MAG CoP 2017-2020 Draft 1 (1)

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)

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DRAFT 29 November 2015

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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(456789 : . 0;<4567= (456789 > . -?4@5?7A6789@ A8B? C4@ DEF9G@64@ Article 2.1 - Droits des gymnastes Article 2.2 - Responsabilités du gymnaste Article 2.3 - Taches du gymnaste Article 2.4 - Pénalités Article 2.5 - Serment des gymnastes(456789 H . -?4@5?7A6789@ A8B? 496?GI94B?@ Article 3.1 - Droits des entraîneurs Article 3.2 - Pénalités Article 3.3 - Responsabilités Article 3.4 - Réclamations Article 3.5 - Serment des entraîneurs(456789 J . -?4@5?7A6789@ A8B? C4 /8F76K !45L97MB4 Article 4.1 - Président Article 4.2 - Membres(456789 N . -?4@5?7A6789@ 46 @6?B56B?4 OB PB?E@ G CQ49D79 Article 5.1 - Responsabilités

Article 5.2 - Droits Article 5.3 - Composition des jurys aux engins Article 5.4 - Fonctions des jurys aux engins Article 5.5 - Fonctions des juges de ligne, chronométreurs et

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Article 5.6 - Placement des juges Article 5.7 - Serment des juges Article 5.8 - Attribution d’un nom aux nouveaux éléments

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(456789 T . $QKUGCBG6789 O4@ 4V4?5754@ 49 58FAK676789 Article 6.1 - Généralités Article 6.2 Détermination de la note nale

(456789 W . ,XDC4@ D8BU4?9G96 CG 9864 ' Article 7.1 - Difculté Article 7.2 - Exigences des groupes d’éléments et des sorties Article 7.3 - Les points des connexions Article 7.4 - L’ évaluation par le jury D Article 7.5 - Répétitions Article 7.6 - Table d’évaluation par le jury D(456789 Y . ,XDC4@ D8BU4?9G96 C4@ @58?4@ % Article 8.1 - Description du score E Article 8.2 - Calcul de déductions du jury E Article 8.3 - Renseignements pour le gymnaste

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(456789 : . -B?A8@4(456789 > . ,4DBCG6789@ D8U4?979D [EF9G@6@ Article 2.1 - Rights of Gymnasts Article 2.2 - Responsibilities of the Gymnast Article 2.3 - Duties of the Gymnast Article 2.4 - Penalties Article 2.5 - Gymnast Oath(456789 H . ,4DBCG6789@ =8? 58G5L4@ Article 3.1 - Rights of the Coaches Article 3.2 - Responsibilities of the Coaches Article 3.3 - Penalties Article 3.4 - Inquiries Article 3.5 - Coaches’ Oath(456789 J . ,4DBCG6789@ =8? !45L975GC /8FF76644 Article 4.1 - The President of the MTC Article 4.2 - MTC Members(456789 N . ,4DBCG6789@ G9O @6?B56B?4 8= GAAG?G6B@ <B?74@ Article 5.1 - Responsibilities

Article 5.2 - Rights Article 5.3 - Composition of the Apparatus Jury Article 5.4 - Functions of the Apparatus Jury Article 5.5 - Functions of Timers, Line judges, and Secretaries

Article 5.6 - Seating Arrangements Article 5.7 - Judges’ Oath Article 5.8 - Naming of New elements

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(456789 T . %UGCBG6789 8= 6L4 /8FA4676789 %V4?57@4@ Article 6.1 - General Rules Article 6.2 - Determination of the Final Score

(456789 W . ,4DBCG6789@ D8U4?979D 6L4 ' (58?4 Article 7.1 - Difculty Article 7.2 - Element Groups and Dismount Requirements Article 7.3 - Connection Points Article 7.4 - Evaluation by the D Jury Article 7.5 - Repetition Article 7.6 - D jury evaluation table(456789 Y . ,4DBCG6789@ D8U4?979D 6L4 % (58?4 Article 8.1 - Description of exercise presentation Article 8.2 - Calculation of E Jury deductions Article 8.3 - Instructions for the gymnasts

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(4557_9 : . 0;<468(4557_9 > . ,4DCG@ AG?G C8@ D7F9G@6G@ Artículo 2.1 - Derechos para los gimnastas Artículo 2.2 - Responsabilidades de los gimnastas Artículo 2.3 - Deberes de los gimnastas Artículo 2.4 - Penalizaciones Artículo 2.5 - Juramento del Gimnasta(4557_9 H . ,4DCG@ AG?G C8@ 496?49GO8?4@ Artículo 3.1 - Derechos de los entrenadores Artículo 3.2 - Responsabilidades Artículo 3.3 - Penalizaciones Artículo 3.4 - Protestas Artículo 3.5 - Juramento del entrenador (4557_9 J . ,4DCG@ O4C /8F76K !K59758@ Artículo 4.1 - Presidente Artículo 4.2 - Miembros(4557_9 N . ,4DCG@ E 4@6?B56B?G O4C <B?GO8 49 4C GAG?G68 Artículo 5.1 - Responsabilidades

Artículo 5.2 - Derechos Artículo 5.3 - Composición de los jurados en los aparatos Artículo 5.4 - Funciones de los jurados del aparato Artículo 5.5 - Función de los jueces de línea, crono y secretarios

Artículo 5.6 - Situación Artículo 5.7 - Juramento de jueces Artículo 5.8 - Nombre de los nuevos elementos

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(4557_9 T . %UGCBG57_9 O4 C8@ 4<4?57578@ O4 58FA46757_9 Artículo 6.1 - Generalidades Artículo 6.2 - Determinación de la nota nal

(4557_9 W . ,4DCG@ ?4CG67UG@ G CG 986G ' Artículo 7.1 - Dicultad Artículo 7.2 - Exigencias de grupos de elementos y salidas Artículo 7.3 - Valor por conexión Artículo 7.4 - Evaluación del jurado D Artículo 7.5 - Repetición Artículo 7.6 - Tabla de evaluación del jurado D(4557_9 Y . ,4DCG@ ?4CG67UG@ G CG 986G % Artículo 8.1 - Descripción de la nota E Artículo 8.2 - Cálculo de las deducciones del Jurado E Artículo 8.3 - Instrucciones para el gimnasta

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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(456789 ` . '7?4567U4@ 645L97MB4@ Article 9.1 - Évaluation par le jury E Article 9.2 - Détermination des fautes d’exécution et technique Article 9.3 - Exigences de composition des exercices Article 9.4 - Déductions du jury E

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Article 10.1 Description de l’agrès Article 10.2 - Contenu et règles spéciques Article 10.3 - Déductions spéciques de l’agrès Article 10.4 - Tables des éléments(456789 :: . /L4UGC G?b89@ Article 11.1 - Description de l’agrès Article 11.2 - Contenu et la construction de l’exercice Article 11.3 - Déductions spéciques de l’agrès Article 11.4 - Tables des éléments(456789 :> . "994GBV Article 12.1 - Description de l’agrès Article 12.2 - Contenu et la construction de l’exercice Article 12.3 - Déductions spéciques de l’agrès Article 12.4 - Tables des éléments

(456789 :H . (GB6 Article 13.1 - Description de l’agrès Article 13.2 - Contenu et la construction de l’exercice Article 13.3 - Déductions spéciques de l’agrès Article 13.4 - Tables des sauts(456789 :J . #G??4@ AG?GCCXC4@ Article 14.1 - Description de l’agrès Article 14.2 - Contenu et la construction de l’exercice Article 14.3 - Déductions spéciques de l’agrès Article 14.4 - Tables des élémentsSection 15 - Barre fxe

Article 15.1 - Description de l’agrès Article 15.2 - Contenu et la construction de l’exercice Article 15.3 - Déductions spéciques de l’agrès Article 15.4 - Tables des éléments

-",!*% *R . "994V4@ A. Explications et interprétations complémentaires.

(456789 ` . !45L975GC '7?4567U4@ Article 9.1 - Evaluation by the E jury Article 9.2 - Determination of execution and technical errors Article 9.3 - Expectations for exercise construction Article 9.4 - E jury deductions

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Article 10.1 - Exercise description Article 10.2 - Content and Construction Article 10.3 - Specic Apparatus deductions Article 10.4 - Table of Elements(456789 :: . -8FF4C \8?@4 Article 11.1 - Exercise description Article 11.2 - Content and Construction Article 11.3 - Specic Apparatus deductions Article 11.4 - Table of Elements(456789 :> . ,79D@ Article 12.1 - Exercise description Article 12.2 - Content and Construction Article 12.3 - Specic Apparatus deductions Article 12.4 - Table of Elements(456789 :H . RGBC6 Article 13.1 - Exercise description Article 13.2 - Content and Construction Article 13.3 - Specic Apparatus deductions Article 13.4 - Table of Elements(456789 :J . -G?GCC4C #G?@ Article 14.1 - Exercise description Article 14.2 - Content and Construction Article 14.3 - Specic Apparatus deductions Article 14.4 - Table of Elements(456789 :N . \8?7c896GC #G? Article 15.1 - Exercise description Article 15.2 - Content and Construction

Article 15.3 - Specic Apparatus deductions Article 15.4 - Table of Elements

-",! *R . "AA49O754@ A. Additional Explanations and interpretations

(4557_9 ` . '7?456?754@ 6K5975G@ Artículo 9.1 - Evaluación del Jurado E Artículo 9.2 - Determinación de la faltas de ejecución y técnicas Artículo 9.3 - Expectativas de la construcción del ejercicio Artículo 9.4 - Deducciones del Jurado E

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Artículo 10.1 - Descripción del ejercicio Artículo 10.2 - Contenido y construcción Artículo 10.3 - Deducciones especícas del aparato Artículo 10.4 - Tabla de elementos(4557_9 :: . /G;GCC8 589 G?58@ Artículo 11.1 - Descripción del ejercicio Artículo 11.2 - Contenido y construcción Artículo 11.3 - Deducciones especícas del aparato Artículo 11.4 - Tabla de elementos(4557_9 :> . "97CCG@ Artículo 12.1 M !'$(/.+(.E# 1'& 'A'/(.(.)

Artículo 12.2 M Contenido y construcción Artículo 12.3 M Deducciones especícas del aparato Artículo 12.4 M Tabla de elementos(4557_9 :H . (GC68 Artículo 13.1 M !'$(/.+(.E# 1'& 'A'/(.(.)

Artículo 13.2 M Contenido y construcción Artículo 13.3 M Deducciones especícas del aparato Artículo 13.4 - Tabla de elementos(4557_9 :J . -G?GC4CG@ Artículo 14.1 - Descripción del ejercicio Artículo 14.2 - Contenido y construcción Artículo 14.3 - Deducciones especícas del aparato Artículo 14.4 - Tabla de elementos(4557_9 :N . #G??G Artículo 15.1 - Descripción del ejercicio Artículo 15.2 - Contenido y construcción

Artículo 15.3 - Deducciones especícas del aparato Artículo 15.4 - Tabla de elementos

-",!% *R . "94V8@ A. Explicaciones e interpretaciones adicionales.

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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,. *B#C*.().5 ).$%'5#&5.$.() ,. 2# *#22. ,. 8'$%6)&)&'( %'-5,.* 5#&*'(* %.5*'((.22.* .) ,. (. %#* ;'&5 -(. ).22. ,.$#(,.5.:-*6. *#(* 5#&*'( ;#2#C2.l

Y1FHg <# 8'$%6)&)&'( (. %'-55# J)5. 5.)#5,6. %#5 *'(#C*.(8.A

:b ,. 5.8.;'&5 %#5 2B&().5$6,&#&5. ,- 8".: ,. 2# ,6267#)&'( *'(56*-2)#) 8'55.8)G #;.8 *.* (').* 'C).(-.* .( 8'$%6)&)&'(A

&*5) '5;@8:CDE7>< +7W;9>E>@ !7BM;DEDE7> &C9DE=EMC>D<

2;=DE7> .&89M7<;

*9DE=:; .F". %5&$#53 %-5%'*. ': )". !',. ': ='&()* &* )'g

VA =5';&,. #( 'Ce.8)&;. $.#(* ': .;#2-#)&(7 73$(#*)&8* .0.58&*.*#) #22 2.;.2* ': 5.7&'(#2G (#)&'(#2G #(, &().5(#)&'(#2 8'$%.)&)&'(*A

2. Standardize the judging of the four phases of FIG ofcialcompetitions: Qualication (C-I), Team Finals (C-IV), All Arounda!M??b #(, ?(,&;&,-#2 H;.() >&(#2* a!M???bG

3. Assure the identication of the best gymnast in any competiM)&'(A

iA @-&,. 8'#8".* #(, 73$(#*)* &( )". 8'$%'*&)&'( ': 8'$%.) &)&'(.0.58&*.*A

kA =5';&,. &(:'5$#)&'( #C'-) )". *'-58. ': ')".5 ).8"(&8#2 &(:'5M$#)&'( #(, 5.7-2#)&'(* :5.4-.()23 (..,., #) 8'$%.)&)&'(* C3 e-,7.*G 8'#8".*G #(, 73$(#*)*

2;=DE7> ,5;@8:CDE7>< @7W;9>E>@ @AB>C<D<

*9DE=:; ,V. 5E@XD< 7Y @AB>C<D<+;>;9C:F". 73$(#*) &* 7-#5#().., )". 5&7") )'g

#b X#;. )".&5 %.5:'5$#(8. e-,7., 8'55.8)23G :#&523G #(, &( #88'5M,#(8. L&)" )". *)&%-2#)&'(* ': )". !',. ': ='&()*A

b) Receive in writing the evaluation of the difculty rating for a*-C$&))., (.L ;#-2) '5 .2.$.() L&)"&( # 5.#*'(#C2. )&$. %5&'5)' )". *)#5) ': )". 8'$%.)&)&'(A

8b X#;. )".&5 *8'5. %-C2&823 ,&*%2#3., &$$.,&#).23 :'22'L&(7 "&*performance or in accordance with the specic regulations7';.5(&(7 )"#) 8'$%.)&)&'(A

,b D.%.#) )".&5 .()&5. .0.58&*.G &: )". .0.58&*. "#* C..( &().5M5-%)., :'5 5.#*'(* C.3'(, "&* 8'()5'2 '5 5.*%'(*&C&2&)3 L&)"

%.5$&**&'( ': )". S-%.5&'5 /-53Ae) Briey leave the competition hall for personal reasons and that

*-8" # 5.4-.*) (') C. -(5.#*'(#C23 ,.(&., L&)" %.5$&**&'(:5'$ )". !"#&5 ': )". S-%.5&'5 /-53A

Y1FHg F". 8'$%.)&)&'( $#3 (') C. ,.2#3., )"5'-7" "&* #CM*.(8.

:b D.8.&;. )"5'-7" )".&5 ,.2.7#)&'( 2.#,.5 )". 8'55.8) 5.*-2)'-)%-)G *"'L&(7 #22 "&* *8'5.* 5.8.&;., &( )". 8'$%.)&)&'(

&C9D; '5;@:C< MC9C :7< MC9DE=EMC>D;< ;> =7BM;DE=EZ>

2;==EZ> .HE>C:E?C?

*9DP=8:7 .El código de puntuación tiene como nalidad principal:

VA I*.7-5#5 -(# ;#2'5#8&P( 'Ce.)&;# ,. 2'* .e.58&8&'* ,. 7&$(#M*&# #5)O*)&8# $#*8-2&(# .( )','* 2'* (&;.2.* ,. 8'$%.)&8&P(G5.7&'(#2G (#8&'(#2 . &().5(#8&'(#2A

ZA H*)#(,#5&c#5 2# %-()-#8&P( .( 2#* 8-#)5' :#*.* ,. 2#* 8'$%.Mticiones ociales de la FIG: calicación (C I), nal de equipos(C IV), nal individual (C II) y nales por aparatos.

3. Asegurar la identicación de los mejores gimnastas en las8'$%.)&8&'(.*A

iA @-&#5 # .()5.(#,'5.* 3 7&$(#*)#* .( 2# 8'(*)5-88&P( ,. 2'*.e.58&8&'* ,. 8'$%.)&8&P(A

kA ?(:'5$#5 #8.58# ,. 2'* '5O7.(.* ,. ')5#* &(:'5$#8&'(.*)68(&8#* 3 5.72#* %#5# e-.8.*G .()5.(#,'5.* 3 7&$(#*)#*:5.8-.().$.(). (.8.*#5&#* .( 2#* 8'$%.)&8&'(.*G A

2;==EZ> ,5;@:C< MC9C @EB>C<DC<

*9DP=8:7 , #;9;=X7< ?; :7< @EB>C<DC<+;>;9C:H2 7&$(#*)# )&.(. 2'* *&7-&.().* ,.5.8"'*g

#b I *.5 .;#2-#,' e-*)# 3 8'55.8)#$.(). ,. #8-.5,' 8'( 2#*,&*%'*&8&'(.* ,.2 !P,&7' ,. =-()-#8&P(A

Cb I 5.8&C&5 %'5 .*85&)' .( -( )&.$%' 5#c'(#C2. #().* ,.2 8'M$&.(c' ,. 2# 8'$%.)&8&P(G .2 ;#2'5 ,.2 (-.;' *#2)' ' .2.$.()'*'$.)&,' # .;#2-#8&P(A

8b I ;.5 *- (')# %-C2&8#,# &($.,&#)#$.(). ,.*%-6* ,. *- .e.5M8&8&' ' 8'(:'5$. #2 5.72#$.()' )68(&8' 4-. 5&e# .2 8'(8-5*'A

,b I 5.%.)&5 *- .e.58&8&'G *O "# *&,' &().55-$%&,' %'5 5#c'(.*#e.(#* # *- ;'2-()#,G 8'( 2# #%5'C#8&P( ,.2 /-5#,' *-%.5&'5A

.b I %.,&5 #2 =5.*&,.(). ,.2 /-5#,' S-%.5&'5G .2 %.5$&*' %#5##-*.()#5*. C5.;.$.(). ,. 2# *#2# ,. 8'$%.)&8&P( %'5 5#c'(.*%.5*'(#2.* 3 4-. *- %.)&8&P( (' *.# ,.(.7#,# *&( 5#cP( ;Q2&,#

Y1FIg <# 8'$%.)&8&P( (' %-.,. 5.)5#*#5*. %'5 *- #-*.(8&#

:b I 5.8&C&5 %'5 $.,&' ,.2 e.:. ,. ,.2.7#8&P( .2 5.*-2)#,' 8'55.8)'G8'( *-* (')#* 'C).(&,#* .( 2# 8'$%.)&8&P(A

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 6

&C9 9CMM79D C8G C@9[<<.* 73$(#*).* *'() 7#5#()&* ,- ,5'&)g

#b ,B#;'&5 2.* $J$.* #75E* .) )#%&* ,#(* 2.* *#22.* ,B.()5#j(.M$.()G ,B68"#-::.$.() .) *-5 2. %',&-$ ,. 8'$%6)&)&'(G .(#88'5, #;.8 2.* %5.*85&%)&'(* *-5 2.* ('5$.* ,.* #75E* ,.la FIG pour les compétitions ofcielles;

Cb ,B#;'&5 -( )#%&* *-%%26$.()#&5. $'- ,. Vn 8$A #-M,.**-*des tapis de réception de 20 cm, au saut et à la barre xe.

8b ,BJ)5. *'-2.;6 h 2# *-*%.(*&'( %#5 -( .()5#j(.-5 '- -( 73$(#*).

au début de son exercice aux anneaux et à la barre xe;,b ,BJ)5. #88'$%#7(6 ,B-( #**&*)#() 4-& *. )&.() h %5'0&$&)6 ,.l’engin aux anneaux, et à la barre xe;

.b ,. *. 5.%'*.5 %.(,#() on *.8'(,.* h 2# *-&). ,B-(. 8"-).,.%-&* 2B.(7&(l

:b ,. *B.()5.).(&5 #;.8 *'( .()5#j(.-5 %.(,#() 2# %65&',. ,. on*.8'(,.* ,'() &2 ,&*%'*. h 2# *-&). ,B-(. 8"-). ,.%-&* 2B.(7&(G#&(*& 4-B.()5. *'( %5.$&.5 .) *'( ,.-0&E$. *#-)l

7b ,. ,.$#(,.5 2# %.5$&**&'( ,B#-7$.().5 2# "#-).-5 ,. 2# C#55.xe et/ou des anneaux pour tenir compte de sa taille;

I=XC8YY;B;>DDans les Qualications (C I), Finale Individuelle multiple (C II)et Finale par Équipes (C IV)

- 8"#4-. 73$(#*). %#5)&8&%#() h 2# 8'$%6)&)&'( a.( &(82-#() 2#56*.5;. 4-& 5.$%2#8. -( 73$(#*). #88&,.()6 %.(,#() 2# 8'$%6M

)&)&'(b .*) #-)'5&*6 h -(. %65&',. ,B68"#-::.$.() &$$6,&#).$.()#;#() *# *6#(8. ,. 8'$%6)&)&'( *-5 2. %',&-$ h )'-* 2.* #75E*G8'(:'5$6$.() #- 5E72.$.() ).8"(&4-. 4-& 567&) 2. 8'(8'-5*g

M on *.8'(,.* h 8"#4-. .(7&( a*#-: =TbM kn *.8'(,.* #-0 T#55.* =#5#22E2.*G .( &(82-#() 2# %56M

%#5#)&'( ,.* C#55.*(")$\M Dans les Qualications (C I) et la Finale par équipes (C IV)

le temps total d’échauffement appartient à l’équipe. L’équipea la responsabilité d’assurer aussi au dernier gymnaste sontemps d’échauffement.

- Pour les groupes mixtes, chaque gymnaste a son tempsd’échauffement. L’ordre de l’échauffement doit correspondreà l’ordre de passage en compétition.

- La n de l’échauffement est signalée par un signal sonore. Si

%.(,#() 2. *&7(#2 *'('5. -( 73$(#*). .*) $.()# 2.$.() .) %"3M*&4-.$.() %56%#56 %'-5 -( *#-)G '- *B&2 *. )5'-;. *-5 2B.(7&(G &2peut nir l’élément ou la série en cours. Après l’échauffement'- %.(,#() 2.* p%#-*.*q ,. 8'$%6)&)&'(G 2# %56%#5#)&'( ,.*#75E* .*) %.5$&*.G $#&* %#* 2B-)&2&*#)&'( ,.* #75E*A

- U( *&7(#2 ;&*&C2. ,- e-7. ]V a.) ,. 2# 2#$%. ;.5). #-0 8'(8'-5*ofciels de la FIG) est envoyé au gymnaste 30 secondes avant2. ,6C-) %56;- ,. *'( .0.58&8.A

*MMC9CD8<F". 73$(#*) &* 7-#5#().., )". 5&7") )'g

#b X#;. &,.()&8#2 #%%#5#)-* #(, $#)* &( )". )5#&(&(7 "#22*G L#5$M-% "#22 #(, '( )". 8'$%.)&)&'( %',&-$ )"#) 8'(:'5$* )' )".specications and norms for F IG ofcial competitions.

Cb U*. ': $#(,#)'53 #,,&)&'(#2 Vn 8$ *':) $#)* '( )'% ': )". .0&*)M&(7 C#*&8 2#(,&(7 $#)* aZn 8$b :'5 W#-2) #(, X'5&c'()#2 T#5A

8b T. #**&*)., )' )". "#(7&(7 %'*&)&'( C3 # 8'#8" '5 73$(#*) :'5

)". *)#5) ': )".&5 .0.58&*. '( D&(7* #(, X'5&c'()#2 T#5A,b X#;. '(. *%')).5 %5.*.() #) D&(7* #(, X'5&c'()#2 T#5A

.b D.*) '5 5.8-%.5#). :'5 -% )' on *.8'(,* :'22'L&(7 # :#22 :5'$)". #%%#5#)-*

:b !'(:.5 L&)" )".&5 8'#8" ,-5&(7 )". on *.8'(,* #;#&2#C2. )' "&$following a fall from the apparatus and between the rst and*.8'(, ;#-2)*A

g) Request permission to raise the Horizontal Bar and/or Rings)' #88'$$',#). )".&5 ".&7")

TC9B]8MIn Qualifying (C-I), All Around Final (C-II) and Team Final (C-IV)·

- .#8" 8'$%.)&(7 73$(#*) a&(82-,&(7 *-C*)&)-). ': &(e-5., 73$M(#*)b &* .()&)2., )' # )'-8" L#5$M-% %.5&', &$$.,&#).23 %5&'5 )'

)". 8'$%.)&)&'( '( )". %',&-$ '( #22 #%%#5#)-* &( #88'5,#(8.L&)" )". F.8"(&8#2 D.7-2#)&'(* )"#) 7';.5( )"#) 8'$%.)&)&'(g

M on *.8A '( #22 #%%#5#)-* .08.%) =#5#22.2 T#5 M kn *.8A '( =#5#22.2 T#5*G &(82-,&(7 C#5 %5.%#5#)&'(

(")$\ - In Qualifying (C-I) and Team Final (C-IV) the entire warm-up

time belongs to the team. The team must pay attention tothe time elapsed so that the last gymnast receives a warm-up.

- In mixed-groups the warm-up time belongs personally to thegymnast. The order of warm up should be the same as theorder of competition.

- F". .(, ': )". L#5$M-% %.5&', &* *&7(#2., C3 #( #-,&C2. *&7(#2A

?: # 73$(#*) &* $.()#223 #(, %"3*&8#223 %5.%#5., )' ;#-2) '5 &* *)&22'( )". #%%#5#)-* #) )"#) )&$.G )".3 $#3 8'$%2.). )". .2.$.() '5*.4-.(8. *)#5).,A >'22'L&(7 )". L#5$M-% %.5&', '5 ,-5&(7 )".r8'$%.)&)&'( %#-*.sG )". #%%#5#)-* $#3 C. %5.%#5.,G C-)(') -*.,A

- F".5. L&22 C. # 8'(*%&8-'-* *&7(#2 :5'$ )". ]V e-,7. a#) ':Mcial FIG competitions, a green light) 30 seconds before their.0.58&*. &* .0%.8)., )' C.7&(A

*MC9CD7<<'* 7&$(#*)#* )&.(.( 7#5#()&c#,' .2 ,.5.8"' ,.g

#b I ,&*%'(.5 ,. 2'* $&*$'* #%#5#)'* 3 8'28"'(.)#* .( 2#**#2#* ,. .()5.(#$&.()'G 8#2.()#$&.()' 3 .( .2 %P,&-$ ,.competición, de acuerdo a las especicaciones y normaspara las competiciones ociales de la FIG.

Cb I -*#5 -(# 8'28"'(.)# #,&8&'(#2 'C2&7#)'5&# ,. Vn 8$ .(8&$#de las colchonetas básicas (20 cm) para salto y barra ja.

8b I *.5 #3-,#,' %'5 -( .()5.(#,'5 ' 7&$(#*)# %#5# 8'2'8#5*.

en suspensión en anillas y barra ja.,b I ).(.5 -( #*&*).(). %5.*.(). 8.58# ,. 2#* #(&22#* 3 ,. 2# C#55#ja.

.b I ,.*8#(*#5 )5.&()# *.7-(,'* %#5# *-C&5G ,.*%-6* ,. -(#8#O,# ,.2 #%#5#)'A

:b I .*)#5 8'( *- .()5.(#,'5 ,-5#(). 2'* on *.7-(,'* 4-.,&*%'(. ,.*%-6* ,. -(# 8#O,# ,.2 #%#5#)'G #*O 8'$' .()5..2 %5&$.5 3 *.7-(,' *#2)'A

g) A pedir permiso para aumentar la altura de la barra ja y/o2#* #(&22#* ).(&.(,' .( 8-.()# *- )#22#A

!C:;>DCBE;>D7En calicación (C I), nal individual (C II) y nal de equipos(C IV)

- 8#,# 7&$(#*)# 8'$%.)&,'5 a&(82-&,' .2 5.*.5;# 4-. 5..$%2#Mc# #2 7&$(#*)# 2.*&'(#,'b .*)Q #-)'5&c#,' # -( %.5&',' ,.

8#2.()#$&.()'G &($.,&#)#$.(). #().* ,.2 8'$&.(c' ,. 2#8'$%.)&8&P( G.( .2 %P,&-$ .( )','* 2'* #%#5#)'*G ,. #8-.5,'8'( .2 5.72#$.()' )68(&8' 4-. 5&e# 2# 8'$%.)&8&P(g

M on *.7A .( )','* 2'* #%#5#)'* .08.%)' 2#* %#5#2.2#*tM kn *.7A .( %#5#2.2#*G &(82-3.(,' %5.%#5#8&P( ,. C#(,#*A

(")*\ - En Calicación (C I) y nal de equipos (C IV) el tiempo total de

calentamiento es para todo el equipo. El equipo debe controlarel tiempo, para asegurar también el tiempo de calentamiento para el último gimnasta.

- En los grupos mixtos el tiempo de calentamiento pertenece personalmente al gimnasta. El orden del calentamiento seráel mismo orden que el de competición.

- El nal del periodo de calentamiento se indica mediante una

*.f#2 #8R*)&8#A S& #2 *'(#5 2# *.f#2 #8R*)&8#G .2 7&$(#*)# .*)Q$.()#2 3 :O*&8#$.(). %5.%#5#,' %#5# *#2)#5 ' *. .(8-.()5#*'C5. .2 #%#5#)'G %-.,. #8#C#5 .2 .2.$.()' ' 2# *.5&. .(.e.8-8&P(A ].*%-6* ,.2 8#2.()#$&.()' ' ,-5#(). 2#* r%#-*#*sG.2 #%#5#)' %-.,. %5.%#5#5*. %.5' (' -*#5*.A

- H2 e-.c ]V "#5Q -(# *.f#2 ;&*&C2. #2 7&$(#*)# a-(# 2-c ;.5,.en las competiciones ociales de la FIG) 30 segundos antes,.2 8'$&.(c' %5.;&*)' ,.2 .e.58&8&'A

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 7

*9DE=:; ,V, 5;<M7><CÊ:EDU< ?;< @AB>C<D;<#b ,. 8'((#j)5. 2. !',. ,. %'&()#7. .) *. 8'(,-&5. *.2'( 2.*

%5.*85&%)&'(*lCb ,. *'-$.))5.G '- :#&5. *'-$.))5. %#5 *'( .()5#j(.-5G -(.

,.$#(,. 685&). #- =56*&,.() ,- /-53 S-%65&.-5 #- $'&(* Ziheures avant l’entraînement sur podium an que soit évaluéela difculté d’un nouvel élément;

8b ,. *'-$.))5.G '- :#&5. *'-$.))5. %#5 *'( .()5#j(.-5G -(.,.$#(,. 685&). #- =56*&,.() ,- /-53 S-%65&.-5 #- $'&(* Zi

heures avant l’entraînement sur podium an que soit augMmentée la hauteur de la barre xe et/ou des anneaux pour).(&5 8'$%). ,. *# )#&22.G '- *'-$.))5. -(. ).22. ,.$#(,.8'(:'5$6$.() #- 5E72.$.() ).8"(&4-. 4-& 567&) 2. 8'(8'-5*A

*9DE=:; ,V/ #;W7E9< ?;< @AB>C<D;<&9;<=9EMDE7>< @U>U9C:;<

#b ,. *. %56*.().5 ,. :#^'( 8'55.8). a.( 2.;#() -( '- ,.-0 C5#*b#- e-7. ]V #- ,6C-) ,. *'( .0.58&8. .) %5.(,5. 8'(76 h 2#n;

Cb ,. 8'$$.(8.5 *'( .0.58&8. %.(,#() 2.* on *.8'(,.* 4-& *-&;.()2. *&7(#2 ,- e-7. ]V '- ,. 2# 2#$%. ;.5). (à tous les agrès)l

8b ,. 5.8'$$.(8.5 2B.0.58&8. %.(,#() on *.8'(,.* h 2# *-&).,B-(. 8"-). ,.%-&* 2B.(7&( a2. 8"5'('$6)5#7. 8'$$.(8. #-$'$.() 'u 2. 73$(#*). *. )5'-;. h 2# *)#)&'( ,.C'-) #%5E*2# 8"-).bA =.(,#() 8.)). %65&',. &2 # 2. ,5'&) ,. 568-%65.5G,B-)&2&*.5 ,. 2# $#7(6*&.G ,. *B.()5.).(&5 #;.8 *'( .()5#j(.-5G.) ,'&) 5.$'().5 *-5 2B#75E*l

d) de quitter le podium immédiatement après le n de son exer M8&8.l

e) de s’abstenir de modier la hauteur des engins, sauf s’il a5.^- 2B#-)'5&*#)&'(l

:b ,. *B#C*).(&5 ,. *B.()5.).(&5 #;.8 2.* e-7.* .( :'(8)&'( %.(M,#() 2. ,65'-2.$.() ,. 2# 8'$%6)&)&'(l

7b ,. *B#C*).(&5 ,. 5.)#5,.5 2# 8'$%6)&)&'(G ,. 5.$'().5 *-5 2.%',&-$ #%5E* #;'&5 .068-)6 *'( .0.58&8.G ,B#C-*.5 ,. *.*,5'&)* '- ,B.$%&6).5 *-5 8.-0 ,.* #-)5.* %#5)&8&%#()*l

"b ,. *B#C*).(&5 ,. )'-) #-)5. 8'$%'5).$.() &(,&*8&%2&(6 '- ('(8'(:'5$. h 2# 73$(#*)&4-. a%#5 .0.$%2. &(*85&5. '- )5#8.5 2#

*-5:#8. ,- *'2 #;.8 ,. 2# $#7(6*&.G .(,'$$#7.5 2# *-5:#8.'- ,.* %#5)&.* ,. 2B.(7&( %.(,#() 2# %56%#5#)&'( %'-5 *'(.0.58&8.A !.* )3%.* ,B&(:5#8)&'(* ;'() J)5. )5#&)6* 8'$$. ,.*&(:5#8)&'(* 5.2#)&;.* #-0 .(7&(*G .) *.5'() %6(#2&*6.* 8'$$.:#-).* 75'**&E5.* #;.8 nAkn %'&()*bl

i) de notier au Jury Supérieur s’il a besoin de sortir de la salle,. 8'$%6)&)&'(A <# 8'$%6)&)&'( (. ,'&) %#* J)5. 5.)#5,6. h8#-*. ,. *'( #C*.(8.l

eb ,. (. %#* ,6%2#8.5 2.* )#%&* *-%%26$.()#&5.* a%'-5 568.%)&'(b%.(,#() )'-) 2B.0.58&8.l

Nb ,. %#5)&8&%.5G 2. 8#* 68"6#()G #-0 8656$'(&.* %5')'8'2#&5.*%'-5 2.* ;#&(4-.-5* ,#(* 2# ).(-. ,. 8'$%6)&)&'(G 8'(:'5$6M$.() #-0 %5.*85&%)&'(* ,. 2# >?@A

*9DE=:; ,V, 5;<M7><EÊ:EDE;< 7Y DX; @AB>C<D#b F' N('L )". !',. ': ='&()* #(, 8'(,-8) "&$*.2: #88'5,&(723A

Cb F' *-C$&)G '5 "#;. )".&5 8'#8" *-C$&)G # L5&)).( 5.4-.*) #) 2.#*)Zi "'-5* C.:'5. %',&-$ )5#&(&(7 )' )". !"#&5 ': )". S-%.5&'5Jury to assess the difculty of a new element.

8b F' *-C$&)G '5 "#;. )".&5 8'#8" *-C$&)G # L5&)).( 5.4-.*) #) 2.#*)Zi "'-5* C.:'5. %',&-$ )5#&(&(7 )' )". !"#&5 ': )". S-%.5&'5

Jury to raise the Horizontal Bar and/or Rings; or to submit*-8" 5.4-.*)* &( #88'5,#(8. L&)" )". F.8"(&8#2 D.7-2#)&'(*)"#) 7';.5( )"#) 8'$%.)&)&'(A

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Cb F' C.7&( )". .0.58&*. L&)"&( on *.8'(,* ': )". 75..( 2&7") '5*&7(#2 :5'$ ]V 9)# "&& "++"/"-3$>A

8b F' 5.$'-() L&)"&( on *.8'(,* #:).5 # :#22 a)". )&$&(7 *)#5)*L".( )". 73$(#*) &* '( "&* :..) #:).5 )". :#22bA ?( )"&* )&$. )".73$(#*) 8#( 5.8-%.5#).G 5. M 8"#2NG 8'(:.5 L&)" "&* 8'#8" #(,5.$'-()A

,b F' 2.#;. )". %',&-$ &$$.,&#).23 #:).5 )". 8'(82-*&'( ': )".&5.0.58&*.A

.b F' 5.:5#&( :5'$ 8"#(7&(7 )". ".&7") ': #(3 #%%#5#)-*G -(2.**%.5$&**&'( "#* C..( 75#().,A

:b F' 5.:5#&( :5'$ *%.#N&(7 L&)" #8)&;. e-,7.* ,-5&(7 )". 8'$%.)&M)&'(A

7b F' 5.:5#&( :5'$ ,.2#3&(7 )". 8'$%.)&)&'(G 5.$#&(&(7 '( )".%',&-$ :'5 )'' 2'(7G 5.$'-()&(7 )". %',&-$ '( 8'$%2.)&'( ':"&* .0.58&*.G #(, :5'$ ')".5L&*. #C-*&(7 "&* 5&7")* '5 &(:5&(7&(7'( )"'*. ': #(3 ')".5 %#5)&8&%#()A

"b F' 5.:5#&( :5'$ #(3 ')".5 -(,&*8&%2&(., '5 #C-*&;. C."#;&'5'5 &(:5&(7&(7 '( )"'*. ': #(3 ')".5 %#5)&8&%#() a&A.A $#5N&(7

the oor carpet with magnesium, damaging any apparatus*-5:#8. '5 %#5)* ,-5&(7 %5.%#5#)&'( :'5 "&* .0.58&*. '5 5.$';&(7*%5&(7* :5'$ )". *%5&(7 C'#5,A F".*. ;&'2#)&'(* L&22 C. )5.#).,#* #%%#5#)-* 5.2#)., ;&'2#)&'(*G #(, L&22 C. ,.,-8)., #* 2#57..55'5* L&)" nAk %'&()*bA

&b F' (')&:3 )". S-%.5&'5 /-53G &: # (.8.**&)3 #5&*.* )' 2.#;. )".8'$%.)&)&'( "#22A F". !'$%.)&)&'( $#3 (') C. ,.2#3., )"5'-7""&* #C*.(8.A

eb F' 2.#;. )". *-%%2.$.()#53 $#)* &( %'*&)&'( a:'5 2#(,&(7b ,-5&(7)". .()&5. .0.58&*.A

Nb F' %#5)&8&%#). &( )". 5.*%.8)&;. IL#5, !.5.$'(3 ,5.**., &(8'$%.)&)&'( #))&5. #88'5,&(7 )' >?@ =5')'8'2A

*9DP=8:7 ,V, 5;<M7><CÊ:E?C?;< ?; :7< @EB>C<DC<#b !'('8.5 .2 !P,&7' ,. =-()-#8&P( 3 8'$%'5)#5*. ,. #8-.5,'

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.()5.(#,'5 .()5.7-.G -(# %.)&8&P( .*85&)# 8'$' $O(&$' Zihoras antes del entrenamiento ocial sobre pódium, paraconocer la dicultad de un nuevo elemento.

8b H()5.7#5 #2 =5.*&,.(). ,.2 e-5#,' S-%.5&'5G ' "#8.5 4-. *-.()5.(#,'5 .()5.7-.G -(# %.)&8&P( .*85&)# 8'$' $O(&$' Zi

horas antes del entrenamiento ocial sobre pódium, paraelevar la barra ja y/o las anillas de acuerdo a su altura, o.()5.7#5 ,&8"# %.)&8&P( ,. #8-.5,' #2 D.72#$.()' F68(&8'4-. ,&5&e# 2# 8'$%.)&8&P(A

*9DP=8:7 ,V/ #;^;9;< ?; :7< @EB>C<DC<+;>;9C:;<

#b =5.*.()#5*. ,. $#(.5# 8'55.8)# 2.;#()#(,' -(' ' ,'* C5#c'*#2 e-.c ]V #2 8'$&.(c' ,. *- .e.58&8&' 3 8'$-(&8Q(,'2. #2mismo juez, el nal de su ejercicio.

Cb !'$.(c#5 *- .e.58&8&' .( 2'* on *.7-(,'* 4-. *&7-.( # 2#2-c ;.5,. ' ,. 2# *.f#2 ,.2 e-.c ]V (en todos los aparatos).

8b !'$.(c#5 *- .e.58&8&' .( 2'* on *.7-(,'* ,.*%-6* ,. -(#8#O,# ,.2 #%#5#)' a.2 85'('$.)5' .$%&.c# .( .2 $'$.()' 4-..2 7&$(#*)# *. .(8-.()5# ,. %&. ,.*%-6* ,. 2# 8#O,#bA H(.*). %.5&',' )&.(. ,.5.8"' # 5.8-%.5#5*.G -)&2&c#5 2# $#7(.*&#G"#C2#5 8'( *- .()5.(#,'5 3 *-C&5 #2 #%#5#)'A

d) Abandonar el pódium inmediatamente después del nal de*- .e.58&8&'A

.b IC*).(.5*. ,. 8#$C&#5 2# #2)-5# ,. 2'* #%#5#)'*G *#2;' 4-.5.8&C# #-)'5&c#8&P(A

:b IC*).(.5*. ,. "#C2#5 8'( 2'* e-.8.* .( #8)&;' ,-5#(). 2#8'$%.)&8&P(A

7b IC*).(.5*. ,. 5.)5#*#5 2# 8'$%.)&8&P(G ;'2;.5 #2 %P,&-$ #2nalizar su ejercicio, o abusar de sus derechos o infringiendo2'* ,. 2'* ')5'* %#5)&8&%#().*A

"b IC*).(.5*. ,. 8-#24-&.5 8'$%'5)#$&.()' &(,&*8&%2&(#,' '8'(,-8)# (' 8'(:'5$. # 2# 7&$(#*&#A a%A .eA $#58#5 2# $'4-.)#

del suelo con magnesia, deteriorar la supercie del aparato' %#5). ,. .2G ,-5#(). 2# %5.%#5#8&P( ,. *- .e.58&8&'A H*)#*&(:5#88&'(.* *.5Q( )5#)#,#* 8'$' &(:5#88&'(.* 5.2#)&;#* #2#%#5#)' 3 *. ,.C. %.(#2&c#5 8'$' -(# :#2)# 75#(,. 8'( nGk%-()'*bA

i) Noticar al Jurado Superior, si necesita salir de la sala de8'$%.)&8&P(A <# 8'$%.)&8&P( (' *.5Q 5.)5#*#,# # 8#-*# ,.*- #-*.(8&#A

eb Y' $';.5 2#* 8'28"'(.)#* *-%2.$.()#5&#* a%#5# 2# 5.8.%8&P(b,-5#(). .2 .e.58&8&'A

Nb =#5)&8&%#5 .( 2#* 5.*%.8)&;#* !.5.$'(&#* =5')'8'2#5&#*;.*)&,' .( #)-.(,' ,. 8'$%.)&8&P( ,. #8-.5,' # 2'* 5.4-.M5&$&.()'* ,. 2# >?@A

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);>8; ?; =7BMUDEDE7>#b #- 8".;#2M#5^'(*G #-0 #((.#-0G #-0 C#55.* %#5#22E2.* .) h 2# C#55.

xe, le gymnaste doit porter un pantalon long et des chaussettes. Ilest interdit de porter un pantalon long, chaussettes et/ou chaussons,. 8'-2.-5 ('&5. '- ,. ).&(). :'(86. aC2.-G C5-( '- ;.5) :'(86bl

Cb #- *'2 .) #- *#-) ,. 8".;#2G 2. 73$(#*). %.-) %'5).5 -( %#(M)#2'( 8'-5) #;.8 '- *#(* 8"#-**.)).* '- -( %#()#2'( 2'(7#;.8 8"#-**.)).*l

8b 2. 73$(#*). ,'&) %'5).5 -( $#&22') h )'-* 2.* .(7&(*l

,b 2. 73$(#*). %.-) %'5).5 ,.* 8"#-**'(* h )'-* 2.* .(7&(*l

.b 2. 73$(#*). ,'&) %'5).5 2. (-$65' ,. ,6%#5) 8'55.8) :'-5(& %#52. !'$&)6 '57#(&*#).-5l

:b 2. 73$(#*). ,'&) %'5).5 -( &(*&7(. '- -( .$C2E$. (#)&'(#2*-5 *'( $#&22') 8'(:'5$6$.() h 2# ;.5*&'( 2# %2-* 568.(). ,-DE72.$.() ,. 2# >?@l

7b 2. 73$(#*). (. %.-) %'5).5 4-. 2.* 2'7'* .) 2.* &(*&7(.*%-C2&8&)#&5.* %.5$&* %#5 2# %2-* 568.(). ;.5*&'( ,- DE72.$.(),. 2# >?@l

"b 2. 73$(#*). ,'&) *. %56*.().5 .( ).(-. -(&:'5$. .) ,. $J$.8'-2.-5 a%#()#2'( .) $#&22')b 4-. 2.* #-)5.* $.$C5.* ,. *'(64-&%. 2'5* ,.* *6#(8.* ,- 8'(8'-5* %#5 64-&%.* a!M? .) !M?WbA<.* 73$(#*).* &(,&;&,-.2* ,. 2# $J$. :6,65#)&'( a*#(* 64-&%.b%.-;.() *. %56*.().5 .( ).(-. ,&::65.(). a#-**& %'-5 !M?bl

&b 2. 73$(#*). %.-) -)&2&*.5 ,.* C#(,#7.*G ,.* $#(&4-.* .) )'-)#-)5. ;J).$.() ,. %5').8)&'( ('5$#2 .) 5#&*'((#C2.A ?2 ,'&);.&22.5 h 8. 4-. *.* C#(,#7.*G $#(&4-.* .) #-)5.* ;J).$.()*,. %5').8)&'( *'&.() .( 6)#) &556%5'8"#C2. .) (. *'&.() %#*&(.*)"6)&4-.*A <.* C#(,#7.* ,'&;.() J)5. C.&7. *& 2# 8'-2.-5%.-) J)5. :'-5(&. %#5 2. :#C5&8#()A

*9DE=:; ,V_V #U?8=DE7>< #b H( 5E72. 76(65#2.G )'-).* &(:5#8)&'(* #-0 5E72.* .) .0&7.(8.*

%56;-.* #-0 #5)&82.* Z .) o *'() 8'(*&,656.* 8'$$. :#-).*$'3.((.* .) .()5#j(.() -(. ,6,-8)&'( ,. nGon %'&() ,#(* 2.8#* ,B-( 8'$%'5).$.() &(,&*8&%2&(6 .) 75'**&E5.* ,. nGkn %'&()*B&2 *B#7&) ,B-(. &(:5#8)&'( 5.2#)&;. #-0 .(7&(*A <# ,6,-8)&'(s’applique à la note nale par le juge D1, et s’il y a nécessité,il va la notier au Jury Supérieur.

Cb ]B#-)5.* ,6,-8)&'(* *'() %56;-.* %2-* #;#()A

8b I $'&(* ,B&(,&8#)&'( 8'()5#&5.G 2.* ,6,-8)&'(* *'() )'-e'-5*apportées à la note nale de l’exercice par le juge D1.

,b ]#(* 8.5)#&(* 8#* .08.%)&'((.2*G 2# ,6,-8)&'( %56;-. %.-)*B#88'$%#7(.5 ,. 2B.0%-2*&'( ,- 73$(#*). '- ,. 2B.()5#j(.-5,. 2# *#22. ,. 8'$%6)&)&'(A

.b <.* &(:5#8)&'(* .) 2.* %6(#2&)6* *'() 2.* *-&;#().*g

!7BM;DEDE7> *DDE9;#b F".3 $-*) L.#5 2'(7 73$(#*)&8* %#()* #(, *'8N* '( ='$M

$.2 X'5*.G D&(7*G =#5#22.2 T#5*G #(, X'5&c'()#2 T#5A <'(7gymnastics pants, socks and/or slippers that are black or the,#5N.5 *"#,.* ': C2-.G C5'L( '5 75..( #5. (') %.5$&)).,A

Cb F".3 "#;. )". '%)&'( ': L.#5&(7 *"'5) %#()* L&)" '5 L&)"'-)*'8N* '5 2'(7 73$(#*)&8* %#()* L&)" *'8N* '( >2''5 H0.58&*.#(, W#-2)A

8b F". L.#5&(7 ': # 73$(#*)&8* *&(72.) '( #22 #%%#5#)-* &* 8'$M

%-2*'53Ad) They have the option of wearing of gymnastic footwear and /'5 *'8N*A

.b F".3 $-*) L.#5 )". C&C (-$C.5 *-%%2&., C3 )". '57#(&c&(78'$$&))..A

f) They must wear a national identication or emblem on their*&(72.) &( #88'5,#(8. L&)" )". $'*) 5.8.() >?@ =-C2&8&)3 D-2.*A

7b F".3 $-*) L.#5 '(23 )"'*. 2'7'*G #,;.5)&*&(7 #(, *%'(*'5*"&%identiers that are permitted in the most recent FIG PublicityD-2.*A

"b F". 8'$%.)&)&'( #))&5. $-*) C. &,.()&8#2 :'5 $.$C.5* :5'$ )".same federation in the Qualication (C-I) and Team Final Com Mpetition (C-IV). In the Qualication (C-I) individual gymnasts:5'$ )". *#$. :.,.5#)&'( aL&)"'-) # ).#$b $#3 L.#5 ,&::.5.()8'$%.)&)&'( #))&5.A

&b X#(,7-#5,*G C',3 C#(,#7.*G #(, L5&*) L5#%* #5. %.5$&)).,l)".3 $-*) C. *.8-5.23 :#*).(.,G &( 7'', 5.%#&5 #(, *"'-2, ('),.)5#8) :5'$ )". #.*)".)&8* ': )". %.5:'5$#(8.A T#(,#7.* $-*)C. *N&( M 8'2'-5., L".( #;#&2#C2. :5'$ )". $#(-:#8)-5.5A

*9DE=:;< ,V_ &;>C:DE;<#b F". ('5$#2 %.(#2)3 :'5 # ;&'2#)&'( ': )". 5-2.* #(, .0%.8)#)&'(*

%5.*.()., &( I5)&82. Z #(, I5)&82. o #5. 8'(*&,.5., $.,&-$.55'5* ': nAon %'&()* :'5 C."#;&'5#2 ;&'2#)&'(* #(, 2#57. .55'5*': nAkn %'&()* :'5 #%%#5#)-* 5.2#)., ;&'2#)&'(*A F". %.(#2)3&* ,.,-8)., :5'$ )". >&(#2 S8'5. C3 )". ]V e-,7. #(,G L".((.8.**#53G (')&:3 )". S-%.5&'5 /-53A

Cb I :.L ')".5 %'**&C&2&)&.* :'5 %.(#2)&.* #2*' .0&*) #(, )".*. #5.'-)2&(., C.22'LA

8b U(2.** ')".5L&*. &(,&8#)., )".*. %.(#2)&.* #5. #2L#3* #%%2&.,C3 )". ]V e-,7. )' )". >&(#2 S8'5. :'5 )"#) .0.58&*.A

,b ?( .0)5.$. 8#*.*G )". 73$(#*) '5 8'#8" $#3 C. .0%.22.,from the competition hall in addition to suffering the specied%.(#2)3A

.b W&'2#)&'(* #(, )". #**'8&#)., %.(#2)&.* #5.g

R;<DEB;>DC ?; =7BM;DE=EZ>a) En caballo con arcos, anillas, paralelas y barra ja deben

22.;#5 %#()#2'(.* 2#57'* 8'( 8#28.)&(.*A Y' .*)Q( %.5$&)&,'*pantalones largos, calcetines y/o zapatillas de color negro o,. )'(' '*8-5' ,. #c-2G $#55P( ' ;.5,.

Cb H( *-.2' 3 *#2)'G %-.,. 22.;#5 %#()#2'(.* 8'5)'* 8'( ' *&(8#28.)&(.* ' %#()#2P( 2#57' 8'( 8#28.)&(.*A

8b ].C. 22.;#5 8#$&*.)# .( )','* 2'* #%#5#)'*A

,b =-.,. 22.;#5 c#%#)&22#* .( )','* 2'* #%#5#)'*A

.b ].C. 22.;#5 8'55.8)#$.(). .2 ,'5*#2 *-$&(&*) 5#,' %'5 2#'57#(&c#8&P(A

f) Debe llevar una identicación nacional o emblema en su8#$&*.)# ,. #8-.5,' # 2#* 5.72#* >?@ ;&7.().*A

7b ].C. 22.;#5 *P2' #4-.22'* 2'7')&%'* ,. %-C2&8&,#, 3 %#)5'8&Mnadores identicados que estén permitidos en las reglas FIG;&7.().*A

h) Durante la competición de calicación (C I) y nal de equiposa! ?Wb 2'* $&.$C5'* ,.2 .4-&%' ,.C.( %5.*.()#5*. 8'( ;.*)&M$.()# -(&:'5$. 3 ,.2 $&*$' 8'2'5A <'* 7&$(#*)#* &(,&;&,-#2.*en la calicación (C I) de la misma federación (sin equipo)%-.,.( $'*)5#5 ;.*)&$.()# ,&:.5.().A

&b =-.,. -*#5 ;.(,#*G 8#22.5#* 3 8-#24-&.5 %5').88&P( ('5$#2 35#c'(#C2.A ].C. #*.7-5#5*. 4-. *-* ;.(,#*G 8#22.5#* - ')5#*%5').88&'(.* .*)6( .( C-.( .*)#,' 3 4-. (' *.#( #()&.*)6)&M8#* ,-5#(). *- #8)-#8&P(A <#* ;.(,#* ,.C.( *.5 C.&7. *& .28'2'5 %-.,. *.5 5.#2&c#,' %'5 .2 :#C5&8#().A

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%-.*)#* .( 2'* #5)O8-2'* Z 3 o *. 8'(*&,.5#( :#2)#* $.,&#*%.(#2&cQ(,'*. 8'( nAon %-()'* %'5 :#2)#* ,. 8'(,-8)# 375#(,.* 8'( nGkn %'5 &(8-$%2&$&.()' ,. 2#* 5.72#* 5.2#)&;#*a los aparatos. Las penalizaciones las deduce de la nota nal.2 e-.c ]VA

Cb H0&*).( ')5#* %.(#2&c#8&'(.* &(82-&,#* $Q* #,.2#().A

8b I $.('* 4-. *. &(,&4-. 2' 8'()5#5&'G 2#* %.(#2&c#8&'(.* 2#*aplica el juez D1 de la nota nal del ejercicio.

d) En casos extremos, además de la penalización especicada,.2 7&$(#*)# ' .()5.(#,'5 %-.,.( *.5 .0%-2*#,'* ,. 2# *#2#,. 8'$%.)&8&P(A

.b <#* :#2)#* 3 *-* %.(#2&c#8&'(.* *'( 2#* *&7-&.().*g

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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


'>Y9C=DE7>< 9;:CDEW;< a :bUF8EM;

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*9DE=:; ,Vc 2;9B;>D ?;< @AB>C<D;<“Au nom de tous les gymnastes, je promets que nous prendrons partà ces championnats du monde en respectant et suivant les règlesF3. &'$ /,6.$$'#-7 '# #)3$ '#6"6'"#- +)3/ 3# $+)/- $"#$ 1)+"6' '-

$"#$ 1/)63'7 1"#$ 3# '$+/.- 1' $+)/-.4.-,7 +)3/ &" 6&)./' 13 $+)/- '-l’honneur des gymnastes.G

2;=DE7> /5[@:;< M789 :;< ;>D9Cd>;89<

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Cb ,B#&,.5 *'( 73$(#*). '- *'( 64-&%. %.(,#() 2# %65&',.

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f) de se tenir près de l’engin aux anneaux et à la barre xe%.(,#() 2B.0.58&8. ,. *'( 73$(#*). %'-5 ,.* 5#&*'(* ,.*68-5&)6l

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*9DE=:; ,Vc +AB>C<D<L "CDX “In the name of all gymnasts, I promise that we shall take part in thisWorld Championships (or any other ofcial FIG Event) respectingand abiding by the rules which govern them, committing ourselvesto a sport without doping and without drugs, in the true spirit ofsportsmanship, for the glory of sport and the honour of the gymnasts.”

2;=DE7> /5;@8:CDE7>< Y79 =7C=X;<

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*9DP=8:7 ,Vc $: e89CB;>D7 ?; :7< @EB>C<DC<“En nombre de todos los gimnastas, prometo que participaremos enestos Campeonatos del Mundo, respetando y siguiendo las reglasF3' &)$ 1./.6'#7 ()*+/)*'-.,#1)#)$ ()# 3# 1'+)/-' $.# 1)+"A' #.

drogas, en el espíritu de la deportividad, por la gloria del deporte yel honor de los gimnastas.”

2;==EZ> /5;@:C< MC9C :7< ;>D9;>C?79;<

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d) Subir a su gimnasta a la suspensión en anillas y barra ja.

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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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For FIG Ofcial and Registered!7BM;DEDE7><

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Jurado superior)

Para competiciones ociales yX7B7:7@C?C< H'+

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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


I-)5.* *'5).* ,B&(,&*8&%2&(. .) #C-*agrants (valable pour toutes les%"#*.* ,. 2# 8'$%6)&)&'(b

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1ère fois – 0.50 (gymnaste/équipe,8'(8'-5* 8'(8.5(6b .) 8#5)'(

e#-(. %'-5 2B.()5#j(.-5 a#;.5)&*M*.$.()b *& 2B.()5#j(.-5 %#52. #-0

e-7.* .(7#76*1ère fois – 1.00 (gymnaste/équipe,8'(8'-5* 8'(8.5(6b .) 8#5)'(

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2ème fois – 1.00 (gymnaste/64-&%.G 8'(8'-5* 8'(8.5(6b .)8#5)'( 5'-7. %'-5 2B.()5#j(.-5 .).082-*&'( ,. 2B.()5#j(.-5 ,. 2B#&5.,. 8'$%6)&)&'(y

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1ère infraction = carton jaune;2ème infraction = carton rouge et exclusion de l’entraîneur pour

)'-).* 2.* %"#*.* *-&;#().* ,. 2# 8'$%6)&)&'(Ak SB&2 3 # -( *.-2 .()5#j(.-5G &2 %'-55# 5.*).5 ,#(* 2# 8'$%6)&)&'(G

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“Au nom de tous les entraîneurs et des autres membres de l’entou5rage des athlètes, je promets que nous ferons respecter et que nousdéfendrons pleinement l’esprit de sportivité et d’éthique selon les principes fondamentaux de l’Olympisme. Nous nous engageronsà éduquer les gymnastes an qu’ils adhèrent au fair-play et à unsport sans drogue et qu’ils respectent toutes les Règles de la FIGrégissant les Championnats du Monde”

Other agrant, undisciplined and#C-*&;. C."#;&'-5 a;#2&, :'5 #22%"#*.* ': )". 8'$%.)&)&'(b

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1st time – 0.50 (from gymnast/team#) .;.()b #(, [.22'L 8#5, :'5 8'#8"aL#5(&(7b &: 8'#8" *%.#N* )' #8)&;.

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1st time – 1.00 (from gymnast/team#) .;.()b #(, [.22'L 8#5, :'5 8'#8"aL#5(&(7b &: 8'#8" *%.#N* #775.*M*&;.23 )' #8)&;. e-,7.*

2nd time – 1.00 (from gymnast/).#$ #) .;.()bG D., 8#5, :'5 8'#8"#(, 5.$';#2 ': 8'#8" :5'$ )". 8'$Mpetition oor*

Other agrant, undisciplined and#C-*&;. C."#;&'-5G &A.A &(8'55.8)%5.*.(8. ': -(#-)"'5&c., %.5*'(*&( &((.5 8&582. ,-5&(7 8'$%.)&)&'(G.)8A

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“In the name of all Coaches and other members of the athlete’sentourage, I promise that we shall commit ourselves to ensuringthat the spirit of sportsmanship and ethics is fully adhered to andupheld in accordance with the fundamental principles of Olympism.We shall commit ourselves to educating the gymnasts to adhere tofair play and drug free sport and to respect all FIG Rules governingthe World Championships”

Otra conducta agrante, indiscipliM(#,# 3 #C-*&;# a;Q2&,' %#5# )',#*2#* :#*.* ,. 2# 8'$%.)&8&P(b

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2# 8'$%.)&8&P( a# .08.%8&P( ,.2 e-.c ]V .( 8#*' ,. 5.82#$#8&P(bG"#C2#5 ,&5.8)#$.(). #2 7&$(#*)#G,#5 *.f#2.*G 75&)'* a#82#$#8&'(.*b' *&$&2#5 ,-5#(). .2 .e.58&8&'G .)8A

1ª vez – 0.50 (para el gimnasta/.4-&%' .( .2 .;.()'b 3 )#5e.)# #$#M5&22# %#5# .2 .()5.(#,'5 a#;&*'b *&.2 .()5.(#,'5 "#C2# 8'( 2'* e-.8.*

.( #8)&;'1ª vez – 1.00 (para el gimnasta/.4-&%' .( .2 .;.()'b 3 )#5e.)# #$#M5&22# %#5# .2 .()5.(#,'5 a#;&*'b *& .2.()5.(#,'5 "#C2# #75.*&;#$.().8'( 2'* e-.8.* .( #8)&;'

2ª vez – 1.00 (para el gimnasta/.4-&%' .( .2 .;.()'b 3 )#5e.)# 5'e#%#5# .2 .()5.(#,'5 3 5.)&5#,# ,.2.()5.(#,'5 ,.2 Q5.# ,. 8'$%.)&M8&P(y

Otra conducta agrante, indisciM%2&(#,# ' #C-*&;#G %A.A %5.*.(8&#,. -(# %.5*'(# (' #-)'5&c#,# .(.2 Q5.# ,. 8'$%.)&8&P( ,-5#(). 2#8'$%.)&8&P(G .)8A

– 1.00 (para el gimnasta/equipo.( .2 .;.()'b )#5e.)# 5'e# &($.,&#)#%#5# .2 .()5.(#,'5 3 .0%-2*&P( ,.2.()5.(#,'5 ,.2 Q5.# ,. 8'$%.)&M8&P(y

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1ª infracción = tarjeta amarilla. 2ª infracción = tarjeta roja, y exclusión del entrenador para

)',#* 2#* :#*.* *&7-&.().* ,. 2# 8'$%.)&8&P(AyS& "#3 *P2' -( .()5.(#,'5G %',5Q %.5$#(.8.5 .( 2# 8'$%.)&8&P(

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*9DP=8:7 /Vc f89CB;>D7 ?; ;>D9;>C?79;<

“En nombre de todos los entrenadores y demás miembros del en5torno de los gimnastas, prometo que haremos respetar y defende5remos plenamente el espíritu deportivo y ético según los principiosfundamentales del Olimpismo. Nos comprometemos a educar alos gimnastas al objeto de que se unan al juego limpio y el deportesin drogas y a respetar todas las reglas de la FIG que rigen losCampeonatos del Mundo”

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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*9DE=:; cV/ !7BM7<EDE7> ?8 f89A a :L;>@E>V6; e89A C :L;>@E> ;D <7> 79@C>E<CDE7> Pour les compétitions ofcielles FIG - Championnats du monde,

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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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- le contenu des exercices, rédigé dans une langue ofcielle,. 2# >?@A #- =56*&,.() ,- !'$&)6 ).8"(&4-. $#*8-2&(G .)#- S-%.5;&*.-5 h 2B.(7&( .( 4-.*)&'( ,#(* 2.* ,.-0 aZb $'&**-&;#() 2# 8'$%6)&)&'(A

*9DE=:; cV_V, 6;< Y7>=DE7>< ?8 e89A $#b _;#2-. 2B.0.58&8. .) ,6).5$&(. 2# *'$$. ,.* :#-).* a,6,-8M

)&'(*b ,. :#^'( &(,6%.(,#(). .) *#(* 8'(*-2).5 *.* 8'22E7-.*l

b) doit calculer et remettre ou afcher ses déductions pour:- :#-).* 76(65#2.*l

- :#-).* ).8"(&4-.* .) ,. 8'$%'*&)&'(l- :#-).* ,. ).(-.A

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,b &2* ,'&;.() J)5. .( $.*-5. ,B.(5.7&*)5.5 %#5 685&) 2B6;#2-#)&'(,. )'-* 2.* .0.58&8.* ,. 2# 8'$%6)&)&'(A

*9DE=:; cV_V/ H7>=DE7>< ?;< e8@;< ?; 9UYU9;>=;<.* e-7.* ,. 56:65.(8. aZ %#5 .(7&(*b '() 6)6 &(82-* ,#(* 2.* e-53*,B.(7&(* %'-5 2.* /.-0 123$%&4-.* .) 2.* !"#$%&'((#)* ,- $'(,.%'-5 856.5 -( *3*)E$. #-)'$#)&4-. .) 5#%&,. ,. 8'55.8)&'( .( 8#*,. %5'C2E$.* #;.8 2.* (').* ,B.068-)&'(A='-5 ,.* #-)5.* 8'$%6)&)&'(* &2* %.-;.() J)5. -)&2&*6*G $#&* 8.2#(B.*) %#* -(. 'C2&7#)&'(A

Article 5.5 Fonctions des juges de lignes, chronométreurs et<;=9UDCE9;<

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- ]'&;.() &(:'5$.5 2. e-7. ]V *-5 )'-).* 2.* &(:5#8)&'(* .*) 2.* ,6,-8M)&'(* #%%2&4-6.* %#5 2B&().5$6,&#&5. ,B-( 5#%%'5) 685&) ,m$.() *&7(6A

are taken from the Final Score before being ashed.

:b F' .(*-5. )". 8'55.8) %.(#2)&.* :'5 # *"'5) .0.58&*. #5. #%%2&.,A

7b F' .(*-5. )". :'22'L&(7 ,.,-8)&'(* #5. #%%2&., :'5g- >#&2-5. )' %5.*.() C.:'5. #(, #:).5 )". .0.58&*.A- =.5:'5$#(8. ': #( &(;#2&, rns ;#-2)A- I**&*)#(8. ,-5&(7 )".g W#-2)G H0.58&*. #(, ]&*$'-()*A

H8>=DE7> DX; #] &C>;: *YD;9 DX; !7BM;DEDE7>\

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:#-2)* #(, #%%23 )". 8'55.*%'(,&(7 ,.,-8)&'(* 8'55.8)23G &(M,.%.(,.()23 #(, L&)"'-) 8'(*-2)&(7 )". ')".5 e-,7.*A

Cb F".3 $-*) 5.8'5, )". ,.,-8)&'(* :'5g- @.(.5#2 >#-2)*A

- F.8"(&8#2 8'$%'*&)&'(#2 .55'5*A- ='*&)&'(#2 H55'5*A

8b F".3 $-*) 8'$%2.). )". *8'5. *2&% L&)" # 2.7&C2. *&7(#)-5. '5.().5 )".&5 ,.,-8)&'(* &()' )". 8'$%-).5

,b F".3 $-*) C. #C2. )' %5';&,. # %.5*'(#2 L5&)).( 5.8'5, ': )".&5.;#2-#)&'( ': #22 .0.58&*.*A

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1)".5 8'$%.)&)&'(* $#3 -*. D.:.5.(8. e-,7.* C-) #5. (') 'C2&7.,A

Article 5.5 Functions of the Timers, Line Judges and Secretaries

*9DE=:; cVcV. )X; )EB;9< C>? 6E>; f8?@;< F". F&$.5* #(, <&(. /-,7.* #5. ,5#L( :5'$ #$'(7 )". T5.;.) e-,7.* )' *.5;. #*g6E>; e8?@;< )'g

- ].).5$&(. '( >2''5 #(, WF *).%%&(7 '-)*&,. ': )". C'5,.5marking and to acknowledge the fault by raising a red ag.

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o faltas de conducta se toman de la nota nal antes de ser$'*)5#,#A

:b I*.7-5#5*. 4-. *. #%2&8#( 2#* %.(#2&c#8&'(.* 8'55.8)#* %'5.e.58&8&' 8'5)'A

7b I*.7-5#5 4-. *. #%2&8#( 2#* *&7-&.().* ,.,-88&'(.*g- Falta por no presentarse al comienzo y nal del ejercicio- He.8-8&P( ,. -( *#2)' rnsA- I*&*).(8&# ,-5#(). .2 *#2)'G .e.58&8&' ' *#2&,#A

H8>=EZ> ?;: e89C?7 # ?;<M8U< ?; :C =7BM;DE=EZ>\

H()5.7#5Q #2 =5.*&,.(). ,.2 !F -( &(:'5$. .*85&)' ,. 2# 8'$%.M)&8&P(G 8'( 2# *&7-&.(). &(:'5$#8&P(g- 2'* %5'C2.$#* . &55.7-2#5&,#,.* .(8'()5#,#* #*O 8'$' 2#*

,.8&*&'(.* 8-.*)&'(#C2.* 8'( .2 (R$.5' 3 ('$C5. ,.2 7&$M(#*)#G

- el contenido de todos los ejercicios, en una lengua ocial de2# >?@ #2 =5.*&,.(). ,.2 !'$&)6 F68(&8' 3 #2 S-%.5;&*'5 ,.2 I%#5#)' .( 8-.*)&P( .( 2'* Z $.*.* *&7-&.().* # 2# 8'$%.M)&8&P(A

*9DP=8:7 cV_V, H8>=E7>;< ?;: e89C?7 $#b 1C*.5;#5 .2 .e.58&8&' #).()#$.().G .;#2-#5 2#* :#2)#* 3 #%2&8#5

2#* ,.,-88&'(.* 8'55.*%'(,&.().* 8'55.8)#*G &(,.%.(,&.().M$.(). 3 *&( 8'(*-2)#5 # 2'* ')5'* e-.8.*A

Cb !#28-2#5 3 .()5.7#5 ' $'*)5#5 *-* ,.,-88&'(.* %'5gM >#2)#* 7.(.5#2.*A

M >#2)#* )68(&8#* 3 ,. 8'$%'*&8&P(AM >#2)#* ,. 8'$%'*)-5#A

c) Debe cumplimentar y rmar las hojas de puntuación o intro M,-8&5 *-* ,.,-88&'(.* .( .2 '5,.(#,'5A

,b ].C. *.5 8#%#c ,. 5.7&*)5#5 ,. :'5$# %.5*'(#2 *- .;#2-#8&P(%#5# )','* 2'* .e.58&8&'*A

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Artículo 5.5 Funciones del cronometrador, jueces de línea y<;=9;DC9E7<

*9DP=8:7 cVcV. !97>7B;D9C?79 A e8;=;< ?; :P>;CH2 85'('$.)5#,'5 3 e-.8.* ,. 2O(.# *. *'5).#( ,. .()5. 2'* e-.8.*8'( C5.;.) >?@ %#5# *.5;&5 8'$'gf8;` ?; :P>;C %#5#g

- ].).5$&(#5 .( *-.2' 3 *#2)' 2'* %#*'* :-.5# ,. 2#* 2O(.#* 4-.marcan la supercie, señalándolo levantando un banderín5'e'A

- ?(:'5$#5 #2 e-.c ]V ,. 8-#24-&.5 &(:5#88&P( 3 ,.,-88&P( #%2&Mcada, mediante informe escrito debidamente rmado.

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


6;< =X97>7BUD9;89< ?7EW;>D \- !"5'('$6)5.5 2# ,-56. )')#2. ,. 2B.0.58&8. a>`bl- !'()5{2.5 2. ).$%* ,B68"#-::.$.() #-0 C#55.* %#5#22E2.*l- ]'((.5 -( *&7(#2 #8'-*)&4-. #- 73$(#*). h 2B#88'$%2&**.M

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Lors de compétitions ofcielles de la FIG, les membres du/-53 H *. %2#8.() #-)'-5 ,. 2B.(7&( ,#(* 2. *.(* ,.* #&7-&22.*,B-(. $'()5.G 2. %5.$&.5 h 2# 7#-8". ,- /-53 ]A

Il est permis de modier le placement des juges en fonction de2# *#22. ,. 8'$%6)&)&'(A

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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 19

Article 5.7 Serment des juges (RT 7.12) I-0 !"#$%&'((#)* ,- $'(,. .) #-0 #-)5.* 8'$%6)&)&'(* &().5(#)&'M(#2.* $#e.-5.*G 2.* e-53* .) 2.* e-7.* ,'&;.() 5.*%.8).5 2.* ).5$.*,- *.5$.() ,.* e-7.*gI Au nom de tous les juges et ofciels, je promets que nous rempli 5rons nos fonctions pendant les Championnats du Monde FIG (ouautre manifestation ofciel FIG) en toute impartialité, en respectant'- $3.4"#- &'$ /J6&'$ F3. &'$ /,6.$$'#-7 1"#$ 3# '$+/.- 1' $+)/-.4.-,G

*9DE=:; cVJ *DD9E^8DE7> ?L8> >7B C8G >78W;C8G U:UB;>D< +*1U( ('-;.2 626$.() %56*.()6 2'5* ,B-(. 8'$%6)&)&'( 5.8'((-. %#5 2#>?@ .*) #,$&**&C2. h -(. 5.8'((#&**#(8. ,#(* 2. !',. ,. %'&()#7.si un DT ofciel de la FIG ou un membre du CTM de la FIG y parti Mcipe dans un rôle ofciel (DT local, DT continental, Jury supérieur,S-%.5;&*.-5 h 2B.(7&( '- /-53 ,B#%%.2bA U(. ;&,6' ,. 2B626$.() ,'&)J)5. 5.$&*. #- $.$C5. ,- !F %56*.() %'-5 .0#$.( .) 6;#2-#)&'(

-2)65&.-5* 2'5* ,. 2# 56-(&'( *-&;#(). ,- !F9A

Article 5.7 Judge’s Oath (TR 7.12) I) )". K'52, !"#$%&'(*"&%*G #(, ')".5 &$%'5)#() &().5(#)&'(# 2.;.()*G e-5&.* #(, e-,7.* %2.,7. )' 5.*%.8) )". ).5$* ': )". /-,7.*B1#)"A“In the name of all the judges and ofcials, I promise that we shallofciate in these World Championships (or any other ofcial FIGEvent) with complete impartiality, respecting and abiding by the ruleswhich govern them, in the true spirit of sportsmanship”

*9DE=:; cVJ 1*+ (CBE>@ 7Y (;h $:;B;>D< I(3 (.L .2.$.() %.5:'5$., #) #( >?@ 5.7&*).5., 8'$%.)&)&'( L&)"an ofcial FIG TD or FIG MTC member participating in an ofcial5'2. a2'8#2 F]G 8'()&(.()#2 F]G S-%.5&'5 /-53G I%%#5#)-* S-%.5;&*'5G'5 /-53 ': I%%.#2*b &* .2&7&C2. :'5 (.L .2.$.() 5.8'7(&)&'( &( )".!',. ': ='&()*A I ;&,.' ': )". 8'$%2.)., .2.$.() $-*) C. 7&;.( )')". F! $.$C.5 &( #)).(,#(8. :'5 2#).5 5.;&.L #(, .;#2-#)&'( #) )".:'22'L&(7 9F! $..)&(7A

Artículo 5.7 El juramento de los jueces (RT 7.12)H( 2'* !#$%.'(#)'* ,.2 9-(,' 3 .( ')5#* 8'$%.)&8&'(.*&().5(#8&'(#2.* &$%'5)#().*G e-5#,'* 3 e-.8.* %5'$.).( 5.*%.)#52'* )65$&('* ,.2 e-5#$.()' ,. e-.8.* *&7-&.().g“En nombre de todos los jueces y ociales, prometo que cumpli 5remos nuestras funciones durante los Campeonatos del Mundo (uotra manifestación ocial FIG) con total imparcialidad, respetando y$.63.'#1) &"$ /'6&"$ F3' &)$ 1./.6'#7 ()# 3# '$+@/.-3 1' 1'+)/-.4.1"1G

*9DP=8:7 cVJ (7B^9;< ?; :7< >8;W7< ;:;B;>D7< ;> +*1F',' .2.$.()' (-.;' .e.8-)#,' .( -(# 8'$%.)&8&P( 5.7&*)5#,#por la FIG con un delegado técnico FIG o miembro del CTM/FIGen un puesto ocial (delegado técnico local, delegado técnico8'()&(.()#2G /-5#,' S-%.5&'5G S-%.5;&*'5 ,. #%#5#)'G ' /-5#,' ,.#%.2#8&P(b %-.,. *.5 5.8'('8&,' 8'$' (-.;' .2.$.()' .( .2 !P,&7',. =-()-#8&P(A U( ;&,.' ,.2 .2.$.()' 8'$%2.)' ,.C. .()5.7#5*.#2 $&.$C5' ,.2 !F %#5# *- %'*).5&'5 5.;&*&P( 3 .;#2-#8&P( .( 2#*&7-&.(). 5.-(&P( ,. !F9A

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 20

&*5)'$ ''6; e8@;B;>D ?;< ;G;9=E=;<

2;=DE7> l6; e8@;B;>D ?;< ;G;9=E=;< ?; =7BMUDEDE7>

*9DE=:; lV. &9E>=EM;< @U>U9C8GVA I 8"#4-. .(7&(G ,.-0 (').* *6%#56.* *'() ,'((6.* %'-5 8"#4-.

