clare Hall, Cambridge.$90.00/£45.00(s) October 2018978 1 78327 205 120 b/w illus.; 448pp, 23.4 x 15.6, HBMusic in Britain, 1600-2000

11www.boydellandbrewer.com

BrITISH MUSIC / BrITTEN STUDIES / PErFOrMaNCE

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The Three Choirs Festival: a HistoryNew and Revised EditionANTHONY B ODEN & PAUL HEDLEY

This revised edition brings the history of the oldest surviving non-competitive music festival in Britain thoroughly up to date. It traces the development of the Festival from its origins in the early eighteenth century to its tercentenary in

2015, along the way touching on the many musical milestones – premieres by Parry, Elgar, Vaughan Williams, Saint-Saëns, Holst, and Howells, among others – and luminaries – Sullivan, Stanford, Dvorák, Delius, Bax, and Britten, to name but a few – associated with it. British music enthusiasts especially will find this new edition invaluable.ANTHONY BODEN is a writer and former Administrator of the Gloucester Three Choirs Festival, a post he held from 1989 until his retirement in 1999. PAUL HEDLEY spent five years as Chief Executive of the Three Choirs Festival. $34.95/£25.00 June 2017978 1 78327 209 9Library e-book 978 1 78744 038 8Personal e-book 978 1 78744 036 4149 b/w illus.; 552pp, 24 x 17, HB

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ernest newmanA Critical BiographyPAUL WAT T

Ernest Newman (1868-1959) left an indelible mark on British musical criticism in a career spanning more than seventy years. His magisterial Life of Richard Wagner, published in four volumes between 1933 and 1946, is regarded as his

crowning achievement, but Newman wrote many other influential books and essays on a variety of subjects ranging from early music to Schoenberg. Tracing Newman’s career as a writer and examining particular sets of writings such as composer-biographies and essays from leading newspapers, this book illustrates the ways in which Newman’s work was grounded in late nineteenth-century intellectual paradigms that made him a unique and at times controversial figure.PAUL WATT is Senior Lecturer in Musicology in the Sir Zelman Cowen School of Music at Monash University.$90.00/£45.00(s) June 2017978 1 78327 190 0Library e-book 978 1 78744 028 912 b/w illus.; 274pp, 23.4 x 15.6, HBMusic in Britain, 1600-2000

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Literary brittenWords and Music in Benjamin Britten’s Vocal WorksEdited by KATE KENNEDY

Britten is the most literary British composer of the twentieth century. The chapters in this volume examine all aspects of Britten’s text setting, from his engagement with a wide variety of poetry to his relationship with his

librettists. By approaching Britten’s operas and songs through their literature, this book offers fresh insights into his vocal works.KATE KENNEDY is the Weinrebe Research Fellow in Life-writing at Wolfson College, Oxford.$99.00/£60.00(s) May 2018978 1 78327 285 310 b/w illus.; 304pp, 23.4 x 15.6, HBAldeburgh Studies in Music

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benjamin britten StudiesEssays on An Inexplicit ArtEdited by VICKI P. STROEHER & JUSTIN VICKERS

Brings together established authorities and new voices to offer a fresh perspective on previous scholarship models and a re-contextualization of previously held beliefs about Britten. The collection considers difficult questions

of identity such as Britten’s retreat to America; addresses sensitive issues of intimacy and Britten’s relationships; and combines closer analysis of Britten’s music and compositional practices with a description of the more overtly political context within which he found himself. This book concludes by asking what we can actually know about the composer in a reconsideration of the materials he left behind.For a full list of contributors, please visit www.boydellandbrewer.com

VICKI P. STROEHER is Professor of Music History at Marshall University. JUSTIN VICKERS is Assistant Professor of Voice at Illinois State University.$99.00/£60.00(s) June 2017978 1 78327 195 5Library e-book 978 1 78744 006 720 b/w illus.; 554pp, 23.4 x 15.6, HBAldeburgh Studies in Music

