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BOCA RATON | CORAL GABLES | FT. LAUDERDALE | MIAMI | MIAMI BEACH | NAPLES MAGAZINE 2019-2020 SEASON | Volume I, Issue I FLORIDA’S GRAMMY ® NOMINATED VOCAL ENSEMBLE From the ethereal beauty of Russia’s choral masterworks to the majesty of Handel’s immortal Messiah... NEW THIS SEASON ENLIGHTENMENT festival CELEBRATING 18 SEASONS PATRICK DUPRÉ QUIGLEY SPEAKS ON BACH, HAYDN, HANDEL, AND MORE - PAGE 16

MAGAZINE - Seraphic FireBOOK AHEAD AND SAVE UP TO 20% BY USING CODE “ADP”. To book, call 305-575-5300 or visit SpringhillSuitesMiami.com SpringHill Suites Miami Downtown/Medical

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  • 1 | SEASON EIGHTEENBOCA RATON | CORAL GABLES | FT. LAUDERDALE | MIAMI | MIAMI BEACH | NAPLES

    MAGAZINE

    2019-2020 SEASON | Volume I , Is sue I

    FLORIDA’S GRAMMY®

    NOMINATED VOCAL

    ENSEMBLE

    From the ethereal beauty of Russia’s choral masterworks

    to the majesty of Handel’s immortal Messiah...

    NEW THIS SEASON

    ENLIGHTENMENT festival CELEBRATING 18 SEASONSPATRICK DUPRÉ QUIGLEY SPEAKS ON BACH,HAYDN, HANDEL, AND MORE - PAGE 16

  • 2 | VOLUME 1, ISSUE 1 3 | SEASON EIGHTEEN

    IT’S A SUITE NEW STAYIt’s a space all your own at the SpringHill Suites® Miami Downtown/

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    SpringHill Suites Miami Downtown/Medical Center1311 NW 10th Avenue, Miami, FL 33136

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    Springhill Suites Miami Downtown/Medical Center

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    M I S S I O N

    Welcome to Seraphic Fire’s 18th season of making the world’s most beautiful choral music. I am sure you share my gratitude for all they do to raise the quality of professional choral singing in North America while also leading the field in educating, training, and mentoring the next generation of great singers, composers, and conductors. Seraphic Fire’s profound impact on choral music is a testament to the talent and dedication of our artists, staff, and supporters and I could not be more proud to be a part of this amazing organization. Please join me in assuring that this incredible music is available to future generations.

    Thomas C. BoydThomas C. Boyd, Chair

    A LETTER FROM THE BOARD

    Seraphic Fire aims to present high-quality performances of under-performed music

    with cultural significance. Simultaneously, Seraphic Fire encourages the occupational advancement

    of musicians by providing a forum for the development and presentation of their talents,

    and promotes community well-being through musical education programs.

    C O N T E N T SAbout Seraphic Fire . . . . . . . . . . . . . . . . . . . . 5About Patrick Dupré Quigley . . . . . . . . . . . . . 5Season at a Glance . . . . . . . . . . . . . . . . . . . . 7 Artists . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-12November Program . . . . . . . . . . . . . . . . 13-14Enlightenment Festival . . . . . . . . . . . . . 16-19Education Programs . . . . . . . . . . . . . . . . 20-21Pre-Concert Conversation Schedule . . . . . . 22December Program . . . . . . . . . . . . . . . . 23-24January Program . . . . . . . . . . . . . . . . . . 25-26Guest Artists . . . . . . . . . . . . . . . . . . . . . . . 27Looking Back . . . . . . . . . . . . . . . . . . . . . 28-30Support Seraphic Fire . . . . . . . . . . . . . . . . . 31Donors . . . . . . . . . . . . . . . . . . . . . . . . . . 32-33Hosts & Volunteers . . . . . . . . . . . . . . . . . . . 34Administration . . . . . . . . . . . . . . . . . . . . . . 35

  • 4 | VOLUME 1, ISSUE 1 5 | SEASON EIGHTEEN

    South Florida’s trusted source of news and information.

    Made possible with listener support.

    Learn more at WLRN.org

    LRNPublic Media

    THE SOUTH

    ROUNDUPFLORIDA

    So,You LikeCulturalEvents?

    Seraphic Fire is a handcrafted concert experience – not available in New York or Chicago or San Francisco, but here in South Florida. We are a bespoke organization,

    made for and with a particular listener. Only with your passion for our art and undying friendship is our experience complete.

    Patrick Dupré Quigley, Founder & Artistic Director

    A LETTER FROM OUR FOUNDER

    ABOUT SERAPHIC FIRE

    Seraphic Fire brings together professional vocal and instrumental artists from around the country to perform repertoire ranging from medieval chant and Baroque masterpieces to commissions by leading living composers. The Seraphic Fire media catalog contains 16 releases. In 2012, two of the ensemble’s recordings, Brahms: Ein Deutsches Requiem and A Seraphic Fire Christmas, were nominated for GRAMMY® Awards.

    Seraphic Fire’s artistic accomplishments also have translated to partnerships with The Cleveland Orchestra and New World Symphony, among others. At the forefront of Seraphic Fire’s mission is a commitment to community well-being and musician advancement through educational programs for South Florida’s underserved elementary students, as well as rising music professionals at University of Miami, Florida International University, UCLA, and the Aspen Music Festival and School.

    PATRICK DUPRÉ QUIGLEY

    Patrick Dupré Quigley is the Founder and Artistic Director of Seraphic Fire. He has guest conducted

    San Francisco Symphony, The Cleveland Orchestra, Utah Symphony, Indianapolis

    Symphony Orchestra, Grand Rapids Symphony, and New World

    Symphony, among others. This season, Quigley debuts with

    the Philharmonia Baroque Orchestra and New

    Jersey Symphony.In his 17 years as Artistic

    Director, Seraphic Fire has grown to present

    an annual, multi-venue subscription concert series.

    Seraphic Fire’s multiple educational outreach programs

    – including the Seraphic Fire Youth Initiative, Seraphic Fire-

    UCLA Ensemble Artist Program, and the Professional Choral Institute at the

    Aspen Music Festival – reach thousands of students, from elementary to graduate school.

    Quigley holds a master’s degree from the Yale School of Music, an undergraduate degree from the University of Notre Dame, and

    has pursued further professional studies at the Lilly Family School of Philanthropy’s Fundraising School.

  • 6 | VOLUME 1, ISSUE 1

    November 6-10, 2019PATRICK DUPRÉ QUIGLEY, CONDUCTOR

    Hildegard of Bingen is universally revered as one of the greatest minds of the Middle Ages. The women of Seraphic Fire bring her

    nearly millennium-old masterpiece Ordo Virtutum back to life. Miami | Boca Raton | Coral Gables | Ft. Lauderdale | Miami Beach

    December 7-22, 2019JAMES K. BASS, GUEST CONDUCTOR

    The incomparable voices of Seraphic Fire resound in carols, ancient and modern, in this new Christmas program, featuring Gregorian chant,

    Renaissance motets, English carols and the traditional singing of Silent Night and others.

    Grafton, VT | Sarasota | Miami | Boca Raton |Coral GablesMiami Beach Ft. Lauderdale | Naples | Cutler Bay

    January 15-19, 2020ELENA SHARKOVA, GUEST CONDUCTOR

    Russia’s choral tradition comes to life under the baton of acclaimed conductor Elena Sharkova. In her return to Seraphic Fire, Sharkova conducts a program

    of exceeding beauty that is so characteristic of Russian choral music. Miami | Naples | Coral Gables | Ft. Lauderdale | Miami Beach

    February 12-23, 2020PATRICK DUPRÉ QUIGLEY, CONDUCTORA celebration of music of some of this world’s greatest minds, Seraphic Fire’s Enlightenment Festival focuses on the music that Handel, Haydn, and Bach wrote with an emphasis on Classicism and dramatic works.Haydn: Arianna a Naxos Ft. Lauderdale | MiamiBach: Coffee and Wedding Cantatas Coral Gables | Ft. Lauderdale | Boca RatonBach: Cello Suites Miami | Ft. LauderdaleHandel: Acis and Galatea Coral Gables | Ft. Lauderdale | Naples

    March 11-15, 2020RAGNAR BOHLIN, GUEST CONDUCTORRagnar Bohlin, director of the San Francisco Symphony Chorus, conducts an evening of choral music from Scandinavia, featuring fresh harmonies, pulsing rhythms, and fantastical choral effects. Miami | Naples | Coral Gables | Ft. Lauderdale | Miami Beach

    April 15-19, 2020PATRICK DUPRÉ QUIGLEY, CONDUCTORFor the first time since 2004, Seraphic Fire and Patrick Dupré Quigley perform Handel’s complete Messiah in concerts to benefit Seraphic Fire’s education and musician advancement programs. Boca Raton | Naples | Coral Gables | Ft. Lauderdale | Cutler Bay

    May 5-10, 2020JAMES K. BASS, GUEST CONDUCTORFranz Biebl wrote his iconic Ave Maria for an all-male Bavarian Firemen’s Chorus in the summer of 1959. Seraphic Fire performs the Biebl and explores the tradition of music for men’s choirs that inspired this singular work. Boca Raton | Miami | Coral Gables | Ft. Lauderdale | Miami Beach

    2019-2020 SEASON AT A GLANCEPREMIER EXPERIENCES

    It’s “the SMARTEST, most CREATIVE, consistently excellent classical music ticket in South Florida” (Sun-Sentinel). Seraphic Fire Premier Subscriptions

    offer premier access throughout the year to a premier musical experience.