.0.58&8.G ] .) HA

M <. /-53 ] ,6).5$&(. 2# ('). ]G 2. 8'().(- ,. 2B.0.58&8.G .) 2./-53 H 2# ('). HG 4-& 5.%56*.(). 2# %56*.()#)&'( ,. 2B.0.58&8.%#5 5#%%'5) #-0 .0&7.(8.* ,. 8'$%'*&)&'(G 2.* :#-).* ).8"M(&4-.* .) ,. ).(-. ,- 8'5%*A

M <# ('). ] %'-5 2. 8'().(- &(82-5# %#5 #,,&)&'(gM <# ;#2.-5 ,.* Vn a'- € %'-5 2.* e-(&'5*b $.&22.-5* 626M

$.()*G *'&)g 2# ;#2.-5 ,. 2# *'5)&. %2-* 2.* } a'- • %'-52.* e-(&'5*b $.&22.-5* 626$.()*G $#&* #;.8 #- $#0&$-$5 626$.()* ,- $J$. @5'-%. ,#(* 8.-0 4-& 8'$%).()A

S&G 2. e-7. %.-) 8"'&*&5 %'-5 ,6).5$&(.5 2.* } a'- • %'-5 e-(&'5*b 626$.()*G %#5$& ,.* 626$.()* ,. $J$. ;#2.-5#%%#5).(#() h ,.* 75'-%.* ,&::65.()*G &2 ,'&) 2.* 8"'&*&5au bénéce du gymnaste. Après que les 9 (ou 7 pour e-(&'5*b $.&22.-5* 626$.()* %2-* 2# *'5)&. ,. 2B.0.58&8.ont été déterminés, il doit vérier qu’il n’y ait pas plus de

26$.()* - $J$. 5'-%. ,B626$.()*G ( 2.* '$%)#C&2&*#() a%'-5 2B.0.58&8. #- *'2G 2. e-7. ,'&) %5.(,5. .(8'$%). ,B#C'5, 2. 75'-%. ,B626$.()* ,. 2# *'5)&.bA

Exemple 1: ? ? ?? ? ?? ??? ??? ??? ??? ?W ?W W I T T T T T T ! ! ! ] " # # # # # / / / '

Exemple 2:??? ??? ? ?? ?? ?? ??? ??? ??? ??? ?W WT T T T T T T ] ] ] ] ]# # # # # ' ' ' ' '?# ("/"(-J/'$ 6/"$ &'$ ,&,*'#-$ F3. ()*+-'#-

M <# ;#2.-5 ,.* 8'((.0&'(*G C#*6. *-5 2.* 5E72.* *%68&#2.*%'-5 8"#4-. .(7&(A

M <# ;#2.-5 %'-5 2.* 75'-%.* ,B626$.()*G .068-)6* %#5$&2.* Vn 626$.()* 4-& 8'$%).() a€ %'-5 e-(&'5*bA

M <# ('). HG h %#5)&5 ,. Vn %'&()*G ;# 6;#2-.5 %#5 ,6,-8)&'(*#%%2&4-6.* .( ,&0&E$.* ,. %'&()g

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%#5#)-*A

M F". ]Me-53 ,.).5$&(. )". r]s *8'5.G )". 8'().() ': #( .0.58&*.G#(, )". HMe-53 )". rHs *8'5.G &A.A )". .0.58&*. %5.*.()#)&'(5.2#)., )' 8'$%'*&)&'(#2 5.4-&5.$.()*G ).8"(&4-. #(, C',3%'*&)&'(A

M r]s *8'5. 8'().() L&22 &(82-,. C3 #,,&)&'(gM F". #,,&)&'(#2 ,&::&8-2)3 ;#2-. ': Vn .2.$.()* a€ :'5

e-(&'5*bG )". C.*) } a• :'5 e-(&'5*bG C-) $#0&$-$ 5 .2.M$.()* :'5 )". *#$. H2.$.() @5'-%G &(*&,. )". C.*)8'-()&(7 %2-* )". ;#2-. ': )". ,&*$'-()A ?: )". e-,7.(..,* )' 8"''*. )". 8'-()&(7 } a• :'5 e-(&'5*b .2.$.()*:5'$ .2.$.()* L"&8" "#;. )". *#$. ;#2-. C-) C.2'(7 )',&::.5.() H2.$.() @5'-%*G ". $-*) ,.).5$&(. )".$ )' )".benet of the gymnast. Once the 9 (7 for juniors) best8'-()&(7 .2.$.()* %2-* )". ,&*$'-() ': )". .0.58&*. #5.,.).5$&(.,G )". e-,7. $-*) 8'-() #$'(7 )".$ (') $'5.

)"#( 5 e2.$.()* f 5'$ )". s#$. .2.$.() g5'-% a:'5 F`Gthe Element Group of the dismount will count rst).

Example 1: ? ??? ? ?? ??? ??? ??? ??? ? ?? ?W I T T T T T T ! ! ! ] I # # # # # / / / '

Example 2:??? ??? ? ?? ?? ?? ??? ??? ??? ??? ? ?WT T T T T T T ] ] ] ] ]# # # # # ' ' ' ' 'In bold letters counting elements

M F". 8'((.8)&'(* ;#2-.G C#*., '( *%.8&#2 5-2.* '( ,&::.5.()

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.2.$.()'* a.( S-.2'G .2 75-%' ,. .2.$.()' ,. 2# *#2&,#*. 8'()#5Q .2 %5&$.5'bA

Ejemplo 1: ? ?? ? ? ?? ??? ??? ??? ??? ?W ?W W I T T T T T T ! ! ! ] * Q Q Q Q Q / ! ! #

?A'*+&) CH??? ??? ? ?? ?? ?? ??? ??? ??? ??? ?W WT T T T T T T ] ] ] ] ]# # # # # ' ' ' ' '?# #'6/.-" &)$ '&'*'#-)$ F3' (3'#-"#

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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 21

*.5'() 62&$&(6.*A <# $'3.((. ,.* *'$$.* ,.* ,6,-8)&'(*restantes, soustraite des 10 p. représente la note nale

Article 6.2 Détermination de la note nale1. La note nale d’un exercice sera établie par l’addition de la note

] .) ,. 2# ('). >&(#2. HAZA <.* 5E72.* 4-& 7'-;.5(.() 2B6;#2-#)&'( ,.* .0.58&8.* .) 2# ,6).5M

mination de la note nale sont identiques pour toutes les sessionsde compétition (Qualication, Finale par équipe, Concours indiM;&,-.22. $-2)&%2.G >&(#2. %#5 .(7&(b h 2B.08.%)&'( ,.* *#-)*G 4-&ont des règles spéciales pour la qualication et la nale par engina;'&5 2. S.8)&'( VobA

oA <. )')#2 ,- !'(8'-5* &(,&;&,-.2 $-2)&%2. .*) 2# *'$$. ,.* (').*nales obtenues pour les six exercices.

iA <. )')#2 ,. 2B64-&%. .*) 8#28-26 8'(:'5$6$.() #- DE72.$.()).8"(&4-. .( ;&7-.-5A

5. Les critères de qualication pour la participation à la Finale par64-&%.G #- !'(8'-5* &(,&;&,-.2 $-2)&%2. .) h 2# >&(#2. %#5 .(7&(*'() 567&* %#5 2. DE72.$.() ).8"(&4-. .( ;&7-.-5A

6. En règle générale, la note nale est calculée par le secrétariatà l’engin, mais doit être conrmée par le superviseur de l’enginavant d’être afchée.

7. Aux compétitions ofcielles de la FIG, la note de Jury D et la noteH a2# $'3.((. ,. ,6,-8)&'(* ,. 2# %56*.()#)&'( ,. 2B.0.58&8.a soustrait de 10 par chaque juge du Jury E) seront afchées.

!"#4-. ('). &(,&;&,-.22. ,- /-53 H %#5#j)5# *-5 2.* :.-&22.* ,.*résultats ofciels. À toutes les autres compétitions, la note D, lanote E et la note nale doivent être afchées.

*9DE=:; lV/ ] $G;9=E=; =789D='-5 2B.068-)&'( ,. 2# %56*.()#)&'(G 2. 73$(#*). %.-) 'C).(&5 -(*8'5. H $#0&$-$ ,. VnGnn %'&()*A<. e-53 ] %5.(,5# %'-5 -( .0.58&8. 8'-5) 2# ,6,-8)&'( (.-)5.appropriée (pénalité) de la note nale

• 626$.()* '- %2-* M nAn %'&()* k M w 626$.()* M iAn %'&()* o M i 626$.()* M wAn %'&()* V h Z 626$.()* M €An %'&()* I-8-( 626$.() M VnAn %'&()*

2;=DE7> K&9;<=9EMDE7>< =7>=;9>C>D :C >7D; #

Article 7.1 La difcultéVA I- *'2G #- 8".;#2M#5^'(*G #-0 #((.#-0G #-0 C#55.* %#5#22E2.* .)

à la barre xe, les valeurs de difculté suivantes seront prises en8'(*&,65#)&'( ,#(* )'-).* 2.* 8'$%6)&)&'(*g

&C9DE;< * Q ! # $ H + m?; WC:;89RC:;89 -V.- -V,- -V/- -V_- -Vc- -Vl- -VK- -VJ-

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*9DE=:; lV, ] #;D;9BE>CDE7> 7Y DX; HE>C: 2=79;VA F". >&(#2 S8'5. ': #( .0.58&*. L&22 C. .*)#C2&*"., C3 )". #,,&)&'(

of the “D” and nal “E” scores.ZA F". 5-2.* 7';.5(&(7 )". .;#2-#)&'( ': )". .0.58&*.* #(, )". ,.).5M

$&(#)&'( ': )". >&(#2 S8'5. #5. &,.()&8#2 :'5 #22 *.**&'(* ': '%)&'(#2competition (Qualication, Team Final, All Around Final, ApparatusFinals) except for Vault, where special rules in Qualication and in I%%#5#)-* >&(#2* #%%23 a*.. S.8)&'( VobA

oA F". I22MI5'-(, S8'5. &* )". *-$ ': )". >&(#2 S8'5.* 'C)#&(., '()". *&0 .0.58&*.*A

iA F". F.#$ S8'5. &* 8#28-2#)., &( #88'5,#(8. L&)" )". 8-55.()F.8"(&8#2 D.7-2#)&'(* )"#) 7';.5( )"#) 8'$%.)&)&'(A

5. Qualication for, and participation in, the Team Final, the All Around>&(#2G #(, )". I%%#5#)-* >&(#2* L&22 '88-5 &( #88'5,#(8. L&)" )".8-55.() F.8"(&8#2 D.7-2#)&'(* )"#) 7';.5( )"#) 8'$%.)&)&'(A

wA F". >&(#2 S8'5. &* ('5$#223 8#28-2#)., C3 )". 8'$%.)&)&'( *8'5&(7personnel but must be conrmed by the Apparatus SupervisorC.:'5. &) &* ,&*%2#3.,A

7. At ofcial FIG competitions, the single “D” score from the D-jury#(, )". rHs *8'5. a)". #;.5#7. ': .0.58&*. %5.*.()#)&'( ,.,-8)&'(**-C)5#8)., :5'$ Vn :5'$ .#8" e-,7. ': )". HMe-53b L&22 C. ,&*%2#3.,A

H#8" &(,&;&,-#2 *8'5. ': )". HMe-53 L&22 #%%.#5 '( )". $#&( 5.*-2)*:'5$A I) #22 ')".5 8'$%.)&)&'(*G )". r]s *8'5.G rHs *8'5. #(, )".>&(#2 S8'5. $-*) C. ,&*%2#3.,A

*9DE=:; lV/ ] 2X79D ;G;9=E<;>'5 )". .0.8-)&'( ': %5.*.()#)&'(G )". 73$(#*) $#3 .#5( # $#0&M$-$ HM S8'5. ': VnAnn %'&()*AF". ] M=#(.2 L&22 )#N. )". #%%5'%5&#). (.-)5#2 ,.,-8)&'( a%.(#2)3b:'5 # *"'5) .0.58&*. :5'$ )". >&(#2 S8'5.A

• '5 $'5. .2.$.()* M nAn %'&()* k M w .2.$.()* M iAn %'&()* o M i .2.$.()* M wAn %'&()* V )' Z .2.$.()* M €An %'&()* Y' .2.$.()* M VnAn %'&()*

2;=DE7> K5;@8:CDE7>< +7W;9>E>@ DX; # <=79;

Article 7.1 DifcultyVA 1( >2''5 H0.58&*.G ='$$.2 X'5*.G D&(7*G =#5#22.2 T#5*G #(,

Horizontal Bar, the following difculty values will count in all comM%.)&)&'(*g

RC:8;< * Q ! # $ H + mMC9D<RC:8; -V.- -V,- -V/- -V_- -Vc- -Vl- -VK- -VJ-

restantes, restadas de los 10 puntos, será la nota nal “E”.

*9DP=8:7 lV, ] #;D;9BE>C=EZ> ?; :C >7DC HE>C:1. La nota nal de un ejercicio se establecerá como la suma de la

notas “D” y “E” nales.ZA <#* 5.72#* 4-. 5.7-2#( 2# .;#2-#8&P( ,. 2'* .e.58&8&'* 3 2# ,.).5M

minación de la nota nal son idénticas en todos los concursosde competición (calicación, nales de equipos, nal individual ynales por aparatos) excepto en salto que tiene reglas especialesen la calicación y las nales por aparatos (ver Sección 13).

3. La nota individual es la suma de las notas nales en los seis.e.58&8&'*A

iA <# (')# ,.2 .4-&%' *. 8#28-2# ,. #8-.5,' 8'( .2 5.72#$.()')68(&8' 4-. 5.7-2# 2# 8'$%.)&8&P(A

5. La calicación para, y la participación en, la nal de equipos,&(,&;&,-#2 3 %'5 #%#5#)'*G *. "#8. ,. #8-.5,' 8'( .2 5.72#$.()')68(&8' 4-. 5.7-2# 2# 8'$%.)&8&P(A

6. La nota nal se calcula normalmente por el personal de cálculode la competición, pero debe ser conrmado por el Supervisor,.2 #%#5#)' #().* ,. "#8.5*. %RC2&8#A

7. En las competiciones ociales de la FIG, la nota del jurado D y2# (')# H a2# $.,&# ,. 2#* ,.,-88&'(.* ,. 2# %5.*.()#8&P( ,.2.e.58&8&' ,.,-8&,#* ,. Vn %'5 8#,# e-.c ,.2 e-5#,' Hb *.5Q(

$'*)5#,#*A !#,# (')# &(,&;&,-#2 ,.2 e-5#,' H #%#5.8.5Q .( 2'*:'5$-2#5&'* ,. 5.*-2)#,'*A H( .2 5.*)' ,. 8'$%.)&8&'(.*G 2# (')#D y E, y la nota nal del ejercicio deben mostrarse.

*9DP=8:7 lV/ ] $e;9=E=E7 =79D7=#5# 2# .e.8-8&P( ,. 2# %5.*.()#8&P(G .2 7&$(#*)# %-.,. 'C).(.5-( $Q0&$' ,. VnAnn %-()'*AH2 e-5#,' ] -)&2&c#5Q 2# ,.,-88&P( (.-)5#2 #%5'%&#,# a%.(#2&c#8&P(bpor ejercicio corto de la nota nal.

• ' $Q* .2.$.()'* M nAn %-()'* k M w .2.$.()'* M iAn %-()'* o M i .2.$.()'* M wAn %-()'* V ' Z .2.$.()'* M €An %-()'* *&( .2.$.()'* M VnAn %-()'*

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Artículo 7.1 La dicultad1. En suelo, caballo con arcos, anillas, paralelas y barra ja, las diM

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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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ZA ]#(* 2# $.*-5. ,- %'**&C2.G *.-2.$.() ,.* 626$.()* *&(7-2&.5*sont inclus dans les Tables de Difculté. Dans le code une valeurde difculté unique et un numéro d’identication unique sont,'((6* h 8"#4-. 626$.()A

3. Dans les compétitions ofcielles de la FIG, les éléments qui nesont pas inscrits dans les Tables de Difculté doivent être soumis%'-5 6;#2-#)&'( #- =56*&,.() ,- /-53 S-%65&.-5 Zi ".-5.* #;#()2B.()5#j(.$.() *-5 %',&-$A ].* ;#2.-5* %5';&*'&5.* %.-;.()J)5. ,'((6.* G#&(*& 4-B#-0 #-)5.* 8'$%6)&)&'(* &().5(#)&'(#2.*Glocales et/ou nationales par les autorités techniques des dites8'$%6)&)&'(*A

4. Un élément (ou éléments avec le même numéro d’identication)%.-) J)5. 56%6)6G $#&* -( ).2 626$.() 56%6)6 (. %.-) %#* 8'()5&C-.5h 2# 8'(*)5-8)&'( ,. 2# ('). ] a;'&5 ,.* 5E72.* *-%%26$.()#&5.*4-& 2&$&).() 2# 56%6)&)&'( #- 8".;#2M#5^'(* .) #-0 #((.#-0 ,#(*2.* S.8)&'(* VV .) VZ A

kA <.* 626$.()* 4-& (. %#5#&**.() %2-* ,#(* 2. !',. (. *'() %#*#-)'5&*6*G '- ,'&;.() J)5. 8'(*&,656* &(:65&.-5* h 2# ;#2.-5 IA

wA <.* 626$.()* ,#(* -(. $J$. 8#*. #;.8 ,.* ;#2.-5* ,&::65.().*%.-;.() J)5. .::.8)-6* ,#(* 2. $J$. .0.58&8. #;.8 2.* ,.-0626$.()* 4-& 8'()5&C-.() #- S8'5. r]sA

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ZA I 8"#4-. .(7&( &2 3 # )5'&* 75'-%.* ,B626$.()*G $#54-6* %#5les chiffres I, II, III, et sauf au sol, une sortie identiée dans le75'-%. ?WA

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iA U( 626$.() (. %.-) 5.$%2&5 4-. 2B.0&7.(8. ,- 75'-%. ,B626$.()*dans lequel il se trouve dans les tables de difcultés.

kA ='-5 8"#4-. 75'-%. ,B626$.()* 5.$%2& a%#5$& 2.* Vn 626$.()*4-& 8'$%).()bG 2. /-53 ] #88'5,. nAkn %'&()A

wA !"#4-. .0.58&8. ,'&) *. ).5$&(.5 %#5 -(. *'5)&. 267&)&$.G &(*85&).#- 75'-%. ,B626$.()* W M S'5)&.*A a;'&5 S.8)&'(* Vn .) Vo %'-5 2.*règles spéciques pour sol et pour les sauts). Sont considérées

8'$$. *'5)&.* ('( 267&)&$.*g&A U(. *'5)&. .( %'-**#() #;.8 2.* %&.,* a.08.%)&'( #- S'2bA&&A U(. *'5)&. &(8'$%2E). '- %#5)&.22.$.() .068-)6.A

&&&A U(. *'5)&. ,'() 2# 568.%)&'( (. *B.::.8)-. %#* *-5 2.* %&.,*a3 8'$%5&* 2.* 5'-26* #- *'2bA

&;A U(. *'5)&. ,'() 2# 568.%)&'( .*) .068-)6. &().()&'((.22.$.()2#)65#2.$.()A

YTA <B.068-)&'( ,. 2B-( ,. 8.* 626$.()* .()5#j(. #-)'$#)&M4-.$.() 2# ('( 5.8'((#&**#(8. ,. 2# *'5)&. .) ,- 75'-%.,B626$.()* 8'55.*%'(,#() a/-53 ]bA

ZA F' )". .0).() %'**&C2.G '(23 *&(72. .2.$.()* #5. &(82-,., &( )".Difculty Tables. Each element is given a unique difculty valueand a unique Code Identication Number.

3. Elements that are not listed in the Difculty Tables must be subMmitted for a difculty rating to the Chair of the Superior Jury 24hours in advance of podium training at ofcial FIG Competitions.Provisional difculty ratings may be given by Technical Authorities#) ')".5 &().5(#)&'(#2G (#)&'(#2G #(, 2'8#2 8'$%.)&)&'(*A

4. An element (or element with the same Code Identication Number)$#3 C. 5.%.#)., C-) *-8" 5.%.#)., .2.$.() $#3 (') 8'()5&C-).)'L#5,* )". r]s *8'5.A S.. #,,&)&'(#2 5.7-2#)&'(* 5.*)5&8)&(7 5.%.)&M)&'( :'5 ='$$.2 X'5*. #(, D&(7* &( S.8)&'( VV #(, VZ A

kA H2.$.()* )"#) (' 2'(7.5 #%%.#5 &( )". !',. #5. -*-#223 (') %.5$&)M)., '5 :#22 C.2'L )". ;#2-. ': #( IA

wA H2.$.()* &( *#$. C'0 L&)" ,&::.5.() ;#2-.* $#3 C. %.5:'5$., &()". *#$. .0.58&*. L&)" C')" .2.$.()* 8'()5&C-)&(7 )' )". r]s S8'5.A

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oA ?( "&* .0.58&*.G )". 73$(#*) $-*) &(82-,. #) 2.#*) '(. .2.$.():5'$ .#8" ': )". )"5.. H2.$.() @5'-%*A

iA I( .2.$.() $#3 $..) )". H2.$.() @5'-% 5.4-&5.$.() '(23 :'5 )".Element Group under which it is located in the Difculty Tables.

5. Each Element Group requirement fulllment (inside the 10 counting.2.$.()*b &* #L#5,., L&)" nAk %'&()* C3 )". ]Me-53A

wA H;.53 .0.58&*. $-*) .(, L&)" # 2.7&)&$#). ,&*$'-() 2&*)., -(,.5the Dismount Element Group. (see Section 10 and 13 for specic5.7-2#)&'(* :'5 >2''5 H0.58&*. #(, W#-2)bA Y'(M2.7&)&$#). ,&*$'-()*

&(82-,.g&A I ,&*$'-() )"#) %-*".* ':: )". :..) a.08.%) '( >2''5 H0.58&*.bAii. An exercise nished with a partially shown or incomplete

,&*$'-()A&&&A I ,&*$'-() )"#) ,'.* (') 2#(, '( )". :..) a &(82-,&(7 5'22'-)

.2.$.()* '( >2''5 H0.58&*.bA&;A I ,&*$'-() )"#) &().()&'(#223 2#(,* *&,.L#3*A

YTA S-8" .2.$.()* #2L#3* 2.#, )' ('(M5.8'7(&)&'( C3 )". ]Me-53': )". .2.$.() #(, )". H2.$.() @5'-%A

ZA H( 2# $.,&,# ,. 2' %'*&C2.G *P2' .*)Q( &(82-&,'* .( 2#* )#C2#* ,.dicultad elementos individuales. Cada elemento tiene un únicovalor de dicultad y número de identicación.

3. Los elementos que no están incluidos en las tablas de dicultad,.C.( *.5 ;#2'5#,'* %'5 .2 =5.*&,.(). ,.2 e-5#,' S-%.5&'5G Zihoras antes del entrenamiento ocial de pódium en las competicio Mnes ociales de la FIG. Se pueden dar valoraciones provisionalesde dicultad por autoridades técnicas en otras competiciones&().5(#8&'(#2.*G (#8&'(#2.* ' 2'8#2.*A

iA H2 7&$(#*)# %-.,. 5.%.)&5 -( .2.$.()' a' .2.$.()' 8'( .2 $&*Mmo número de identicación del Código) pero este elemento no8'()5&C-3. %#5# 2# (')# ]A W.5 5.72#* #,&8&'(#2.* 5.2#)&;#* # 2#5.%.)&8&P( .( 8#C#22' 8'( #58'* 3 #(&22#* .( 2#* S.88&'(.* VV 3VZA

kA H2.$.()'* 4-. (' #%#5.8.( .( .2 8P,&7' ('5$#2$.(). (' .*)Q(%.5$&)&,'* ' )&.(.( -( ;#2'5 $.('5 # IA

wA H2.$.()'* .( .2 $&*$' 8-#,5' 8'( ,&:.5.(). ;#2'5 %-.,.( 5.#2&Mc#5*. .( .2 .e.58&8&'G 8'()5&C-3.(,' #$C'* %#5# 2# (')# ]A

*9DP=8:7 KV, $GE@;>=EC< ?; +98M7< ?; ;:;B;>D7< A <C:E?CVA !'( .*). :#8)'5 ,. %-()-#8&P(G .2 e-.c .;#2R# 2'* $';&$&.()'*

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ZA !#,# #%#5#)' )&.(. )5.* @5-%'* ,. H2.$.()'* ,.*&7(#,'* 8'(?G ??G ???G 3G .08.%)' .( *-.2'G -( 75-%' ,. *#2&,# ,.*&7(#,' 8'$'?WA

oA H( *- .e.58&8&'G .2 7&$(#*)# ,.C. &(82-&5 -( .2.$.()' %'5 2' $.('*,. 8#,# -(' ,. 2'* )5.* @5-%'* ,. H2.$.()'*A

iA U( .2.$.()' *P2' %-.,. 8-$%2&5 .2 5.4-&*&)' ,.2 75-%' ,. .2.$.()'en el que se encuentra en las tablas de dicultad.

kA ='5 8#,# 75-%' ,. .2.$.()' .e.8-)#,' #,.8-#,#$.(). a,.()5',. 2'* Vn .2.$.()'* 8'()#,'*b .2 e-5#,' ] 2. ')'57# nGk %-()'*A

wA !#,# .e.58&8&' ,.C. ).5$&(#5 8'( -(# *#2&,# &(82-&,# .( .2 @5-M%' ,. H2.$.()'* *#2&,#*A a;.5 S.88&P( Vn 3 Vo %#5# 2#* 5.72#*especícas de suelo y salto). Una salida no se considera válida

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2'* .2.$.()'* # 5',#5 .( *-.2'bA&;A !-#(,' 2# *#2&,# *. 5.8.%8&'(# &().(8&'(#,#$.(). 2#).5#2A YTA F#2.* .2.$.()'* *&.$%5. &$%2&8#( 4-. .2 /-5#,' ] ('

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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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ZA <.* %'&()* ,.* 8'((.0&'(* (. %.-;.() J)5. #88'5,6* 4-. %'-5,.* 2&#&*'(* ,&5.8).* ,B626$.()* ,. ;#2.-5 *-%65&.-5.G 2'5*4-.2B.068-)&'( ).8"(&4-. ,. 2B626$.() '- ,. 2# 2&#&*'( .) 2# ).(-. .*)C'((.G *#(* :#-). 75'**&E5.A

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3. Chaque élément est évalué en fonction de la position nale cor M5.8). h #)).&(,5. '- ,. 2B.068-)&'( 8'55.8). .0&76.A

iA <. /-53 ] (. %.-) #))5&C-.5 -(. ;#2.-5 h -( 626$.() 4-B&2 (.5.8'((#j) %#*A

kA <. /-53 ] (. 5.8'((#j) %#* 2.* 626$.()* ,'() 2B.068-)&'( *B62'&7(.,. :#^'( $#54-6. ,. 2B.068-)&'( %5.*85&).A <. /-53 ] (. 5.8'((#j)%#* -( 626$.() (')#$$.() ,#(* 2.* 8#* *-&;#()*g

#b #- *'2G 2. 73$(#*). 8'$$.(8. 2B626$.() h 2B.0)65&.-5 ,. 2#

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c) à la barre xe, le gymnaste exécute l’élément avec les pieds*-5 2# C#55. '- h %#5)&5 ,. 8.)). %'*&)&'( a;'&5 S.8)&'( Vkbl

,b h )'-* 2.* .(7&(*G 2. 73$(#*). .068-). -( 626$.() ,. $#&(M)&.( #;.8 e#$C.* 68#5)6.* 4-& (B#%%#5#j) %#* #-0 )#C2.#-0de difcultés;

.b l’élément est tellement modié lors de son exécution qu’il ne cor Mrespond plus à l’élément désigné par son numéro d’identication'- (B.( # %2-* 2# ;#2.-5 a;'&5 #-**& I((.0. IAoAVbA =#5 .0.$%2.g

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- A or B value dismount 0.00 p. (does not fulll requirement)M ! ;#2-. ,&*$'-() ‚nAon %A a%#5)&#2 5.4-&5.$.() ;#2-.bM ] '5 "&7".5 ;#2-. ‚nAkn %A a:-22 5.4-&5.$.() ;#2-.b>'5 e-(&'5*g- A value dismount 0.00 p. (does not fulll requirement)M T ;#2-. ,&*$'-() ‚nAon %A a%#5)&#2 5.4-&5.$.() ;#2-.bM ! '5 "&7".5 ;#2-. ‚nAkn %A a:-22 5.4-&5.$.() ;#2-.b

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3. Each element is dened to the perfect end position or as being%.5:'5$., L&)" %.5:.8)&'(A

iA I( .2.$.() )"#) &* (') 5.8'7(&c., C3 )". ]Me-53 L&22 5.8.&;. (';#2-.A

kA I( .2.$.() L&22 (') C. 5.8'7(&c., C3 )". ]Me-53 &: &) ,.;&#).* *&7Mnicantly from the prescribed execution. An element will not be5.8'7(&c., '5 85.,&)., :'5 5.#*'(* &(82-,&(7G C-) (') (.8.**#5&235.*)5&8)., )'G )". :'22'L&(7g

#b ?:G '( >2''5 H0.58&*.G )". .2.$.() &* %.5:'5$., C.7&((&(7

outside of the oor area (see Section 10 Art. 10.2.1.3a).b) If, on Vault, the gymnast performs an invalid Vault as dened&( S.8)&'( VoA

8b ?: '( X'5&c'()#2 T#5G #( .2.$.() &* %.5:'5$., L&)" '5 :5'$ :..)'( )". C#5 a*.. S.8)&'( VkbA

d) If a hold element with straddled legs not listed in the difculty)#C2.* &* %.5:'5$., '( #(3 #%%#5#)-*A

.b ?: )". .2.$.() &* *' #2).5., &( %.5:'5$#(8. )"#) &) 8#( (' 2'(7.5lay any claim to its identication number or value (see also I%%.(,&0 IAoAVbG :'5 .0#$%2.g

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ZA S. %-.,.( ,#5 %-()'* ,. 8'(.0&P( *P2' %'5 2# .e.8-8&P( ,..2.$.()'* 5.8'('8&,'* ,. #2)' ;#2'5 ,&5.8)#$.(). 8'(.8)#,'*5.#2&c#,#* *&( -(# :#2)# 75#(,.A

*9DP=8:7 KV_ $WC:8C=EZ> ?;: e89C?7 #VA H2 e-5#,' ] .* .2 5.*%'(*#C2. ,. .;#2-#5 .2 8'().(&,' ,.2 .e.5M

8&8&' .( 8#,# #%#5#)' 3 ,.).5$&(#5 2# (')# ] 8'55.8)#G )#2 8'$'se dene en los artículos 7 a 12. Excepto en las circunstanciasdenidas en el artículo 15.5, el jurado D debe reconocer y valorar

8#,# .2.$.()' ;Q2&,' 8'55.8)#$.(). 5.#2&c#,'AZA S. .*%.5# 4-. .2 7&$(#*)# &(82-3# .( *- .e.58&8&' *P2' .2.$.()'*

4-. %-.,# 5.#2&c#5 8'( 8'$%2.)# *.7-5&,#, 3 8'( #2)' 75#,' ,..*)6)&8# 3 $#.*)5O# )68(&8#A H2 e-5#,' ] (' 5.8'('8.5Q .2.$.()'*8'( -(# $-3 $#2# .e.8-8&P( 3 .2 e-5#,' H 2'* %.(#2&c#5QA

3. Cada elemento se dene por una posición nal perfecta o por-(# 5.#2&c#8&P( %.5:.8)#A

iA U( .2.$.()' (' 5.8'('8&,' %'5 .2 e-5#,' ]G (' 5.8&C&5Q ;#2'5A

kA U( .2.$.()' (' *.5Q 5.8'('8&,' %'5 .2 e-5#,' ] *O $-.*)5# -(#desviación signicativa de la ejecución descrita. Un elemento no*.5Q 5.8'('8&,'G (& 8'()#5Q %'5 2#* 5#c'(.* &(82-&,#*G #,.$Q* ,.')5#* %'*&C2.*G *&7-&.().*g

a) Sí, en suelo, el elemento se empieza fuera de la supercie

,.2 *-.2'A a;.5 *.88&P( Vn #5)AVnAZAVAo#bACb SOG .( *#2)'G .2 7&$(#*)# 5.#2&c# -( *#2)' (' ;Q2&,' )#2 8'$'se dene en el sección 13.

c) Sí en barra ja, un elemento se realiza con o desde los pies.( 2# C#55# a;.5 *.88&P( VkbA

,b S& *. .e.8-)# -( .2.$.()' ,. $#().(&$&.()' 8'( %&.5(#*abiertas no identicado en las tablas de dicultad en cualquier#%#5#)'A

.b SO .2 .2.$.()' *. .e.8-)# )#( #2).5#,'G 4-. (' %-.,. *.5reconocido su número de identicación (ver también el Anexo IAoAVbG %'5 .e.$%2'g

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 24

&A -( 626$.() ,. :'58. .068-)6 %5.*4-. .()&E5.$.() .( 62#(l&&A -( 626$.() ,B62#( .068-)6 %5.*4-. .()&E5.$.() .( :'58.l&&&A -( 626$.() .( %'*&)&'( ).(,-. .068-)6 .( %'*&)&'( 75'-M

%6. '- 8#5%6 $#54-6.G '- ;&8. ;.5*#A ]#(* %#5.&2 8#*G2. /-53 ] #88'5,. ('5$#2.$.() 2# ;#2.-5 ,. 2B626$.()).2 4-B&2 .*) .068-)6l

&;A -( 626$.() ,. :'58. #;.8 2.* e#$C.* *.556.* .068-)6#;.8 2.* e#$C.* 68#5)6.*l

v. un élément de maintien en force exécuté avec exion$#54-6. ,.* C5#*l

;&A #-0 #((.#-0G -( 626$.() h 2B#%%-& 5.(;.5*6 '- $.(#()h 2B#%%-& 5.(;.5*6 $#j)5&*6 #;.8 2.* e#$C.* '- 2.* %&.,*#%%-36* *-5 2.* 8|C2.*l

:b 2. 73$(#*). 8'$%2E). 2B626$.() #;.8 2B#&,. ,B-( #**&*)#()l

7b 2. 73$(#*). 8"-). *-5 '- ,.%-&* 2B.(7&( %.(,#() 2B.068-)&'(de l’élément, ou modie ou interrompt ce dernier de quelque#-)5. :#^'(l

"b 2. 73$(#*). 8"-). *-5 '- ,.%-&* 2B.(7&( %.(,#() 2B.068-)&'(de l’élément avant d’avoir atteint une position nale qui lui%.5$.)). ,. 8'()&(-.5 2B.0.58&8. %#5 #- $'&(* -( 62#( '- ,.$#j)5&*.5 $'$.()#(6$.() 2B626$.() 2'5* ,. 2# 568.%)&'( '-,. 2# 5.%5&*.l

&b 2. 73$(#*). )&.() -( 626$.() ,. $#&()&.( .( :'58. '- -(*&$%2. 626$.() ,. $#&()&.( *#(* #55J)l

eb 2. 73$(#*). .068-). -( 626$.() ,B626;#)&'( .( :'58. h %#5)&5,B-( 626$.() ,. $#&()&.( .( :'58. 4-& (B# %#* 6)6 5.8'((-%'-5 -(. 5#&*'( '- -(. #-)5.l

Nb h 2# %2-%#5) ,.* .(7&(*G 2. 73$(#*). .068-). -( 626$.() #;.85')#)&'(* 2'(7&)-,&(#2.* .) %56*.(). -(. 5')#)&'( .08.**&;. '-insufsante égale ou supérieure à 90°, ou exécute un élémentd’élan dont la position nale présente une déviation égale ousupérieure à 45° par rapport à la position nale correcte (voir#-**& I((.0. IAoAVbA ]#(* 8.5)#&(* 8#*G %#5)&8-2&E5.$.() #-saut, une rotation excessive ou insufsante de 90° peut menerh 2# 5.8'((#&**#(8. ,B-( *#-) ,. ;#2.-5 ,&::65.(). %#5 2. /-53 ]l

2b #- 8".;#2M#5^'(*G -( 626$.() .( #%%-& )5#(*;.5*#2 '- 2#)65#2présente une déviation égale ou supérieure à 45° par rapporth 2B#%%-& 8'55.8) %.(,#() 2# $#e.-5. %#5)&. ,. *'( .068-)&'(l

$b #-0 .(7&(* 8'(8.5(6*G -( 626$.() ,. $#&()&.( .( :'58. '- -(

*&$%2. 626$.() ,. $#&()&.( %56*.(). -(. ,6;&#)&'( 67#2. '-supérieure à 45° par rapport à la position horizontale correcte,- 8'5%*G ,.* C5#* '- ,.* e#$C.*A =#5 .0.$%2.g

&A 2# )J). ,- 73$(#*). *. *&)-. .()&E5.$.() #-M,.**-* ,-8.582. ,.* #((.#-0 ,#(* -(. 85'&0 5.(;.5*6. a.( 5E72.générale, cela correspond à une déviation > 45°);

&&A 2.* #&**.22.* ,- 73$(#*). *. *&)-.() .()&E5.$.() #-M,.**-* ,- 8.582. ,.* #((.#-0 ,#(* -(. 85'&0 a.( 5E72.générale, cela correspond à une déviation > 45°);

&&&A a;'&5 #-**& #5)&82. }AZA€bA

&A I *)5.(7)" .2.$.() %.5:'5$., #2$'*) .()&5.23 L&)" *L&(7A&&A I *L&(7 .2.$.() %.5:'5$., #2$'*) .()&5.23 L&)" *)5.(7)"A&&&A I *)5.)8"., %'*&)&'( .2.$.() %.5:'5$., L&)" # ,&*)&(8)

)-8N '5 %&N. '5 ;&8. ;.5*#A ?( *-8" 8#*.* #( .2.$.() &*('5$#223 7&;.( )". ;#2-. ': )". .2.$.() #* %.5:'5$.,A

&;A I *)5.(7)" .2.$.() ('5$#223 %.5:'5$., L&)" 2.7* )'7.)".5&* %.5:'5$., L&)" 2.7* *)5#,,2.,A

v. A strength hold element performed with signicantly bent#5$*A

;&A I( .2.$.() &( '5 )' "#(,*)#(, '( D&(7* )"#) &* 8'()5'22.,L&)" )". 2.7* '5 :..) #7#&(*) )". 8#C2.*A

:b ?: )". .2.$.() "#* C..( 8'$%2.)., L&)" )". #**&*)#(8. ': #*%')).5A

7b ?: )". 73$(#*) :#22* '( '5 :5'$ )". #%%#5#)-* ,-5&(7 #( .2.$.()G'5 #2).5*G '5 &().55-%)* &) &( *'$. ')".5 $#((.5A

"b ?: )". 73$(#*) :#22* '( '5 :5'$ )". #%%#5#)-* ,-5&(7 #( .2.$.()L&)"'-) "#;&(7 5.#8"., #( .(, %'*&)&'( )"#) %.5$&)* 8'()&(-M#)&'( L&)" #) 2.#*) # *L&(7 '5 )"#) ')".5L&*. :#&2* )' ,&*%2#3 #$'$.()#53 8'()5'2 ': )". .2.$.() ,-5&(7 2#(,&(7 '5 5.M75#*%A

&b ?: # *)5.(7)" "'2, .2.$.() '5 # *&$%2. "'2, .2.$.() &* (') ".2,A

eb ?: # %5.** '5 %-22 '-) 8'$.* :5'$ # *)5.(7)" "'2, .2.$.() L"&8""#* (') C..( 5.8'7(&c., '5 85.,&)., :'5 #(3 5.#*'(A

Nb ?: # )L&*)&(7 .2.$.() '( $'*) #%%#5#)-* &* %.5:'5$., L&)"an over- or under-rotation of 90° or greater or if a swinging.2.$.() &* %.5:'5$., L&)" # ,.;&#)&'( :5'$ )". %.5:.8) .(,position of 45° or greater (see also Appendix A.3.1). ?( *'$.8&58-$*)#(8.*G .*%.8&#223 '( W#-2)G #( ';.5M '5 -(,.5M5')#)&'(of 90° may result in the recognition of different value for the;#-2) C3 )". ]Me-53A

2b ?:G '( ='$$.2 X'5*.G .2.$.()* &( 85'** *-%%'5) '5 &( *&,.support deviate from the correct support orientation by 45° or75.#).5 :'5 )". 75.#).5 %'5)&'( ': )". .2.$.()A

$b ?: *)5.(7)" "'2, %'*&)&'(* '5 *&$%2. "'2, %'*&)&'(* '( #(3 #%M

%#5#)-* ,.;&#). :5'$ )". 8'55.8) "'5&c'()#2 C',3G #5$G '5 2.7position by 45° or greater. This means, for example:

&A ?(;.5)., 85'** L&)" )". ".#, ': )". 73$(#*) .()&5.23 #C';.the circle of the rings. (This is usually >45°).

&&A !5'** L&)" )". #5$ %&)* .()&5.23 #C';. )". 8&582. ': )".rings. (This is usually >45°).

&&&A a*.. #2*' I5)&82. }AZA€bA

&A U( .2.$.()' # :-.5c# .e.8-)#,' 8#*& )')#2$.(). # &$%-2*'A&&A U( .2.$.()' # &$%-2*' .e.8-)#,' 8#*& )')#2$.(). # :-.5c#A&&&A U( .2.$.()' .0).(,&,' .e.8-)#,' #75-%#,' ' .( 8#5%#

' ;&8.;.5*#A H( .*)'* 8#*'* #2 .2.$.()' *. 2. ,# .2 ;#2'5,.2 .2.$.()' .e.8-)#,'A

&;A U(# %'*&8&P( ,. :-.5c# 8'( %&.5(#* e-()#* .e.8-)#,# 8'(%&.5(#* #C&.5)#*A

;A U(# %'*&8&P( ,. :-.5c# .e.8-)#,# 8'( 2'* C5#c'* $#58#M,#$.(). ,'C2#,'*A

;&A U( .2.$.()' .( ' )5#;6* ,.2 #%'3' &(;.5)&,' .( #(&22#*G4-. .* 8'()5'2#,' 8'( 2#* %&.5(#* ' 2'* %&.* .( 2'* 8#MC2.*A

:b SO .2 .2.$.()' *. ).5$&(# 8'( 2# #3-,# ,.2 #*&*).().A

7b SO .2 7&$(#*)# 8#. ,.2 ' *'C5. .2 #%#5#)' ,-5#(). -( .2.$.()'G' 2' #2).5#G ' 2' &().55-$%. ,. 8-#24-&.5 ')5# :'5$#A

"b SO .2 7&$(#*)# 8#. ,.2 ' *'C5. .2 #%#5#)' ,-5#(). -( .2.$.()'sin haber llegado a la posición nal que permita continuar sin#2 $.('* -( &$%-2*' ' 8#. ' $-.*)5# -( 8'()5'2 $'$.()Q(.',.2 .2.$.()' ,-5#(). 2# 5.8.%8&P( ' .2 #7#55.A

&b SO -( .2.$.()' .*)Q)&8' ,. :-.5c# ' -(# %'*&8&P( ,. $#().M(&$&.()' *&$%2. (' *. %#5#A

eb SO -(# .2.;#8&P( ;&.(. ,.*,. -(# %'*&8&P( ,. :-.5c# 4-. ('"# *&,' 5.8'('8&,# ' ;#2'5#,# %'5 8-#24-&.5 5#cP(A

Nb SO -( .2.$.()' ,. 7&5' .( 2# $#3'5O# ,. 2'* #%#5#)'* *. 5.#2&c#con una rotación menor o mayor de 90° o sí un elemento deimpulso se ejecuta con una desviación de 45° o más con laposición nal perfecta (ver el Anexo A.3.1). H( #27-(#* 8&5M8-(*)#(8&#*G .*%.8&#2$.(). .( *#2)'G -(# 5')#8&P( .( $Q* 'menos de 90° puede resultar reconocida por el jurado D con-( ;#2'5 ,&:.5.().A

2b SOG .( 8#C#22' 8'( #58'*G 2'* .2.$.()'* .( #%'3' )5#(*;.5*#2o en apoyo lateral tienen una desviación de 45° o más con la%'*&8&P( 8'55.8)# ,. #%'3' .( 2# $#3'5 %#5). ,.2 .2.$.()'A

$b SO %'*&8&'(.* ,. $#().(&$&.()' # :-.5c# ' *&$%2.* %'*&8&'M

(.* ,. $#().(&$&.()' .( 8-#24-&.5 #%#5#)' *. ,.*;O#( ,.2# %'*&8&P( "'5&c'()#2 ,.2 8-.5%'G C5#c'* ' .( 2# %'*&8&P( ,.las piernas en 45° o más. Por ejemplo:

&A !5&*)' &(;.5)&,' 8'( 2# 8#C.c# ,.2 7&$(#*)# 8'$%2.)#M$.(). %'5 .(8&$# ,.2 8&58-2' ,. 2#* #(&22#* a%'5 2' 7.(.5#2> 45°).

&&A !5&*)' 8'( 2'* "'$C5'* 8'$%2.)#$.(). %'5 .(8&$# ,.2circulo de las anillas (por lo general > 45°).

&&&A a;.5 )#$C&6( I5)O8-2' }AZA€bA

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 25

wA ]#(* )'-* 2.* 8#*G 2. /-53 ] ,'&) :#&5. %5.-;. ,. ,&*8.5(.$.().) %5.(,5. *# ,68&*&'( ,#(* 2B&()65J) ,. 2# 73$(#*)&4-.A H( 8#*d’hésitation, il doit laisser le bénéce du doute au gymnaste.

•A H( 5E72. 76(65#2.G 2.* 626$.()* ('( 5.8'((-* %#5 2. /-53 ] .(5#&*'( ,B-(. .068-)&'( &(8'55.8). *'() .( '-)5. %6(#2&*6* *6;E5.M$.() %#5 2. /-53 HA

*9DE=:; KVc 5UMUDEDE7><VA <. 73$(#*). (. %.-) 56%6).5 *'( .0.58&8. *#-: *B&2 # ,m 2B&().5M

5'$%5. %'-5 ,.* 5#&*'(* &(,6%.(,#().* ,. *# ;'2'()6AZA S& 2. 73$(#*). 8"-). *-5 '- ,.%-&* 2B.(7&(G &2 %.-) 5.%5.(,5. *'(

.0.58&8. h 2B.(,5'&) 'u &2 # 8"-)6 '- 56%6).5 2B626$.() $#(4-6 %'-54-. 8.2-&M8& *'&) 5.8'((- .) %'-5*-&;5. a;'&5 #5)&82. }AZAkbA

3. Les éléments (nº d’identication) répétés ne peuvent être reconM(-* (& ,'((.5 ,5'&) h ,.* %'&()* ,. 8'((.0&'(*A ?2 .( ;# ,. $J$.%'-5 2.* 626$.()* 56%6)6* ,#(* 2.* 2&#&*'(* a.08.%)&'(*g #- 8".;#2M#5^'(* 8.5)#&(* 626$.()* .) 8.582.*G ,'() 2# ;#2.-5 #-7$.(). *B&2**'() .068-)6* ,.-0 :'&* ,#(* ,.* .(8"#j(.$.()* %#5)&8-2&.5*G .)#-0 #((.#-0 M ;'&5 S.8)&'( VV .) VZbA

4. Si, pour une raison ou une autre, la difculté d’un élément ne peutJ)5. 5.8'((-.G #2'5* 8.2-&M8& (. %.-) 5.$%2&5 #-8-(. .0&7.(8. ,-75'-%. ,B626$.()*A

*9DE=:; KVl IWC:8CDE7> ?8 f89A #

*=D E7> ?8 +AB>C<D; IWC:8CD E7> MC9 :; e89A #

H0&7.(8.* ,.* 75'-%.* ,v626M$.()* 5.$%2&.*

Ie'-) ,. nAk ,. %'&() 8"#4-. :'&*

H0&7.(8. %'-5 75'-%. ,v626$.()**'5)&.*

Sortie de valeur A ou B = + 0.0

Sortie de valeur C = + 0.3

Sortie D ou plus = + 0.5

/-(&'5* Sortie de valeur A = + 0.0

Sortie de valeur B = + 0.3

Sortie de valeur C ou sup. = + 0.5

>#-).* 8'(,-&*#() h 2# ('(5.8'((#&**#(8. a;'&5 I5)A •Ai.) }Aib

non reconnaissance de la difculté

_26$.() 8'$%26)6 #;.8 2B#&,.,B-( #**&*)#()

non reconnaissance de la difculté

=#* ,. $#&()&.( non reconnaissance de la difculté

D6%6)&)&'( ,B-( 626$.() #-)'5&*6. $#&* ('( 8'$%)#C&2&*6.

S'5)&. #;.8 %'-**6. ,.* %&.,*'- #-)5. *'5)&. ('( 5672.$.()#&5. ('( 5.8'((#&**#(8. ,. 2v626$.() .)

,- 75'-%. ,v626$.()* *'5)&.*

9#&()&.( .( :'58. #;.8 e#$C.*68#5)6.* '- #-)5. 626$.() &().5,&)

('( 5.8'((#&**#(8. ,. 2v626$.()

wA ?( #22 8#*.*G )". ]Me-53 &* )' $#N. ,.8&*&'(* C#*., '( 73$(#*)&8**.(*. #(, )' ,.8&,. &( )". &().5.*)* ': )". *%'5) ': 73$(#*)&8*A ?(cases of doubt, the benet of that doubt must be given to the gymnast.

•A H2.$.()* %.5:'5$., *' %''523 )"#) )".3 #5. (') 5.8'7(&c., C3 )".]Me-53 L&22 ('5$#223 C. *.;.5.23 ,.,-8)., C3 )". HMe-53 #* L.22A

*9DE=:; KVc 5;M;DEDE7>VA I( .0.58&*. $#3 (') C. 5.%.#)., -(2.** )". 73$(#*) "#* )' &().5M

5-%) "&* .0.58&*. :'5 5.#*'(* '-)*&,. ': "&* 8'()5'2AZA ?: )". 73$(#*) :#22* '( '5 :5'$ )". #%%#5#)-*G ". $#3 8"''*. )'

8'()&(-. L&)" "&* .0.58&*. :5'$ )". :#22 '5 )' 5.%.#) )". $&**.,.2.$.() :'5 85.,&) #(, 8'()&(-. :5'$ )".5.A aS.. I5)&82. }AZAkbA

3. No element (same Code Identication Number) may be repeatedfor difculty credit or for Connection Points. This applies also to.2.$.()* 5.%.#)., &( 8'((.8)&'(* a.08.%)&'(*g 8.5)#&( ='$$.2X'5*. .2.$.()* #(, 8&582.* )"#) &(85.#*. &( ;#2-. &: %.5:'5$.,)L&8. &( *%.8&#2 8'$C&(#)&'(*G #(, D&(7* M *.. S.8)&'( VV #(, VZbA

4. If the difculty of an element is not recognized for any reason, then)"#) .2.$.() 8#( #2*' (') $..) #( H2.$.() @5'-% D.4-&5.$.()A

*9DE=:; KVl # ] f89A $WC:8CDE7>

+AB>C<DL< *=DE7>< #]e89A ;WC:8CDE7>

Fullling of Element Group ReM4-&5.$.()*

I,,&(7 nAk :'5 .#8"

]&*$'-() H2.$.() @5'-% D.M4-&5.$.()

A or B value dismount = + 0.0

C value dismount = + 0.3

D value or higher dismount = + 0.5

/-(&'5* A value dismount = + 0.0

B value dismount = + 0.3

C value dismount or higher = + 0.5

H55'5* 2.#,&(7 )' ('(M5.8'7(&)&'(a*.. I5)&82. •Ai #(, }Aib Non-recognition of the Difculty

I**&*)#(8. C3 *%')).5 &( 8'$%2.M)&'( ': .2.$.()

Non-recognition of the Difculty

Y') "'2,&(7 Non-recognition of the Difculty

D.%.# )., . 2.$ .() =.5$& )) ., C- ) 7 &;.( (' ;#2-.

=-*"&(7 L&)" :..) :'5 ,&*$'-() '5')".5 ('(M2.7&)&$#). ,&*$'-()

Y'(M5.8'7(&)&'( ': )". .2.$.() #(,,&*$'-() .2.$.() 75'-% 5.4-&5.M

$.()

S)5#,,2., *)5.(7)" "'2, '5 ')".5%5'"&C&)., .2.$.()*

Y' 5.8'7(&)&'( ': )". .2.$.()

wA H( )','* 2'* 8#*'* .2 e-5#,' ] ,.8&,&5Q C#*Q(,'*. .( .2 *.()&,'. &().56* ,. 2# 7&$(#*&#A H( 8#*'* ,. ,-,#G *. 8'(8.,.5Q #2gimnasta el benecio de la duda.

•A Y'5$#2$.(). 2'* .2.$.()'* .e.8-)#,'* )#( $#2 4-. (' *'(5.8'('8&,'* %'5 .2 e-5#,' ] *.5Q( %.(#2&c#,'* *.;.5#$.(). %'5.2 e-5#,' HA

*9DP=8:7 KVc 5;M;DE=E7>;<VA U( .e.58&8&' (' %-.,. 5.%.)&5*. # (' *.5 4-. .2 7&$(#*)# ).(7#

4-. &().55-$%&5 *- .e.58&8&' %'5 5#c'(.* #e.(#* # 62AZA S& .2 7&$(#*)# *. 8#. *'C5. ' ,.2 #%#5#)'G %-.,. .2.7&5 .()5.

8'()&(-#5 ,.*,. 2# 8#O,# ' 5.%.)&5 .2 .2.$.()' 4-. :#2)# %#5# *-5.8'('8&$&.()' 3 8'()&(-#5 ,.*,. 62 a;.5 #5)O8-2' }AZAkbA

oA Y' *. %-.,. 5.8'('8.5 (& ,#5 8'(.0&P( # -( .2.$.()' 5.%.)&,'(con el mismo número de identicación en el código). Esto se#%2&8# )#$C&6( # 2'* .2.$.()'* 5.%.)&,'* .( 8'(.0&P( a.08Ag #2M7-('* .2.$.()'* .( 8#C#22' 8'( #58'* 3 $'2&('* 4-. #-$.()#(*- ;#2'5 *& *. 5.#2&c#( ,'* ;.8.* .( 8'$C&(#8&'(.* .*%.8&#2.* 3.( 2#* #(&22#* M ;.5 S.88&P( VV 3 VZbA

4. Si no se reconoce la dicultad de un elemento, ese elemento tamM%'8' %-.,. 8-$%2&5 8'$' 5.4-.5&$&.()' ,. @5-%' ,. .2.$.()'A

*9DP=8:7 KVl $WC:8C=EZ> ?;: f89C?7 #

*== EZ> ?; : @ EB>C<D C $WC :8C= EZ> f89C?7 #

!-$%2&5 8'$%2.)#$.(). .2 5.4-.M5&$&.()' ,. 75-%' ,. .2.$.()'

S-$#5 nGk %'5 8#,# -('

!-$%2&5 .2 5.4-.5&$&.()' ,.75-%' ,. S#2&,#

Salida valor A o B = + 0.0

Salida valor C = + 0.3

Salida valor D o superior = + 0.5

/R(&'5 Salida valor A = + 0.0

Salida valor B = + 0.3

Salida valor C o superior = + 0.5

>#2)# .( 2# 5.8.%8&P( "#*)# .2 ('5.8'('8&$&.()' a;.5 #5)O8-2' •Ai3 }Aib

Dicultad no reconocida

I3-,# ,.2 #*&*).(). .( 2# 5.#2&c#M8&P( ,. -( .2.$.()'

Dicultad no reconocida

S&( %#5#,# Dicultad no reconocida

D.%.)&8&P( ,. -( .2.$.()' =.5$&)&,' %.5' *&( ;#2'5

S#2&,# 8'( #%'3' ,. %&.* - ')5#*#2&,# (' %.5$&)&,#

@5-%' ,. .2.$.()' *#2&,# ('5.8'('8&,'

='*&8&'(.* ,. :-.5c# 8'( %&.5(#*#C&.5)#* - ')5' .2.$.()' %5'"&C&,'

H2.$.()' (' 5.8'('8&,'

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 26

2;=DE7> J&9;<=9EMDE7>< =7>=;9>C>D :C >7D; $

*9DE=:; JV. #;<=9EMDE7> ?; :C M9U<;>DCDE7> ?; :L;G;9=E=;VA <# %56*.()#)&'( ,. 2B.0.58&8. %'5). -(&4-.$.() *-5 2.* :#8).-5*

4-& 8#5#8)65&*.() -(. %5.*)#)&'( 73$(&4-. 8'().$%'5#&(. .) ,'()2B#C*.(8. .*) %6(#2&*6. %#5 2. /-53 Hg

#b .068-)&'( ).8"(&4-.G 2# 8'$%'*&)&'( a2.* .0&7.(8.* 76(65#2.*

8'(8.5(.() 2# 8'(*)5-8)&'( ,. 2B.0.58&8.bG .*)"6)&4-. .) ).(-.lZA <# %56*.()#)&'( ,. 2B.0.58&8. # -(. ;#2.-5 $#0&$#2. ,. VnGn %'&()*A

*9DE=:; JV, !C:=8: ?;< ?U?8=DE7>< ?8 f89A $VA <.* e-7.* ,- /-53 H ,'&;.() e-7.5 2B.0.58&8. .) 8#28-2.5 2.* ,6,-8M

)&'(* *#(* *. 8'(*-2).5G .) :'-5(&5 2.-5 ('). ,#(* 2.* Zn *.8'(,.*suivant la n de l’exercice.

ZA !"#4-. e-7. ,- /-53 H 6;#2-. 2B.0.58&8. .( :'(8)&'( ,. 2B.068-)&'(%#5:#&). .0&76.A F'-* 2.* 68#5)* %#5 5#%%'5) h 8.)). .0&7.(8. *'()%6(#2&*6*A

#b <.* ,6,-8)&'(* %'-5 2.* :#-).* .*)"6)&4-.* .) ,. ).(-.G).8"(&4-.* .) ,. 8'$%'*&)&'(* *.5'() #,,&)&'((6.* e-*4-Bh-( $#0&$-$ ,. Vn %'&()* %'-5 2# %56*.()#)&'( ,. 2B.0.58&8.A

*9DE=:; JV/ 5;><;E@>;B;>D< M789 :; @AB>C<D;

VA <. 73$(#*). (. ,'&) &(82-5. ,#(* *'( .0.58&8. 4-. ,.* 626$.()*4-B&2 %.-) .068-).5 .( )'-). *68-5&)6 .) 4-B&2 $#j)5&*. %#5:#&).$.(),- %'&() ,. ;-. .*)"6)&4-. .) ).8"(&4-.A S# *68-5&)6 ,.$.-5.*'-* *'( .()&E5. 5.*%'(*#C&2&)6A <. /-53 H ,'&) %6(#2&*.5 5&7'-M5.-*.$.() )'-). :#-). ,B.068-)&'( ).8"(&4-. '- ,. ).(-.A

2. Le gymnaste ne doit jamais tenter d’augmenter la difculté au,6)5&$.() ,. 2B.068-)&'( ).8"(&4-. .) ,. 2# ).(-.A

oA F'-).* 2.* .()56.* ,'&;.() J)5. .068-)6.* h %#5)&5 ,. 2# *)#)&'( e#$C.* *.556.*G ,B-( C5.: 62#( a#-0 C#55.* %#5#22E2.* .) h 2# C#55.xe seulement) ou de la suspension xe. Aucun élément ne doit%5686,.5 2B.()56. %5'%5.$.() ,&).G h 2B.08.%)&'( ,- *#-)G 'u 2B'(applique les règles spéciques à cet engin.

iA F'-).* 2.* *'5)&.* ,.* .(7&(*G 3 8'$%5&* %'-5 2B.0.58&8. #- *'2 .)#- *#-)G *. ).5$&(.() h 2# *)#)&'(G e#$C.* *.556.*A I 2B.08.%)&'(,- *'2G &2 .*) &().5,&) ,. ).5$&(.5 2B.0.58&8. .( *#-)#() ,. 2B.(7&(

.( %'-**#() %#5 2.* %&.,*A

2;=DE7> o#E9;=DEW;< );=X>EF8;<

*9DE=:; oV. 6; )9CWCE: ?8 f89A $VA <. /-53 H .*) 5.*%'(*#C2. ,. 2B6;#2-#)&'( ,. )'-* 2.* #*%.8)*

.*)"6)&4-.* .) ).8"(&4-.* .) ,- 5.*%.8) ,.* .0&7.(8.* ,. 8'$M%'*&)&'( ,. 2B.0.58&8. h *'( .(7&(A ]#(* 8"#4-. 8#*G 2. /-53 H6;#2-. 2.* 626$.()* .( :'(8)&'( ,. 2B.068-)&'( 8'55.8). .) ,. 2#position nale parfaite exigées (voir aussi Annexe A.2).

2;=DE7> J5;@8:CDE7>< +7W;9>E>@ $ <=79;

*9DE=:; JV. #;<=9EMDE7> 7Y $G;9=E<; &9;<;>DCDE7>VA F". H0.58&*. =5.*.()#)&'( 8'(*&*)* ': '(23 )"'*. :#8)'5* )"#) 8'(M

*)&)-). )". .**.(8. ': # 8'().$%'5#53 73$(#*)&8* %.5:'5$#(8. #(,)". #C*.(8. ': L"&8" 5.*-2)* &( ,.,-8)&'(* C3 )". HMe-53A F".*.:#8)'5* #5.g

#b F". ).8"(&8#2G 8'$%'*&)&'(#2 a7.(.5#2 .0%.8)#)&'(* :'5 .0.58&*.

8'(*)5-8)&'(b #.*)".)&8 #(, .0.8-)&'(AZA F". H0.58&*. =5.*.()#)&'( "#* # $#0&$-$ ;#2-. ': VnAn %'&()*A

*9DE=:; JV, !C:=8:CDE7> 7Y $]e89A ?;?8=DE7><VA F". e-,7.* ': )". HMe-53G L&22 e-,7. #( .0.58&*. #(, ,.).5$&(.

)". ,.,-8)&'(* &(,.%.(,.()23 #(, ,' *' L&)"&( Zn *.8'(,* ': )".8'$%2.)&'( ': )". .0.58&*.A

ZA H#8" %.5:'5$#(8. &* .;#2-#)., L&)" 5.:.5.(8. )' .0%.8)#)&'(*': %.5:.8) %.5:'5$#(8.A I22 ,.;&#)&'(* :5'$ )"&* .0%.8)#)&'( #5.,.,-8).,A

#b ].,-8)&'(* :'5 .55'5* &( #.*)".)&8 #(, .0.8-)&'(G ).8"(&4-.#(, 8'$%'*&)&'( #5. *-$$., )' # $#0&$-$ ': VnAn %'&()*:'5 H0.58&*. =5.*.()#)&'(A

*9DE=:; JV/ '><D98=DE7>< Y79 DX; +AB>C<D

VA F". 73$(#*) $-*) &(82-,. &( "&* .0.58&*. '(23 .2.$.()* )"#) ".8#( %.5:'5$ L&)" 8'$%2.). *#:.)3 #(, L&)" # "&7" ,.75.. ': #.*M)".)&8 #(, ).8"(&8#2 $#*).53A F". 5.*%'(*&C&2&)3 :'5 "&* *#:.)3 5.*)*.()&5.23 L&)" "&$A F". H e-53 &* 5.4-&5., )' ,.,-8) ;.53 5&7'5'-*23:'5 #(3 #.*)".)&8G .0.8-)&'(G 8'$%'*&)&'( #(, ).8"(&8#2 .55'5*A

2. The gymnast must never attempt to increase the difculty or ther]s *8'5. #) )". .0%.(*. ': #.*)".)&8 #(, ).8"(&8#2 .0.8-)&'(A

oA I22 $'-()* $-*) 8'$$.(8. :5'$ )". C#*&8 *)#(, %'*&)&'(G :5'$# *"'5) 5-( a'(23 =#5#22.2 T#5* #(, X'5&c'()#2 T#5bG '5 :5'$ # *)&22"#(7A =5.M.2.$.()* '5 &().5$.,&#). .2.$.()* $#3 (') %5.8.,.the mount. This rule does not apply to Vault where the specic5-2.* *)#)., :'5 )"#) #%%#5#)-* #%%23A

iA ]&*$'-()* :5'$ #22 #%%#5#)-* #* L.22 #* )". 8'(82-*&'( '( >2''5H0.58&*. #(, W#-2) $-*) .(, &( # *)#(,&(7 %'*&)&'( L&)" )". 2.7*)'7.)".5A K&)" )". .08.%)&'( ': >2''5 H0.58&*.G %-*"&(7 :5'$ )".

#%%#5#)-* L&)" )". :..) &( '5,.5 )' .0.8-). )". ,&*$'-() &* (')%.5$&)).,A

2;=DE7> o);=X>E=C: #E9;=DEW;<

*9DE=:; oV. $WC:8CDE7> Â DX; $ ] e89AVA F". HM/-53 &* 5.*%'(*&C2. :'5 .;#2-#)&(7 #22 ': )". #.*)".)&8G

.0.8-)&'( #(, ).8"(&8#2 %.5:'5$#(8. #*%.8)* ': #( .0.58&*. #*L.22 #* &)* 8'$%2&#(8. L&)" )". 8'$%'*&)&'( a.0.58&*. 8'(*)5-8)&'(.0%.8)#)&'(*b :'5 )"#) #%%#5#)-*A ?( .#8" 8#*. )". H M/-53 &* )',.$#(, )"#) .2.$.()* C. %.5:'5$., L&)" %.5:.8)&'( #(, )' %.5:.8).(, %'*&)&'(* a*.. #2*' I%%.(,&0 IAZbA

2;==EZ> J5;@:C< 9;:CDEWC< C :C >7DC $

*9DP=8:7 JV. #;<=9EM=EZ> ?; :C M9;<;>DC=EZ> ?;: ;e;9=E=E7VA <# %5.*.()#8&P( ,.2 .e.58&8&' 8'()&.(. *P2' 2'* :#8)'5.* 4-. 8'(*M

)&)-3.( 2# .*.(8&# ,. 2# .e.8-8&P( ,. 2# 7&$(#*&# 8'().$%'5Q(.#G8-3# #-*.(8&# )5#.5Q 8'$' 5.*-2)#,' %.(#2&c#8&'(.* ,.2 e-5#,'HA H*)'* :#8)'5.* *'(g

#b <# )68(&8#G 2# 8'$%'*&8&P( a.0%.8)#)&;#* 7.(.5#2.* .( 2#

8'(*)5-88&P( ,.2 .e.58&8&'b :#2)# ,. .*)6)&8# 3 2# .e.8-8&P(AZA <# %5.*.()#8&P( ,.2 .e.58&8&' ;#2. 8'$' $Q0&$' VnAn %-()'*A

*9DP=8:7 JV, !j:=8:7 ?; :C< ?;?8==E7>;< ?;: e89C?7 $VA <'* e-.8.* ,.2 e-5#,' HG .;#2-#5Q( &(,.%.(,&.().$.(). .2 .e.5M

cicio y determinarán la nota 20 segundos después de nalizado.2 .e.58&8&'A

ZA !#,# .e.8-8&P( *. .;#2R# 8'( 5.:.5.(8&# # 2#* .0%.8)#)&;#* ,.-(# 8'55.8)# .e.8-8&P(A F',#* 2#* ,.*;&#8&'(.* 8'( 5.*%.8)' #2' .*%.5#,' *.5Q( ,.,-8&,#*A

#b ].,-88&'(.* %'5 :#2)#* ,. .*)6)&8# 3 .e.8-8&P(G )68(&8# 3 ,.8'$%'*&8&P( "#*)# -( $Q0&$' ,. VnAn %-()'* .( 2# %5.*.(M)#8&P( ,.2 .e.58&8&'A

*9DP=8:7 JV/ '><D98==E7>;< MC9C ;: @EB>C<DCVA H2 7&$(#*)# *P2' ,.C. &(82-&5 .( *- .e.58&8&' .2.$.()'* 4-. %-.,#

5.#2&c#5 8'( 8'$%2.)# *.7-5&,#, 3 8'( #2)' 75#,' ,. .*)6)&8# 3$#.*)5O# )68(&8#A <# 5.*%'(*#C&2&,#, ,. 2# *.7-5&,#, .* *-3# 3 ,.*- .()5.(#,'5A H2 e-5#,' H ,.C. ,.,-8&5 5&7-5'*#$.(). 8-#24-&.5:#2)# .*)6)&8#G .e.8-8&P(G 8'$%'*&8&P( 3 .55'5.* )68(&8'*A

ZA H2 7&$(#*)# (-(8# ,.C. &().()#5 #-$.()#5 2# (')# ] # .0%.(*#*,. 2# .*)6)&8# 3 2# .e.8-8&P( )68(&8#A

oA F',#* 2#* .()5#,#* ,.C.( 8'$.(c#5 ,.*,. 2# %'*&8&P( ,. %#5#Mdo, con una carrera corta (sólo paralelas y barra ja), o desde la*-*%.(*&P(A Y' ,.C.( 5.#2&c#5*. .2.$.()'* %5.;&'* ' .2.$.()'*&().5$.,&'* #().* ,. 2# .()5#,#A H*)# 5.72# (' *. #%2&8# .( *#2)'en el que se utilizan reglas especícas.

4. Las salidas de todos los aparatos, así como en al nal de suelo osalto, deben acabar en la posición de rmes con piernas juntas.S#2;' .( *-.2'G (' *. %.5$&). *#2&5 ,.2 #%#5#)' 8'( #%'3' ,. %&.*A

2;==EZ> o#E9;=DEWC< DU=>E=C<

*9DP=8:7 oV. $WC:8C=EZ> ?;: e89C?7 $VA H2 e-5#,' H .* 5.*%'(*#C2. ,. .;#2-#5 )','* 2'* #*%.8)'* ,.

.*)6)&8#G ,. .e.8-8&P( 3 ,. 5.#2&c#8&P( )68(&8# ,.2 .e.58&8&'G ,.#8-.5,' # 2#* .0%.8)#)&;#* ,. 8'$%'*&8&P( a.0%.8)#)&;#* .( 2#8'(*)5-88&P( ,.2 .e.58&8&'b %#5# 8#,# #%#5#)'A H( 8#,# 8#*'G .2 e-5#,' H ,.C. 5.4-.5&5 4-. 2'* .2.$.()'* *. .e.8-).( 8'( %.5Mfección y con una posición nal perfecta. (ver Anexo A.2).

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 27

ZA <. 73$(#*). (. ,'&) &(82-5. ,#(* *'( .0.58&8. 4-. ,.* 626$.()*4-B&2 %.-) .068-).5 .( )'-). *68-5&)6 .) 4-B&2 $#j)5&*. %#5:#&).$.(),- %'&() ,. ;-. .*)"6)&4-. .) ).8"(&4-.A F'-). &(:5#8)&'( h 8.))..0&7.(8. .*) 5&7'-5.-*.$.() %6(#2&*6. %#5 2. /-53 HA

3. Le Jury E ne tient aucun compte de la difculté ou des exigences,- 75'-%. ,B626$.()*A ?2 ,'&) ,6,-&5. ,. :#^'( 67#2. -(. $J$.faute quelle que soit la difculté de l’élément ou de la liaison.

iA <.* e-7.* ,- /-53 H a.) ,- /-53 ]b ,'&;.() $#&().(&5 h e'-52.-5* 8'((#&**#(8.* ,. 2# 73$(#*)&4-. 8'().$%'5#&(. .) *.).(&5 8'(*)#$$.() #- 8'-5#() ,.* .0&7.(8.* 2.* %2-* 568.().*8'(8.5(#() 2B.068-)&'( ,B-( 626$.() .) ,. 2# :#^'( ,'() 2.* 2&7(.*,&5.8)5&8.* ,- *%'5) 8"#(7.() h $.*-5. 4-. 8.2-&M8& 6;'2-.A ]#(*-( ).2 8'().0).G &2* ,'&;.() 67#2.$.() *#;'&5 8. 4-& .*) %'**&C2.G8. 4-B&2 .*) 5#&*'((#C2. ,B.0&7.5G 8. 4-B.*) -(. .08.%)&'( .) 8.4-& 8'(*)&)-. -( .::.) %#5)&8-2&.5 a;'&5 #-**& I((.0. IAobA

kA <. /-53 H ,'&) 8'$%5.(,5. 4-B&2 (. :#-) %#* ,6,-&5. 2'5*4-. 2.73$(#*). .068-). 8.5)#&(* 626$.()*G 4-& (. %56*.().() %#* ,.:#-). $#&* 4-&G %#5 #&22.-5*G ;&*.() h %5',-&5. -( .::.) %#5)&8-2&.5'- -( C-) %568&*A =#5 .0.$%2.g

&A #-0 C#55.* %#5#22E2.*G -( 6)#C2&**.$.() #;#() .( )'-5(#() .(#55&E5. '- -( 75#(, )'-5 .068-)6 &().()&'((.22.$.() #;.8 -(.%"#*. ,. ;'2G -( ,6%2#8.$.() .) -(. 5.%5&*. 5.)#5,6. ,.*C#55.* ;&*#() h %5',-&5. -( .::.) %#5)&8-2&.5 (. ,.;5#&) %#* J)5.%6(#2&*6 %#58. 4-. 2. 73$(#*). (. ).5$&(. %#* 2B626$.() h

2B#%%-& 5.(;.5*6A ?2 &(8'$C. )'-).:'&* #- 73$(#*). ,. %5',-&5.2B.::.) 5.8".58"6 ,. :#^'( (.)). .) &(,&*8-)#C2.l

&&A à la barre xe, il arrive souvent que le gymnaste modie ses75#(,* )'-5* 2'5*4-B&2 *. %56%#5. h .068-).5 -( 626$.() ;'2#() '-2# *'5)&.A !.* 75#(,* )'-5* (. ,.;5#&.() %#* J)5. %6(#2&*6* %#58.4-. 2. 73$(#*). (. %#**. %#* %#5 2B#%%-& 5.(;.5*6G h $'&(*4-B&2* *'&.() &(-)&2.* '- h 8. %'&() .08.**&:* 4-B&2* (. 5.*%.8).()%2-* 2.* .0&7.(8.* 5.2#)&;.* h 2# ).(-. .) h 2# ).8"(&4-.A

wA S&G %'-5 4-.24-. 5#&*'(G -( e-7. H (. %#5;&.() %#* h %5.(,5. -(.décision, il doit laisser au gymnaste le bénéce du doute.

•A <. /-53 H ,'&) ,6,-&5. ,.-0 :'&* *& 2. 73$(#*). 8'$$.) ,.-0:#-).* ,&::65.().* 2'5* ,. 2B.068-)&'( ,B-( $J$. 626$.()G 8B.*)Mh,&5. ,. ).8"(&4-. .) ,. ).(-.A =#5 .0.$%2.G -( ,.$&M)'-5 #;#()h 2B#%%-& 5.(;.5*6 #-0 C#55.* %#5#22E2.* %.-) J)5. %6(#2&*6 %'-5manque d’amplitude et pour exion des jambes.