PErFOrMaNCE

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I Sang the unsingableMy Life in Twentieth-Century MusicBETHANY BEARDSLEE With MINNA ZALLMAN PRO CTOR

American soprano Bethany Beardslee rose to prominence in the postwar years, when the modernist sensibilities of European artists and thinkers were flooding American shores and challenging classical music audiences. With her

light lyric voice, her musical intuition, and her fearless dedication to new music, Beardslee became the go-to girl for twelve-tone music in New York City. She was the first American singer to build a repertoire performing the music of Arnold Schoenberg, Anton Webern, Alban Berg, Milton Babbitt, and Pierre Boulez, making a vibrant career singing difficult music. Born in 1925 in Lansing, Michigan, BETHANY BEARDSLEE is an American soprano. MINNA ZALLMAN PROCTOR is a writer, critic, and translator.$29.95/£25.00 September 2017978 1 58046 900 5Library e-book: 978 1 78744 043 2Personal e-book: 978 1 78744 110 150 b/w illus.; 418pp, 9 x 6, HB

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The pro arte QuartetA Century of Musical Adventure on Two ContinentsJOHN W. BARKER

First organized in 1912 by precocious young Belgian musicians, the Pro Arte String Quartet has survived two world wars and is still performing more than a century later – a durability unique in the annals of such ensembles. Its membership has included such

extraordinary musicians as founding first violinist Alphonse Onnou and his successor, Rudolph Kolisch. This book traces the Pro Arte Quartet’s history from its beginnings to the present, highlighted by portraits of the diverse, fascinating, and colorful personalities, musicians and others, who have been a part of that history.JOHN W. BARKER is Emeritus Professor of History at the University of Wisconsin-Madison.$39.95/£19.99 October 2017978 1 58046 906 730 b/w illus.; 366pp, 9 x 6, HB

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PErFOrMaNCE / MUSIC HISTOry & THEOry

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The Crafty art of opera For Those Who Make It, Love It or Hate ItMICHAEL HAMPE Translated by CHRIS WALTON

While opera singers and superstars sometimes attract a separate following, the stage director’s job is often the one that really counts. Here, Internationally-acclaimed director Michael Hampe brings glimpses of his work to a wider

audience. Packed with many anecdotes from the author’s luminous career, this book is a must for opera-lovers (and haters) who want to gain a glimpse of ‘how it is done’. Eminently readable, it brings both insight and wit from a life spent in opera.MICHAEL HAMPE is an internationally acclaimed opera stage director. The Crafty Art of Opera was published in German as Opernschule.$25.95/£19.99 August 2016978 1 78327 097 2Library e-book: 978 1 78204 700 1Personal e-book: 978 1 78204 804 65 colour, 17 b/w illus.; 200pp, 23.4 x 15.6, HB

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building the operatic Museum Eighteenth-Century Opera in Fin-de-Siècle ParisWILLIAM GIBB ONS

Focusing on the operas of Mozart, Gluck, and Rameau, this book examines the role that eighteenth-century works played in the opera houses of Paris around the turn of the twentieth century. These works became central exhibits in

what William Gibbons calls the Operatic Museum – a simultaneously physical and conceptual space in which great masterworks from the past could entertain audiences while educating them in their own history and national identity. Building the Operatic Museum explores how this seemingly simple idea represented a fundamental shift in how French audiences, critics, and composers understood the nature and function of music history.$29.95/£19.99 January 2017978 1 58046 587 8Library e-book: 978 1 58046 815 216 b/w & 2 line illus.; 320pp, 9 x 6, PB

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on the principles and practice of ConductingMARKAND THAKAR