    Reserved open seating

    Invitation to a post-concert reception to meet the artists of Seraphic Fire

    Invitation to a post-concert talk-back with Patrick Dupré Quigley

    Invitation to a “town hall” conference call with Patrick Dupré Quigley and the artists of Seraphic Fire

    Autographed Seraphic Fire CD signed by Patrick Dupré Quigley

    Live CD recording of Seraphic Fire with American Brass Quintet, November 2018

    Flexible ticket exchanges for Seraphic Fire performances throughout South Florida

    No processing fees on subscription packages or additional tickets purchased

    Tickets donated back to Seraphic Fire will be transferred to community

    organizations

    SERIES PREMIER BENEFITS

    SHAREDBENEFITS

    FIREPASS SELECT PREMIERBENEFITS

    For more information on all 2019-2020 subscription packages, visit www.seraphicfire.org/experience or call 305.285.9060

    Complimentary ticket to a special chamber

    concert in February 2020

    Invitation to select Seraphic Fire open rehearsals

    Access to Seraphic Fire Youth Initiative education concerts

    Upgrade certificate to Reserved-by-Name

    Seating for one subscription concert

    Create your own three- to eight-concert

    subscription package

  • 8 | VOLUME 1, ISSUE 1 9 | SEASON EIGHTEEN

    SOPRANO CAIT FRIZZELL City: New York, NYSeasons with SF: 3Artistic Highlights:Debut solo recital at Weil Recital Hall in Carnegie Hall, featured soloist alongside Dawn Upshaw and Stephanie Blythe for Phyllis Curtin’s memorial recital at the Tanglewood Festival, Barbara Bonney Lieder Prize Winner (AIMS Festival)

    SARA GUTTENBERGCHORUS MASTERCity: Byron, IL Seasons with SF: 12Artistic Highlights: Oregon Bach Festival, Mozart’s Requiem with Aspen Music Festival and School, GRAMMY® winner

    SARAH MOYERCity: Boston, MASeasons with SF: 5Artistic Highlights: Handel’s Messiah with Variant 6 + Bourbon Baroque, soloist on the GRAMMY® nominated Skylark CD Seven Words from the Cross, performing with the Rolling Stones

    KATHRYN MUELLERCity: Raleigh, NCSeasons with SF: 11Artistic Highlights: Singing Monteverdi’s Vespers with Seraphic Fire in Mexico City’s cathedral and Palacio de Bellas Artes, soloist for Mozart’s Vespers in Carnegie Hall, Messiah as a soloist with Portland Baroque Orchestra under Monica Huggett, commission project and 3-week concert tour of Indonesia with the Swara Sonora Trio

    MOLLY NETTERCity: New York, NYSeasons with SF: 3Artistic Highlights: Soloist in the US and Japanese premieres of David Lang’s Prayers for Night and Sleep, roles in “Versailles” program and la Carnaval de Venise at the 2017 BEMF festival, featured on the recording of Charpentier’s Les Plaisirs de Versailles & Les Arts Florissants (2019) as “la Poesie.” Role of “Joan of Arc” in Amy Beth Kirsten’s Savior with the Chicago Symphony Orchestra, The Choir of Trinity Wall Street

    MOLLY QUINNCity: Chapel Hill, NCSeasons with SF: 8 Artistic Highlights: Soloist in historic Shostakovich Hall in St Petersburg, Russia, singing backup for The Rolling Stones

    NOLA RICHARDSONCity: New York, NYSeasons with SF: 2Artistic Highlights: Opera Lafayette, Radamisto at the Kennedy Center, Grand Rapids Symphony, First Prize winner of the Linn Maxwell Keller Bach Competition, Bach Cantatas at Alice Tully Hall, Arvo Pärt’s Passio, with Yale Schola Cantorum

    MARGOT ROODCity: Alexandria, VASeasons with SF: 9Artistic Highlights: Recording “La Paix” in Charpentier’s Les Arts Florissants with BEMF in Germany, singing Stravinsky’s Threni with The Cleveland Orchestra, self-producing my debut solo album of art song by Heather Gilligan, performing Polly Peachum in The Beggar’s Opera with Emmanuel Music

    REBECCA MYERS City: Philadelphia, PASeasons with SF: 4Artistic Highlights: Performing the world premiere of Aniara with The Crossing in Philadelphia, Amsterdam, and Helsinki, commissioning, producing and performing in Moonlite, a piece by Wally Gunn with Variant 6, singing in a twelve voice Messiah with Variant 6 and Bourbon Baroque, performing in the world premiere of Julia Wolfe’s Fire in My Mouth with the New York Philharmonic

    BRENNA WELLSCity: Seattle, WASeasons with SF: 5Artistic Highlights: Soloist with the Aspen Festival Orchestra, soloist at the Aldeburgh Festival in England, soloist with the Handel and Haydn Society, Boston

    AMANDA CRIDER, ALTOBase City: Miami, FLSeasons with SF: 8Mezzo Soprano, Amanda Crider has sung with companies across the US including Los Angeles Opera, Boston Lyric Opera, Dallas Opera, New York City Opera, Florida Grand Opera, Glimmerglass Opera and Florentine Opera. She has appeared as a soloist with ensembles including Apollo’s Fire, Seraphic Fire, New World Symphony and the International Contemporary Ensemble. A prize winner in the José Iturbi International, Jensen Foundation, Palm Beach Opera, Oratorio Society of New York, and Center for Contemporary Opera vocal competitions, Amanda is also a recipient of a Richard F. Gold Career Grant from the Shoshana Foundation and the Artistic Director of IlluminArts.

    ARTIST HIGHLIGHT

    2019-2020ARTIST ROSTER “...a taut, mellifluous force.”

    – Cleveland Plain Dealer

    For complete artist bios, please visit www.seraphicfire.org/about

  • 10 | VOLUME 1, ISSUE 1 11 | SEASON EIGHTEEN

    ANDREW RADERCity: Indianapolis, INSeasons with SF: 1Artistic Highlights: Italian trecento recording with Liber, The Gospel According to the Other Mary with Los Angeles Philharmonic, Seven Days of Creation recital

    ELISA SUTHERLANDCity: Brooklyn, NYSeasons with SF: 3Artistic Highlights: Performing Julia Wolfe’s Fire In My Mouth with The Crossing and the New York Philharmonic, performing a 12-voice Handel’s Messiah with my ensemble, Variant 6 & Bourbon Baroque, premiering Moonlite, a new oratorio by Wally Gunn with Variant 6 and Mobius Percussion

    VIRGINIA WARNKENCity: Branford, CTSeasons with SF: 8Artistic Highlights: 2014 GRAMMY® Award for Best Chamber Album, featured soloist with the New York Philharmonic, performances with Los Angeles Philharmonic and the San Francisco Symphony

    KIMBERLY LEEDSCity: Boston, MASeasons with SF: 1Artistic Highlights:Winning the 2016 Tafelmusik Vocal Competition, working with Philip Herreweghe as a Britten Pears Young Artist, performing Julia Wolfe’s Fire in my Mouth with the Crossing in collaboration with the NY Philharmonic, and attending the Carmel Bach Festival as a Virginia Best Adams Fellow

    KATE MARONEYCity: Brooklyn, NY Seasons with SF: 2Artistic Highlights: World Tour of Einstein on the Beach, Missy Mazzoli’s Song From the Opera at Los Angeles Opera, Carmel Bach Festival Adams Fellow, tour of Ireland with Gare Saint Lazare Ireland in an all-Beckett pastiche with music by Paul Clark

    TENORSTEVEN BRADSHAW City: Philadelphia, PASeasons with SF: 5Artistic Highlights: Premier of Ted Hearne’s PLACE at BAM, 300 performances of Lifespan by David Lang, GRAMMY® win for Bryars’ The 5th Century

    ANDREW CRANECity: American Fork, UTSeasons with SF: 3Artistic Highlights: Conducted Brigham Young University Singers at the national conference of ACDA, conducted world premiere performance of composer Ivo Antognini’s major choral/orchestral work A Prayer for Mother Earth at Carnegie Hall, Tenor solos in Mozart’s Requiem with the Santa Fe Desert Chorale alongside mezzo-soprano soloist Susan Graham, performed with Seraphic Fire as part of the inaugural Professional Choral Institute at the Aspen Music Festival

    PATRICK MUEHLEISE City: New York, NYSeasons with SF: 10Artistic Highlights: Monteverdi’s Vespers with Jane Glover, Reich’s Desert Music with New World Symphony, Mozart’s Requiem at Aspen Music Festival

    PAUL JOHN RUDOICity: Minneapolis, MNSeasons with SF: 3Artistic Highlights: Singing Bach and Bruckner alongside the Cleveland Orchestra and Franz Welser-Möst, Composer-in-Residence and Tenor Vocalist for the Santa Fe Desert Chorale’s 2019 Summer Season, Cantus premiere of Nico Muhly’s Luminous Body with the St. Paul Chamber Orchestra

    STEVE SOPHCity: Philadelphia, PASeasons with SF: 9Artistic Highlights: Stravinsky’s Threni with The Cleveland Orchestra, Bach, Handel, and Purcell with Philharmonia Baroque Orchestra, Mozart’s Requiem with The Cleveland Orchestra,Evangelist in Bach’s St. Matthew Passion with Charlotte Bach Festival

    BRAD DIAMONDCity: Birmingham, ALSeasons with SF: 8Artistic Highlights: Solo vocalist under Leonard Bernstein, private performance for Prince Charles of Wales, performances of Schubert song cycles