*9DE=:; oV, #UD;9BE>CDE7> ?;< YC8D;< ?; D;>8; ?8 =79M< ;DD;=X>EF8;<VA Chaque élément est évalué en fonction de la position nale correcte

h #)).&(,5. '- ,. 2B.068-)&'( 8'55.8). .0&76. a;'&5 #-**& =#5) ?WbAZA F'-) 68#5) %#5 5#%%'5) h 2# %'*&)&'( 8'55.8). 8'(*)&)-. -(. :#-).

,B.068-)&'( '- ).8"(&4-. 4-. 2.* e-7.* ,'&;.() %6(#2&*.5A <B&$%'5M)#(8. ,. 2# ,6,-8)&'( %'-5 %.)&). :#-).G :#-). $'3.((. .) :#-).75'**&E5. .*) ,6).5$&(6. .( :'(8)&'( ,. 2B#$%2.-5 ,. 2B68#5) %#5rapport à la position parfaite. Une exion identique des bras, des e#$C.* '- ,.* "#(8".* .()5#j(. ,.* ,6,-8)&'(* &,.()&4-.*A

ZA F". 73$(#*) &* .0%.8)., )' &(82-,. &( "&* .0.58&*. '(23 .2.$.()*)"#) ". 8#( %.5:'5$ L&)" 8'$%2.). *#:.)3 #(, L&)" # "&7" ,.75.. ':#.*)".)&8 #(, ).8"(&8#2 $#*).53A I22 ,.;&#)&'(* :5'$ )"#) .0%.8)#M)&'( L&22 C. ,.,-8)., 5&7'5'-*23 C3 )". HMe-53A

3. The E-jury is not to concern at all with the difculty of an exercise.X. &* 'C2&7#)., )' ,.,-8) .4-#223 *.;.5.23 :'5 #(3 .55'5 ': )".same magnitude regardless of the difculty of the element or the8'((.8)&'(A

iA /-,7.* ': )". HM/-53 a#(, )". ]Me-53b $-*) 5.$#&( -%M)'M,#). L&)"8'().$%'5#53 73$(#*)&8*G $-*) N('L #) #22 )&$.* L"#) )". $'*)8'().$%'5#53 %.5:'5$#(8. .0%.8)#)&'( :'5 #( .2.$.() *"'-2, C.G#(, $-*) N('L "'L *)#(,#5,* #5. 8"#(7&(7 #* )". *%'5) .;'2;.*A?( )"&* 8'().0) )".3 $-*) #2*' N('L L"#) &* %'**&C2.G L"#) &*5.#*'(#C2. )' .0%.8)G L"#) &* #( .08.%)&'(G #(, L"#) &* # *%.8&#2.::.8) a*.. #2*' I%%.(,&0 IAobA

kA F". HM/-53 $-*) -(,.5*)#(, )' 5.:5#&( :5'$ ,.,-8)&(7 L".( *'$..2.$.()*G L"&8" ')".5L&*. "#;. (' .55'5*G #5. %.5:'5$., :'5 #*%.8&#2 .::.8) '5 # *%.8&#2 %-5%'*.A >'5 .0#$%2.g

&A 1( =#5#22.2 T#5*G # C#*N.) '5 # 7&#() *L&(7 ,.2&C.5#).23 %.5Mformed with ight and travel, and with a late re-grasp has a*%.8&#2 .::.8) #(, %-5%'*. #(, *"'-2, (') C. ,.,-8)., :'5 (').(,&(7 &( "#(,*)#(,A X'L.;.5 )". '(-* &* '( )". 73$(#*) )'*"'L )". .::.8) '5 %-5%'*. &( #( -($&*)#N#C2. #(, 8'(*%&8-M

'-* $#((.5A

ii. On Horizontal Bar, a giant swing is often modied in preparaM)&'( :'5 5.2.#*. .2.$.()* #(, ,&*$'-()*A F".*. *"'-2, (') C.,.,-8)., :'5 (') %#**&(7 )"5'-7" # "#(,*)#(, -(2.** )".3 #5.-((.8.**#53 '5 *' .0)5.$. #* )' ;&'2#). #.*)".)&8G .0.8-)&'(#(, ).8"(&8#2 .0%.8)#)&'(*A

wA ?: :'5 #(3 5.#*'( # e-,7. ': )". HM/-53 8#((') 5.#8" # ,.8&*&'(Ghe must give the benet of the doubt to the gymnast.

•A F". HMe-53 &* 'C2&7#)., )' ,.,-8) )L&8. :'5 )L' ,&*)&(8)23 ,&::.5.().55'5* &( #( .2.$.()G &A.A &: )". .2.$.() "#* C')" # ).8"(&8#2 #(,#( #.*)".)&8 .0.8-)&'( .55'5A >'5 .0#$%2. # *)ƒ)cN."5. '( =#5#22.2Bars may receive both deductions for insufcient amplitude and:'5 C.() N(..*A

*9DE=:; oV, #;D;9BE>CDE7> 7Y $G;=8DE7> C>? );=X>E=C: $9979<

1. Each element is dened to the perfect end position or as being%.5:'5$., L&)" %.5:.8)&'(A aS.. #2*' =#5) ?WbA

ZA I22 ,.;&#)&'(* :5'$ 8'55.8) %.5:'5$#(8. #5. 8'(*&,.5., .0.8-M)&'( '5 ).8"(&8#2 .55'5* #(, $-*) C. .;#2-#)., #88'5,&(723 C3 )". e-,7.*A F". #$'-() ': )". ,.,-8)&'( :'5 *$#22G $.,&-$G '5 2#57..55'5* &* ,.).5$&(., C3 )". ,.75.. ': ,.;&#)&'( :5'$ )". 8'55.8)%.5:'5$#(8.A F". *#$. ,.,-8)&'( &* #%%2&., .#8" )&$. :'5 )".*#$. *.;.5&)3 ': C.(,&(7G L".)".5 &) C. )". #5$*G 2.7*G '5 )". C',3A

ZA S. .*%.5# 4-. .2 7&$(#*)# &(82-3# .( *- .e.58&8&' *'2' .2.$.()'*4-. %-.,# .e.8-)#5 8'( 8'$%2.)# *.7-5&,#, 3 8'( -( #2)' 75#,' ,..*)6)&8# 3 $#.*)5O# )68(&8#A F',#* 2#* ,.*;&#8&'(.* 8'( 5.2#8&P( #.*)#* .0%.8)#)&;#* *.5Q( 5&7-5'*#$.(). %.(#2&c#,#* %'5 .2 e-5#,' HA

3. El jurado E no tendrá en cuenta la dicultad o los grupos de.2.$.()'* 5.4-.5&,'* .( .2 .e.58&8&'A H*)Q 'C2&7#,' # %.(#2&c#5,. &7-#2 $#(.5# 8-#24-&.5 .55'5 ,. &,6()&8# $#7(&)-, *&( ).(.5en cuenta la dicultad del elemento o combinación.

iA <'* e-.8.* ,.2 e-5#,' H a3 ,. 2 e-5#,' ]b ,.C.( 8'('8.5 2# 7&$(#*&#8'().$%'5Q(.#G #*O 8'$' 2' 4-. .( )',' $'$.()' *. .*%.5#G,.*,. .2 %-()' ,. ;&*)# ,. 2# 7&$(#*&# 8'().$%'5Q(.#G ,. -(.2.$.()'G 3 ,.C.( 8'('8.5 8'$' 8#$C&#( 2'* .*)Q(,#5.* .(.2 ,.*#55'22' ,.2 ,.%'5).A H( .*). 8'().0)' ,.C. *#C.5 4-. .*%'*&C2.G 4-. .* 5#c'(#C2. .*%.5#5G 4-. .* -(# .08.%8&P( 3 4-..* -( .:.8)' .*%.8&#2 a;.5 )#$C&6( I(.0' IAobA

kA H2 e-5#,' H (' ,.C. %.(#2&c#5 .2.$.()'*G 4-. *&( .55'5 *. .e.8-)#(para obtener un efecto o una nalidad especial. Por ejemplo:

&A H( %#5#2.2#*G -(# 4-&()# ' -( $'2&(' .e.8-)#,' ,.2&C.5#M,#$.(). %#*#e.5'G (' ,.C. %.(#2&c#5*. %'5 (' ).5$&(#5 .(#%'3' &(;.5)&,' 3# 4-. *. C-*8# -( .:.8)' .*%.8&#2 #2 5.#M2&c#52' 8'( -(# %5.*# )#5,O#A I-(4-.G .2 7&$(#*)# ,.C. *.5"'(.*)' %5.*.()#(,' .2 .:.8)' - 'Ce.)&;' ,. :'5$# 8'(85.)#

3 *&( :#2)#*A

ii. En barra ja, un molino a menudo se modica para preparar-( .2.$.()' ,. ;-.2' 3 -(# *#2&,#A Y' ,.C.5O# %.(#2&c#5*.%'5 (' %#*#5 %'5 .2 #%'3' &(;.5)&,' 8-#(,' (' *.# (.8.*#5&'' ,. :'5$# .0)5.$#G 8'$' :#2)# .*)6)&8#G ,. .e.8-8&P( ' ,..0%.8)#)&;#* )68(&8#*A

wA SO %'5 #27-(# 5#cP( -( e-.c ,.2 e-5#,' H (' %-.,. ,.8&,&5*.G ,.C.conceder el benecio de la duda al gimnasta.

•A H2 e-5#,' H .*)Q 'C2&7#,' # ,.,-8&5 ,'* ;.8.* %'5 ,'* .55'5.*,&:.5.().* .( -( .2.$.()'G %'5 .e.$%2' *& .2 .2.$.()' )&.(. .55'5.*)68(&8'* 3 ,. .e.8-8&P( .*)6)&8#A ='5 .e.$%2' -(# *)ƒ)cN."5. .(%#5#2.2#* %-.,. ).(.5 2#* ,'* ,.,-88&'(.* %'5 :#2)# ,. #$%2&)-,3 %'5 ,'C2#5 5',&22#*A

*9DP=8:7 oV, #;D;9BE>C=EZ> ?; YC:DC< ?; ;e;=8=EZ> A DU=>E=C<

1. Cada elemento está denido con una perfecta posición nal o%'5 .e.8-)#5*. 8'( %.5:.88&P(A aW.5 )#$C&6( =#5). ?WbA

ZA F',# ,.*;&#8&P( 8'( 5.2#8&P( # 2# .e.8-8&P( 8'55.8)# *. 8'(*&,.5#:#2)# ,. .e.8-8&P( ' :#2)# )68(&8# 3 ,.C. *.5 .;#2-#,# %'5 2'* e-.M8.*A S. ,.,-8. ,. #8-.5,' #2 75#,' ,. ,.*;&#8&P( 8'( 5.2#8&P(# 2# .e.8-8&P( 8'55.8)# 8'$' :#2)# %.4-.f#G $.,&# ' 75#(,.A<# $&*$# ,.,-88&P( *. #%2&8# 8#,# ;.cG %'5 ,'C2#5G )#()' *.#(%&.5(#*G C5#c'* ' 8-.5%'A

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 28

oA <.* ,6,-8)&'(* *-&;#().* *B#%%2&4-.() h )'-).* 2.* ,6;&#)&'(* *-52. %2#( ,. 2# ).(-. '- ,. 2# ).8"(&4-. %#5 5#%%'5) h 2B.068-)&'(8'55.8).A !.* ,6,-8)&'(* ,'&;.() *B#%%2&4-.5 &(,6%.(,#$$.()du degré de difculté de l’élément ou de l’exercice.

=.)&). :#-). nGV %A>#-). $'3.((. nGo %A>#-). 75'**&E5. nGk %A!"-). VGn %A

a) Petite faute: (déduction = 0,1 p.)&A %.)&). &$%568&*&'( '- 267.5 68#5) %#5 5#%%'5) h 2# %'*&)&'(

nale correcte ou à l’exécution correcte;&&A 267E5. 8'55.8)&'( ,. 2# %'*&)&'( ,.* $#&(*G ,.* %&.,* '- ,- 8'5%*l&&&A )'-) #-)5. 267.5 68#5) *-5 2. %2#( ,. 2# ).(-. '- ,. 2#

).8"(&4-. %#5 5#%%'5) h 2B.068-)&'( 8'55.8).Ab) Faute moyenne: (déduction = 0,3 p.)

&A *65&.-*. '- &$%'5)#(). ,6;&#)&'( %#5 5#%%'5) h 2# %'*&)&'(nale correcte ou à l’exécution correcte;

&&A 8'55.8)&'( &$%'5)#(). ,. 2# %'*&)&'( ,.* $#&(*G ,.* %&.,*'- ,- 8'5%*l

&&&A )'-) #-)5. 68#5) &$%'5)#() *-5 2. %2#( ,. 2# ).(-. '- ,.2# ).8"(&4-. %#5 5#%%'5) h 2B.068-)&'( 8'55.8).A

c) Faute grossière: (déduction = 0,5 p.)i. déviation fondamentale par rapport à la position nale

8'55.8). '- h 2B.068-)&'( 8'55.8).l

&&A 8'55.8)&'( :'(,#$.()#2. ,. 2# %'*&)&'( ,.* $#&(*G ,.*%&.,* '- ,- 8'5%*l

&&&A 62#( &().5$6,&#&5. 8'$%2.)l&;A )'-) #-)5. 68#5) :'(,#$.()#2 *-5 2. %2#( ,. 2# ).(-. '-

,. 2# ).8"(&4-. %#5 5#%%'5) h 2B.068-)&'( 8'55.8).Ad) Chute et assistance: (déduction = 1.0 p.)

&A 8"-). *-5 '- ,.%-&* 2B.(7&( *. %5',-&*#() %.(,#()2B.068-)&'( ,B-( 626$.() #;#() 4-. 2. 73$(#*). (B#&)atteint une position nale qui lui permette de continuer2B.(8"#j(.$.() %#5 #- $'&(* -( 62#( a%A .0Ag -(. %"#*.de suspension visible à la barre xe ou une phase d’appui;&*&C2. #- 8".;#2M#5^'(* #%5E* 2B626$.() .( 4-.*)&'(b'- ,. $#j)5&*.5 $'$.()#(6$.() 2B626$.() 2'5* ,. 2#568.%)&'( '- ,. 2# 5.%5&*.l

&&A <# ,6,-8)&'( $#0&$#2. %'-5 -( 626$.() #;.8 -(. 8"-).

.*) ,. MVGnG 3 8'$%5&* )'-* 2.* %#*G 2.* )'-8".* '- 2.*#%%-&* *-5 2. *'2 '- )#%&* $.(#() h 2# 8"-).A ]B#-)5.*,6,-8)&'(* ,B.068-)&'( 8'()5#8)6.* %.(,#() 2# 56#2&*#M)&'( ,. 2B626$.() a"#-).-5G .0).(*&'( #;#() 2# 568.%)&'(Grotation insufsante) continuent de s’appliquer

&&&A #&,. %.5$.))#() #- 73$(#*). ,. 8'$%26).5 -( 626$.()A

iA A tous les agrès, à la n de l’exercice, si un gymnaste n’exécute%#* -(. *'5)&.G $#&* *B&2 ,.*8.(, &().()&'((.22.$.() ,. 2B#75E* .(#55&;#() *-5 2.* %&.,*G 8.2# (B.()5#j(.5# %#* ,. ,6,-8)&'( %'-58"-). ,.%-&* 2B#75E*A

oA F". :'22'L&(7 ,.,-8)&'(* L&22 #%%23 :'5 .#8" #(, .;.53 ,&*8.5(M&C2. #.*)".)&8 '5 ).8"(&8#2 ,.;&#)&'( :5'$ )". .0%.8)., %.5:.8)%.5:'5$#(8.A F".*. ,.,-8)&'(* $-*) C. )#N.( 5.7#5,2.** ': )".difculty of the element or exercise.

S$#22 H55'5 nAV %A9.,&-$ H55'5 nAo %A<#57. H55'5 nAk %A>#22 VAn %A

a) Small errors: (deduction = 0.1)&A #(3 $&('5 '5 *2&7") ,.;&#)&'( :5'$ )". %.5:.8) .(, %'*&)&'(

#(, :5'$ %.5:.8) ).8"(&8#2 .0.8-)&'(l&&A #(3 $&('5 #,e-*)$.()* )' "#(,G :'')G '5 C',3 %'*&)&'(l&&&A #(3 ')".5 $&('5 ;&'2#)&'(* #7#&(*) #.*)".)&8 #(, ).8"(&8#2

%.5:'5$#(8. .0%.8)#)&'(*Ab) Medium errors: (deduction = 0.3)

i. any distinct or signicant deviation from the perfect end%'*&)&'( #(, :5'$ %.5:.8) ).8"(&8#2 .0.8-)&'(l

ii. any distinct or signicant adjustments to hand, foot, orC',3 %'*&)&'(l

iii. any other distinct or signicant violation against aesthetic#(, ).8"(&8#2 %.5:'5$#(8. .0%.8)#)&'(*A

c) Large errors: (deduction = 0.5)&A #(3 $#e'5 '5 *.;.5. ,.;&#)&'( :5'$ )". %.5:.8) .(, %'*&M

)&'( #(, :5'$ %.5:.8) ).8"(&8#2 .0.8-)&'(l

&&A #(3 $#e'5 '5 *.;.5. #,e-*)$.()* )' "#(,G :'')G '5 C',3%'*&)&'(l

&&&A #(3 :-22 &().5$.,&#). *L&(7l&;A #(3 ')".5 $#e'5 '5 *.;.5. ;&'2#)&'(* #7#&(*) #.*)".)&8

#(, ).8"(&8#2 %.5:'5$#(8. .0%.8)#)&'(*Ad) Falls and spotter assistance: (deduction = 1.0 p.)

&A #(3 :#22 '( '5 :5'$ )". #%%#5#)-* ,-5&(7 #( .2.$.() L&)"M'-) "#;&(7 5.#8"., #( .(, %'*&)&'( )"#) %.5$&)* 8'()&(-M#)&'( L&)" #) 2.#*) # *L&(7 a&A.A # ,&*)&(8) "#(7 %"#*. '(X'5&c'()#2 T#5 '5 # ,&*)&(8) *-%%'5) %"#*. '( ='$$.2X'5*. #:).5 )". .2.$.() &( 4-.*)&'(b '5 )"#) ')".5L&*.:#&2* )' ,&*%2#3 # $'$.()#53 8'()5'2 ': )". .2.$.() ,-5&(72#(,&(7 '5 5.M75#*%l

&&A MVAn &* )". $#0&$-$ ,.,-8)&'( :'5 #( .2.$.() L&)" # :#22G

and including all steps, touches, or support on the oor'5 $#) 2.#,&(7 -% )' )". :#22A 1)".5 .0.8-)&'( ,.,-8)&'(*&(8-55., :'5 )". .2.$.() a".&7")G 2#(,&(7 .0).(*&'(G &(*-:Mcient twist) still apply

&&&A #(3 #**&*)#(8. C3 # *%')).5 )"#) 8'()5&C-).* )' )". 8'$%2.M)&'( ': #( .2.$.()A

iA 1( #22 #%%#5#)-* #) )". .(, ': )". .0.58&*.G &: # 73$(#*) ,'.* (')%.5:'5$ # ,&*$'-()G C-) 2#(,* &().()&'(#223 '( )". :..)G (' ,.,-8M)&'( :'5 # :#22 L&22 C. 8'(*&,.5.,A

oA S. #%2&8#5Q( 2#* *&7-&.().* ,.,-88&'(.*G %'5 ,.*;&#8&P( %.58.%M)&C2. ,. 2# 8'$%'*)-5# ' ,. 2# )68(&8#G 8'( 5.2#8&P( # 2# .e.8-8&P(%.5:.8)#A H*)#* ,.,-88&'(.* ,.C.( )'$#5*. &(,.%.(,&.().$.().de la dicultad del elemento o el ejercicio

>#2)# %.4-.f# nAV %A>#2)# $.,&# nAo %A>#2)# 75#(,. nAk %A!#O,# VAn %A

a) Faltas pequeñas: (deducción = 0.1)i. pequeña o ligera desviación de la posición nal y la

.e.8-8&P( )68(&8# %.5:.8)#l&&A #e-*). $O(&$' ,. $#('*G %&.* ' %'*&8&P( ,.2 8-.5%'l&&&A :#2)# $O(&$# 8'()5# 2# .*)6)&8# 3 2#* .0%.8)#)&;#* ,.

.e.8-8&P(Ab) Faltas medias: (deducción = 0.3)

i. cualquier desviación distinta o signicativa de la posiciónnal y la ejecución técnica perfecta;

&&A 8-#24-&.5 #e-*). ,. $#('*G %&.* ' %'*&8&P( ,.2 8-.5%'distinto o signicativo;

iii. cualquier violación distinta o signicativa contra la estéM)&8# 3 2#* .0%.8)#)&;#* ,. .e.8-8&P(A

c) Faltas grandes: (deducción = 0.5)&A 8-#24-&.5 ,.*;&#8&P( 75#(,. ' $#58#,# ,. 2# %'*&8&P(

nal perfecta y la perfecta ejecución técnica;

&&A 8-#24-&.5 #e-*). 75#(,. ' $#58#,' ,. $#('*G %&.* '%'*&8&P( ,.2 8-.5%'l

&&&A 8-#24-&.5 C#2#(8.' &().5$.,&'l&;A 8-#24-&.5 :#2)# 75#(,. ' $#58#,# 8'()5# 2# .*)6)&8# 3 2#*

.0%.8)#)&;#* ,. .e.8-8&P(Ad) Caídas y ayuda del asistente: (deducción = 1.0 p.)

&A !-#24-&.5 8#O,# .( ' *'C5. .2 #%#5#)' ,-5#(). -( .2.$.()'sin llegar a una posición nal que permita su continuación8'( #2 $.('* -( C#2#(8.' a%A.A -(# :#*. ,. *-*%.(*&P(visible en barra ja o una fase visible de apoyo en caballo8'( #58'* ,.*%-6* ,.2 .2.$.()' .( 8-.*)&P(b ' 4-. 8#.' $-.*)5# -(# :#2)# ,. 8'()5'2 $'$.()Q(.' ,.2 .2.$.()',-5#(). 2# 5.8.%8&P( ' .2 #7#55.A

&&A F',#* 2#* 8#O,#* 8'( %#*'*G )'4-.*G ' #%'3' .( 2#colchoneta/suelo antes de la caída tiene una deducción$Q0&$# ,. VAn %'5 .2 .2.$.()'A F#$C&6( *. #%2&8#5Q(')5#* ,.,-88&'(.* 4-. ).(7# .2 .2.$.()' a#2)-5#G :#2)#de extensión, giro insuciente).

&&&A 8-#24-&.5 #3-,# ,.2 #*&*).(). 4-. 8'()5&C-3# # 2# 5.#2&Mc#8&P( ,. -( .2.$.()'A

4. En todos los aparatos al nal del ejercicio, si un gimnasta no.e.8-)# 2# *#2&,#G %.5' 5.8.%8&'(# &().(8&'(#,#$.(). 8'( 2'*%&.*G (' *. 2. 8'(*&,.5#5Q 8'$' 8#O,#A

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 29

k I:).5 # :#22 '( '5 :5'$ )". #%%#5#)-*G )". .0.58&*. $#3 C. 8'()&(-.,L&)"&( on *.8'(,* #(, )". 73$(#*) $#3 -*. # (.8.**#53 (-$C.5': .2.$.()* '5 $';.$.()* )' 5.)-5( )' "&* *)#5)&(7 %'*&)&'( C-) #22': )".*. .2.$.()* #(, $';.$.()* $-*) C. %.5:'5$., L&)" %.5:.8).0.8-)&'(A X. &* %.5$&))., )' 5.%.#) )". $&**., .2.$.() :'5 85.,&)G.08.%) &: )". :#22 '88-55., ,-5&(7 # ,&*$'-() a.08.%) ='$$.2X'5*.b '5 # W#-2)AA

wA H0.8-)&'( .55'5* *-8" #* C.() N(..*G C.() #5$*G C#, %'*)-5. '5C',3 %'*&)&'(G %''5 5"3)"$G %''5 #$%2&)-,.G .)8A #5. 2&*)., &( I5)&82.*}AZ #(, }Ao #(, #5. #2L#3* ,.,-8)., #88'5,&(7 )' )". ,.75.. ':.55'5 '5 ,.;&#)&'( :5'$ L"#) &* 8'(*&,.5., %.5:.8) %.5:'5$#(8.A

•A H0.8-)&'( .55'5* *-8" #* C.(,&(7 )". #5$*G 2.7* '5 C',3 #5.8#).7'5&c., #* :'22'L*g

S$#22 H55'5g *2&7") C.(,&(7A9.,&-$ H55'5g *)5'(7 C.(,&(7A<#57. H55'5g .0)5.$. C.(,&(7A

€A >'5 *)5.(7)" "'2, '5 *&$%2. "'2, %'*&)&'(* '( #(3 #%%#5#)-*G #(7-Mlar deviations from the perfect hold position dene the magnitude': )". ).8"(&8#2 .55'5 #(, )". 8'55.*%'(,&(7 ).8"(&8#2 ,.,-8)&'(g

2BC:: ;9979 1;?E8B ;9979 6C9@; ;9979 (7>]9;=7@>EDE7> ]]e89A

up to 15° 16° - 30° > 30° > 45° H0#$%2.*g

kA ].*%-6* ,. -(# 8#O,#G .2 7&$(#*)# %-.,. 8'()&(-#5 .2 .e.58&8&'.( 2'* on *.7A *&7-&.().*G -*#(,' .2 (R$.5' ,. .2.$.()'* '$';&$&.()'* (.8.*#5&'* %#5# ;'2;.5 # 2# %'*&8&P( ,. %#5)&,#G %.5'.*)'* .2.$.()'* 3 $';&$&.()'* ,.C.( .e.8-)#5*. %.5:.8)#$.().AS. 2. %.5$&). 5.%.)&5 .2 .2.$.()' 4-. :#2)# %#5# 8'()#52'G .08.%)'*& 2# 8#O,# .* .( 2# *#2&,# a.08.%)' .( 8#C#22' 8'( #58'*b ' .(*#2)'A

wA <#* :#2)#* ,. .e.8-8&P( )#2.* 8'$' %&.5(#* ,'C2#,#*G C5#c'* ,'MC2#,'*G $#2# %'*)-5# ' %'*&8&P( ,.2 8-.5%'G 5&)$' %'C5.G #$%2&)-,pobre, etc. están denidas en los Artículos 9.2 y 9.3 deduciéndose*&.$%5. .( :-(8&P( ,.2 75#,' ,. .55'5 ' ,.*;&#8&P( ,. 2' 4-. *.8'(*&,.5# .e.8-8&P( %.5:.8)#A

•A <#* :#2)#* ,. .e.8-8&P( )#2.* 8'$' ,'C2#5 C5#c'*G %&.5(#* ' 8-.5%'*. ;#2'5#( ,. 2# *&7-&.(). :'5$#g

>#2)# =.4-.f#g ,'C2#5 2&7.5#$.().A>#2)# 9.,&#g ,'C2#5 $#58#,#$.().A>#2)# @5#(,.g ,'C2#5 ,. :'5$# .0)5.$#A

€A =#5# .2.$.()'* ,. :-.5c# ' ,. $#().(&$&.()' *&$%2.* .( 8-#2M4-&.5 #%#5#)'G 2# ,.*;&#8&P( #(7-2#5 8'( 5.2#8&P( # 2# %'*&8&P(%.5:.8)#G ,.).5$&(# 2# $#7(&)-, ,. 2# :#2)# )68(&8# 3 *- ,.,-88&P(g

Falta pequeña Falta media Falta grande Sin reconoc. (J. ])

Hasta 15° 16° - 30° > 30° > 45° He.$%2'*g

kA U( .0.58&8. &().55'$%- %#5 -(. 8"-). *-5 '- ,.%-&* 2B.(7&( %.-)J)5. %'-5*-&;& ,#(* 2.* on *.8'(,.*A <. 73$(#*). %.-) -)&2&*.5 2.('$C5. (68.**#&5. ,. $'-;.$.()* '- ,B626$.()* %'-5 5.%5.(,5.*# %'*&)&'( ,. ,6%#5)G 8.%.(,#() )'-* 8.* 626$.()* .) $'-;.M$.()* ,'&;.() J)5. .068-)6* 8'55.8).$.()A <. 73$(#*). %.-)56%6).5 2B626$.() $#(4-6 %'-5 4-. 8.2-&M8& *'&) 5.8'((-G *#-: *&2# 8"-). *. %5',-&) 2'5* ,. 2# *'5)&. a.08.%)6 #- 8".;#2 ,B#5^'(*b '- ,B-( *#-)A

6. Les fautes d’exécution comme la exion des jambes ou des bras,2# :#-**. %'*&)&'( ,- 8'5%* '- 2# $#-;#&*. ).(-.G 2. $#(4-. ,.rythme et d’harmonie, le manque d’amplitude, etc., sont dénies#-0 #5)&82.* }AZ .) }Ao .) *'() )'-e'-5* %6(#2&*6.* .( :'(8)&'( ,.2# 75#;&)6 ,. 2# :#-). '- ,. 2B#$%2.-5 ,. 2# ,6;&#)&'( %#5 5#%%'5)h 2B.068-)&'( 8'55.8).A

7. Les fautes de tenue comme la exion des bras, des jambes oudes hanches sont classiées comme suit:

Petite faute: légère exion.Faute moyenne: forte exion.Faute grossière: exion extrême.

€A ='-5 2.* 626$.()* ,. :'58. .) 2.* *&$%2.* 626$.()* ,. $#&()&.( h)'-* 2.* .(7&(*G 2# ,6;&#)&'( %#5 5#%%'5) h 2# %'*&)&'( ,. $#&()&.(%#5:#&). ,6).5$&(. 2# 75#;&)6 ,. 2# :#-). ).8"(&4-. .) 2# ,6,-8)&'(g

Petite faute Faute moyenne Faute grossière Non-rec.(Jury D)

jusqu’à 15° 16° - 30° > 30° > 45° H0.$%2.*g

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 30

#b ]#(* 2.* 626$.()* ,. $#&()&.(G -(. ,6;&#)&'( 67#2. '- *-%6Mrieure à 30° constitue une faute grossière sanctionnée parle Jury E. De plus, une déviation égale ou supérieure à 45°.()5#j(. 2# ('(M5.8'((#&**#(8. ,. 2B626$.() %#5 2. /-53 ]A

}A U( 626$.() ,B626;#)&'( .( :'58. h 2B#%%-& '- h 2B#%%-& 5.(;.5*6(B.*) %#* 5.8'((- *B&2 .*) .068-)6 h %#5)&5 ,B-( 626$.() ,. $#&()&.(.( :'58. ('( 5.8'((-A

VnA S& -(. ,6,-8)&'( ,'&) J)5. #%%'5)6. %'-5 %'*&)&'( &(8'55.8).,#(* -( 626$.() ,. $#&()&.( .( :'58.G 2B626$.() *-&;#() *B62.;.5.*) %6(#2&*6 %#5 2# $J$. ,6,-8)&'(G #- $#0&$-$ nGon %'&()G *&

2B.068-)&'( ,. 2B626$.() ,. :'58. *-&;#() *B.( ;'&) ,B#-)#() :#8&2&)6A<# %56*.(). 5E72. (. *B#%%2&4-. 4-B#-0 8#* 'u -(. %'*&)&'( 62.;6.'- -( $#&()&.( &(8'55.8) ,- %'&() ,. ;-. ).8"(&4-. :#8&2&). 2B.068-M)&'( ,. 2B626$.() ,. :'58. *-&;#() a8 h , g %#* %'-5 2.* 626;#)&'(*,.%-&* -(. 64-.55. ,6:.8)-.-*.G %5&*.* &(8'55.8).*G '- %'-5 2.).$%* ,.* %'*&)&'(* ,. $#&()&.(A !.)). ,6,-8)&'( 8'(8.5(. -(&M4-.$.() 2.* %6(#2&*#)&'(* %'-5 ,6;&#)&'( #(7-2#&5.G 8.22.M8& ,'&)J)5. #%%2&4-6. #-0 ,.-0 626$.()* 5.2&6* %#5 2# :'58.A

VVA <.* ,6,-8)&'(* %'-5 :#-).* ).8"(&4-.* 5.2#)&;.* h 2# ,6;&#)&'(par rapport à la position nale correcte s’appliquent aussi auxéléments d’élan. Dans la plupart des cas, la position nale cor M5.8). 8'(*&*). .( -( #%%-& 5.(;.5*6 %#5:#&) '-G ,#(* 2.* 8.582.*#- 8".;#2M#5^'(*G .( -( #%%-& )5#(*;.5*#2 '- 2#)65#2 %#5:#&)A ='-52.* 626$.()* ,B62#(G 2.* 5E72.* *-&;#().* *B#%%2&4-.()g

#b #- *'2G #- 8".;#2M#5^'(*G #-0 #((.#-0G #-0 C#55.* %#5#22E2.* .)

à la barre xe, le gymnaste doit, dans bien des cas, exécuter les626$.()* ,B62#( .( %#**#() %#5 2B#%%-& 5.(;.5*6 *#(* $#54-.52# %'*&)&'( 8'55.8). %'-5 6;&).5 )'-). &().55-%)&'( ,- 53)"$. ,.l’exercice. C’est pourquoi une faible déviation de 15° par rapportà l’appui renversé correct est tolérée jusqu’à la n de l’élément.U(. ,6,-8)&'( %'-5 %.)&). :#-). *B#%%2&4-. *& 2# ,6;&#)&'( %#5rapport à l’appui renversé se situe entre 16° et 30°;

Cb #- 8".;#2M#5^'(*G 2.* 8.582.* .) 2# %2-%#5) ,.* 626$.()* ,'&;.()J)5. .068-)6*G 8'$$.(8.5 '- *. ).5$&(.5 .( #%%-& )5#(*;.5*#2ou latéral correct; toutefois, une déviation de 15° par rapport à2# %'*&)&'( %#5:#&). .*) %.5$&*.A ?2 3 # ,6,-8)&'( *.2'( 2B#(72.,. 2# ,6;&#)&'( 8"#4-. :'&* 4-. 2# :#-). *. %5',-&) #- 8'-5* ,.2B.0.58&8.A =#5 8'(*64-.()G 2. /-53 H %6(#2&*. 8"#4-. 8.582..068-)6 #;.8 -(. ,6;&#)&'(G )#(,&* 4-. 2. /-53 ] (. 5.8'((#j)pas l’élément s’il y a déviation supérieure à 45° par rapport à2B#%%-& 8'55.8) %.(,#() 2# $#e.-5. %#5)&. ,. 2B626$.()A

VZA ='-5 2.* 626$.()* ,B62#( %#**#() %#5 '- *. ).5$&(#() h 2B#%%-&5.(;.5*6 '- h -(. %'*&)&'( ,. $#&()&.( ,. :'58. a;'&5 5E72. *-%Mplémentaire l’art. 15.2 à la barre xe), les écarts par rapport à la%'*&)&'( 8'55.8). *.5'() %6(#2&*6* 8'$$. *-&)g

=#* ,. ,6,-8)&'( e-*4-Bh VkdAPetite faute 16° à 30º.Faute moyenne 31° à 45º.>#-). 75'**&E5. %2-* ,. ikd .) ('(M5.8A a/-53 ]bA

a) Deviations in hold positions of 30° and greater will receive alarge deduction from the E-jury. In addition, deviations of 45°#(, 75.#).5 L&22 2.#, )' )". ('( 5.8'7(&)&'( ': )". .2.$.() C3)". ]Me-53A

}A I %5.** :5'$ # *)#)&8 *)5.(7)" .2.$.() )"#) ,&, (') "#;. &)* ,&:Mculty recognized for any reason will also not have its difculty5.8'7(&c.,A

VnA ?: )". %5.8.,&(7 *)5.(7)" "'2, .2.$.() "#* 5.8.&;., # ,.,-8)&'(:'5 &(8'55.8) %'*&)&'(G )".( )". *#$. ,.,-8)&'( -% )' # $#0&$-$': nAon %'&()* #%%2&.* #7#&( )' # %5.** :5'$ )"#) *)5.(7)" "'2, .2.M

ment if it is determined that the press has been simplied thereby.F"&* &().5%5.)#)&'( &* &().(,., '(23 :'5 8&58-$*)#(8.* L".5. # "&7"%'*&)&'( '5 # ).8"(&8#223 %''5 "'2, $#N.* )". *-C*.4-.() %5.**.#*&.5 a&A.A (') :'5 %5.**.* :5'$ :#-2)3 < *&)*G :#2*. 75&%*G '5 :'5)&$. ': "'2, %'*&)&'(*bA F"&* ,.,-8)&'( '(23 #%%2&.* )' # "&7" #(72.,.,-8)&'( C.&(7 #%%2&., )' C')" .2.$.()* 8'((.8)., C3 *)5.(7)"AA

VVA F.8"(&8#2 ,.,-8)&'(* :'5 #(7-2#5 ,.;&#)&'( :5'$ )". %.5:.8) .(,%'*&)&'( 8#( #2*' #%%23 )' *L&(7&(7 *N&22*A ?( $'*) 8#*.* )". %.5:.8)end position is dened as a perfect handstand, or during PommelX'5*. 8&582.*G #* # %.5:.8) 85'** *-%%'5) '5 %.5:.8) *&,. *-%%'5)%'*&)&'(A >'5 *L&(7&(7 .2.$.()* )". :'22'L&(7 #%%2&.*g

#b 1( >2''5 H0.58&*.G ='$$.2 X'5*.G D&(7*G =#5#22.2 T#5* #(,

X'5&c'()#2 T#5G *L&(7 .2.$.()* #5. ':).( .0%.8)., )' C.%.5:'5$., )"5'-7" 5#)".5 )"#( )' #( .0#8) "#(,*)#(, ')".5ML&*. )". 5"3)"$ ': #( .0.58&*. $&7") C. &().55-%).,A >'5 )"#)reason a small angular deviation of up to 15° from an exact"#(,*)#(, &* %.5$&))., -% )' )". 8'(82-*&'( ': )". .2.$.()A I*$#22 ,.,-8)&'( &* )#N.( &: )". ,.;&#)&'( :5'$ )". "#(,*)#(,is between 16° and 30°.

Cb 1( ='$$.2 X'5*.G 8&582.* #(, $'*) .2.$.()* $-*) C. %.5Mformed in, from, or to within 15° of a perfect cross or side*-%%'5) %'*&)&'(A F". #%%5'%5&#). #(7-2#5 ,.;&#)&'( ,.,-8)&'(&* )#N.( .#8" )&$. )". .55'5 '88-5* ,-5&(7 #( .0.58&*.A F"&*$.#(* )"#) )". H M /-53 L'-2, ,.,-8) :'5 .#8" *N.L., 8&582.GL".5.#* )". ] M /-53 L'-2, (') 5.8'7(&c. )". .2.$.() &: &)deviates from the correct support orientation more than 45°:'5 )". 75.#).5 %'5)&'( ': )". .2.$.()A

VZA ]-5&(7 *L&(7 .2.$.()* L"&8" %#** )"5'-7" '5 .(, &( "#(,*)#(,a*.. #,,&)&'(#2 5-2. I5)A VkAZ :'5 X'5&c'()#2 T#5bG ,.;&#)&'(* :5'$)". 8'55.8) %'*&)&'( L&22 C. %.(#2&c., #* :'22'L*g

-% )' Vkd Y' ,.,-8)&'(A16° to 30º Small error.31° to 45º Medium error.„ ikd <#57. .55'5 #(, ('(M5.8'7(&)&'( a] e-53bA

#b <#* ,.*;&#8&'(.* .( 2#* %'*&8&'(.* ,. $#().(&$&.()' ,.30° o más se deducirán como falta grande por el jurado E.Si además, la desviación es de 45° o más el Jurado D no la5.8'('8.5QA

}A I -( .2.$.()' ,. .2.;#8&P( ,.*,. -(# %'*&8&P( .*)Q)&8# # :-.5c#cuya dicultad no sea reconocida por cualquier razón, tampocose le reconocerá su dicultad.

VnA SO 2# %'*&8&P( ,. $#().(&$&.()' # :-.5c# #().5&'5 )&.(. -(#%.(#2&c#8&P( %'5 %'*&8&P( &(8'55.8)# 3 *. ,.).5$&(# 4-. 2# .2.M;#8&P( *. "# :#8&2&)#,'G ).(,5Q 2# $&*$# ,.,-88&P(G $Q0A ,. nAon

%AG 4-. "#*)# 2# .2.;#8&P( ,. .*# %'*&8&P( ,. $#().(&$&.()' #:-.5c#A H*)# &().5%5.)#8&P( *. .()&.(,. %#5# 8&58-(*)#(8&#* .(2#* 4-. 2# %'*&8&P( .* #2)# ' .2 $#().(&$&.()' %'C5.G "#8&.(,' 2#.2.;#8&P( 4-. 2. *&7-. $Q* :Q8&2 a%A.A (' #%2&8#C2. # .2.;#8&'(.*,.*,. Q(7-2'* ,.:.8)-'*'*G %5.*# &(8'55.8)#G ' )&.$%' .( 2#*%'*&8&'(.* ,. $#().(&$&.()'bA H*)# ,.,-88&P( *'2' *. #%2&8#%#5# -( Q(7-2' #2)' *&.(,' #%2&8#,# 2# ,.,-88&P( %#5# 2'* ,'*.2.$.()'* 8'(.8)#,'* $.,&#(). :-.5c#A

VVA <#* ,.,-88&'(.* )68(&8#* %'5 ,.*;&#8&P( #(7-2#5 8'( 5.2#8&P(a la posición nal perfecta también se pueden aplicar a los eleMmentos de impulso. En la mayoría de los casos, la posición nalperfecta se dene en el apoyo invertido, o en caballo con arcos$'2&('*G -( #%'3' )5#(*;.5*#2 ' -( #%'3' 2#).5#2 %.5:.8)'*A =#5#2'* .2.$.()'* ,. &$%-2*' *. #%2&8# 2' *&7-&.().g

#b H( *-.2'G 8#C#22' 8'( #58'*G #(&22#*G %#5#2.2#* 3 C#55# >&e#G

('5$#2$.(). *. .*%.5# 4-. 2'* .2.$.()'* ,. &$%-2*' *.5.#2&8.( # )5#;6* ,.2 #%'3' &(;.5)&,'G ,. ')5# :'5$# .2 5&)$',.2 .e.58&8&' *. &().55-$%.A ='5 .*)' *. %.5$&). -(# %.4-.Mña desviación angular de hasta 15° del apoyo invertido. Se%.(#2&c#5Q 8'$' :#2)# %.4-.f# *O 2# ,.*;&#8&P( ,.2 #%'3' &(;Aestá entre 16° y 30°.

Cb H( 8#C#22' 8'( #58'*G 2'* $'2&('* 3 2# $#3'5O# ,. 2'* .2.$.(Mtos deben realizarse en, de, o dentro de 15° de una posición,. #%'3' )5#(*;.5*#2 ' 2#).5#2 %.5:.8)#A <# ,.,-88&P( %'5,.*;&#8&P( #(7-2#5 *. 5.#2&c# 8#,# ;.c 4-. .2 .55'5 '8-55#durante un ejercicio. Esto signica que el jurado E deduciría%'5 8#,# $'2&('G $&.()5#* 4-. .2 e-5#,' ] (' 5.8'('8.5Q .2.2.$.()' *& *. ,.*;O# ,. 2# ,&5.88&P( ,. #%'3' 8'55.8)# $Q*de 45°, en la mayor parte del elemento.

VZA H( 2'* .2.$.()'* ,. &$%-2*' 4-. %#*#( ' #8#C#( .( #%'3'invertido (ver regla adicional art. 15.2 para reglas especícas debarra ja), las desviaciones de la posición correcta se penalizarán,. 2# *&7-&.(). :'5$#g

S&( ,.,-88&P( "#*)# VkdAFalta pequeña 16° a 30º.Falta media 31° a 45º.

>#2)# 75#(,. „,. ikd 3 *&( 5.8'('8A ae-5#,' ]bA

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 31

N. B. Dans le cas d’une déviation égale ou supérieure à 45° parrapport à la position nale d’un élément d’élan (ou, dans le cas,.* 626$.()* #;.8 5')#)&'(* 2'(7&)-,&(#2.*G 67#2. '- *-%65&.-5.à 90°), le Jury E applique une déduction pour faute grossière.) 2. /-53 ] (. 5.8'((#j) %#* 2B626$.()A !.%.(,#()G h 4-.24-.*'88#*&'(*G &2 %.-) J)5. %'**&C2. %'-5 -( 626$.() ,. 5')#)&'( ('(8'$%2.) ,BJ)5. 5.8'((- ,B-(. ;#2.-5 %2-* C#**. .( 5.2#)&'( #;.82. ('$C5. ,. 5')#)&'(* 8'55.8).$.() 8'$%26)6A

VoA I-0 #((.#-0G 2'5* ,.* 62#(* h -(. %'*&)&'( ,. $#&()&.(G 2.*6%#-2.* (. ,'&;.() %#* *B62.;.5 #-M,.**-* ,. 2# %'*&)&'( ,.

maintien nale. Si les épaules s’élèvent au-dessus de la positonde maintien nale, la déduction est:

>#-). %.)&). e-*4-Bh Vkd>#-). $'3.((. Vw h ond>#-). 75'**&E5. %2-* ,. ondY'(M5.8'((#&**#(8. %2-* ,. ikd a/-53 ]b

ViA F'-* 2.* 626$.()* ,. $#&()&.( ,'&;.() J)5. ).(-* #- $'&(* Z *.8Ah %#5)&5 ,- $'$.() 'u 2. 73$(#*). .*) 8'$%2E).$.() &$$'C&2.A<.* 626$.()* *#(* #55J) *'() %6(#2&*6* %'-5 :#-). 75'**&E5. %#52. /-53 H .) (. *'() %#* 5.8'((-* %#5 2. /-53 ]A

Z *.8'(,.* %#* ,. ,6,-8)&'(9'&(* Z *.8'(,.* :#-). $'3.((.S#(* #55J) :#-). 75'**&E5. .) ('(M5.8'((-.

15. Les déductions relatives aux fautes de réception sont dénies

h 2B#5)A }AiA U(. 568.%)&'( 8'55.8). .*) -(. 568.%)&'( 4-. 2. 73$M(#*). *B.*) %56%#56 h .068-).5 .) ('( -(. 568.%)&'( 4-& %#5 -(".-5.-0 "#*#5, *. ).5$&(. h 2# *)#)&'(A <. 73$(#*). ,'&) :#&5.%5.-;. ,B-(. $#j)5&*. ).8"(&4-. ).22. 4-B&2 # 2. ).$%* ,. 8'$%26).5l’élément et de réduire sa rotation et/ou d’ouvrir le corps avant2# 568.%)&'(A

VwA D68.%)&'(* .) *'5)&.* *-5 2.* %&.,* *#(* ,6,-8)&'(Pour des raisons de sécurité, un gymnaste peut naliser la568.%)&'( ,B-( 626$.() '- ,B-(. *'5)&. #;.8 2.* %&.,* 68#5)6* a.(#-)#() 4-B&2 %-&**. .(*-&). 8'22.5 *.* )#2'(*b 2'5* ,. 2# 568.%)&'(,. )'-) *#2)'A <. 73$(#*). ,'&) 8'$%26).5 2# 568.%)&'( .( 8'22#()*.* )#2'(* *#(* *'-2.;.5 .) ,6%2#8.5 2B#;#() ,. *.* %&.,*A ?2 %.-)2.;.5 *.* )#2'(* ,- )#%&* %'-5 2.* 8'22.5G *#(* *'-2.;.5 2B#;#() ,-%&.,A <.* C5#* ,'&;.() 67#2.$.() J)5. .( %#5:#&) 8'()5{2.G *#(*62#(* &(-)&2.*A

V•A <.* #-)5.* ,6,-8)&'(* %'-5 :#-).* ,B.068-)&'( ).8"(&4-. *'()dénies à l’art. 9.4, et celles qui s’appliquent aux engins sont%56*.()6.* #-0 8"#%&)5.* 8'55.*%'(,#()*A

NB. Deviations in end positions for swinging elements of 45°and greater (or for twisting elements, of 90° and greater) will5.8.&;. # 2#57. ,.,-8)&'( :5'$ )". H M /-53 #(, L&22 (') C.5.8'7(&c., C3 )". ]Me-53A X'L.;.5G &( *'$. 8#*.*G &) $#3 C.%'**&C2. :'5 #( &(8'$%2.).23 )L&*)., .2.$.() )' C. 5.8'7(&c.,#* # 2'L.5 ;#2-. .2.$.() &( #88'5,#(8. L&)" )". #$'-() ':)L&*) 8'55.8)23 8'$%2.).,A

VoA 1( D&(7*G ,-5&(7 *L&(7* )' # "'2, %'*&)&'(G )". *"'-2,.5* $#3not rise above the nal hold position. If the shoulders rise above

the nal hold position, the deduction is:

S$#22 .55'5 -% )' VkdMedium error 16° to 30ºLarge error over 30°Y'(M5.8'7(&)&'( ';.5 ikd a]Me-53b

ViA I22 "'2, .2.$.()* $-*) C. ".2, :'5 # $&(&$-$ ': Z *.8'(,* $.#M*-5., :5'$ )". $'$.() )"#) # 8'$%2.). *)'% %'*&)&'( "#* C..(5.#8".,A H2.$.()* )"#) #5. (') ".2, L&22 5.8.&;. 2#57. ,.,-8)&'(#(, L&22 (') C. 5.8'7(&c., C3 )". ]Me-53A

Z *.8'(,* (' ,.,-8)&'(<.** Z *.8'(,* $.,&-$ .55'5 Y'( *)'% 2#57. .55'5 #(, ('(M5.8'7(&)&'(

VkA ].,-8)&'(* :'5 %''5 2#(,&(7* #5. 2&*)., &( I5)&82. }AiA I 8'55.8)

2#(,&(7 &* # %5.%#5., 2#(,&(7G (') '(. L"&8" "#%%.(* C3 2-8N )'.(, &( # *)#(,&(7 %'*&)&'(A I( .2.$.() *"'-2, C. %.5:'5$., L&)"*-8" .08.22.() ).8"(&4-. )"#) )". 73$(#*) "#* :-223 8'$%2.)., &)and has had time to reduce rotation and/or extend the body prior)' 2#(,&(7A

VwA <#(,&(7* … ]&*$'-()* '( )". >..) L&)"'-) ].,-8)&'( >'5 *#:.)3 5.#*'(* # 73$(#*) $#3 2#(, '5 ,&*$'-() L&)" )".&5 :..)

#%#5) a.('-7" )' %5'%.523 e'&( )".&5 "..2* )'7.)".5b -%'( 2#(,&(7:5'$ #(3 *#2)'A F". 73$(#*) $-*) 8'$%2.). )". 2#(,&(7 C3 C5&(7M&(7 "&* "..2* )'7.)".5 L&)"'-) 2&:)&(7 #(, $';&(7 )". :5'() ': "&*:..)A F"&* &* ,'(. C3 5#&*&(7 )". "..2* ':: )". $#) #(, e'&(&(7 )".$)'7.)".5 L&)"'-) 2&:)&(7 )". :5'() ': )". :..)A F". #5$* $-*) #2*' C.&( 8'$%2.). 8'()5'2 L&)" (' -((.8.**#53 *L&(7*A

V•A Additional technical deductions are listed in Article 9.4 and speciM8#223 :'5 .#8" #%%#5#)-* &( )". #%%5'%5&#). !"#%).5A

Nota. Las desviaciones de la posición nal para elementos deimpulso en 45° o más (o por elementos de giro en 90° o$Q*b *.5Q( %.(#2&c#,#* 8'( -(# :#2)# 75#(,. %'5 .2 e-5#,'H 3 .2 e-5#,' ] (' 2'* 5.8'('8.5QA S&( .$C#57'G .* %'*&C2.5.8'('8.5 #27-('* 7&5'* &(8'$%2.)'* 8'( -( ;#2'5 $.('5).(&.(,' .( 8-.()# .2 (R$.5' ,. 7&5'* 5.#2&c#,'*A

VoA H( #(&22#*G .( 2'* &$%-2*'* # .2.$.()'* ,. $#().(&$&.()'G 2'*"'$C5'* (' ,.C.( *-C&5 %'5 .(8&$# ,. 2# %'*&8&P( ,. $#().(&M

miento nal. Si los hombros la sobrepasan, la deducción es de:

=.4-.f# :#2)# "#*)# VkdFalta media de 16° a 30ºFalta grande más de 30°S&( 5.8'('8&$&.()' $Q* ,. ikd ae-5#,' ]b

ViA F',#* 2#* %'*&8&'(.* ,.C.( $#().(.5*. $O(&$' Z *.7A 8'()#,'*,.*,. .2 $'$.()' 4-. .*)Q )')#2$.(). %#5#,'A <'* .2.$.()'*(' $#().(&,'* ).(,5Q( -(# ,.,-88&P( 75#(,. 3 .2 e-5#,' ] ('2'* 5.8'('8.5QA

Z *.7-(,'* *&( ,.,-88&P(9.('* ,. Z *.7A :#2)# $.,&#S&( %#5#,# :#2)# 75#(,. 3 *&( 5.8'('8A

15. Se especican las deducciones por mala recepción en el Artículo

}AiA U(# 5.8.%8&P( 8'55.8)# .* -(# 5.8.%8&P( %5.%#5#,#G (' 22.7#5a la posición de rmes por medio de la suerte. Un elemento debe5.#2&c#5*. 8'( )#2 %.5:.88&P( )68(&8#G 4-. .2 7&$(#*)# 2' 8'$%2.).totalmente y tenga tiempo para reducir la rotación y/o extender.2 8-.5%' #().* ,. 2# 5.8.%8&P(A

Vw D.8.%8&'(.* 3 *#2&,#* *&( ,.,-88&P(H2 7&$(#*)#G %'5 5#c'(.* ,. *.7-5&,#,G %-.,. 8#.5 ' *#2&5 .(cualquier salto con los pies separados (lo suciente para poner*-* )'C&22'* e-()'*bA H2 7&$(#*)# ,.C. 8'$%2.)#5 2# 5.8.%8&P( e-()#(,' *-* )#2'(.* *&( $';.5 2#* %-()#*A H*)' *. "#8. *-C&.(,'2'* )#2'(.* ,.2 *-.2' 3 e-()Q(,'2'* *&( 2.;#()#5 2#* %-()#*A <'*C5#c'* )#$C&6( ,.C.( .*)#5 .( 8'$%2.)' 8'()5'2 *&( $';&$&.()'*&((.8.*#5&'*A

17. Se especican las deducciones técnicas adicionales en el ArtíM8-2' }Ai 3 %#5# 8#,# #%#5#)'G .( .2 8#%O)-2' #%5'%&#,'A

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, DC

Action (Without steps, hops, or armswings)

5;<8:D

<#(,&(7 L&)" :..) *2&7")23 #%#5) #(, 73$M(#*) 2&:)* "..2* #(, e'&(* C')" "..2* )'7.)"M.5 L&)"'-) 2&:)&(7 #(, $';&(7 )". :5'() ': "&*:..)

Y' ,.,-8)&'(

<#(,&(7 L&)" :..) *2&7")23 #%#5) '5 2.** )"#(*"'-2,.5 L&,)" #%#5) #(, 73$(#*) %&8N* -%

# :'') $';&(7 C')" :..) )'7.)".5G 1D ,'.*(') e'&( C')" :..) )'7.)".5 C3 2&:)&(7 '(23)". "..2*

nAV ,.,-8)&'( :'52#(,&(7 L&)" :..)

#%#5)

<#(,&(7 L&)" :..) $'5. )"#( *"'-2,.5 L&,)"#%#5)G IY] 73$(#*) %&8N* -% '(. :'') $';M&(7 C')" :..) )'7.)".5G 1D ,'.* (') e'&(C')" :..) )'7.)".5

nAo ,.,-8)&'( :'52#(,&(7 L&)" :..)#%#5)

Y').g- All other execution deductions (those while in the ight phase of

# *#2)' '5 :'5 2#8N ': .0).(*&'( C.:'5. 2#(,&(7b $-*) #2L#3* C.8'(*&,.5., &( #,,&)&'( )' )". 2#(,&(7 5.4-&5.$.()* (')., #C';.A

*9DE=:; oV/ $GM;=DCDE7>< Y79 !7BM7<EDE7>C: $G;9=E<; !7><D98=DE7>VA F". .0%.8)#)&'(* :'5 !'$%'*&)&'(#2 .0.58&*. 8'(*)5-8)&'( #5. )"'*.aspects of an exercise that dene the essence of our expectations#(, -(,.5*)#(,&(7 ': # 73$(#*)&8* %.5:'5$#(8. '( .#8" #%Mparatus; such things as using the full oor area; swinging withoutstops; no repetition; etc. These are specically dened for each#%%#5#)-* &( )". #%%5'%5&#). 8"#%).5A

ZA H0.58&*. 8'(*)5-8)&'( .55'5* &(82-,.G C-) #5. (') 5.*)5&8)., )'G )".:'22'L&(7g

a) Gratuitous separation of legs (medium error = 0.3 p. E-jury):&A F". 73$(#*) $#3 (') %.5:'5$ .2.$.()* L&)" # *.%#5#)&'(

': 2.7* )"#) *.5;.* (' -*.:-2 %-5%'*. '5 )"#) ,.)5#8)* :5'$)". #.*)".)&8* ': # %.5:'5$#(8.A >'5 .0#$%2.G '( =#5#22.2T#5* # S)ƒ)cN."5. '5 # %&5'-.)). $#3 (') C. %.5:'5$.,L&)" 2.7* #%#5)l '( X'5&c'()#2 T#5 #(, D&(7*G .2.$.()*

$#3 (') C. %.5:'5$., L&)" # C#8NM:'5L#5, *.%#5#)&'( ':)". 2.7*l '( D&(7*G 85'**.*G *L#22'L*G #(, "#(,*)#(,*$#3 (') C. %.5:'5$., L&)" # *.%#5#)&'( ': )". 2.7*l .)8A9'*) .2.$.()* %.5$&))., '5 5.4-&5., )' C. %.5:'5$., L&)"separated legs are listed in the Difculty Tables.

Cb D.%.)&)&'( ': .2.$.()*&A D.%.#)&(7 ': .2.$.()* &* %.5$&))., C-) )".3 8#((') 5.M

ceive credit for difculty or connection points. However,)".3 #5. .;#2-#)., ('5$#223 C3 )". HMe-53

Action (sans pas, sursauts ou élans desbras)

5U<8:DCD

D68.%)&'( #;.8 2.* %&.,* 267E5.$.() 68#5M)6*G 2. 73$(#*). *'-2E;. *.* )#2'(* .) 2.*8'22.G *#(* *'-2.;.5 .) ,6%2#8.5 2B#;#() ,.*.* %&.,*

I-8-(. ,6,-8M)&'(

D68.%)&'( #;.8 2.* %&.,* 267E5.$.() 68#5M)6*G &(:65&.-5 h 2# 2#57.-5 ,.* 6%#-2.*G .) 2.

73$(#*). ,6%2#8. -( %&., %'-5 %2#8.5 *.*,.-0 %&.,* .(*.$C2.G 1U (. %.-) 8'22.5*.* ,.-0 %&.,* .( *'-2.;#() *.-2.$.() 2.*)#2'(*

]6,-8)&'( nAV%'-5 568.%)&'(

%&.,* 267E5.M$.() 68#5)6*

D68.%)&'( #;.8 2.* %&.,* 68#5)6* %2-* 4-.2# 2#57.-5 ,.* 6%#-2.* HF 2. 73$(#*). ,6M%2#8. -( %&., %'-5 8'22.5 2.* %&.,* 1U (.8'22. %#* *.* ,.-0 %&.,*

]6,-8)&'( nAo%'-5 568.%)&'(%&.,

D.$#54-. gM F'-).* 2.* #-)5.* :#-).* ,B.068-)&'( a8.22.* 4-& *B#%%2&4-.() %.(M

dant la phase d’envol d’un salto ou pour extension insufsante#;#() 2# 568.%)&'(b ,'&;.() )'-e'-5* J)5. %5&*.* .( 8'$%). .(%2-* ,.* .0&7.(8.* %'-5 2# 568.%)&'( &(,&4-6.* 8&M,.**-*A

*9DE=:; oV/ $GE@;>=;< ?; =7BM7<EDE7> ?;< ;G;9=E=;<VA <.* .0&7.(8.* ,. 8'$%'*&)&'( *'() 2.* #*%.8)* ,B-( .0.58&8. 4-.2B'( *B#)).(, h 5.)5'-;.5 ,#(* 2. 8#,5. ,B-(. %5.*)#)&'( 73$(&4-.h 8"#4-. .(7&(A ?2 *B#7&)G %#5 .0.$%2.G ,. 2B-)&2&*#)&'( 8'$%2E).,. 2# *-5:#8. ,- %5#)&8#C2.G ,. 2B.068-)&'( ,. 2B.0.58&8. .( 62#(*#(* #55J)G ,. 2B#C*.(8. ,. 56%6)&)&'(* ,B-( 626$.()G .)8A !.*exigences sont dénies pour chacun des engins aux chapitres8'55.*%'(,#()*A

ZA <.* .55.-5* ,. 8'$%'*&)&'( ,.* .0.58&8.* 8'$%5.((.()G .()5.#-)5.*G 2.* 8#* *-&;#()*g

a) écart atypique des jambes (faute moyenne = 0,3 p. Jury E):&A 2'5*4-B&2 .068-). -( 626$.()G 2. 73$(#*). (. ,'&) %56*.().5

#-8-(. '-;.5)-5. ,.* e#$C.* 4-& *'&) &(-)&2. '- &(.*)"6)&4-.A=#5 .0.$%2.G #-0 C#55.* %#5#22E2.*G 2. ,.$&M)'-5 #;#() h2B#%%-& 5.(;.5*6A .) 2. ,.$&M)'-5 .( #%%-& 5.(;.5*6 ,'&;.()être exécutés sans ouverture des jambes; à la barre xe et

#-0 #((.#-0G 2. 73$(#*). (. ,'&) %#* 68#5).5 2.* e#$C.*)5#(*;.5*#2.$.() 2'5*4-B&2 .068-). -( 626$.()l #-0 #((.#-0G2.* 85'&0G 2.* "&5'(,.22.* .) 2.* #%%-&* 5.(;.5*6* (. ,'&;.()%#* J)5. .068-)6* #;.8 2.* e#$C.* 68#5)6.*G .)8A <# %2-%#5),.* 626$.()* %'-5 2.*4-.2* -(. '-;.5)-5. ,.* e#$C.* .*)permise ou exigée gurent dans les tables de difcultés;

Cb 56%6)&)&'( ,B626$.()*g&A <.* #-)5.* 626$.()* 56%6)6* *'() %.5$&*G $#&* &2* (. *'()

pas pris en considération dans le calcul de la difculté'- 2B#))5&C-)&'( ,.* %'&()* ,.* 8'((.0&'(*A !.%.(,#()G&2* *'() 6;#2-6* ('5$#2.$.() %#5 2. /-53 Hl

Acción (sin pasos, saltos o balanceosde brazos)

5;<8:DC?7

H2 7&$(#*)# 8#. 8'( 2'* %&.* 2&7.5#$.().*.%#5#,'* 3 2.;#()# *-* )#2'(.* e-()Q(,'M2'* *&( $';.5 2#* %-()#*

S&( ,.,-88&P(

El gimnasta cae con los pies signicativaM$.(). *.%#5#,'* ' $.('* 4-. 2# #(8"-5#,. 2'* "'$C5'* 3 $-.;. -( %&. %#5# e-()#5M2'* 1 (' e-()#5 2'* %&.* *-C&.(,' *P2' 2'*)#2'(.*

].,-88&P( nGVn%'5 5.8.%8&P(8'( 2'* %&.**.%#5#,'*

H2 7&$(#*)# 8#. 8'( 2'* %&.* $Q* *.%#5#M,'* 4-. 2# #(8"-5# ,. 2'* "'$C5'* [ $-.M;. -( %&. %#5# e-()#52'* 1 (' e-()#5 2'* %&.*

].,-88&P( nGon%'5 5.8.%8&P(8'( 2'* %&.**.%#5#,'*

Y')#gM =-.,.( ).(.5*. .( 8-.()# ')5#* ,.,-88&'(.* ,. .e.8-8&P( a.(

2# :#*. ,. ;-.2' ,.2 *#2)' ' %'5 :#2)# ,. .0).(*&P( #().* ,. 2#5.8.%8&P(b 8'$%2.$.()#5&#* # 2'* 5.4-&*&)'* ,.*85&)'* #().5&'5M$.().A

*9DP=8:7 oV/ $GM;=DCDEWC< ;> :C =7BM7<E=EZ> ?;: ;e;9=E=E7VA <#* .0%.8)#)&;#* .( 2# 8'$%'*&8&P( ,.2 .e.58&8&' *'( #*%.8)'* 4-.denen la esencia de lo que esperamos y debe ser la ejecución,. 2# 7&$(#*&# .( 8#,# #%#5#)'l 8'*#* 8'$' -)&2&c#5 )')#2$.()..2 %5#8)&8#C2. .( *-.2'G &$%-2*'* *&( %#5#,#*G (&(7-(# 5.%.)&8&P(Getc. Dichas expectativas se denen especícamente para cada#%#5#)' .( .2 8#%O)-2' #%5'%&#,'A

ZA <#* :#2)#* .( 2# 8'$%'*&8&P( ,.2 .e.58&8&' &(82-3.(G .()5. ')5#*G2' *&7-&.().g

a) Apertura atípica de piernas (falta media = 0.3 p. jurado E):&A H2 7&$(#*)# (' %-.,. 5.#2&c#5 .2.$.()'* 8'( %&.5(#*

*.%#5#,#* *&( 'Ce.)' ' 5.,-8&.(,' 2# .*)6)&8# ,. 2# .e.M8-8&P(A ='5 .e.$%2'G .( %#5#2.2#* (' %-.,. 5.#2&c#5*.-(# S)ƒ)cN."5. ' -(# %&5-.)# 8'( %&.5(#* #C&.5)#*l .(barra ja y anillas, no pueden realizarse elementos con

2#* %&.5(#* *.%#5#,#* .( .2 &$%-2*' #)5Q*l .( I(&22#*G ('%-.,.( .e.8-)#5*. 85&*)'* 3 #%'3'* &(;.5)&,'* 8'( 2#*%&.5(#* *.%#5#,#*l .)8A <# $#3'5O# ,. 2'* .2.$.()'* .(2'* 4-. *. %.5$&). ' .0&7. *- .e.8-8&P( 8'( 2#* %&.5(#*separadas se muestran en las tablas de dicultad.

Cb D.%.)&8&P( ,. .2.$.()'*&A S. %-.,.( 5.%.)&5 .2.$.()'* %.5' (' 8'()#5Q( .( 2#

dicultad o puntos de conexión. Sin embargo, serán.;#2-#,'* ('5$#2$.(). %'5 .2 e-5#,' HA

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, DD

8b #C#&**.$.() ,. 2# %'*&)&'( 2'5* ,. 2B62#(86 .( #55&E5.G ,.$&M62#( &().5$6,&#&5. .) 62#( &().5$6,&#&5. a:#-). $'3.((. '-grossière = 0,3 p. ou 0,5 p par le Jury E.):

i. le demi-élan intermédiaire est un élan à la n duquel le73$(#*). (B.068-). #-8-( 626$.() '- (B.::.8)-. #-8-(8"#(7.$.() ,B#%%-&G ,. *-*%.(*&'( '- ,. %5&*. a:#-).$'3.((. %#5 2. /-53 Hbl

&&A 2B62#( &().5$6,&#&5. 8'(*&*). .( ,.-0 ,.$&M62#(* &().5M$6,&#&5.* 8'(*68-)&:* a:#-). 75'**&E5. %#5 2. /-53 Hbl

&&&A 2B#C#&**.$.() ,. 2# %'*&)&'( 2'5* ,. 2B62#(86 .( #55&E5. .*)

-( 62#(86 .( #55&E5. h 2B#%%-& '- .( *-*%.(*&'( C5#8"&#2.à la n duquel le gymnaste s’élance dans la direction'%%'*6. .( *-*%.(*&'( C5#8"&#2. '- .( *-*%.(*&'(a8'(*)&)-. -(. :#-). $J$. *B&2 3 # 8"#(7.$.() ,. %5&*.ba:#-). $'3.((. %#5 2. /-53 HbA

oA <.* .0&7.(8.* ,. 8'$%'*&)&'( .) 2.* ,6,-8)&'(* 4-& *B#%%2&4-.()à chacun des engins sont dénies aux chapitres correspondant

*9DE=:; oV_ #U?8=DE7>< ?; f89A $<. /-53 H #%%2&4-. 2.* ,6,-8)&'(* *-&;#().* h )'-* 2.* #75E* #&(*&4-B#- *'2 2'5*4-. 2. 73$(#*). 8'$$.) 2# :#-). 8'55.*%'(,#().AW'&5 2.* S.8)&'(* Vn h Vk %'-5 2.* :#-).* .) 2.* ,6,-8)&'(* 5.2#)&;.*h 8"#4-. .(7&(

8b <#3#L#3*G .$%)3 #(, &().5$.,&#). *L&(7* a$.,&-$ '5 2#57.error = 0,3 or 0,5 by the E-jury):

&A I( .$%)3 *L&(7 &* # *L&(7 #) )". .(, ': L"&8" (' .2.$.()&* %.5:'5$., '5 (' (.L *-%%'5) '5 "#(7 %'*&)&'( '5 75&%&* #8"&.;., a$.,&-$ .55'5 C3 )". HMe-53bA

&&A I( &().5$.,&#). *L&(7 &* )L' *-88.**&;. .$%)3 *L&(7*a2#57. .55'5 C3 )". HMe-53bA

&&&A <#3#L#3* #5. C#8N *L&(7* &( *-%%'5) '5 &( -%%.5 #5$

*-%%'5) )"#) *&$%23 5.;.5*. ,&5.8)&'( #(, *L&(7 C#8N,'L( &( '5 )' # 2'L.5 "#(7 '5 *-%%'5) %'*&)&'( a#2*' &:#88'$%#(&., C3 # 75&% 8"#(7.b a$.,&-$ .55'5 C3 )".HMe-53bA

oA H0.58&*. !'(*)5-8)&'( *)&%-2#)&'(* #(, ,.,-8)&'(* )"#) #%%23 *%.Mcically to each apparatus are listed in the appropriate Chapters.

*9DE=:; oV_ $ ] f89A ?;?8=DE7><F".*. ,.,-8)&'(* #5. )' C. #%%2&., '( #22 #%%#5#)-* #(, >2''5H0.58&*. C3 )". HMe-53 L".( )". 8'55.*%'(,&(7 .55'5 &* $#,.A S..Sections 10 to 15 for additional errors and deductions specic to.#8" #%%#5#)-*A

8b !'5).* ,. ;-.2'G C#2#(8.'* &().5$.,&'* 3 *&( ;#2'5 a:#2)# $.,&#o grande = 0,3 o 0,5 por el jurado E):

i) Un balanceo sin valor es un balanceo en el que al nal,.2 $&*$' (' *. 5.#2&c# .2.$.()' ' *. 2'75# -( #%'3'G*-*%.(*&P( ' #7#55.A a:#2)# $.,&# %'5 .2 e-5#,' Hb

&&b U( C#2#(8.' &().5$.,&' *'( ,'* C#2#(8.'* *&( ;#2'5*-8.*&;'*A a:#2)# 75#(,. %'5 .2 e-5#,' Hb

&&&b !'5).* ,. ;-.2' *'( C#2#(8.'* #)5Q* .( #%'3' ' .( 2#

*-*%.(*&P( 8-3# ,&5.88&P( )&.(. .2 *.()&,' 8'()5#5&' ' *.C#2#(8.# # 8#.5 #C#e' .( ' %'*&8&P( ,. #%'3' a)#$C&6(*O *. #8'$%#f# %'5 -( 8#$C&' ,. %5.*#bA a:#2)# $.,&#%'5 .2 e-5#,' Hb

oA <#* .0&7.(8&#* 3 ,.,-88&'(.* ,. 8'$%'*&8&P( #%2&8#C2.* .( 8#,#uno de los aparato se denen en los capítulos correspondientes.

*9DP=8:7 oV_ #;?8==E7>;< ?;: e89C?7 $H*)#* ,.,-88&'(.* 2#* #%2&8# .2 e-5#,' H .( )','* 2'* #%#5#)'* 3.( *-.2' 8-#(,' *. 8'$.)# 2# :#2)# 8'55.*%'(,&.().A W.5 S.88&'(.*10 a 15 para faltas adicionales y deducciones especícas de cada#%#5#)'A

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 34

$9979 2BC::

-V.-1;?E8B

-V/-6C9@;-Vc-

#;?8=DE7>< Y79 C;<DX;DE= C>? ;G;=8DE7> ;9979<

Y'(M,&*)&(8) %'*&)&'(* a)-8NG%&N.G *)5#&7")bA

‚ ‚ ‚

I,e-*) '5 8'55.8) "#(, '575&% %'*&)&'( .#8" )&$.A

‚

K#2N&(7 &( "#(,*)#(, '5

"'%%&(7 a.#8" *).% '5 "'%bA ‚

Touching apparatus or oorL&)" 2.7* '5 :..)A

‚

Hitting apparatus or oor. ‚

@3$(#*) )'-8"., C-) (')#**&*)., C3 *%')).5 ,-5&(7#( .0.58&*.A

‚

?().55-%)&'( ': .0.58&*.L&)"'-) :#22A

‚

T.() #5$*G C.() 2.7*G 2.7*#%#5)A ‚ ‚ ‚

=''5 %'*)-5. '5 C',3 %'*&M

)&'( '5 %'*)-5#2 8'55.8)&'(*&( .(, %'*&)&'(*A

‚ ‚ ‚

S#2)'* L&)" N(..* '5 2.7*#%#5)A

≤ shoulderL&,)"

„ *"'-2,.5L&,)"

<.7* #%#5) '( 2#(,&(7A≤ shoulder

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Article 10.2 Contenu et règles spéciques

*9DE=:; .-V,V. 5;BC9F8;< =7>=;9>C>D :C M9U<;>DCDE7> ?; :L;G;9=E=;VA <. 73$(#*). ,'&) 8'$$.(8.5 *'( .0.58&8. h 2B&()65&.-5 ,.* 2&7(.*G

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à l’extérieur de la démarcation = 0,10.M )'-8". ,.* $#&(*G %&.,*G %&., .) $#&( '- #-)5. %#5)&.

du corps à l’extérieur de la démarcation = 0,30.M 568.%)&'( #%5E* -( 626$.() )')#2.$.() h 2B.0)65&.-5 ,.

la démarcation = 0,30.M 2.* 626$.()* 4-& 8'$$.(8.() h 2B.0)65&.-5 ,- %5#)&8#C2.

(. *.5'() %#* 5.8'((-*ALe juge D1 va apporter la déduction appropriée à la note nale

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2;==EZ> .-\ 28;:7

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*9DP=8:7 .-V. #;<=9EM=EZ> ?;: ;e;9=E=E7U( .e.58&8&' ,. *-.2' .*)Q 8'$%-.*)' %5&(8&%#2$.(). ,. .2.$.()'*#85'CQ)&8'*G 8'$C&(#,'* 8'( .2.$.()'* 7&$(Q*)&8'* ,. :-.5c# 3partes de equilibrio, elementos de exibilidad, apoyos invertidosy combinaciones coreográcas, formando un ejercicio con ritmo

armonioso, utilizando todo la supercie del suelo (12 m x 12 m).