A practical manual for building musical understanding and physical skills, intended for anyone who stands on a podium with the intention of helping an ensemble make music. Each of the four chapters of this book begins with a

summary of the underlying principles, and goes on to present real-life applications and offer exercises for developing skills.MARKAND THAKAR is music director of the Baltimore Chamber Orchestra and a member of the graduate conducting faculty at the Peabody Conservatory. $29.95/£19.99 June 2016978 1 58046 540 3Library e-book: 978 1 78204 763 6Personal e-book: 978 1 78204 998 212 b/w& 60 line illus.; 144pp, 9 x 6, HB

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The violinEdited by ROBERT RIGGS

Provides new perspectives on the violin’s beloved concert repertoire, its diverse roles in indigenous musical traditions on four continents, and its metaphorical presence in visual arts and literature.

[T]his enjoyable treatise will enlighten, entertain and

educate. AUSTA STRINGEND O

For a full list of contributors, please visit www.boydellandbrewer.com

Musicologist and violinist ROBERT RIGGS (PhD, Harvard University) chairs the Department of Music at the University of Mississippi.$39.95/£19.99 November 2016978 1 58046 506 9Library e-book: 978 1 78204 852 7Personal e-book: 978 1 78204 897 8 20 b/w illus.; 326pp, 0 x 0, HBEastman Studies in Music

MUSIC HISTOry & THEOry

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The Sonatas of Henry purcellRhetoric and ReversalALON SCHAB Henry Purcell’s trio sonatas are among the composer’s most highly admired instrumental works. Although Purcell declared that he wrote them as “a just imitation” of Italian sonatas, they are full of complex compositional devices that are hardly found in any of his suspected Italian models but are characteristic of English compositional traditions. Schab’s pathbreaking The Sonatas of Henry Purcell: Rhetoric and Reversal explores the underlying structures of the sonatas, emphasizing the effective rhetoric of the music and the composer’s use of symmetry and reversal on several levels.ALON SCHAB is a lecturer at the University of Haifa.$99.00/£80.00(s) May 2018978 1 58046 920 310 b/w illus.; 304pp, 9 x 6Eastman Studies in Music

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debussy’s ResonanceEdited by FRANÇOIS DE MÉDICIS, MICHEL DUCHESNEAU & STEVEN HUEBNER The music of Claude Debussy has always been widely beloved by listeners and performers alike, more perhaps than that of any of the other pioneers of musical modernism. However rich in itself, his creative output also participated, and continues to participate, in a network of cultural connections, the scope and meaning of which can only be gleaned through multiple interpretive frameworks. Debussy’s Resonance offers twenty new studies by some of the most active and respected English- and French-language scholars of French music. The book treats a large swath of the composer’s music, from previously unexplored mélodies of his early years to late pieces such as the ballet Jeux and the Douze Études, and takes into consideration the numerous contexts that helped shape the works and the different ways that musicologists and critics have explained them.For a full list of contributors, please visit www.boydellandbrewer.com

FRANÇOIS DE MÉDICIS is Professor of Music at the Université de Montréal. STEVEN HUEBNER is Professor of Music at McGill University.$90.00/£75.00(s) May 2018978 1 58046 525 029 b/w illus.; 354pp, 0 x 0, HBEastman Studies in Music

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MUSIC HISTOry & THEOry

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brahms and the Shaping of timeEdited by SCOT T MURPHY

Explores the numerous ways in which Brahms manipulates such basic elements as rhythm and phrase structure, in pieces ranging from the Third Piano Sonata and the Double Concerto to a number of his most

important and beloved songs. Together, the essays in this volume combine fresh approaches to the life and music of the beloved nineteenth-century composer with the latest and most significant ways of thinking about rhythm, meter, and musical time.For a full list of contributors, please visit www.boydellandbrewer.com

Scott Murphy is professor of music theory at the University of Kansas.$110.00/£90.00(s) March 2018978 1 58046 597 7Library e-book: 978 1 78744 017 3316pp, 9 x 6, HBEastman Studies in Music

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Musical debate and political Culture in France, 1700-1830R . J. ARNOLD