    NICK KARAGEORGIOUCity: New York, NYSeasons with SF: 1Artistic Highlights: LA Opera/Prototype Festival/Trinity Wall Street collaboration of Ellen Reid’s Pulitzer Prize-winning opera, p r i s m, International Tour to South Korea and China with Cantus, tenor Soloist of Bach’s BWV 5 under Julian Wachner at Trinity Wall Street, member of Seraphic Fire concerts in Sun Valley, ID, performing Perotin’s Sederunt

    CHELSEA HELMCity: New York, NYSeasons with SF: 2Artistic Highlights: St. Matthew Passion with the Charlotte Bach Festival, under the direction of Scott Allen Jarrett, “Bach Plus,” a program of Bach Motets and compositions by Ted Hearne with Conspirare, singing the role of Norina in Donizetti’s Don Pasquale with the Janiec Opera Company, recording a Downbeat-award-winning album of original arrangements with vocal jazz quartet Four Corners

    ARWEN MYERSCity: Portland, ORSeasons with SF: 1Artistic Highlights:Handel with Philharmonia Baroque Orchestra, Bach & Purcell with Portland Baroque Orchestra, Vivaldi, Monteverdi & Gabrieli with Early Music Vancouver, Singing Handel & Bach with Oregon Bach Festival

    STEFANIE MOORECity: Los Angeles, CASeasons with SF: 3Artistic Highlights: Soloist in Service Music and Post-Service Concert at the Interment of the Ashes of Matthew Shepard, singing Selections from Considering Matthew Shepard by Craig Hella Johnson, Soprano Soloist in Mozart’s Requiem, singing Vivaldi’s In furore with Bach Collegium San Diego 2018

    JANE LONG City: Seattle, WASeasons with SF: 1Artistic Highlights: Buxtehude’s Jesu Membra Nostri with Alexander Weimann, collaborative and innovative performances with Arkora Music Collective, Dido in Dido and Aenaes, Purcell Tour of Vivaldi’s Magnificat and Gloria with an all-women ensemble led by Monica Huggett

    ALTOLUTHIEN BRACKETTCity: London, UKSeasons with SF: 6 Artistic Highlights: Performing with The Monteverdi Choir at the BBC Proms, Performing the Russian premiere of Maximilian Steinberg’s Passion Week with the Clarion Choir at the Grand Hall Philharmonic in St. Petersburg, solo début at Lincoln Center’s Alice Tully Hall in Handel’s Messiah with the Choir of Trinity Wall Street, winning first place in the 2008 Tolosa International Choral Competition with my group, Antioch

    DOUGLAS DODSONCity: Boston, MASeasons with SF: 6Artistic Highlights: Messiah with Charlotte Symphony and South Dakota Symphony, roles with Boston Baroque and Chicago Opera Theater, international debut with Britten-Pears Young Artist Programme, 3-day Jeopardy! champion

    MARGARET LIAS City: Boston, MASeasons with SF: 6Artistic Highlights: Solo debut with theCleveland Orchestra in 2017, performing John Harbison’s The Supper at Emmaus with John conducting in 2019, participating in the Kuhmo Chamber Music Festival in Kuhmo, Finland in 2015 and 2016

    EMILY MARVOSHCity: Boston, MASeasons with SF: 13Artistic Highlights: Messiah soloist with the Handel and Haydn Society, European solo debut with the Chorus of Westerly, David Lang’s Little Match Girl Passion, St. John Passion in Stuttgart with Helmuth Rilling CLARA OSOWSKICity: Minneapolis, MNSeasons with SF: 4Artistic Highlights: McKnight Fellowship, Prize Winner at Das Lied, Wigmore Hall, & CMIM Song Competitions, Metropolitan Opera Regional Finalist

    “Wonderfully crisp and celebratory” – The Washington Post

  • 12 | VOLUME 1, ISSUE 1 13 | SEASON EIGHTEEN

    PATRICK DUPRÉ QUIGLEY, CONDUCTOR

    N O V E M B E R 6 - 1 0 , 2 0 1 9Miami | Boca Raton | Coral Gables | Ft. Lauderdale | Miami Beach

    BASSERIC ALATORRECity: San Francisco, CASeasons with SF: 1Artistic Highlights: GRAMMY® Award 1993, 2000, 2003, ensemble of the year 2008, Classical Music Hall of Fame 2009

    STEVEN EDDYCity: New York, NYSeasons with SF: 4Artistic Highlights: New York Philharmonic debut, June 2019, 1st prize winner of the Oratorio Society of New York Competition, Concerts with Seraphic Fire, Philharmonic Baroque, True Concord Voices & Orchestra, and American Classical Orchestra

    CHARLES WESLEY EVANSCity: Iowa City, IASeasons with SF: 9Artistic Highlights: Finalist at Mobile Opera Auditions, Finalistin the Orpheus National Vocal Competition

    ENRICO LAGASCACity: New York, NYSeasons with SF: 3Artistic Highlights: Season performances include Conspirare and Seraphic Fire, the New York Philharmonic, Pacific Symphony and Israel Philharmonic Orchestra. Appearances in the Salzburg Festival, Oregon Bach Festival, Mostly Mozart Festival and Bard Summerscape Festival

    THOMAS MCCARGARCity: New York, NYSeasons with SF: 11Artistic Highlights: Choir of Trinity Wall Street, Roomful of Teeth, solos at Carnegie Hall and the Kennedy Center

    JAMES K. BASSASSOCIATE CONDUCTORCity: Los Angeles, CASeasons with SF: 17 Artistic Highlights: Director of Choral Studies at the Herb Alpert School of Music at UCLA, Artistic Director of the Long Beach Camerata Singers

    CAMERON BEAUCHAMPCity: San Antonio, TXSeasons with SF: 11Artistic Highlights: Performed on three GRAMMY® Award-winning albums, ten GRAMMY® - nominated albums, and one Downbeat Award-winning album

    MICHAEL HAWESCity: Chicago, ILSeasons with SF: 2Artistic Highlights: Clarion Choir, MET Gala, Mahler’s 2nd Symphony, Verdi Requiem

    DAVID RUGGERCity: Indianapolis, INSeasons with SF: 1Artistic Highlights: Performing with Bach Society of St. Louis, Bach Akademie Charlotte, Mountainside Baroque, Bach Society of Dayton

    JOHN BUFFETT, BASSBase City: Los Angeles, CA

    Seasons with SF: 8 Baritone John Buffett enjoys a

    versatile career and has sung with the Symphonies of Utah, San Antonio,

    and Winston-Salem, The Mark Morris Dance Group, The Los Angeles and Rochester Philharmonics, The Cleveland Orchestra, Apollo’s Fire, Ars Lyrica, Bach Collegium San Diego, The Charlotte and Oregon Bach Festivals, The Tanglewood, Aspen, Mostly Mozart and Boston Early Music Festivals, Seraphic Fire, The Santa Fe Desert Chorale, and the Los Angeles

    Master Chorale. Mr. Buffett, currently on faculty at CSU Long Beach,

    received bachelor’s and master’s degrees from the Eastman

    School of Music

    ARTIST HIGHLIGHT

    CHLOE FEDOR, VIOLINKATIE HYUN, VIOLINEDSON SCHEID, VIOLINISABELLE SEULA LEE, VIOLINSTEPHEN GOIST, VIOLAKYLE MILLER, VIOLAGUY FISHMAN, CELLOSARAH STONE, CELLONATHANIEL CHASE, BASSGEOFFREY BURGESS, OBOE/RECORDER

    MEG OWENS, OBOE/RECORDERJOE MONTICELLO, FLUTEJUSTIN BLACKWELL, ORGANJOHN LENTI, LUTEMARY BOWDEN, TRUMPETJOSH COHEN, TRUMPETRHETT DEL CAMPO, TIMPANISCOTT ALLEN JARRETT, PIANOLEON SCHELHASE, HARPSICHORD/PIANO

    INSTRUMENTALISTS

    Made possible by Marty Davis and Alix Ritchie

    Hildegard von Bingen (1098-1179)

    ORDO VIRTUTUM

    Prologue

    Part I: The Soul invokes the Virtues

    Part II: Enter the Devil

    Part III: The Soul Returns

    Part IV: Struggle between Virtues and the Devil

    Processional

    LUTHIEN BRACKETTAnima (The Soul)

    JAMES K. BASSDiabolus (The Devil)

    SARA GUTTENBERGPercussion

    DR. HONEY MECONIAdvising Scholar

  • 14 | VOLUME 1, ISSUE 1 15 | SEASON EIGHTEEN14 | VOLUME 1, ISSUE 1 15 | SEASON EIGHTEEN

    SOPRANORebecca MyersSara GuttenbergNola RichardsonMolly QuinnSarah MoyerArwen Myers

    ALTO Amanda CriderLuthien BrackettMargaret LiasClara OsowskiKate MaroneyVirginia Warnken

    SPEAKER James K. Bass

    ENSEMBLE ARTIST PROGRAM AT UCLA’S HERB ALPERT SCHOOL OF MUSICElisse AlbianTara FayGrace MartinoMaia Sumanaweera

    Musical journey through Beethoven’s l ife. Artists from the Colburn Music Conservatory (Los Angeles) perform his 32* Piano Sonatas. Pre-concert talks with Mark Travis (Media Director, New York Philharmonic) start at 6:00 PM.

    *Piano Sonatas No.27 through No.32 will be performed in 2020-2021 Season.