*9DP=8:7 .-V, !7>D;>E?7 A =7><D98==EZ>

*9DP=8:7 .-V,V. '>Y79BC=EZ> <7^9; :C M9;<;>DC=EZ> ?;: ;e;9=E=E71. Los gimnastas comenzarán su ejercicio dentro de la supercie

,.2 *-.2'G %#5#,' 3 %&.5(#* e-()#*A <# .;#2-#8&P( ,.2 .e.58&8&'.$%&.c# 8'( .2 %5&$.5 $';&$&.()' ,. 2'* %&.* ,.2 7&$(#*)#A

ZA H2 7&$(#*)# ,.C. &(82-&5 *P2' .2.$.()'* 4-. %-.,# 5.#2&c#5 8'()')#2 *.7-5&,#, 3 8'( -( #2)' 75#,' ,. ,'$&(&' .*)6)&8' 3 )68(&8'A

oA <#* .0%.8)#)&;#* ,. 8'(*)5-88&P( 3 .e.8-8&P( ,.2 .e.58&8&' *'(ga) Los ejercicios deben realizarse dentro de la supercie del

suelo. Elementos iniciados fuera de la supercie del suelo,

*. .;#2-#5Q( ('5$#2$.(). %'5 .2 e-5#,' HG %.5' *&( 5.8'('M8&$&.()' %'5 .2 e-5#,' ]Ai) La supercie disponible está marcada por líneas o colores

,&:.5.().*A S. 8'(*&,.5# 4-. .*)#* 2O(.#* *'( %#5). ,.la supercie. El gimnasta puede pisar la línea, pero no*'C5.%#*#52#G #*O 8'$' .2 8'2'5 ,.2 &().5&'5 ,.2 %5#8)&8#C2.A

&&b ]'* e-.8.* ,. 2O(.# *.()#,'* .( ,&#7'(#2 -(' :5.(). #2 ')5'Gcerca del suelo controlan si el gimnasta sale de la supercie$#58#,#A !#,# e-.c 8'()5'2# 2#* ,'* 2O(.#* 8.58#(#* # 62A!-#(,' 2# 2O(.# *. *'C5.%#*#G .2 e-.c ,. 2O(.# &(:'5$#5Q%'5 .*85&)' #2 e-.c ]VG ,. #8-.5,' # 2'* *&7-&.().* 85&).5&'*g

M !#.5 ' )'8#5 8'( -( %&. ' -(# $#(' :-.5# ,. 2# *-%.5Mcie del suelo = 0,10.

M F'8#5 8'( 2'* %&.*G $#('*G %&. 3 $#(' ' 8'( 8-#24-&.5otra parte del cuerpo fuera de la supercie = 0,30.

- Elemento terminado directamente fuera = 0,30.

- Elemento iniciado fuera de la supercie del suelo,.2.$.()' *&( ;#2'5A

El juez D1 hará la deducción adecuada de la nota nal.iii) Si el gimnasta sobrepasara la supercie de suelo, no se

penalizarán los pasos para volver a la supercie.Cb <# ,-5#8&P( ,.2 .e.58&8&' ,. *-.2' .* ,. $Q0&$' •n *.7-(,'*G

4-. *.5Q( 8'()5'2#,'* %'5 -( 85'('$.)5#,'5A Y' "#3 )&.$%'$O(&$'A H2 85'('$.)5#,'5 "#5Q -(# *.f#2 #-,&)&;# # 2'* wn*.7-(,'* 3 ,. (-.;' # •n *.7-(,'* %#5# &(,&8#5 2# ,-5#8&P($Q0&$# ,.2 .e.58&8&'A H2 )&.$%' *. $&,. ,.*,. .2 %5&$.5 $'M;&$&.()' ,. 2'* %&.* ,.2 7&$(#*)# "#*)# 2# *#2&,# 4-6 ,.C.

2;=DE7> .-\ H:779 $G;9=E<;

]&$.(*&'(*g VZ $A 0 VZ $A

*9DE=:; .-V. $G;9=E<; ?;<=9EMDE7> I >2''5 H0.58&*. &* 8'$%'*., %5.,'$&(#()23 ': #85'C#)&8 .2.$.()*8'$C&(., L&)" ')".5 73$(#*)&8 .2.$.()* *-8" #* *)5.(7)" #(,balance parts, elements of exibility, handstands, and choreographic8'$C&(#)&'(* #22 :'5$&(7 # "#5$'(&'-* 5"3)"$&8 .0.58&*. L"&8" &*

performed utilizing the entire oor exercise area (12 m x 12 m).

*9DE=:; .-V, !7>D;>D C>? !7><D98=DE7>

*9DE=:; .-V,V. '>Y79BCDE7> C^78D $G;9=E<; &9;<;>DCDE7>1. The gymnast must begin his Exercise within the oor area, from

# *)&22 *)#(, 2.7* )'7.)".5A F". .0.58&*. #(, .;#2-#)&'( C.7&( L&)"the rst movement of the feet of the gymnast.

ZA F". 73$(#*) $-*) &(82-,. '(23 .2.$.()* )"#) ". 8#( %.5:'5$ L&)"8'$%2.). *#:.)3 #(, L&)" # "&7" ,.75.. ': #.*)".)&8 #(, ).8"(&8#2$#*).53A

oA I,,&)&'(#2 .0.8-)&'( #(, .0.58&*. 8'(*)5-8)&'( .0%.8)#)&'(* #5.ga) The exercise must occur entirely within the oor area. Elements

initiated outside of the oor area will be evaluated in the normal

:#*"&'( C3 )". HM/-53 C-) L&22 (') C. 5.8'7(&c., C3 )". ]M/-53A

&A F". *%#8. #;#&2#C2. :'5 >2''5 H0.58&*. &* ,.2&(.#)., C3C'-(,#53 2&(.* '5 8'2'-5 *.%#5#)&'(*A <&(.* #5. 8'(*&,.5.,to be a part of the oor area. The gymnast may step onto)". 2&(.G C-) (') ';.5 )". 2&(. '5 '( )". '-)*&,. 8'2'-5A

ii. Going outside of the marked oor area will be controlled byZ 2&(. e-,7.* L"' *&) ,&#7'(#223 '%%'*&). .#8" ')".5 (.#5)". >` #5.#A H#8" 2&(. e-,7. 'C*.5;.* )". Z C'-(,#53 2&(.*(.#5.*) "&$A K".( 2&(. ;&'2#)&'(* '88-5G )". 2&(. e-,7. $-*)#,;&*. )". ]V e-,7. &( L5 &)&(7G -*&(7 )". :'22'L&(7 85&).5&#gM <#(,&(7 '5 )'-8"&(7 L&)" '(. :'') '5 '(. "#(, '-)*&,.

the oor area = 0,10.M F'-8"&(7 L&)" :..)G "#(,*G :'') #(, "#(, '5 L&)" #(3

other part of the body outside of the oor area = 0,30.- Landing directly outside the oor area = 0,30.

- Elements initiated outside the oor area have no value.

The D1 judge will take the appropriate deduction from the nal scoreiii. If the gymnast has stepped outside of the oor area, steps

5.4-&5., )' 5.)-5( C#8N &()' )". #5.# #5. (') ,.,-8).,ACb F". ,-5#)&'( ': )". >2''5 H0.58&*. &* # $#0&$-$ ': •n *.8'(,*

which will be veried by a timer. There is no minimum time.F". F&$. /-,7. L&22 7&;. #( #-,&C2. L#5(&(7 *&7(#2 #) wn *.8M'(,* #(, #7#&( #) •n *.8'(,* )' &(,&8#). )". $#0&$-$ )&$.prescribed to the exercise. The time is measured from the rst$';.$.() ': )". :..) ': )". 73$(#*) )"5'-7" )' )". ,&*$'-()G

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 38

,.* %&.,* ,- 73$(#*). .) ,-5. e-*4-Bh 2# *'5)&.G #- $'$.()'u 8.2-&M8& *. )5'-;. h 2# *)#)&'(G e#$C.* *.556.*A S& 2B.0.58&8.,6%#**. 2. ).$%* %5.*85&)G 2. 8"5'('$6)5.-5 2. *&7(#2. #- e-7.D1, qui apporte la déduction appropriée à la note nale.

8b <B.(*.$C2. ,. 2# *-5:#8. ,- %5#)&8#C2. ,'&) J)5. -)&2&*6.A ?2 (B3# %#* 2&$&). # %5'%'* ,. :'&* 4-B&2 73$(#*). -*. 2# ,&#7'(#2..( *-88.**&'( %'-5 626$.()* #85'C#)&4-.*A !.%.(,#()G 2.gymnaste doit aller a/de chaque coin ou le jury D féra une,6,-8)&'( (.-)5. ,. nGo -(. :'&* ,#(* 2B.0.58&8.A

,b <.* *)#)&'(* ,. ,.-0 *.8'(,.* '- %2-* #;#() 2.* *65&.* '-2.* 626$.()* #85'C#)&4-.* (. *'() %#* %.5$&*.*A

.b <. 73$(#*). ,'&) ).5$&(.5 8"#4-. 626$.() '- *65&. #85'C#M

)&4-. %#5 -(. 568.%)&'( $#j)5&*6. #;#() ,B.068-).5 2B626$.()('( #85'C#)&4-. *-&;#()A <.* 568.%)&'(* %#**#7E5.* ('($#j)5&*6.* 2'5* ,. 8.* )5#(*&)&'(* *'() &().5,&).*A

:b <.* *#-)* ,. %'&**'( ,'&;.() $'()5.5 -(. %"#*. ,. *-%%'5)%#**#7.5 *-5 2.* ,.-0 $#&(*l #&(*&G &2* (. %.-;.() %#* J)5..068-)6* *#(* *-%%'5) ,.* $#&(* '- -(&4-.$.() #;.8 2.8'()#8) #;.8 2B#55&E5. ,.* $#&(*A

7b <B.0.58&8. ,'&) *. ).5$&(.5 %#5 -( 626$.() #85'C#)&4-. ,'()2# 568.%)&'( *B.::.8)-. *-5 2.* ,.-0 %&.,*A a<.* 5'-26* (. *'()%#* %.5$&* %'-5 2# *'5)&.b

"b <. 73$(#*). (. %.-) %#* -)&2&*6 -(. %#* *.$%2. %'-5 #55&;.5au coin. Une pas semple Simple signie quand le gymnaste5. %'*&)&'((. ,#(* 2# *-5:#8. ,- %5#)&8#C2. *#(* 8"'5675#%"&.a)'-5 „V€ndG *#-)G $'(). 2. e#$C. #- ,.**-* ,. 2B"'5&c'()#2,#(* 2. %#*G .)8bA

iA W'&5 #-**& 2# 2&*). 8'$%2E). ,.* :#-).* .) ,.* ,6,-8)&'(* 5.2#)&;.*h 2# %56*.()#)&'( ,. 2B.0.58&8. #- S.8)&'( } .) 2. )#C2.#- ,.*,6,-8)&'(* h 2.* #5)&82.* }Ai .) VnAoA

*9DE=:; .-V,V, 5;BC9F8;< =7>=;9>C>D :C >7D; #VA <.* 75'-%.* ,B626$.()* #- *'2 *'() 2.* *-&;#()*g

?A _26$.()* ('(M#85'C#)&4-.??A =#5)&.* #85'C#)&4-.* .( #;#() a*#2)'* .) 5.(;.5*.$.()*b

.) .2.$.()* ,. 5'-2. a*#(* *#2)'b???A =#5)&.* #85'C#)&4-.* .( #55&E5. a*#2)'* .) 5.(;.5*.$.()*bG

.) *#2)'* .( #55&656 #;.8 ,.$& )'-5 ZA <# *'5)&. (. ,'&) %#* J)5. ,- 75'-%. ,B626$.() ?A3. Remarques concernant la difculté et les groupes d’éléments:

#b <.* 626$.()* #85'C#)&4-.* %.-;.() J)5. .(8"#j(6* .( 2&#&*'(directe, mais ils vont garder leur propre valeur de difculté8'$$. 626$.()* &(,6%.(,#()*A

Cb I- *'2G -( 626$.() %.-) 8'$%).5 *.-2.$.() %'-5 5.$%2&52B.0&7.(8. ,B-( 75'-%. ,B626$.()*G 8B.*)M#M,&5. 4-. -( 626$.().068-)6 8'$$. *'5)&. a75'-%. ,B626$.()* ??G ??? '- ?Wb 8'$%).*.-2.$.() %'-5 5.$%2&5 2B.0&7.(8. ,- 75'-%. ,B626$.()* *'5)&.*G.) 2. 73$(#*). ,'&) &(82-5. -( #-)5. 626$.() ,- $J$. 75'-%.4-. 8.2-& 56#2&*6 %'-5 2# *'5)&. #- 8'().(- ,. *'( .0.58&8.%'-5 5.8.;'&5 2.* %'&()* %'-5 2. 75'-%. ,B626$.()* 5.*%.8)&:A<B626$.() -)&2&*6 h 2# *'5)&. .*) 2. %5.$&.5 ,.* 8&(4 8'$%)#C&2&*6,#(* 2. 75'-%.* ,B626$.()* 8'55.*%'(,#()G h 2B.08.%)&'( ,- 8#*,. 56%6)&)&'( *&$%2.A

8b F'-* 2.* *#2)'* #;.8 ,.$&. )'-5 *'() ,#(* 2. 75'-%. ,.* 626M$.()* #85'C#)&4-.* .( #55&656G H0.$%2. *#2)' #;.8 ‡ )A ,'-C2.

L"&8" $-*) .(, &( # *)#(,&(7 %'*&)&'( L&)" 2.7* )'7.)".5A ?:)". .0.58&*. ,'.* (') 8'$%23 L&)" )". %5.*85&C., )&$.G )".)&$.5 L&22 *&7(#2 )". e-,7. ]V L"' L&22 )#N. )". 8'55.*%'(,&(7,.,-8)&'( :5'$ )". >&(#2 S8'5.A

c) The full oor area must be used. There is no limit regarding)". #$'-() ': )&$.* # ,&#7'(#2 $#3 C. -*., &( *-88.**&'( :'5acrobatic elements. However, the gymnast must go to and/or:5'$ .#8" 8'5(.5 '5 # nAo (.-)5#2 ,.,-8)&'( C3 )". ]Me-53 L&22C. )#N.( '(8. ,-5&(7 )". .0.58&*.A

,b =#-*.* ': )L' *.8'(,* '5 2'(7.5 C.:'5. #85'C#)&8 *.5&.* '5.2.$.()* #5. (') %.5$&)).,A

.b H#8" #85'C#)&8 .2.$.() '5 *.5&.* $-*) .(, &( # ;&*&C23 8'(M

)5'22., 2#(,&(7 C.:'5. 8'()&(-&(7 )' # ('(M#85'C#)&8 .2.$.()AU(8'()5'22., $'$.()#53 2#(,&(7* ,-5&(7 *-8" )5#(*&)&'(* #5.(') %.5$&)).,A

:b ]&;. 5'22* $-*) *"'L # $'$.()#53 *-%%'5) ': C')" "#(,*l )"#)&*G )".*. $#3 (') C. %.5:'5$., L&)"'-) "#(, *-%%'5) '5 L&)"8'()#8) '(23 '( )". C#8N ': )". "#(,*A

7b F". .0.58&*. $-*) .(, L&)" #( #85'C#)&8 .2.$.() )"#) 2#(,*L&)" C')" :..) )'7.)".5A

"b I 73$(#*) $-*) (') -*. *&$%2. *).%* )' #55&;. &( )". 8'5(.5AS&$%2. *).%* '88-5 L".( # 73$(#*) 5.%'*&)&'(* "&$*.2: '(the oor area without any choreography (turning ≥180 degree, e-$%&(7G 2&:)&(7 2.7 #C';. "'5&c'()#2 ,-5&(7 *).%G .)8AbA

iA >'5 # :-22 2&*) ': .55'5* #(, ,.,-8)&'(* 7';.5(&(7 H0.58&*. =5.*.()#M)&'(G *.. S.8)&'( } #(, )". *-$$#53 ': ,.,-8)&'(* &( I5)&82.* }Ai#(, VnAoA

*9DE=:; .-V,V, '>Y79BCDE7> C^78D DX; # <=79;VA F". H2.$.() @5'-%* #5.g

?A Y'(M#85'C#)&8 .2.$.()*A??A I85'C#)&8 .2.$.()* :'5L#5, a*#2)'* #(, "#(,*%5&(7*b …

:L,A 5'22'-) .2.$.()* a(' *#2)'b???A I85'C#)&8 .2.$.()* C#8NL#5, a*#2)'* #(, "#(,*%5&(7*bG

… I5#C&#( .2.$.()*ZA F". ,&*$'-() 8#((') C. :5'$ H2.$.() @5'-% ?A3. Information about Difculty and elements group:

#b I85'C#)&8 .2.$.()* 8#( C. 8'((.8)., C-) 5.)#&( )".&5 &(,.%.(M,.() ;#2-.*A

b) For oor exercise, one element can fulll only one Element@5'-% 5.4-&5.$.()A ?: '(. .2.$.() &* .0.8-)., #* ,&*$'-()(Element Group II, or III), it can fulll only Dismount Group5.4-&5.$.()G #(, )". 73$(#*) $-*) &(82-,. '(. $'5. .2.M$.() :5'$ )". *#$. H2.$.() @5'-% #* )". ,&*$'-() &(*&,.)". .0.58&*. &( '5,.5 )' 5.8.&;. )". 5.*%.8)&;. H2.$.() @5'-%points. The element used for the dismount is the rst of vecounted within a specic element group, except in the instance': C#*&8 5.%.)&)&'(A

8b I22 I5#C&#( .2.$.()* #5. &( )". 75'-% ': #85'C#)&8 .2.$.()*C#8NL#5,G H0#$%2. I5#C&#( ,'-C2. :5'() ‡ = same as double

).5$&(#5 .( -(# %'*&8&P( ,. %&. 8'( 2#* %&.5(#* e-()#*A S& 2'*.e.58&8&'* (' 8-$%2.( .2 )&.$%' %5.*85&)'G .2 85'('$.)5#,'5*. 2' &(,&8#5Q e-.c ]V 4-. ,.,-8&5Q 2' 8'55.*%'(,&.(). ,.la nota nal.

c) Debe utilizarse toda la supercie del suelo. No hay límite con5.2#8&P( #2 (R$.5' ,. ,&#7'(#2.* 4-. *. %-.,.( 5.#2&c#5 *.M7-&,#* %#5# .2.$.()'* #85'CQ)&8'*A S&( .$C#57'G .2 7&$(#*)#debe ir a / o desde cada esquina o el jurado D penalizara con-(# ,.,-88&P( (.-)5#2 ,. nGon -(# ;.c %'5 .e.58&8&'A

,b Y' *. %.5$&).( %#5#,#* ,. ,'* ' $Q* *.7-(,'* #().* ,.-(# *.5&. ,. .2.$.()'* #85'CQ)&8'*A

.b !#,# .2.$.()' #85'CQ)&8' ' *.5&. ,.C. #8#C#5 8'( -(#

5.8.%8&P( ;&*&C2.$.(). 8'()5'2#,# #().* ,. 8'()&(-#5 8'(-( .2.$.()' (' #85'CQ)&8'A Y' *. %.5$&).( 5.8.%8&'(.*&(8'()5'2#,#* $'$.()Q(.#* ,-5#(). .*)#* )5#(*&8&'(.*A

:b <'* *#2)'* # 5',#5 ,.C.( ).(.5 #%'3' $'$.()Q(.' ,. #$C#*$#('*l ,. )#2 $#(.5#G 4-. *. %.(#2&c#5Q *& *. .e.8-)# *&( -(#%'3' ,. $#('* ' 8'( )#( *'2' .2 5.;.5*' ,. 2#* $#('*A

7b H2 .e.58&8&' ,.C. ).5$&(#5*. 8'( -( .2.$.()' #85'CQ)&8' 8'(2# 5.8.%8&P( *'C5. 2'* %&.*A

"b H2 7&$(#*)# (' ,.C. 5.#2&c#5 %#*'* *&$%2.* %#5# 22.7#5 # 2#.*4-&(#A =#*'* *&$%2.* *. 8'(*&,.5# 8-#(,' -( 7&$(#*)# *.;-.2;. # 8'2'8#5 .( .2 Q5.# ,. *-.2' *&( (&(7-(# 8'5.'75#:O#(giro ≥180 grados, saltando, despegando las piernas por.(8&$# ,. 2# "'5&c'()#2 ,-5#(). .2 %#*'G .)8AAAb

iA U(# 5.2#8&P( ,. :#2)#* 3 ,.,-88&'(.* 5.2#8&'(#,#* 8'( 2# %5.M*.()#8&P( ,.2 .e.58&8&'G *. %-.,.( ;.5 .( 2# S.88&P( } 3 .( .25.*-$.( ,. ,.,-88&'(.* .( 2'* #5)O8-2'* }Ai 3 VnAoA

*9DP=8:7 .-V,V, '>Y79BC=EZ> <7^9; :C >7DC #VA <'* @5-%'* ,. H2.$.()'* *'(g

?A H2.$.()'* (' #85'CQ)&8'*A??A H2.$.()'* #85'CQ)&8'* #,.2#(). a$'5)#2.* 3 %#2'$#*b 3

.2.$.()'* # 5',#5 a*&( $'5)#2bAIII. Elementos acrobáticos atrás (mortales y ic acs) y saltos

#)5Q* 8'( $.,&' 7&5' 3 $'5)#2.* #,.2#().AZA <# *#2&,# (' %-.,. %.5).(.8.5 #2 75-%' ,. .2.$.()'* ?A3. Información acerca de la dicultad y grupos de elementos:

#b <'* .2.$.()'* #85'CQ)&8'* %-.,.( 8'(.8)#5*. %.5' $#()&.M(.( *- ;#2'5 &(,.%.(,&.().A

Cb H( *-.2'G -( .2.$.()' %-.,. 8-$%2&5 *P2' .2 5.4-.5&$&.()',. -( 75-%' ,. .2.$.()'*A S& -( .2.$.()' *. .e.8-)# 8'$'*#2&,# a75-%' ,. .2.$.()' ?? ' ???bG 8-$%2. *'2' .2 75-%' ,..2.$.()' *#2&,#G 3 .2 7&$(#*)# ,.C. &(82-&5 ,.()5' ,.2 .e.58&8&'-( .2.$.()' $Q* ,.2 $&*$' 75-%' ,. .2.$.()' 4-. .2 ,. 2#*#2&,# %#5# 5.8&C&5 .2 5.*%.8)&;' 75-%' ,. .2.$.()'A H2 .2.M$.()' -*#,' .( 2# *#2&,# .* .2 %5&$.5' ,. 2'* 8&(8' .2.$.()'*4-. *. 8-.()#( ,.()5' ,. 2'* 75-%'* ,. .2.$.()'*G .08.%)'.( .2 8#*' ,. 5.%.)&8&P(A

8b <'* Q5#C.* .*)Q( .( .2 75-%' ,. .2.$.()'* #85'CQ)&8'* #)5Q*GEj. Árabe doble ad. con ½ = igual a doble atrás con 1/1 (valor

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 39

avant ½ t. = le même que double arriéré avec 1/1 t. (valeur]bA <.* 626$.()* *-&;#().* a*#2)' #)A #;.8 ‡ )A ,'-C2. *#2)'#;Ab # 2# $J$. ;#2.-5 .) 8#,5. 4-. 2. ,'-C2. *#2)' #;#() #;.867#2 (-$65' ,. )'-5*g I5#C. ,C2A ).(,- ‡ a=.(.;bG I5#C&#(dbl. tendu. (Tamayo), et Arabe dbl. tendu 1/1 (Hypolito).

iA D.$#54-.* 8'(8.5(#() 2.* %'&()* ,. 8'((.0&'(AM ?2 3 # 8'((.8)&'(* *.-2.$.() ,#(* -(. :#8. .) (B.*) %#* (68.*M

*#&5. J)5. &(82-* ,#(* 2. Vn 626$.()* 4-& 8'(). a$#&* (B.*) %#*%.5$&* 2# 56%6)&)&'(bA

- D ou supérieur + min. B = +0.1, D+D ou plus connections = +0.2M a?2 (B3 # %#* ,. 8'((.8)&'(* %'-5 8'()5# *#2)'G .0.$%2. ]'-C2.

salto arriéré avec 1/1 t. et salto avant avec. 1/1 t.).

M ?2 3 # 2. 2&$&). ,. Z 8'((.8)&'(* )')#2 ,#(* 2B.0.58&8.AkA D.$#54-.* .) 5E72.* 8'$%26$.()#&5.*ga) Les éléments comportant 3/2 salto avec réception sur les

$#&(* %'-5 .(*-&). 5.C'(,&5 h 2# *)#)&'( *'() &().5,&)*ACb <.* *#2)'* # 5'-2.5 .) *#2)'* h 2# %'*&)&'( :#8&#2 (. *'() %#*

%.5$&* %'-5 ;#2.-5A8b F'-* 2.* 626$.()* %.5$&* *. ).5$&(#() #;.8 -( 5'-26 #;#()

ou en position à l’appui couché facial sont identiés dans lestableaux de difcultés. Pour des raisons de sécurité, aucun#-)5. 626$.() ('-;.#- ,. 2# $J$. 8#)67'5&. (. *.5# #-)'5&*6A

d) A moins d’indication contraire dans les tableaux de difcultés,2.* 626$.()* .068-)6* .( 8.582.* ,.* e#$C.* *.556.* '-écartées ont la même valeur et numéro d’identication. Les%#**6* :#8&#-0 #;.8 e#$C.* 68#5)6.* (. *'() %#* %.5$&*A

e) A moins d’indication contraire dans les tableaux de difcultés2.* %#5)&.* ,. $#&()&.( .( :'58. #;.8 e#$C.* 68#5)6.* *'()&().5,&).*A

:b <.* 626$.()* 4-& &$%2&4-.() ,.-0 %#5)&.* ,. :'58. %'-55.8.;'&5 -(. ;#2.-5 ,- 8',.G (68.**&).() -(. %'*&)&'( ,B#55J),#(* 2.* ,.-0 %#5)&.* ,. :'58. 2# 8'$%'*#() %'-5 5.8.;'&5la valeur codiée, une valeur inférieure sera attribuée si un#55J) *. %5',-&) ,#(* -(. *.-2. ,.* %#5)&.* ,. :'58.A H0.$%2.gManna (1 s.) et s’élever à l’ATR (pas d’arrêt) = valeur C pour2# 9#((#A

7b F'-* 2.* 8.582.* ,.* e#$C.* *.556* '- 68#5)6* 8'$$.(8.() .)nissent en appui en facial.

"b I-8-( 626$.() *-%%26$.()#&5. (. %.-) J)5. #e'-)6 #;#() '-#%5E* 2B626$.() ?AVnw a8.582.* ,. e#$C.* 68#5)6.* h 2BIFD *#-).( #55&E5. h 2BIFD #;.8 )'-5 .) 5.)'-5 #-0 8.582.* ,. e#$C.*68#5)6.*b %'-5 .( #-7$.().5 2# ;#2.-5A

H0.$%2.g 2B#e'-) ,B-( %&;') #;#() 2B626$.() ?AVnw (B#-7$.(). =IS 2#

;#2.-5A <. !F9 # #%%2&4-6 -( %5&(8&%. 'u *.-2.$.() 2.* 626$.()*#85'C#)&4-.* %.-;.() 'C).(&5 -(. ;#2.-5 *-%65&.-5. h ]A

&b <# 85'&0 5.(;.5*. ,'&) #;'&5 2. e#$C.* *.55.*

wA D6%6)&)&'(* *%68&#2.*g#b I- *'2G -( $#0&$-$ ,. Z 626$.()* ,. :'58. a.( &(82-#() 2.*

#%%-&* 5.(;.5*6* ,.* :'58.bA <.* 626$.()* ?AVMi€G *'() 8'(*&M,656* 8'$$. ,.* 626$.()* ,. :'58.G h 2B.08.%)&'( ,.g

M _26$.() ?AV} M I%%-& ).(,- 5.(;.5*6 aZ *.8AbAM _26$.() ?AoV M ‡ '- V )'-5 .( IFD '- h 2BIFDA

Cb I- *'2G #- $#0&$-$ Z 626$.() ,. ;#2.-5* .068-)6* .( 8.582.*,. e#$C.* *.556* '- 68#5)6* '- :#8&#2 5-**. %.-;.() 8'()5&C-.5h 2# ;#2.-5 ,. 2B.0.58&8.A

back 1/1 (D value). The following Arabian elements (JumpCL,A L&)" ‡ )A )' ,'-C2. *#2)' :L,Ab "#;. )". *#$. ;#2-. #(,!',. C'0 #* )". CL,A ,'-C2. *#2)' .2.$.() L&)" )". *#$.#$'-() ': )L&*)&(7g I5#C&#( ,C2A *)5A ‡ a=.(.;bG I5#C&#( ,C2Astr. (Tamayo), and Arabian dbl. str. 1/1 (Hypolito).

iA ?(:'5$#)&'( #C'-) 8'((.8)&'(*gM !'((.8)&'( '( '(. *&,. '(23G #(, (') (.8.**#53 )' C. &(*&,. Vn

8'-()&(7 .2.$.()* aC-) (' 5.%.)&)&'( %.5$&)).,bA

- D or above + min. B = +0.1, D+D or higher connection = +0.2M aY' 8'((.8)&'( :'5 !'-().5 S#2)'*G .0#$%2. ]'-C2. *#2)' CL,A

1/1 to salto fwd. 1/1).

M <&$&) ': Z 8'((.8)&'(* )')#2 &( #( .0.58&*.A kA I,,&)&'(#2 &(:'5$#)&'( #(, 5.7-2#)&'(*ga) 3/2 salto elements with reception by and then spring from the

"#(,* #5. (') %.5$&)).,ACb S#2)'* 5'22'-) #(, e-$%* )' %5'(. %'*&)&'( #5. (') %.5$&)).,

:'5 ;#2-.Ac) All permitted elements that nish with a rollout or nish in front

support position are listed in the Difculty Tables. For safety5.#*'(*G (' (.L *-8" .2.$.()* #5. %.5$&)).,A

d) Unless otherwise indicated in the Difculty Tables, circle andair elements have the same value and identication number.K.(,. *L&(7* L&)" 2.7* #%#5) #5. (') %.5$&)).,A

.b U(2&*)., *)5.(7)" "'2,* L&)" *)5#,,2., 2.7* #5. (') %.5$&)).,A :b H2.$.()* &(;'2;&(7 )L' *)5.(7)" %#5)* :'5 '(. !',. ;#2-.

5.4-&5. # *)'% %'*&)&'( &( C')" *)5.(7)" %#5)* )' 5.8.&;. )".2&*)., ;#2-.G # 2'L.5 ;#2-. K?<< C. #L#5,., &: # *)'% '88-5*:'5 '(23 '(. ': )". *)5.(7)" %#5)*A H0#$%2.g 9#((# aV *Ab #(,press handstand (no stop)= C value for the Manna.

g) All circles/airs begin and end in front support.

"b Y' .0)5# .2.$.()* $#3 C. #,,., C.:'5. '5 #:).5 .2.$.() ?AVnwa>2#&5 )' "#(,*)#(, e-$%&(7 C#8NL#5, "#(,*)#(, %&5'-.)).*and back to air) for an increase in value.

H0#$%2.g #,,&)&'( ': # *%&(,2. C.:'5. ?AVnw L&22 Y1F &(85.#*.)". ;#2-.A F". 9F! "#* #%%2&., # %5&(8&%2. L".5. '(23 #85'M

C#)&8 .2.$.()* 8#( C. #L#5,., $'5. )"#( # ] ;#2-.A

&b I22 /#%#(.*. "#(,*)#(,* 5.4-&5. 82'*&(7 ': )". 2.7*

wA S%.8&#2 5.%.)&)&'(*g#b I $#0&$-$ ': Z *)5.(7)" .2.$.()* a&(82-,&(7 *)5.(7)" "#(,M

*)#(,*b $#3 C. %.5:'5$., &( #( .0.58&*. :'5 8'().() ;#2-.AH2.$.()* ?AV )' ?Ai€ #5. 8'(*&,.5., )' C. *)5.(7)" .2.$.()*G.08.%)g

M H2.$.() ?AV} M X#(,*)#(, aZ *.8bA M H2.$.() ?AoV M ‡ or 1/1 turn in handstand or to handstand.b) A maximum of 2 circle, air, or Russian value parts may be

%.5:'5$., &( #( .0.58&*. :'5 8'().() ;#2-.A

]bA <'* Q5#C.* *&7-&.().* a*#2)' #)5Q* 8'( ‡ 7A ,'C2. $'5)#2#,.2#().b )&.(.( .2 $&*$' ;#2'5 3 .*)Q( .( .2 $&*$' 8-#,5',.2 !P,&7' 4-. .2 ,'C2. $'5)#2 #)5Q* 8'( .2 $&*$' (R$.5',. 7&5'*g ̂ 5#C. ,'C2.A .0)A ‡ a=.(.;bG ̂ 5#C. ,'C2. .0).(,&,'(Tamayo) y Árabe doble. extendido. con 1/1 g. (Hypolito).

iA ?(:'5$#8&P( #8.58# ,. 2#* 8'(.0&'(.*gM <#* 8'(.0&'(.* *P2' *. ,#( .( -( ,&5.88&P( 3 (' .* (.8.*#5&'

.*)#5 .()5. 2'* Vn .2.$.()'* 4-. 8-.()#( a%.5' (' *. %.5$&).(5.%.)&8&'(.*bA

- D o mayor + mín. B = 0,10, D + D o conexión superior = +0,2.M Y' "#3 8'(.0&P( %'5 8'()5#*#2)'*G .e.$%2' ,'C2. $'5)#2 #)5Q*

con 1/1 giro y mortal adelante con 1/1 giro.

M <O$&). ,. Z 8'(.0&'(.* .( -( .e.58&8&'A kA ?(:'5$#8&P( #,&8&'(#2 3 5.72#*ga) No se permiten elementos de 3/2 mortal con recepción sobre

2#* $#('* %#5# &$%-2*#5 8'( 2#* $#('* # 2# %'*&8&P(ACb Y' *. %.5$&).( 3 (' *. ;#2'5#( 2'* $'5)#2.* # 5',#5 3 *#2)'*

# %.8"'8b F','* 2'* .2.$.()'* %.5$&)&,'* 4-. *. ).5$&(#5#( 5',#(,'

o en apoyo acostado facial son identicados en las tablas dedicultad. Por razones de seguridad, no se autoriza ningún.2.$.()' (-.;' ,. 2# $&*$# 8#).7'5O#A

d) A menos que se indique otra cosa en las tablas de dicultad,.2 $'2&(' 3 .2 $'2&(' 8'( 2#* %&.5(#* #C&.5)#* )&.(.( .2 $&*$'valor y el mismo número de identicación. Los checos con2#* %&.5(#* #C&.5)#* (' .*)Q( %.5$&)&,'*A

.b I $.('* 4-. *. &(,&4-. 2' 8'()5#5&'G (' *. %.5$&).( 2#*%'*&8&'(.* ,. :-.5c# 8'( %&.5(#* #C&.5)#*A

:b <'* .2.$.()'* 8'( ,'* %#5).* ,. :-.5c# 8'( -( ;#2'5 .( .28P,&7' 5.4-&.5.( %#5#5 2'* ,'* .2.$.()'* ,. :-.5c# %#5# 5.M8&C&5 .2 ;#2'5 %5.;&*)'G *. ,#5Q -( ;#2'5 $.('5 *& *'2' *. %#5#-(# ,. 2#* %'*&8&'(.* ,. :-.5c#A He.$%2'g 9#((# V *.7Ab 3subir al apoyo invertido (sin parada) = valor C para la Manna.

7b F','* 2'* $'2&('* %&.5(#* #C&.5)#* ' 8.55#,#* 8'$&.(c#( 3).5$&(#( .( #%'3' :5'()#2A

"b Y' *. %-.,.( #f#,&5 .2.$.()'* .0)5# #().* ' ,.*%-6* ,.2.2.$.()' ?AVnw a9'2&(' %&.5(#* #C&.5)#* #2 #%'3' &(;.5)&,'*#2)#(,' #)5Q* 8'( 7&5'* 3 C#e#5 # $'2&(' %&.5(#* #C&.5)#*b%#5# &(85.$.()#5 *- ;#2'5A

He.$%2'g #f#,&5 -( *%&(,2. #().* ,.2 ?AVnw Y1 &(85.$.()#5Q

*- ;#2'5A H2 !F9 "# #%2&8#,' .2 %5&(8&%&' ,. 4-. *'2' # 2'*.2.$.()'* #85'CQ)&8'* *. 2.* %-.,.( ,#5 $#* ,. ;#2'5 ]A

&b F','* 2'* #%'3'* &(;.5)&,'* e#%'(.*.* 5.4-&.5.( 8.55#5 2#*%&.5(#*A

wA D.%.)&8&'(.* .*%.8&#2.*g#b H( .2 .e.58&8&' *. %.5$&). -( $Q0&$' ,. Z .2.$.()'* # :-.5c#

a&(82-&,'* 2'* #%'3'* &(;.5)&,'* # :-.5c#bA <'* .2.$.()'* ?AV # i€ *. 8'(*&,.5#( .2.$.()'* ,. :-.5c#G

.08.%)'gM H2.$.()' ?AV}G #%'3' &(;.5)&,' aZ *.7AbA- Elemento I.31, ½ o 1/1 giro en o al apoyo invertido.

Cb H( .2 .e.58&8&' *. %.5$&). 8'$' ;#2'5 -( $Q0&$' ,. Z .2.M$.()'* 8'( $'2&('* %&.5(#* e-()#* ' #C&.5)#* 3 5-*#*A

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 40

•b =#5# $#3'5 &(:'5$#8&P( ,. 2#* 5.72#* 5.2#)&;#* #2 (' 5.8'('8&M$&.()' ,. .2.$.()'* 3 ')5'* #*%.8)'* ,. 2# (')# ]G ;.5 S.88&P(• ' 2# )#C2# ,. ,.,-88&'(.* ,.2 #5)O8-2' •AwA

Artículo 10.3 Deducciones especícas para suelo.

HC:DC &;F8;pC

-V.-1;?EC-V/-

+9C>?;-Vc-

Altura insuciente en los.2.$.()'* #85'CQ)&8'*A

‚ ‚

Falta de exibilidad en los.2.$.()'* .*)Q)&8'*A

‚ ‚

No usar toda la supercie del%5#8)&8#C2.A

9.('* ,. i.*4-&(#*

H2.$.()'* #85'CQ)&8'* 4-.).5$&(#( # 5',#5 *&( #%'3' ,.$#('* a%#5# *.(&'5*bA

!'( .2 ,'5*',. 2#* $#('*

S&( #%'3'

=#5#,# Z *.7A ' $Q* #().* ,.-( .2.$.()' ' *.5&. #85'CQ)&8#A

‚

D.8.%8&P( &(8'()5'2#,# 3$'$.()Q(.#A

‚ ‚ ‚8#O,# VAnn

=#*'* ' )5#(*&8&'(.* *&$%2.*%#5# 22.7#5 # 2#* .*4-&(#*A

‚

f89C?7 #

HC:DC &;F8;pC-V.- 1;?EC-V/- +9C>?;-Vc-

He.58&8&' $Q* 2#57' ,. •n *.7A ≤ Z *.7A „Z M k *.7A „ k *.7A

S#2&,# (' #85'CQ)&8# ' &2.7#2a5',#5bA

S&( 5.8'('8&$&.()' e-5#,' ]

!#.5 ' )'8#5 8'( -( %&. ' -(#mano fuera de la supercie de*-.2'A

‚

F'8#5 8'( %&.*G $#('*G %&. 3$#(' ' 8-#24-&.5 ')5# %#5). ,.2cuerpo fuera de la supercie,.2 *-.2'A

‚

D.8.%8&P( ,&5.8)#$.(). :-.5#de la supercie del suelo. ‚

No pasar por y/o desde cada

.*4-&(#A ‚

S#2)#5 # 2# 5.8.%8&P( :5'()#2,.*%-6* ,. -( $'5)#2

‚

S&( .2.$.()' ,. ,'C2. $'5)#2a*P2' %#5# S.(&'5b

‚

H2.$.()'* &(&8&#,'* :-.5# ,. 2#supercie del suelo.

S&( ;#2'5

•A >'5 # :-5)".5 2&*) ': 5.7-2#)&'(* 7';.5(&(7 ('(M5.8'7(&)&'( ': .2.M$.()* #(, ')".5 #*%.8)* ': )". r] *8'5.sG *.. S.8)&'( • #(, )".*-$$#53 ': ,.,-8)&'(* &( I5)&82. •AwA

Article 10.3 Specic Deductions for H:779 $G;9=E<;V

$9979 2BC::

-V.-1;?E8B

-V/-6C9@;-Vc-

Insufcient height in acrobatic.2.$.()*A

‚ ‚

Lack of exibility during static.2.$.()*A

‚ ‚

Not using whole oor area. <.** )"#( i8'5(.5*

I85'C#)&8 5'22M'-) .2.$.()*L&)"'-) "#(, *-%%'5) a:'5*.(&'5*bA

1( C#8N ':"#(,*

K&)"'-)*-%%'5)

=#-*. Z *.8A '5 $'5. C.:'5..2.$.() '5 #85'C#)&8 *.5&.*A

‚

U(8'()5'22., $'$.()#53 2#(,M&(7* a#2*' &( )5#(*&)&'(*bA

‚ ‚ ‚

:#22 VAnn

S&$%2. *).%* '5 )5#(*&)&'(* )'#55&;. )' )". 8'5(.5*A

‚

# f89A

$9979 2BC::-V.- 1;?E8B-V/- 6C9@;-Vc-

H0.58&*. 2'(7.5 )"#( •n *.8A ≤ 2 sec. „Z M k *.8A „ k *.8A

Y'(M#85'C#)&8 '5 &22.7#2 ,&*M$'-() a5'22*bA

H2.$.() (') 5.8'7(&c., C3 ]Me-53

<#(,&(7 '5 )'-8"&(7 L&)" '(.:'') '5 '(. "#(, '-)*&,. )".oor area.

‚

F'-8"&(7 L&)" :..)G "#(,*G :'')#(, "#(, '5 L&)" #(3 ')".5%#5) ': )". C',3 '-)*&,. ': )".oor area.

‚

<#(,&(7 ,&5.8)23 '-)*&,. )".oor area. ‚

No pass to and/or from each

8'5(.5b ‚

/-$% )' %5'(. 2#(,&(7 #:).5*#2)'

‚

Y' ,'-C2. *#2)' .2.$.() a:'5S.(&'5* '(23b

‚

H2.$.()* &(&)&#)., '-)*&,. )".oor area.

Y' ;#2-.

•A W'&5 #-**& 2.* 5E72.* 4-& 567&**.() 2# ('(M5.8'((#&**#(8. ,.*626$.()* .) 2.* #-)5.* #*%.8)* ,. 2# ('). ] #- *.8)&'( • .) 2.)#C2.#- ,.* ,6,-8)&'(* h 2B#5)&82. •AwA

Article 10.3 Déductions spéciques pour sol.

HC8D; &;DED;

-V.-17A;>>;

-V/-+97<<E[9;

-Vc-

Hauteur insufsante lors des*#-)*A

‚ ‚

Souplesse insufsante dans les626$.()* *)#)&4-.*A

‚ ‚

Y'( -)&2&*#)&'( ,. )'-). 2#*-5:#8.A

9'&(* ,.* i8'&(*

_26$.()* #;.8 5'-26 .( #;#()*#(* 568.%)&'( *-5 2.* $#&(*a%'-5 *.(&'5*bA

!'()#8) #;.82B#55&E5. ,.*

$#&(*

S#(* 568.%M)&'( *-5 2.*

$#&(*

S)#)&'( ,. %2-* ,. Z *.8A #;#()-( 626$.() '- *65&. #85'C#)&4-.A

‚

D68.%)&'( %#**#7E5. ('( $#jM)5&*6. ,#(* 2.* )5#(*&)&'(*A

‚ ‚ ‚8"-). VAnn

=#* '- )5#(*&)&'(* %'-5 #55&;.5#- 8'&(A

‚

f89A #

HC8D; &;DED;-V.-

17A;>>;-V/-

+97<<E[9;-Vc-

H0.58&8.* ,6%#**#() •n *A ≤ 2 sec. „Z M k *.8A „k *.8A

S'5)&. ('( #85'C#)&4-. '- ('(5672.$.()#&5. a5'-26*bA

Y'( 5.8'((#&**#(8. %#5 2. e-53 ]

D68.%)&'( ,B-(. $#&( '- ,B-(%&., h 2B.0)65&.-5 ,.* 2&7(.* ,.,6$#58#)&'(A

‚

F'-8". ,.* $#&(*G %&.,*G %&.,.) $#&( '- #-)5. %#5)&. ,-8'5%* h 2v.0)65&.-5 ,.* 2&7(.* ,.,6$#58#)&'(A

‚

D68.%)&'( ,B-( 626$.() ,&5.8).M$.() h 2B.0)65&.-5 ,.* 2&7(.* ,.,6$#58#)&'(A

‚

Pas passer pour et/ou chaque

8'&(S#-) # 2# %'*&)&'( :#8&#2 #%5E**#2)'

YB.068-).5 %#* ,'-C2. *#2)'a*.-2.$.() %'- *.(&'5b

_26$.()* 8'$$.(86* h 2B.0)6M5&.-5 ,.* 2&7(.* ,. ,6$#58#)&'(A

S#(* ;#2.-5

! $ &$ ' $ ($ ) $ *$ + $ ,$ - $ .$ / $ 0$

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

!"#$ &'( )*+, 42

VA ]. 2B#%%-& 5.(;*A *B#C#&**.5 h 2B64-.55. '- h2B64-.55. 68#5)6. aZ *AbA

From hdst. lower to L-sit or strad. L-sit (2 s.). ].*,. #%A &(;AAG C#e#5 # Q(7-2' ' Q(7-2' %A #CA aZ *AbA

ZA _4-.55.G e#$C.* 2.;6.* ;.5)&8#2 aZ *AbA V-sit (2 s.). ˆ(7-2'G %&.5(#* ;.5)&8#2.* aZ *AbA

oA _4-.55.G e#$C.* "'5&c'()#2 aZ *AbA V-sit with legs horiz. (2 s.). ˆ(7-2' %&.5(#* "'5&c'()#2.* aZ *AbA

•A ]. 2# *)#)&'(G #%%-& 5.(;A *-&**. aZ *AbA From stand, Swiss press to hdst. (2 s.). ].*,. .2 #%'3'G #%'3' &(;.5)&,' *-&c' aZ *AbA

8. S’élever corps échi, bras tendus ou corpstendu, bras échi à l’appui renv. (2 s.).

Piked body, str. arm or str. body, bent arm pressto hdst. with legs together (2 s.).

Elevarse cuerpo ex., brazos ext. o cuerpo ext.,brazos ex. al apoyo invertido (2 s.).

}A 2B_4-.55. e#$C.* ;.5)AaZ *Ab .) *B62.;.5 h 2B#%%-&5.(;A aZ *Ab #-**& e#$C.* '-;.5).*A

V-sit (2 s) and press to hdst. (2 s. b #2*' L&)" *)5#,A2.7*A

ˆ(7-2' %&.5(#* ;.5)&8#2.* aZ *Ab 3 .2.;#5*. #2#%'3' &(;.5)&,' aZ *Ab )#$C&6( 8'( %A #C&.5)#*A

VoA ]. 2# %'*&)&'( 8'-8"6. :#8&#2.G #;.8 62#(*B62.;.5 h 2B#%%-& 5.(;.5*6 aZ *Ab

Rock to hdst. from prone position (2 s.) ].*,. 2# %'*&8&P( #8'*)#,# :#8&#2G 8'( &$%-2*'

.2.;#5*. #2 #%'3' &(;.5)&,' aZ *Ab

ViA I%%-& 5.(;A *-&**. ,- 75A 68#5)A ,. 2B64A '- 64A68#5)6. '- ,. 8'-8"6 :#8&#2. aZ *Ab

Swiss press from split, L-sit, strad. L-sit or frontsup. (2 s.)

I%'3' &(;.5)&,' *-&c' ,.*,. S%#7#)G Q(7-2' 'Q(7-2' %&.5(#* #C&.5)#* aZ *Ab

VnA 2B_4-.55. e#$C.* "'5&cAaZ *Ab .) *B62.;.5 h 2B#%%-&5.(;A aZ *Ab #-**& e#$C.* '-;.5).*A

Manna (2 s.) and press to hdst. (2 s.) #2*' L&)"*)5#,A 2.7*A

ˆ(7-2' %&.5(#* "'5&cA aZ *Ab 3 .2.;#5*. #2 #%'3'&(;A aZ *AbG )#$C&6( 8'( %&.5(#* #C&.5)#*A

V}A I%%-& 5.(;.5*6 aZ *AbA Handstand (2 s.). I%'3' &(;.5)&,' aZ *AbA

ZnA SB62.;.5 2.()A '- *B#C#&**.5 '- 62#( h 2# 85'&05.(;A aZ *AbA

Press or lower or swing to Japanese hdst. (2 s.). S-C&5 ' C#e#5 ' &$%-2*' # 85&*)' &(;.5)&,' aZ *AbA

ZVA ]- 75A 68#5)AB62.;.5 2.()A h 2# 85'&0 5.(;.5*6.aZ *AbA

From split press to Japanese handstand (2 s.). ].*,. *%#7#) .2.;#5*. 2.()#$.(). # 85&*)'

&(;.5)&,' aZ *AbA

VkA ]- 9#((# aZ *AbG 5.(;.5*.$.() %#**#() %#52B#%%-& 5.(;.5*6A

From Manna (2 s.), turn over (dislocation)trough handstand.

].*,. 9#((# aZ *AbG ,&*2'8#5 #2 #%'3' &(;A

VwA ]- 9#((# aZ *AbG 5.(;.5*.$.() # 2B#%%-&5.(;.5*6 aZ *AbA

From Manna (2 s.), turn over (dislocation) tohandstand (2 s.).

].*,. 9#((# aZ *AbG ,&*2'8#5 #2 #%'3' &(;.5)&,'aZ *AbA

V•A V€A

ZZA ZoA ZiA

iA kA wA

VVA VZA

$+5 '\ $:;B;>D< >7>]C=97^CDEF8; ] 189.G5?8;G675 %C4F496@ ] $:;B;>D7< >7 C=97^jDE=7<

(Manna)

! $ &$ ' $ ($ ) $ *$ + $ ,$ - $ .$ / $ 0$

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

!"#$ &'( )*+, 43


o•A ]. 2B64-.55.G 68AG )'-5 #55A h 2# *)#)&'( From L-sit, etc., turn over bwd. to stand ].*,. Q(7-2' %&.5(#* #C&.5)#* ;'2).#5 # 2#

%'*&8&P(

ZwA I%%-& :#8&#2 "'5&c'()#2A aZ *AbA Support lever (2 s.). I%'3' :#8&#2 "'5&c'()#2 aZ *AbA

Z•A X&5'(,.22. aZ *AbA Swallow (2 s.). X&5'(,.22. aZ *AbA

ioA iiA D'-2.5 68 h 2B#%%-& 5.(;.5*6 aZ *AbA Endo roll to handstand (2 s.). D',#5 %&.5(#* #C&.5)#* #2 #%'3' &(;.5)&,' aZ *AbA

ooA ]. 2B#%%-& :#8&#2 "'5&c'()#2 Z *A *B62.;.5 h 2B#%%-&5.(;.5*6 aZ *AbA

From support lever 2 s. press handstand (2 s.). ].*,. #%'3' :#8&#2 "'5&c'()#2G Z *A .2.;#5*. #2

#%A &(;A aZ *AbA

oiA ]. 2B"&5'(,.22. Z *A *B62.;.5 2.()A h 2# 85'&05.(;.5*6A aZ *AbA

From Swallow 2 s. press to Japanese hdst. (2 s.).

].*,. "&5'(,.22. Z *A .2.;#5*. # 85&*)' &(;A aZ *AbA

31. ½ ou 1/1 tour en l’app. renv. ou à l’app. renv.½ or 1/1 turn in handstand or to handstand. ½ o 1/1 giro en apoyo inv. o al apoyo invertido.

o€

ZkA I%%-& :#8&#2 "'5&c'()#2 68#5)6 aZ *AbA Support lever, legs straddle (2 s.). I%'3' :#8&#2 "'5&c'()#2 %&.5(#* #C&.5)#* aZ *AbA

oZA ]. 2B#%%-& :#8&#2 "'5&c'()#2 .8A aZ *Ab *B62.;.5 h2B#%%-& 5.(;.5*6 aZ *AbA

From straddled support lever (2 s.) press hdst.(2 s.).

].*,. .2 #%A :#8&#2 "'5&c'()#2 %&.5(#* #C&.5)#*GaZ *Ab .2.;#5*. #2 #%'3' &(;.5)&,' aZ *AbA

Z€A Z}A onA

o}A inA iVA

ikA D'-2.5 8#5%6. h 2B#%%-& 5.(;.5*6 aZ *AbA I-**& jambes écartées dans la phase nale.

Endo roll piked to handstand (2 s.). Also nal phase with straddle.

D',#5 .( 8#5%# #2 #%'3' &(;.5)&,' aZ *AbA F#$Mbién con la fase nal con piernas abiertas.

iwA i•A

okA owA

iZA

i€A

(Alvariño)

- Peut être exécuté jambes écartées pour atteindre la position ATR dans la phase nale de l’élément, et ce, sans déduction.- May straddle the legs without deduction to reach the handstand position in the nal phase of the element - Puede abrir las piernas sin deducción para llegar al apoyo invertido en la fase nal del elemento.

*

*

! $ &$ ' $ ($ ) $ *$ + $ ,$ - $ .$ / $ 0$

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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!"#$ &'( )*+, 44

wVA @5#(, 68#5) )5#(*;.5*#2 '- 2#)65#2 a#;.8 #55J).bA Cross or side split (stop required). S%#7#) ,. :5.(). ' 2#)A a*. (.8.*&)# %#5#5bA

w•A F'-).* 2.* C#2#(8.* aZ *AbA Any standing scale (2 s.). F',#* 2#* %2#(8"#* aZ *AbA

w€A F'-).* 2.* C#2#(8.* 68A V€n°G *#(* #%%-& ,.*$#&(* aZ *AbA

Any standing scale with 180 ° straddle, no handhold (2 s.).

F',#* 2#* %2#(8"#* %&.5(#* #C&.5)#* V€ndG *&(#%'3' ,. $#('* aZ *AbA

i}A ]. 2# *)#)&'( '- ,. 2 B#%%-& 8'-8"6 ,'5*#2G V jambe échie, renv. arriéré ou à l’appui renverse.

From stand or rear support, push off 1 footthrough hdst. or back walkover.

Desde la pos. o el ap. acostado dorsal, 1 p. ex.,&(;.5*&P( #)5Q*G ' #2 #%'3' &(;.5)&,'A

kkA D.(;.5*.$.() #;#() Forward walkover =#2'$#

(Menichelli)


knA kVA kZA koA

kwA k•A k€A k}A

wZA woA wiA wkA

w}A •nA •VA •ZA

wwA

wnA

kiA

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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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!"#$ &'( )*+, 45


€wA

•kA •wA ••A •€A

€•A €€A €}A }nA

}kA }wA

€ZA €oA €iA

•oA S#-) .( #55&E5. h 2B#%%-& 8'-8"6 :#8&#2A Jump bwd. to front support. S#2)' #)5Q* #2 #%'3' #8'*)#,' :#8&#2A

74. Saut en arrière avec carpé - tendu ou av. 1/1)A h 2B#%%-& 8'-8"6 :#8&#2A

Jump bwd. with pike-stretch or with 1/1 turn tofront support.

S#2)' #)5Q* .( 8#5%# M .0).(,&,' ' #,.2#().con 1/1 g al apoyo acostado facial.

•}A=#%&22'(A Buttery. =#%&22'(A

80. Papillon avec 1/1 tour avant ou arriéré. Buttery with 1/1 twist fwd. or bwd. Papillon con 1/1 giro adelante o atrás.

81. Papillon avec 2/1 tour. Buttery with 2/1 twist. Papillon con 2/1 giros.

(Tong Fei)

(Endo)

€kA W#5&#().* ,. C5.#N,#(8.A Breakdance variations. W#5&#().* ,. T5.#N,#(8.A

(Gogoladze)

}VA Z 8.582.* ,.* e#$C.* '- ,.* e#$C.* 68#5)6*A 2 circles or airs. Z $'2&('* ' $'2&('* %&.5(#* #C&.5)#*A

}ZA !.582.* ,.* e#$C.* '- 8.582.* ,.* e#$C.*68#5)6* h 2B#%%-& 5.(;.5*6ACircles or air to handstand.

9'2&('* ' $'2&('* %&.5(#* #C&.5)#* #2 #%'3'&(;.5)&,'A

}oA !.582.* ,A e#$C.* h 2B#%%-& 5.(;A .) *B#C#&**.5.( 8.582.* ,.* e#$C.* 68A '- 8.582.* ,A e#$CA

Flair or circle to hdst. continue to air or circle. 9'2&('* ' $'2&('* %&.5(#* #C&.5)#* #2 #%'3'

&(;.5)&,' 3 C#e#5 # $'2&('* ' $'2&('* %A #CA

}iA !.582.* ,A e#$C.* *#-) #55A h 2B#% 5.(;A #;.8 ownd.) *B#C#&**.5 8.582.* ,.* e#$C.* 68A aZ *#-)b

Flair hopping with 360° t. bwd. thr. hdst and backto air (2 hops).9'2&('* %A #CA *#2)' #)5Q* 8'( ownd #2 #%'3'&(;.5)&,' 8'( 7&5' 3 C#e#5 # $'2&(' %A #C&.5)#*A aZ*#2)'*b

! # $ &$ ' # $ ($ ) # $ *$ + # $ ,$ - # $ .$ / # $ 0$

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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!"#$ &'( )*+, 46


}•A

Vn}A

}}A VnnA VnVA VnZA

VnwA

VV€A VV}A

VVVA VVoA VViA

Vn•A Vn€

VZnA

}€A ]. 2B#%%-& 5.(;.5*6 *B#C#&**.5 .( 8.582.* ,.* e#$C.* 68#5)6* '- 8.582.* ,.* e#$C.*A

Lower from hdst. to air or circle. ].*,. .2 #%'3' &(;.5)&,' C#e#5 # $'2&('* '

$'2&('* %&.5(#* #C&.5)#*A

104. Cercles d. jambes écartés avec 1/1 pivota,#(* Z 8.582.*bA

Flair with 1/1 spindle (in 2 circles). Molinos o m. piernas abiertas con 1/1 giro (en

,'* $'2&('*bA

VnkA !.582.* ,A e#$C.* 68#5)6* # „Z•n %&;') a,#(*Z 8.582.*b ,&5.8).$.() h 2B#%%-& 5.(;.5*.AFlair with >270 spindle (in 2 circles) directly tohandstand.

9'2&('* %A #C&.5)#* 8'( 7&5' „Z•n a.( Z $'2&M('*b ,&5.8)#$.(). #2 #%A &(;A

VnoA !.582.* ,A e#$C.* 68#5)6* #;.8 ‡ %&;')A Flair with ½ spindle. 9'2&('* ' $'2&('* %A #C&.5)#* 8'( ‡ 7&5'A

VVnA !.582.* ,A e#$C.* 68#5)6*A # ‡ %&;') h 2B#%%-&5.(;A

Flair with ½ spindle to handstand. 9'2&('* ' $'2&('* %&.5(#* #C&.5)#* 8'( ‡ 7&5'

#2 #%'3' &(;.5)&,'A

116. Facial russe avec 720° ou 900°. Russian wendeswing with 720° or 900 °. Rusas con 720° o 900°.

(Fedorchenko)

VVZA !.582.* ,A e#$CA 68A # „Z•n %&;') a,#(* Z8.582.*b ,&5.8)A h 2B#%%A 5.(; .) *B#C#&*A .( 8.58A,.* e#$CA 68A '- 8.582A ,A e#$C

Flair with > 270º spindle (in 2 circles) directlyto handstand and continue to circle or air

9'2&('* %A #CA 8'( 7&5' „ Z•nd a.( Z $'2&('*b,&5.8A #2 #%A &(;A 3 C#e#5 # $'2&(' ' $'2&(' %A#CAA

115. Facial russe avec 360° ou 540°. Russian wendeswing with 360° or 540 °. Rusas con 360° o 540°.

117. Facial russe avec 1080° ou plus. Russian wendeswing with 1080° or more. Rusas con 1080° o más.

! # $ &$ ' # $ ($ ) # $ *$ + # $ ,$ - # $ .$ / # $ 0$

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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!"#$ &'( )*+, 47


VZ€A

VZoA

VooA

VonA

VokAVoiA

VZkA

VoVA VoZ

Vo•A Vo€A

Vo}A VinA ViVA ViZA VioA ViiA

VowA

VZ•A VZ}A

VZwAVZVA D'-2.5 .( #55&656 h 2B#%%-& 5.(;A #;.8 ‡ )A Roll bwd. through hdst. with ½ t. D',#5 #)5Q* #2 #%'3' &(;.5)&,' 8'( ‡ 7A

122. Rouler en arriéré avec 1/1 t. sauté à l’appui5.(;.5*6ARoll bwd. with hop 1/1 t. through hdst.Rodar atrás con 1/1 g. saltado al ap. invertido.

VZiA

! # $ &$ ' # $ ($ ) # $ *$ + # $ ,$ - # $ .$ / # $ 0$

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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!"#$ &'( )*+, 48

$+5 ''\ Parties acrobatiques en avant (saltos et renversements) et éléments de roule (sans salto)- "5?8;G675 4C4F496@ =8?dG?O e@GC68@ G9O LG9O@A?79D@f g =dOh ?8CC8B6 4C4F496@ e98 @GC68f ] $:;B;>D7< C=97^jDE=7<ad. (mortales y palomas) y elementos a rodar ad. (sin mortal)

•A D.(;.5*.$.() #;#()A Forward handspring or yspring. Paloma adelante o ic ac adelante.

VwA

ZA oA iA kA wA

€A }A VVA VZA

ZiA

VkA V•A V€A

VA T#*8-2. ,. (-4-. '- ,. )J). #;.8 ‡ )A h 2B#%%-&renv. ou 1/1 t à l’appui couché dorsal.

Neck or head spring w. ½ t. to hdst. or 1/1 t. torear support.

TQ*8-2# ,. (-8# ' 8#C.c# 8'( ‡ 7A #2 #%'3'&(;.5)&,' ' #%'3' #8'*)#,' :#8&#2A

VnA D.(;.5*.$.() *#2)' #;#() 75'-%6 a*)32. 9#5&M(&8"b h *)#)&'(A

Handspring salto fwd. tuck (Marinich style). =#2'$# $'5)#2 #75-%#,' a.*)&2' 9#5&(&8"bA

(Morandi)

14. Saut avec 1/1 t. et renversement avant. Jump with 1/1 twist to fwd. hdsp.

Salto con 1/1 y paloma-

VoA S#-) ,. %'&**'(A Dive roll. F&75.A

V}A S#2)' #;#() 75'-%6 '- 8#5%6A Salto fwd. tucked or piked. 9'5)#2 #,.2#(). #75-%#,' ' .( 8#5%#A

ZZA ]'-C2. *#2)' #;#() 75'-%6A Double salto fwd. tucked. ]'C2. $'5)#2 #,.2#(). #75-%#,'A

ZoA ]'-C2. *#2)' #;#() 8#5%6 Double salto fwd. piked ]'C2. $'5)#2 #,.2#(). .( 8#5%#

ZVA S#2)' #;#() ).(,- h 2B#%%-& 8'-8"6 :#8&#2A Salto fwd. str. to front support. 9'5)#2 #,.2#(). .0)A #2 #%'3' #8'*)#,' :#8&#2A

ZnA S#2)' #;#() ).(,-A Salto fwd. stretched. 9'5)#2 #,.2#(). .0).(,&,'A

! # $ &$ ' # $ ($ ) # $ *$ + # $ ,$ - # $ .$ / # $ 0$

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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!"#$ &'( )*+, 49

Z€A

iwA

Z•A

ioA i•A i€A

o•A

owAoiA okAooA


ZkAZkA S#2)' #;#() *-5 V e#$C. 68#5)6.A Aerial walkover fwd. 9'5)#2 #,.2#(). *'C5. 8'( V %&.5(#A

onA ]'-C2. *#2)' #;#() 8 #5%6 #;.8 ‡ )A Double salto fwd. piked with ½ t. ]'C2. $'5)#2 #,.2#(). .( 8#5%# 8'( ‡ 7A

Z}A]'-C2. *#2)' #;#() 75'-%6 #;.8 ‡ )A Double salto fwd. tucked with ½ t. ]'C2. $'5)#2 #,.2#(). #75-%#,' 8'( ‡ 7A

32. Salto avant groupé avec 1/1 t. Salto tucked with 1/1 t. Mortal adelante agr. con 1/1 g.

oVA S#2)' #;#() 75'-%6 '- 8#5%6G #;.8 KA Salto tucked and piked ½ t. 9'5)#2 #,.2#(). #75A ' .( 8#5%#G 8'(KA

o€A S#2)' #;A ).(,- #;.8 ‡ )A Salto fwd. str. with ½ t. 9'5)#2 #,A .0)A 8'( ‡ 7A

39. Salto av. tendu avec 1/1 t. Salto fwd. str. with 1/1 t. Mortal ad. ext. con 1/1 g.



42.Salto av. tendu vec 3/1 t. Salto fwd. str. with 3/1 t. Mortal ad. ext. con 3/1 g.

(Shirai 2)

iiA Salto avant groupé avec 3/2 t. Salto tucked 3/2 t. Mortal adelante agr. con 3/2 g..


! # $ &$ ' # $ ($ ) # $ *$ + # $ ,$ - # $ .$ / # $ 0$

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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!"#$ &'( )*+, 50

wZA

kZA koA

wnAk•A

woA wiA

w•A w€A w}A •nA •VA •ZA

k}A

i}A

wkA wwA

kkA

wVA


kiA Double salto avant groupe avec 1/1 t. Double salto fwd. tucked with 1/1 turn. Doble mortal adelante agrupado con 1/1 giro.

kVA Salto av. gr., ca. ou tendu avec 1/1t. à l’appui c. fac. Salto fwd. t., p or str. with 1/1 t. to front support.

Mortal adelante agrupado en carpa o ext. con 1/17A #2 #%'3' #8'*)#,' :#8&#2A

knA S#2)' #;A 75A '- 8#A h 2B#%%-& 8'-8"6 :#8&#2A Salto fwd. t. or p. to front support. 9'5)#2 #,.2#(). #75-%#,' ' .( 8#5%# #2 #%'3'

#8'*)#,' :#8&#2A

k€A S#-) .( #;A ‡ )A .) ,'-C2. *#2)' #55A 75A '- 8A Jump fwd. with ½ t. to dbl. salto bwd. t. '5 %A S#2)' #,A 8'( ‡ 7A 3 ,'C2. $'5)#2 #)A #7A ' 8#5%A

(Deferr)

kwA S#-) .( #;A #;.8 ‡ )A .) *#2)' #55A 75AG 8A '- )A Jump fwd. with ½ t. to salto bwd. t., or p. or str.

S#2)' #,A 8'( ‡ 7A 3 $'5)#2 #)5Q* #75-%#,' ' .(.( 8#5%#A

! # $ &$ ' # $ ($ ) # $ *$ + # $ ,$ - # $ .$ / # $ 0$

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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!"#$ &'( )*+, 51

ZA S#2)' #55&E5. ).(,-A Salto backwards stretched. 9'5)#2 #)5Q* .0).(,&,'A

oA ]'-C2. *#2)' #55&E5. 75'-%6A Double salto bwd. tucked. ]'C2. $'5)#2 #)5Q* #75-%#,'A

}A

4. Double salto arriéré gr. ou carpé avec 1/1 t. I-**& *#-) .( #55A #;.8 ‡ )A .) ,C2A *#2)' #;A 75A'- 8#5%6 #;.8 ‡ )A

Double salto bwd. t. or piked with 1/1 t. Also Arabian double t. or p. ½ t.

Doble mortal atrás ag. o en carpa con 1/1 g.F#$C&6( ‡ 7A ,'C2. #,A 8'( ‡ 7A

5. Double salto arrière groupe avec 2/1 t. Double salto bwd. tucked with 2/1 t.

Doble mortal atrás agrupado con 2/1 g.

12. Double salto arrière groupé avec 5/2 t. Double salto bwd. tucked with 5/2 )A Doble mortal atrás agrupado con 5/2 g.

6. Double salto arrière groupé avec 3/1 t. Double salto bwd. tucked with 3/1 )A Doble mortal atrás agrupado con 3/1 g.

VA S#2)' #55&E5. 75'-%6 '- 8#5%6.A Salto backwards tucked or piked. 9'5)#2 #)5Q* #75-%#,' ' .( 8#5%#A

(Ri Jong Song)

$+5 '''\ Parties acrobatiques en arrière saltos et renversements), et saltos en arriéré avec demi tour ] "5?8;G675 4C4F496@ ;G5idG?O e@GC68@ G9O LG9O@A?79D@fj g "?G;7G9 4C4F496@ ] $:;B;>D7< C=97^jDE=7< CD9j<(mortales y palomas)

VwA V•A

VnA ]'-C2. *#2)' #55A 75A '- 8#5%6 #;.8 ‡AG '- *#-).( #55A #;.8 ‡ )A .) ,C2A *#2)' #;A 75A '- 8#5%6A

Double salto bwd. t. or p. with ½ t. or Arabiandouble t. or p. h.

]'C2. $'5)#2 #)5Q* #75A ' .( 8#5%# 8'( ‡ 7A '*#2)' #)A 8'( ‡ 7A ,'C2. #,A #75A ' .( 8#5%#

VVA Double salto arriéré groupé arr. avec 3/2 t. Double salto bwd. t. with avec 3/2 t. Doble mortal atrás agrupado con 3/2 g.

+

m

(Tsukahara)

ZiA

V€A F5&%2. *#2)' #55&E5. 75'-%6A Triple salto bwd. tucked. F5&%2. $'5)#2 #75-%#,'A

(Liukin)

V}A

€A S#2)' #55&E5. ).(,- #;.8 ‡ )A Salto backwards str. w. ½ t. 9'5)#2 #)5Q* .0).(,&,' 8'( ‡ 7A

•A S#2)' #55&E5. 75'-%6 '- 8#5%6. #;.8 ‡ )A Salto backwards tucked or piked w. ½ t. 9'5)#2 #)5Q* #75-%#,' ' .( 8#5%# 8'( ‡ 7AA

ViA S#2)' ).$%' #55&E5.A Tempo salto bwd. F.$%'A

VoA D.(;.5*.$.() #55&E5. Back handspring Flic ac

VkA ]'-C2. *#2)' #55&E5. 8#5%6A Double salto bwd. piked. ]'C2. $'5)#2 #)5Q* .( 8#5%#A

20. Salto arrière groupe avec 3/2 t. Salto backwards tucked w. 3/2 t. . Mortal atrás agr. con 3/2 g.

22. Salto arrière tendu avec 5/2 t. Salto bwd. str. with 5/2 t. Mortal atrás ext. con 5/2 g.



! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


! $%&$ ' $%($ ) $%*$ + $%,$ - $%.$ / $%0$

!"#$ &'( )*+, 52

o€A

Z}A

o}A inA

oZA

iZA

ooA

iwA i•ADouble salto écarté avec 1/1 t. Double salto straddled with 1/1 t. Doble mortal lateral piernas ab. con 1/1 g.

ioA S#-) .( #55A #;.8 ‡ )A .) 5.(;.5*.$.() #;#()A Jump bwd. with ½ t. to handspring forward. S#2)' #)5Q* 8'( ‡ 7A 3 %#2'$#A

ikA

oVA A

o•A S#-) .( #55&E5. #;.8 ‡ )A .) *#-) ,. %'&**'(A Jump bwd. with ½ t. to roll fwd. S#2)' #)5Q* 8'( ‡ 7A 3 )&75.A

ZkA

iVA

(Lou Yun)




30. Salto arrière tendu avec 4/1 t. Any Salto bwd. str. with 4/1 t. Mortal atrás ext. con 4/1 g.

(Shirai / Nguyen)

oiA owAokA

iiA S#-) .( #55&E5. #;.8 ‡ )A .) *#2)' #;#() 75A '-8#5%6 h 2B#%%-& 8'-8"6 :#8&#2A Jump bwd. with ½ t. to salto fwd. t. or p. to f. sup.

S#2)' #)5Q* 8'( ‡ 7A 3 $'5)#2 #,.2#(). #75-%#,'' .( 8#5%# #2 #%'3' #8'*)#,' :#8&#2A

$+5 '''\ Parties acrobatiques en arrière saltos et renversements), et saltos en arriéré avec demi tour . "5?8;G675 4C4F496@ ;G5idG?O e@GC68@ G9O LG9O@A?79D@fj g "?G;7G9 4C4F496@ . $:;B;>D7< C=97^jDE=7< CD9j<(mortales y palomas)

(S7:AWC>7W)

48. Salto arr. tendu avec 2/1 t. et salto arr. carpée. Salto bwd. str. with 2/1 t and salto bwd piked Mortal atrás ext. con 2/1 g. y mortal at. en carpa.

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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


! $%&$ ' $%($ ) $%*$ + $%,$ - $%.$ / $%0$

!"#$ &'( )*+, 53

i}A knA

kkAkkA

wVA

kVA

k•A

woA

w•A w€A w}A

wiA

•nAwwA

wnA wZA

kwA

kZA ]'-C2. *#2)' #55&E5. ).(,- Double salto bwd. stretched ]'C2. $'5)#2 #)5Q* .0).(,&,'

koA ]'-C2. *#2)' #55&E5. ).(,- #;.8 K )A Double salto bwd. stretched with ½ t. ]'C2. $'5)#2 #)5Q* .0).(,&,' 8'( K 7A

I-**&/Also/F#$C&6( )CBCA7

I-**&/Also/F#$C&6( &;>;W

58. Double salto arrière tendu avec 1/1 t. Double salto bwd. stretched with 1/1 t.

Doble mortal atrás extendido con 1/1 g.

54. Double salto arrière t. avec 3/2 t. Double salto bwd. str. with 3/2 . Doble mortal atrás extendido con 3/2 g.

I-**&/Also/F#$C&6( mAM7:ED7

59. Double salto arrière t. avec 2/1 t. Double salto bwd. str. with 2/1 t. Doble mortal atrás extendido con 2/1 g.

wkA Double salto arrière t. avec 5/2 t.Double salto bwd. str. with 5/2 t.Doble mortal atrás ext. con 5/2 t.

+•VA Double salto arrière t. avec 3/1 t. Double salto bwd. str. with 3/1 t.

Doble mortal atrás ext. con 3/1 g.

+

$+5 '''\ Parties acrobatiques en arrière saltos et renversements), et saltos en arriéré avec demi tour ] "5?8;G675 4C4F496@ ;G5idG?O e@GC68@ G9O LG9O@A?79D@fj g "?G;7G9 4C4F496@ ] $:;B;>D7< C=97^jDE=7< CD9j<(mortales y palomas)

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 56

2;=DE7> ..\ !X;WC: *9q7><

X#-).-5g Vnk 8$ h %#5)&5 ,. 2B#5J). *-%65&.-5. ,- )#%&*G VVk 8$ ,- *'2

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Article 11.2: Contenu et règles spéciques

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2;=DE7> ..\ &7BB;: m79<;

Height: 105 cm from top of mat, 115 cm from the oor

*9DE=:; ..V.\ $G;9=E<; ?;<=9EMDE7> I 8'().$%'5#53 ='$$.2 X'5*. .0.58&*. &* 8"#5#8).5&c., C3 # ;#5&.)3': *-%%'5) %'*&)&'(* '( #22 %#5)* ': )". "'5*. %.5$&))&(7 ,&::.5.() )3%.*': 8&58-2#5 *L&(7* L&)" 2.7* #%#5) #(, )'7.)".5G *&(72. 2.7 *L&(7*and/or scissors, and swings through the handstand position with orL&)"'-) )-5(*A I22 .2.$.()* $-*) C. .0.8-)., L&)" *L&(7 #(, L&)"'-))". *2&7").*) &().55-%)&'( ': )". .0.58&*.A S)5.(7)" #(, "'2, .2.$.()*#5. (') %.5$&)).,A

*9DE=:; ..V,\ !7>D;>D C>? !7><D98=DE7>

*9DE=:; ..V,V. '>Y79BCDE7> C^78D $G;9=E<; &9;<;>DCDE7>VA F". 73$(#*) $-*) *)#5) "&* .0.58&*. :5'$ # *)#(,&(7 %'*&)&'(A

I( #%%5'#8" *).% '5 "'% &* %.5$&)).,A F". .;#2-#)&'( C.7&(* )".moment the gymnast’s feet leave the oor.