In the eighteenth and early nineteenth centuries, French cultural life seethed with debates about the proper nature and form of musical expression, particularly in opera. In the first full length treatment of these so-called querelles, Arnold places

them in their political and cultural context and traces the common themes of authority, national prestige and the direct power of music over popular sentiment which ran through them. R. J. ARNOLD is an honorary research fellow at Birkbeck, University of London$99.00/£65.00(s) June 2017978 1 78327 201 35 b/w illus.; 240pp, 23.4 x 15.6, HBMusic in Society and Culture

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That Jealous demon, My wretched HealthDisease, Death and ComposersJONATHAN NOBLE The health – and especially deaths – of composers excite controversy, as issues regarding Tchaikovsky, Elgar, Beethoven, Mozart and, recently, Britten reveal. Much good previous scholarship has been sullied by unsubstantiated views, and many composers’ reputations have been tarnished by scandalous commentary, often involving alcoholism or syphilis. This book charts the disturbed physical and mental health of 70 great composers. It attempts to unpick the evidence forensically and to define the cause of death based on the legal paradigm of a balance of probabilities. The author reviews where the composer was when the final illness or death overtook him and considers how many of them would have fared with modern treatment. Chapters are organised thematically, by illness; and numerous misconceptions, such as madness fuelling creativity, are challenged. JONATHAN NOBLE is a Fellow of the Royal College of Surgeons.$34.95/£25.00 May 2018978 1 78327 258 725 b/w illus.; 384pp, 23.4 x 15.6, HB

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Schubert’s Mature Instrumental MusicA Theorist’s PerspectiveDAVID BEACH

In his instrumental works, Franz Schubert, like Beethoven, expanded on classical traditions, especially in the areas of form and harmony. Yet many of these works have only recently begun to be appreciated for their true

worth. David Beach here analyzes selected symphonic, chamber, and solo-piano works written during the last ten years of the composer’s short life, beginning with the Trout Quintet and ending with the String Quintet. Beach’s insights will enrich the listener’s experience of what are now recognized as some of the great masterpieces of the early nineteenth century.DAVID BEACH is Professor Emeritus and former Dean of the Faculty of Music at the University of Toronto. $90.00/£75.00(s) June 2017978 1 58046 592 2Library e-book: 978 1 78744 016 6222pp, 9 x 6, HBEastman Studies in Music

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Music Criticism in France, 1918-1939Authority, Advocacy, LegacyEdited by BARBARA L. KELLY & CHRISTOPHER MO ORE Examines the aesthetic battles that animated and informed French musical criticism during the interwar period (1918-1939). Bringing together scholars from different areas of musicology and related humanities disciplines, it also draws on different Anglophone and Francophone intellectual traditions. As well as considering the reception of individual works, the contributors examine key individuals, composer-critic pairings, the composer as critic and technician, the role of influential journals, and music criticism as a pedagogical tool for concert-going and radio audiences. BARBARA L. KELLY is Director of Research at the Royal Northern College of Music, Manchester. CHRISTOPHER MOORE is Associate Professor of Musicology at the University of Ottawa.$99.00/£65.00(s) May 2018978 1 78327 251 88 b/w illus.; 272pp, 23.4 x 15.6, HB

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The Music and Music Theory of paul HindemithSIMON DESBRUSLAIS

This book provides a critical engagement with Hindemith’s Unterweisung, particularly concerning its relationship to existing acoustic music theories. Equally central to the book is the relationship of Hindemith’s Unterweisung to

his compositional practice. Beginning with an overview of existing polemics, it draws together unpublished materials from the Yale Hindemith Institute with reminiscences from former students to construct an Unterweisung reception history. The book shows that, while many areas of Hindemith’s theory have been overtaken by recent interests in music theory that relate to cognition and geometry, his influence has been deeply felt.SIMON DESBRUSLAIS is Lecturer in Music and Director of Performance at the University of Hull.$99.00/£60.00(s) February 2018978 1 78327 210 517 b/w illus.; 352pp, 23.4 x 15.6, HB