    C e l e b r a t e B e e t h o v e n ’ s 2 5 0 t h !

    ROMAN RABINOVICH, IsraelTop Prize Rubinstein Int’l Comp., Tel AvivDECEMBER 10, 2019 - 7:00 PM

    SHAI WOSNER, IsraelAvery Fisher Career GrantJANUARY 21, 2020 - 7:00 PM

    OCTOBER 22, 2019 - 7:00 PMSonatas No. 1, 2, 3, 4 “Grand Sonata”

    NOVEMBER 12, 2019 - 7:00 PMSonatas No. 5, 6, 7, 8 “Pathetique”

    JUNE 23, 2020 - 7:00 PMSonatas No. 16, 17, 18, 19, 20, 21 “Waldstein”

    JULY 14, 2020 - 7:00 PMSonatas No. 22, 23 “Appassionata”, 24, 25, 26

    ROBERTO PLANO, Italy1st Prize Cleveland Int’l Piano Comp.MARCH 2, 2020 - 7:00 PM.

    PAAVALI JUMPPANEN, Finland1st Prize Young Concert ArtistsMARCH 30, 2020 - 7:00 PM

    PIANO MUSIC AT ITS BEST!HORACIO LAVANDERA, Argentina1st Prize Umberto Micheli, MilanMAY 19, 2020 - 7:00 PM

    DAVID DUBAL, USA (Lecture-Recital)“Beethoven’s Place in the History of Humanity”JANUARY 30, 2020 - 3:00 PM

    V I S I T : w w w . G r a n d P i a n o S e r i e s . o r g V E N U E : V A N D E R B I L T P R E S B Y T E R I A N C H U R C H

    R E G U L A R G A : $ 4 5 E A R L Y B I R D : $ 4 2 C A L L : ( 6 4 6 ) 7 3 4 8 1 7 9

    FEBRUARY 11, 2020 - 7:00 PMSonatas No. 9, 10, 11, 12 “Funeral March”

    APRIL 21, 2020 - 7:00 PMSonatas No. 13, 14 “Moonlight”, 15

    HEAR HERE

    Visit seraphicfire.org/experience for CDs & downloads

    PERFORMING ARTISTS

    N O V E M B E R 6 - 1 0 , 2 0 1 9Miami | Boca Raton | Coral Gables | Ft. Lauderdale | Miami Beach

  • 16 | VOLUME 1, ISSUE 1 17 | SEASON EIGHTEEN16 | VOLUME 1, ISSUE 1

    What will the festival format allow audiences to experience? The musical concert, by its very nature, only allows the audience and musicians to be in contact with one to three masterpieces in an evening. For the visually inclined, think of a white room with the Mona Lisa hanging on the far wall with, perhaps, another three works of minor masters on the side walls. This is the incredibly personal world of a concert evening: intimate, up-close interaction with art (music) where a single group of musicians and listeners can focus on a single idea for 75 to 120 minutes. At its best, it is something thrilling, even life changing.

    A festival builds upon the strength of the concert experience to allow both audience and performers to focus on the wider concept of these masterpieces. Instead of viewing the Mona Lisa in a stark white gallery, we encounter Da Vinci surrounded by the entire treasures of the Louvre. Great masterpieces, be they music or paintings, are only enhanced by context. A multi-concert festival gives that context.

    Festivals provide breadth and depth to our collective musical experience. In the case of this year’s Enlightenment Festival, we wanted to explore the identity of some of the 18th century’s greatest thinkers: Bach, Haydn, and Handel. When dealing with such remarkable musical treasures, a single concert would be grossly insufficient to allow us, 21st century listeners and practitioners, to truly appreciate all their genius has to offer. The Enlightenment Festival, over four programs and ten performances, allows the Seraphic Fire audience and ensemble to truly be immersed in the music of giants. Why are you featuring the Enlightenment period in a festival? Tenets that we hold as indivisible parts of our soul—freedom of thought and speech, secular government, the inherent value of all humans—were introduced as regular parts of discourse during the Enlightenment. While the Age of Enlightenment remains difficult to definitively pinpoint, most will agree that it roughly follows the arc of the 18th century. Kant, Hume, and Rousseau—these three intellectual giants, who all came of age during the mid-18th century, were only a small part of a European arts and humanities firestorm.

    Music’s greatest philosophers—Bach, Handel, Rameau, Scarlatti, Mozart, Haydn, and even a young Beethoven—were reared in a greater world that highly valued secular human achievements in the arts and sciences. Influenced by the painting, architecture, political discourse, dance, theater, and design of the Enlightenment, the founders of music’s

    modern epoch were not in a vacuum. They knew the music of their predecessors and their contemporaries. In this

    frenzy of new thought, it is only natural that music and musicians would be deeply affected.

    Seraphic Fire has made a nearly two-decade commitment to the

    music of the 18th century. The Enlightenment Festival will allow us to annually honor our and our audience’s musical roots and pay homage to some of the most spectacularly talented musicians the world has ever known.

    What will audiences experience at the 2020 Enlightenment

    Festival? What can they hope to experience in future years?

    Each year, the Enlightenment Festival will allow the

    entire Seraphic Fire community to take one musical aspect of the 18th century and focus on its intricacies,

    its triumphs and its humanity. This year, to introduce the concept to our listeners and artists, we will be focusing on

    the music that Bach, Haydn, and Handel wrote for intimate secular performances, whether they be at court, at home, or in the coffeehouse.

    Bach contributes three astounding works to this year’s festival. The “Coffee Cantata” was a comedic work to be staged in one of the master’s favorite haunts: Zimmerman’s Coffee House in Leipzig, Germany, while the amorous “Wedding Cantata” is traditionally (though not necessarily accurately) to the date of his marriage to Anna Magdalena Bach in 1721. Finally, Bach’s solo Cello Suites are certainly remarkable for their musical content, but even more so for the high regard in which Bach holds the individual artist-musician.

    Haydn’s magnificent secular cantata Arianna a Naxos most likely came as a result of a years-long correspondence with a talented student, Josepha von Genzinger. In Haydn’s letters to Josepha, he asks that she remember her teacher by “singing the cantata frequently,” presumably in private, home performance.

    “For our eighteenth season, we want to provide audiences with an opportunity to explore the rich historical and multi-cultural tapestry of choral music,” says Seraphic Fire Artistic Director Patrick Dupré Quigley.”

    The new season marks several milestones for Miami’s GRAMMY® nominated vocal ensemble, including the two-week Enlightenment Festival in February 2020 – the organization’s first ever – which will feature combinations of vocal and instrumental music in both chamber and festival settings to include selections from Franz Joseph Haydn’s Arianna

    a Naxos, Bach’s secular cantatas and cello suites, and Handel’s Acis and Galatea, all featuring the members of Seraphic Fire in step-out solo roles. “The Enlightenment Festival will be a celebration of the music of some of this world’s greatest minds,” offers Quigley. “Concerts will focus on the music that Handel, Haydn and Bach wrote for public performance with an emphasis on Classicism and dramatic works.” In the following pages, Quigley provides additional reflections on Handel, Haydn and Bach and Seraphic Fire’s two weeks of performances honoring their legacy and musical achievements.

    FEBRUARY 12-23

    PATRICK DUPRÉ QUIGLEY, CONDUCTORSeraphic Fire’s Enlightenment Festival focuses on the music that Handel, Haydn, and Bach wrote for public performance with an

    emphasis on Classicism and dramatic works.

  • 18 | VOLUME 1, ISSUE 1 19 | SEASON EIGHTEEN

    Finally, if Da Vinci was a “Renaissance” man, then Handel is most certainly an “Enlightenment” man. That a court-level musician could support himself almost entirely through secular musical entrepreneurship would have been almost unthinkable even just 100 years prior. Handel, when he moved to London following the Hanovers, began his steady transition from kapellmeister to producer, inventing entire musical forms along the way. The delightfully tuneful Acis and Galatea was composed for a performance at Cannons, the ancestral home of the Dukes of Chandos. Its Classical story and “pastoral” score make it one of the shining examples of an Enlightenment musical style.

    What does the music of the Enlightenment mean to Patrick Dupré Quigley? Regardless of training, every musician has a period or a composer or a style that speaks to them in a profound, almost spiritual way. My personal experience with the music of the Enlightenment, bookended by Bach and Haydn, has been deeply

    satisfying on every level. As a performer, the music of the Enlightenment requires so much, both physically and mentally. The exactness of notation, the rise of the virtuoso, the growing length of musical works:

    all of these combine to create a body of work which engages the human performer on so many levels. As a listener, I never

    have run out of pieces to discover. The sheer output of composers during the Enlightenment makes every

    encounter a discovery. What does producing a festival mean to Seraphic Fire? Work. Lots of work.

    The Enlightenment Festival will be held on February 12-23 with performances in Boca

    Raton, Coral Gables, Ft. Lauderdale, Miami and Naples. Please refer to the festival calendar in

    Seraphic Fire Magazine for additional details on programs, dates, venues and tickets.