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b) Oblique positions during air and circle work are not permitted.Circles and airs may be performed only in cross support or in*&,. *-%%'5) %'*&)&'(*A >-5)".5$'5.G #22 )-5(&(7 .2.$.()* $-*)C.7&( #(, .(, &( .&)".5 85'** *-%%'5) '5 *&,. *-%%'5)A

c) Ideally circles and airs must be performed with complete.0).(*&'(A <#8N ': #$%2&)-,. &( C',3 %'*&)&'( &* ,.,-8)., #*

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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 57

73$(#*). ,'&) %56*.().5 -(. (.)). 626;#)&'( ,.* "#(8".* .)-(. '-;.5)-5. $#54-6. ,.* e#$C.*A

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7b ]#(* 2.* *'5)&.* h %#5)&5 ,. 8.582.* '- 8.582.* e#$C.* 68#5M)6.* h 2BIFD .) ,#(* 2.* 626$.()* #;.8 5.)'-5 #-0 8.582.* '-8.582.* e#$C.* 68#5)6.* a'- h 2B#%%-&bG 2.* :#-).* ,B.068-)&'(pour hésitation, mouvements en force, bras échis, abaisseM$.() ,.* "#(8".* .) %.5). ,B64-&2&C5. ,'&;.() J)5. %5&*.* .(

8'$%). 2'5* ,. 2B626;#)&'( h 2BIFDG %.(,#() 2. )'-5G 2# ,.*8.().,. 2BIFD .) 2B.0).(*&'( ,.* 8.582.* .) 8.582.* e#$C.* 68#5)6.*à la n de l’élément. Aucune pénalité n’est appliquée s’il y aexion des hanches lors de l’élévation à l’ATR.

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M !&*.#-0 %#**#() %#5 2B#%%-& 5.(;.5*6 #;.8 .(7#7.$.()de la force et/ou avec un abaissement des hanches.()5#j(.() ,.* ,6,-8)&'(* ,- /-53 HA

M ]#(* )'-* 2.* 8&*.#-0 h 2BIFDG 2.* e#$C.* ,'&;.() *.8'22.5A

k) Clarications concernant l’évaluation de l’élément Li Ning,8&*.#- h 2B#%%-& 5.(;.5*6G .068-)6 #;.8 ,.* .5 5.-5* ,#(* 2.$'-;.$.() ,. 2# '- ,.* $#&(*g

M U(. $#&( ,.*8.(, ,. 2B#5^'(G #;.8 5.)'-5 *-5 2. $J$.l’arçon = valeur D (jury D) déduction de 0,3 + autres erreurs,B.068-)&'( ae-53 Hb %'-5 #%%-& 5.(;.5*6 ('( $#j)5&*6A

M U(. $#&( ,.*8.(, ,. 2B#5^'(G *#(* 5.)'-5 h 2B#5^'(= valeur D (jury D) déduction de 0,5 + autres erreurs,B.068-)&'( ae-53 Hb %'-5 #%%-& 5.(;.5*6 ('( $#j)5&*6A

- Les deux mains descendent de l’arçon = aucune valeurae-53 ]b ,6,-8)&'( ,. nGk '- ,. nGV a:#&5. 2# ,&::65.(8..()5. 2# 8'()&(-#)&'( ,. 2B.0.58&8. '- -(. 8"-).b ‚ #-)5.*.55.-5* ,B.068-)&'( ae-53 HbA

2b F'-).* 2.* *'5)&.* #-)5.* 4-. %#5 2B#%%-& 5.(;.5*6 ,'&;.() J)5.exécutées avec le corps au minimum 30° au-dessus de l’horiMc'()#2. ,.* 6%#-2.* #;#() 2# 568.%)&'(A S& 2B#(72. .*) &(:65&.-5à 30°, les pénalités prévues dans le tableau des déductions

demonstrate a signicant elevation of his hips and a large*.%#5#)&'( ': )". 2.7*A

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g) In air or circle to handstand dismounts and elements returningto airs or circles (or support), execution deductions for hesitaM)&'(G *)5.(7)"G C.() #5$*G 2'L.5&(7 ': )". "&%*G #(, -(*).#,&M(.** $-*) C. 8'(*&,.5., '( )". 5&*. )' )". "#(,*)#(,G L&)"&()". %&5'-.)).G )". 2'L.5 :5'$ )". "#(,*)#(,G #(, )". .0).(*&'(

of the airs or circles upon completion of the element. There is(' ,.,-8)&'( :'5 C.(,&(7 ': )". "&%* '( )". 5&*. )' "#(,*)#(,A

"b I ,&*$'-() $-*) ('5$#223 85'** )". C',3 ': )". "'5*. #(, 2#(,&( 85'** *)#(, :#8&(7 #2'(7 )". 2'(7 #0&* ': )". "'5*. L"&2.2#(,&(7 #,e#8.() )' )". 2#*) "#(, *-%%'5) %'*&)&'(A

&b I *&$%2. "#(,*)#(, ,&*$'-() $-*) 85'** )". "'5*. &( '5,.5 )'C. 5.8'7(&c.,A I "#(,*)#(, ,&*$'-() ,'.* (') "#;. )' 85'**)". "'5*. %5';&,., )"#) ?) &(82-,.* # )-5( ': #) 2.#*) Z•nd :5'$)". *&,. *-%%'5) '5 ownd :5'$ )". 85'** *-%%'5)A

eb H0%.8)#)&'(* :'5 S8&**'5 )' "#(,*)#(, .2.$.()*gM F". 73$(#*) &* .0%.8)., )' *L&(7 )' "#(,*)#(, L&)"'-)

*)5.(7)" '5 ".*&)#)&'(G L&)" "&%* *)5.)8"., )"5'-7"'-)A

M I *8&**'5 )' "#(,*)#(, L&)" %5'('-(8., "&% C.(, #(,*)5.(7)" *"'-2, 5.8.&;. )".*. )L' *.%#5#). ,.,-8)&'(*:5'$ )". H e-53A

M S8&**'5* )' "#(,*)#(,* ,.$'(*)5#)&(7 *L&(7 L&)" *)5.(7)"and/or lowering of the hips or legs will be deducted by theH e-53A

M I22 *8&**'5* )' "#(,*)#(, 5.4-&5. )". 2.7* )' 82'*.A

k) Clarications concerning evaluation for Li Ning Scissor to"#(,*)#(, %.5:'5$., L&)" "#(,a*b *).%%&(7 .55'5*g

M S).% ,'L( ':: %'$$.2 L&)" '(. "#(, L&)" 5.)-5( )' )".single pommel = D value (D jury) and -0.3 + other execuM)&'( .55'5* aH e-53b :'5 -(8'()5'22., "#(,*)#(, *-%%'5)A

M S).% ,'L( ':: %'$$.2 L&)" '(. "#(, L&)" (' 5.)-5( )' )".single pommel= D value (D jury) and -0.5 + other execuM)&'( .55'5* aH e-53b :'5 -(8'()5'22., "#(,*)#(, *-%%'5)A

- Step down off pommel with two hands= no value (D jury)#(, MnAk '5 MVAn a,.%.(,.() '( 8'()&(-#(8. ': .0.58&*.'5 :#22b ‚ ')".5 .0.8-)&'( .55'5* aH e-53bA

2b I22 ,&*$'-()* ')".5 )"#( "#(,*)#(, ,&*$'-()* $-*) C. .0M.8-)., L&)" )". C',3 #) # $&(&$-$ #(72. ': ond #C';. )".*"'-2,.5 "'5&c'()#2 2&(. C.:'5. 2#(,&(7A >'5 #(72.* 2'L.5 )"#(30º, deductions will be applied according with the specic er M

debe mostrar una elevación signicativa de su cadera y una*.%#5#8&P( #$%2&# ,. 2#* %&.5(#*A

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7b H( 2'* .2.$.()'* ,. $'2&(' ' $'2&(' %&.5(#* #C&.5)#* #2#%'3' &(;.5)&,' ,. *#2&,# 3 .2.$.()'* ;'2;&.(,' # $'2&('' $'2&(' %&.5(#* #C&.5)#* a' #%'3'bG *. ,.C. %.(#2&c#5 2#.e.8-8&P( 8'( :-.5c#G ;#8&2#8&P(G ,'C2#5 C5#c'*G C#e#5 2#*8#,.5#* . &(.*)#C&2&,#, #2 *-C&5 #2 #%'3' &(;.5)&,'G ,-5#(). .2

7&5'G C#e#(,' ,.*,. .2 #%'3' &(;.5)&,' 3 2# .0).(*&P( ,. 2'*molinos o molinos piernas abiertas al nalizar el elemento.No hay deducción por exionar las caderas en la subida al#%'3' &(;.5)&,'A

"b H( 2# *#2&,# G.2 7&$(#*)# ,.C.G ('5$#2$.(). %#*#5 %'5 .(8&$#,.2 8-.5%' ,.2 8#C#22' 8#3.(,' .( %'*&8&P( )5#(*;.5*#2 :5.().#2 .e. 2#57' ,.2 8#C#22' 3 8.58# ,. *- R2)&$' #%'3'A

&b U(# *#2&,# *&$%2. %'5 .2 #%'3' &(;.5)&,' ,.C. %#*#5 *'C5..2 8#C#22' %#5# *.5 5.8'('8&,'A U( #%'3' &(;.5)&,' (' )&.(.4-. %#*#5 *'C5. .2 8-.5%' ,.2 8#C#22' *& &(82-3. -( 7&5' ,. #2$.('* Z•nd .( #%'3' 2#).5#2 ' ownd .( #%'3' )5#(*;.5*#2A

eb H0%.8)#)&;#* %#5# 2#* )&e.5#* #2 #%'3' &(;.5)&,'gM S. .*%.5# ,.2 7&$(#*)# *-C&5 8'( &$%-2*' #2 #%'3' &(M

;.5)&,' *&( :-.5c# ' )&)-C.'*G 8'( 2#* 8#,.5#* .0).(,&,#*.( )',' $'$.()'A

- Una tijera al apoyo invertido con las caderas exionaM,#* 3 # :-.5c#G *.5Q %.(#2&c#,' %'5 .2 e-5#,' H 8'( ,'*,.,-88&'(.* &(,.%.(,&.().*A

M <#* )&e.5#* #2 #%'3' &(;.5)&,' ,.$'*)5#(,' &$%-2*'con fuerza y/o bajar las caderas o piernas tienen una,.,-88&P( ,.2 e-5#,' HA

M F',#* 2#* )&e.5#* #2 #%'3' &(;A 5.4-&.5.( 8.55#5 2#* %&.5M(#*A

k) Claricaciones relativas de las tijeras Li Ning al apoyo inver M)&,' .e.8-)#,#* 8'( %#*'a*bg

- Bajar desde el arco con una mano y volver al arco = valor] ae-5#,' ]b 3 MnAo ‚ ')5'* .55'5.* ,. .e.8-8&P( ae-5#,'Hb %'5 #%'3' &(;.5)&,' &(8'()5'2#,'A

- Bajar desde el arco con una mano sin volver al arco =;#2'5 ] ae-5#,' ]b 3 MnAk ‚ ')5'* .55'5.* ,. .e.8-8&P(ae-5#,' Hb %'5 #%'3' &(;.5)&,' &(8'()5'2#,'A

- Bajar desde el arco con las dos manos = sin valor (juraM,' ]b 3 MnAk ' MVAn a,.%.(,&.(,' ,. 2# 8'()&(-#8&P( ,.2.e.58&8&' ' 8#O,#b ‚ ')5'* .55'5.* ,. .e.8-8&P( ae-5#,'HbA

2b F',#* 2#* *#2&,#* 4-. (' *.#( %'5 .2 #%'3' &(;.5)&,' ,.C.(.e.8-)#5*. 8'( .2 8-.5%' 8'$' $O(&$' # ond %'5 .(8&$# ,. 2#"'5&c'()#2 ,. 2'* "'$C5'* #().* ,. 2# 5.8.%8&P(A =#5# Q(7-2'*$.('5.* ,. ondG *. #%2&8#( 2#* %.(#2&c#8&'(.* %5.;&*)#* .( 2#

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 58

spéciques au cheval arçons sont appliquées (article 11.3).$b S& -( 73$(#*). 85'&) 4-B&2 (B# %#* 5.^- ,. ;#2.-5 %'-5 *# *'5)&.

%#5 2B64-&2&C5.G &2 %.-) 56%6).5 (B&$%'5). 4-.22. *'5)&. a*.-2.M$.() -(. :'&*b h 2B&()65&.-5 ,.* on *.8'(,.* %'-5 8'$%26).52# ).()#)&;. &(&)&#2.A S& 2# *'5)&. '5&7&(#2. # 5.^- -(. ,6,-8)&'(%'-5 2#57. .55.-5 .) 4-B.22. .*) 56%6)6.G 2# ,6,-8)&'( %'-5 2#57..55.-5 ,'&) J)5. #-7$.()6. h MVGn %#5 2. e-53 HA

iA <# 2&*). 8'$%2E). ,.* :#-).* .) ,.* ,6,-8)&'(* 5.2#)&;.* h 2#%56*.()#)&'( ,. 2B.0.58&8. .*) ,&*%'(&C2. h 2# S.8)&'( } .) ,#(*2. )#C2.#- ,.* ,6,-8)&'(*G #5)&82.* }Ai .) VVAoA

*9DE=:; ..V,V, 5;BC9F8;< =7>=;9>C>D :C >7D; #VVA <.* 75'-%.* ,B626$.()* #- 8".;#2 #5^'(* *'() 2.* *-&;#()*g

?A _2#(* ,B-(. e#$C. .) 8&*.#-0??A !.582.* ,.* e#$C.* *.556.* .) 68#5)6.* #;.8 '- *#(*

%&;')* .) #%%-&* 5.(;.5*6*G %#**6* ,'5*#-0G 5-**.*faciaux, op et d’elements combines.

???A F5#(*%'5)* &(82-* \5'22*G F'(7 >.&G K- @-'(&#(7G D')".) )5#(*%'5) #;.8 %&;')A

?WA S'5)&.*ZA D.$#54-.* .) 5E72.* 8'$%26$.()#&5.*g

a) À moins d’indication contraire, les éléments exécutés en8.582. ,'&;.() ,6C-).5 .) *. ).5$&(.5 .( #%%-& :#8&#2g

Cb À moins d’indication contraire, les éléments exécutés en cercle,.* e#$C.* *.556.* '- 68#5 )6.* '() 2# $J$. ;#2.-5 .) 2. $J$.numéro d’identication. Ces éléments sont illustrés au hasarddans l’une ou l’autre position dans les tableaux de difcultés.

8b F'-* 2.* *&$%2.* 8.582.* h 2B#%%-& 2#)65#2 '- )5#(*;.5*#2 a67#Mlement sur un arçon) peuvent se terminer avec un 1/4 de tour*#(* 8"#(7.5 2# *)5-8)-5. '- 2# ;#2.-5 ,. 2B626$.()A

,b I $'&(* ,B&(,&8#)&'( 8'()5#&5.G 2.* 626$.()* *-5 2. 8".;#2 '() 2#$J$. ;#2.-5 4-. 2.* 626$.()* .068-)6* *-5 2.* ,.-0 #5^'(*A

.b I $'&(* ,B&(,&8#)&'( 8'()5#&5.G )'-* 2.* 626$.()* &(82-#() ‡ )'-5*a)8"E4-.*G *)‰8N2&G *)‰8N2& &(;.5*6*G *-&**. ,'-C2.*b '() 2# $J$.;#2.-5A

:b ?2 (B3 # %#* -(. #-7$.()#)&'( .( ;#2.-5 %'-5 )'-5* .( #%%-&5.(;.5*6 .( %5';.(#() ,.* 8&*.#-0A

7b ?2 (B3 # %#* -(. #-7$.()#)&'( .( ;#2.-5 %'-5 )'-5* .( #%%-&5.(;.5*6 .068-)6* *-5 2.* #5^'(* ,.%-&* 8.582.* ae#$C.**.556.* '- 68#5)6.*bA <.* )'-5* .( #%%-& 5.(;.5*6* ,'&;.()J)5. .068-)6* $#e'5&)#&5.$.() #;.8 2.* #%%-&* ,.* $#&(* *-5

2. 8".;#2Ah)Lors d’un transport 3/3 pendant un ATR (dans un exercice ou

-(. *'5)&.bG p2. *-%%'5)q ,B-(. $#&( ,'&) J)5. 56#2&*6 *-5 2.*,.-0 .0)56$&)6* ,- 8".;#2 %'-5 5.8.;'&5 2B#-7$.()#)&'( ,.valeur pour les 3/3.

&b I-7$.()#)&'( .( ;#2.-5 %'-5 #%%-&* ).(,-.* 5.(;.5*6* .(#55&;.() ,.* 8.582.* '- 8.582.* 68#5)6*g

VA S'5)&. %#5 2B64-&2&C5. h %#5)&5 ,- 8.582. e#$C.* *.556.* '-68#5)6.*A

5'5* #(, ,.,-8)&'(* )#C2. :'5 %'$$.2 "'5*.G I5)A VVAoA$b ?: # 73$(#*) C.2&.;.* ". ,&, (') 5.8.&;. ;#2-. :'5 "&* "#(,M

*)#(, ,&*$'-()G ". $#3 5.%.#) #(3 ,&*$'-() :'5 ;#2-. a'(.)&$. '(23b L&)"&( on *.8'(,* ': 8'$%2.)&(7 )". '5&7&(#2 #)).$%)A?: )". '5&7&(#2 ,&*$'-() 5.8.&;., # 2#57. ,.,-8)&'(G #(, )".,&*$'-() &* 5.%.#).,G )". 2#57. ,.,-8)&'( $-*) C. &(85.#*.,)' MVAn C3 )". H e-53A

iA >'5 # :-22 2&*) ': .55'5* #(, ,.,-8)&'(* 7';.5(&(7 H0.58&*. =5.*.()#M)&'(G *.. S.8)&'( } #(, )". *-$$#53 ': ,.,-8)&'(* &( I5)&82.* }Ai#(, VVAoA

*9DE=:; ..V,V, '>Y79BCDE7> C^78D DX; r# <=79;sVA F". H2.$.() @5'-%* #5.g

?A S&(72. 2.7 *L&(7* #(, *8&**'5*II. Circle and airs, with and/or without spindles and handM

stands, Kehrswings, Russian wendeswings, ops and8'$C&(., .2.$.()*

???A F5#;.2 )3%. .2.$.()*G &(82-,&(7 \5'22*G F'(7 >.&G K-@-'(&#(G #(, D')"G … F5#;.2&(7 S%&(,2.*

?WA ]&*$'-()*ZA I,,&)&'(#2 &(:'5$#)&'( #(, 5.7-2#)&'(*g

#b U(2.** ')".5L&*. &(,&8#).,G #22 8&582. .2.$.()* C.7&( #(, .(,&( :5'() *-%%'5)A

b) Unless otherwise indicated, the value and identication numMbers of elements performed in circle or air are identical. Such.2.$.()* #5. &22-*)5#)., #) 5#(,'$ &( .&)".5 )". 8&582. '5 )".air positions throughout the Difculty Tables.

8b I22 C#*&8 8&582.* &( 85'** #(, *&,. *-%%'5) a#2*' '( '(. %'$M$.2b $#3 .(, L&)" # Š )-5( L&)"'-) 8"#(7&(7 )". *)5-8)-5. '5;#2-. ': )". .2.$.()A

,b U(2.** ')".5L&*. &(,&8#)., .2.$.()* '( )". 2.#)".5 "#;. )".*#$. ;#2-. #* )"'*. %.5:'5$., '( )L' %'$$.2*A

.b U(2.** ')".5L&*. &(,&8#)., #22 ‡ )-5(* a!c.8"N."5.*G S)‰8N2&#(, 5.;.5*. S)‰8N2&G ,'-C2. SL&**bG "#;. )". *#$. ;#2-.A

:b F".5. &* (' -%75#,. &( ;#2-. :'5 )-5(&(7 L&)"&( # "#(,*)#(,:5'$ *8&**'5*A

7b F".5. &* (' -%75#,. &( ;#2-. :'5 )". %.5:'5$#(8. ': )-5(&(7within a handstand (from circles or airs) solely on the pomM$.2*A F-5(&(7 L&)"&( # "#(,*)#(, 5.4-&5.* # $#e'5&)3 -*. ':)". 2.#)".5A

h) When performing a 3/3 travel during a handstand (within an.0.58&*. '5 ,&*$'-()bG r*-%%'5)s L&)" '(. "#(, $-*) C. *"'L(on both ends of the horse to receive the 3/3 upgrade in value

i) Increases in Value for Handstands from circle or airs:

1. Circle or air handstand dismounts.

)#C2# ,. :#2)#* 3 ,.,-88&'(.* ,. 8#C#22' 8'( #58'*G #5)A VVAoA$b S& -( 7&$(#*)# 85.. 4-. *- *#2&,# %'5 .2 #%'3' &(;.5)&,' ('

5.8&C. ;#2'5G %-.,. 5.%.)&5 8-#24-&.5 *#2&,# %#5# 'C).(.5 .2;#2'5 a*'2' -(# ;.cb ,.()5' ,. 2'* on *.7-(,'* %#5# 8'$%2.)#5*- ).()#)&;# '5&7&(#2A S& 2# *#2&,# '5&7&(#2 5.8&C. -(# ,.,-8M8&P( 75#(,. 3 *. 5.%&). 2# *#2&,#G 2# ,.,-88&P( 75#(,. ,.C.&(85.$.()#5*. # VAn %-()' %'5 .2 e-5#,' HA

iA U(# 5.2#8&P( ,. :#2)#* 3 ,.,-88&'(.* 5.2#)&;#* # 2# .e.8-8&P(,.2 .e.58&8&'G *. %-.,.( ;.5 .( 2# S.88&P( } 3 .( .2 5.*-$.( ,.,.,-88&'(.* .( 2'* #5)O8-2'* }Ai 3 VVAoA

*9DP=8:7 ..V,V, '>Y79BC=EZ> <7^9; :C >7DC #VA <'* @5-%'* ,. H2.$.()'* *'(g

?A ?$%-2*' ,. %&.5(#* 3 )&e.5#*??A 9'2&('* 3 $'2&('* %&.5(#* #C&.5)#*G 8'( ' *&( 7&5'* 3

apoyos invertidos, coronamientos, rusas, ops y elemen M)'* 8'$C&(#,'*

???A H2.$.()'* )&%' ,.*%2#c#$&.()'G &(82-3.(,' \5'22*G F'(7>.&G K- @-'(&#( 3 D')"G 3 ,.*%2#c#$&.()'* 8'( 7&5'A

?WA S#2&,#*ZA ?(:'5$#8&P( #,&8&'(#2 3 5.72#*g

#b I $.('* 4-. *. &(,&4-. ')5# 8'*#G 2'* .2.$.()'* .e.8-)#,'*8'( $'2&('* 8'$&.(c#( 3 ).5$&(#( .( #%'3' :5'()#2A

Cb I $.('* 4-. *. &(,&4-. ')5# 8'*#G 2'* .2.$.()'* .e.8-)#,'*8'( $'2&('* 3 $'2&('* %&.5(#* #C&.5)#* )&.(.( .2 $&*$' ;#2'5y nº de identicación. Estos elementos están ilustrados en lastablas de Dicultad indistintamente en una u otra posición.

8b F','* 2'* $'2&('* CQ*&8'* .( #%'3' )5#(*;.5*#2 3 2#).5#2a)#$C&6( .( -( #58'b %-.,.( ).5$&(#5 8'( Š 7A *&( 8#$C&#52# .*)5-8)-5# ' ;#2'5 ,.2 .2.$.()'A

,b I $.('* 4-. *. &(,&4-. ')5# 8'*#G 2'* .2.$.()'* .( .2 8-.5%')&.(.( .2 $&*$' ;#2'5 4-. 2'* 5.#2&c#,'* *'C5. 2'* ,'* #58'*

.b I $.('* 4-. *. &(,&4-. ')5# 8'*#G )',' ‡ 7&5' a8".8#G *)‰8N2&G*)‰8N2& &(;.5)&,#G ,'C2. *-&c#b )&.(. .2 $&*$' ;#2'5A

:b Y' "#3 #-$.()' ,. ;#2'5 %'5 7&5'* .( #%'3' &(;.5)&,' 4-.;.(7#( ,. )&e.5#*A

7b Y' "#3 #-$.()' ,. ;#2'5 %'5 7&5'* .( #%'3' &(;.5)&,' *'C5.2'* #58'* ,.*,. $'2&('* a%&.5(#* #C&.5)#* ' 8.55#,#*bl 2'*7&5'* ,.C.( .e.8-)#5*. $#3'5&)#5&#$.(). 8'( .2 #%'3' ,.2#* $#('* .( .2 8#C#22'A

h) Cuando se ejecuta el desplazamiento 3/3 en apoyo invertidoa,.()5' ,. -( .e.58&8&' ' *#2&,#bG .2 r#%'3's 8'( -(# $#(',.C. $'*)5#5*. .( 2'* ,'* .0)5.$'* ,.2 8#C#22' %#5# 5.8&C&5el aumento de valor de los 3/3.

&b I-$.()' ,. ;#2'5 %#5# 2'* #%'3'* &(;.5)&,'* 4-. 22.7#( ,.*,.$'2&(' ' $'2&(' %&.5(#* #C&.5)#*g

VA S#2&,#* ,.*,. $'2&(' ' $'2&(' %&.5(#* #C&.5)#* #2 #%'3'&(;.5)&,'A

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 59

I%%-& 5.(;.5*6

rTs r!s r]s

Avec tour de 270°ET transport* 3/3

! ] H

Avec tour de 450°OU transport* 3/3

! ] H


] H >

L Une rotation d’au minimum 270° est requise dans le transport 3/3.

ZA !.582. e#$C.* *.556.* '- 68#5)6.* .) 5.)'-5 #- C#2#(8.$.(),.* e#$C.*A

I%%-& 5.(;.5*6

rTs r!s r]s

Avec tour de 360°OU transport* 3/3

! ] H


] H >

L Une rotation d’au minimum 180º est requise dans le transport 3/3.

oA !.582. e#$C.* *.556.* '- 68#5)6.* .) 5.)'-5 #- 8.582. e#$C.*

*.556.* '- 68#5)6.*A I%%-& 5.(;.5*6

rTs r!s r]s

].*8A 8.582. eA*.556.* '- 68#5)A

! ] H

I;.8 ownd 1Utransport* 3/3

] H >

I;.8 ownd HFtransport 3/3

H > @

L Une rotation d’au minimum 180º est requise dans le transport 3/3.

eb A ?2 .*) %'**&C2. ,. 8'$C&(.5 8.5)#&(* 626$.()* *-5 -( *.-2 #5^'(A!.* 626$.()* 8'$%2.0.* *'() 75'-%6* .( ,.-0 8#)67'5&.* .) *'()

8'(*&,656* 8'$$. :#&*#() %#5)&. ,- 75'-%. ,B626$.()* ??g&A Les éléments de type op peuvent inclure des combinaisons

*-5 -( #5^'( ,. )'-) 626$.() ,. 2# 2&*). *-&;#().g 8.582..( #%%-& 2#)65#2 a#;.8 '- *#(* Š )'-5bG 8.582. .( #%%-&)5#(*;.5*#2 a#;.8 '- *#(* Š tour), Stöckli direct B, et/ouStöckli direct A; le op peut comporter un maximum de deux626$.()* &,.()&4-.* 8'(*68-)&:*A !.* 626$.()* 8'$C&(6*(ops) ne peuvent recevoir que la valeur D ou E (i.e. 3 ou 4éléments). Exception: un op de valeur D exécuté en cerclede jambes écartées = E, et un op de valeur E exécuté en

X#(,*)#(,

rTs r!s r]s

w/ 270° turn AND3/3 travel*

! ] H

w/450° turn OR3/3 travel*

! ] H

w/450° turn AND3/3 travel*

] H >

*3/3 travel requires minimum 270º turn.

ZA !&582. '5 >2#&5 X#(,*)#(, #(, 2'L.5 )' 2.7 *L&(7A

X#(,*)#(,

rTs r!s r]s

w/360º turn OR3/3 travel*

! ] H

w/360º turn AND3/3 travel*

] H >


3. Circle or Flair Handstand and lower to circle/air.

X#(,*)#(,

rTs r!s r]s

Lower to circle/air

! ] H

w/360º turn OR3/3 travel*

] H >

w/360º turn AND3/3 travel

H > @


eb ?) &* %'**&C2. )' 8'$C&(. 8.5)#&( .2.$.()* '( # *&(72. %'$$.2AF".5. #5. )L' )3%.* ': *-8" 8'$C&(., .2.$.()* 2&*)., &( )".

H2.$.() @5'-% ??g&A >2'% )3%. .2.$.()* $#3 &(82-,. 8'$C&(#)&'(* ': #(3 ':

)". :'22'L&(7 '( '(. %'$$.2g 8&582. &( *&,. *-%%'5) aL&)"'5 L&)"'-) Š )-5(bG 8&582. &( 85'** *-%%'5) aL&)" '5 L&)"'-)¼ turn), Direct Stöckli B, and/or Direct Stöckli A; and may&(82-,. # $#0&$-$ ': )L' ': )". *#$. .2.$.() &( ,&5.8)succession. Such combined elements (ops) can only be': ] '5 H ;#2-. a&A.A o '5 i .2.$.()*bA I* #( .08.%)&'( #D op performed in air = E, and an E op performed inair = F. Only one such op sequence may be used in an

I%'3' &(;.5)&,'

rTs r!s r]s

con giro de 270°y desplaz.* 3/3

! ] H

con giro de 450°o desplaz.* 3/3

! ] H

con giro de 450°y desplaz.* 3/3

] H >

*El desplazamiento de 3/3 requiere un mínimo de 270º.

ZA 9'2&(' ' $'2&(' %&.5(#* #C&.5)#* 3 C#e#5 # &$%-2*' ,. %&.5(#*A

I%'3' &(;.5)&,'

rTs r!s r]s

8'( 7&5' ,. owndo desplaz.* 3/3

! ] H

8'( 7&5' ,. owndy desplaz.* 3/3

] H >


oA 9'2&(' ' $'2&(' %&.5(#* #C&.5)#* 3 C#e#5 # $'2&('* ' $'2&('*

%&.5(#* #C&.5)#*A I%'3' &(;.5)&,'

rTs r!s r]s

T#e#5 # $'2&(' '$'2&(' %A #CA

! ] H

!'( 7&5' ,. owndO desplaz. 3/3

] H >

!'( 7&5' ,. owndY desplaz. 3/3

H > @


eb S. %-.,.( 8'$C&(#5 #27-('* .2.$.()'* .( -( #58'A X#3 ,'*)&%'* ,. .2.$.()'* 8'$C&(#,'*G &(82-&,'* ,.()5' ,.2 75-%'

,. .2.$.()'* ??gi. Los elementos del tipo op, pueden incluir combinacioM

(.* ,. 8-#24-&.5# ,. 2'* *&7-&.(). .2.$.()'* .( -( #58'g$'2&('* .( #%'3' 2#).5#2 a8'( ' *&( Š ,. 7&5'bG $'2&('*.( #%'3' )5#(*;.5*#2 a8'( ' *&( Š ,. 7&5'bG S)‰8N2& TGy/o Stöckli A; y pudiendo incluir máximo dos elementos&7-#2.* .( *-8.*&P( ,&5.8)#A H*). )&%' ,. .2.$.()'*(ops) puede ser sólo de valor D o E (ej. 3 o 4 elemenMtos). Como excepción un op D en molino con piernasabiertas = E y un op E en molino con piernas abiertas

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 60

cercle de jambes écartées = F. Une seule de ces séquencesde op peut obtenir une valeur de difculté dans un exercice.<. ).0). 6,&)6 5.(, 8.* *64-.(8.* a.) ,B#-)5.*b %2-* 82#&5.* g

• SDB + SDB + SDA = op de valeur D• Cercle sur un arçon+SDB+SDB+SDA=op de valeur E

&&A Les éléments combinés - liaison d’un cercle et/ou d’une SDA ouS]T #;.8 ,.* %#**6* :#8&#-0 5-**.*A <.* 8.582.* ,.* e#$C.*et/ou SDB peuvent précéder, et les cercles, SDA et/ou SDB,%.-;.() *-&;5. 2.* :#8&#-0 5-**.*A SB&2 3 # Z 8.582.* ,.* e#$C.*G2 SDB ou 1 cercle et/ou un SDA ou SDB (SDA seulement à la n

,B.(8"#j(.$.()bG &2* ,'&;.() J)5. .068-)6* h 2# *-&). 8'$$. Z8.582.*G Z S]T '- V 8.582. .) V S]T '- S]IA 1( %.-) #88'5,.5-(. ;#2.-5 h -( *.-2 .(8"#j(.$.() ,. 8. 7.(5.A

58<<; 1 op 2 ops

DV€ '- DZ• aTb t ]

Dow '- Dki a!b t ] H

D•Z '- D}n a]b t H >

DVn€ aHb t > @

&&&A ]#(* )'-* 2.* 8#* 4-#(, 2. 73$(#*). .068-). -(. ).22.8'$C&(#&*'(G &2 (B# %#* 2. ,5'&) ,B.068-).5 2. $J$. 626M$.() )5'&* :'&* .( *-88.**&'( ,&5.8).A

&;A >2'% .) ,B626$.()* 8'$C&(6* ,'&) J)5.* *6%#5.* $&(&$-$#;.8 # 8.582. #;.8 -(. $#&( #- ,."'5* ,. -(. #5^'(A

;A U( S)‰8N2& ,&5.8). T .*) 8'(*&,656 8'$$. ).5$&(6 h2B#%%-& 2#)65#2 *-5 -( #5^'(ANb I-8-( #-)5. 626$.() ,'-C2. (. %.-) ,'((.5 2&.- h -(. %#5)&.

,. ;#2.-5 *-%65&.-5.A =#5 .0AG *& 2. 73$(#*). .068-). Z 8.582.*'- Z *)‰8N2& T ,. *-&).G %.- &$%'5). 2# %'*&)&'(G 2. e-53 ] (.5.8'((#j) 4-. 2. %5.$&.5 8.582. '- 2. %5.$&.5 *)‰8N2& TA

l) A moins d’indication contraire, chaque élément se dénit en:'(8)&'( ,. *'( #%%#5).(#(8. h -(. *)5-8)-5. ,B626$.()* .)*. ).5$&(. 2'5*4-. ,6C-). -(. ('-;.22. *)5-8)-5.G 8'$$.*-&) a.08.%)&'(g 2.* *65&.* ,. 8.582.*G ,. *)‰8N2& ,&5.8)* .) ,.%#**6* :#8&#-0 %56;-.* 8&M,.**-*bg

i. un élément sauté se termine à la n du saut ou de la*65&. ,. *#-)*l

&&A -( 626$.() .( 8.582. ,.* e#$C.* *.556.* '- 68#5)6.*prend n lorsque le gymnaste passe d’une position à2B#-)5.l

&&&A -( 626$.() .( %&;') *. ).5$&(. 2'5*4-. 2. $'-;.$.(),. %&;') 8.**.l

&;A -( 626$.() .( #%%-& :#8&#2 a%#**6 :#8&#2b *. ).5$&(.lorsque le mouvement en passé facial prend n;

;A 2.* )5#(*%'5)* .( #%%-& )5#(*;.5*#2 *. ).5$&(.() 2'5*4-.2. ,6%2#8.$.() '- 2B#%%-& )5#(*;.5*#2 *'&) .*) &().55'$%-%#5 -( 8.582. '- -( #-)5. 626$.()G *'&) 8.**. ,B-(.4-.24-. #-)5. :#^'(l

;&A %'-5 ,.* 5#&*'(* 8'(8.5(#() 2# 5.8'((#&**#(8. ,. 2#difculté, les transports peuvent être considérées commeterminés au moment où le transport est ni à la position

.0.58&*. :'5 ;#2-.A F". .,&)., ).0) $#N.* )".*. *.4-.(8.* a#(, ')".5*b

$'5. 82.#5g• DSB + DSB + DSA = D value op. Circle on one pommel + DSB + DSB + DSA = E value op

ii. Combined circle and/or Stöckli A or B with Russianwendeswings. The circle and/or Stöckli B can precedeor, the circle and/or Stöckli A or B can follow the RussianL.(,.*L&(7*A ?: )".5. #5. )L' *-8" .2.$.()* )".3 $-*)#%%.#5 )'7.)".5A >'5 .0#$%2.G #* Z 8&582.*G Z ]STG '5 V

8&582. #(, V ]ST '5 ]SI a)". ]SI $#3 '(23 C. #) )". .(,': )". *.4-.(8.bA 1(23 '(. ': )".*. 8'$C&(., *.4-.(8.*$#3 C. -*., ,-5&(7 #( .0.58&*.A

58<<EC> 1 op 2 ops

DV€ '5 DZ• aTb t ]

Dow '5 Dki a!b t ] H

D•Z '5 D}n a]b t H >

DVn€ aHb t > @

&&&A ?( #(3 8#*. L".( # 8'$C&(., .2.$.() &* &(;'2;.,G )".73$(#*) L&22 (') "#;. )". 5&7") )' $#N. -*. ': )". *#$..2.$.() )"5.. )&$.* &( ,&5.8) *-88.**&'(A

&;A >2'% #(, 8'$C&(., .2.$.()* $-*) C. *.%#5#)., C3$&(&$-$ '(. 8&582. L&)" '(. "#(, ':: ': )". '(. %'$$.2

v. A DSB is considered nished in side support frontways'( '(. %'$$.2ANb Y' ')".5 ,'-C2. .2.$.()* L&22 C. 85.,&)., :'5 "&7".5 ;#2-.A >'5

.0#$%2.g Z 8&582.* '5 Z ]STB* &( #(3 %'*&)&'( 5.8.&;. 85.,&)only for the rst circle or DSB and no value or recognition for)". *.8'(,A

l) Unless otherwise indicated, each element is dened as occur M5&(7 L&)"&( '(. *)5-8)-5. #(, .(,&(7 L".( # (.L *)5-8)-5. &*&(&)&#).,G #* :'22'L* aH08.%)&'(g )". 8'$C&(., *.5&.* %5';&*&'('-)2&(., #C';.bg

&A I "'% .2.$.() .(,* #) )". 8'$%2.)&'( ': )". "'% '5 *.5&.*': "'%*A

ii. A circle or air element ends when it changes to the other.

&&&A I *%&(,2. .2.$.() .(,* L".( )". *%&(,2. #8)&'( *)'%*A

&;A I :5'() *-%%'5) .2.$.() aL.(,.*L&(7b .(,* L".( )".L.(,. #8)&'( *)'%*A

;A F5#;.2 .2.$.()* &( 85'** *-%%'5) .(, L".( )". )5#;.2#8)&'( '5 )". 85'** *-%%'5) %'*&)&'( &* .&)".5 &().55-%).,C3 # 8&582. '5 *'$. ')".5 .2.$.() '5 &* .(,., &( *'$.')".5 L#3A

vi. For difculty recognition purposes, travelling elements canbe considered nished as soon as the travel is completed,:5'() *-%%'5) %'*&)&'( L&)" C')" "#(,* '( )". 5.4-.*).,

= F. Sólo se puede contar el valor de una secuencia op.( .2 .e.58&8&'A

H*)# #82#5#8&P( "#8. .*)#* *.8-.(8&#* a3 ')5#*b $Q* 82#5#*g• SDB + SDB + SDA = op valor D.• Molino en un arco + SDB + SDB + SDA = op valor E

ii. Los elementos combinados de molino y/o Stöckli A o Bcon rusas. El molino y/o la Stöckli B puede preceder yel molino y/o Stöckli A o B pueden seguir las rusas. Si"#3 ,'* .2.$.()'* ,. .*). )&%' ,.C.( #%#5.8.5 e-()'*G%'5 .e.$%2'G ,'* $'2&('*G Z S]TG ' V $'2&(' 3 V S]T '

SDA (SDA solo al nal de la secuencia). Solo se puede-*#5 -(# *.8-.(8&# 8'$C&(#,# ,-5#(). .2 .e.58&8&'A

58<C< 1 op 2 ops

DV€ ' DZ• aTb t ]

Dow ' Dki a!b t ] H

D•Z ' D}n a]b t H >

DVn€ aHb t > @

&&&A H( 8-#24-&.5 8#*'G 8-#(,' *. .e.8-)# -( .2.$.()' 8'$MC&(#,'G .2 7&$(#*)# (' %-.,. -*#5 .2 $&*$' .2.$.()')5.* ;.8.* *.7-&,#*A

iv. El op y el elemento combinado deben estar separados$O(&$' %'5 -( $'2&(' 8'( -(# $#(' :-.5# ,.2 #58'A

v) Una SDB se considera nalizada en el apoyo lateral*'C5. -( #58'ANb Y&(7R( ')5' .2.$.()' ,'C2. %',5Q ,#5 -( ;#2'5 *-%.5&'5A ='5

.e.$%2'g Z $'2&('* ' Z S]TG .( 8-#24-&.5 %'*&8&P(G 5.8&C.(;#2'5 *P2' %'5 .2 %5&$.5 $'2&(' ' S]T 3 (' )&.(. ;#2'5 ' 5.M8'('8&$&.()' %'5 .2 *.7-(,'A

l) A menos que se indique otra cosa, cada elemento se dene,.()5' ,. -(# .*)5-8)-5# 3 #8#C# 8-#(,' *. 8'$&.(c# -(#(-.;# .*)5-8)-5#G ,. 2# :'5$# *&7-&.(). aH08.%8&P(g 2#* *.5&.*8'$C&(#,#* $.(8&'(#,#* #().5&'5$.().bg

i. Un elemento de salto termina al nalizar el salto o serie,. *#2)'*A

&&A U( $'2&(' ' $'2&(' 8'( %&.5(#* #C&.5)#* ).5$&(# 8-#(,'8#$C&# # ')5# %'*&8&P(A

&&&A U( .2.$.()' ,. 7&5' #8#C# 8-#(,' 2# #88&P( ,.2 7&5').5$&(#A

&;A U( .2.$.()' ,. #%'3' :#8&#2 a8".8#*b ).5$&(# 8-#(,').5$&(# 2# #88&P( ,.2 %#*. :#8&#2A

;A <'* ,.*%2#c#$&.()'* .( #%'3' )5#(*;.5*#2 *. ).5$&(#(8-#(,' 2# #88&P( ,. ,.*%2#c#$&.()' ' 2# %'*&8&P( ,.#%'3' )5#(*;.5*#2 *. &().55-$%. %'5 -( $'2&(' - ')5'.2.$.()' ' *& *. #8#C# ,. ')5# :'5$#A

vi. Para reconocer la dicultad, los elementos de despla Mc#$&.()' *. %-.,.( 8'(*&,.5#5 ).5$&(#,'* 8-#(,' .2desplazamiento se naliza en apoyo facial de las dos

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 61

:#8&#2. #;.8 2.* $#&(* ,#(* 2# %#5) ,- 8".;#2 ,.$#(,6.l;&&A 9#73#5* .) S&;#,' %.-;.() %#5)#7.5 -( 8.582. .( 8'$M

mun qui les relie et recevoir comme difculté D + D. Pour5.8.;'&5 -( 856,&) %'-5 -( 8.582. ,. ;#2.-5 I .()5. 2.*,.-0 )5#(*%'5)*G 2. 8.582. ,. ;#2.-5 I ,'&) J)5. 56#2&*6&()675#2.$.() ,. 2B#%%-& :#8&#2 h 2B#%%-& :#8&#2A

;&&A ]#(* 2. !',. ,. ='&()#7. T.2.(N&G U5c&8# .) 9'7-&2(3a@D ???b %.-;.() 8'$$.(8.5 h %#5)&5 ,. 2B#%%-& )5#(*;.5M*#2 a#-**& :#8. )'-5(6. ;.5* 2B.0)65&.-5b $'&(* ,. }n d *-52. %5.$&.5 )'-5 HF *-5 2. ,.5(&.5 )'-5G #;.8 2. )5#(*%'5)

,B-( C'-) h 2B#-)5. ,- 8".;#2A$b <.* 626$.()* .( #55&;.() # 2B#%%-& 5.(;.5*6 ,. 8.582.* '-ciseaux exécutés avec force et/ou en abaissent les jambesa"#(8".*bG *'5)&.* &(82-*G ;'() 5.8.;' &5 2.-5 ;#2.-5 .) 8.22. ,. 2#75'-%. ,B626$.()* a/-53 ]bG #;.8 2.* ,6,-8)&'(* (68.**#&5.*#%%2&4-6.* %#5 2. /-53 HA S& &2 3 # -(. :#-). 75'**&E5.G %#* ,.;#2.-5A ]#(* 2. 8#* ,B-(. ,6,-8)&'( %'-5 :#-). 75'**&E5.G 2.73$(#*). 5.8.;5# -(. ,6,-8)&'( MnGk .) *.-2.$.() 8'$$.,6,-8)&'(* %'-5 .55.-5* .*)"6)&4-.* ae#$C.*G %&.,*G C5#*%2&6*G )'-8". ,- 8".;#2G .)8Ab ?2 (. *.5# %#* #%%2&4-6 ,.,6,-8)&'(* %'-5 2# :'58. '- %'-5 2B#(72.A

(b ='-5 -(. *'5)&. :#8&#2 5-**. .( 8'$$.(^#() ,. 2B#%%-& )5#(*M;.5*#2 :#8. h 2B.0)65&.-5. 2. 5-**. :#8&#2 ,'&) J)5. 8'$%2E).#;#() 2. )5#(*%'5) %'-5 5.8.;'&5 2# ;#2.-5 ,- *'5)&. 8'$%2.)A

o) Dans un Wu Guonian, le corps doit compléter un tour de 360°$&(&$-$ #;.8 -(. '- ,.-0 $#&(* .()5. 2.* #5^'(*A

p) Le SDA exige ¼ t. dans et ¼ hors (nal de deux cercles dansin arçon a SDA comme une op).

4b 9'().5 *-5 2B#5^'(G #;.8 '- *#(* Š )AG 2. 8.582. #;.8 Š )A ,#(*-(. #5^'( 8.) -(. ;#2.-5 TG .) 8'(). 8'$$. 2. 8'$$.(8.Mment du le séquence op.

r) De l’appui lat. dans le nal, déplacement av. sur le 2 arçonsa l’appui lat. dans le autre nal (3/3) dans 2 cercles- doit etre).5$&(6 *#(* #5^'(* %'-5 -(. ;#2.-5 ]A

*b F'-* 2.* 8&*.#-0 # 2B#%%-& 5.(;.5*6 .0&7. 8"#(7.5 2. C5#*'- 2B#5^'(A

)b F'-* 2B626$.()* ,- ,6%2#8.$.() #;.8 8"-). (B# %#* 856,&)%#5)&#2A H0.$%2.g ]6%2#8.$.() 9#73#5 #;.8 8"-). #%5E* 2.%5.$&.5 #5^'( 4-#(, #)).(, 8'()&(-.5 2B#8)&'( ,- ,6%2#8.$.()(B# %#* ,- ;#2.-5A

-b <. 8".;#2 ,B#5^'( 8. 2B-(&4-. .(7&( '- 8. %'**&C2. 56%6).5 2#

*'5)&. a*.-2.$.() -(. :'&*b *& 2. 73$(#*). ,6).5$&(. 4-. 2-&(B# %#* 5.^-. 856,&). %'-5 2# 8"-). '- -(. 75#(, ,6,-8)&'(A

;b ?2 (B3 # %#* ;#2.-5 %#5)&#2. %'-5 2.* 5-**.* :#8&#-0 a,#(* 2B.0.58&8. '- ,#(* 2# *'5)&.b #;.8 8"-).A H0.$%2.g D-**.:#8&#2 •Zn ,#(* 2. 8-&5 .) 8"-). #)).(, 8'()&(-.5 2B#8)&'( ,-5-**. (. 5.8.;5# 2# ;#2.-5A

Lb]#(* 2. 8#* 'u 2# *'5)&. .*) 56%6)6.G 2. 73$(#*). # on *A %'-55.$'().5 *-5 2. 8".;#2 .) 56#2&*.5 -(. *'5)&. ,. *'( 8"'&0 %'-55.8.;'&5 -(. ;#2.-5 .) 2. H@ ?WA

0b D6%6)&)&'( ,. 2# *'5)&. #- 8".;#2 #5^'(* %'-5 'C).(&5 2# ;#2.-5G.0.$%2.*g

%#5) ': )". "'5*.A;&&A 9#73#5 … S&;#,' $#3 *"#5. # 8'$$'( 8&582. 8'((.8)&(7

them and receive D+D difculty. To receive credit for an I ;#2-. 8&582. C.)L..( )". )L' )5#;.2*G )". I ;#2-. 8&582.$-*) C. 8'$%2.)., :-223 :5'$ :5'() *-%%'5) )' :5'() *-%%'5)A

;&&&A ?( )". !',. ': ='&()* T.2.(N&G U5c&8#G #(, 9'7-&2(3 aH@???b $#3 C.7&( :5'$ 85'** *-%%'5) a#2*' :#8&(7 '-)b $&(-*90º on rst turn AND nal turn, with travel from one end)' )". ')".5

m) Swing with strength and/or lowering of the hips or legs inachieving handstands from a scissor or from circles or airsa&(82-,&(7 ,&*$'-()*b L&22 5.8.&;. )". ;#2-. :'5 )". .2.$.()#(, .2.$.() 75'-% a] e-53b L&)" HMe-53 ,.,-8)&'(*A X'L.;.5G&: )".5. &* # 2#57. .55'5G (' 5.8'7(&)&'( L&22 C. 7&;.( :'5 )"."#(,*)#(, '5 ,&*$'-()A ?( )". 8#*. ': # 2#57. ,.,-8)&'(G )".73$(#*) L&22 5.8.&;. # MnAk ,.,-8)&'( #(, '(23 ,.,-8)&'(* :'5#.*)".)&8 .55'5* a2.7*G :..)G C.() #5$*G )'-8" "'5*.G .)8AbA Y',.,-8)&'(* :'5 *)5.(7)" '5 #(72. L&22 C. #%%2&.,A

(b I D-**&#( K.(,.*L&(7 )' # ,&*$'-() C.7&((&(7 &( 85'** *-%M%'5) :#8&(7 '-) $-*) ,' 8'$%2.). D-**&#(a*b #* 2&*)., C.:'5.K.(,. )' 5.8.&;. :-22 ,&*$'-() ;#2-.

o) A Wu Guonian requires a minimum 360° of body turn to be8'$%2.)., L&)" '(. '5 )L' "#(,* C.)L..( )". %'$$.2*A

%b ]SI 5.4-&5.* Š )-5( &( #(, Š '-) a.(, ': )L' 8&582.* '( '(.pommel to DSA as a op).

4b S).% -% )' %'$$.2G L&)" '5 L&)"'-) Š )-5(G &* T ;#2-. !&582. L&)"¼ turn on one pommel, and counts as start to op sequence.

5b >5'$ *&,. *-%A '( V .(,AG )5#;.2 CL,A ';.5 C')" %A )' *&,. *-%Aon the other end (3/3) in 2 circles w.- must be completed with(' %'$$.2* :'5 ] ;#2-.A

*b I22 *8&**'5* )"5'-7" "#(,*)#(, 5.4-&5. # 8"#(7. ': #5$ '5%'$$.2

)b Y' %#5)&#2 ;#2-. L&22 C. 7&;.( )' #(3 )5#;.2 .2.$.() L&)" # :#22AExample: Magyar travel with fall after the rst pommel while#)).$%)&(7 )' 8'()&(-. )". )5#;.2 #8)&'( L&22 5.8.&;. (' ;#2-.A

-b ='$$.2 X'5*. &* )". '(23 #%%#5#)-* L".5. # ,&*$'-() $#3

C. 5.%.#)., a'(. )&$. '(23b &: )". 73$(#*) ,.).5$&(.* ". $#3(') "#;. 5.8.&;., 85.,&) C.8#-*. ': # :#22 '5 # 2#57. ,.,-8)&'(A

;b Y' %#5)&#2 ;#2-. L&22 C. 7&;.( )' #(3 D-**&#( K.(,.*L&(7.2.$.() a&(*&,. .0.58&*. '5 ,&*$'-()b L&)" # :#22A H0#$%2.gD-**&#( •Zn '( )". 2.#)".5 #(, :#22 L"&2. #)).$%)&(7 )' 8'()&(-.)". D-**&#( #8)&'( L&22 5.8.&;. (' ;#2-.A

Lb?( )". 8#*. ': # 5.%.#)., ,&*$'-()G )". 73$(#*) "#* on *.8M'(,* )' 5.$'-() )". "'5*. #(, %.5:'5$ #(3 )3%. ': ,&*$'-()': "&* 8"'&8. :'5 ;#2-. #(, H@ ?W

0b D.%.#)&(7 ': # =X ,&*$'-() :'5 ;#2-.G .0#$%2.*g

$#('* .( 2# %#5). 4-. *.# 5.4-.5&,#A;&&A <'* .2.$.()'* 9#73#5 3 S&;#,' %-.,.( ).(.5 -( $'2&('

común que les conecte recibiendo una dicultad D+D.=#5# 5.8&C&5 -( ;#2'5 I %'5 .2 $'2&(' &().5$.,&' .()5.2'* ,'* ,.*%2#c#$&.()'*G .2 .2.$.()' I ,.C. 5.#2&c#5*.8'$%2.)#$.(). ,.*,. #%'3' :5'()#2 # #%'3' :5'()#2A

;&&&A H( .2 !P,&7' ,. =-()-#8&P(G T.2.(N&G U5c&8# 3 9'7-&2M(3 aH@ ???b %-.,.( .$%.c#5 ,.*,. #%'3' )5#(*;.5*#2a)#$C&6( $&5#(,' "#8&# .2 .0).5&'5b $.('* }nd .( .2%5&$.5 7&5' [ .( .2 R2)&$' 7&5'G 8'( ,.*%2#c#$&.()' ,.

un nal al otro.$b <'* .2.$.()'* 4-. 22.7#( #2 #%'3' &(;.5)&,' ,.*,. $'2&('* 'tijeras (incluidas salidas) ejecutadas a fuerza y/o bajando las%&.5(#* 5.8&C&5Q( *- ;#2'5 3 .2 ,. 75-%' ,. .2.$.()' ae-5#,' ]bG8'( 2#* ,.,-88&'(.* ,.2 e-5#,' HA S& .* -(# :#2)# 75#(,.G ('5.8&C&5Q( (&(7R( ;#2'5 %'5 .2 #%'3' &(;.5)&,' ' 2# *#2&,#A H( .28#*' ,. -(# ,.,-88&P( 75#(,.G .2 7&$(#*)# ).(,5Q -(# ,.,-88&P(,. nGkn 3 *P2' ,.,-88&'(.* %'5 .55'5.* ,. .*)6)&8# a%&.5(#*G%&.*G C5#c'* ,'C2#,'*G )'8#5 .2 8#C#22'G .)8AbA Y' *. 2. #%2&8#5Q(,.,-88&'(.* %'5 :-.5c# ' Q(7-2'A

(b U(# 5-*# :#8&#2 ,. *#2&,# 8'$.(c#(,' .( #%'3' )5#(*;.5*#28#5# #2 .0).5&'5 ,.C. 8'$%2.)#5*. 2# 5-*# a*b #().* ,.2 ,.*M%2#c#$&.()' %#5# 5.8&C&5 -(# *#2&,# 8'$%2.)#A

'b U( K- @-'(&#( %#5# .*)#5 8'$%2.)' 5.4-&.5. $O(&$' -( 7&5'de cuerpo de 360°, con una o dos manos entre los arcos.

p) una SDA requiere ¼ g. adentro y ¼ g. afuera (al nal de losdos molinos en un arco para contar la SDA como un op).

4b S-C&5 #2 #58'G 8'( ' *&( Š 7AG .* -( ;#2'5 T .2 $'2&(' 8'( Šg. en un arco y cuenta como principio de la secuencia op.

r) Desde apoyo lateral en un nal, desplazamiento adelantesobre los arcos al apoyo lateral en el otro nal (3/3) en 2$'2&('*AM ,.C. 8'$%2.)#5*. *&( #58'* %#5# *.5 -( ;#2'5 ]A

*b F',#* 2#* )&e.5#* # )5#;6* ,.2 #%'3' &(;.5)&,' 5.4-&.5.( -(8#$C&' ,. C5#c' ' #58'G

)b Y' *. ,#( ;#2'5.* %#58&#2.* # 2'* .2.$.()'* ,. ,.*%2#c#M$&.()' 8'( 8#O,#A He.$%2'g ].*%2#c#$&.()' 9#73#5 8'(8#O,# ,.*%-6* ,.2 %5&$.5 #58' $&.()5#* 8'()&(-# 2# #88&P(,.2 ,.*%2#c#$&.()' (' 5.8&C&5Q (&(7R( ;#2'5A

-b H2 8#C#22' 8'( #58'* .* .2 R(&8' #%#5#)' ,'(,. 2# *#2&,# *.

%-.,. 5.%.)&5 a*P2' -(# ;.cb *& .2 7&$(#*)# ,.).5$&(# 4-. ('"# 5.8&C&,' ;#2'5 %'5 -(# 8#O,# ' ,.,-88&P( 75#(,.A

;b Y' *. ,#( ;#2'5.* %#58&#2.* # 2'* .2.$.()'* ,. 5-*#* a.($.,&' ,.2 .e.58&8&' ' *#2&,#b 8'( 8#O,#A He.$%2'g D-*#* •Zn.( .2 8-.5%' 3 8#O,# $&.()5#* &().()# 8'()&(-#5 2# #88&P( ,.2# 5-*# (' 5.8&C&5Q (&(7R( ;#2'5A

Lb H( .2 8#*' ,. 5.%.)&5 2# *#2&,#G .2 7&$(#*)# )&.(. on *.7-(,'*%#5# *-C&5 #2 8#C#22' 3 .e.8-)#5 8-#24-&.5 *#2&,# ,. *- .2.88&P(%#5# 8'(*.7-&5 .2 ;#2'5 3 H@ ?WA

0b D.%.)&8&P( ,. 2# *#2&,# .( 8#C#22' 8'( #58'*G .e.$%2'*g

H0.$%2. V H0#$%2. V He.$%2' Vg

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 62

%

*=DE 7> + AB>C<D; IWC: 8CDE7>f89A #

IWC:8CDE7>f89A $

F.()#)&;. ,.*'5)&.g S)‰8N2&à l’ATR 270°t. 3/3

!"-). .().()#() ,B#)M).&(,5. 2BIFD

I-8-(. ;#2.-5'- 75'-%.,B626$.()*#88'5,6*

MVAn .) ,6,-8M)&'(* %'-5

)'-).* #-)5.*:#-).* #;#()

2# 8"-).

S'5)&. S)‰8N2&à l’ATR 270°t. 3/3 répétée,#(* 2. ).$%*%.5$&*

D6%E). #;.8*-88E* 2.S)‰8N2& h 2BIFD270° t. 3/3,*#(* ,6,-8)A

W#2.-5 ] anAib.) ;#2.-5 @H

?W ‚nAk

MnAn

H0.$%2. Z


IWC:8CDE7>f89A $

F.()#)&;. ,.*'5)&.g S)‰8N2&à l’ATR 450°t. 3/3

IC#&**. 2.* e#$C.* #;.8-(. ,6;&#)&'(& $ % ' 5 ) # ( ) .%-&* 8'$%2E).2# *'5)&.

I-8-(. ;#2.-5'- 75'-%.,B626$.()*#88'5,6*

MnAk a#C#&*M*.$.() ,.* e#$C.*b .),6,-8)&'(*%'-5 )'-).*

#-)5.* :#-).*,B.068-)&'(

S'5)&. S)‰8N2&à l’ATR 450°t. 3/3 répétée

,#(* 2. ).$%*%.5$&*A

D6%E). #;.8*-88E* S)‰8N2&à l’ATR 450° t.

3/3, avec 0.0,6,-8)&'(

W#2.-5 H anAkb.) ;#2.-5 @H

?W ‚nAk

<# ,6,-8M)&'( ,. MnAk

a#C#&**.$.()

,.* e#$C.*b,'&) J)5.

modiée pour-(. ,6,-8)&'(,. MVAn a)')#2b%'-5 2# 8"-).

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IWC:8CDE7>f89A $

F.()#)&;. ,.*'5)&.g D-**.1080°

Chute à 900° S&( ;#2'5 MVAn .) ,6,-8M)&'(* %'-5

)'-).* #-)5.*:#-).* #;#()

2# 8"-).

S'5)&. D-**.1080° répétée,#(* 2. ).$%*%.5$&*A

D6%E). #;.8*-88E* *'5)&.Russe 1080°#;.8 MnAV %'-5

e#$C.* 68#5M)6.*

W#2.-5 ] anAib.) ;#2.-5 @H

W ‚nAk

MnAV %'-5 e#$C.* 68#5M

)6.*

Dans l’exemple 3, le juge ne peut pas toujours déterminer siles premiers Russes étaient une tentative de sortie.

oA =&;')* ,#(* 2. @DA?? .( #%%-& 2#)65#2 '- )5#(*;.5*#2 #;.8 e#$C.**.556.* '- 68#5)6.* ,'&;.() *. ).5$&(.5 .( Z 8.582.* ao *-%%'5):#8&#2b %'-5 5.8.;'&5 2# ;#2.-5 ]A

%

*=DE7> +AB>C<D # f89A;WC:8CDE7>

$ f89A;WC:8CDE7>

S)‰8N2& )'X # ( , * ) # ( ,270° t. 3/3 disM$'-() #)).$%)

>#22* L"&2. #)M).$%)&(7 )"."#(,*)#(,

Y' ;#2-. '5H@ ?W

MVAn #(, #(3,.,-8)&'(*

%5&'5 )' )". #8M)&'( ': :#22&(7

D . % . # ) . ,S)‰8N2& )'Hdstd. 270° t.3/3 dismountL&)"&( )". )&$.%.5$&)).,A

S-88.**:-2235.%.#)* S)AX # ( , * ) # ( ,270° t. 3/3 with(' ,.,-8)&'(*

] ;#2-. anAib#(, ‚nAk

H@ ?W

MnAn

H0#$%2. Z


$ f89A;WC:8CDE7>

S)‰8N2& )'X # ( , * ) # ( ,450° t. 3/3 disM$'-() #)).$%)

<'L.5* 2.7*L&)" 2#57. ,.M;&#)&'( )".(8'$%2.).* ,&*M$'-()

Y' ;#2-. '5H@ ?W

MnAk a2'L.5&(72.7*b #(,

#(3 #.*)".)&8,.,-8)&'(*

D . % . # ) . ,S)‰8N2& )'Hdstd. 450° t.

3/3 dismountL&)"&( )". )&$.%.5$&)).,A

S-88.**:-2235.%.#)* S)AX # ( , * ) # ( ,

450° t. 3/3 withMnAn ,.,-8)&'(

H ;#2-. anAkb#(, ‚nAk

H@ ?W

F". MnAka2'L.5&(7

2.7*b $-*)

C. 8"#(7.,)' MVAn :'5 #:#22 %2-* #(3,.,-8)&'(*;&.L., '()". *.8'(,

#)).$%)A

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Russian 1080°]&*$'-() #)M).$%)

Falls at 900° Y' ;#2-. MVAn #(, #(3,.,-8)&'(*

%5&'5 )' )". #8M)&'( ': :#22&(7

D . % . # ) . ,Russian 1080°] & * $ ' - ( )L&)"&( )". )&$.%.5$&)).,A

S-88.**:-2235.%.#)* D-*Msian 1080°,&*$'-() L&)"MnAV 2.7 *.%#M5#)&'(

] ;#2-. anAib#(, ‚nAk

H@ ?W

MnAV :'5 2.7*.%#5#)&'(

In Example 3, the judge cannot always determine if the rstRussians are a dismount attempt.

3. Spindles in EG II in cross or side support with legs together or air$-*) C. %.5:'5$., L&)"&( # $#0&$-$ Z 8&582.* ao :5'() *-%%'5)%'*&)&'(*b :'5 ] ;#2-.A

e %

*==E Z> +E B>C<DC $WC: 8C=E Z> e89C?7 #

$WC:8C=EZ> e89C?7 $

?().()' ,. *#M2&,# S)‰8N2& #2#%'3' &(;.5M)&,' 8'( Z•nd3/3

!#O,# &().(M)#(,' .2 #%'3'&(;.5)&,'

S&( ;#2'5 '75-%' ,.

.2.$.()' ?W

MVAn 3 8-#2M4-&.5 ,.,-8M8&P( %5.;&# #

2# 8#O,#

D.%.)&5 2# *#M2&,# ,. S)‰8N2&#2 #%A &(;A Z•nd3/3 en el tiemM%' %.5$&)&,'

D.%&). 8'(60&)' .2 #%'3'&(;.5)&,' Z•nd3/3 sin deducM8&P(

W#2'5 ] anAib3 ‚ nAk ,.275-%' ,.

.2.$.()' ?W

MnAn

He.$%2' Zg

*==EZ> +EB>C<DC $ W C: 8 C= E Z> e89C?7 #

$WC :8C= EZ> e89C?7 $

?().()' ,. *#M2&,# ,. S)‰8MN2& #2 #%'3'&(;.5)&,' 8'(450º 3/3

T#e#5 2#* %&.5M(#* 8'( 75#(, . * ; & # 8 & P (&().()#(,' .2#%'3' &(;.5M)&,'A

S&( ;#2'5 '75-%' ,. .2.M$.()' ?W

MnAk aC#e#5%&.5(#*b 38-#24-&.5 ,.M,-88&P( ,..*)6)&8#

D.%.)&5 2# *#M2&,# S)‰8N2&#2 #%'3' &(;A

450º 3/3 en el)&.$%' %.5$&M)&,'A

D.%&). 8'(60&)' .2 #%'3'&(;.5)&,' iknd

3/3 con deM,-88&P( MnAn

W#2'5 H anAkb 3‚ nAk ,.2 75-M%' ,. .2.$.(M

)' ?W

H2 MnAk aC#e#5%&.5(#*b ,.C.8#$C&#5*. %'5

MVAn %'5 8#O,#$Q* 8-#24-&.5')5#* ,.,-8M8&P( $'*)5#,#.( .2 *.7-(,'&().()'

He.$%2' og

*==EZ> +EB>C<DC $ W C: 8 C= E Z> e89C?7 #

$WC :8C= EZ> e89C?7 $

S#2&,# ,. D-M*#* Vn€nd

!#. # 2'* }nnd S&( ;#2'5 MVAn 3 8-#2M4-&.5 ,.,-8M8&P( %5.;&# #2# 8#O,#

D.%.)&5 2# *#M2&,# ,. 5-*#*Vn€nd .( .2)&.$%' %.5$&M)&,'A

D.%&). 8'(60&)' 2# *#2&M,# ,. 5-*#*Vn€nd 8'( MnAV*.%#5#8&P( ,.%&.5(#*

W#2'5 ] anAib 3‚ nAk ,.2 75-M%' ,. .2.$.(M)' ?W

M VAn %'5 *.M%#5#8&P( ,.%&.5(#*

En el ejemplo 3, el juez no puede determinar si la primera rusafue un intento de salida.

oA <'* 7&5'* *%&(,2.* ,.2 H@ ?? .( #%'3' 2#).5#2 ' )5#(*;.5*#2 8'(%&.5(#* e-()#* ' *.%#5#,#* ,.C.( .e.8-)#5*. $Q0&$' .( Z $'M2&('* ao %'*&8&'(.* :5'()#2.*b %#5# *.5 8'(*&,.5#,'* ;#2'5 ]A

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 63

iA D.%.)&8&'(.* .*%.8&#2.*#b H( .2 .e.58&8&'G *. %.5$&). -( $Q0&$' ,. ,'* ,.*%2#c#$&.(M

tos (3/3) en apoyo transversal (adelante y/o atrás).Cb H( .2 .e.58&8&'G *. %.5$&). -( $Q0&$' ,. ,'* 5-*#* :#8&#2.*G

&(82-3.(,' 2# *#2&,#A H2 e-5#,' ] ,.C. 8'()#5 %5&$.5' 2#*#2&,# 3 ,.*%-6* )',#* 5-*#* .$%.c#(,' %'5 2#* ,. $#3'5;#2'5A H*)Q( .082-&,'* ,. .*)# 5.72# 2'* .2.$.()'* 8'$C&(#Mdos op/rusas faciales en un arco, Kroll (III.81), Roth (III.82),K- @-'(&#( a???A€obG 3 F'(7 >.& a???A•kG •wG €•G €}bA

8b H( .2 .e.58&8&'G *. %.5$&). -( $Q0&$' ,. ,'* .2.$.()'* #2

#%'3' &(;.5)&,' a(' &(82-3. 2# *#2&,#bkA =#5# $Q* &(:'5$#8&P( ,. 2#* 5.72#* 5.2#)&;#* #2 (' 5.8'('8&$&.()',. .2.$.()'* 3 ')5'* #*%.8)'* ,. 2# (')# ]G ;.5 .2 *.88&P( • 3 .25.*-$.( ,. ,.,-88&'(.* ,.2 #5)O8-2' •AwA

iA S%.8&#2 5.%.)&)&'(*ga) A maximum of two (3/3) cross support travels (forwards and/

'5 C#8NL#5,*b #5. %.5$&))., ,-5&(7 )". .0.58&*.ACb I $#0&$-$ ': )L' D-**&#( K.(,.*L&(7* #5. %.5$&))., :'5

;#2-. &( #( .0.58&*.G ,&*$'-() &(82-,.,A F". ]Me-53 $-*) 8'-()the dismount rst, then all Russians starting from the highMest difculty value. Excluded from the rule are op/ Russian8'$C&(#)&'(* '( '(. %'$$.2G \5'22 a???A€VbG D')" a???A€ZbG K-@-'(&#( a???A€obG #(, F'(7 >.& a???A•kG •wG €•G €}b .2.$.()*A

8b 9#0&$-$ Z "#(,*)#(, .2.$.()* a(') &(82-,&(7 ,&*$'-()b

kA >'5 # :-5)".5 2&*) ': 5.7-2#)&'(* 7';.5(&(7 ('(M5.8'7(&)&'( ': .2.M$.()* #(, ')".5 #*%.8)* ': )". r] *8'5.sG *.. S.8)&'( • #(, )".*-$$#53 ': ,.,-8)&'(* &( I5)&82. •AwA

iA D6%6)&)&'( *%68&#2.*a) Un maximum de deux (3/3) déplacements longitudinal (avant

'- #55&656b *'() #-)'5&*6.* ,#(* -(. .0.58&8.Cb U( $#0&$-$ ,. ,.-0 *65&.* ,. :#8&#2* 5-**.* *'() #-)'5&*6.*

,#(* -( .0.58&8.G 3 8'$%5&* 2# *'5)&.A <. e-53 ] ,'&) 8'$%)#C&M2&*.5 2# *'5)&. ,B#C'5,G %-&* )'-* 2.* 5-**.* .( 8'$$.(8.$.()avec le plus grande difculté. Sont exclues de cette règle lesliaisons de op/russes sur un arçon, Kroll (III-81), Roth (III-82),K- @-'(&#( a???M€ob .) F'(7 >.& a???M•kG •wG €•G €}bA

8b U( $#0&$-$ ,. ,.-0 #%%-&* 5.(;.5*.* a%#* &(82-* 2# *'5)&.bA

kA W'&5 #-**& 2.* 5E72.* 4-& 567&**.() 2# ('(M5.8'((#&**#(8. ,.*626$.()* .) 2.* #-)5.* #*%.8)* ,. 2# ('). ] h 2# *.8)&'( • .) ,#(*2. )#C2.#- ,.* ,6,-8)&'(* h 2B#5)&82. •AwA

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 64

Article 11.3 Déductions spéciques pour le cheval arçons

HC8D; &;DED;

-V.-17A;>>;

-V/-+97<<E[9;

-Vc-

Amplitude insufsante dans les8&*.#-0 .) 2.* 62#(* ,v-(. e#$C.

‚ ‚

I%%-& 5.(;.5*6 #;.8 .(7#M7.$.() ,. :'58. ;&*&C2. '-exion des bras

‚ ‚ ‚

=#-*. '- #55J) h 2v#%%-&5.(;.5*6

‚ ‚ ‚

Cercles avec exion des"#(8".*

‚ ‚

Amplitude insu fsante dan s les8.582.* ,.* e#$C.* *.556.* '-68#5)6.*A !"#4-. 626$.()A

‚

Jambes échis ou écartées,#(* 2.* 626$.()*

‚ ‚ ‚

]6;&#)&'( ,#(* 2.* 8.582.*.) 2.* )5#(*%'5)* .( #%%-&)5#(*;.5*#2

„VkdM ond „ondM ikd„ikd

('( 5.8'(M(#&**A

D68.%)&'( 'C2&4-.G %#5 5#%%'5)h 2v#0. 2'(7&)-,&(#2 ,- 8".;#2G:#8. h 2v.0)65&.-5.