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MUSIC HISTOry & THEOry / ETHNOMUSICOlOGy

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performing propagandaMusical Life and Culture in Paris during the First World WarRACHEL MO ORE

Examines how Western art music became a central part of the home-front war effort, employed by both musicians and government as a powerful tool of propaganda, and situates French art music of the First World War within its social,

cultural and political context, and within the wider temporal framework of the Franco-Prussian and Second World Wars. This book explores how various facets of French musical life served, in very different ways, as propaganda. In short, it explores why music mattered during a period of prolonged conflict, whether as emotional catalyst, weapon, or tool. RACHEL MOORE is a Leverhulme Early Career Fellow in Music, University of Oxford.$99.00/£60.00(s) May 2018978 1 78327 188 715 b/w illus.; 256pp, 23.4 x 15.6, HBMusic in Society and Culture

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Stravinsky’s “Great passacaglia”Recurring Elements in the Concerto for Piano and Wind InstrumentsD ONALD G. TRAUT

Marks the first full-length analytic study devoted to the Concerto for Piano and Wind Instruments, examining the complex significance of this piece for Stravinsky and his contemporaries. By combining sketch studies,

musicological context, and straightforward analyses of all three movements, the book paints a comprehensive picture of the piece’s creation, impact, and structure that will be of interest to musicologists, pianists, and concert goers alike.DONALD TRAUT is associate professor of music theory at the University of Arizona.$70.00/£55.00(s) November 2016978 1 58046 513 7Library e-book: 978 1 78204 848 0 172pp, 9 x 6, HBEastman Studies in Music

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The dawn of Music SemiologyEssays in Honor of Jean-Jacques NattiezEdited by JONATHAN DUNSBY & JONATHAN GOLDMAN

Showcases the work of ten leading musicologists inspired by the work of Jean Jacques Nattiez. Reflecting the energy and diversity of the young field of music semiology, chapters in this volume discuss music and gesture, the psychology of

music, and the role of ethnotheory, and offer new research on topics as diverse as modeling folk polyphony, spatialization in the Darmstadt repertoire, Schenker’s theory of musical content, and modernism from Wagner to Boulez.For a full list of contributors, please visit www.boydellandbrewer.com

JONATHAN DUNSBY is Professor of Music Theory at the Eastman School of Music, University of Rochester. JONATHAN GOLDMAN is Professor of Musicology at the University of Montreal.$99.00/£80.00(s) February 2017978 1 58046 562 5Library e-book: 978 1 78204 918 0228pp, 9 x 6, HBEastman Studies in Music

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Consuming MusicIndividuals, Institutions, Communities, 1730-1830Edited by EMILY H. GREEN & CATHERINE MAYES

This collection of nine essays investigates such questions from a variety of perspectives, each informed by parallels between the consumption of music and that of dance, visual art, literature, and philosophy in France, the Austro-German

lands, and the United States.For a full list of contributors, please visit www.boydellandbrewer.com

EMILY H. GREEN is assistant professor of music at George Mason University. CATHERINE MAYES is assistant professor of musicology at the University of Utah.$99.00/£80.00(s) February 2017978 1 58046 577 9Library e-book: 978 1 78204 922 735 b/w illus.; 264pp, 9 x 6, HBEastman Studies in Music

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nation and Classical MusicFrom Handel to CoplandMAT THEW RILEY & ANTHONY D. SMITH