    Haydn: Arianna a Naxos

    Wed, Feb 12, 7:00pm | Ft. LauderdaleSanctuary Church1400 N Federal Hwy, Ft. Lauderdale, FL 33304

    Thu, Feb 13, 7:30pm | Coral GablesChurch of the Little Flower2711 Indian Mound Trail, Coral Gables, FL 33134

    Bach: Coffee and Wedding Cantatas

    Fri, Feb 14, 7:30pm | Coral GablesSt. Philip’s Episcopal121 Andalusia Ave, Coral Gables, FL 33134

    Sat, Feb 15, 7:30pm | Ft. LauderdaleAll Saints Episcopal333 Tarpon Dr, Ft. Lauderdale, FL 33301

    Sun, Feb 16, 4:00pm | Boca RatonSt. Gregory’s Episcopal 100 NE Mizner Blvd, Boca Raton, FL 33432

    Bach: Cello Suites

    Tue, Feb 18, 7:30pm | Coral GablesChurch of the Little Flower2711 Indian Mound Trail, Coral Gables, FL 33134

    Wed, Feb 19, 7:00pm | Ft. LauderdaleSanctuary Church1400 N Federal Hwy, Ft. Lauderdale, FL 33304

    Handel: Acis and Galatea

    Fri, Feb 21, 7:30pm | Coral Gables (FUM)First United Methodist536 Coral Way, Coral Gables, FL 33134

    Sat, Feb 22, 7:30pm | Ft. LauderdaleAll Saints Episcopal333 Tarpon Dr, Ft. Lauderdale, FL 33301

    Sun, Feb 23, 4:00pm | NaplesVanderbilt Presbyterian1225 Piper Blvd, Naples, FL 34110

    CALENDAR OF E VENTS

    Trent R. Brown, Artistic DirectorAbigail Allison, Accompanist

    2019-2020 Season Partial funding provided by:

    FUSION SingOut! SWFL Choral Festival Welcomes ALL Singers

    Faith Presbyterian Church4544 Coronado PkwyCape Coral Fri. Feb 21 & Sat Feb 22 ~ Festival Workshop Sat. Feb 22 ~ 7:30 PM Festival Concert ~ FREE

    Before the Morning Watch ~ A Memorial Concert

    Featuring John Rutter’s Requiem & other British composers

    Sun. Mar 29 ~ 4 PM Moorings Presbyterian Church

    791 Harbour Dr.Naples

    part of the Hyacinth Concert Series ~ FREE

    www.SymphonicChorale.org or call 239-560-5695

    The Art of Extraordinary Music-Making

    Beethoven’s 9thA Collaboration with Naples Phil Orchestra & Chorus

    Thu, Fri, Sat, May 7-9 ~ 8 PM Artis-Naples5833 Pelican Bay BlvdNaples tickets available through the Artis-Naples Box Office

    The

    L.A.T.Foundation

    The Claiborne & Ned Foulds

    Foundation

    The Symphonic Chorale is an independent 501 (c)3 non-profit corporation.PO Box 07105, Ft. Myers, FL 33919

    Mozart Coronation Mass & Bruckner Te Deum

    Sun. Nov. 17 ~ 4 PMFaith Presbyterian Church

    4544 Coronado PkwyCape Coral

    part of the Faith Concert Series ~ $20

    Timothy Takach, Clinician

    For more information on the Enlightenment Festival, visit www.seraphicfire.org/experience or call 305.285.9060

  • 20 | VOLUME 1, ISSUE 1 21 | SEASON EIGHTEEN

    professional choral institute at aspen music festival and school provides participants

    with the opportunity to study in an intensive vocal and ensemble-skills curriculum, as well as receive individual and group vocal coaching from professional

    members of Seraphic Fire. PCI singers participate in audition, resumé, and vocal masterclasses led by Quigley, Seraphic Fire Associate Conductor James K. Bass, and members of Seraphic Fire. PCI singers also have the opportunity to rehearse and sing two side-by-side concerts with Seraphic Fire, including a collaboration with the Aspen Festival Orchestra. “Seraphic Fire began the Professional Choral Institute to fill in the educational gap between conservatory and a career in professional ensemble singing. Many of the members of Seraphic Fire literally had to learn on the job at our first professional gigs. While each of us had picked up skills along the way in school, either because of a well-connected professor or an extremely dedicated sight-singing teacher, this training was random and haphazard. The Professional Choral Institute, over the course of two weeks, gives students a crash course in the fundamentals of the professional ensemble singer. Students are put in real professional scenarios and coached through the process by long-time members of Seraphic Fire, many who have sung with countless professional ensembles across the country and globe. Students receive training in bedrock skills for ensemble singing: sight reading, repertoire, rehearsal preparation, solo singing, vocal technique, and personal entrepreneurial skills. The Aspen Music Festival and School is the ideal forum for PCI, as it allows our students to perform alongside other aspiring pre-professional instrumentalists who have similar career goals.”

    ensemble artist program at ucla’s herb alpert school of music provides season-long

    vocal ensemble training to undergraduate and graduate voice students at the University

    of California in Los Angeles. Participating artists are chosen through

    competitive auditions chaired by Associate Conductor James K. Bass. This collaboration aims to help UCLA’s emerging professional singers discover outlets for professional employment while fulfilling Seraphic Fire’s educational mission to encourage the occupational advancement of musicians. “The Ensemble Artist Program at UCLA provides eight students with a two-year intensive apprenticeship program with Seraphic Fire. Ensemble Artist students are coached individually by members of Seraphic Fire, and perform alongside Seraphic Fire for two programs a year. Students are treated like professionals and are offered feedback after each coaching or performance, giving them significant job experience and a host of professional connections before they graduate from conservatory.”

    university of miami student composer in residence is selected to create a 5-minute work that Seraphic Fire will

    premiere during season subscription concerts. This student works closely with Seraphic Fire Associate Conductor James K. Bass throughout the season and regularly attends rehearsals and performances in preparation for the premiere. The residency includes composition workshops and routine guidance from Seraphic Fire artists and conductors.

    Seraphic Fire has always aimed not only to increase the ranks of performers in professional ensembles, but also to substantially contribute to the new repertoire for 21st century ensembles. The student composer program with University of Miami allows one musician to work with Seraphic Fire for an entire year. The student composer is embedded with the ensemble for all rehearsal periods in the year. He or she workshops a new piece with the ensemble over the course of the season, and that work is performed by Seraphic Fire. Each student composer gets a hands-on experience with an ensemble of exceptional quality, and learns the particular intricacies of writing for the professional voice. Seraphic Fire, through mentorship and promotion, is able to usher in the next generation of composers who will continue to provide high-quality, high-level music for professional ensembles.”

    EDUCATIONSeraphic Fire Education comprises five mission-driven initiatives that encourage the occupational advancement of musicians and promote community well-being. Seraphic Fire Artistic Director Patrick Dupré Quigley offers his reflections on three programs that prepare emerging singers and composers to work in the growing industry of professional ensemble singing.

    FROM CLASSROOMS TO CONCERT HALLSSeraphic Fire’s Youth Initiative, in partnership with Miami-Dade County Public Schools and University of Miami, is a free music education program serving elementary and middle school students in Miami-Dade County’s most challenged communities. Students learn music theory and vocal pedagogy fundamentals through interactive exercises with Seraphic Fire artists. In December and May of each season, Seraphic Fire performs a side-by-side concert with Youth Initiative pupils for hundreds of Miami-Dade County school students.

    Seraphic Fire’s Youth Initiative is made possible in part by:

    Seraphic Fire’s Youth Initiative is endowed in perpetuity by The Clinton Family Fund

    HARRY F DUNCAN FOUNDATION

    SUPPORT GENJoin Generation Seraphic Society! Your membership will financially support Seraphic Fire’s music education programs for the next generation of artists and music lovers.

    MEMBERSHIP BENEFITS:• Dedicated listing in Seraphic Fire Magazine• Invitation to specially-curated education concerts• Invitation to initial University of Miami student composition workshops• Access to education workshops• Invitation to a post-concert reception

    MASTER LEVEL: $6,000 ($1,200/year or $100/month over 5 years) *Members at this level receive a unique GenS pinEDUCATOR LEVEL: $900 ($75/month)TEACHER LEVEL: $600 ($50/month)INSTUCTOR LEVEL: $300 ($25/month)TUTOR LEVEL: $120 ($10/month)

    Join now!SeraphicFire.org/Donate305.285.9060

    For more information, contact Rhett Del Campo at [email protected]

  • 22 | VOLUME 1, ISSUE 1 23 | SEASON EIGHTEEN

    JAMES K. BASS, GUEST CONDUCTOR

    John Jacob Niles (1892-1980)Anonymous, Plainchant

    Louis-Nicolas Clérambault (1676-1749)

    John Francis Wade (1711-1786)

    Anonymous, PlainchantCecilia McDowall (b. 1951)arr. Susan LaBarr (b. 1981)

    Anonymous, German

    Anonymous, Cornish

    Anonymous, CatalanAnonymous, English

    Dominick DiOrio (b. 1984)James Kallembach (b. 1978)

    Elizabeth Poston (1905-1987)

    Anonymous, EnglishAnonymous, African-American

    Anonymous, German Shawn Crouch (b. 1977)

    William J. Kirpatrick (1838-1921) & James Ramsey Murray (1841-1905)

    Franz Xaver Gruber (1787-1863)

    D E C E M B E R 7 - 2 2 , 2 0 1 9

    PRE-CONCERT CONVERSATION2019-2020 SCHEDULE

    MARCH 2020NORTHERN LIGHTS: MUSIC OF SCANDINAVIAPresentation by James K. Bass

    MAY 2020BIEBL: AVE MARIA – MUSIC FOR MEN’S CHORUSPresentation by James K. Bass

    APRIL 2020HANDEL: MESSIAHPresentation by Brad Diamond

    NOVEMBER 2019HILDEGARD OF BINGEN: ORDO VIRTUTUMPresentation by Amanda Crider

    FEBRUARY 2020

    HAYDN: ARIANNA A NAXOS Presentation by Patrick Dupré Quigley & Clara Osowski

    BACH: COFFEE & WEDDING CANTATASPresentation by Patrick Dupré Quigley & Steven Eddy

    BACH: CELLO SUITES Presentation by James K. Bass

    HANDEL: ACIS AND GALATEAPresentation by Brad Diamond

    JANUARY 2020ICONS: RUSSIAN CHORAL MASTERWORKSPresentation by Sarah Moyer

    Join us one hour before the concert for a pre-concert talk.