‚,6;&#)&'(

„ikd

‚,6;&#)&'(

}nd

Y'( -)&2&*#)&'( ,.* o %#5)&.*,- 8".;#2 ‚

F'-).* 2.* *'5)&.* #-)5.* 4-.%#5 2v#%%-& 5.(;.5*6G 8'5%*$'&(* ,. ond #-M,.**-* ,.2v"'5&c'()#2 ,.* 6%#-2.*A

‚

!&*.#-0 h 2B#%%-& 5.(;.5*6avec exion des hanchesa%&.,*bA

‚ ‚‚

('( 5.8'(M(#&**A

!&*.#-0 h 2BIAFADAG *#(* 8'22.52.* e#$C.*A

‚ ‚

T#2#(8.$.() 2#)65#2 ,.* e#$C.* *#(* #-8-( 626$.()#;#() 2. 8'$$.(8.$.() ,.2B.0.58&8.A

‚

9#(4-. ,B64-&2&C5. # 2BIA FADA2'5* ,.* *'5)&.*G )'-5* &(8'$M%2.)* 4-& 8'(,-&) 2. 73$(#*).h -(. 568.%)&'( :#8. #- 8".;#2,B#5^'(*A

‚ ‚

_2#( #;.8 :'58. 4-& $E(.() h2BIAFADA ,.%-&* ,.* 8&*.#-0 '-8.582.* ,.* e#$C.* *.556.* '-écartées, et/ou abaissementdes hanches/pieds (aussi pour2.* *'5)&.*bA

‚ ‚‚

('( 5.8'(M(#&**A

Article 11.3 Specic Deductions for Pommel horse

$9979 2BC::

-V.-1;?E8B

-V/-6C9@;-Vc-

<#8N ': #$%2&)-,. &( *8&*M*'5* #(, *&(72. 2.7 *L&(7*A

‚ ‚

X#(,*)#(, L&)" ;&*&C2.*)5.(7)" '5 C.() #5$*A ‚ ‚ ‚

=#-*&(7 '5 *)'%%&(7 &("#(,*)#(,A

‚ ‚ ‚

X&% T5.#N* L&)" 8&582.*A‚ ‚

<#8N ': C',3 .0).(*&'(in circles or airs. Each.2.$.()

‚

T.() '5 2.7* #%#5) ,-5&(7.2.$.()*A

‚ ‚ ‚

I(7-2#5 ,.;&#)&'(* &( 85'***-%%'5) 8&582.* #(, )5#;.2*A >15º- 30° „ondM ikd

„ikd(' M 5.8'7A

<#(,&(7 'C2&4-. '5 (') :#8M&(7 '-) :5'$ )". 2'(7 #0&*': "'5*.A

‚,.;&#)&'( „ik

‚,.;&#)&'(

}nd

Y'( -)&2&c#)&'( ': #22 o %#5)*': )". "'5*.A ‚

Y'( "#(,*)#(, ,&*$'-()*GC',3 %'*&)&'( -(,.5 ond';.5 *"'-2,.5 "'5&c'()#22&(.A

‚

S8&**'5 )' "#(,*)#(, L&)""&% C.(,A ‚ ‚

‚(' M 5.8'7A

S8&**'5* )' "#(,*)#(,L&)"'-) 82'*&(7 )". 2.7*A ‚ ‚

H0)5# ‡ *L&(7 '( $'-()L&)"'-) # 2.7 8"#(7&(7*&,.*A

‚

U(*).#,&(.** &( )". "#(,M*)#(, ,&*$'-()G )-5(&(7%5'C2.$*A ‚ ‚

F' # "#(,*)#(, :5'$scissors, airs, or circles-Swing with strength and/or2'L.5&(7 ': )". "&%* '5 2.7*a&(82-,&(7 ,&*$'-()*bA

‚ ‚ ‚

(' M 5.8'7A

Artículo 11.3 Deducciones especícas en caballo con arcos

HC:DC &;F8;pC

-V.-1;?EC-V/-

+9C>?;-Vc-

>#2)# ,. #$%2&)-, .( 2#* )&e.5#*3 2'* &$%-2*'* ,. %&.5(#*A

‚ ‚

I%'3' &(;.5)&,' 8'( :-.5c#;&*&C2. ' C5#c'* ,'C2#,'*A ‚ ‚ ‚

=#5#,# ' %#*'* .( #%'3'&(;.5)&,'A

‚ ‚ ‚

>2.0&'(#5 2#* 8#,.5#* .( 2'*$'2&('*A

‚ ‚

>#2)# ,. .0).(*&P( ,.2 8-.5%'.( $'2&('* ' $'2&('* %&.5(#*#C&.5)#*A !#,# .2.$.()'A

‚

=&.5(#* ,'C2#,#* ' #C&.5)#*.( 2'* .2.$.()'*A

‚ ‚

].*;&#8&P( #(7-2#5 .( $'2&('*.( #%'3' )5#(*;.5*#2 3 ,.*%2#Mc#$&.()'*A

„VkdM ond „ondM ikd „ikd*&( 5.8'(A

D.8.%8&P( 'C2&8-# ' (' $&5#(M,' #2 .0).5&'5 ,.2 .e. 2#57' ,.28#C#22'A

‚,.*;&#8&P(

„ ikd

‚,.*;&#8&P(

90°

Y' -)&2&c#5 2#* o %#5).* ,.28#C#22'A ‚

='*&8&P( ,.2 8-.5%' %'5 ,.C#M e' ,. 2'* ond ,. 2# "'5&c'()#2.( 2#* *#2&,#* 4-. (' *'( #2#%'3' &(;.5)&,'A

‚

F&e.5#* #2 #%'3' &(;.5)&,'exionando caderas. ‚ ‚

‚*&( 5.8'(

F&e.5#* #2 #%'3' &(;.5)&,' *&( e-()#5 2#* %&.5(#*A ‚ ‚

‡ C#2#(8.' .0)5# *-C&.(,'-(# %&.5(# *&( 8#$C&#5 ,.2#,'A

‚

?(.*)#C&2&,#, .( 2# *#2&,# %'5.2 #%'3' &(;.5)&,'G %5'C2.$#*,. 7&5'*A ‚ ‚

I2 #%'3' &(;.5)&,' ,.*,.)&e.5#*G $'2&('* ' $'2&('* %Aabiertas con fuerza y/o bajar2#* 8#,.5#* ' %&.5(#* a&(82-&M,#* *#2&,#*bA

‚ ‚ ‚

*&( 5.8'(A

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 65

$+5 '\ I:C>< ?L8>; eCB^; ;D =E<;C8 ] (79DC4 C4D @d79D@ G9O @57@@8?@ ] 'BM8:<7< ?; 8>C ME;9>C A DEe;9C<

VA !&*.#- #;#()A Scissor forward. F&e.5# #,.2#().A

•A !&*.#- #;#() #;.8 ‡ )A Scissor forward with ½ t. F&e.5# #,A 8'( ‡ 7A

8. Ciseau avant avec saut latéral (aussi avec 1/2 t.). Scissor forward with hop swd. (also with 1/2 t.). Tijera ad. con salto lateral (también con 1/2 g.).

}A !&*.#- #;A #;.8 *#-) 2#)65#2 ,B-(. .0)5J$. hl’autre (3/3).

Scissor fwd. with hop swd. from one end to theother (3/3).

F&e.5# #,.2#(). 8'( *#2)' 2#).5#2 ,. -( .0)5.$'al otro (3/3).

ViA ]'-C2. 8&*.#- #;#() aŠ )A #;A .) Š )A #55AbA Double scissor fwd.(¼ t. fwd. a. ¼ t. bwd. ]'C2. )&e.5# #,A aŠ 7A #,A 3 Š 7A #)AbA

VkA ]'-C2. 8&*.#- #;A aŠ )A #;A .) Š )A #55Ab #;.8)5#(*%'5) 2#).5#2A

Double scissor fwd. (¼ t. fwd. a. ¼ t. bwd.) withtravel sdw.

]'C2. )&e.5# #,A aŠ 7A #,A 3 Š 7A #)Ab 8'( ,.*M%2#c#$&.()' 2#).5#2A

VoA!&*.#- #55&E5.A Scissor backward. F&e.5# #)5Q*A

V}A !&*.#- #55&E5. #;.8 ‡ )A Scissor backward with ½ turn. F&e.5# #)5Q* 8'( ‡ 7A

iA !&*.#- #;A #;.8 Š )A %#5 2B#%%-& 5.(;.5*. *-5 V#5^'(G 5.)'-5 h 2B#%%-& e#$C.* 68A )5#(*;.5*#2G,#(* 2B#-)5. C5#*A

Scissor fwd. w. ¼ t. through hstd. on 1 p., lowerto sup. w. strad. legs on the other arm

F&e.5# #,A 8'( Š 7A %'5 .2 #%A &(;A *'C5. V #58'G;'2;.5 #2 #%A %A #CA )5#(*;A .( .2 ')5' C5#c'

ZVA

ZA

ZnA

VZA

ZZA _2#( .( #55A #;.8 Š )A %#5 2B#%%A 5.(;*A *-5 V#5ÂG 5.)'-5 h 2B#%%A e#$CA 68AG ,#(* 2B#-)5. C5#*A

Swing bwd. w. ¼ t. through hstd. on 1 p., lowerto sup. w. strad. legs on the other arm.

?$%-2*' #)A 8'( Š 7A %'5 .2 #%A &(;A *'C5. V #58'G;'2;.5 #2 #%'3' %A #C&.5)#*A .( .2 ')5' C5#c'A

ZoA ZiA

VVAVnA

oA ]'-C2. 8&*.#- #;#() #;.8 )5#(*%'5) 2#)65#2 %#52BIFDA

Double Scissor Fwd. with Travel Sidewaysthrough Handstand.

F&e.5# ,'C2. #,.2#(). 8'( ,.*%2#c#$&.()' 2#).5#2# )5#;6* ,.2 #%'3' &(;.5)&,'A

kA wA

VwA ]'-C2. 8&*.#- #;A #;.8 *#2)' 2#).5#2 ,B-(. .0)5Aà l’autre (3/3).

]'-C2. *8&**'5 :'5L#5, L&)" "'% *&,.L#3* :5'$one end to the other (3/3).

F&e.5# ,'C2. 8'( *#2)' 2#)A ,.*,. -( .0)5.$' #2otro (3/3).

V•A V€A

(Li Ning)

(Mikulak)

(Stepanyan)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 66

o€A

iiA 9'-;.$.() 68A ,A e#$CA .( #55A %#5 2B#%%A 5.(;*A.) 5.)'-5 h 2B#%%A e#$CA 68A )5#(*;A

Leg cut or undercut bwd. through hdst. andlower to support w. strad. legs.

9';&$&.()' %A #C&.5)#* #)5Q* %'5 .2 #%'3' &(;.5M)&,' 3 ;'2;.5 #2 #%A %A #C&.5)#* )5#(*;.5*#2$.().A

ikA 9'-;.$.() 68A ,A e#$CA .( #55A %#5 2B#%%A 5.(;*A.) 5.)'-5 #- 8.582. 68AG 8.582.A

Leg cut or undercut bwd. through hdst. andlower to air or circle.

9';&$A %&.5(#* #C&.5)#* #)5Q* %'5 .2 #%'3' &(;.5M)&,' 3 ;'2;.5 # $'2&(' ' $'2&(' %&.5(#* #C&.5)#*A

ZwA !&*.#- #55&E5. #;.8 *#-) 2#)A a#-**& #;.8 ‡ )Ab Scissor bwd.with hop swd.(also with ½ t.) F&e.5# #)5Q* 8'( *#2)' a)#$C&6( 8'( ‡ 7Ab

Z•A !&*.#- #55&E5. #;.8 *#-) 2#)65#2 ,B-(. .0)5A h2B#-)5. aVMZ # iMkb

Scissor bwd. with hop swd. from one end to theother aVMZ )' iMkb

F&e.5# #)5Q* 8'( *#2)' 2#)A ,. -( .0)5.$' #2 ')5'aVMZ # iMkb

oZA]'-C2. 8&*.#- #55&E5. aŠ )A #;A .) Š )A #55Ab Double scissor bwd. (¼ t. fwd. a. ¼ t.bwd. ]'C2. )&e.5# #)5Q* aŠ 7A #,A 3 Š 7A #)5Q*b

o}A ]. 2B#%%A )5#(*;A e#$CA 68AG .2#( .( #55A %#5 2B#%%A5.(;*AG 5.)'-5 h 2B#%%A e#$CA 68A

Fr. cr. sup. w. strad.legs, swing bwd. throughhstd., lower to sup. w. strad. legs.

].*,. .2 #%A )5#(*;A %A #CA &$%-2*' #)A %'5 .2#%'3' &(;AG ;'2;.5 #2 #%A %A #C&.5)#* )5#(*;A

iwA

oiACiseau av. avec 1/4 t. à l’app. renv., 1/4 t. et retour*-5 -( C5#*G e#$C.* 68#5)6* h 2B#-)5. #5^'(

Scissor fwd. 1/4 t. to hdst., 1/4 t. and straddledown bwd on 1 arm on the other pommel

Tijera ad. con 1/4 g. al ap. inv., 1/4 g. y descender*'C5. -( C5#c' %&.5(#* #C&.5)#* #2 ')5' #58'

ZkA

oVA

o•A

ioA

Z}A

okA

onA

owA

iVA

i•A

iZA

i€A

inA !&*.#- #55&E5. #;.8 Š )A h 2B#%%-& 5.(;AG Š )A .)5.)'-5 *-5 -( C5#*G e#$C.* 68#5)6* h 2B#-)5. #5^'(A

Scissor bwd. ¼ t. to hdst., ¼ t. and straddle downbwd on 1 arm on the other pommel.

F&e.5# #)A 8'( Š 7A #2 #%A &(;AG Š 7A 3 ,.*8.(,.5*'C5. -( C5#c' %&.5(#* #C&.5)#* #2 ')5' #58'A

Z€A

ooA

(Bryan)

$+5 '\ I:C>< ?L8>; eCB^; ;D =E<;C8 ] (79DC4 C4D @d79D@ G9O @57@@8?@ ] 'BM8:<7< ?; 8>C ME;9>C A DEe;9C<

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 67

$+5 ''\ Cercles des jambes serrées et éc. avec ou sans pivots et appuis renv., passés dorsaux, russes faciaux, op et d’elements combines. ] Circle and airs, with and/or without spindles (includes traveling spin. dles) and handstands, Kehrswings, Russian w., ops and combined elements ] Molinos, giros y ap. inv., con y/o sin giros (incl desplazamiento con giro) y ap. Inv., Keres, Rusas, ops y elem. combinados

VA F'-) 8.582. ,.* e#$C.* '- 8.582. 68A aF"'$#*b.( #%%-& 2#)65#2A Any circle or air in side support.

F',' $'2&(' ' $'2&('* %A #C&.5)'A

ZA !.582. ,A e#$C.* .( #%%-& 2#)65#2 *-5 V #5^'(A Circle in side support on 1 pommel. 9'2&(' .( #%'3' 2#).5#2 *'C5. V #58'A

€A !.582. #;.8 #%%A *-5 8"#4-. .0)56$&)6 '- .()5.2.* #5^'(*A

Circle with support outside pommels or betweenthe pommels.

9'2&(' 8'( #%A *'C5. 8#,# .0)5A ' .()5. 2'* #58'*A

VoA !.582.* ,A e#$CA .( #%%-& :#8&#2 )5#(*;A *-5 2B.0)5A Circles in cross support frontways on end. 9'2&('* .( #%'3' :#8&#2 )5#(*;A *'C5. .2 .0)5A

ViA !.582.* ,.* e#$C.* .( #%%-& )5#(*;.5*#2 *-5 V#5^'( a,. '- #;.8 Š )A #;#()bA

Circles in cross support on 1 pommel a:5'$ '5)' Š )A :L,AbA

9'2&('* .( #%'3' )5#(*;.5*#2 *'C5. -( #58'a,.*,. ' 8'( Š 7A #,AbA

V}A !.582.* ,.* e#$C.* .( #%%-& ,'5*#2 )5#(*;.5*#2*-5 2B.0)5J$.A

Circles in cross support rearways on end. 9'2&('* .( #%'3' ,'5*#2 )5#(*;.5*#2 *'C5. .2

.0)5.$'A

ZnA !.582.* ,.* e#$C.* .( #%%-& )5#(*;.5*#2 .()5.2.* #5^'(*A

Circles in cross support between the pommels. 9'2&('* .( #%'3' )5#(*;.5*#2 .()5. 2'* #58'*A

oA

•A }A

VkA

ZVA

iA

VnA

VwA

ZZA

kA

VVA

V•A

ZoA

wA

VZA

V€A

ZiA

(Thomas)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 68

oVA I%%A )5#(*;A *-5 2B.0)56$AG 8.582.* ,A e#$CA#;.8Š %&;') .( #%%A 2#)ACross support on end, circle with ¼ spindle toside support. I%'3' )5#(*;A *'C5. .2 .0)5AG $'2&('* 8'( Š %&;').( #%'3' 2#).5#2A

32. App. transv. sur l’extrém., 1/2 pivot. Cross support on end, 1/2 spindle. Apoyo transv. sobre un extr., 1/2 pivot.

ooA

o•A

34. Tout appui transv. avec 1/1 pivot dans max. 2cercles (aussi avec 1/3, 1/2 ou 2/3 transport).

Any cross support 1/1 spindle within max. 2circles. (also with 1/3, 1/2 or 2/3 travel)

Cualquier apoyo transv. con 1/1 pivot en máx.2 molinos. (también con 1/3, 1/2 o 2/3 despl.).

inA iVAo€A !.582. 68A '- 8.582.* h 2B#%%A 5.(;*A .) 5.)'-5 h2B#%%-& e#$C.* 68A )5#(*;A

Flair or circle through hdst. and lower to sup. w.strad. legs.

9'2&(' ' $'2&('* %A #CA #2 #%A &(;A 3 ;'2;.5 #2#%'3' %&.5(#* #C&.5)#* )5#(*;.5*#2A

iiA ikA !.582. 68A #;.8 )5#(*%'5) *#-)6 #55A h 2B#%%A

5.(;*A .) 5.)'-5 h 2B#%%A e#$C.* 68A )5#(*;A Flair with hop travel bwd. through hdst. and

lower to sup. w. straddle legs. 9'2&(' %A #C&.5)#* 8'( ,.*%2#cA *#2)#,' #)A #2 #%A

&(;.5)&,' 3 ;'2;.5 #2 #%'3'G %&.5(#* #CA )5#(*;A

iwA!.582. 68A #;.8 )5#(*%'5) *#-)6 #55A h 2B#%%A

5.(;*A .) 5.)'-5 h 8.582. ,A e#$C.* '- 8.582. 68A Flair with hop travel bwd. through hdst. and lower

to circles or airs. 9'2&(' %A #CA 8'( ,.*%2#cA *#2)#,' #)5Q* #2 #%A

&(;A 3 ;'2;.5 # $'2&(' ' $'2&(' %A #C&.5)#*A

29. Tout app. lat, 1/1 pivot av. les arçons entre les$#&(* a8.582.* ,A e#$CA .8A '- 8.58A ,A e#$CbA

Any side support 1/1 spindle with hand support to

the other side and return (max. 2 airs or circles).

Cualquier ap. lat. 1/1 pivot con apoyo de mano#2 ')5' 2#,' 3 ;'2;.5 a$Q0A Z $'2&('* %A #C&.5)#*' $'2&('*bA

(Magyar)

ZkA !.582.* ,.* e#$C.* .( #%%-& 2#)65#2G Š %&;').( #%%-& )5#(*;.5*#2ACircle in side sup., ¼ spindle to cross sup.9'2&('* .( #%A 2#)AG Š %&;') .( #%'3' )5#(*;A

26. Appui latéral, 1⁄2 pivot. Side support, 1/2 spindle. Apoyo lateral en el nal, 1/2 spindle.

Z•A 28. Tout 1/1 pivot en appui latéral dans max. 2 c.,.* e#$C.* .8A Any side support 1/1 spindle w. legs straddleinside max. 2 circles.Cualquier ap. lat., 1/1 pivot máx. en 2 molinos%&.5(#* #C&.5)#*A

okA Appui facial transv., 1/1 pivot av. mains entre lesarc. max. 2 cercles (aussi avec 1/3 transport).Cross support, 1/1 spindle with hands between the

pommels max. 2 circles. (also with 1/3 travel)

Apoyo facial transv., 1/1 pivot ad. manos entre losarcos (máx. 2 molinos). (también con 1/3 despl.).

owA

i•A i€A

30. Appui latéral, 1/1 pivot av. les ac. entre les mainsa8.582.* ,A e#$C.* .8A '- 8.582.* ,A e#$C.*bA

Side support, 1/1 spindle with both pommelsbetween the hands (air or circle). Apoyo lateral, 1/1 pivot adelante arcos entre las$#('* a$'2&('* %A #C&.5)#* ' $'2&('*bA

o}A !.582. 68A '- 8.582.* h 2B#%%A 5.(;*A a#;.8 '-*#(* ‡ )Ab .) 5.)'-5 #- 8.582. 68A '- 8.582.A

Flair or circle through hdst. (with or without ½ t.)

and lower to air or circle.

9'2&(' ' $'2&(' %A #CA a8'( ' *&( ‡ 7Ab 3 ;'2;.5# $'2&(' ' $'2&(' %A #C&.5)#*A

iZA

ioA

(Tippelt)

(Eichorn)


! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

$+5 '' C l d j b é t é i t t i é d f i t d’ l t bi Ci l d i ith d/ ith t i dl (i l d t li i

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 69

i}A knA kVA S)‰8N2& &(;A '- S]I #;.8 e#$CA 68A h 2B#%%A 5.(;*A.) 5.)'-5 h 2B#%%A e#$CA 68A )5#(*;A

Reverse Stöckli or DSA strad. through hdst. andlower to sup. w. strad. legs.

S)‰8N2& &(;.5)&,# ' S]I %A #CA #2 #%'3' &(;A 3 ;'2M;.5 #2 #%'3' %&.5(#* #C&.5)#* )5#(*;.5*#2$.().A

kZA koA kiA Stokli inversé ou DSA, jambes éc artés a l’a.t.r. 3/3)5#(*%'5) a#;AM #55Ab #;.8 own )'-5 .) *B#C#&**.5 #-08.582.* ,.* e#$C.* 68#5)6*A

Reverse Stöckli or DSA strad. through hdst.,3/3 travel (fwd.- bwd), 360º turn to airs.

Stöckli inv. o SDA p. ab. al apoyo inv., 3/3 (ad.-#)Ab ,.*%2#cAG ownd 7A # $'2&('*A

kkA =#**6 ,'5*#2 #;#() #;.8 ‡ )A a,'-C2. ,'5*#2bA Double rear (kehr). =#*. ,'5*#2 #,.2#(). 8'( ‡ 7A a,'C2. ,'5*#2bA

kwA =#**6 ,'5*#2 #55&E5. #;.8 ‡ )A *#-)6 *-5 2.*#5^'(*A

Kehrswing bwd. hop with ½ t. on the pommels. =#*. ,'5*#2 8'( ‡ 7A *#2)#,' *'C5. 2'* #58'*A

k•A k€A k}A wnA

wVA wZA S)‰8N2& ,&5.8). I aS]IbA Direct Stöckli A (DSA). S)‰8N2& ,&5.8)# I aS]IbA

woA =#**6 ,'5*#2 #;.8 Z•nd )A *-5 V #5^'( ,. 2B#%%-&2#)65#2 # )5#(*;.5*#2A

Kehr with 270º t. on 1 p. (Sohn technique) fromside to cross support.

=#*. ,'5*#2 8'( Z•nd 7A .( V #58' ,.*,. #%'3'2#).5#2 # )5#(*;A

wiA wkA Passé dorsal avec 1/1 t. sur 1 arçon. Kehr with 1/1 turn on 1 pommel. Pase dorsal con 1/1 g. sobre 1 arco.

wwA

w•A w€A S)‰8N2& ,&5.8). T aS]TbA

Direct Stöckli B (DSB). S)‰8N2& ,&5.8)# T aS]TbA

w}A •nA •VA •ZA

(Busnari)

+

(Sohn)

*de l’appui transv. a l’appui lat.= B value from cross to side support = B value desde apoyo longit. al apoyo lat. = valor B


! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$$+5 '' C l d j b é t é i t t i é d f i t d’ l t bi Ci l d i ith d/ ith t i dl (i l d t li i

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 70

•oA •iA F5#$.2'). ,&5.8).A Direct Tramlot. F5#$.2') ,&5.8)'A

•kA •wA ••A •€A

•}A =#**6 :#8&#2 #;#() #;.8 ‡ )A h 2B#%%-& :#8&#22#)A *-5 2B.0)5AG ,. 2B#%%-& 2#)65#2G .( -)&2&*#() V'- Z #5^'(*A

Wendeswing fwd. w. ½ t. to sup. fw. on the end,from side support using 1 or 2 pommels.

=#*. :#8A #,A 8'( ‡ 7A #2 #%A :#8A 2#)A *'C5. .2.0)5AG ,.*,. #%'3' 2#).5#2 -*#(,' V ' Z #58'*A

€nA Stöckli inversée, tour 180° ou 270° dans un8.582.A

Reverse Stöckli, 180° or 270° turn in one circle. S)‰8N2& &(;.5)&,#G V€nd ' Z•nd ,. 7&5' .( -(

$'2&('A

81. Stöckli inversée avec 270° t. a 1 arçon. Reverse Stöckli with 270° t. to 1 pommel. Stöckli invertida con 2700° g. a un 1 arco.

€ZA €oA Stöckli inversée avec 360° t. sur 1 arçon. Reverse Stöckli with 360° t. on 1 pommel. Stöckli invertida con 360° g. sobre 1 arco.

€iA

€kA €wA S-&**. ,'-C2.A Double Swiss. S-&c# ,'C2.A

€•A €€A F8"E4-. ,'5*#2G #%%-& *-5 2B.0)56$&)6 ,.*#5^'(*A

Czechkehre outside p.!".8# ,'5*#2G #%A *'C5. .2 .0)5.$' ,. 2'*#58'*A

€}A }nA

}ZA F8"E4-. ,'5*#2 *#(* 2.* #5^'(* '- *-5 2.* #5^'(*A

Czechkehre on the leather or pommels. !".8# ,'5*#2 *&( 2'* #58'* ' *'C5. 2'* #58'*A

}oA }iA }kA }wA

(Bezugo)

(Pinheiro)


}VA !'*)#2 #22.$#(,

Schwabenank !'*)#2 #2.$#(#

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$$+5 '' C l d j b é t é i t t i é d f i t d’ l t bi Ci l d i ith d/ ith t i dl (i l d t li i

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 71

}•A Facial russe avec 180° ou 270°. Russian wendeswing with 180 ° or 270°. Rusa facial con 180° o 270°.

}€A Facial russe avec 360° ou 540°. Russian wendeswing with 360 ° or 540°. Rusa facial con 360° o 540°.

99. Facial russe avec 720° ou 900°. Russian wendeswing with 720 ° )/ 900°. Rusa facial con 720° o 900°.

VnnA Facial russe avec 1080° et plus. Russian wendeswing with 1080° or more. Rusa facial con 1080° y más.

VnVA VnZA

VnoA Sur le cheval ou, facial russe avec 180° ou270°, aussi avec transport.

On the leather, Russian wendeswing with 180°,or 270° also with travel.

Sobre el caballo, rusa facial con 180° o 270°,)#$C&6( 8'( ,.*%2#c#$&.()'A

VniA Sur le cheval, facial russe avec 360° ou 540°. On the leather , Russian wendeswing with 360°

or 540°.Sobre el caballo, rusa facial con 360° o 540°.

105. Sur le cheval, facial russe avec 720° ou 900°. On the leather, Russian wendeswing with 720°

or 900°.Sobre el caballo, rusa facial con 720° o 900°.

VnwA Sur le cheval, facial russe avec 1080° et plus. On the leather, Russian wendeswing with 1080°

or more. Sobre el caballo, rusa facial con 1080° o más.

Vn•A Vn€A

Vn}A VVnA Facial russe avec 180° ou 270° sur 1 arçon'- .()5. 2.* #5^'(*A

Russian wendeswing with 180° or 270° on 1 p.or between the pommels.

Rusa facial con 180° o 270° sobre 1 arco o entre2'* #58'*A

111. Facial russe avec 360° ou 540° sur 1 arçon ou.()5. 2.* #5^'(*A

Russian wendeswing with 360° or 540° on 1 pommel or between the pommels.

Rusa facial con 360° o 540° sobre 1 arco o.()5. 2'* #58'*A

VVZA Facial russe de 720° ou. 900° sur 1 arçon ou.()5. 2.* #5^'(*A

720° or 900° Russian wendeswing on 1 pommelor between the pommels.

Rusa facial con 720° o 900° sobre 1 arco o.()5. 2'* #58'*A

VVoA Facial russe de 1080° ou plus sur 1 arçon ou.()5. 2.* #5^'(*A

1080º Russian wendeswing or more on 1 pom5mel or between the pommels.

D-*# :#8&#2 Vn€nd ' $Q* .( V #58' ' .()5. 2'*#58'*A

VViA

VVkA VVwA VV•A VV€A VV}A VZnA


! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$$+5 '''\ Transports inclus Krolls Tong Fei Wu Guoniang Roth et transport avec pivot ] !?GU4C 6EA4 4C4F496@ 795CBO79D k?8CC@ !89D Z47 lB [B897G9 G9O ,86L - Deplazamiento incluyendo Krolls Tong Fei wu

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 72

oA !.58 2.* ,.* e#$C.* #;.8 )5#(*%'5) #;#() hl’appui latéral (3/3), mains entre les arçons.

Circles with travel fwd. in side support (3/3),hands between pommels.

Molinos con desplazamiento ad. al ap. lat. (3/3),$#('* .()5. 2'* #58'*A

iA ]. 2B#%%-& :#8&#2 2#)65#2 *-5 V .0)56$AG )5#(*%A#;A %#5M,.**-* 2.* Z #5^'(* h 2B#%%-& 2#)65#2 *-5l’autre extrém. (3/3) entre 1 cercle d. jambes.

From side sup. on 1 end., travel fwd. over both p. to sup. on other end (3/3) in 1 circle.

]. #%A :#8&#2 2#)A *'C5. V .0)5.$'G ,.*%2#c#$&.(M)' #,A %'5 .(8&$# ,. 2'* Z #58'* #2 #%'3' 2#).5#2sobre el otro extremo (3/3) en un molino.

VnA ]. 2B#%%-& :#8&#2 2#)65#2 *-5 -(. .0)56$AG )5#(*M%'5) 2#)65#2 *#-)6 %#5M,.**-* 2.* Z #5^'(* h2B#%%-& ,'5*A 2#)65#2 *-5 2B#-)5. .0)56$A

From sup. frontways on one end, travel hopover both p. to sup. frontways on other end.

]. #%A :#8&#2 2#) *'C5. -( .0)5.$'G ,.*%2#c#M$&.()' 2#)A *#2)#,' %'5 .(8&$# ,. 2'* Z #58'*#2 #%'3' :5'()#2 2#)A *'C5. .2 ')5' .0)5.$'A

VoA!.582.* ,. e#$C.* #;.8 )5#(*%'5) #55&E5. h 2B#%%-&2#)65#2ACircles with travel bwd. in side support.

9'2&('* 8'( ,.*%2#c#$&.()' #)5Q* #2 #%'3'2#).5#2A

VkA !.582.* ,. e#$C.* #;.8 )5#(*%'5) #55&656 hl’appui latéral (3/3), mains entre les arçons.

Circles with travel bwd. in side support (3/3),hands between pommels.

9'2&('* 8'( ,.*%2#c#$&.()' #)5Q* #2 #%'3'lateral (3/3), manos entre los arcos.

ZVA !.582.* ,.* e#$C.* #;.8 )5#(*%'5) #55&656 *#-)6

Z0A Circles with travel bwd. with hop 2x. 9'2&('* 8'( ,.*%2#c#$&.()' #)5Q* ,. *#2)' Z

;.8.*A

ZZA ]. 2B#%%-& 2#)65#2 *-5 -(. .0)5AG )5#(*%'5) 2#)A

*#-)6 %#5M,.**-* 2A Z #5^'(* h 2B#%%-& :#8&#22#)65#2 *-5 2B#-)5. .0)56$A aVMZ # iMkbA

From side support on one end, travel hop overboth p. to sup. frways on other end (1-2 to 4-5).

]. #%'3' :#8&#2 2#)A *'C5. -( .0)5.$'G ,.*%2#cA2#).5#2 *#2)#(,' %'5 .(8&$# ,. 2'* Z #58'* #2#%'3' :#8&#2 2#)A *'C5. .2 ')5' .0)5.$' aVMZ #iMkbA

ZoA ]. 2B#%%-& 2#)65#2 h 8{)6 ,.* #5^'(*G )5#(*%'5) 2#)A

*#-)6 %#5M,.**-* 2A Z #5^'(* h 2B#%%-& :#8A 2#)A h8{)6 ,.* #5^'(* *-5 2B#-)5. .0)56$A aVMV # kMkbA

From side sup. beside the p., travel hop o. 2 p.to sup. fwd on other end (1-1 to 5-5).

]. #%A 2#)A #2 2#,' ,.2 #58'G ,.*%2#cA 2#) *#2)#,'%'5 .(8&$# ,. 2'* Z #58'* #2 #%A :#8&#2 2#) #2 2#,',.2 #58' *'C5. .2 ')5' .0)5.$' aVMV # kMkbA

ZA !.582.* ,.* e#$C.* #;.8 )5#(*%'5) #;#() h 2B#%%-&latéral (3/3).

Circles with travel fwd. in side support (3/3). 9'2&('* 8'( ,.*%2#c#$&.()' #,.2#(). #2 #%'3'

lateral (3/3).

€A !.582.* ,A e#$C.* #;.8 )5#(*%'5) #;#() *#-)6 h 2B#%%-&2#)65#2A

Circles with hop travel fwd. in side support. 9'2&('* 8'( ,.*%2#c#$&.()' #,.2#(). ,. *#2)'

#2 #%'3' 2#).5#2A

}A !.582.* ,A e#$C.* #;.8 )5#(*%'5) #;A *#-)6 Z 0à l’appui latéral (3/3).

Circles with hop tr. fwd. 2x in side support (3/3). 9'2&('* 8'( ,.*%2#c#$&.()' #,A ,. *#2)' Z

veces al apoyo lateral (3/3).

ZnA !.582.* ,.* e#$C.* #;.8 )5#(*%'5) #55&656

*#-)6ACircles with travel bwd. with hop.

9'2&(' 8'( ,.*%2#c#$&.()' #)5Q* ,. *#2)'A

VA !.582.* ,A e#$C.* #;.8 )5#(*%'5) #;A h 2B#%%-&2#)65#2 a#-**& #;.8 Š )'-5bA

Circles with travel fwd. in side support (also with¼ t.).

9'2&(' 8'( ,.*%2#c#$&.()' #,.2#(). #2 #%'3'2#).5#2 a)#$C&6( 8'( Š 7AbA

kA wA

VVA VZA

V•A V€AVwA ]. 2B#%%-& 2#)65#2 *-5 V .0)5J$.G )5#(*%'5) #55A%#5M,.**-* 2.* Z #5^'(* h 2B#%%-& 2#)A *-5 2B#-)5.extrême (3/3) entre 2 cercles de jambes.

From side sup. on 1 end., travel bwd. over both p.

to side sup. on the other end (3/3) in 2 circles w.

].2 #%'3' 2#)A *'C5. V .0)5.$'G ,.*%2#c#$&.()'#)5Q* %'5 .(8&$# ,. 2'* Z #58'* #2 #%'3' 2#).5#2sobre el otro extremo (3/3) en 2 molinos.

•A

ZiAV}A

ViA!.582.* ,. e#$C.* #;.8 )5#(*%'5) #55&656 h 2B#%%-&latéral (3/3).

Circles with travel bwd. in side support (3/3). 9'2&('* 8'( ,.*%2#c#$&.()'* #)5Q* #2 #%'3'

lateral (3/3).

(Yamawaki)

$+5 '''\ Transports inclus Krolls, Tong Fei, Wu Guoniang, Roth et transport avec pivot. ] !?GU4C 6EA4 4C4F496@j 795CBO79D k?8CC@j !89D Z47j lB [B897G9j G9O ,86L - Deplazamiento, incluyendo Krolls, Tong Fei, wu+87>EC> A 57DXV

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$$+5 '''\ Transports inclus Krolls Tong Fei Wu Guoniang Roth et transport avec pivot ] !?GU4C 6EA4 4C4F496@ 795CBO79D k?8CC@ !89D Z47 lB [B897G9 G9O ,86L - Deplazamiento incluyendo Krolls Tong Fei wu

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 73

Z€A

oiA Fransport transversal avant 3/3 avec ½ pivot*-5 -( #5^'( %#5M,.**-* 2B#-)5. #5^'(A

Cross travel fwd. 3/3 with ½ Spindle from one pommel over the other pommel.

Desplazamiento ad. en apoyo transversal 3/38'( ½ spindle desde un arco sobre el otro arco.

ooA F'-) )5#(*%'5) #;.8 ‡ %&;')A All travels with ½ spindle in side support.F','G ,.*%2#c#$&.()' 8'( K %&;') .( #%'3'2#).5#2A

o}A inA

ioA 44. Transport avant en appui transversal (½ ou 2/3).

Travel fwd. in cross support (½ or 2/3). Desplazamiento ad. en ap. transversal (½ o 2/3).

ikA F5#(*%'5) #;A #;.8 #%%-& *-5 2. 8".;#2A *-5 8"#4-.

arc. et sur l’autre extrémité. (3/3) (1-2-4-5). Travel fwd. in cross support with support on

leather, pommel, pommel, leather(3/3) (1-2-4-5). ].*%2#c#$&.()' #,.2#(). 8'( #%'3' *'C5. .2

8#C#22' *'C5. 8#,# #58' 3 *'C5. .2 ')5' .0)5.$'(3/3) (1-2-4-5).

46. Tout autre transport av. sur l’autre extrém. (3/3).

Any other travel fwd. in cross support to otherend (3/3).

F',' ,.*%2#c#$&.() ' #,A *'C5. .2 ')5' .0)5.$'(3/3).

Z•A F'-) )5#(*%'5) #;.8 ‡ %&;') h 2B#%%-& )5#(*;.5*#2(½ ou 2/3 transport)

All travels with ½ spindle in cross support (½or 2/3 travel).

F',' ,.*%2#c#$&.()' 8'( K %&;') .( #%'3'transversal (desplazamiento ½ o 2/3 )

47. Transport av. (3/3) en appui transv. av. saut.

3/3 cross support travel fwd. with hop.Desplazamiento ad. (3/3) en apoyo transversal#,.2#(). ,. *#2)'A

ZkA ZwA F'-) )5#(*%'5) #;.8 ‡ %&;') h 2B#%%-& )5#(*;.5*#2(1/3 transport).

All travels with ½ spindle in cross support (1/3travel).

F',' ,.*%2#c#$&.()' 8'( K %&;') .( #%'3'transversal (desplazamiento 1/3 ).

oVA oZA !.582.* ,.* e#$C.* #;.8 )5#(*%'5) #;#() '-#55&E5. #;.8 Š %&;') h 2B#%%-& 2#)65#2A

Travel fwd. or bwd. with ¼ spindle to side support.

9'2&('* 8'( ,.*%2#c#$&.()' #,.2#(). ' #)5Q*8'( Š %&;') #2 #%'3' 2#).5#2A

o•A o€A

Z}A ]B-(. .0)5J$.G )5#(*%'5) 2#)65#2 #;.8 Z .) ‡%&;') *-5 2B#-)5. .0)5J$.A

From an end side travel with 2x ‡ $+.#1&' -)other end.

Desde un nal, desplazamiento lateral con dos½ pivot, al otro nal.

onA

35. Transport 3/3 avec ½ pivot par-dessus les deux#5^'(*A

Travel 3/3 over both pommels with ½ Spindle. Desplazamiento 3/3 sobre los dos arcos con

½ spindle.

owA

iVA iZA

i€A

(Magyar) (Driggs)

(Nin Reyes) (Nin Reyes 2)

$+5 '''\ Transports inclus Krolls, Tong Fei, Wu Guoniang, Roth et transport avec pivot. ] !?GU4C 6EA4 4C4F496@j 795CBO79D k?8CC@j !89D Z47j lB [B897G9j G9O ,86L - Deplazamiento, incluyendo Krolls, Tong Fei, wu+87>EC> A 57DXV

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$$+5 '''\ Transports inclus Krolls, Tong Fei, Wu Guoniang, Roth et transport avec pivot. ] !?GU4C 6EA4 4C4F496@ 795CBO79D k?8CC@ !89D Z47 lB [B897G9 G9O ,86L - Deplazamiento, incluyendo Krolls, Tong Fei, wu

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 74

kwA F5#(*%'5) #55&656 .( #%%-& )5#(*;.5*#2 a‡ '-2/3).

Travel bwd. in cross support (½ or 2/3). ].*%2#c#$&.()' #)5Q* .( #%'3' )5#(*;.5*#2 a‡

o 2/3).

kkA !.582. ,.* e#$C.* #;.8 )5#(*%'5) .( #55&656.( #%%-& )5#(*;.5*#2 ,B-(. %#5)&. ,- 8".;#2 '-arçon à l’autre (⅓).

Travel bwd. in cross sup. from one horse partor pommel to another (⅓).

9'2&(' 8'( ,.*%2#c#$&.()' #)5Q* .( #%A )5#(*M;.5*#2 ,. -(# %#5). ,.2 8#C#22' - #58' #2 ')5'a⅓bA

knA kVA ]. 2B#%%-& )5#(*;A *-5 V .0)5AG )5#(*%A #;A ,#(* Z8.582.* ,A e#$C.* *-5 2. V.5A #5^'(G *-5 2. Z.A #5^'(avec ¼ t. sur l’aut. extrém. à l’appui lat. (3/3).

Fr. cr. sup. on end, tr. fwd. in 2 circles to 1$- p., to

C #1 p., with ¼ turn to side sup. on other end (3/3bA ].2 #%'3' )5#(*;.5*#2 *'C5. V .0)5.$'G ,.*%2#M

c#5 #,A .( Z $'2&('* *'C5. .2 V.5 #58'G *'C5. .22º arco con ¼ g. sobre el otro extremo. (3/3).

58. Tout autre transport ar. sur l’autre extrém. (3/3). Any other travel bwd. in cross support to other

end (3/3). F',' ,.*%2#c#$&.()' #)5Q* "#8&# .2 ')5' .0)5.M

mo (3/3.).

k•A F5#(*%'5) #55&E5. #;.8 #%%-& *-5 2. 8".;#2A *-5chaque arc. et sur l’autre extr. (3/3) (5-4-2-1).

Travel bwd. in cross sup with support on leather,

pommel, pommel, leather(3/3) (5-4-2-1).

].*%2#c#$&.()' #)5Q* 8'( #%A *'C5. .2 8#C#22'sobre cada arco y sobre el otro extremo (3/3)akMiMZMVbA

i}A kZA koA kiA

k}A wnA

wkA wwAwoA ]. 2B#%%-& *-5 V .0)5J$.G ,'-C2. ,'5*A %#5M,.**-* 2. V.5 #5^'( S)‰8N2& #55A %#5M,.**-* 2.Z. #5^'( h 2B#%%-& 2#)65#2G #5^'( .()5. 2.* $#&(*A

From support on end, kehr fwd. around 1$- p., rev.

Stöckli around 2 #1 p. to side sup., p. betw. hands.

].2 #%'3' *'C5. V .0)5AG ,'C2. ,'5*#2 %'5 .(8&$#,.2 V.5 #58'G S)‰8N2& &(;.5)&,# *'C5. .2 Zd .(#%'3' 2#)A #58' .()5. 2#* $#('*G ,.*,. #%'3'2#)A -*#(,' V ' Z $#('*A

wVA wZA

•VA •ZAw}Aw•A w€A

(Sivado)

(Bilozerchev)

(Moguilny)

(Urzica)

wiA =#**6 ,'5*#2 #;AG S)‰8N2& 5.(;AG %#**6 ,'5*#2 #;AKehre fwd., rev. Stöckli, kehre fwd.

=#*. ,'5*#2 #,.2#().G S)‰8N2& &(;.5)&,#G %#*.,'5*#2 #,.2#().A

(Belenki)

•nA =#**6 ,'5*#2 #55&E5.G %#**6 ,'5*#2 #;AG %#**6

,'5*#2 #55&E5.A Kehre bwd., kehre fwd., kehre bwd. =#*. ,'5*#2 #)5Q*G %#*. ,'5*#2 #,.2#().G %#*.

,'5*#2 #)5Q*A

$+5 '''\ Transports inclus Krolls, Tong Fei, Wu Guoniang, Roth et transport avec pivot. !?GU4C 6EA4 4C4F496@j 795CBO79D k?8CC@j !89D Z47j lB [B897G9j G9O ,86L Deplazamiento, incluyendo Krolls, Tong Fei, wu+87>EC> A 57DXV

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$$+5 '''\ Transports inclus Krolls, Tong Fei, Wu Guoniang, Roth et transport avec pivot. ] !?GU4C 6EA4 4C4F496@ 795CBO79D k?8CC@ !89D Z47 lB [B897G9 G9O ,86L - Deplazamiento, incluyendo Krolls, Tong Fei, wu

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 75

•oA •iA •kA ]. 2B#%%-& *-5 V #5^'(G ,'-C2. :#8A 5-**. ,B-(..0)5A h 2B#-)5. *#(* #%%-& *-5 .) .()5. 2.* #5^'(*a#%A 2#)A #- 2#)AG )5#(*;A #- 2#)A '- 2#)A #- )5#(*;AbA

From sup. on 1 p., Russian wendeswing fwd.to other end without sup. on or btw. the p. (side-) $.1' $3++)/-7 $.1' -) (/)$$ $3++)/-7 (/)$$ -)

side support). ].2 #%A .( V #58'AG ,'C2. :#8&#2 5-*# ,. -( .0)5A

#2 ')5' *&( #%'3' *'C5. ' .()5. 2'* #58'* a#%A2#) # 2#)AG )5#(*;.5*#2 # 2#)A ' 2#)A # )5#(*;.5*#2bA

•wA ]. 2B#%%-& h 2B.0)5AG ,'-C2. :#8&#2 5-**. ,B-(. .0)5Ah 2B#-)5. *#(* #%%-& *-5 .) .()5. 2.* #5^'(* a#%A 2#)A#- 2#)AG )5#(*;A #- 2#)A '- 2#)A #- )5#(*;AbA

From sup. on end, Russian wendeswing fwd. to

other end without sup. on or btw. the p. (side to

$.1' $3++)/-7 $.1' -) (/)$$ $3++)/-7 (/)$$ -) $.1'

support).

].2 #%'3' .( .2 .0)5AG ,'C2. :#8&#2 5-*# ,. -( .0)5A#2 ')5' *&( #%'3' *'C5. ' .()5. 2'* #58'* a2#).5#2 #2#).5#2G 2#).5#2 # )5#(*;.5*#2G )5#(*;A # 2#).5#2bA

••A •€A

•}A €nA €VA ]. 2B#%%-& 2#)A #;.8 2B#5^'( .()5. 2.* $#&(*G:#8&#2 5-**. ownd #;.8 )5#(*%A h 2B#-)5. .0)56$AFrom side support pommel between hand, rus5

sian wendeswing 360º with travel to the otherend in side support.

].*,. #%'3' 2#)A #58' .()5. $#('*G 5-*# ownd8'( ,.*%2A #2 ')5' .0)5.$' .( #%'3' 2#).5#2A

€ZA Tout facial russe avec 360° t. et transport 3/3 Any Russian wend. with 360 ° t. and 3/3 travel. Toda rusa facial con 360° g. y desplaz. 3/3.

€oA Tout transport 3/3 dans Facial russe avec 720°'- %2-* )'-5*A

Any 3/3 travel in Russian type wendeswing with720 ° )/ *)/' )-5(&(7A

Todo desplazamiento 3/3 en rusa facial con720° o más giros.

€iA

€kA €wA €•A S-5 2. 8".;#2G :#8&#2 5-**. #;.8 V€nd #- M ,.**-*2.* #5^'(*A

On the leather, Russian wendeswing with 180°over both pommels.

H( .2 8-.5%'G 5-*# :#8&#2 8'( V€nd *'C5. 2'* ,'*#58'*A

€}A S-5 2. 8".;#2G .( #%%-& )5#(*;.5*#2G :#8&#2 5-**.#;.8 ownd '5 kind #- M ,.**-* 2.* #5^'(*A

On the leather, from cross support, Russianwendeswing with 360° or 540º over both pom 5

mels. H( .2 8-.5%'G ,.*,. #%'3' )5#(*;.5*#2G 5-*#

:#8&#2 8'( ownd ' kind *'C5. 2'* ,'* #58'*A

}nA

(Tong Fei)

(Kroll)

(Roth)(Wu Guonian)

(Vammen)

$+5 '''\ Transports inclus Krolls, Tong Fei, Wu Guoniang, Roth et transport avec pivot. !?GU4C 6EA4 4C4F496@j 795CBO79D k?8CC@j !89D Z47j lB [B897G9j G9O ,86L Deplazamiento, incluyendo Krolls, Tong Fei, wu+87>EC> A 57DXV

€€A S)‰8N2& &(;.5*6. ,. 2B#%%-& )5#(*;.5*#2 ,#(* -(.#5^'( # 2B#-)5.A

Reverse Stöckli from cross support on one endto the other.

S)‰8N2& &(;.5)&,# ,.*,. #%'3' 2'(7&)-,&(#2 .(-( .0)5.$' #2 ')5'A

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

$+5 'R\ 279DE;< '7@F8B96@ 2C:E?C<

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 76

$+5 'R\ 279DE;< ] '7@F8B96@ ] 2C:E?C<

VA >#8&#2 #22.$#(, a,- 8.582. '- 8.582. e#$C.*68#5)6.*bA

Wende (from circle or air). I2.$#(# :#8&#2 a,.*,. 9'2&(' ' 9'2&(' %&.5(#*

#C&.5)#*bA

ZA !"#7-&(&#( *-&;& ,. :#8&#2 #22.$#(,A Chaguinian to wende. !"#7-&(&#( *.7-&,# ,. #2.$#(# :#8&#2A

€A Sur l’extr., double facial russe avec 360° ou 540°. On the end, Russian wendeswing with 360° or 540°. Sobre el extremo, rusa facial 360° o 540°.

}A Sur l’extr., double fac. russe avec 720°ou 900°. On the end, Russian wend. with 720° or 900°. Sobre el extremo, rusa facial 720° o 900º.

ViA ]. 2B#%%-& :#8&#2 2#)65#2G %#**6 :#8&#2 #;A #;.8 ‡)A h 2B#%%-& :#8&#2 2#)65#2 .) :#8&#2 #22.$#(,A

Fr. s. sup. fw., wendeswing fwd. w. ½ t. to sup.fw. followed by Schwabenank a. wende off.

].2 #%A :#8&#2 2#)AG %#*. :#8&#2 #,.2#(). 8'( ‡ 7A#2 #%'3' :#8&#2 2#).5#2 3 #2.$#(# :#8&#2A

VoA

ZnA !.582. ,A e#$C.* '- 8.582. 68A %#5 2B#%%-& 5.(;*A

a#-**& #;.8 ‹ )A #;.8 '- *#(* )5#(*%'5)bA Circle or air through hdst. (also with ¾ t. with

or without travel). 9'2&(' ' $'2&(' %A #C&.5)' %'5 .2 #%'3' &(;.5)&,'

a)#$C&6( 8'( ‹ 7A 8'( ' *&( ,.*%2#c#$&.()'bA

ZVA !.582. ,.* e#$C.* '- 8.582. 68#5)6 .) )5#(*%'5)

*#-)6 #55&E5. %#5 2B#%%-& 5.(;.5*.A Circle or air with hop travel bwd. thr. hdst. 9'2&(' ' $'2&(' %&.5(#* #C&.5)#* 3 ,.*%2#c#M

$&.()' ,. *#2)' #)5Q* %'5 .2 #%'3' &(;.5)&,'A

ZZA

•A VnASur l’extr., double facial russe avec 1080° ou plus. On the end, Russian wendeswing with 1080º or

more. Sobre el extremo, rusa facial 1080° o más.

iA S-5 2B.0)56$&)6G ('/(&'$ )3 ('/(&'$ 68#5)6 %#5l’appui renverse avec 3/3 transport et 450°ou plus t.

From side sup. on end, circle or air to hdst. andtravel 3/3 with 450° or more turn.

S'C5. .2 .0)5.$'G $'2&(' ' $'2&(' %A #CA %'5 .2ap. inv. con desplaz. 3/3 y 450° o más giros.

VwA S]I #;.8 *#-) #55A %#5 2B#%%A 5.(;*A *-5 2B#-)5. .0)5A DSA with hop bwd. through hdst. '( ')".5 .(,A S]I 8'( *#2)' #)5Q* %'5 .2 #%'3' &(;.5)&,' *'C5.

.2 ')5' .0)5.$'A

ZoA

oA 5. SDA a l’appui renversé 3/3 avec 450º ou plus. DSA to hdst. 3/3 with 450º or more turn. SDA al apoyo invertido 3/3 con 450º o más.

wA

VVA VZA

V•A V€A

ZiAV}A

VkA S)‰8N2& &(;A '- S]I ' 8.582. ,#(* -(. #5^'( %#52B#%%A 5.(;.5*.A

DSA, rev. Stöckli or circle on one pommelthrough hdst.

S)‰8N2& &(;A ' S]I ' $'2&(' .( -( #58' %'5 .2 #%&(;A

(Kolyvanov)

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 77

2;=DE7> .,\ *>>;C8G

X#-).-5g Z€n 8$ ,- *'2

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*9DE=:; .,V, Contenu et règles spéciques

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pension xe aux anneaux avec les jambes serrées et une bonne).(-.A <B6;#2-#)&'( 8'$$.(8. #- $'$.() 'u 2. 73$(#*). 4-&)).2. *'2A <B.()5#j(.-5 (B.*) %#* #-)'5&*6 h ,'((.5 -( 62#( %562&$&(#&5.#- 73$(#*).A

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kA <.* .0&7.(8.* ,B.068-)&'( .*)"6)&4-.G ).8"(&4-.* .) ,. 8'$%'M

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2;=DE7> .,\ 5E>@<

Height: 280 cm from the oor

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*9DE=:; .,V, !7>D;>D C>? !7><D98=DE7>

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ZA F". 73$(#*) $-*) &(82-,. '(23 .2.$.()* )"#) ". 8#( %.5:'5$L&)" 8'$%2.). *#:.)3 #(, # "&7" ,.75.. ': #.*)".)&8 #(, ).8"(&8#2$#*).53A

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kA I,,&)&'(#2 F.8"(&8#2G #.*)".)&8 #(, .0.8-)&'( #*%.8)* &( )". .0.5M

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,b ]-5&(7 #22 *L&(7 )' *)5.(7)" "'2, .2.$.()*G )". *"'-2,.5*may not rise above the level of the nal hold position. Any,.;&#)&'( L&22 5.*-2) &( )". #%%5'%5&#). ,.,-8)&'(* C3 )". HM

2;==EZ> .,\ *>E::C<

I2)-5#g Z€n 8$ ,.*,. .2 *-.2'

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*9DP=8:7 .,V, !7>D;>E?7 A =7><D98==EZ>

*9DP=8:7 .,V,V. '>Y79BC=EZ> <7^9; :C M9;<;>DC=EZ> ?;: ;e;9=E=E71. Desde la posición de rmes, el gimnasta debe saltar o ser ayudado

%#5# 22.7#5 # 2# *-*%.(*&P( 8'( 2#* %&.5(#* e-()#* 3 8'( C-.(#8'$%'*)-5#A <# .;#2-#8&P( 8'$&.(c# 8'( .2 %5&$.5 $';&$&.()' ,.27&$(#*)# .( .2 $'$.()' 4-. ,.e# #2 *-.2'A Y' 2. .*)Q %.5$&)&,'#2 .()5.(#,'5G ,#5 -( &$%-2*' &(&8&#2A

ZA <'* 7&$(#*)#* ,.C.( &(82-&5 *P2' .2.$.()'* 4-. %-.,#( 5.#2&c#58'( 8'$%2.)# *.7-5&,#, 3 -( #2)' 75#,' ,. ,'$&(&' .*)6)&8' 3)68(&8'A

oA H2 .e.58&8&' ,.C. ,&*)5&C-&5 #%5'0&$#,#$.(). &7-#2 2'* .2.$.()'*,. &$%-2*'G $#().(&$&.()' 3 :-.5c#G .e.8-)#,'* .( )',' .2 .e.5M8&8&'A !'$' 8'(*.8-.(8&#G -( .e.58&8&' (' %-.,. &(82-&5 $Q* ,.tres elementos del grupo II y/o III en sucesión directa.

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kA <#* .0%.8)#)&;#* ,. .e.8-8&P( )68(&8# 3 .*)6)&8# 3 2'* #*%.8)'*

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$.().G C5#c'* 5.8)'* 3 *&( 8'55.7&5 2# %'*&8&P( ' 2# %'*)-5#ACb F',#* 2'* $#().(&$&.()'* ,.C.( %#5#5*. $O(&$' Z *.7A8b <'* &$%-2*'* ,.C.( 22.;#5 # ' %#*#5 # )5#;6* ,.2 #%'3'

&(;.5)&,'G ' ,&5.8)#$.(). # -(# %'*&8&P( ,. :-.5c#G *&.$%5.4-. 2# (#)-5#2.c# ,. 2'* &$%-2*'* 2' %.5$&)#A

,b H( 2'* .2.$.()'* ,. &$%-2*' # .2.$.()'* ,. :-.5c# ,. $#(M).(&$&.()'G 2'* "'$C5'* (' ,.C.( *-C&5 %'5 .(8&$# ,.2 (&;.2de la posición nal de mantenimiento. La desviación tendrá

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 78

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:b U(. %5&*. &(8'55.8). ,.* #((.#-0 2'5* ,.* 626$.()* ,.$#&()&.( .( :'58. (B.*) %#* %.5$&*.A

7b <.* C5#* ,'&;.() J)5. ).(,-* %#5)'-) 'u 2# (#)-5. ,. 2B626$.()2. %.5$.)A

"b >#-).* ,. 8'$%'*&)&'( #;.8 ,6,-8)&'( nGon %'&()*A H0Ag X'($# h 2B#%%-& %-&* ;.(&5 h 2B64-.55. 1U 64-.55. 68#5)6.

;.(&5 h 2B64-.55. 1U C#*8-2. h 2B#%%-&G ;.(&5 h 2B64-.55.G .)86. Les éléments Yamawaki / Jonasson montrant un support franc ou

-( #55J) 5.8.;5'() -(. ,6,-8)&'( ,. nGk %'-5 62#( #;.8 :'58. a&2*(. *.5'() %#* 5.8'((-*bA !.* 626$.()* 56#2&*6* #;.8 -( 267.5*'-)&.( *.5'() 5.8'((-* #;.8 ,.* ,6,-8)&'(* %'-5 2.* %.)&).* .)$'3.((.* :#-).*G 62#( #;.8 :'58.A

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?A T#*8-2.* .) 626$.()* ,B62#(G 62#(* %'-5 '- h 2B#%%-& 5.(;.5*6aZ *AbA

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ZA D6%6)&)&'(* *%68&#2.*ga) Les éléments (mêmes numéros d’identication) répétés ne

*'() %#* %5&* .( 8'(*&,65#)&'( ,#(* 2. 8#28-2 ,. 2# ('). ]A I-0#((.#-0G 2. 73$(#*). (. %.-) .068-).5 -(. $J$. %'*&)&'(nale de maintien en force que 1 fois au maximum dans chaquegroupe d’éléments pour la reconnaissance de la difculté. Ainsi,%#5 .0AG (. %.-;.() J)5. %5&*.* .( 8'$%). 4-. Z :'&* .2.$.()*

,- )3%. 85'&0 a('5$#2G h 2B64-.55. '- 64-.55.G e#$C.* 2.;6.*;.5)Ab '- #%%-& :#8&#2 "'5&c'()#2 a('5$#2 '- 68#5).b %'-5 2#reconnaissance de la difculté (un dans le groupe II et une#-)5. ,#(* 2. 75'-%. ???bA <. )5'&0&.$. (. *.5#&* %#* 5.8'((-.G2. %2-* "#-) ;#2.-5 %56;#2-. %#5 2. /-53 ]A

Cb A9#0&$-$ Z 626$.()* ,. )3%. @-8c'7"3 .) $#0&$-$ Z 626$.()*,. )3%. <& Y&(7 %.-;.() J)5. %56*.()6* ,#(* -( .0.58&8.A <. oE$..) *-C*64-.().* *.5'() 8'(*&,656* 8'$$. 56%6)&)&'(A

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Le jury D n’en reconnaît ni la difculté ni le groupe d’éléments*B&2* (. *'() %#* ).(-*A

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:b I :#2*. 75&% a';.5 75&%b :'5 *)5.(7)" "'2,* &* (') %.5$&)).,A

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1D \&% )' *-%%'5) )".( < *&)G .)8A6. Yamawaki/Jonasson elements showing a full support or pause

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?A \&% #(, *L&(7 .2.$.()* … *L&(7* )"5'-7" '5 )' "#(,*)#(,aZ *.8Ab

??A S)5.(7)" .2.$.()* #(, "'2, .2.$.()* aZ *.8Ab???A SL&(7 )' S)5.(7)" "'2, .2.$.()* aZ *.8AbA?WA ]&*$'-()*

ZA S%.8&#2 5.%.)&)&'(*a) Repeated elements (same Code Identication Number) cannot

8'()5&C-). )' )". r]s *8'5.A 1( D&(7*G )"&* 5-2. &* .0).(,., *'that a maximum of 1 nal strength position in each EG for recogMnized difculty. Thus, for example only two cross type elementsa5.7-2#5G < 85'**G '5 W 85'**b '5 *-%%'5) *8#2. )3%. .2.$.()*(regular or straddled) are permitted in an exercise for difculty

;#2-. a'(. &( @5'-% ?? #(, '(. &( @5'-% ???bA I )"&5, &( '5,.5 L&22not be recognized, the highest difculty values prevail.

Cb I $#0&$-$ ': Z @-8c'7"3 #(, # $#0&$-$ ': Z <& Y&(7 )3%..2.$.()* 8#( C. %5.*.() &( )". .0.58&*.G )". o5, #(, *-C*.4-.()L&)"&( .&)".5 )3%. ': .2.$.() L&22 C. 8'(*&,.5., #* 5.%.)&)&'(A

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be not recognized by the “D” Jury for Difculty and/or Elements@5'-% 5.4-&5.$.()* &: (' *)'% %'*&)&'( &* *"'L(A

2#* %.(#2&c#8&'(.* ('5$#2.* ,.2 e-5#,' H 3G ,.%.(,&.(,' ,.2.2.$.()'G )5#.5Q( 8'(*&7' 4-. .2 /-5#,' ] (' 2' 5.8'('c8#A

.b <'* .2.$.()'* ,. &$%-2*' 4-. 22.;#( # -(# %'*&8&P( ,. $#(M).(&$&.()' 8'( 8#$C&' ,. ,&5.88&P( a.eA ,'$&(#8&P( #,.2#().# %2#(8"#l ,'$&(#8&P( #,.2#(). # 85&*)' &(;.5)&,'G .)8ABAb *.5Q(8'(*&,.5#,'* 8'$' ,'* .2.$.()'*A

:b Y' *. %.5$&). 2# %5.*# &(8'55.8)# a%'5 .(8&$# ,.2 #7#55.b .(2#* %'*&8&'(.* ,. :-.5c#A

7b <'* C5#c'* ,.C.( %.5$#(.8.5 5.8)'* *&.$%5. 4-. 2# (#)-5#M2.c# ,.2 .2.$.()' 2' %.5$&)#A

"b H55'5.* ,. 8'$%'*&8&P( 8'( ,.,-88&P( ,. nGon %-()'*A HeAg X'($# #2 #%'3' 3 *-C&5 # Q(7-2' ' Q(7-2' %A #CA # Q(7-2' '

C#*8-2# #2 #%'3' 3 Q(7-2'G .)8A6. Los elementos Yamawaki/Jonasson que muestren un apoyo total

' %#5#,# ).(,5Q( -(# ,.,-88&P( ,. nGkn %'5 &$%-2*' 8'( :-.5c#a*&( 5.8'('8&$&.()'bA H*)'* .2.$.()'* 8'( -( #%'3' 2.;. *.5Q(5.8'('8&,'* 8'( -(# ,.,-88&P( %.4-.f# ' $.,&# %'5 &$%-2*'8'( :-.5c#A

•A <'* 7&$(#*)#* 4-. $-.*)5.( -(# %.4-.f# ,.*;&#8&P( ,. 2#%'*&8&P( ,.2 8-.5%' ,.*%-6* ,. $';.5*. ,. -(# %'*&8&P( ,.$#().(&$&.()' # ')5# *.5Q( %.(#2&c#,#* %'5 .e.8-8&P( 3 %-.,.((' 5.8'('8.5*. a.eA X&5'(,.22. # %2#(8"# ' ,.*,. %2#(8"# ,'5*#2# X&5'(,.22.bA

€A =#5# -(# 2&*)# ,. :#2)#* 3 ,.,-88&'(.* 5.2#)&;#* # 2# %5.*.()#8&P(,.2 .e.58&8&'G ;.5 S.88&P( } 3 .2 5.*-$.( ,. ,.,-88&'(.* .( #5)A}Ai 3 VZAoA

*9DP=8:7 .,V,V, '>Y79BC=EZ> <7^9; :C >7DC #VA <'* @5-%'* ,. H2.$.()'* *'(g

?A \&%.* 3 .2.$.()'* ,. &$%-2*' . &$%-2*'* # ' # )5#;6* ,.2#%'3' &(;.5)&,' aZ *.7Ab

??A H2.$.()'* ,. :-.5c# 3 $#().(&$&.()' aZ *.7AbA???A ?$%-2*'* # $#().(&$&.()'* ,. :-.5c# aZ *.7AbA?WA S#2&,#*A

ZA D.%.)&8&'(.* .*%.8&#2.*a) Los elementos repetidos (mismo número de identicación) no

8'()5&C-3.( .( .2 8Q28-2' ,. 2# (')# ]A H( #(&22#*G .*)# 5.72#*. .0)&.(,. ,. )#2 :'5$# 4-. (' *. %-.,. .e.8-)#5 3 5.8'('8.5más que una vez la misma posición nal de mantenimiento# :-.5c# .( 8#,# 75-%' ,. .2.$.()'A I*OG %'5 .e.$%2'G *'2'%-.,.( 8'()#5*. ,'* .2.$.()'* .( .2 .e.58&8&' ,.2 75-%' 85&*)'

a('5$#2G Q(7-2'G ' Q(7-2' ;.5)&8#2b ' ,.2 )&%' %2#(8"# a('5$#2y piernas abiertas) como dicultad (una del grupo II y otra delIII) Una tercera no se reconocerá, prevalecen las dicultades$#3'5.*A

Cb S. %-.,.( .e.8-)#5 -( $Q0&$' ,. Z .2.$.()'* ,.2 )&%' @-8Mc'7"3 3 -( $Q0&$' ,. Z <& Y&(7 .( .2 .e.58&8&'G .2 od 3 *&7-&.().**.5Q( 8'(*&,.5#,'* 5.%.)&8&P(A

oA ?(:'5$#8&P( #,&8&'(#2 3 5.72#*g#b F','* 2'* $#().(&$&.()'* ,.C.( %#5#5*. $O(&$' Z *.7-(,'*A

El jurado D no reconocerá la dicultad ni el grupo de elemento*& (' *. $#()&.(. .2 .2.$.()'A

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 79

Cb F'-* 2.* 626$.()* ,. $'()6. .) ,B626;#)&'( .( :'58. ,'&;.()*-&;5. -( 626$.() ,. $#&()&.( .) *. ).5$&(.5 %#5 -( $#&()&.(,. Z *.8'(,.*A ?2* (. *'() 5.8'((-* 4-. *& 2# %#5)&. ,. $#&()&.(précédente a été reconnue et si la position nale est tenue.

8b <.* 626$.()* #;.8 85'&*.$.() ,.* 8|C2.* *'() &().5,&)* .)*.5'() %6(#2&*6* 8'$$. :#-).* ,. 8'$%'*&)&'(A

,b ='-5 2.* e-(&'5*G 2.* 626$.()* #;.8 *#2)'* .( #55&E5. h 2# *-*M%.(*&'( .) 2.* 626$.()* ,- )3%. <& Y&(7 (. *'() %#* %.5$&*A

.b ='-5 6;&).5 ,.* ,6,-8)&'(* '- ,BJ)5. 6;#2-6* 8'$$. -( 62#($.(#() h -( 626$.() ,. $#&()&.( ,. :'58.G 2.* 626$.()* ,-)3%. =&(.,# ,'&;.() J)5. .068-)6* 2.().$.()G #;.8 8'5%* .)C5#* ).(,-* .) #;.8 -(. %#-*. $'$.()#(6 # 2# *-*%.(*&'(:#8&#2. "'5&c'()#2A

f) Les éléments Yamawaki / Jonasson montrant un supportfranc ou un arrêt ne seront pas reconnu pour la difculté. UnX'($# h 2B#%%-& .) 62#( .( #;#() h 2# *-*%.(*&'( (. *.5#%#* 5.8'((- .) (. %'-55# %#* J)5. ,68'$%'*6 .( 5#&*'( ,.2B&().()&'( ,- 73$(#*).A !.* 626$.()* #;.8 -( 267.5 *'-)&.(*.5'() 5.8'((-* #;.8 ,.* ,6,-8)&'(* %'-5 2.* %.)&).* .)$'3.((.* :#-).*G 62#( #;.8 :'58.

7b F'-).* 2.* %'*&)&'(* ,. $#&()&.( #;.8 e#$C.* 2.;6.* .( WaZ *.8Ab ,'&;.() J)5. .::.8)-6.* #;.8 2.* e#$C.* .( %'*&)&'(;.5)&8#2.A <B.0&7.(8. .*) *&$&2#&5. #- *'2A

"b U( .0.58&8. ,'&) ,6C-).5 ,. 2# *-*%.(*&'(G C5#* ).(,-* .) .(position verticale. Le gymnaste NE PEUT PAS échir les bras2'5*4-B&2 #$'58. 2# %5.$&E5. %'*&)&'( h $'&(* 4-. 8. (. *'&) *%6M

ciquement requis pour compléter l’élément. Exemple: la prised’élan et élan arrière peut être amorcée avec les bras échis.

i) Pendant l’exercice, un gymnaste peut seulement échir lesC5#* ,#(* 2.* )5#(*&)&'(* .()5. 2.* 626$.()* 2'5*4-. 8.2# .*)(68.**#&5. %'-5 .068-).5 8'55.8).$.() 2B626$.() *-&;#()A

j) Si un élément de maintien non codié est tenu pendantZ *.8'(,.* '- %2-*G ,6,-&5. MnAV 8"#4-. :'&*A H0.$%2.*g$#&()&.( aZ *.8Ab .( *-*%.(*&'( &(;.5*6.G *-*%.(*&'( 8#5%6'- *-*%.(*&'( ,'5*#2.A

Nb <.* 626$.()* ,. )3%. Y#N#3#$# ,'&;.() %#**.5 %#5 -(.*-*%.(*&'( ,'5*#2. "'5&c'()#2. 8'$%2E). %'-5 6;&).5 2.* :#-).*,B.068-)&'( .) 2# %'**&C&2&)6 ,. ('(M 5.8'((#&**#(8.A

2b U(. 85'&0 '- -(. 85'&0 e#$C.* 2.;6.* .( W (. %.-) J)5.#$'586. h %#5)&5 ,. 2# *-*%.(*&'( ,'5*#2. %'-5 #-7$.().5 2#;#2.-5 ,. 2B-(. '- 2B#-)5. ,.* 85'&0 a'- ,. )'-) #-)5. 626$.()

.( :'58.bA S& 2B-(. ,.* 85'&0 .*) .068-)6. ,&5.8).$.() ,. 2#*-*%.(*&'( ,'5*#2.G 8"#4-. 626$.() 8'(*.5;.5# *# ;#2.-5'5&7&(#2.G ).22. 4-B&(,&4-6. ,#(* 2. ,- !',. ,. %'&()#7.a626$.()* ,. ;#2.-5 T '- ! 5.*%.8)&;.$.()bA

$b I 62#( # 2B#%%-& 5.(;.5*. .*) 5.4-&* a,#(* 2. Vn .2.$.()*4-& 8'().()b

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Cb <#* %'*&8&'(.* ,. :-.5c# 3 2#* .2.;#8&'(.* 4-. *&7-.( # -(#%'*&8&P( ,. $#().(&$&.()' ,. Z *.7-(,'*G *P2' *. 5.8'('8.(*& 2# %#5). ,. $#().(&$&.()' 4-. 2#* %5.8.,. *. 5.8'('8. 3si la posición nal se mantiene.

8b Y' *. %.5$&).( 2'* .2.$.()'* 8'( 85-8.* ,. 8#C2.*G *&.(,'%.(#2&c#,'* 8'$' .55'5.* ,. 8'$%'*&8&P(A

,b =#5# eR(&'5G (' .*)Q( %.5$&)&,'* 2'* .2.$.()'* 4-. &(82-3.($'5)#2.* #)5Q* .( *-*%.(*&P( (& .2.$.()'* )&%' <& Y&(7A

.b <'* .2.$.()'* )&%' =&(.,# ,.C.( .e.8-)#5*. 2.()#$.().G 8'(.2 8-.5%' 3 C5#c'* .0).(,&,'* 3 -(# %#5#,# $'$.()Q(.#en la plancha frontal para evitar deducciones o clasicación8'$' &$%-2*' # .2.$.()' ,. :-.5c#A

:b Elementos como Yamawaki/Jonasson que muestren un apoyototal o una parada, no serán reconocidos como dicultad. UnaX'($# #2 #%'3' . &$%-2*' #,.2#(). # 2# *-*%.(*&P( (' *. 5.M8'('8. 8'$' ;#2'5 *.%#5#,' %'54-. (' .* 2' 4-. .2 7&$(#*)#&().()#A H*)'* .2.$.()'* 8'( -( #%'3' 2.;. *.5Q( 5.8'('8&,'*8'( -(# ,.,-88&P( %.4-.f# ' $.,&# %'5 &$%-2*' 8'( :-.5c#A

7b F',#* 2#* %'*&8&'(.* ,. $#().(&$&.()' .( W aZ *.7Ab ,.C.(.e.8-)#5*. 8'( %&.5(#* ;.5)&8#2.*A ?7-#2 4-. .( *-.2'A

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5.#2&c#8&P( ,.2 $';&$&.()'A He.$%2'g ].*,. *-*%.(*&P( &$%-2*'#)5Q* %-.,. .$%.c#5 8'( 2'* C5#c'* ,'C2#,'*A

&b ]-5#(). .2 .e.58&8&'G .2 7&$(#*)# *P2' %-.,. ,'C2#5 *-* C5#c'*.( -(# )5#(*&8&P( .()5. .2.$.()'* 8-#(,' *.# (.8.*#5&' %#5#.e.8-)#5 8'55.8)#$.(). .2 *&7-&.(). .2.$.()'A

eb =#5#5 -( .2.$.()' *&( ;#2'5 $#().(&,' Z *.7-(,'* ' $Q*G *.,.,-8. 8#,# ;.c MnAVA I27-('* .2.$.()'* 4-. )&.(.( .*).%5'C2.$# a%#5#,#* ,. Z *.7A $Q*bg .( *-*%.(*&P( &(;.5)&,#G8#5%# &(;.5)&,# 3 *-*%.(*&P( ,'5*#2A

Nb <'* .2.$.()'* ,.2 )&%' Y#N#3#$# ,.C.( %#*#5 # )5#;6* ,. -(#%2#(8"# ,'5*#2 82#5# %#5# .;&)#5 2#* %.(#2&c#8&'(.* ,. .e.8-8&P(3 .2 %').(8&#2 (' 5.8'('8&$&.()'A

2b S-*%.(*&P( ,'5*#2 # 85&*)' ' 85&*)' .( W (' .* -(# %'*&8&P( ,..()5#,# #8.%)#C2. %#5# #-$.()#5 .2 ;#2'5 ,. -( 85&*)' a- ')5'.2.$.()' ,. :-.5c#bA S& .2 85&*)' *. .e.8-)# ,&5.8)#$.(). ,.*,.