Drawing on well-known classical pieces from countries in Europe and North America, this book develops a comparative analysis of the relationship between western art music, nations and nationalism. Issues explored include the

representation of the national community, the incorporation of ethnic vernacular idioms into art music, the national homeland in music, musical adaptations of national myths and legends, the music of national commemoration and the canonisation of national music. MATTHEW RILEY is Reader in Music at the University of Birmingham. The late ANTHONY D. SMITH was Professor Emeritus of Nationalism and Ethnicity at the London School of Economics.$34.95/£25.00 December 2016978 1 78327 142 9Library e-book 978 1 78204 857 2Personal e-book 978 1 78204 892 36 b/w illus.; 256pp, 23.4 x 15.6, HBMusic in Society and Culture

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tuning the kingdomKawuugulu Music, Politics, and Storytelling in BugandaDAMASCUS KAFUMBE Draws on ethnographic research, musical and textual analyses, and an integrated narrative of oral and written accounts to examine how the Kawuugulu Clan Royal Musical Ensemble of the Kingdom of Buganda enforces principles of politics among the Baganda (Ganda) people of south-central Uganda through stories passed down by oral tradition. The book’s focus is the ensemble’s ability to shape kinship, clanship, and kingship through the use of stories that serve as records of and frameworks for enacting principles of these three domains.DAMASCUS KAFUMBE is Assistant Professor of Music at Middlebury College.$34.95/£25.00s) April 2018978 1 58046 904 325 b/w illus.; 299pp, 9 x 6, HBEastman/Rochester Studies Ethnomusicology

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ETHNOMUSICOlOGy / POPUlar & MODErN MUSIC

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Listen with the ear of the HeartMusic and Monastery Life at Weston PrioryMARIA GUARINO Benedictine monks gather for communal prayer upwards of five times per day, every day. Their prayers, called the Divine Office, are almost entirely sung. Benedictines are famous for Gregorian Chant, but the original folk-inspired music of the monks of Weston Priory in Vermont is among the most familiar in post-Vatican II American Catholicism. Using the ethnomusicological methods of fieldwork and taking inspiration from the monks’ own way of encountering the world, this book offers a contemplative engagement with music, prayer, and everyday life.MARIA S. GUARINO is an ethnomusicologist specializing in ethnography, religious life, Benedictine monasticism, and contemplative practices.$125.00/£95.00(s) June 2018978 1 58046 910 420 b/w illus.; 263pp, 9 x 6, HBEastman/Rochester Studies Ethnomusicology

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Music, Indigeneity, digital MediaEdited by THOMAS R . HILDER , HENRY STOBART & SHZR EE TAN

This book explores how digital technologies have become embedded in and transformed Indigenous musical performance. Bringing together the work of scholars and musicians across five continents, the volume addresses issues of

music production, transnationalism, representation, transmission, and virtuality. Offering new perspectives on Indigenous music and digital culture, Music, Indigeneity, Digital Media is essential reading in the fields of ethnomusicology, Indigeneity, and media studies.For a full list of contributors, please visit www.boydellandbrewer.com

THOMAS R. HILDER is postdoctoral fellow in musicology at the University of Bergen. HENRY STOBART is reader in music at Royal Holloway, University of London. SHZR EE TAN is senior lecturer at Royal Holloway, University of London.$110.00/£90.00(s) February 2017978 1 58046 573 1Library e-book: 978 1 78204 921 0Personal e-book: 978 1 78204 931 911 b/w illus.; 236pp, 9 x 6, HBEastman/Rochester Studies Ethnomusicology

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Must Close SaturdayThe Decline and Fall of the British Musical FlopADRIAN WRIGHT

The ominous announcement “Must Close Saturday” too often heralded the demise of British musicals. The first book to deal exclusively with British musical flops, Must Close Saturday presents a rolling panorama of the good, the bad and the ugly,

reassessing their place in theatrical history. Wright reveals a consistent striving at invention, with subjects including the electric chair, the Holocaust, the Virgin Mary, social inequality and Trade Unionism, sexual problems and murder, as well as biographical treatments of Hollywood stars, French painters, tragic novelists, royalty, and the Rector of Stiffkey. Discursive and provoking, Must Close Saturday at last prises open the neglected history of the British musical flop up to 2016.ADRIAN WRIGHT is a novelist and has previously published A Tanner’s Worth of Tune (2010) and West End Broadway (2012) with Boydell & Brewer.$34.95/£25.00 October 2017978 1 78327 235 8Library e-book 978 1 78744 083 8Personal e-book 978 1 78744 089 040 b/w illus.; 371pp, 23.4 x 15.6, HB