    Made possible by the Meredyth Anne Dasburg Foundation

    I Wonder as I WanderPuer Natus EstHodie Christus Natus Est

    Adeste Fideles

    Alma Redemptoris MaterAlma Redemptoris MaterBlessed Be that Maid MarieMaria durch ein Dornwald ging

    The First Nowell

    Fum, Fum, FumThe Holly and the IvyWoods in WinterAll Beautiful the March of Days

    Jesus Christ the Apple Tree

    Coventry CarolJesus, Jesus, Rest Your HeadSusanni, SusanniLullabyAway in a Manger

    Silent Night

    Grafton, VT | Sarasota | Miami | Boca Raton | Coral Gables | Miami Beach Ft. Lauderdale | Naples | Cutler Bay

  • 24 | VOLUME 1, ISSUE 1 25 | SEASON EIGHTEEN

    J A N U A R Y 1 5 - 1 9 , 2 0 2 0Miami | Boca Raton | Coral Gables | Ft. Lauderdale | Miami Beach

    SOPRANOJane LongSara GuttenbergCait FrizzellChelsea Helm

    ALTO Virginia WarnkenAndrew RaderKimberly Leeds

    TENOR Paul RudoiNick KarageorgiouSteven Bradshaw

    BASSJohn BuffettEnrico LagascaDavid Rugger

    PERFORMING ARTISTS

    D E C E M B E R 7 - 2 2 , 2 0 1 9Grafton, VT | Sarasota | Miami | Boca Raton | Coral Gables | Miami Beach Ft. Lauderdale | Naples | Cutler Bay

    ELENA SHARKOVA, GUEST CONDUCTORSergei Rachmaninoff

    (1873-1943)

    Grigory Sviridov (1914-1998)

    Valery Gavrilin (1939-1999)

    Traditional Folk Song, arr. Grigory Smirnov(b.1982)

    Traditional Folk Song, arr. Alexander Sveshnikov (1890- 1980)

    All-Night Vigil, op. 37 (excerpts) Come, Let Us Worship Blessed Is the Man Now Lettest Thou Thy Servant Depart Rejoice, O VirginGlory to God in the Highest Praise the Name of the Lord To Thee, the Victorious Leader

    Inexpressible Wonder Hear Us O Lord It Is Worth Christmas SongGlory and AlleluiaThe Inexpressible Wonder

    Having Witnessed a Wondrous Birth Glory

    The Chimes: A Miracle Play Death of the Robber; Morning Bells NonsenseTi-Ri-RiEvening MusicSunday White Snows

    Legend of the Twelve Robbers

    Evening Bells

    Made possible by an anonymous donor

  • 26 | VOLUME 1, ISSUE 1 27 | SEASON EIGHTEEN

    James K. Bass, three-time GRAMMY® nominated conductor and singer, currently serves as the Director of Choral Studies at the Herb Alpert School of Music at UCLA and is the Artistic Director of the Long Beach Camerata Singers. He has prepared choirs for some of the most important conductors of our time including Sir Colin Davis, Sir David Willcocks, Michael Tilson Thomas, Gerard Schwarz, Giancarlo Guerrero, and Robert Shaw among others. He was selected by the master conductor of the Amsterdam Baroque Soloists, Ton Koopman, to be one of only 20 singers for a presentation of Cantatas by J.S. Bach at Carnegie Hall. He has appeared as a soloist on a GRAMMY® nominated recording with the Austin, TX based choir Conspirare and has performed with numerous professional vocal ensembles, orchestras, and festivals.

    Bass also serves as Associate Conductor for Seraphic Fire and serves as Associate Program Director and faculty for the Professional Choral Institute at the Aspen Music Festival and School. Bass received the Doctor of Musical Arts degree from the University of Miami–Florida, where he was a doctoral fellow and was a graduate of the Interlochen Arts Academy.

    Russian-American conductor Elena Sharkova is recognized nationally and internationally as an inspirational, versatile, and effective conductor, choral clinician, music educator, and lecturer. She has conducted professional, university, youth, and community choirs and orchestras in 17 countries across North America, Asia, Eastern and Western Europe, Russia, and the Middle East. Sharkova has served as a jury member at numerous national and international music festivals and competitions. An expert on Russian choral music, Sharkova has lectured extensively on its repertoire and performance practices and conducted several U.S. premieres of Russian contemporary compositions.

    Sharkova regularly appears with professional artists; some of her most notable conducting engagements include Kronos Quartet, actor Ryan Gosling’s rock play Deadman’s Bones, and a spring 2012 series of performances with GRAMMY® Award winning “orchestra of voices” male choir Chanticleer as one of the ensemble’s 2011-2012 Guest Music Directors. As a soprano, Sharkova has performed and recorded with one of Russia’s finest professional choirs Lege Artis and appears on five studio CDs on Sony Classical Records label.

    Melissa D’Albora began her music studies at the age of seven on the piano. At 14, she began playing viola. Since her early studies on viola, she has performed many works ranging from Bach Cello Suites to Harbison’s Mirabai Songs. D’Albora’s works have been performed along the East Coast. One of her later performances was her work “I Am Waiting” in Coral Gables, Florida on February 24, 2018. Since January 2018, she has received six commissions. Three commissions were educational from the Frost Preparatory Program, Walter C. Young Middle School, and Coral Gables Senior High School. The most recent commission is Perception of Sound for violinist Kendall Grady’s string quartet.

    D’Albora holds two Bachelor of Music degrees in viola performance and composition from the University of Connecticut. She received her Master in Music Composition at the University of Miami Frost School of Music. Her composition mentors have been Dr. Kenneth Fuchs, Dr. Augusta Read Thomas, Dr. Christopher Theofanidis, and Dr. Dorothy Hindman. She is currently studying with Dr. Mason while earning her D.M.A. in Composition at the Frost School of Music.Tickets start

    at $25!

    NOVEMBER 6-10 , 2019

    PROGRAM

    SOPRANONola RichardsonSara GuttenbergSarah MoyerBrenna Wells

    ALTO Luthien BrackettClara OsowskiElisa Sutherland

    TENOR Patrick MuehleisePaul RudoiSteve Soph

    BASSSteven EddyEnrico LagascaEric AlatorreCameron Beauchamp

    GUEST ARTISTS

    JAMES K. BASSGuest Conductor

    ELENA SHARKOVAGuest Conductor

    MELISSA D’ALBORAStudent Composer

    J A N U A R Y 1 5 - 1 9 , 2 0 2 0Miami | Boca Raton | Coral Gables | Ft. Lauderdale | Miami Beach

    PERFORMING ARTISTS

  • 28 | VOLUME 1, ISSUE 1 29 | SEASON EIGHTEEN

    43 concerts

    6,794 attendees

    SOUTH FLORIDA AUDIENCE STATISTICS 2018-2019 FINANCIALS

    29 | SEASON EIGHTEEN

    Unaudited numbers for fiscal year ending May 31, 2019. Audited Financial Statements are available at SeraphicFire.org.

    REVENUES $1,687,000

    Thanks to the generosity of our individual and institutional donors and ticket purchases

    from arts lovers across South Florida, we recognized a year-end surplus of $22,000

    that will be used to further support Seraphic Fire’s mission

    CONCERT FEES$219K

    SINGLE TICKETS $167K

    SUBSCRIPTIONS$182K

    PCI* TUITION/FEES $57K

    CD SALES $18K

    FOUNDATION, CORPORATE, & GOVERNMENT SUPPORT

    $286K

    INDIVIDUAL GIVING $758K

    *Professional Choral Institute, see page 20 to read more

    EXPENSES $1,665,000

    ARTISTIC & EDUCATION PROGRAMS $948K

    ADMINISTRATIVE$550K

    DEVELOPMENT$34K

    MARKETING$133K

    2018-2019 LOOKING BACK

    ABQ: Spanish Pilgrimage

    Chant for Men’s Voices

    A Seraphic Fire Christmas

    I Have a Dream

    Vivaldi and the Pietá

    Korean Choral Treasures

    Latin American Baroque

    Poulenc’s Mass in G

    5 645

    4 530

    10 2193

    6 945

    4 816

    5 508

    4 555

    5 602

    # CONCERTS # ATTENDEES PROGRAM

    BUDGET GROWTHAll dollar amounts in thousands

    RepertoireVivaldi: Magnificat in G minorPoulenc: Mass in GFauré: RequiemMozart: Requiem

    Featured Guest ArtistsAmerican Brass QuintetJulian Darius Revie, composerAnthony Trecek-King, conductorIleana Perez Velazquez, composerEuijoong Yoon, conductor

    SEASON HIGHLIGHTS

    La Jolla, CA

    Los Angeles, CA

    Aspen, CO

    Mansfield, CT

    Westport, CT

    Boca Raton, FL

    Coral Gables, FL

    Cutler Bay, FL

    Ft. Lauderdale, FL

    Key Biscayne, FL

    Miami, FL

    Miami Beach, FL

    Naples, FL

    Goshen, IN

    Overland Park, KS

    Kansas City, MO

    Grafton, VT

    CITIES

    YEAR REVENUES EXPENSES SURPLUS (DEFICIT)