2#* *-*%.(*&P( ,'5*#2G 8#,# -(' ).(,5Q *- ;#2'5 &(,.%.(,&.().,.2 !P,&7' ,. =-()-#8&P( aT 3 ! 5.*%.8)&;#$.().bA

$b S. 5.4-&.5. &$%-2*' #2 #%'3' &(;.5)&,' a,.C. .*)#5 ,.()5',. 2'* Vn .2.$.()'* 4-. 8-.()#(b

iA =#5# $#3'5 &(:'5$#8&P( ,. 2#* 5.72#* 5.2#)&;#* #2 (' 5.8'('8&M$&.()' ,. .2.$.()'* 3 #*%.8)'* ,. 2# (')# ]G ;.5 *.88&P( • ' .25.*-$.( ,. ,.,-88&'(.* .( #5)O8-2' •AwA

Cb S)5.(7)" %5.**.* #(, 2&:)* L"&8" :'22'L # %5.;&'-* "'2, .2.$.()#(, .(, &( # Z *.8'(, "'2, %'*&)&'( #5. 5.8'7(&c., '(23 &: )".%5.8.,&(7 "'2, %#5) "#* C..( 5.8'7(&c., #(, &: # *)'% %'*&)&'(&* *"'L(A

8b H2.$.()* L&)" 85'**&(7 ': )". 8#C2.* #5. (') %.5$&)).,G C.&(7,.,-8)., #* 8'$%'*&)&'( .55'5*A

,b >'5 e-(&'5*G .2.$.()* L"&8" &(82-,. *#2)'* C#8NL#5, &( "#(7#(, <& Y&(7 )3%. .2.$.()* #5. (') %.5$&)).,A

.b =&(.,# )3%. .2.$.()* $-*) C. .0.8-)., L&)" *)5#&7") C',3G*)5#&7") #5$*G # $'$.()#53 "'2, &( )". :5'() 2.;.5 #(, *2'L23 )'avoid deduction or classication as a swing to strength element.

f) Yamawaki/Jonasson elements showing a full support or pausewill not be recognized for difculty. A Honma to support and:L,A *L&(7 '-) )' "#(7 L&22 (') C. 5.8'7(&c., #* *.%#5#).;#2-.* C.8#-*. ': )". 73$(#*)B* &().()A F".*. .2.$.()* L&)"2.** *-%%'5) *"'L( L&22 C. 5.8'7(&c., L&)" *$#22 #(, $.,&-$,.,-8)&'(* :'5 *L&(7 L&)" *)5.(7)"A

7b I22 W "'2, %'*&)&'(* aZ *.8Ab $-*) C. %.5:'5$., L&)" 2.7* ;.5)&M8#2A F"&* &* )". *#$. #* )". 5.4-&5.$.() :'5 >2''5 H0.58&*.A

"b I( .0.58&*. $-*) *)#5) &( # "#(7 %'*&)&'( L&)" #5$* ;.5)&8#2#(, *)5#&7")A F". 73$(#*) $#3 Y1F C.(, )".&5 #5$* &( $';Ming to the rst position unless specically needed for element

8'$%2.)&'(A H0#$%2.g !#*) -% #(, -(,.5*L&(7 C#8NL#5, $#3C. *)#5)., L&)" C.() #5$*A

&b ]-5&(7 #( .0.58&*.G # 73$(#*) $#3 '(23 C.(, )".&5 #5$* ,-5M&(7 # )5#(*&)&'( C.)L..( .2.$.()* L".( (.8.**#53 )' %5'%.523%.5:'5$ )". (.0) .2.$.()A

eb >'5 )". "'2, ': # ('(M2&*)., %#5) :'5 Z *.8'(,* '5 $'5.G ,.,-8)MnAV .#8" )&$.A S'$. .2.$.()* )3%&8#223 :.#)-5&(7 )"&* %5'C2.$a"'2, ': Z *.8A '5 $'5.b &(82-,.g &(;.5)., "#(7G &(;.5)., %&N.G#(, ,'5*#2 "#(7A

Nb Y#N#3#$# .2.$.()* $-*) %#** )"5'-7" # 8'$%2.). "#(7&(7*8#2. 5.#5L#3* )' %5.;.() .0.8-)&'( ,.,-8)&'(* #(, %').()&#2('(M5.8'7(&)&'(A

2b I ,'5*#2 "#(7 )' !5'** '5 W !5'** &* (') #( #88.%)#C2. .()53%'*&)&'( )' .2.;#). )". ;#2-. :'5 .&)".5 85'** a'5 #(3 ')".5*)5.(7)" .2.$.()bA ?: .&)".5 85'** &* %.5:'5$., ,&5.8)23 :5'$ #

,'5*#2 "#(7G .#8" L&22 5.)#&( &)* &(,.%.(,.() !',. ': ='&()*;#2-. aT #(, ! 5.*%.8)&;.23bA

$b SL&(7 )' "#(,*)#(, 5.4-&5., a$-*) C. &(*&,. Vn 8'-()&(7.2.$.()*b

iA >'5 # :-5)".5 2&*) ': 5.7-2#)&'(* 7';.5(&(7 ('(M5.8'7(&)&'( ': .2.M$.()* #(, ')".5 #*%.8)* ': )". r] *8'5.sG *.. S.8)&'( • #(, )".*-$$#53 ': ,.,-8)&'(* &( I5)&82. •AwA

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 80

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F'8#5 8#C2.* ' 8'55.#* 8'(C5#c'*G %&.* - ')5#* %#5).* ,.28-.5%'

‚

I%'3#5*. ' C#2#(8.#5*. 8'(%&.* ' %&.5(#* .( 2'* 8#C2.* ‚

*&( 5.8'(A

!#O,# ,.*,. .2 #%'3' &(;.5)&,'‚

*&( 5.8'(A

T#2#(8.' .08.*&;' ,. 8#C2.* %'5 .2.$.()'

].*%-6* ,. -( .2.$.()' ,.:-.5c# 8'( ,.*;&#8&P( #(7-2#5*-C&5 # :-.5c# a)#$C&6( %#5# .2Zd .2.$.()'b

‚ ‚

9#* ,. Z .2.$.()'* @-8c'7"3' Z .2.$.()'* <& Y&(7

‚S&( 5.8'('8&$&.()' a/-5#,' ]b

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$$+5 '\ Bascules et éléments d’élan, élans pour ou à l’appui renversé (2 s.). ] k7A G9O @d79D 4C4F496@ g @d79D@ 6L?8BDL 8? 68 LG9O@6G9O ] Qj<=8:C< A ;:;B;>D7< ?; EBM8:<7 ; EBM8:<7< C: 7

: E E?

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 82 !"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

(Chechi)

(Nakayama)

(Csollány)

M79 ;: CM7A7 E>W;9DE?7VVA _)#C2&**.$.() #;#() h 2B#%%-&A Uprise fwd. to support. ]'$&(#8&P( #,.2#(). #2 #%'3'A

ZA

€A V .) 8'()5.M*#2)' #;A h 2B62#( .( #55&E5. %#5 2# *-*%Aa#-**& ,. <& Y&(7b

#1 and counter salto fwd. to bwd swing in hang.(also from Li Ning)

V 3 8'()5# *#2)' #,A # &$%-2*' #)5Q* %'5 2# *-*%Aa)#$C&6( ,.*,. <& Y&(7b

VoA ]. 2# *-*%.(*&'(G 62#( #;.8 6%#-2.* %#5M,.*M*-* 2B#((.#-0A

From hang, underswing w. shoulders aboverings.

].*,. 2# *-*%.(*&P(G &$%-2*' 8'( 2'* "'$C5'*%'5 .(8&$# ,. 2#* #(&22#*A

ZnA ]. 2# *-*%AG '- 2B#%%-& 5.(;.5*.$.() #55A h 2#

*-*%A ,'5*AG .)#C2&*A #;A h 2B#%%-&A From a hang or support, back toss to hang rw.

to uprise fwd. to support. ]. 2# *-*%.(*&P( &(;.5)&,# ' .2 #%'3' #)A # 2#

*-*%A ,'5*#2A

ZVA

ViA

•A <B62#( .( #55&E5. h 2B#%%-& h 2B62#( .( #55&E5. %#52# *-*%.(*&'(A

Swing bwd in support, fall to bwd swing in hang. ?$%-2*' #)5Q* #2 #%'3' # &$%-2*' #)5Q* %'5 2#

*-*%.(*&P(A

oA iA kA wA

V}A ZZA ZoA ZiA

VkA VwA V•A V€A

}A VnA VVA VZA

(Li Ning)

(Li Ning 2)


: E DE?

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 83!"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

ZkA _)#C2&**.$.() .( #;#() .( )'-5(#() .( #55&E5.h 2B#%%-&A

From hang, felge upward to support. ]'$&(#8&P( #,.2#(). ;'2).#(,' #)5Q* #2 #%'3'A

ZwA _)#C2&**.$.() .( #;#() .( )'-5(#() .( #55&E5.C5#* ).(,- %#5 2B#%%-& 5.(;.5*6A

Swing fwd. with straight arms through hdst. ]'$&(#8&P( #,.2#(). ;'2).#(,' #)5Q* #2 #%'3'

&(;.5)&,'A

Z•A ]'-C2. )'-5 ,B#%%-& #55&E5. 75'-%6 h 2# *-*%Aa#-**& ,. '- h 2# *-*%.(*&'( <& Y&(7b

Tucked double felge bwd. to hang. (Also fromor to Li Ning hang)

]'C2. 7&5' ,. #%'3' #)5Q* #7A # 2# *-*%.(M*&P( a)#$C&6( ,.*,. ' # *-*%.(*&P( <& Y&(7bA

ooAoZA_)#C2&**.$.() .( #;#() .( )'-5(#() .( #55&E5. h2B#%%-& e#$C.* 68 #%%-36.* *-5 2.* %'&7(.)* aZ *AbA

Felge upward to support with straddled legssupported above the rings (2 s.).

]'$&(#8&P( #,.2#(). ;'2).#5 #)5Q* #2 #%'3' %A#C&.5)#* #%'3#,#* *'C5. 2#* $-f.8#* aZ *AbA

o•A _)#C2&**.$.() #55&E5. h 2B#%%-&A Uprise bwd. to support. ]'$&(#8&P( #)A #2 #%'3'A

o€A _)#C2&**.$.() #55A '- 75#(, )'-5 8A '- ).(,- %#52B#%%A 5.(;*A

Uprise bwd. or giant swing piked or str. throughhandstand.

]'$A #)A ' $'2&(' 8#5%A ' .0)A %'5 .2 #%A &(;A

iiA _2#(8.5 .( *-*%.(*&'( .( #55&E5.G 5.(;.5*.M

$.() #;#() h 2B#%%-&Backward swing to salto fwd. p. to support .

<#(c#5*. .( *-*%.(*&P( #)5Q* ,&*2'8#(,' #,A#2 #%'3' ' Q(7-2' aZ *AbA

ikA X'($# ).(,-A

Honma stretched. X'($# .0)A

Z€A ]'-C2. )'-5 ,B# %%-& #55&E5. 8#5%6 h 2# *-*%Aa#-**& h 2# *-*%.(*&'( <& Y&(7b

Piked double felge bwd. to hang. (Also to Li Ninghang)

]'C2. 7&5' ,. #%'3' #)5Q* .( 8#5%# # 2# *-*%Aa)#$C&6( # *-*%.(*&P( <& Y&(7bA

Z}A ]'-C2. )'-5 ,B #%%-& #55&E5. ).(,- h 2# *-*%Aa#-**& h 2# *-*%.(*&'( <& Y&(7b

Stretched double felge bwd. to hang A a#-**& h 2#*-*%.(*&'( <& Y&(7b

]'C2. 7&5' ,. #%'3' #)5Q* .0).(,&,' # 2# *-*%Aa)#$C&6( # *-*%.(*&P( <& Y&(7bA

oVA D.(;.5*.$.() #55&656 8#5%6 '- ).(,-A Dislocate bwd. piked or stretched. ]&*2'8#8&P( #)5Q* #75-%#,# ' .( 8#5%#A

ioA D.(;.5*.$.() #;#() 8#5%6 '- ).(,-A

Inlocate piked or stretched. ]&*2'8#8&P( #,.2#(). .( 8#5%# ' .0).(,&,'A

oiA okA owA

onA

iwA i•A i€A

inA iVA iZAo}A

(Guczoghy)

(Deltchev)

(Honma)

(O’Neill)

M79 ;: CM7A7 E>W;9DE?7V


M79 ;: CM7A7 E>W;9DE?7

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 84!"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

i}A ]. 2# *-*%.(*&'(G 5.(;.5*.$.() #;#() 2.().M$.()A

Slow inlocate from hang. ]. 2# *-*%.(*&P( ,&*2'8#8&P( #,.2#().A

kVA ]'-C2. *#2)' ,B#%%-& #;#() 75A h 2# *-*%.(*&'(A Double salto fwd. tucked to hang. ]'C2. $'5)#2 ,. #%'3' #,.2#(). #75-%#,' # 2#

*-*%.(*&P(A

kkA T#*8-2. h 2B#%%-&AKip to support.\&%%. #2 #%'3'A

kwA T#*8-2. h 2B64-.55. aZ *AbA Kip to L-sit (2 s.). \&%%. Q(7-2' aZ *AbA

wVA T#*8-2. ,'5*#2. h 2B#%%-&A Back kip to support. TQ*8-2# ,'5*#2 #2 #%'3'A

wZA T#*8-2. ,'5*#2. C5#* ).(,-* h 2B#%%-&A Back kip with straight arms to support. TQ*8-2# ,'5*#2 C5#c'* .0).(,&,'* #2 #%'3'A

w•A _2#( #;A h 2B62#( #55&E5. .( *-*%.(*&'(A

Fwd. swing to swing bwd. in hang. ?$%-2*' #,A # &$%-2*' #)5Q* # 2# *-*%.(*&P(A

koAkZA]'-C2. *#2)' ,B#%%-& #;#() 8#A '- ).(,- h 2# *-*%A Double salto fwd. piked or stretched to hang. ]'C2. $'5)#2 ,. #%'3' #,A .( 8#5%# ' .0)A # 2# *-*%A

w}A ]. 2B#%%-&G *#2)' #;A 75A '- 8#5%6 h 2B #%%-&A

Bwd. swing, salto fwd tuck or piked to support. ].2 #%'3' $'5)#2 #,A #75A ' .( 8#5%# #2 #%'3'A

knA kiA

•ZA•VA•nA

wnAk}Ak€A

wwAwkAwiA

k•A

woA

(Jonasson)(Yamawaki)

w€A _)#C2&**.$.() #55&E5. h 2B64-.55. 68#5)6. aZ *AbA

Uprise bwd. to straddled L-sit (2 s.). ]'$&(#8&P( #)5Q* # Q(7-2' %&.5(#* #C&.5)#* aZ *AbA

M79 ;: CM7A7 E>W;9DE?7V


M79 ;: CM7A7 E>W;9DE?7

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 85 !"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

•oA ]. 2B#%%-& '- ,. 2 # 85'&0 )'-5 ,B#%%-& #55&E5.8#5%6 '- ).(,- h 2B#%%-&A

From support or cross, felge bwd. piked orstretched to support.

].*,. .2 #%'3' ' 85&*)'G 7&5' ,. #%'3' #)5Q* .(8#5%# ' .0).(,&,' #2 #%'3'A

•iA •kA •wA

•}A

••A •€A

€ZA €oA €iA

€kA €wA €€A €}A }nA

}VA }kA }wA

M79 ;: CM7A7 E>W;9DE?7V

€VA _)#C2&**.$.() .( #;#() .( )'-5(#() .( #55&E5.C5#* ).(,- h 2B#%%-& 5.(;.5*6 aZ *AbA

Swing fwd. with straight arms to hdst. (2 s.). ]'$&(#8&P( #,A ;'2).#(,' #)5Q* CA .0)A #2 #%A

&(;.5)&,' aZ *AbA

€nA T#*8-2. ,'5*#2. '5 )'-5 ,B#%%-& #55&E5. ).(,- h2B#%%-& 5.(;.5*6A aZ *AbA

Back kip or roll bwd str. to handstand (2 s.). TQ*8-2# ,'5*#2 ' 7&5' ,. #%A #) .0)A #2 #%A &(;A aZ *AbA

€•A _)#C2&**.$.() #55&E5. '- 75#(, )'-5 h 2B#%%-&5.(;.5*.$.() #;.8 C5#* ).(,- aZ *AbA

Uprise bwd. or giant swing to handstand withstraight arms (2 s.).

9'2&(' #,.2#(). aZ *AbA

}ZA ]. 2B#%%-& 62#( h 2B#%%-& 5.(;.5*6 aZ *AbA

From support swing bwd. to handstand (2 s.). ].*,. #%'3' &$%-2*' #2 #%'3' &(;.5)&,' aZ *AbA

}oA X'($# .) 62#( h 2B#%%-& 5.(;.5*6 aZ *AbA

Honma and swing bwd. to handstand (2 s.). X'($# . &$%-2*' #2 #%'3' &(;.5)&,' aZ *AbA

}iA X'($# ).(,- .) 62#( h 2B#%%-& 5.(;.5*6 aZ *AbA

Honma str. and swing bwd. to handstand (2 s.). X'($# .0)A . &$%-2*' #2 #%'3' &(;.5)&,' aZ *AbA

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

$+5 ''\ I:UB;>D< ?; Y79=; ;D BCE>DE;> (2 s.) - (6?49D6L 4C4F496@ G9O L8CO 4C4F496@ e> @45hf - Elementos de fuerza y mantenimiento (2 seg.)

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 86 !"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

VA _4-.55. aZ *Ab '- 64-.55. 68#5)6. aZ *AbA L-sit (2 s.) or straddled L-sit (2 s.). ˆ(7-2' aZ *Ab ' Q(7-2' %&.5(#* #C&.5)#* aZ *AbA

V}A

oA !5'&0 5.(;.5*6. aZ *AbA Inverted cross (2 s.). !5&*)' &(;.5)&,' aZ *AbA

}A I%%-& :#8&#2 "'5&c'()#2 aZ *AbA Support scale (planche)(2 s.). I%'3' :#8&#2 "'5&c'()#2 aZ *AbA

VnA I%%A :#8A "'5&cA .()5. 2.* #((A a"&5'(,.22.b aZ *AbA Support scale at ring height (swallow or maltese

cross) (2 s.). I%'3' :#8&#2 "'5&c'()#2 .()5. 2#* #(&22#* aZ *AbA

VoA S-*%.(*&'( :#8&#2. "'5&c'()#2. aZ *AbA Hanging scale frontways (front lever) (2 s.). S-*%.(*&P( :#8&#2 "'5&c'()#2 aZ *AbA

•A S-*%.(*&'( ,'5*#2. "'5&c'()#2. aZ *AbA Hanging scale rearways (back lever) (2 s.)A S-*%.(*&P( ,'5*#2 "'5&c'()#2 aZ *AbA

ViA F'-).* 85'&0 aZ *AbA Any cross (2 s.). !-#24-&.5 85&*)' aZ *AbA

VVA X&5'(,.22. &(;.5*6. aZ *AbA Inverted swallow (2 s.). X&5'(,.22. &(;.5)&,# aZ *AbA

ZnA

€A I%%-& :#8&#2 "'5&c'()#2 68A aZ *AbA Support scale straddled (2 s.). I%'3' :#8&#2 "'5&c'()#2 %&.5(#* #C&.5)#* aZ *AbA

ZA _4-.55.G e#$C.* 2.;6.* ;.5)A aZ *AbA V-sit (2 s.). ˆ(7-2'G %&.5(#* .2.;#,#* ;.5)&8#2$.(). aZ *AbA

VkA _4-.55.G e#$C.* 2.;6.* ;.5)A aZ *AbAaZ *AbA V cross (2 s.). !5&*)' .( Q(7-2' %A ;.5)&8#2.* aZ *AbA

ZVA

VwA

ZZA _4-.55.G e#$C.* 2.;6.* ;.5)A h 64-.55.G e#$C.*

2.;6.* ;.5)A aZ *AbA V Cross, press to V-sit (2 sec.) De cristo p. vert. subir a ángulo p. vert. (2 s.)

V•A

ZoA

wA

VZA

V€A

ZiA

iA ]. 2# 85'&0 5.(;*AG *B62.; h 2B#%%-& 5.(;*A aZ *AbA Press from inverted cross to handstand (2 s.). ]. 85&*)' &(;AG .2.;A #2 #%'3' &(;.5)&,' aZ *AbA

kA

(Hirondelle)

(Tsukahara 3)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$


7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 87 !"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

ZkAS’élever corps et bras échis à l’appui renvs. (2 s). Press to hdst. with bent body and bent arms (2 s).

Elevarse cuerpo y b. ex. al apoyo inv. (2 s).

Z•A SB62.;A 8'5%* ).(,- .) C5#* ).(,-* '- ,.2B#%%-& :#8A "'5&cA h 2B#%%-& 5.(;.5*6 aZ *AbA

Press to hdst. with str. body and str. arms orfrom sup. lever (2 s.).

H2.;#5*. 8-.5%' 3 CA .0)A #2 #%'3' &(;.5)&,' ',.2 #%'3' :#8&#2 "'5&c'()#2 aZ *AbA

Z€A ]. 2B"&5'(,.22.G *B62.;.5 8'5%* ).(,- .) C5#* )A# 2B#%%-& 5.(;.5*6 aZ *AbA

Press to hdst. with str. body and str. arms fromswallow (2 s.).

H2.;#5*. 8-.5%' .0)A 3 C5#c'* .0)A ,.*,."&5'(,.22. #2 #%A &(;.5)&,' aZ *AbA

oVA F'-5 ,B#%%-& #;A 2.().$.() 8#5%6 h 2B#%%-&A Slow roll fwd. piked to support. @&5' ,. #%'3' #,A 2.()#$.(). .( 8#5%# #2 #%'M

3'A

oZA F'-5 ,B#%%-& #;A 2.().$.() ).(,- h 2B#%%-&A Slow roll fwd. stretched to support. @&5' ,. #%'3' #,A 2.()#$.(). .0)A #2 #%'3'A

ooA F'-5 ,B#%%-& #;A ).(,- 2.().$.()G C5#* ).(,-*h 2B#%%-& 5.(;.5*.A aZ *AbA

Slow roll fwd. stretched with straight arms tohandstand (2 s.).

@&5' ,. #%'3' #,A .0) 2.()#$.().G C5#c'* .0).(M,&,'* #2 #%'3' &(;.5)&,' aZ *AbA

o}A F'-5 ,B#%%-& #;A ).(,- 2.().$.() aC5#* ).(,- '-échi), à la croix ou croix angle (2 s.).

Slow roll fwd. stretched (bent or straight arms)to cross or L-cross (2 s.).

@&5' 2.()' ,. #%'3' #,.2#(). 8-.5%' aC5#c'* .0)A' ,'C2#,'*b 3 # 85&*)' ' 85&*)' .( Q(7-2' aZ *AbA

inAH)#C2&*A .( :'58. C5#* .) 8'5%* ).(,-* .( %#**#()%#5 2# *-*%A :#8A "A h 2# 85'&0 '- 85'&0 #(72. aZ *AbA

Pull with straight arms and body through mo5mentary front lever to cross or L-cross (2 s.).

]'$&(A # :-.5c# C5A 3 8-.5%' .0)A %#*#(,' %'5 2#*-*%A :#8A "'5&cA # 85&*)' ' 85&*)' .( Q(7-2' aZ *AbA

iwA =&(.,# %'-5 2# 85'&0 2B#%%-& :#8A "'5&cA aZ *AbA

=&(.,# )"5'-7" 85'** )' *-%%'5) *8#2. aZ *Ab =&(.,# # )5#;6* ,. 85&*)' # %2#(8"# aZ *Ab

i€A

26. S’élev. corps t. et bras . ou corps . et bras t.'- ,. 2B#%%A :#8A "'5&cA 68A h 2B#%%A 5.(;A aZ *AbA

Press to hdst. with str. body a. bent arms or b.body. a. str. arms, or fr. strad. sup. lever (2 s.).

Elev. cuerpo ext. y b. ex. o cuerpo ext. y b. ex.' ,.2 #%A :#8A "'5&cA %A #CA #2 #%'3' &(;A aZ *AbA

okA

Z}A =&(.,# h 2# 85'&0 5.(;.5*. aZ *AbA =&(.,# )' &(;.5)., !5'** aZ *AbA =&(.,# # 85&*)' &(;.5)&,' aZ *AbA

onA

oiA F'-5 ,B#%%-& #;A ).(,- 2.().$.()G C5#* ).(,-*h 2# 85'&0 5.(;.5*.A aZ *AbA

Slow roll fwd. stretched with straight arms toinverted cross (2 s.).

@&5' ,. #%'3' #, .0)A C5#c'* .0)A 2.()#$.(). #85&*)' &(;.5)&,' aZ *AbA

owA

iZAo•A o€A IC#&**.$.() #55&656 .( )'-5(#() 2.().$.()GC5#* .) 8'5%* ).(,-*Gh 64-.55. 68#5)6 aZ *AbA

Slow roll bwd. slowly with str. arms and str. bodyto L sit (2 s.).

@&5' 2.()' ,. #%'3' #)5Q* 8'( C5#c'* 3 8-.5%'.0).(,&,' # Q(7-2' aZ *AbA

* Aussi jam. ec./ also strad. legs / F#$C&6( %A #CA

y

M I-**& e#$C.* 68#5)6*- Also straddle legs.M F#$C&6( %&.5(#* #C&.5)#*

ioA iiA ikA

(Pineda)

(Petrounias)

iVA _)#C2&**.$.() .( :'58. C5#* .) 8'5%* ).(,-* .(

%#**#() %#5 2# *-*%A :#8A "'5&cA h h 2B#%%-& :#8A"'5&cA .()5. 2.* #((.#-0 aZ *AbA Pull with straight body and arms through mo5

ment. front lever to swallow (2 s.). ]'$&(#8&P( # :-.5c# C5A 3 8-.5%' .0)A %#*#(,'

%'5 2# *-*%A :#8&#2 "'5&c'()#2 # "&5'(,.22. aZ *AbA(Bhavsar)

iVA =&(.,# h 2# 85'&0 e#$C.* 2.;6.* .( W aZ *AbA Pineda to V cross (2 s.). =&(.,# # 85&*)' .( W aZ *Ab

(Tsukahara 2)

(Pham)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$


7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 88 !"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

kZA F'-5 .( #55&E5. 2.()A 8'5%* .) C5#* ).(,-* h 2#85'&0 '- 85'&0 #(72. aZ *AbA

Roll bwd. slowly with str. arms and body to crossor L-cross (2 s.).

W'2).#5 #)5Q* 2.()#$.(). 8-.5%' 3 C5#c'* .0)#85&*)' ' 85&*)' .( Q(7-2' aZ *AbA

k€A ]. '- %#5 2# *-*%A ,'5*A "'5&cAG 6)#C2&*A .( :'58.C5#* ).(,-* h 2# 85'&0 '- 85'&0 #(72. aZ *AbA

From or through hanging scale rearways, withstraight arms pull to cross or L-cross (2 s.).

]. ' %'5 2# *-*A ,'5*#2 "'5&cAG ,'$&(#8&P( #:-.5c# CA .0)A # 85&*)' ' 85&*)' .( Q(7-2' aZ *AbA

50. Établissement en force, bras échis à la susM%.(*&'( ,'5*#2 "'5&c'()#2 aZ *AbA

Vertical pull up with bent arms to hanging scalerearways (2 s.).

Dominación a fuerza, b. ex. a la suspensión,'5*#2 "'5&c'()#2 aZ *AbA

kVA _)#C2&**.$.() .( :'58.G C5#* ).(,-* h 2# *-*%A,'5*#2. "'5&c'()#2 aZ *AbA

Vertical pull up with straight arms to hangingscale rearways (2 s.)A

]'$&(#8&P( # :-.5c#G C5#c'* .0).(,&,'* # 2#*-*%.(*&P( ,'5*#2 "'5&c'()#2 aZ *AbA

kwA ]. 2# 85'&0 '- 85'&0 #(72.G )'-5(.5 .( #;A h 2#*-*%.(*&'( ,'5*#2 "'5&c'()#2 aZ *AbA

Fr. cross or L-cr., turn fwd. to back lever (2 s.). ]. 85&*)' ' 85&*)' .( Q(7-2'G ;'2).#5 #)5Q* # 2#

*-*%.(*&P( ,'5*#2 "'5&c'()#2 aZ *AbA

wZA ]. 2B#%%-& 5.(;.5*.G *B#C#&**.5 "'5&c'()#2 h 2#*-*%.(*&'( ,'5*#2 "'5&c'()#2 aZ *AbA

From hdst., lower horiz. to back lever (2 s.). ].2 #%'3' &(;.5)&,' C#e#5 "'5&c'()#2 # 2# *-*%.(M

*&P( ,'5*#2 "'5&c'()#2 aZ *AbA

k•A _)#C2&**.$.() .( :'58.G C5#* ).(,-* h 2B#%%-&A Vertical pull up with straight arms to support A ]'$&(#8&P( # :-.5c#G CA .0)A #2 #%'3'A

w€A ]. 2B#%%-& 5.(;.5*.G *B#C#&**.5 .( %#**#() %#5

2# 85'&0 5.(;.5*. h 2# *-*%.(*&'( 5.(;.5*6.A From handstand, lower slowly with straight armsthrough inverted cross to inverted hang.

].2 #%'3' &(;.5)&,'G C#e#5 %#*#(,' %'5 85&*)'&(;.5)&,' # 2# *-*%.(*&P( &(;.5)&,#A

woA]. 2B#%%-&G *B#C#&**.5 2.()A C5#* ).(,-* h 2# *-*%A.) 6)#C2&*A .( :'58.G C5#* )A h 2# 85'&0 aZ *AbA

From sup., lower slowly with str. arms to hang,and pull with str. arms to cross (2 s.).

].2 #%'3'G C#e#5 2.()#$.(). CA .0)A # 2# *-*%.(M*&P( 3 ,'$&(#8&P( # :-.5c# CA .0) # 85&*)' aZ *AbA

•nA ]. 2B"&5'(,.22.G *B62.;.5 h 2B#%%-& :#8A "'5&cA aZ *AbA

From swallow, press to support scale (2 s.). ]. "&5'(,.22. .2.;#5*. #2 #%'3' :#8A "'5&cA aZ *AbA

wiA _)#C2&**.$.() .( :'58.G C5#* ).(,-* h 2# 85'&0'- 85'&0 #(72. aZ *AbA

Vertical pull up with straight arms to cross orL-cross (2 s.).

]'$&(#8&P( # :-.5c#G CA .0).(,&,'* # 85&*)' '85&*)' .( Q(7-2' aZ *AbA

•ZA ]. 2# *-*%A ,'5*A "'5&cAG *B62.;.5 h 2B"&5'(,.22. aZ *AbA

From hanging scale rw. press to swallow (2 s.). ]. 2# *-*%A ,'5*A "'5&cAG .2.;A # "&5'(,.22. aZ *AbA

wkA ]. 2# %2#(8".G *B#C#&**.5 "'5&cA 2.()A h 2# *-*%A,'5*#2 "'5&cA .) *B62.;.5 h 2B"&5'(,.22. aZ *Ab '- ,.2B"&5'(,.22. h 2# %2#(8". '- %2#(8". h %2#(8".A

Lower horizontally and slowly to hanging scalerw. and press to swallow (2 s.) or from swallowsame to planche or planche to planche

T#e#5 "'5&c'()A 2.()A # 2# *-*%A ,'5*A "'5&cA 3*-C&5 # "&5'(,.22. aZ *Ab ' "&5'(,.22. 2' $&*$' #%2#(8"#A ' %2#(8"# # %2#(8"#

•VA ]. X&5'(,.22.G *B#C#&**.5 "'5&cA 2.()A Q 2# *-*%A

,'5*A "'5&cA .) *B62.;.5 h 2# 2B"&5'(,.22.A aZ *AbA From swallow , lower slowly to handing scale, press to swallow (2 s.).

].*,. X&5'(,.22.G C#e#5 "'5&cA 2.()#$.(). #%2#(8"# ,'5*#2 %#5# *-C&5 # X&5'(,.22. aZ *AbA

i}A

kkA

wVA

w•A w}A

k}A Y#N#3#$# h 2# 85'&0 e#$C.* 2.;6.* .( W aZ *AbA Nakayama to V cross (2 s.) Y#N#3#$# # 85&*)' .( W aZ *Ab

kiA

wwA

RC> +;:?;9

(Azarian)

(Nakayama)

(Li Xiaoshuang)

(Zanetti)

(NG Kiu Chung)

M I-**& h 2B#%%-& :#8A "'5&cA aZ *Ab- Also to Support Scale (2 s.)M F#$C&6( # %2#(8"# aZ *Ab

koA Ic#5&#( h 2# 85'&0 e#$C.* 2.;6.* .( W aZ *AbA Azarian to V Cross (2 s.). Ic#5&#( # 85&*)' .( W aZ *AbA

(Tay)

wnA ]. 2# *-* %A ,'5*#2 "'5&cA a#-8-( $#&()&.(5.4-&*bG $'().5 8'5%* ).(,- .( %#**#() %#5 2#85'&0 h 2# %'*&)&'( "&5'(,.2 &(;.5*6. aZ *AbA

Through hanging scale rearways (no hold re5

quired) pull with str. body through cross to inv.swallow (2 s.).].*,. %2#(8"# ,'5*#2 a(' *. 5.4-&.5. %#5#,#b*-C&5 8-.5%' .0)A # )5#;6* ,. 85&*)' # "&5'(,.22.&(;.5)&,# aZ *AbA (Zahran)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$


7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 89!"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

75. De l’équerre, s’élever corps échi et bras tenM,-*G h 2# 85'&0 5.(;.5*.A aZ *AbA

From L-sit, press to inverted cross (2 s.). De ángulo, elevarse cuerpo ex. y brazos ext.

# 85&*)' &(;.5)&,' aZ *AbA

•wA ]. 2# 85'&0 #(72.G *B62.;.5 h 2# 85'&0 5.(;*A aZ *AbA From L-cross, press to inverted cross (2 s.). ]. 85&*)' .( Q(7-2'G .2.;#5*. # 85&*)' &(;A aZ *AbA

€ZA ]. 2B#%%-& :#8&#2 "'5&c'()#2G *B62.;.5 h 2# 85'&05.(;.5*. aZ *AbA

From support lever, press to inverted cross (2 s.).

].2 #%'3' :#8&#2 "'5&c'()#2G .2.;#5*. # 85&*)'&(;.5)&,' aZ *AbA

€oA ]. 2B"&5'(,.22.G *B62.;.5 h 2# 85'&0 5.(;*A aZ *AbA From swallow, press to inverted cross (2 s.). ]. X&5'(,.22.G .2.;#5*. # 85&*)' &(;.5)&,' aZ *AbA

€}A ]. 2# 85'&0G *B62.;.5 h 2B"&5'(,.22. aZ *AbA From cross, press to swallow (2 s.). ]. 85&*)'G .2.;#5*. # X&5'(,.22. aZ *AbA

€VA ]. 2# 85'&0 '- 85'&0 #(72.G 6)#C2&*A ,. :'58. h2B64-.55. aZ *AbA

From cross or L-cross, press to L-sit (2 s.bA ]. 85&*)' ' 85&*)' .( Q(7-2'G ,'$&(#8&P( #

:-.5c# # Q(7-2' aZ *AbA

€•A €€A ]. 2# 85'&0G *B62.;.5 ,&5.8) h 2B#%%-& :#8&#2 "'5&Mc'()#2 aZ *AbA

From cross, press to planche without rst goingto support (2 s.).

]. 85&*)'G .2.;#5*. ,&5.8)#$.(). #2 #%'3' :#8&#2"'5&c'()#2 aZ *AbA

}kA]. 2# 85'&0 5.(;*A *B#C#&**.5 h 2# *-*%A 5.(;*A.)

.)#C2&*A 2.()A .( )'-5(A .( #55A h 2B"&5'(,.22.A aZ *AbA From inverted cross lower slowly to invertedhang and felge bwd. slowly to swallow (2 s).

]. 85&*)' &(;.5)&,'G C#e#5 # 2# *-*%.(*&P( &(;A 3,'$&(#5 2.()A ;'2).#(,' #)5Q* # "&5'(,.22. aZ *bA

•oA

•}A

€kA

}VA

•iA

€nA

€wA

}ZA

•€A

€iA

}nA

}wA}oA }iA]. 2# 85'&0 5.(;*A *B#C#&**.5 h 2# *-*%A 5.(;*A .)

.)#C2&*A 2.()A .( )'-5(A .( #55&E5. h 2# 85'&0A aZ *AbA From inverted cross lower slowly to invertedhang and felge bwd. slowly to cross (2 s).

]. 85&*)' &(;AG C#e#5 # 2# *-*%.(*&P( &(;A 3 ,'$&M(#5 2.()#$.(). ;'2).#(,' #)5Q* # 85&*)' aZ *bA

••A ]. 2# 85'&0 *B62.;.5 8'5%* ).(,- h 2# 85'&0 5.(;*aZ *AbA

From cross, press with straight body to invertedcross (2 s.).

]. 85&*)' .2.;#5*. 8-.5%' .0)A # 85&*)' &(;A aZ *AbA

(Jotchev)(Vorobiov))

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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 90 !"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

}}A VnnA

VnwA F'-5 ,B#%%-& #;#() 2. ().$.()G C5#* ).(,-*G%#**.5 %#5 2# 85'&0 %'-5 ).5$&(.5 h 2B#%%-& :#8&#2"'5&c'()#2 aZ *.8AbA

Slowly roll fwd. str. w. str. arms through Crossand press to planche without rst going to sup 5 port.

D',#5 #,.2#(). 2.()#$.(). 8'( 8-.5%' 3 C5#Mc'* .0).(,&,' # )5#;6* ,. 85&*)' # %2#(8"# *&(&5 %5.;&#$.(). #2 #%'3'A

Vn•A ]. 2# *-*%.(*&'( 6)#C2&**.$.() .( :'58.G C5#*).(,-* h 2B"&5'(,.22. '- h 2# %2#(8". aZ *AbA

From hang vertical pull up with straight arms-) *L#22'L '5 )' *-%%'5) *8#2. (2 s.).

].*,. 2#* *-*%.(*&P( ,'$&(#8&P( # :-.5c#GCA .0)A # "&5'(,.22. ' # %2#(8"# aZ *AbA

VnkA

VVVA VVZA F'-5 ,B#%%-& #;#() 2.().$.()G 8'5%* .) C5#* ).(M,-*G h 2# 85'&0 aZ *.8Ab '- h 2# 85'&0 .( 64-.55.aZ *.8AbG #-**& ,. 2# *-*%.(*&'( &(;.5*6.A

S2'L 5'22 :L,A L&)" *)5A C',3 #(, #5$* )' !5'**'5 <M!5'** aZ *AbG #2*' :5'$ &(;.5)., "#(7A

D',#5 2.()#$.(). #,.2#(). 8'( 8-.5%' 3 C5#c'*.0)A # 85&*)' ' 85&*)' .( Q(7-2' aZ *AbG )#$C&6(,.*,. *-*%.(*&P( &(;.5)&,#A

VV}A F'-5 ,B#%%-& #;#() 2.().$.()G 8'5%* .) C5#* ).(M

,-*G %#**.5 %#5 2# 85'&0 h 2# 85'&0 &(;.5*6. aZ *AbA S2'L 5'22 :L,A L&)" *)5#&7") C',3 #(, #5$*)"5'-7" 85'** )' &(;.5)., 85'** aZ *AbA

D',#5 2.()#$.(). #,A 8'( 8-.5%' 3 C5#c'* .0)A# )5#;6* ,. 85&*)' # 85&*)' &(;.5)&,' aZ *AbA

}•A

VnoA

Vn}A

VVkA

}€A

VniA

VVnA

VVwA

VnZA F'-5 .( #55&E5.A 2.()A 8'5%* .) C5#* ).(,-* h2B#%%-& :#8&#2 "'5&cA .()5. 2.* #((.#-0 aZ *AbA

Roll bwd. slowly with str. arms and body toswallow (2 s.).

W'2).#5 #)5Q* 8-.5%' 3 C5#c'* .0)A "&5'(,.22. aZ *AbA

Vn€A Ic#5&#( h 2# 85'&0 5.(;.5*. aZ *Ab Azarian to inverted Swallow (2 s.). Ic#5&#( # "&5'(,.22. &(;.5)&,# aZ *AbA

VViA ]. 2# *-*%.(*&'( ,'5*#2. 6)#C2&**.$.()A .(:'58.G C5#* ).(,-* h 2# 85'&0 5.(;.5*.A aZ *AbA

Through hang rearways press with straight armsand straight body to inverted cross (2 s.).

].*,. %2#(8"# ,'5*#2 *-C&5 8'( C5#c'* 3 8-.5%'.0)A # 85&*)' &(;.5)&,' aZ *AbA

VV•A VV€A

VnVA F'-5 .( #55&E5. 2.()A 8'5%* .) C5#* ).(,-* h2B#%%-& :#8&#2 "'5&c'()#2 aZ *AbA

Roll bwd. slowly with str. arms and body to freesup. scale (2 s.)A

W'2).#5A #)5Q* 2.()#$.(). 8-.5%' 3 C5#c'* .0)#2 #%'3' :#8&#2 "'5&c'()#2 aZ *AbA

(Carmona)

(Yan Mijayoung)

(Balandin 1)

(Balandin 3)

(Tulloch)

(Davtyan)

(Ng Kiu Chung 2)

(Wynn)

VZnA]. 2# *-*%.(*&'( 6)#C2&**.$.() .( :'58.G C5#*

).(,-* h 2# 85'&0 5.(;.5*.A aZ *AbA From hang vertical pull up with straight arms to&(;A 85'** (2 s.).

].*,. 2#* *-*%.(*&P( ,'$&(#8&P( # :-.5c#G CA.0)A # 85&*)' &(;.5)&,' aZ *AbA

(Balandin 2)

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$+5 '''\ Élans menant à une élément de maintien en force (2 s.) ] (d79D 68 (6?49D6L L8CO 4C4F496@ e> @45hf - Impulso a elementos de mantenimiento a fuerza (2 seg.)

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 91!"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

oA _)#C2&**.$.()A #;#() h 2B64-.55. e#$C.* 2.;6.*;.5)&8#2 aZ *AbAUprise fwd. to V-sit (2 s.).

]'$&(#8&P( #,.2#(). # Q(7-2' %&.5(#* .2.;#M,#* ;.5)&8#2$.(). aZ *AbA

VkA

iA kA

ZiA

•A

wA

V}A

VoA

ZnA

VVA VZA

VA ZA _)#C2&**.$.() #;#() h 2B64-.55. aZ *AbA Uprise fwd. to L-sit, (2 s.). ]'$&(#8&P( #,.2#().A # Q(7-2' aZ *AbA

VnA

ViA _2#(8.5 .( *-*%.(*&'( .( #55&E5.G 5.(;.5*.M$.() #;#() h 2B64-.55. aZ *AbA

Backward swing to salto fwd. p. to L-sit (2 s.). <#(c#5*. .( *-*%.(*&P( #)5Q* ,&*2'8#(,' #,A

# Q(7-2' aZ *AbA

(Honma)

€A T#*8-2. h 2B64-.55. aZ *AbA Kip to L-sit (2 s.). \&%%. Q(7-2' aZ *AbA

}A T#*8-2. h 2B64-.55. e#$C.* 2.;A ;.5)&8#2 aZ *AbA Kip to V-sit (2 s.). \&%%. # Q(7-2' %A ;.5)&8#2.* aZ *AbA

V•A F'-5 #;#() .()5. 2.* #((.#-0 ,&5.8)A h 2# 85'&064-.55. e#$C.* ;.5)&8#2 aZ *AbA

S#2)' :L,A C.)L..( 5&(7* ,&5.8)23 )' W 85'** aZ *AbA S#2)' #,.2#(). .()5. 2#* #(&22#* ,&5.8)' # 85&*)'

.( W aZ *AbA(Tanaka)

VwA F'-5 #;#() .()5. 2.* #((.#-0 ,&5.8)A # 85'&0 '-85'&0 #(72. aZ *AbA

Salto fwd. betw. rings direc. to cross / L-cross (2 s.). S#2)' #,A .()5. #(&22#* # 85&*)' ' 85&*)' .( Q(7-2' aZ *AbA

ZZA ]. 2B#%%-&G *#2)' #;A 8A h 2# 85'&0 '- 85'&0 #(72.

aZ *AbA Bwd. swing, salto fwd p. to cross or L- cross (2 s.).

].2 #%'3' $'5)#2 8A # 85&*)' ' 85&*)' .( Q(7A aZ *AbA

V€A

ZoAZVA

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$


7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 92 !"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

ooA _)#C2&**.$.()A .( #55&E5. h 2# 85'&0 '- 85'&0#(72. aZ *AbA

Uprise bwd. to cross or L-cross (2 s.). ]'$&(#8&P( #)5Q* # 85&*)' ' 85&*)' .( Q(7-2' aZ *AbA

i€AH)#C2&**A #;A h X&5',.22. &(;A *#(* %"A ,B#%%-& aZ *Ab

Uprise fwd. to inv. swallow w.o. supp. phase (2 s.) ]'$&(A #,A # "&5'(,.22 . &(;A *&( :#*. ,. #%'3' aZ *Ab

owA

onAZ}A

iiAioA

o•A

oVA

ZwAZkA

o€A

oZA

iZA

(Rodrigues)

o}A <& Y&(7 h 2# 85'&0 '- 85'&0 #(72. aZ *AbA Li Ning or Li Ning 2 to cross or L-cross (2 s.). <& Y&(7 # 85&*)' ' 85&*)' .( Q(7-2' aZ *AbA

(Tsukahara)

inA<& Y&(7 Z h 2# 85'&0 e#$C.* 2.;6.* .( W aZ *AbA Li Ning 2 to V Cross (2 s.). <& Y&(7 Z # 85&*)' .( W aZ *AbA

Z•A _)#C2&**.$.()A #;#() h 2# 85'&0 '- 8 5'&0 h2B64-.55. aZ *AbA

Uprise fwd. to cross or L-cross (2 s.). ]'$&(#8&P( #,A # 85&*)' ' 85&*)' .( Q(7-2' aZ *AbA

ikA _)#C2&**.$.() .( #;A .( )'-5(#() .( #55&E5. h

2# 85'&0 '- 85'&0 #(72. aZ *AbA Felge upward to cross or L-cross (2 s.). ]'$&(#8&P( #,.2#(). ;'2).#(,' #)5Q* # 85&*)'

' 85&*)' .( Q(7-2' aZ *AbA

iwA T#*8-2. h 2# 85'&0 64-.55. e#$C.* 2A ;.5)A aZ *AbA

Kip to V cross (2 s.). \&%%. 85&*)' Q(7-2' %&.5(#* ;.5)&8#2.* aZ *AbA

(Molinari)

i•A _)#C2&**.$.() .( #;A .( )'-5(#() .( #55&E5. h

2B#%%-& :#8&#2 "'5&c'()#2 .()5. 2.* #((.#-0 aZ *AbA Felge upward to sup. scale at ring height (2 s.). ]'$&(#8&P( #,.2#(). ;'2).#(,' #)5Q* #2 #%'3'

:#8&#2 "'5&c'()#2 .()5. 2#* #(&22#* aZ *AbA

Z€A

okAoiA

iVA

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$


7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 93!"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

k•A T#*8-2. ,'5*#2. h 2# 85'&0 '- 85'&0 #(72. aZ *AbA Back kip to cross or L-cross (2 s.). TQ*8-2# ,'5*#2 # 85&*)' ' 85&*)' .( Q(7-2' aZ *AbA

k}A T#*8-2. ,'5*#2. h 2B#%%-& :#8&#2 "'5&cA .()5. 2.*#((.#-0 aZ *AbA

Back kip to support scale at ring height (2 s.). TQ*8-2# ,'5*#2 # "&5'(,.22. aZ *AbA

•VA

i}A

kkA

wVA

w•A

kwA

wZA

w€A

wnA

wwA

•ZA

wkA

kiAT#*8-2. h "&5'(,.22. &(;.5*6.A aZ *Ab Kip to inverted swallow (2 s.) \&% # "&5'(,.22. &(;A aZ *Ab

kVA T#*8-2. h 2# 85'&0 '- 85'&0 #(72. aZ *AbA Kip to cross, or L-cross (2 s.). \&%%. 85&*)' ' 85&*)' .( Q(7-2' aZ *AbA

wiA _)#C2&**.$.()A .( #;A .( )'-5(#() .( #55&E5. h2B#%%-& :#8&#2 "'5&c'()#2A aZ *AbA

Felge upward to support scale (2 s.). ]'$&(#8&P( #,.2#(). ;'2).#(,' #)5Q* #2 #%'3'

:#8&#2 "'5&c'()#2A aZ *AbA

koA _)#C2&**.$.()A .( #55&E5. h 2B#%%-& :#8&#2 "'5&Mc'()#2 .()5. 2.* #((.#-0A aZ *AbA

Uprise bwd. to sup. scale at ring height (2 s.). ]'$&(#8&P( #)5Q* #2 #%'3' :#8&#2 "'5&c'()#2 .()5.

2#* #(&22#* aZ *AbA

w}A _)#C2&**.$.()A .( #55&E5. h 2B#%%-& :#8&#2 "'5&M

c'()#2 68#5)6 aZ *AbA Uprise bwd. to support scale straddled (2 s.). ]'$&(#8&P( #)5Q* #2 #%'3' :#8&#2 "'5&c'()#2

%&.5(#* #C&.5)#* aZ *AbA

•nA _)#C2&**.$.()A .( #55&E5. h 2B#%%-& :#8&#2 "'5&M

c'()#2 aZ *AbA Uprise bwd. to support scale (2 s.). ]'$&(#8&P( #)5Q* #2 #%'3' :#8&#2 "'5&cA aZ *AbA

woA _)#C2&**.$.()A .( #;A .( )'-5(#() .( #55&E5. h2B#%%-& :#8&#2 "'5&c'()#2 68#5)6 aZ *AbA

Felge upward to support scale straddled (2 s.). ]'$&(#8&P( #,.2#(). ;'2).#(,' #)5Q* #2 #%'3'

:#8&#2 "'5&c'()#2 %&.5(#* #C&.5)#* aZ *AbA

kZA _)#C2&**.$.() #55&E5. h 2# 85'&0 e#$C.* 2.;6.*.( W aZ *AbA

Back Uprise to V Cross (2 s.). ]'$&(#8&P( #)5Q* # 85&*)' .( W aZ *AbA

(Kato)

k€A

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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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3. Salto avant carpé ou tendu avec 1/1 ou 3/2 t. Salto fwd. piked or stretched with 1/1 or 3/2 t. Mortal ad. en carpa o extendido con 1/1 o. 3/2 g.

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10. Double salto av. groupé avec 3/2 t. (aussi 1/1 t.). Double salto fwd. tucked with 3/2 t (also 1/1 t.). Doble mortal ad. agr. con 3/2 g. (tamb. 1/1 g.).

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17.Double salto av. carpé avec 3/2 t. (aussi 1/1 t.). Double salto fwd. piked with 3/2 t. (also 1/1 t.). Doble mortal ad. en carpa con 3/2 g. (tamb. 1/1 g.).

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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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46. Double salto arrière tendu avec ½ ou 1/1 t.

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48. Double salto arrière tendu avec 3/2 ou 2/1 t.

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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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pour ceux qui désirent se qualier pour la nale et à la nale aux.(7&(*G 'u &2 ,'&) .068-).5 ,.-0 *#-)* ,. 75'-%.* ,&::65.()* .) #;.8 -(.deuxième phase d’envol différente(pour sauts de plus difculté) (parexemple directions différente - avant / arrière, postions différentes -groupé / carpé pour simple saltos, ou au minimum ½ tour de différence%'-5 2.* *#2)'* 8'$C&(6* #;.8 )'-5* .) *#-)* #;.8 )'-5 *#(* *#2)'*bA!"#4-. *#-) .*) .068-)6 h %#5)&5 ,B-( 62#( #;.8 -( #%%.2 ,.* ,.-0

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>&(#2* #(, &( W#-2) >&(#2* L".5. ". $-*) *"'L )L' ;#-2)* :5'$ ,&:Mferent Vault Groups and with different 2nd ight phases (for higherdifculty vaults). For example: different direction - fwd./bwd and/ordifferent position - tucked/piked (for simple saltos) or minimum ½ turndifference (for twisting saltos and simple ights). Each vault beginsL&)" # 5-( #(, # )#N.':: :5'$ C')" :..) aL&)" '5 L&)"'-) # 5'-(, '::b )')". ;#-2) C'#5, L&)" 2.7* )'7.)".5 #(, &* .0.8-)., L&)" # C5&.: *-%%'5)%"#*. '( )". )#C2. L&)" )L' "#(,*A F". ;#-2) $#3 8'()#&( *&(72. '5multiple turns around the two axes of the body. After the rst vault,)". 73$(#*) 5.)-5(* L&)"'-) ,.2#3 )' )". *)#5)&(7 %'*&)&'( #(,G #) )".*&7(#2 ': )". ]V /-,7.G %.5:'5$* "&* *.8'(, ;#-2)A

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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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2# )#C2. ,. *#-)l.b .068-)&'( ).8"(&4-. %.(,#() )'-) 2. *#-)l

:b 2# 568.%)&'(A€A DE72.* 5.2#)&;.* h 2# 568.%)&'(g

#b <# 568.%)&'( ,'&) *. :#&5. #;.8 2.* ,.-0 %&.,* ,#(* -( *.8).-5$#54-6 %#5 ,.* 2&7(.* h 7#-8". .) h ,5'&). %#5 5#%%'5) h 2B#0.8.()5#2 ,. 2# )#C2. ,. *#-)G 8'$$. *-&)A

!.* 2&7(.* ,'&;.() J)5. 82#&5.$.() $#54-6.* *-5 2. )#%&*

,. 568.%)&'(A ?2 .*) %.5$&* ,. *. %'*.5 *-5 2# 2&7(. *#(* 2#,6%#**.5A <. )#%&* *-5 2.4-.2 *. )5'-;.() 2.* 2&7(.* ,. $#54-#7. %'-5

l’alignement doit être solidement xé de façon à empêcher)'-) ,6%2#8.$.() %.(,#() 2# 8'$%6)&)&'(A

Cb <. 73$(#*). ,'&) 8'$%26).5 2.* 5')#)&'(* 2'(7&)-,&(#2.* ,.*'( *#-) #;#() 2# 568.%)&'(A <. e-53 H #%%2&4-. 2# ,6,-8)&'(%56;-. *& 2# 5')#)&'( .*) &(8'$%2E).l *& 2# ,6;&#)&'( .*) 67#2. '-supérieure à 90°, le jury D ne reconnaît pas le saut annoncé.) 5.8'((#j) -( *#-) ,. ;#2.-5 &(:65&.-5.A

}A <'5* ,. 2# ,.-0&E$. %"#*. ,- *#-)G 2. 73$(#*). ,'&) %56*.().5 -(.(.)). 626;#)&'( ,. *'( 8.()5. ,. 75#;&)6 %#5 5#%%'5) h 2# "#-).-5'u 8.2-&M8& *. )5'-;. #- $'$.() ,. 2# %'-**6.A

VnA <.* *#2)'* 75'-%6* '- 8#5%6* ,'&;.() %56*.().5 -(. (.)). .0).(M*&'( ,- 8'5%* #;#() 2# 568.%)&'(A U(. 568.%)&'( ,'() 2. 73$(#*).(. *B.*) %#* %56%#56 h .068-).5 .*) 8'(*&,656. 8'$$. -(. :#-).).8"(&4-. .) .()5#j(. -(. ,6,-8)&'( %'-5 :#-). ,B.068-)&'( ).8"M(&4-. .) -(. ,6,-8)&'( %'-5 :#-). ,. 568.%)&'(A

VVA W'&5 #-**& 2# 2&*). 8'$%2E). ,.* :#-).* .) ,.* ,6,-8)&'(* 5.2#)&;.*h 2# %56*.()#)&'( ,. 2B.0.58&8. h 2# *.8)&'( } .) ,#(* 2. )#C2.#-,.* ,6,-8)&'(* h 2.* #5)&82.* }Ai .) VoAoA

*9DE=:; ./V,V, 5;BC9F8;< =7>=;9>C>D :C >7D; #1. Le gymnaste doit exécuter un saut lors du concours de qualicaM

tion, nale par équipes et nale du concours individuel multiple. Au concours de qualication pour ceux qui désirent se qualierpour la nale aux engins et à la nale aux engins, il doit exécuter

•A T#*&* :'5 )". H;#2-#)&'( C3 )". HM/-53ga) First ight phase, up to the support with two hands.b) 2nd ight phase, including the pushing off from the table up

)' )". 2#(,&(7 &( # *)#(,&(7 %'*&)&'(A F". 73$(#*) $-*) ,.$M'(*)5#). # ,&*)&(8) 5&*. &( )". ".&7") ': "&* C',3 #:).5 %-*" ':::5'$ )". )#C2.A

8b T',3 %'*&)&'( &( )". $'$.()#53 *-%%'5) '( )". )#C2.A,b ].,-8)&'(* L&)" 5.7#5, )' )". ,.;&#)&'( :5'$ )". .0).(,., #0&*

': )". )#C2.A.b F.8"(&8#2 .0.8-)&'( ,-5&(7 )". .()&5. ;#-2)A

:b F". 2#(,&(7A€A <#(,&(7 D-2.*g

#b F". 73$(#*) $-*) 2#(, L&)" C')" :..) L&)"&( #( #5.# $#5N.,2.:) #(, 5&7") ': )". .0).(,., 8.()5. 2&(. ': )". )#C2. #* ,.M*85&C., &( )". :'22'L&(7 ,5#LA

F".*. 2&(.* $-*) C. 82.#523 $#5N., '( )". 2#(,&(7 $#)A S).%M

%&(7 '( )". 2&(.G C-) (') ';.5 )". 2&(.G &* %.5$&)).,A

F". $#) 8'()#&(&(7 )". $#5N., 2#(,&(7 c'(. :'5 #2&7($.()$-*) C. *.8-5.23 :#*).(., *' )"#) &) 8#((') *"&:) ,-5&(7 8'$M%.)&)&'(A

Cb FL&*)&(7 ,-5&(7 ;#-2)* $-*) C. 8'$%2.)., C.:'5. 2#(,&(7A?(8'$%2.). )L&*)* 5.*-2) &( )". #%%5'%5&#). ,.,-8)&'(G #(, &:incomplete by 90° or more, will result in non-recognition bythe D-jury and in recognition as a vault with a lower DifcultyW#2-.A

}A ?( )". Z(, ight phase, the gymnast must show a conspicuous rise&( ".&7") ': "&* 8.().5 ': 75#;&)3 #) )". $'$.() ': "#(, %-*"M'::A

VnA S#2)' ;#-2)* )-8N., '5 %&N., $-*) ,&*%2#3 # ,&*)&(8) '%.(&(7 %"#*.&( %5.%#5#)&'( :'5 2#(,&(7A I 2#(,&(7 )"#) &* (') %5.%#5., &* # *&7( ':

#( .55'5 &( ).8"(&4-. #(, L&22 -*-#223 5.*-2) &( # ).8"(&8#2 .0.8-)&'(,.,-8)&'( #* L.22 #* # 2#(,&(7 ,.,-8)&'(A

VVA >'5 # :-22 2&*) ': .55'5* #(, ,.,-8)&'(* 7';.5(&(7 H0.58&*. =5.M*.()#)&'( *..G S.8)&'( } #(, )". *-$$#53 ': ,.,-8)&'(* &( I5)&82.*}Ai #(, VoAoA

*9DE=:; ./V,V, '>Y79BCDE7> C^78D DX; # <=79;1. The gymnast must show one vault in Qualication, Team Final

and the All-Around Final. In the Qualication for Vault Final and inW#-2) >&(#2* ". $-*) *"'L )L' ;#-2)*G L"&8" $-*) C. :5'$ ,&::.5.()

•A !5&).5&'* %#5# 2# .;#2-#8&P( ,.2 e-5#,' Hg#b =5&$.5# >#*. ,. ;-.2'G "#*)# .2 #%'3' 8'( Z $#('*ACb S.7-(,# :#*. ,.2 ;-.2'G &(82-&,' .2 .$%-e. ,.2 8#C#22' "#*)#

2# 5.8.%8&P( .( %'*&8&P( ,. %&.A H2 7&$(#*)# ,.C. $'*)5#5-(# 5.%-2*&P( 82#5# ,. *- 8-.5%' ,.*%-6* ,.2 .$%-e. ,.2#%#5#)'A

8b ='*&8&P( ,.2 8-.5%' .( .2 #%'3' $'$.()Q(.' ,.2 #%#5#)'A,b ].,-88&'(.* 8'( 5.*%.8)' # 2# ,.*;&#8&P( ,. 2# .0).(*&P(

,.2 .e. ,.2 #%#5#)'A.b He.8-8&P( )68(&8# ,-5#(). .2 *#2)'A

:b <# 5.8.%8&P(A€A D.72#* 5.2#)&;#* # 2# 5.8.%8&P(g

#b <# 5.8.%8&P( ,. 2'* 7&$(#*)#* ,.C. 5.#2&c#5*. 8'( #$C'*%&.* ,.()5' ,. -(# Q5.# $#58#,# # ,.5.8"# . &c4-&.5,# ,.2.e. ,. 2# )#C2# )#2 3 8'$' *. ,.*85&C. # 8'()&(-#8&P(A

<#* 2O(.#* ,.C.( $#58#5*. 82#5#$.(). .( 2# 8'28"'(.)# ,.

5.8.%8&P(A S. %-.,. %&*#5 2# 2O(.#G %.5' (' *'C5.%#*#52#A

<# 8'28"'(.)# 4-. 8'()&.(. 2#* $#58#* ,. 5.8.%8&P( ,.distancia y alineación debe jarse rmemente para que no*. $-.;# ,-5#(). 2# 8'$%.)&8&P(A

Cb <'* 7&5'* ,-5#(). 2'* *#2)'* ,.C.( ).5$&(#5*. #().* ,. *-5.8.%8&P(A <'* 7&5'* &(8'$%2.)'* )&.(.( 2# ,.,-88&P( 8'55.*M%'(,&.().l *O .* &(8'$%2.)' .( }nd ' $Q*G (' *. 5.8'('8.5Q%'5 %#5). ,.2 e-5#,' ] 3 *. ;#2'5#5Q 8'$' -( *#2)' ,. ;#2'5de dicultad menor.

}A H( 2# Zz :#*. ,. ;-.2'G .2 7&$(#*)# ,.C. $'*)5#5 -(# .2.;#8&P(82#5# ,. 2# #2)-5# ,. *- 8.()5' ,. 75#;.,#, .( .2 $'$.()' ,. 2#5.%-2*&P( ,. 2#* $#('*A

VnA <'* $'5)#2.* #75-%#,'* ' .( 8#5%# ,.C.( $'*)5#5 -(# :#*. 82#5#,. #%.5)-5# %5.%#5Q(,'*. %#5# 2# 5.8.%8&P(A U(# 5.8.%8&P( ('

%5.%#5#,# .* -( *&7(' ,. :#2)# ,. )68(&8# 3 ('5$#2$.(). ).(,5Q-(# ,.,-88&P( %'5 .e.8-8&P( )68(&8# 3 %'5 5.8.%8&P(A

VVA W.5 2# 2&*)# 8'$%2.)# ,. :#2)#* 3 ,.,-88&'(.* 5.2#)&;#* # 2# %5.*.(M)#8&P( ,.2 .e.58&8&'G .( 2# *.88&P( } 3 .2 5.*-$.( ,. ,.,-88&'(.*,. 2'* #5)O8-2'* }Ai 3 VoAoA

*9DP=8:7 ./V,V, '>Y79BC=EZ> <7^9; :C >7DC #1. El gimnasta debe realizar un salto en la calicación, la nal de

equipos y en el múltiple individual. En la clasicación para la naly en la nal debe realizar dos saltos que deben ser de grupo de

,.-0 *#-)* ,. 75'-%.* ,&::65.()* a%'-5 )'-) 2.* *#-)*b .) ,'() 2#b,.-0&E$. %"#*. ,- *#-) (. ,'&) J)5. %#* 2. $J$. '- *&$&2#&5.

W#-2) @5'-%* a:'5 #22 ;#-2)*b #(, L"&8" $#3 (') "#;. )". *#$. '5similar 2nd ight phases (for the higher difculty vaults)

*#2)'* ,&:.5.().* a%#5# )','* 2'* *#2)'*b 3 (' ,.C. ).(.5 *&$&2#5' &,6()&8# Zz :#*. ,. ;-.2' a%#5# 2'* *#2)'* $Q* ,&:O8&2.*b

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 100

,.-0&E$. %"#*. ,- *#-) (. ,'&) J)5. %#* 2. $J$. '- *&$&2#&5.,- %5.$&.5 *#-)A

@5'-%. ? D.(;.5*.$.()* #;#()A @5'-%. ?? Š '- ‡ )'-5* ,#(* 2# VE5. %"#*. ,B.(;'2A@5'-%. ??? S#-)* h %#5)&5 ,. 5'(,#,.A@5'-%. ?W S#-)* h %#5)&5 ,. 5'(,#,. #;.8 ‡ )'-5 ,#(*

2# V.5 %"#*. ,B.(;'2A@5'-%. W H()56. S8".5C' ,#(* 2# V.5A %"#*. ,B.(;'2

2. Chaque saut a reçu un numéro d’identication et une valeur et aété classé dans le tableau des difcultés dans son groupe d’éléM

$.()*A <.* %5&(8&%.* 76(65#-0 *-&;#()* *'() #%%2&4-6*g#b <.* *#-)* !-.5;' '() 2# $J$. ;#2.-5 4-. 2.* *#-)* #(#2'7-.*

D.(;.5*.$.() .) *#2)' #;.8 5')#)&'(*ACb <.* *#-)* \#*#$#)*- '() 2# $J$. ;#2.-5 4-. 2.* *#-)*

#(#2'7-.* F*-N#"#5#A8b <.* *#-)* [-58".(N' '() 2# $J$. ;#2.-5 4-. 2.* *#-)* #(#M

2'7-.* F*-N#"#5# .) \#*#$#)*-A,b I $'&(* ,B&(,&8#)&'( 8'()5#&5.G 2.* *#-)* h %#5)&5 ,. 2# 5'(,#,.

#;.8 ‡ )'-5 *-5 2# )#C2. ,. *#-) '() -(. ;#2.-5 *-%65&.-5. ,.nAZn #-0 *#-)* #(#2'7-.* *#(* ‡ )'-5A

.b I $'&(* ,B&(,&8#)&'( 8'()5#&5.G 2.* *#-)* h %#5)&5 ,. 2# 5'(,#,.avec ¾ ou 1/1 tour sur la table de saut ont une valeur supérieure,. nAin #-0 *#-)* *&$&2#&5.* ,. 2# 8#)67'5&. ,.* F*-N#"#5#A

oA !"#4-. *#-) # *# %5'%5. ;#2.-5G .( :'(8)&'( ,. *# 8'$%2.0&)6AiA I;#() 8"#4-. *#-)G 2. e-53 ] ,'&) J)5. &(:'5$6 ,- (-$65' 8'5M

respondant des tableaux du Code de pointage. L’afchage est.::.8)-6 %#5 2. 73$(#*). '- -( #&,. #- $'3.( ,- ,&*%'*&)&: %56;-.) (B.*) %#* %6(#2&*6 .( 8#* ,B.55.-5A

H0.$%2.g (' oV} x 2. 8"&::5. o 8'55.*%'(, #- 75'-%. ,.*#-)*G .) 2.* 8"&::5.* V}G 2. (-$65' ,- *#-) ,#(* 8. 75'-%.A

kA <. 73$(#*). ,'&) %56*.().5 2# %'*&)&'( ,- 8'5%* %56;-. a75'-%6.G8#5%6. '- ).(,-.b ,. :#^'( (.)). .) &(,&*8-)#C2.A <.* %'*&)&'(*&$%568&*.* %.-;.() .()5#j(.5 2# ('(M5.8'((#&**#(8. ,- *#-) %#52. e-53 ] '- 2# 5.8'((#&**#(8. ,B-( *#-) ,. ;#2.-5 &(:65&.-5. a;'&5la dénition des positions du corps au annexe A section 3). Legymnaste doit afcher le numéro du saut qu’il peut exécuter et('( 8.2-& ,- *#-) 4-B&2 .*%E5. 56-**&5A !.) #;.5)&**.$.() *B#%%2&4-.%#5)&8-2&E5.$.() h 2# 5.8'((#&**#(8. ,.* %'*&)&'(* ).(,-. .)8#5%6.A

wA 1( #))5&C-. 2# ('). c65' ae-53 ] .) e-53 Hb ,#(* 2.* 8#* *-&;#()*g#b I%5E* 2B62#(G 2. 73$(#*). )'-8". 2. )5#$%'2&(. '- 2# )#C2. ,-

*#-)ACb <. *#-) .*) ).22.$.() 5#)6 4-B'( (. %.-) 5.8'((#j)5. 2# :'5$. %56M

;-.G '- 2. 73$(#*). %5.(, #%%-& ,.* %&.,* *-5 2# )#C2. ,. *#-)*A8b <. 73$(#*). (B# %#* )'-8"6 2# )#C2. ,. *#-) #;.8 2.*

$#&(*G8B.*)MhM,&5. #-8-(. $#&( (B# )'-8"6 2# )#C2. ,. *#-)A,b <# 568.%)&'( (B# %#* 2&.- *-5 2.* %&.,*g #- $'&(* -( %&., ,'&)

)'-8".5 2. )#%&* ,. 568.%)&'( #;#() )'-). #-)5. %#5)&. ,- 8'5%*A

.b D68.%)&'( &().()&'((.22. .( %'*&)&'( 2#)65#2.A:b <. 73$(#*). .068-). -( *#-) ('( 5672.$.()#&5. ae#$C.*

similar 2nd ight phases (for the higher difculty vaults).

@5'-% ? X#(,*%5&(7 AGroup II 1/4 or 1/2 tw in 1st ight.@5'-% ??? D'-(, ':: .()53AGroup IV Round off with 1/2 tw in 1st ight.

@5'-% W Scherbo entry in 1st ight 2. Each vault is listed, numbered, and given a value in the Difculty

F#C2.* L&)"&( &)* @5'-%A F". :'22'L&(7 7.(.5#2 %5&(8&%2.* #%%23g

#b !-.5;' ;#-2)* "#;. )". *#$. ;#2-. #* .4-&;#2.() X#(,*%5&(7S#2)' ;#-2)* L&)" )L&*)*A

Cb \#*#$#)*- ;#-2)* "#;. )". *#$. ;#2-. #* )". .4-&;#2.()F*-N#"#5# ;#-2)*A

8b [-58".(N' ;#-2)* "#;. )". *#$. ;#2-. #* )". #(#2'7'-*F*-N#"#5# '5 \#*#$#)*- ;#-2)*A

,b U(2.** ')".5L&*. &(,&8#).,G 5'-(,M':: .()53 ;#-2)* L&)" ‡ )-5()' )". )#C2. "#;. # ;#2-. ': nAZn $'5. )"#( )". #(#2'7'-*:'5L#5, #%%5'#8" ;#-2)*A

e) Unless otherwise indicated, round-off entry vaults with ¾ or 1/1)-5( )' )". )#C2. "#;. # ;#2-. ': nAin $'5. )"#( )". #(#2'7'-*F*-N#"#5# ;#-2)*A

3. Each vault is given a unique Difculty Value based on its complexity.iA =5&'5 )' )". .0.8-)&'( ': .#8" ;#-2)G )". #%%5'%5&#). ;#-2) (-$C.5G

#* #**&7(., &( )". !',. ': ='&()* $-*) C. ,&*%2#3., :'5 )". ]Me-53AF"&* :-(8)&'( &* %.5:'5$., C3 )". 73$(#*)G '5 #( #**&*)#()G L&)"the aid of a ashboard and is not penalized in the case of error.

H0#$%2.g oV} M F". o ,.*&7(#).* )". ;#-2) 75'-%l )".V} ,.*&7(#).* )". ;#-2) (-$C.5 L&)"&( )"#) ;#-2) 75'-%A

kA F". 73$(#*) $-*) *"'L )". &().(,., C',3 %'*&)&'( a)-8N.,G %&N.,G'5 *)5.)8".,b &( # ,&*)&(8) #(, -($&*)#N#C2. $#((.5A Y'(M,&*)&(8)C',3 %'*&)&'(* $#3 5.*-2) &( ('(M5.8'7(&)&'( C3 )". ]M/-53 '5recognition as a vault with a lower Difculty Value. (see the bodyposition denitions in Appendix A Section 3). The gymnast must,&*%2#3 )". ;#-2) (-$C.5 :'5 )". ;#-2) )"#) ". 8#( ,'G (') )". '(.". "'%.* )' ,'A F"&* L#5(&(7 #%%2&.* .*%.8&#223 :'5 )". 5.8'7(&)&'(': *)5.)8"., #(, %&N., %'*&)&'(*A

wA F". ;#-2) &* &(;#2&, anAnn %'&() :5'$ )". ]M/-53 #(, )". HM/-53bb L".(g#b F". #%%5'#8" &* .0.8-)., #(, )". 73$(#*) *).%* '( )' )".

springboard and/or touches the table without vaulting.Cb F". ;#-2) &* *' %''523 .0.8-)., )"#) )". &().(,., ;#-2) 8#((') C.

5.8'7(&c.,G '5 )". 73$(#*) %-*".* :5'$ )". )#C2. L&)" "&* :..)A8b F". ;#-2) &* .0.8-)., L&)"'-) # *-%%'5) %"#*.G &A.AG (.&)".5

"#(, )'-8".* )". )#C2.Ad) The gymnast does not land with his feet rst. This means that

#) 2.#*) '(. :'') $-*) 8'()#8) )". 2#(,&(7 $#) C.:'5. #(3 ')".5%#5) ': )". C',3A

.b F". 73$(#*) 2#(,* &().()&'(#223 &( # *&,. *)#(,A:b F". 73$(#*) %.5:'5$* # %5'"&C&)., ;#-2) a*)5#,,2., 2.7*G *#2)'

' &,6()&8# Z :#*. ,. ;-.2' a%#5# 2'* *#2)'* $Q* ,&:O8&2.*bA

@5-%' ? =#2'$#*A@5-%' ?? Š ' ‡ 7&5' .( 2# Vz :#*. ,. ;-.2'A@5-%' ??? S#2)'* # %#5)&5 ,. 2# 5'(,#,#A@5-%' ?W S#2)'* # %#5)&5 ,. 2# 5'(,#,# 8'( ‡ 7&5' .( 2#

%5&$.5# :#*. ,. ;-.2'@5-%' W H()5#,# S8".5C' .( 2# %5&$.5# :#*. ,. ;-.2'

2. Cada salto es listado, numerado y valorado en las tablas de diM8-2)#, ,. *- @5-%'A S. #%2&8#( 2'* %5&(8&%&'* 7.(.5#2.* *&7-&.().*g

#b <'* *#2)'* !-.5;' )&.(.( .2 $&*$' ;#2'5 4-. 2'* ,. 2# %#2'$#

8'( .2 7&5' .4-&;#2.().ACb <'* *#2)'* \#*#$#)*- )&.(.( .2 $&*$' ;#2'5 4-. 2'* *#2)'*

F*-N#"#5# .4-&;#2.().*A8b <'* *#2)'* [-58".(N' )&.(.( .2 $&*$' ;#2'5 4-. 2'* F*-N#"#5#

' \#*#$#)*- *&$&2#5.*A,b I $.('* 4-. *. &(,&4-. ')5# 8'*#G 2#* .()5#,#* ,. 5'(,#,#

8'( ‡ 7&5' #2 #%#5#)' )&.(.( -( ;#2'5 ,. nGZn $Q* 4-. .2 *#2)'*&$&2#5 #,.2#().A

.b I $.('* 4-. *. &(,&4-. 2' 8'()5#5&'G 2#* .()5#,#* ,. 5'(,#,#con ¾ o 1/1 giro a la mesa tienen un valor de 0,40 mas que.2 *#2)' )*-N#"#5# #(Q2'7'*A

3. Cada salto tiene el valor de dicultad basado en su complejidad.iA I().* ,. 2# .e.8-8&P( ,. 8#,# *#2)'G ,.C. $'*)5#5*. #2 /-5#,' ]

.2 (d ,. *#2)' 8'55.*%'(,&.().G #*&7(#,' .( .2 8P,&7' ,. %-()-#M8&P(A H*)# :-(8&P( 2# 5.#2&c# .2 7&$(#*)# ' -( #*&*).(). $.,&#().-( $#58#,'5 3 (' *. %.(#2&c# *& "#3 .55'5A

He.$%2'g (d oV} x H2 (R$.5' o 8'55.*%'(,. #2 75-%' ,.2*#2)'G .2 V} &(,&8# .2 (d ,.2 *#2)' ,.()5' ,.2 75-%'A

kA H2 7&$(#*)# ,.C. $'*)5#5 2# %'*&8&P( ,.2 8-.5%' ,.*.#,#a#75-%#,'G .( 8#5%# ' .0).(,&,'b ,. $#(.5# 82#5# . &(.4-O;'8#AUna posición del cuerpo indenida puede llevar consigo que el e-5#,' ] (' 2# 5.8'('c8# ' 4-. 5.8'('c8# -( *#2)' ,. ;#2'5 ,.dicultad menor (ver las deniciones de posiciones en el Anexo A*.88&P( obA H2 7&$(#*)# ,.C. ,.82#5#5 .2 *#2)' 4-. %-.,. "#8.5G(' .2 4-. .*%.5# "#8.5A H*)# #,;.5).(8&# *. #%2&8# *'C5. )','%#5# .2 5.8'('8&$&.()' ,. %'*&8&'(.* .0).(,&,#* 3 .( 8#5%#A

wA U( *#2)' .* (-2' anAnn %-()'* ,.2 e-5#,' ] 3 Hb 8-#(,'ga) La carrera se ejecuta y el gimnasta pisa el trampolín y/o toca

2# )#C2# *&( 5.#2&c#5 .2 *#2)'ACb H2 *#2)' *. .e.8-)# )#( $#2 4-. (' *. %-.,. 5.8'('8.5G ' .2

7&$(#*)# .$%-e# 2# )#C2# 8'( *-* %&.*A8b H2 *#2)' *. .e.8-)# *&( :#*. ,. #%'3'G %'5 .e.$%2'G (&(7-(#

$#(' )'8# 2# )#C2#Ad) El gimnasta no recepciona primero con los pies. Esto signica

4-. #2 $.('* -(' ,. 2'* %&.* ,.C. )'8#5 2# 8'28"'(.)# #().*4-. ')5# %#5). ,.2 8-.5%'A

.b <# 5.8.%8&P( *. "#8. &().(8&'(#,#$.(). .( %'*&8&P( 2#).5#2A:b H2 7&$(#*)# 5.#2&c# -( *#2)' %5'"&C&,' a%&.5(#* #C&.5)#*G

68#5)6.*G *#2)' ,#(* 2# %5.$&E5. %"#*. ,B.(;'2G %56M626$.()('( 5672.$.()#&5. #;#() 2. )5.$%2&( .)8 b

$'5)#2 .( 2# %5&$.5# :#*.G .2.$.()' %5.;&' %5'"&C&,' #().*,.2 )5#$%'2O( .)8 b

in rst ight, prohibited pre-element before the vaulting board,.)8 b

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 101

('( 5672.$.()#&5. #;#() 2. )5.$%2&(G .)8AbA7b D6%6)&)&'( ,- %5.$&.5 *#-) 2'5* ,- ,.-0&E$. *#-) #- 8'(8'-5*

de qualication pour ceux qui désirent se qualier pour lanale aux engins ou à la nale aux engins.