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Scoring RaceJazz, Fiction, and Francophone AfricaPIM HIGGINSON

Reveals the importance of the jazz craze in France between the two world wars and the French construction of jazz as a “black music” – an exoticization which had wide-reaching effects on the artistic output of the African diaspora and on

contemporary perceptions of black writers, musicians and film makers.PIM HIGGINSON is Professor of Global French Studies at the University of New Mexico, Albuquerque.$90.00/£50.00(s) June 2017978 1 84701 155 8Library e-book 978 1 78744 037 1Personal e-book 978 1 78744 094 41 b/w illus.; 247pp, 23.4 x 15.6, HBAfrican Articulations

InFoRMatIon This catalogue lists all new Boydell & Brewer Music Studies titles scheduled for publication through to October 2018, as well as a selection of backlist titles. Further information on all titles, including lists of contents and contributors, can be found on our website www.boydellandbrewer.com.Prices and details were correct at time of catalogue production but are subject to change without notice.

editorial InformationEditorial inquiries should be addressed by e-mail to University of Rochester Press Editorial Director, Sonia Kane, at skane4@UR.Rochester.edu; or to Boydell & Brewer Editorial Director of Modern History and Music, Michael Middeke, at mmiddeke@boydell.co.uk. If contacting by mail, please make sure to include your e-mail address.

Review CopiesIf you are interested in review copies please contact for North and South America: boydell@boydellusa.net; for Europe & International: marketing@boydell.co.uk

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nadia boulanger and the StravinskysA Selected CorrespondenceEdited by KIMBERLY FRANCIS Published for the first time: a rich epistolary dialogue revealing one master teacher’s power to shape the cultural canon and one great composer’s desire to embed himself within historical narratives.$90.00/£80.00(s) March 2018978 1 58046 596 0, 15 b/w illus.; 235pp, 9 x 6, HBEastman Studies in Music

Sara Levy’s worldGender, Judaism, and the Bach Tradition in Enlightenment BerlinEdited by REBECCA CYPESS & NANCY SINKOFF A rich interdisciplinary exploration of the world of Sara Levy, a Jewish salonnière and skilled performing musician in late eighteenth-century Berlin, and her impact on the Bach revival, German-Jewish life, and Enlightenment culture.$99.00/£80.00(s) June 2018978 1 58046 921 0, 12 b/w illus.; 314pp, 9 x 6, HBEastman Studies in Music

brahms and the Shaping of timeEdited by SCOT T MURPHY Combines fresh approaches to the life and music of the beloved nineteenth-century composer with the latest and most significant ways of thinking about rhythm, meter, and musical time.$110.00/£90.00(s) March 2018978 1 58046 597 7, Library e-book: 978 1 78744 017 3316pp, 9 x 6, HBEastman Studies in Music

The Courage of Composers and the tyranny of tasteReflections on New MusicBÁLINT ANDRÁS VARGAAll-new interviews with 33 of the world’s leading composers – from Adams and Crumb to Gubaïdulina and Rihm – give unique insights into the creative process.$49.95/£25.00 May 2017978 1 58046 593 9, Library e-book: 978 1 78744 004 3, Personal e-book: 978 1 78744 001 2272pp, 9 x 6, HBEastman Studies in Music

The university of Rochester press launched the eastman Studies in Music series in 1994. with over one hundred titles in print and more to come, eastman Studies in Music is a well-established endeavor committed to publishing quality titles in music scholarship.new and recent publications from this celebrated series include:

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