    FY17 $1,649 $1,551 $98

    FY18 $1,591 $1,555 $37

    FY19 $1,687 $1,665 $22

    FY20* $1,807 $1,800 $7

    *current year budget

  • 30 | VOLUME 1, ISSUE 1 31 | SEASON EIGHTEEN30 | VOLUME 1, ISSUE 1 31 | SEASON EIGHTEEN

    Please complete this form and mail with payment to: Seraphic Fire, 2153 Coral Way, Suite 401, Miami, FL 33145You may also call (305) 285-9060 or visit SeraphicFire.org

    Name: Phone:

    Address: Email:

    City/State/Zip:

    Payment Options: Check (PAYABLE TO SERAPHIC FIRE) Charge my: Visa MasterCard American Express

    Credit Card Number: Expiration Date:

    Signature:

    DONATION TOTAL $

    Founder’s Circle ($50,000+) National Sponsor ($20,000+) Underwriter ($10,000+)

    Maestro Circle ($5,000+) Sponsor ($2,500+) Patron ($1,000+)

    Sustainer ($500) Donor ($250) Friend ($100)

    Name in Program:

    BECOME A DONOR

    Seraphic Fire’s supporters are integral to our music-making and transformative education initiatives in Miami-Dade County’s most challenged communities.

    SUPPORT SERAPHIC FIRE

    DONOR LEVELSFounder’s Circle: $50,000 +Recognition as a Season Sponsor, and all benefits listed below.

    National Sponsor: $20,000Private dinner with Patrick Dupré Quigley, and all benefits listed below.

    Underwriter: $10,000Name recognition in all materials for one Seraphic Fire Program, and all benefits listed below.

    Maestro Circle: $5,000An exclusive post-concert reception with select Seraphic Fire artists, and all benefits listed below.

    Sponsor: $2,500Invitation for two to a private season opening reception, and all benefits listed below.

    Patron: $1,000Reserved-by-Name Seating, and all benefits listed below.

    Sustainer: $500Invitation for two to the Season Announcement, and all benefits listed below.

    Donor: $250An exclusive live recording of a 2018-2019 Season concert, and all benefits listed below.

    Friend: $100Name recognition in Seraphic Fire Magazine.

    THE RUTH SACKNER MEMORIAL FUND

    A Board-restricted reserve fund established in memory of Miami philanthropist and arts

    activist Ruth Sackner

    $107,868

    THE SERAPHIC FIRE YOUTH INITIATIVE FUNDEndowed in perpetuity with a generous gift from The Clinton Family Fund, Bruce and Martha Clinton

    $555,885

    THE SERAPHIC FIRE ENDOWMENT FUND In support of the organization’s long-term artistic goals

    $39,062

    Seraphic Fire has continued to strengthen its endowment to secure a place in South Florida for decades to come. Seraphic Fire’s endowment consists of three funds at the Coral Gables Community Foundation.

    PLANNING FOR THE FUTURE

    OVERALL ENDOWMENT FUND

    $702,815

    Legacy Society

    Thomas Boyd & Donald Hill

    Dr. Clinton Bush

    William Jaume

    Patti & Dennis Klein

    Marilyn A. Moore

    Ruth† & Marvin Sackner

    David L. Webb & W. Lynn McLaughlin

    Cliff Whittle & Scott Cumming

    Help ensure Seraphic Fire’s future through a bequest in your estate.

    Seraphic Fire’s Legacy Society recognizes our cherished friends who have included Seraphic Fire in their

    long-range financial plans with a gift or trust arrangement.

    If you have made a bequest to Seraphic Fire, please let us know so

    that you can be recognized as a member of Seraphic Fire’s

    Legacy Society. Your gift will serve as an inspiration for others.

    For more information about making a gift to Seraphic Fire

    through your will or trust, or if you have already included Seraphic Fire

    in your plans, please contact Patrick Quigley at 305.285.9060.

  • 32 | VOLUME 1, ISSUE 1 33 | SEASON EIGHTEEN

    LEGACY SOCIETY Thomas Boyd & Donald HillDr. Clinton Bush William Jaume Patti & Dennis Klein Marilyn A. Moore Ruth† & Marvin Sackner David L. Webb & W. Lynn McLaughlin Cliff Whittle & Scott Cumming

    FOUNDERS CIRCLE $50,000 + Anonymous Miami-Dade County Department of Cultural Affairs Dunspaugh-Dalton Foundation§ John S. & James L. Knight Foundation William Jaume§ Frank & Carolyn Pichardo NATIONAL SPONSOR $20,000 - $49,999 Anonymous Robert R. Brinker & Nancy S. Fleischman Broward County Cultural Division Bruce & Martha Clinton, The Clinton Family Fund§ Meredyth Anne Dasburg Foundation Michael & Cheryl Del Campo§ Elizabeth & Joe Pollio, Pollio Family Foundation Marvin Sackner State of Florida Division of Cultural Affairs UNDERWRITER $10,000 - $19,999 Thomas C. Boyd§ Alicia Celorio, Do Unto Others Trust, Inc. Martha R. Davis & Alix Ritchie Funding Arts Broward Funding Arts Network Hutson-Wiley Echevarria Foundation*§ The Kirk Foundation§ Key Biscayne Community Foundation, Inc. Ana & Raul Marmol§ City of Miami Beach Cultural Affairs Program Miami-Dade County Tourist Development Council Miami-Dade County Youth Arts Enrichment Program§ Edmundo Pérez-de Cobos

    P.L. Dodge Foundation§ Quest Foundation§ John Quaintance & Robert Riggs§Sara Solomon Murry Stegelmann WLRN Public Radio 91.3 FM MAESTRO CIRCLE $5,000 - $9,999 William A. Bonn & Ruben A. Ceballos Brickell Bank§ The City of Coral Gables Harry F. Duncan Foundation, Inc.§ Dr. Ken Easterling & Diego Cardenas Alaina Fotiu-Wojtowicz§ Susan & Richard Goldman Martha Ann Haas & Pamela Poulos Diana Hammerstein Grace Heising Mr. & Mrs. Stephen Kutler Joe & Suzy Lacher§ Daniel Lewis Mark Mandel & Allan Yudacufski§ Charles L. Marshall, Jr. & Richard L. Tooke Marilyn A. Moore Margaret A. Rolando Robert & Theresa Rust Karl & Susan Shell§ Leonard Smith The Stonesifer Kinsley Family Fund David L. Webb & W. Lynn McLaughlin§ Jeri L. Wolfson Foundation SPONSOR $2,500 - $4,999 Matthew Anderson§ A. Peter Burleigh Nirupa Chaudhari & Steven Roper§ Coral Gables Community Foundation Rhett M. Del Campo§ Mr. Richard DiRenzo & Rev. Charles Humphries§ P.R. Farnsworth & J.C. Gill Jim & Billie Hairston Dr. Marilyn & Dr. Bernard Horowitz Dr. & Mrs. Joseph R. Jannach Mr. & Mrs. George Knapp Miami Salon Group The James G. Pepper Fund of the Stonewall Community Foundation Jose Luis Pere & Trae Williamson Peter & Audrey Pinney Diane Rahman Luis Ramirez & Kimberly Thompson Dr. Audrey Ross & Dr. William W. Culbertson IV

    Dr. William R. & Susan Kelley Roy Frank & Susan Salinger Cultural Initiative Charles† & Sandra Simon§ Adelheid & Bruce Stryker Dr. & Mrs. Michael Troner Barbara & Mel Vanderbrug Nina Webber PATRON $1,000 - $2,499 Dr. & Mrs. Arthur Agatston Marcelo & Betty Alvarez Dr. & Mrs. Ronnie Arad Diane Ashley§ Nadine Asin & Thomas van Straaten§ Edward & Elizabeth Baker Helene Berger Margrit & Roger Bernstein Bruce Bolton Drs. Blaine Branchik & Christopher Rudman Brodsky Fotiu-Wojtowicz, PLLC Dr. Clinton Bush Marilyn M. Connolly Robert Crane & Shirley Muñoz§ Gerhard Dahl Joseph C. Dimino & Michael J. Guida Adrienne DiPrima & Donna Smorchoke Dick & Marcy Dupere Enterprise Holdings§ John & Maria Farrey§ Mr. & Mrs. Jack Firestone Lawrence & Suzanne Fishman Suzanne Floyd§ Mary Beth & Gerardo Garcia§ Taffy Gould Alfredo & Luz Maria Gutierrez Mr. & Mrs. Kevin Hennessey Johanna Hickman* Neill Hirst Dr. Jeffrey Horstmyer & Prof. Tillie Fox Timothy & Elizabeth Iszler Dr. Bruce Jackson Dr. Fred Jonas§ Evan Jones Carin Kahgan in memory of Marc Kahgan Linda Heller Kamm Joan Kasner Gloria Kline John Landers George Lindemann Alberto & Maggie Manrara Dr. John Martin Dr. Leila Morris Betsy & Art Murphy Kathleen Newell

    Stanley Newman & Dr. Brian Rosenthal John Newton & Mowry Spencer Michael & Mary Ellen Peyton Nicholas J. Pisaris William A. Purdy & John M. Carter Patrick Dupré Quigley & Robert Andrew Peccola§ Andrea Lynne Rice Morton† & Jane Robinson Peter Rutenberg§ Len & Louise Schaper J.J. Schmidt David Schrock Janet Shein Sophia Sieczkowski Alice & Joe Smith Arturo Steely Erling T. Thoresen Jana & Tom Tift Mark Trowbridge Betty Vandenbosch Rick Vaughan & Walter Sherman M. Therese Vento & Peter M. MacNamara Adrian Villaraos Teresa Galang-Viñas & Joaquín Viñas Dr. Robert Warren Ted Wolf & Frank Decolator in honor of Edie Wolf Jane Worley§ Maria José Wright Gregg Zavodny*

    FOR DONATIONS BETWEEN JANUARY 2018 & JUNE 2019OUR DONORSSUSTAINER $500 - $999 Anonymous Marj Adler Alfred Arbogast Alberto Arias & David Wood Kinnard Michael & Sheila Berke Kristi Bettendorf Sylvia Blau* Elizabeth & Bernard Blum Carol Boyd Robert Braunstein§ in honor of Suzanne Floyd Richard Buffett* in honor of John Buffett Michael & Lisbeth Bustin George Chesney & Sue Fiorey Katie Conley & Jim Glick John & Gina Despres Augie Diaz James Doan & Jim Blizzard Dr. Brian Dunn Rev. Priscilla Felisky-Whitehead§ Randall Fotiu & Josephine Wojtowicz Andrew Frey* K. Lawrence & Maureen Gragg Laura Green & Steven Christianson Doug Hagerman* Donald Hill Rev. Todd Hoover & Ron Michel Michael Hughes Nancy & James Katzoff Lyza Latham Enrique & Monica Lopez Dr. & Mrs. Richard Lung Richard Mahfood John Marson & Alan Wioskowski† Serge & Margaret Martin Alison McMahan Sandra Mullen Elizabeth Newman & John Tillson§ Bernard Perron Claudia Polzin John & Janet Preston Bill & Debbie Quigley Veronika Rabitsch Jeanne Ann & Charles Rigl Charles Sacher Ted & Margaret Sarafoglu Daniel & Ileana Sayre Margaret Seroppian Marte V. & Paul Steven Singerman Jim Sirbaugh Paul Smith & Michael Dennis Lou Strennen Szilagyi Family Foundation Jeanann Testyon

    DONOR $250 - $499 Anonymous Betsy Beardsley Jim & Joan Bernhardt James F. Carlton Angela Clode Sebastian Fiore Thomas & Margaret Forte Sylvia & Argelio Garcia Pauline A. Goldsmith Gretchen Green Raul Iglesias Donna Mellender* Petsy Mezey* Linda Morgan William Murphy Brenda Richey Victoria Rogers§ Margot Rood* Maeve Anne Sandiford Rosemarie Schadae* Ellen Siegel§ Linda Sturdy Kristian Toimil Alice Yurke & Robert Davis* FRIEND $100 - $249 Anonymous Nancy Ameglio Claire Angelozzi Lisa August* in memory of Joyce Kaiser Charles Beavin Rochelle Beck§ Robert E. Bickers Kathleen Blais Donald Edwin Broaddus & Jack Huizenga Barbara Ann Brown* Roy Cane Joanne Cann§ John & Rebecca Cavanaugh Lane Convey William Cranshaw Mr. & Mrs. James Crosland Nellie Cummins* Martha N. Dare Roberta David Andrew & Jane Dolkart Mary Sue Donohue Sarah Doss§ Karen & Christopher Dudley§ Todd Estabrook Alexis Eyler

    Rev. James Fetscher Dr. Helen B. Franke Helen Franklin* Dr. & Mrs. Rudolph Frei Ellen Galkin Michael & Pat Garffer Susan Geisenheimer Drs. Joan & Paul Gluck§ Deborah & Lee Goldring Ingrid Griffin Joe Herko & Carol Esser Dr. Edwin Hill Lisa Husseini§ Virginia Jackson Maria Jasin & Joanne Jasin Dr. Federico Justiniani Ulrich Lachler & Nancy Gillespie Lee Lennon Richard Lilley & Carmen Letelier Gregory Lindeblom & Michael Stiles William Lord Nancy MacColl Finlay & Joan Matheson Fred & Susan Mattes Ulrich & Carole Merten Kate Morilla Clara Osowski§ Roderick N. & Lucy† Petrey*§ Dr. Sandra Reynolds§ in honor of James Bass Sara Robinson Isabelle & Ricardo Roman Virginia Rosen Frederick & Kathryn Ruhoff Bronwen Rutter§ Cathy Sacasas Charles Sands* in memory of Joyce Kaiser Joan Schaeffer* in memory of Joyce Kaiser Ellie & Bernie Schinder Hugh Schmidt* Barbara Singer§ Ross & Evie Smith Sharon Smith Gene Sobczak*§ Katherine & Rick Socarras Bill & Jean Soman* in memory of Joyce Kaiser Martin Sonkin* John Sowell Harry Stigall Karen Thompson§

    Teri Thompson & Thomas Crowder§ Dan Topp & David Cole Jennie Tracey* Delphine Tricomi Lyndall Urquhart Adele & Leonardo Valencia* Robert & Ellen Vignola Thomas Wade John & Christine Wahlquist§ Clifford & Patricia Welles* Paul Woehrle§ Robin Woodard Doug & Margaret Yoder Nadja Zubrik*

    * new donor† deceased§ GenS Society

  • 34 | VOLUME 1, ISSUE 1 35 | SEASON EIGHTEEN

    Ellen AndersonJane AndersenEugene DonaldsonBruce DoryHelen FranklinJoan and Paul GluckKristian ToimilMiguel Gonzalez

    Natalie GonzalezMatt GonzalezSue GroskreutzElisa HallileyJill HarringtonSusan MattesLucia MinerviniAnne Ober

    Heather OsowieckiDavid PirianoAnita PlattChris RuddEric RunyanKurt SchubertBarbara SolidayJohn Soliday

    Nirupa Chaudhari & Steven RoperCarin Kahgan Janet CopelandMarilyn & Bernie Horowitz

    Pamela GarrisonLaura CalzolariAna & Raul MarmolPhyllis ParsonsKaren Dudley

    Amanda CriderElizabeth NewmanKim Thompson & Luis RamirezSara Solomon

    Rev. Mary Beth ConroyNanci MitchellClinton BushJanet SheinMaxine Long

    34 | VOLUME 1, ISSUE 1 35 | SEASON EIGHTEEN

    BOARD OF DIRECTORS

    Dr. Thomas C. Boyd, ChairJoanne N. Schulte, Founding Chair

    Alaina Fotiu-Wojtowicz, Immediate Past ChairRobert “Bob” Brinker, Treasurer

    Diane Ashley, SecretaryWilliam Jaume, Vice Chair

    Mark Trowbridge, Vice Chair

    Matthew AndersonDaniel Copher

    Karen FullerAna Marmol

    Carolyn PichardoClaudia Polzin

    Margaret “Peggy” RolandoAdrian Villaraos

    Edmundo Pérez-de Cobos, Director Emeritus

    Patrick Dupré Quigley, Artistic Director, ex-officioRhett M. Del Campo, Executive Director, ex-officio

    Molly Quinn, Artist Representative, ex-officioDouglas Dodson, Artist Representative, ex-officio

    ADMINISTRATIVE STAFF

    Rhett M. Del Campo, Executive DirectorFinance & OperationsEric Rubio, General Operations ManagerPeter Buttler, Finance Consultant

    Artistic AdministrationAlexis Aimé, Artistic Operations ManagerJoey Quigley, Artistic Consultant

    Developmentvacant, Patron Services Managervacant, Grants Manager

    MarketingLaura Shand, Advancement Operations ManagerStepan Rudenko, Marketing AssociateGene Sobczak, Marketing & PR Consultant

    EducationSuzanne Floyd, Education DirectorCatherine Bennett Walling, Education Liaison

    Like me, I am sure you miss the stunning sounds of the Seraphic Fire voices over the summer. We also have missed seeing you at our concerts. Because our audience is so much a part of what we do,

    we have been hard at work throughout the summer developing ways for you to connect more deeply with Seraphic Fire. Through more informative materials, such as this magazine, a better experience on our website,

    and subscriber benefits that provide more personalized access, we are fully committed to making you feel engaged and valued in a way you so deserve.

    You help make great art possible, for your own fulfillment and the enjoyment of those who might otherwise miss out on one of life’s greatest pleasures. Thank you for this, and for your commitment to Seraphic Fire.

    Rhett M. Del Campo, Executive Director

    EUGENE DONALDSONIn 2003 with excited anticipation I experienced Seraphic Fire’s first concert. This feeling has not left. As a choral singer myself, I deeply resonated with ALL that Seraphic Fire was gifting us. This convergence of talents, intention and professional acumen just HAD to endure for our community. At once, I wanted to contribute to its success. And so it was, beginning with our first season at St. Jude.

    Soon I discovered the joy of welcoming our choral music loving patrons. This role of welcoming gives me a great personal satisfaction, especially knowing that the musical experience that ensues uplifts our human experience.

    VOLUNTEER HIGHLIGHT

    2019-2020 HOSTS & VOLUNTEERSSERAPHIC FIRE HOSTS

    VOLUNTEER ROSTER

  • WITHOUT WHOM...Seraphic Fire programs would not be possible without the generous support of

    seraphicfire.org • 305.285.9060 • 2153 Coral Way, Suite 401, Miami, FL 33145

    Naples performances made possible by the Jeri L. Wolfson Foundation

    & Charles L. Marshall, Jr. and Richard L. Tooke