"b <. 73$(#*). (B-)&2&*. %#* 2. )#%&* ,. %5').8)&'( #-)'-5 ,- )5.$M%2&( 2'5* ,B-( *#-) h %#5)&5 ,. 2# 5'(,#,. a75'-%. ???G ?W .) WbA

&b <. )#%&* ,. %5').8)&'( ,'&) J)5. -)&2&*6 'C2&7#)'&5.$.() %'-52.* *#-)* [-58".(N' ,#(* 2.* #-)5.* 8#* *'() -)&2&*#)&'( .*):#8-2)#)&;.A

U( 8'()5{2. ;&,6' %#5 2. e-53 ] .) 2. *-%.5;&*.-5 h 2B#75E* *.

:.5'() #-)'$#)&4-.$.() %'-5 8"#4-. 568.%)&'( ,B-( *#-) ('(;#2&,. ,. *8'5.snsAF'-* 2.* e-7.* HM/-53 .()5.() 2.-5* ,6,-8)&'(* #%5E* 8"#4-. *#-).::.8)-6A <. e-53 ] 2.* &(:'5$. ,#(* 2. 8#* ,B-( *#-) h rns .) 2.-5&(,&4-. 2# $6)"',. ,. %56*.().5 2. *8'5. H h rnsA

•A ='-5 2# qualication !?G 2# =7BMUDEDE7> MC9 UF8EM; ! ?W .) 2.=7>=789< E>?EWE?8;: B8:DEM:; !??g

U( *#-) ,'&) J)5. 56#2&*6A • En qualication, le score du 1er saut compte pour l’équipe et /

'- %'-5 2. )')#2 &(,&;&,-.2 $-2)&%2.A H( qualication a%.(,#() 2. ! ?b .) .( nale par agrès a! ???b

8"#4-. 73$(#*). ,'&) 56#2&*.5 ,.-0 *#-)* ,&::65.()*G J)5. ,.75'-%.* ,&::65.()* a;'&5 %#7.* V .) Z ,. 2# )#C2. ,. ;#2.-5 ,-*#-)*bG .) (. %#* #;'&5 ,. *.8'(,. %"#*. ,. ;'2 &,.()&4-. '-*&$&2#&5. a;'&5 %#7. Z ,. 2# )#C2. ,. ;#2.-5 ,- *#-)*bA

H( qualication a%.(,#() 2. ! ?b .) .( nale par agrès a! ???bla moyenne du score des deux sauts détermine le score nal du73$(#*).A

€A U(. 8'-5*. ,B62#( *-%%26$.()#&5. .*) #-)'5&*6. #;.8 -(. ,6,-8M)&'( ,. VGnn %'&() %'-5 2# 8'-5*. h ;&,. a*& 2. 73$(#*). (B# %#*)'-8"6 2. )5.$%2&( '- 2B#%%#5.&2bA

M SB&2 *B#7&) ,B-( *.-2 *#-)G -(. ,.-0&E$. 8'-5*. ,B62#( .*)%.5$&*. #;.8 ,6,-8)&'( U(. )5'&*&E$. 8'-5*. ,B62#( (B.*)%#* %.5$&**.A

M SB&2 *B#7&) ,.* ,.-0 *#-)*G -(. )5'&*&E$. 8'-5*. ,B62#( .*)%.5$&*. #;.8 ,6,-8)&'(A U(. 4-#)5&E$. 8'-5*. ,B62#( (B.*)%#* %.5$&*.A

,.2 )5#$%'2O(G .)8AbAg) El primer salto se repite como segundo salto en la calicación

y en la nal de salto.

"b H2 7&$(#*)# (' -*# .2 %5').8)'5 ,. *.7-5&,#, ,.2 )5#$%'2O(.( 2#* .()5#,#* ,. 5'(,#,# a@5-%'* ???G ?W 3 WbA

&b <# 8'28"'(.)# ,. #%'3' ,. $#('* *'2' %-.,. -*#5*. %#5#2'* *#2)'* [-58".(N' 3 .* '%8&'(#2A

H2 e-5#,' ] 3 .2 *-%.5;&*'5 ,.2 #%#5#)' 5.#2&c#5Q( #-)'$Q)&8#M

$.(). -(# 5.;&*&P( 8-#(,' .2 *#2)' 5.8&C. -(# (')# nAF','* 2'* e-.8.* H &()5',-8.( *-* ,.,-88&'(.* ,.*%-6* ,.cada salto. En el caso de salto “0” el jurado D lo noticará e&(:'5$#5Q ,.2 $6)',' %#5# %5.*.()#5 -(# (')# H 8.5'A

•A H( Calicación a! ?bG HE>C: ?; ;F8EM7< a! ?WbG 3 =7>=89<7Bi:DEM:; E>?EWE?8C: a! ??bg

S. ,.C. .e.8-)#5 -( *#2)' • En calicación, la nota del 1er. salto cuenta para el equipo y el

)')#2 &(,&;&,-#2A &C9C la calicación de a.( .2 8'(8-5*' ! ?b A ;> :C HE>C: M79

CMC9CD7< a! ???bG 8#,# 7&$(#*)# ,.C. .e.8-)#5 ,'* *#2)'* ,&:.M5.().* ,. ,&:.5.().* 75-%' ,. *#2)' a%#7&(#* V 3 Z ,. 2# )#C2# ,.;#2'5 ,. *#2)'*b 3 *&( ).(.5 2# Zz :#*. ,. ;-.2' &7-#2 ' *&$&2#5 a*'2'2# %#7&(# Z ,. 2# )#C2# ,. ;#2'5 ,. *#2)'*bA

En la calicación de a.( .2 8'(8-5*' ! ?b A ;> :C HE>C: M79CMC9CD7< a! ???bG 2# (')# $.,&# ,. 2'* Z *#2)'* ,.).5$&(#5Q 2# (')#nal del gimnasta.

€A S. %.5$&).( 8#55.5#* ,. #%5'0&$#8&P( *-%2.$.()#5&#*G 8'( -(#,.,-88&P( ,. VGnn %-()' %'5 8#55.5# *&( *#2)'G ,. 2# *&7-&.().:'5$#g

M !-#(,' *. 5.4-&.5. -( *#2)'G *. %.5$&). -(# *.7-(,# 8#55.5#8'( ,.,-88&P(A Y' *. %.5$&). -(# ).58.5# 8#55.5#A

M !-#(,' *. 5.4-&.5.( ,'* *#2)'*G *. %.5$&). -(# ).58.5#8#55.5# 8'( ,.,-88&P(A Y' *. %.5$&). -(# 8-#5)# 8#55.5#A

.)8AbAg) The rst vault is repeated for the second vault in Qualication

:'5 W#-2) >&(#2 '5 &( W#-2) >&(#2A

"b F". 73$(#*) ,'.* (') -*. )". ;#-2) *#:.)3 8'22#5 :'5 5'-(, '::.()53 ;#-2)* a@5'-% ???G ?W #(, W ;#-2)*bA

&b F". %2#8.$.() $#) $#3 C. -*., :'5 [-58".(N' ;#-2)* '(23#(, &* '%)&'(#2A

I ;&,.' 5.;&.L C3 ]M %#(.2 #(, I%%#5#)-* *-%.5;&*'5 L&22 #-M

)'$#)&8#223 '88-5 :'5 .;.53 ;#-2) 5.8.&;&(7 #( ?(;#2&, rn rS8'5.A I22 HM/-53 e-,7.* .().5 )".&5 ,.,-8)&'(* #:).5 .;.53 ;#-2) %.5M:'5$.,A F". ] e-53 L&22 (')&:3 )".$ &( )". 8#*. ': # rns ;#-2) #(,#,;&*. )".$ ': )". $.)"', )' %5.*.() # rns HM*8'5.A

•A ?( Qualication a! ?bG );CB HE>C: a! ?WbG C>? *::]*978>? a! ??bg

1(. ;#-2) $-*) C. %.5:'5$.,A • In Qualication, the 1st vault score counts toward the Team and/

'5 I22MI5'-(, F')#2A For Qualication to a,-5&(7 ! ?b #(, &( )". *MMC9CD8< HE>C: a! ???bG

.#8" 73$(#*) $-*) %.5:'5$ )L' ,&::.5.() ;#-2)* L"&8" $-*) C. :5'$,&::.5.() W#-2) @5'-%* a:'5 %#7.* V … Z ': W#-2) W#2-. F#C2.b #(, L"&8"may not have the same or similar 2nd ight phases (for page 2 of theW#-2) W#2-. F#C2. '(23bA

'> Qualication to a,-5&(7 ! ?b C>? E> DX; *MMC9CD8< HE>C: a!III), the average score of the 2 vaults will determine the nal score:'5 )". 73$(#*)A

€A I,,&)&'(#2 5-( #%%5'#8".* #5. %.5$&))., #* :'22'L*G L&)" ,.,-8)&'(': VAnn :'5 .$%)3 5-( a&: 73$(#*)* "#* (') )'-8"., )". *%5&(7C'#5,'5 #%%#5#)-*bA

M K".( V ;#-2) &* 5.4-&5.,G # *.8'(, 5-( #%%5'#8" &* %.5$&)).,L&)" ,.,-8)&'(A F"&5, #%%5'#8" (') %.5$&)).,A

M K".( Z ;#-2)* #5. 5.4-&5.,G # )"&5, 5-( #%%5'#8" &* %.5$&)).,L&)" ,.,-8)&'(A >'-5)" #%%5'#8" (') %.5$&)).,A

Article 13.3 Table of Specic Errors and Deductions for Vault# e89A

2 :: 1 ?E 6

Artículo 13.3 Tabla de faltas y deducciones especícas para salto

f89C?7 #

& p 1 ?E + ?

*9DE=:; ./V/ )C^:;C8 ?;< YC8D;< ;D ?;< ?U?8=DE7>< M789 :; <C8Df89A #

& DED 1 + E[

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 102

$9979 2BC::

-V.-1;?E8B

-V/-6C9@;-Vc-

<#(,&(7 '5 )'-8"&(7 L&)" '(. :'')'5 '(. "#(, '-)*&,. )". 2#(,&(7#5.#A

0.1 from the nal score

F'-8"&(7 L&)" :..)G "#(,*G :'') #(,"#(, '5 L&)" #(3 ')".5 %#5) ': )".C',3 '-)*&,. ': )". 2#(,&(7 #5.#A

0.3 from the nal score

<#(,&(7 ,&5.8)23 '-)*&,. )". 2#(,&(7#5.#A 0.3 from the nal score

H08..,&(7 Zk $.).5 5-( :'5 W#-2)A nGkn :5'$ )". >&(#2 S8'5.

? 22.7#2 '5 &(;#2&, ;#-2)*A S8'5. ': nGnn :'5 )". ;#-2)

>#&2-5. )' -*. ;#-2) C'#5, *#:.)38'22#5 :'5 5'-(,M':: .()53 ;#-2)*A

S8'5. ': nGnn :'5 )". ;#-2)

Repeating 1st vault in Qualication'5 &( W#-2)M>&(#2A S8'5. ': nGnn :'5 )". ;#-2)

Repeating 1st vault group in QualiMcation or in Vault-Final. ZGn %'&() ,.,-8)&'( :'5 )". Z(, ;#-2)

Same or similar 2nd ight phasefor the two vaults in Qualication or&( W#-2)M>&(#2 aF#C2. %#7. ZbA

ZGn %'&() ,.,-8)&'( :'5 )". Z(, ;#-2)

I,,&)&'(#2 5-( #%%5'#8"A VGnn %'&() ,.,-8)&'(

$ f89A ?;?8=DE7><

$9979 2BC::

-V.-1;?E8B

-V/-6C9@;-Vc-

Execution errors in 1st ight.‚ ‚ ‚

Technical errors in 1st ight.‚ ‚ ‚

=#**&(7 )". "#(,*)#(, %'*&)&'( (')

)"5'-7" )". ;.5)&8#2A ‚ ‚ ‚

Execution errors in 2nd ight.‚ ‚ ‚

Technical errors in 2nd ight.‚ ‚ ‚

Insufcient height, no conspicuous5&*. ': )". C',3A

‚ ‚ ‚

<#8N ': .0).(*&'( &( %5.%#5#)&'(:'5 2#(,&(7A

‚ ‚

HC:DC &;F8;pC

-V.-1;?EC-V/-

+9C>?;-Vc-

!#.5 ' )'8#5 8'( -(# $#(' ' -(%&. :-.5# ,.2 Q5.# ,. 5.8.%8&P(A 0.1 de la nota nal

F'8#5 8'( %&.*G $#('*G %&. 3$#(' ' 8-#24-&.5 ')5# %#5).,.2 8-.5%' :-.5# ,.2 Q5.# ,.5.8.%8&P(A

0.3 de la nota nal

!#O,# ,&5.8)#$.(). :-.5# ,.2Q5.# ,. 5.8.%8&P(A 0.3 de la nota nal

9Q* ,. Zk $.)5'* ,. 8#55.5#A 0,50 de la nota nal

S#2)'* &2.7#2.* ' (' ;Q2&,'*A Y')# nGnn %#5# .2 *#2)'

Y' -*#5 .2 8'22#5 ,. *.7-5&,#,,.2 )5#$%'2O( .( 2'* *#2)'* ,..()5#,# 8'( 5'(,#,#A Y')# nGnn %#5# .2 *#2)'

Repetir el 1er salto en la CalicaMción o en la nal de salto. Y')# nGnn %#5# .2 *#2)'

D.%.)&5 .2 75-%' ,.2 V.5 *#2)' .(Calicación o en la nal de salto. ZGn %-()' ,. ,.,-88&P( %#5# .2 Zd

*#2)'

?7-#2 ' *&$&2#5 Zz :#*. ,. ;-.2'para los dos saltos en la CalicaMción o en la nal (tabla página 2).

ZGn %-()' ,. ,.,-88&P( %#5# .2 Zd*#2)'

!#55.5# ,. &$%-2*' *-%2.$.()#5&#A VGn %-()' ,. ,.,-88&P(

#;?8==E7>;< f89C?7 $

HC:DC &;F8;pC

-V.-1;?EC-V/-

+9C>?;-Vc-

H55'5.* ,. .e.8-8&P( .( 2# Vz:#*.A

‚ ‚ ‚

H55'5.* )68(&8'* .( 2# Vz :#*.A‚ ‚ ‚

Y' %#*#5 %'5 2# ;.5)&8#2 .( 2 #

%'*&8&P( ,. #%'3' &(;.5)&,'A ‚ ‚ ‚

H55'5.* ,. .e.8-8&P( .( 2# Zz:#*.A

‚ ‚ ‚

H55'5.* )68(&8'* .( 2# Zz :#*.A‚ ‚ ‚

Altura insuciente, altura del8-.5%' (' #,.8-#,#A

‚ ‚ ‚

>#2)# ,. .0).(*&P( .( 2# %5.%#M5#8&P( ,. 2# 5.8.%8&P(A

‚ ‚

HC8D; &;DED;

-V.-17A;>>;

-V/-+97<<E[9;

-Vc-

D68.%)&'( '- )'-8". ,v-(.$#&( '- ,v-( %&., h 2B.0)65&.-5,- *.8).-5 ,. 568.%)&'(A

0.1 de la note nale

F'-8". ,.* $#&(*G %&.,*G %&.,.) $#&( '- #-)5. %#5) ,- 8'5%*h 2B.0)65&.-5 ,- *.8).-5 ,.568.%)&'(A

0.3 de la note nale

D68.%)&'( ,B-( 626$.() )')#M2.$.() h 2B.0)65&.-5 ,- *.8).-5,. 568.%)&'(A

0.3 de la note nale

=2-* ,. Zk $A ,v62#(A 0.5 de la note nale

S#-) ('( 5672.$.()#&5.A ('). nAn %'-5 2. *#-)

Y'( -)&2&*#)&'( ,- )#%&* ,.%5').8)&'( #-)'-5 ,- )5.$%2&(%'-5 2.* *#-)* h %#5)&5 ,. 2#5'(,#,.A

('). nAn %'-5 2. *#-)

D6%6)&)&'( ,- V.5 *#-) #-concours de qualication ouen nale.

('). nAn %'-5 2. *#-)

D6%6)&)&'( ,- V.5 75'-%. ,.sauts au concours de qualicaMtion ou en nale.

ZAn %'&() ,6,-8)&'( %'-5 2. ZE$. *#-)

ZE$. %"#*. ,B.(;'2 &,.()&4-.'- *&$&2#&5. #- 8'(8'-5* ,.qualication ou en nale (pageZ ,- )#C2.bA

ZAn %'&() ,6,-8)&'( %'-5 2. ZE$. *#-)

!'-5*. ,B62#( *-%%26$.()#&5.A VGn %'&() ,6,-8)&'(

#U?8=DE7>< ?8 f89A $

HC8D; &;DED;

-V.-17A;>>;

-V/-+97<<E[9;

-Vc-

>#-).* ,v.068-)&'( ,#(* 2#%5.$&E5. %"#*. ,v.(;'2A

‚ ‚ ‚

>#-).* ).8"(&4-.* ,#(* 2#%5.$&E5. %"#*. ,v.(;'2A

‚ ‚ ‚

]6;&#)&'(* %#5 5#%%'5) h 2#;.5)&8#2. h 2v#%%-& 5.(;.5*6A ‚ ‚ ‚

>#-).* ,v.068-)&'( ,#(* 2#,.-0&E$. %"#*. ,v.(;'2A

‚ ‚ ‚

>#-).* ).8"(&4-.* ,#(* 2#,.-0&E$. %"#*. ,v.(;'2A

‚ ‚ ‚

Hauteur insufsante, pas d'éléM;#)&'( (.)). ,- 8'5%*A

‚ ‚ ‚

Extension insufsante avant la568.%)&'(A

‚ ‚

$+ '\ 5;>W;9<;B;>D< CWC>D DAM; <C8D< ] Z8?dG?O \G9O@A?79D @6EC4 UGBC6@ ] &C:7BC<VnVA D.(;.5*.$.() #;#()A VnZA D.(;.5*.$.() #;#() #;.8 ‡ )A 103. Renversement avant avec 1/1 t. 104. Renversement avant avec 3/2 t. 105. Renversement avant avec 2/1 t. VnwA D.(;.5*.$.() #;A .) *#2)' #;A 75A

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 103

Forward handspring. =#2'$#A

Vn•AD.(;*A #;A .) *#2)' #;A 75A #;.8 ‡ )A a'- !-.5;' 75AbA Hdspr. fwd. and salto fwd. t. w. ½ t. (or Cuervo t.).

=#2'$# $'5)#2 #,A #75A 8'( ‡ a'A !-.5;' #75AbA

Forward handspring with ½ t. =#2'$# 8'( ‡ 7A

Forward handspring with 1/1 t. Paloma con 1/1 g.

VV}A VZV VZZA

,VJ

_V-

.VJ

_V-/Vl

/V,

,V-

_V_

.Vl

_V-


,V,


,V_

_V_ ,VJ

_VJVZnA VZiAVZoA

(Kroll)

(Canbas)

108. Renvs. av. et salto av. gr. avec 1/1 t. (Cuervo75A #A ‡ )AbA

Hdspr. fwd. and salto fwd. t. w. 1/1 t. (Cuervo t.w. ½ t.).

Paloma mortal ad. agr. con 1/1 g. (Cuervo agr.8'(A ‡ 7AbA

109. Renvs. av. et salto av. gr. avec 3/2 t. (Cuervogr. a. 1/1 t.).

Hdspr. fwd. and salto fwd. t. w. 3/2 t. (Cuervot. w. 1/1 t.).

Paloma mortal ad. agr. con 3/2 g. (Cuervo agr.con 1/1 g.).

VVnARenvs. av. et salto av. gr. avec 2/1 t. (ou Cuervogr. a. 3/2 t.).

Hdspr. fwd. and salto fwd. t. w. 2/1 t. (or Cuervo

t. w. 3/2 t.). Paloma mortal ad. agr. con. 2/g. (o. Cuervo agr.

con 3/2 g.).

VVVA D.(;.5*.$.() #;A .) *#2)' #;A 8#A Handspring fwd. and salto fwd. piked. =#2'$# $'5)#2 .( 8#5%#A

7 Handspring fwd. and salto fwd. t. =#2'$# $'5)#2 #,A #75A

VVZAD.(;*A #;A .) *#2)' #;A 8#A #;.8 ‡ )A a!-.5;' 8#AbA Hdspr. fwd. and salto fwd. p. w. ½ t. (Cuervo p.).

=#2'$# $'5)#2 .( 8#5%# 8'( ‡ 7A a!-.5;' 8#5%AbA

,V_

/V,113. Renvs. av. et salto av. ca. avec 1/1 t. (Cuervo8#5%6 #A ‡ )Ab

Hdspr. fwd. and salto fwd. p. w. 1/1 t. (Cuervo p. w. ½ t.)

Paloma mortal en carpa con 1/1 g. (Cuervo en8#5%# 8'( ‡ 7Ab

114. Renvs. av. et salto av. ca. avec 3/2 t. (Cuervocarpé a. 1/1 t.)

Hdspr. fwd. and salto fwd. p. w. 3/2 t. (Cuervo p. w. 1/1 t.)

Paloma mortal en carpa con 3/2 g. (Cuervoen carpa con 1/1 g.)

115. Renversement avant 1/1 t. et salto av. gr. Hdspr. fwd. w. 1/1 t. a. salto fwd. t. Paloma con 1/1 g. agrupado mortal ad. agr.

116. Renversement av. a. 1/1 t. et salto av. carpé. Hdspr. fwd. w. 1/1 t. and salto fwd. p. Paloma con 1/1 g. agrupado mortal ad. carp.

117. Renversement avant avec 1/1 t. et salto av.8#5%6 ‡ )A

Hdspr. fwd. 1/1 t. and Salto fwd piked ½ t. Paloma con 1/1 g. y mortal ad. en carpa con

½ g.

VV€A

(Behrend) (Rehm)(Arican)

$+ '\ 5;>W;9<;B;>D< CWC>D DAM; <C8D< ] Z8?dG?O \G9O@A?79D @6EC4 UGBC6@ ] &C:7BC<

V•VA D.(;.5*.$.() #;#() .) *#2)' #;A ).(,-A V•ZAD.(;.5*.$.() #;A .) *#2)' #;#() ).(,- #;.8 ‡ V•oAD.(;.5*.$.() av. et salto av. tendu avec 1/1 V•iARenversement av. et salto av. tendu avec 3/2 t. V•kA D.(;.5*.$.() av. et salto av. tendu avec 2/1 V•wAD.(;.5*.$.() av. et salto av. tendu av. 5/2 t.

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 104

V€oA V€iA

cVl

lV- V€wAV€kA

5,2

cVl

lV- lV-

cV,

_VJ_V-

V}iAV}oA

V€€AV€•A

V}nA D.(;A #;A .) *#2)' #;A 75A #;.8 ‡ )A .) *#2)' #55A 75A Handspring fwd. and salto fwd. t. w. ½ t. and

salto bwd. t. =#2'$# 3 $'5)#2 #, 8'( ‡ 7A 3 $'5)#2 #)A #75A

V€}A

lV_

(Lou Yun)

(Yeo 2)

(Roche) (Dragulescu)

(Zimmerman) (Blanik) (RI Se Gwang 2)

_V_/Vl

Handspring fwd. and salto fwd. str. =#2'$# $'5)#2 #,.2#(). .0).(,&,'A

)A a!-.5;' ).(,-bA Hdspr. fwd. and salto fwd. str. w. ½ t. (Cuervo

str.).

=#2'$# $'5)#2 #,A .0)A 8'( ‡ 7A a!-.5;' .0)AbA

)A a!-.5;' ).(,- ‡ )AbA Hdspr. fwd. and salto fwd. str. w. 1/1 t. (Cuervo

str. ½ t. ). Paloma mortal ad. ext. con 1/1 g. (Cuervo ext.

8'( ‡ 7AbA

(Cuervo tendu 1/1 t.) Hdspr. fwd. and salto fwd. str. w. 3/2 t. (Cuervo

str. w. 1/1 t.) Paloma mortal ad. ext. con 3/2 g. (Cuervo ext.

con 1/1 g.)

t. (Cuervo tendu 3/2 t. ) Hdspr. fwd. and salto fwd. str. w. 2/1 t. (Cuervo

str. 3/2 t. )

Paloma mortal ad. ext. con 2/1 g. (Cuervo ex.con 3/2 g.)

Handspring fwd. and salto fwd. str. w. 5/2 t. Paloma mortal ad. ext. con 5/2 g.

177. Renvs. av. et salto av. tendu av. 3/1 t. Handspring fwd. and salto fwd. str. w. 3/1 t. Paloma mortal ad. ext. con 3/1 g.

V•€A D.(;.5*.$.() #;#() .) ,'-C2. *#2)' #;#() 75A Handspring fwd. and dbl. salto fwd. t. =#2'$# ,'C2. $'5)#2 #75-%#,'A

V•}A D'8". #;.8 ‡ )'-5A Roche with ½ turn. D'8". 8'( ‡ 7&5'A

V€nA V€VA V€ZA

(Yang Hak Seon)

V}VA D.(;.5*.$.() #;A .) ,'-C2. *#2)' #;A 8#5%6A Handspring fwd. and dbl. salto fwd. piked. =#2'$# ,'C2. $'5)#2 #,A .( 8#5%#A

V}ZA ]5#7-2.*8- 8#5%6A Dragulescu piked. ]5#7-2.*8- .( 8#5%#A

$+ ''\ 2C8D< CW;= u 78 v D789 ?C>< :; MXC<; ?L;>W7: ] \G9O@A?79D d76L m 8? n turn in the 1st ight phase ] 2C:D7< =7> u 7 v @V ;> :C YC<; ?; W8;:7ZZnA D.(;.5*.$.() 2#)65#2 #;.8 Š )A

H d i ith ¼ t221. Renversement latéral avec 3/4 t.

H d i ith 3/4 t222. Renversement latéral avec 5/4 t.

H d i ith 5/4 tZZoA D.(;.5*.$.() 2#)65#2 #;.8 Š )A .) *#2)' #;A 75A

Hd ith ¼ t lt f d tZZiA D.(;.5*.$.() 2#)A #;.8 Š )A .) *#2)' #;A 8#A

H d i ¼ t lt f dZZkA D.(;.5*.$.() 2#)A #;.8 Š )A .) *#2)' #55A 75A

H d i ¼ t lt b d t

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 105

Handspring sw. with ¼ t. D'(,#,# 8'( Š 7A

Handspring sw. with 3/4 t. Rondada con 3/4 g.

Handspring sw. with 5/4 t. Rondada con 5/4 g.

Hdspr. sw. with. ¼ t. a. salto fwd. t. D'(,#,# 8'( Š 7A 3 $'5)#2 #,.2#(). #75-%#,'A

ZoZA A ZooA

Zo€A

ZoiA

Handspring sw. w. ¼ t. a. salto fwd. p. D'(,#,# 8'( Š 7A 3 $'5)#2 #,.2#(). .( 8#5%#A

ZinA

ZowA

,V,

,V_

.VJ

,V_

,V- ,V_ ,VJ

_V_

.VlZZwAF*-N#"#5# 8#5%6A Tsukahara piked. F*-N#"#5# .( 8#5%#A

/V,,VJ ZokA

ZoVAZonA Tsukahara groupé avec 2/1 t. Tsukahara t. with 2/1 t. Tsukahara agrupado con 2/1 g.

ZZ}A Tsukahara gr. avec 3/2 t. ou Kasamatsu gr.#;.8 ‡ )A

Tsukahara t. w. 3/2 t.or Kasamatsu t. K - Tsukahara agrupado con. 3/2 g. o Kasamatsu

#75-%#,' 8'( ‡ 7A

ZZ€A D.(;.5*.$.() 2#)65#2 #;.8 Š )A .) *#2)' #;A75A #;.8 ‡ )A '- F*-N#"#5# #;.8 1/1 t.

Hdspr. sw. w. ¼ t. a. salto fwd. t. w. ½ t. or Tsuk. t. w. 1/1 t. D'(,A 8'( Š 7A 3 $'5)#2 #,A #75A 8'( ‡ 7A ' F*-NA #75A 8'(

1/1 g.

ZioAZiZAZiVA

Handspring sw. w. ¼ t. a. salto bwd. t. D'(,#,# 8'( Š 7A 3 $'5)#2 #)5Q* #75-%#,'

Zo•A

Zo}A

ZZ•AF*-N#"#5# 75A #;.8 ‡ )A Tsukahara t. with ½ t. F*-N#"#5# #75-%#,' 8'( ‡ 7A

(Kasamatsu)

(Tsukahara)

(Barbieri)

275. Kasamatsu tendu avec 3/2 t.K t t ith 3/2 t

Z•nA F*-N#"#5# ).(,-AT k h t t h d

Z•VA F*-N#"#5# ).(,- #;.8 ‡ )AT k h t ith ½ t Hd ¼ t lt

272. Tsukahara tendu a. 1/1 t. ou Kasamatsu t.T k h t 1/1 t \ ) )

Z•oA \#*#$#)*- ).(,- #;.8 ‡ )A '- F*-N#"#5#t d 3/2 t

Z•iA Kasamatsu t. avec 1/1 t. ou Tsukahara t. avec 2/1 t.K t t 1/1 t T k h t 2/1 t

$+ ''\ 2C8D< CW;= u 78 v D789 ?C>< :; MXC<; ?L;>W7: ] \G9O@A?79D d76L m 8? n turn in the 1st ight phase ] 2C:D7< =7> u 7 v @V ;> :C YC<; ?; W8;:7

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 106

Kasamatsu str. with 3/2 t.Kasamatsu extendido con 3/2 g.

276. Kasamatsu tendu avec 2/1 t. Kasamatsu str. with 2/1 t. Kasamatsu extendido con 2/1 g.

cV,

cVl

lV-cV,

Tsukahara stretched. F*-N#"#5# .0).(,&,'A

/Vl /Vl

Tsukahara str. with ½ t. or Hdspr. sw ¼ t. saltofwd str.

F*-N#"#5# .0).(,&,' 8'( ‡ 7A

Tsukahara str. w. 1/1 t. '5 \#*#$#)*- *)5A Tsukahara ext. con 1/1 g. o Kasamatsu ext.

_V-

Z€€A

_V_

tendu avec 3/2 t. Kasamatsu str. with ½ t. or Tsukahara str. w. 3/2 t.

\#*#$#)*- .0).(,&,' 8'( ‡ 7A 'A F*-N#"#5#extendido con 3/2 g.

_VJ

Kasamatsu str. w. 1/1 t. or Tsukahara str. w. 2/1 t.

Kasamatsu ext. con 1/1 g. o. Tsukahara ext. con 2/1 g.

Z€ZA

Z€VAZ€nAZ•}AZ•€A277. Kasamatsu tendu avec 5/2 t. ou Tsukaharatendu avec 7/2 t.

Kasamatsu str. with 5/2 t. or Tsukahara st. with7/2 t.

Kasamatsu extendido con 5/2 g. o Tsukaharaext. con t/2 g.

Z€•ADouble Tsukahara arrière gr. avec 1/1 t. Double Tsukahara with 1/1 twist. Doble Tsukahara con 1/1 giro.

Z€wA F*-N#"#5# #;.8 *#2)' #55&E5. 8#5%.A Tsukahara with salto bwd. piked. F*-N#"#5# 8'( $'5)#2 #)5Q* .( 8#5%#A

Z€kA F*-N#"#5# #;.8 *#2)' #55&E5. 75A Tsukahara with salto bwd. t. F*-N#"#5# 8'( $'5)#2 #)5Q* #75-%#,'A

Z€iAZ€oA

Z}oAZ}ZAZ}VAZ}nAZ€}A

lV-

(Akopian) (Driggs)

(López)

(Yeo)(Ri Se Gwang)

(Lu Yu Fu)

lV-

ookA D'(,#,.G 5.(;.5*.$.() #55&E5.ARound off handspring bwd

oowA D'(,#,.G 5.(;.5*.$.() #55&E5. #;.8 ‡ )'-5ARound off handspring bwd with ½ turn

337. Rondade, renversement arrière avec 1/1 tour.Round off handspring bwd with 1/1 turn

oo€A D'(,#,.G 5.(;.5*.$.() #55&E5. .) *#2)' #55A 75ARound off hdspr bwd and salto bwd t

oo}A [-58".(N' 75'-%6 #;.8 ‡ )AYurchenko t with ½ t

oinAYurchenko groupé avec 1/1 t.Yurchenko t with 1/1 t

$+ '''\ 2C8D< a MC9DE9 ?; :C 97>?C?; C8<<E u DV ] ,8B9O 8== 496?E UGBC6@ GC@8 u DV with bwd. 2nd. ight phase ] 2C:D7< C MC9DE9 ?; 97>?C?C DCBÊ;> =7> u @V =7> :C ,w YC<; CDV

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 107

Round off, handspring bwd. D'(,#,#G &(;.5*&P( #)5Q*A

341. Yurchenko groupé avec 3/2 t. Yurchenko t. with 3/2 t. Yurchenko agrupado con 3/2 g.

342. Yurchenko groupé avec 2/1 t. Yurchenko t. with 2/1 t. Yurchenko agrupado con 2/1 g.

oi•A

oioA [-58".(N' 8#5%6A Yurchenko piked. [-58".(N' .( 8#5%#A

okZA okoA

oiiA

okiA

oikA

okkA okwA

Round off, handspring bwd. with ½ turn. D'(,#,#G &(;.5*&P( #)5Q* 8'( ‡ 7A

Round off, handspring bwd. with 1/1 turn. Rondada, inversión atrás con 1/1 g.

oi}A

,V,

,V_

.VJ ,V_,V- ,VJ

/V, _V-

.Vl

oknA okVA

Round off, hdspr. bwd. and salto bwd. t. D'(,#,#G &(;.5*&P( #)5Q* 3 $'5)#2 #)5Q* #75A

ok•A

okZA

oiwA

Yurchenko t. with ½ t. [-58".(N' #75-%#,' 8'( ‡ 7A

Yurchenko t. with 1/1 t. Yurchenko agrupado con 1/1 g.

oi€A

(Yurchenko)

o•nA [-58".(N' ).(,-AYurchenko stretched

$+ '''\ 2C8D< a MC9DE9 ?; :C 97>?C?; C8<<E u DV ] ,8B9O 8== 496?E UGBC6@ GC@8 u DV with bwd. 2nd. ight phase ] 2C:D7< C MC9DE9 ?; 97>?C?C DCBÊ;> =7> u @V =7> :C ,w YC<; CDVo•kA Yurchenko tendu avec 5/2 t.

Yurchenko stretched with 5/2 to•iA Yurchenko tendu avec 2/1 t.

Yurchenko stretched with 2/1 to•oA Yurchenko tendu avec 3/2 t.

Yurchenko stretched with 3/2 to•ZA Yurchenko tendu avec 1/1 t.

Yurchenko stretched with 1/1 to•VA[-58".(N' ).(,- #;.8 ‡ )A

Yurchenko stretched with ½ t

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 108

o•wAYurchenko tendu avec 3/1 t. Yurchenko Stretched 3/1 t. Yurchenko extendido con 3/1 g.

o•€A o€nA

o€ZA

o€€A o€}A

o••A o•}A

Yurchenko stretched. [-58".(N' .0)A

o€kA [-58".(N' .) *#2)' #55A 75A Yurchenko and salto bwd. t. [-58".(N' 3 $'5)#2 #)A #75A

o€oA

o}oAo}ZAo}VAo}nA

o€•Ao€wA 9.2&**#(&,&* 8#5%6A Melissanidis piked. 9.2&**#(&,&* .( 8#5%#A

o€iA

Yurchenko stretched with 5/2 t. Yurchenko extendido con 5/2 g.




o€VA

Yurchenko stretched with ½ t. [-58".(N' .0)A 8'( ‡ 7A

cV,

(Shirai - KIM Hee Hoon)

cVl

/V, /Vl _V- _V_ _VJ

(Shewfelt)

cV, cVl

(Melinassanidis)

iknA D'(,#,.G ‡ )A .) 5.(;.5*.$.() #;#()AD'-(, ':: ‡ ) #(, "#(,*%5&(7 :L,

ikZA D'(,#,.G ‡ )A .) 5.(;.5*.$.() #;A #;.8 ‡ )ARound off ½ t and hdspr fwd with ½ t

ikiA D'(,#,.G ‡ )A .) 5.(;.5*.$.() #;#() .) *#2)'#; 75'-%6 #;.8 ‡ )

ikVA D'(,#,.G ‡ )A .) 5.(;.5*.$.() #;#() 8#5%6ARound off ½ t and handspring fwd piked

ikoA D'(,#,.G ‡ )A .) 5.(;.5*.$.() #;A .) *#2)'#;#() 75'-%6

$+ 'R\ 2C8D< a MC9DE9 ?; :C 97>?C?; CW;= v DV ?C>< :C .;9V MXC<; ?L;>W7: ] ,8B9O 8== 496?E UGBC6@ with ½ t. in the 1st. ight phase ] 2C:D7< C MC9DE9 ?; 97>?C?C =7> v @V ;> :C .w YC<; ?; W8;:7ikkA

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 109

D'-(, '::G ‡ )A #(, "#(,*%5&(7 :L,A D'(,#,#G ‡ 7A %#2'$#A

Round off, ½ t. and hdspr. fwd. with ½ t. D'(,#,#G ‡ 7A %#2'$# 8'( ‡ 7A

#;A 75'-%6 #;.8 ‡ )A Round off, ½ t. and hdspr. fwd. and salto fwd.

tucked with ½ t. D'(,#,#G ‡ 7A %#2'$# $'5)#2 #75-%#,' 8'( ‡ 7A

Round off, ½ t. and handspring fwd. piked. D'(,#,#G ‡ 7A %#2'$# .( 8#5%#A

#;#() 75'-%6A Round off, ½ t. and hdspr. fwd. and salto fwd.

tucked. D'(,#,#G ‡ 7A %#2'$# $'5)#2 #75-%#,'A

,V- ,V, /V-.VJ

iwkA

i•oA D'(,#,.G ‡ )A .) 5.(;.5*.$.() #;#() .) *#2)'avant tendu a. 1/1 t.

Round off, ½ t. and hdspr. fwd. and salto fwd.str. with 1/1 t.

D'(,#,#G ‡ 7A %#2'$# $'5)#2 #,.2#(). .0).(Mdido con 1/1 g.

iw•iwwAiwiA

iwVAikwA D'(,#,.G ‡ )A .) 5.(;.5*.$.() #;#() .) *#2)'#;#() 8#5%EA

Round off, ½ t. a. hdspr. fwd. and salto fwd. p. D'(,#,#G ‡ 7A %#2'$# ,'C2. $'5)#2 .( 8#5%#A

,Vl

/V_

ik}Aik•AD'(,#,.G ‡ )A .) 5.(;*A #;A .) *#2)' #;A 8#A #;.8 ‡ )A Round off, ½ t. and hdspr. fwd. and salto fwd.

p. with ½ t. D'(,#,#G ‡ 7A %#2'$# $'5)#2 .( 8#5%# 8'( ‡ 7A

iwZA iwoA/V_

/VJ

(Nemov)

iw€A iw}A

/VJ _V,

i•nA i•ZA D'(,#,.G ‡ )A .) 5.(;.5*.$.() #;#() .) *#2)'#;#() ).(,- #A ‡ )A

Round off, ½ t. and hdspr. fwd. and salto fwd.str. with ½ t.

D'(,#,#G ‡ 7A %#2'$# $'5)#2 #,.2#(). .0)A8'( ‡ 7A

i•VA D'(,#,.G ‡ )A .) 5.(;.5*.$.() #;#() .) *#2)'#;#() ).(,-

Round off, ½ t. and hdspr. fwd. and salto fwd.

str.

D'(,#,#G ‡ 7A %#2'$# $'5)#2 #,.2#(). .0)A

(Hutcheon)

ik€A iwnA

_Vl

i•}Ai•iAD'(,#,.G ‡ )A .) 5.(;.5*.$.() #;#() .) *#2)'avant tendu a. 3/2 t.

i•€A D'(,#,.G ‡ )A .) 5.(;.5*.$.() #;A .) ,'-C2.*#2)' #;#() 75'-%6A

i••Ai•wA D'(,#,.G ‡ )A .) 5.(;.5*.$.() #;#() .) *#2)'avant tendu avec 5/2 t.

i•kA D'(,#,.G ‡ )A .) 5.(;.5*.$.() #;#() .) *#2)'avant tendu a. 2/1 t.

$+ 'R\ 2C8D< a MC9DE9 ?; :C 97>?C?; CW;= v DV ?C>< :C .;9V MXC<; ?L;>W7: ] ,8B9O 8== 496?E UGBC6@ with ½ t. in the 1st. ight phase ] 2C:D7< C MC9DE9 ?; 97>?C?C =7> v @V ;> :C .w YC<; ?; W8;:7

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 110

i€wA i€€A

i}oA i}iA i}kA i}wA

i€nA

i}ZA

i€•A

cVJ

i}•A

i€kA

i}VA

i€iA

i}nA

i€oA

i€}A

i€ZAi€VA

avant tendu a. 3/2 t. Round off, ½ t. and hdspr. fwd. and salto fwd.

stretched with 3/2 t. Rondada, ½ g. paloma mortal ad. ext. con 3/2 g.

*#2)' #;#() 75'-%6A Round off, ½ t. a. hdspr. fwd. and double salto

fwd. tucked.

D'(,#,#G ‡ 7A %#2'$# ,'C2. $'5)#2 #,A #75A

avant tendu avec 5/2 t. Round off, ½ t. and hdspr. fwd. and salto fwd.

str. with 5/2 t. Rondada, ½ g. paloma mortal ad ext con 5/2 g.

avant tendu a. 2/1 t. Round off, ½ t. and hdspr. fwd. and salto fwd.

stretched with 2/1 t. Rondada, ½ g. paloma mortal ad. ext. con 2/1 g.

(Li Xiao Peng)

cV_cV- cV_

kwkA Rondade, saut arrière avec 1/1 t. et5.(;.5*.$.() #55&E5. .) *#2)' #55&E5. 75'-%6

560. Rondade, saut arrière avec 1/1 t. et renverseM$.() #55&E5.A

562. Rondade, saut arrière avec 1/1 t. et renverseM$.() #55&E5. #;.8 1/1 tour.

561. Rondade, saut arrière avec 1/1 t. et renverseM$.() #55&E5. #;.8 ‡ )'-5A

$+ R\ $>D9U; 2=X;9^7 ?C>< :C .;9V MXC<; ?L;>W7: ] Scherbo entry in 1st fight ] $>D9C?C 2=X;9^7 ;> :C M9EB;9C YC<; ?; W8;:7kwoA Rondade, saut arrière avec 1/1 t. et renver M

*.$.() #55&E5. .) *#2)' #55&E5. 75'-%6AkwiA Rondade, saut arrière avec 1/1 t. et renverseM

$.() #55&E5. .) *#2)' #55&E5. 8#5%6A

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 111

k•iAScherbo avec 2/1 t. Scherbo with 2/1 t. Scherbo con 2/1 g.

k•oA Scherbo avec 3/2 t. Scherbo with 3/2 t. Scherbo con 3/2 g.

k€oA

7 %#;.8 ‡ )A

Scherbo entry to salto bwd. tucked with ½ turn. H()5#,# ,. S8".5C' 3 $'5)#2 #)5Q* #75-%#,'

8'( ‡ 7A

k•VA S8".5C' #;.8 ‡ )A Scherbo with ½ t. S8".5C' 8'( ‡ 7A

k••Ak•wAk•kA Scherbo avec 5/2 t. Scherbo with 5/2 t. Scherbo con 5/2 g.

. # E . Scherbo entry to back handspring H()5#,# ,. S8".5C' . &(;.5*&P( #)5Q*A

. # E . # .8 / ou Scherbo entry to back handspring with 1/1

turn. Entrada de Scherbo e inversión atrás c on 1/1 g.

,V,

. # E . # .8 ‡ '- Scherbo entry to back handspring with ½

turn.H()5#,# ,. S8".5C' . &(;.5*&P( #)5Q* 8'( ‡ 7A

,V_ ,Vl567. Rondade, saut arrière avec 1/1 t. et renverseM

ment arrière et salto arrière groupé avec 3/2 t. Scherbo entry to salto bwd. tucked with 3/2

turn. H()5#,# ,. S8".5C' 3 $'5)#2 #)5Q* #75-%#,'

con 3/2 g.

kw€A kw}A 570. Rondade, saut arrière avec 1/1 t. et renverseM$.() #55&E5. .) *#2)' #55&E5. ).(,-A

Scherbo entry to salto bwd. stretched. H()5#,# ,. S8".5C' $'5)#2 #) .0)A

/V-

/VJ /VJ

566. Rondade, saut arrière avec 1/1 t. et renverseMment arrière et salto arrière groupé avec 1/1 t.

Scherbo entry to salto bwd. tucked with 1/1turn.

H()5#,# ,. S8".5C' 3 $'5)#2 #)5Q* #75-%#,'con 1/1 g.

/V_572. Scherbo avec 1/1 t. Scherbo with 1/1 t. Scherbo con 1/1 g.

k€nA k€VA k€ZAk•}A

/V-

k•€A

(Scherbo)

7 % Scherbo entry to salto bwd. tucked. H()5#,# ,. S8".5C' 3 $'5)#2 #)5Q* #75A

% Scherbo entry to salto bwd. piked. H()5#,# ,. S8".5C' 3 $'5)#2 #)5Q* .( 8#5%#A

_V-

_V,

cV- cV__Vl

,VJ

cVJ

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


101 Handspring 1.6 220 Handspring sideways 1/4 tw 1.6 335 Round off back handspring 1.6 450 Round off 1/2 tw handspring 1.8 560 Scherbo entry to back handspring 2.2

102 Handspring 1/2 tw 1.8 221 Handspring sideways 3/4 tw 1.8 336 Round off back handspring 1/2 tw 1.8 451 Round off 1/2 tw handspring 1/2 tw 2.0 561 Scherbo entry to back handspring 1/2 tw 2.4

103 Handspring 1/1 tw 2.0 222 Handspring sideways 5/4 tw 2.0 337 Round off back handspring 1/1 tw 2.0 452 Round off 1/2 tw handspring 1/1 tw 2.2 562 Scherbo entry to back handspring 1/1 tw 2.6

104 Handspring 3/2 tw 2.2 223Handspring sideways 1/4 tw salto forward

tucked2.4 338

Round off back handspring salto backward

tucked (Yurchenko)2.2 453

Round off 1/2 tw handspring salto

forward tucked2.6 563 Scherbo entry to salto backward tucked 2.8

105 Handspring 2/1 tw 2.4 224Handspring sideways 1/4 tw salto forward

piked2.8 339 Yurchenko tucked 1/2 tw 2.4 454


forward tucked 1/2 tw3.0 564 Scherbo entry & to salto backward piked 3.0

106 Handspring salto forward tucked 2.4 225Handspring sideways 1/4 tw salto backward

tucked (Tsukahara)2.2 340 Yurchenko tucked 1/1 tw 2.8 456


forward piked3.0 565

Scherbo entry & to salto backward

tucked 1/2 tw3.0

107Handspring salto forward tucked 1/2 tw

(Cuervo tucked)2.8 226 Tsukahara piked 2.4 341 Yurchenko tucked 3/2 tw 3.2 457


forward piked 1/2 tw (Nemov)3.4 566

Scherbo entry & salto b ackward tucked

1/1 tw3.4


(Cuervo tucked 1/2 tw)

3.2 227 Tsukahara tucked 1/2 tw 2.4 342 Yurchenko tucked 2/1 tw 4.0 567Scherbo entry & to salto backward

tucked 3/2 tw

3.8


(Kroll) or Cuervo t 1/1 tw4.0 228

Handspring sideways 1/4 tw salto forward

tucked 1/2 tw (Kasamatsu)2.8 343 Yurchenko piked 2.4


(Canbas) (Cuervo t 3/2 tw)4.4 229

Kasamatsu tucked 1/2 tw or Tsukahara tucked

3/2 tw3.2

111 Handspring salto forward piked 2.8 230Tsukahara tucked 2/1 tw (Barbieri) or

Kasamatsu 1/1 tucked4.0

112Handspring salto forward piked 1/2 tw

(Cuervo piked)3.2


(Cuervo piked 1/2 tw)3.6


(Cuervo piked 1/1 tw)4.0

115Handspring w 1/1 tw to salto forward

tucked (Behrend)4.0

116Handspring w 1/1 tw to salto forward piked

(Rehm)4.4

117Handspring w 1/1 tw to salto forward piked

1/2 tw (Arican)4.8

Page 1 of 2

EG4

(Round off w/ 1/2 tw in 1st flight)

EG5

(Scherbo entry in 1st flight)

2017-2020 FIG MAG VAULT VALUE TABLE

EG1

(Handspring / Yamashita)

EG2

(1/4 or 1/2 tw in 1 st flight)

EG3

(Round off entry)

2017-2020 FIG MAG VAULT VALUE TABLE

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


270 Tsukahara stretched ❶ 3.2 370 Yurchenko stretched ❶ 3.2 570Scherbo entry to salto backward

stretched (Scherbo) ❶3.8

171 Handspring salto forward stretched ❷❸ 3.6 271

Handspring sideways 1/4 tw salto forward

stretched or Tsukahara stretched 1/2 tw

❶❸3.6 371 Yurchenko stretched 1/2 tw ❶ 3.6 471


forward stretched❷ ❸3.8 571 Scherbo 1/2 tw ❶ 4.2

172Handspring salto forward stretched 1/2 tw

(Cuervo str) ❷❸4.0 272

Kasamatsu stretched or Tsukahara stretched

1/1 tw ❶❸4.0 372 Yurchenko stretched 1/1 tw ❶ 4.0 472


forward stretched 1/2 tw (Hutcheon)

❷❸

4.2 572 Scherbo 1/1 tw ❶ 4.6


(Cuervo str 1/2 tw) ❷❸4.4 273

Kasamatsu stretched 1/2 tw or Tsukahara

stretched 3/2 tw ❶❸4.4 373 Yurchenko stretched 3/2 tw ❶ 4.4 473


forward stretched 1/1 tw ❷❸4.6 573 Scherbo 3/2 tw❶ 5.0


(Cuervo str 1/1 tw) (Lou Yun) ❷❸4.8 274

Kasamatsu stretched 1/1 tw or Tsukahara

stretched 2/1 tw (Akopian) ❶❸4.8 374 Yurchenko stretched 2/1 tw ❶ 4.8 474


forward stretched 3/2 tw ❷❸5.0 574 Scherbo 2/1 tw ❶ 5.4


(Cuervo str 3/2 tw) ❷❸5.2 275 Kasamatsu stretched 3/2 tw (Driggs) ❶❸ 5.2 375 Yurchenko stretched 5/2 tw (Shewfelt) ❶ 5.2 475


forward stretched 2/1 tw ❷❸5.4 575 Scherbo 5/2 tw ❶ 5.8


(Yeo 2) ❷❸5.6 276 Kasamatsu stretched 2/1 tw (Lopez) ❶❸ 5.6 376

Yurchenko stretched 3/1 tw (Shirai - Kim Hee

Hoon) ❶5.6 476


forward stretched 5/2 tw (Li Xiao Peng)

❷❸5.8


(Yang Hak Seon) ❸6.0 277 Kasamatsu stretched 5/2 tw ❸ 6.0

178Handspring double salto forward tucked

(Roche) ❶5.2 478

Round off 1/2 tw handspring double

salto forward tucked ❶5.4

179 Roche 1/2 tw (Dragulescu) 5.6

285Tsukahara with salto backward tucked (Yeo)

❶5.2 385

Yurchenko and salto backward tucked

(Melinassanidis) ❶5.2

286 Tsukahara with salto backward piked (Lu YuFu) ❶

5.6 386 Yurchenko and salto backward piked(Melinassanidis piked) ❶

5.6KEY:

287Double Tsukahara tucked 1/1 tw (Ri Se

Gwang)6.0

❶ Same 2nd Flight Phase

190Handspring salto forward 1/2 tw to salto

backward (Zimmerman)5.6

❷ Same 2nd Flight Phase

191Handspring double salto forward piked

(Blanik)5.6

❸ Similar 2nd Flight Phase

192Handspring double salto forward piked 1/2

tw (RI Se Gwang 2)6.0 Page 2 of 2

This page also shows vaults with same or similar 2nd flight phase, denoted with the same last two digits in

the vault number and Key number in the table boxes. The vaults with a potential deduction of -2.0 for

qualification to and in C-III are located in the same row of this table.Gymnasts may not do vaults with the same or

similar 2nd flight phase.

EG1 EG2 EG3 EG4 EG5

(Handspring / Yamashita) (1/4 or 1/2 tw in 1st flight) (Round off entry) (Round off w/ 1/2 tw in 1st flight) (Scherbo entry in 1st flight)

2;=DE7> ._\ QC99;< MC9C::[:;< 2;=DE7> ._\ &C9C::;: QC9< 2;==EZ> ._\ &C9C:;:C<

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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Article 14.2 Contenu et règles spéciques

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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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wA >'5 # :-22 2&*) ': .55'5* #(, ,.,-8)&'(* 7';.5(&(7 H0.58&*. =5.*.()#M)&'(G *.. S.8)&'( € #(, )". *-$$#53 ': ,.,-8)&'(* &( I5)&82. ViAoA

*9DE=:; ._V,V, '>Y79BCDE7> C^78D DX; r# <=79;sVA F". H2.$.() @5'-%* #5.g

?A H2.$.()* &( *-%%'5) '5 )"5'-7" *-%%'5) '( Z C#5*A??A H2.$.()* *)#5)&(7 &( -%%.5 #5$ %'*&)&'(A???A <'(7 *L&(7* &( "#(7 '( V '5 Z C#5* #(, -(,.5*L&(7*A

?WA A ]&*$'-()*2. Information on difculty value:

#A >'5 .2.$.()* L"&8" &(82-,. )-5(*G )". )-5(* #5. (') 5.8'7(&c.,#* %#5) ': )". .2.$.() &: )". )-5( "#%%.(* #:).5 )". "#(,*)#(,%'*&)&'( '5 #:).5 # "'% )' "#(,*)#(,l .0#$%2.*g C#*N.) L&)"&(2'8#)&'( #(, "'% )' "#(,*)#(, L&)" )-5( '5 7&#() *L&(7 "#2:)-5( L&)" "'% )' "#(,*)#(, :'22'L., C3 )-5(*A

CA U(2.** ')".5L&*. &(,&8#).,G .2.$.()* )"#) ,.2&C.5#).23 5.M75#*%in bent arm support are considered to have the same identicaM)&'( (-$C.5 #(, ;#2-. #* .2.$.()* L"&8" 5.M75#*% &( -%%.5

#5$ *-%%'5)A X'L.;.5G .2.$.()* )"#) #5. &(&)&#)., :5'$ C.()arm support are considered to have the same identication(-$C.5 #(, ;#2-. #* .2.$.()* :5'$ '5 )"5'-7" *-%%'5)A

c. Unless otherwise indicated in the difculty tables, elements%.5:'5$., :5'$ '5 )' -(-*-#2 '5 5')#)., 75&% %'*&)&'(* a*-%&Mnated or pronated) have the same identication number and;#2-. #* #(#2'7'-* .2.$.()* %.5:'5$., :5'$ '5 )' )". -*-#275&% %'*&)&'(A

,A H2.$.()* :'5$., C3 8'$C&(., &(,.%.(,.() .2.$.()* $-*)

8b F','* 2'* .2.$.()'* .( *-*%.(*&P( *.7-&,'* ,. N&%. ,.C.(*.5 .e.8-)#,'* 8'( 2#* %&.5(#* .0).(,&,#*A

,b Y' *. %.5$&).( 2'* *&7-&.().* .2.$.()'* ' 75-%'* ,. .2.M$.()'*g

# =#5).* ,. :-.5c# ' ,. $#().(&$&.()' 4-. (' *'(identicados en la tabla de dicultad.

# 9'5)#2.* 3 *#2&,#* .( *-*%.(*&P( 2#).5#2 .( -(# C#(,#A# Mortales con recepción a braquial y/o al apoyo brazos

,'C2#,'* %#5# eR(&'5A.b H2.$.()'* .e.8-)#,'* # -(# C#(,# a!"&#52'G =&#*.8N3G .)8AAb,.C.( .e.8-)#5*. #2 #%'3' &(;.5)&,' 8'( 2#* $#('* 2&7.5#M$.(). *.%#5#,#*A S. %.5$&). -(# 2&7.5# ,.*;&#8&P( ,. 2'*hombros/cuerpo porque es una posición de las manos no(#)-5#2A S. ,.,-8&5Q %'5 ).(.5 -(# *.%#5#8&P( .08.*&;# ,.las manos y/o desviación del cuerpo .

:b H( )','* 2'* 9'3 3 2'* $'2&('*G 2#* %&.5(#* (' ,.C.( ,'C2#5*."#*)# 4-. .2 8-.5%' (' .*). "'5&c'()#2A

wA =#5# -(# )#C2# ,. :#2)#* 3 ,.,-88&'(.* 5.2#)&;#* # 2# %5.*.()#8&P(,.2 .e.58&8&'G ;.5 8#%O)-2' w 3 .2 5.*-$.( ,. ,.,-88&'(.* ,.2#5)O8-2' ViAoA

*9DP=8:7 ._V,V, '>Y79BC=EZ> <7^9; :C >7DC #VA <'* 75-%'* ,. .2.$.()'* *'(g

?A H2.$.()'* .( #%'3' ' # )5#;6* ,.2 #%'3' *'C5. 2#* Z CA??A H2.$.()'* 4-. .$%&.c#( .( %'*&8&P( C5#4-&#2A???A H2.$.()'* ,. &$%-2*' %'5 2# *-*%.(*&P( .( V ' Z C#(,#*

3 ,'$&(#8&'(.* #,.2#(). ;'2).#(,' #)5Q*A?WA S#2&,#*A

2. Información relativa al valor de la dicultad:#A =#5# .2.$.()'* .( 2'* 4-. *. &(82-3.( 7&5'*G 2'* 7&5'* (' *.

5.8'('8.( 8'$' %#5). ,.2 .2.$.()' *& #%#5.8.( ,.*%-6* ,.2#%'3' &(;.5)&,' ' ,.*%-6* ,. -( *#2)' .( #%'3' &(;.5)&,'G .eAg>.27. 8'( ,&*2'8#8&P( 3 *#2)' #2 #%'3' &(;.5)&,' 8'( 7&5' '$'2&(' 8'( $.,&' 7&5' 8'( *#2)' #2 #%'3' &(;.5)&,' *.7-&,',. 7&5'*A

CA I $.('* 4-. *. &(,&4-. 2' 8'()5#5&'G .2.$.()'* 4-. ,.2&C.5#M,#$.(). #7#55#( 8'( #%'3' C5#c'* ,'C2#,'* *. 8'(*&,.5#(tienen el mismo número de identicación y valor que los

.2.$.()'* 4-. #7#55#( .( C5#4-&#2A S&( .$C#57'G .2.$.()'*4-. *. &(&8&#( ,.*,. #%'3' C5#c'* ,'C2#,'* *. 8'(*&,.5#(tienen el mismo número de identicación y valor que los.2.$.()'* ,.*,. ' # )5#;6* ,.2 #%'3'A

c. A menos que se indique lo contrario en la tabla de dicultad,2'* .2.$.()'* .e.8-)#,'* ,.*,. ' %'5 -(# %'*&8&P( &(-*-#2de presa con giro tienen el mismo número de identicación3 ;#2'5 ,. .2.$.()'* #(Q2'7'* .e.8-)#,'* ,.*,. ' %'5 -(#%5.*# ('5$#2A

,A <'* .2.$.()'* :'5$#,'* %'5 8'$C&(#8&P( ,. .2.$.()'* &(M

,#()* ,'&;.() J)5. 56#2&*6* *#(* %#-*. .()5. 2.* 626$.()*G,#(* 2. 8#* 8'()5#&5. &2* 5.^'&;.() 2.-5* ;#2.-5* &(,6%.(,#().*A

.A I-0 C#55.* %#5#22E2.*G )'-). %.5*'((. #8856,&)6. %'-5 8.)).

,.$'(*)5#). (' %#-*. C.)L..( .2.$.()*G '5 )".3 L&22 5.8.&;.)".&5 &(,.%.(,.() ;#2-.*A

.A >'5 %5.%#5#)&'( ': )". =#5#22.2 T#5* %5&'5 )' #( .0.58&*. a,-5&(7

,.%.(,&.().* (' ,.C.( $'*)5#5 %#-*# .()5. .22'*G ' 5.8&C&5Q(;#2'5.* &(,.%.(,&.().*A

.A =#5# 2# %5.%#5#8&P( ,. 2#* %#5#2.2#* #().* ,. -( .e.58&8&' a.(

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 114

% G % %%"#*. ,. 2# 8'$%6)&)&'(G ,. )'-). :6,65#)&'(G %.-) #&,.5 h 2#%56%#5#)&'( ,.* C#55.* #;#() -( .0.58&8. a#;#() 2B68"#-::.M$.() ,. kn *.8A '- #;#() 2# 8'$%6)&)&'(bA U( $#0&$-$ ,.)5'&* %.5*'((.* a2. 73$(#*). .( 8'$%6)&)&'( .) ,.-0 #-)5.*b%.-;.() J)5. *-5 2. %',&-$ %'-5 %56%#5.5 2.* C#55.* #-08'(8'-5* ?? .) ???A

oA D.$#54-.* .) 5E72.* 8'$%26$.()#&5.*g#b ]. ('$C5.-0 626$.()* ,B62#( $E(.() h 2B#%%-& 5.(;.5*6 *-5

une ou deux barres, ou sont dénis ainsi. L’appui renversé à%#5)&5 ,B-( 62#( (. ,'&) %#* J)5. ).(-G $#&* 2. 73$(#*). ,'&).068-).5 2B626$.() ,. :#^'( h $'()5.5 4-B&2 #-5#&) %- ).(&52B#%%-& 5.(;.5*6 *B&2 2B#;#&) ;'-2-A

Cb <.* 626$.()* .068-)6* *-5 -(. C#55. a5E72. *%68&#2.b '()2. $J$. ;#2.-5 4-. # ,.-0 C#55.*G #;.8 2B.08.%)&'( ,.*.2.$.()* 8'((.8)6* #;.8 626$.()* ,- )3%. X.#23 h -(.#-7$.()#)&'( ,- ;#2.-5 -(. ,.756 a#-**& 8"#4-. 626$.()X.#23 #-7$.(). -(. ;#2.-5b M 8. %'**&C2. -( $#&()&.( ,.2B#%%-& 5.(;.5*. *-5 -(. C#55.A

8b <.* 626$.()* 56#2&*6* *-5 -(. C#55. 2#)65#2. $.(#() h 2BIFD (.*'() %#* 8'(*&,656* 8'$$. ,.* 626$.()* ,B62#( ,. ;#2.-5 T '-%2-* %.5$.))#() -(. #-7$.()#)&'( ,. 2# ;#2.-5 ,. X.#23 h 2B#%%-&

iA D6%6)&)&'(* *%68&#2.*#b _26$.()* #;.8 *#2)'*g 2B.0.58&8. (. %.-) %#* &(82-5. %2-*

4-B-(. ;#5&#)&'( ,- $J$. 626$.() a,#(* -( $J$. 75'-%.bA

Dans ce cas l’élément avec plus valeur du difculté sera conté. H0.$%2.*g

M 9'5&*-. 75AM 9'5&*-. 8#A M T.22. 75AM T.22. 8#5%6A - 5/4 Salto avant écartée a l’appui brachiale - le même à

l’appui échi ou 5/4 Salto avant écarté par l’appui à l’appuiC5#8"&#2. '- ,&5.8).$.() h 2# *-*%.(*&'(A

CA 9#0&$-$ ,.-0 75#(, )'-5 #55&656 h 2B#%%-& 5.(;.5*6 a???A ZVGZZG Z€G Z} .) okb

8A 9#0&$-$ ,.-0 6)#C2&**.$.() #;#() .( )'-5(#() .( #55&E5. h2B#%%-& 5.(;.5*6 a???A VnwG Vn•G VViG VV}G VZnG VonGVowb

kA W'&5 #-**& 2.* 5E72.* 4-& 567&**.() 2# ('(M5.8'((#&**#(8. ,.*626$.()* .) 2.* #-)5.* #*%.8)* ,. 2# ('). ] h 2# *.8)&'( } .) ,#(*2. )#C2.#- ,.* ,6,-8)&'(* h 2.* #5)&82.* }Ai .) ViAoA

% % % a 7)". '(.M)'-8" L#5$M-% '5 8'$%.)&)&'(bG #(3 #885.,&)., %.5M*'( :5'$ #(3 :.,.5#)&'( &( )"#) %"#*. ': )". 8'$%.)&)&'( $#3#**&*)A I $#0&$-$ ': )"5.. %.'%2. a)". 8'$%.)&(7 73$(#*)#(, Z ')".5*b $#3 C. '( )". %',&-$ )' %5.%#5. )". C#5* &(!'$%.)&)&'( ?? #(, ???A

oA I,,&)&'(#2 &(:'5$#)&'( #(, 5.7-2#)&'(*ga. Many swinging elements lead to or are dened to a handstand

'( '(. '5 )L' 5#&2*A F". "#(,*)#(,* :5'$ *L&(7 (.., (') C.".2, C-) )". .2.$.() $-*) C. %.5:'5$., &( # $#((.5 )"#)8'(;&(8&(723 ,.$'(*)5#).* )"#) )". "#(,*)#(, %'*&)&'( 8'-2,"#;. C..( ".2, &: *' ,.*&5.,A

CA H2.$.()* )' '(. C#5 &( 85'** *-%%'5) a*%.8&#2 5-2.b M *#$. ;#2-.#* ,'(. )' )L' C#5*G .08.%) '(. ;#2-. -% L".( 8'((.8)., )'X.#23 )3%. .2.$.() a.#8" X.#23 .2.$.() #2*' &(85.#*.* C3'(. ;#2-.bM "'2, &* #22'L., &( )". '(. C#5 "#(,*)#(,

8A S&,. C#5 .2.$.()* )"5'-7" "#(,*)#(, ,' (') 8'(*)&)-). *L&(7.2.$.()* ': T '5 "&7".5 ;#2-. )' -%75#,. # X.#23 )' *-%%'5)A

iA S%.8&#2 5.%.)&)&'(*#A H2.$.()* L&)" *#2)'*g #( .0.58&*. 8#( (') &(82-,. $'5. )"#(

'(. ;#5&#)&'( ': )". *#$. .2.$.() aL&)"&( )". *#$. H@bA ?(this case the element with the highest difculty value will becounted for difculty.S'$. .0#$%2.*gM 9'5&*-. )-8N '5 9'5&*-. %&N.M T.22. )-8N '5 T.22. %&N.G #(, *' '(A- 5/4 Salto fwd straddled to up. arm hang or to bent arm

support or through support to hang/directly to hang.CA 9#0&$-$ )L' @&#() SL&(7* )' "#(,*)#(, a???A ZVG ZZG Z€G Z}

… okb8A 9#0&$-$ )L' T#*N.) SL&(7* )' "#(,*)#(, a???A VnwG Vn•G VViG

VV}G VZnG VonGVowb

kA >'5 # :-5)".5 2&*) ': 5.7-2#)&'(* 7';.5(&(7 ('(M5.8'7(&)&'( ': .2.M$.()* #(, ')".5 #*%.8)* ': )". ] *8'5.G *.. S.8)&'( } #(, )".*-$$#53 ': ,.,-8)&'(* &( I5)&82.* }Ai #(, ViAoA

% % % e a.2 8#2.()#$&.()' ' .( 2# 8'$%.)&8&P(bG %-.,. #3-,#5 8-#24-&.5%.5*'(# #85.,&)#,# ,. 8-#24-&.5 :.,.5#8&P( .( 2# :#*. ,.8'$%.)&8&P(A =-.,.( .*)#5 .( .2 %',&-$ -( $Q0&$' ,. )5.*%.5*'(#* a.2 7&$(#*)# 4-. 8'$%&). 3 Z $Q*b %#5# %5.%#5#52#* %#5#2.2#* .( .2 8'(8-5*' ?? 3 ???A

oA ?(:'5$#8&P( #,&8&'(#2 3 5.72#*ga) Muchos elementos de impulso llevan a o se denen al apoyo

&(;.5)&,' .( -(# ' ,'* C#(,#*A H2 #%'3' &(;.5)&,' # &$%-2*'(' (.8.*&)# $#().(.5*.G %.5' .2 .2.$.()' ,.C. 5.#2&c#5*.,. $#(.5# 4-. ,.$-.*)5. 8'(;&(8.().$.(). 4-. 2# %'*&8&P(,. #%'3' &(;.5)&,' *. %',5O# $#().(.5 *& *. ,.*.#5#A

Cb H2.$.()'* # -(# C#(,# .( #%'3' )5#(*;.5*#2 a5.72# .*%.8&#2bM &7-#2 ;#2'5 4-. # ,'* C#(,#*G .08.%)' -( ;#2'5 $#3'5 8-#(,'*. 8'(.8)# 8'( .2.$.()' ,.2 )&%' X.#23 a.2 .2.$.()' X.#23)#$C&6( #-$.()# -( 75#,' *- ;#2'5b M *. %.5$&). 2# %#5#,#.( .2 #%'3' &(;.5)&,' .( -(# C#(,#A

8b <#* C#*8-2#* .( -(# C#(,# #2 #%'3' &(;.5)&,' (' *. 8'(*&M,.5#( .2.$.()'* ,. &$%-2*' T ' $#3'5.* %#5# #-$.()#5 .2;#2'5 ,. X.#23 #2 #%'3'A

iA D.%.)&8&'(.* .*%.8&#2.*#b H2.$.()'* 8'( $'5)#2.*g -( .e.58&8&' (' %-.,. &(82-&5 $#*

,. -(# ;#5&#8&P( ,.2 $&*$' .2.$.()' a.( .2 $&*$' 75-%'bA

H( .*). 8#*' .2 .2.$.()' 8'( .2 $#3'5 ;#2'5 8'()#5Q %#5# 2#dicultad.

He.$%2'*g M 9'5&*-. #75-%#,' M 9'5&*-. .( 8#5%# M T.22. #75-%#,' M T.22. .( 8#5%#G .)8 - 5/4 mortal ad. piernas abiertas a braquial o al apoyo brazos

doblados o a través del apoyo/directo a la suspensión.CA 9Q0&$' ,'* $'2&('* #2 #%'3' &(;.5)&,' a???A ZVG ZZG Z€G Z} 3

okb8A 9Q0&$' ,'* :.27.* #2 #%'3' &(;.5)&,' a???A VnwG Vn•G VViG VV}G

VZnG VonGVowb

kA =#5# $#3'5 &(:'5$#8&P( 8'( 5.2#8&P( #2 (' 5.8'('8&$&.()' ,.2'* .2.$.()'* 3 ')5'* #*%.8)'* ,. 2# (')# ]G ;.5 *.88&P( } ' .25.*-$.( ,. ,.,-88&'(.* .( 2'* #5)O8-2'* }Ai 3 ViAoA

Article 14.3 Déductions Spéciques pour les barres parallèles Article 14.3 Specic Deductions for Parallel Bars Articulo 14.3 Deducciones especícas de paralelas

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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H()56. #;.8 #%%.2 ,v-(. e#$C.A

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]#(* 626$.()* )3%. !"&#5M2'G 68#5) .08.**&: .()5. 2.*mains et / ou déviation du8'5%* a8"#4-. :'&*b

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=56M626$.()A ‚

9#58".5 '- #e-*).$.()*,.* %5&*.* h 2v#%%-&5.(;.5*6A

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9#(4-. ,v.0).(*&'( #;#()2# 5.%5&*. #%5E* *#2)'*A ‚ ‚

9#(4-. ,. 8'()5{2. #;#()2# 5.%5&*. #%5E* *#2)'*A

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0.30 de la note nale (Juge D1) pour la8'$%6)&)&'( &(,&;&,-.22. '- VAnn ,. 2# (').,. 2v64-&%. %'-5 2# 8'$%6)&)&'( ,v64-&%.*A

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nAon :5'$ )". >&(#2 S8'5. a]V /-,7.b :'5&(,&;&,-#2 8'$%.)&)&'( '5 VAnn :5'$ ).#$

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oA ].$&M)'-5 .( #;#() h 2B#%%-& 5.(;.5*6 a*-5 V '- ZC#55.*bAStützkehr fwd to hdst ((to 1 or 2 bars)

2. De l’appui échi, établis. av. et sauté avec ½ t.h 2B#%%-&ABent arm swing fwd to hop ½ t to sup

VA F'-). #%%-& 5.(;.5*6 *-5 V '- Z CAaZ *AbA Any handstand on 1 or 2 rails (2 s.).

F',' #%'3' &(;.5)&,' .( V ' Z C#(,#* aZ* b

$+5 '\ I:UB;>D< ;> CMM8E 78 MC9 :LCMM8E <89 :;< , ^C99;< ] %C4F496@ 79 @BAA8?6 8? 6L?8BDL @BAA8?6 89 > ;G?@ ] $:;B;>D7< ;> CM7A7 7 M79 ;: CM7A7 <7^9; ?7< ^C>?C<

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7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


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Stützkehr fwd. to hdst.((to 1 or 2 bars). S)ƒ)cN."5. #,.2#(). #2 #%'3' &(;.5)&,' a.( V '

Z C#(,#*bA

VnA ].$&M)'-5 .( #;A '- *#2)' .( #55A h 2B#%%-& 5.(;*A2#)A *-5 V CA a#-**& #;A Š )A '- ‹ h 2B#%%-& 5.(;*AbAStützkehr fwd. or salto bwd. to hdst. sideways on

1 rail (also with additional ¼ or ¾ turn to hdst.). S)ƒ)cN."5. #,A ' $'5)#2 #)5Q* #2 #%'3' &(;A 2#)A

*'C5. V C5#c' a)#$C&6( 8'( Š ' ‹ 7A #2 #%'3' & (;AbA

ZVA Élan en av. 1/1 ou 5/4 t. avec appui sur 1 brash 2B#%%-& 5.(;.5*6A

Swing fwd. w. 1/1 or 5/4 t. on 1 arm to hdst. Impulso ad. 1/1 g. o 5/4 con apoyo sobre 1

C5#c' #2 #%'3' &(;.5)&,'

Bent arm swing fwd. to hop ½ t. to sup. Del apoyo ex. dominación adelante y salto con

‡ 7A #2 #%'3'A

8. Élan en avant avec 1/1 t. à l’appui brachial. Swing fwd. w. 1/1 t. to up. arm hang. Impulso adelante con 1/1 g. al apoyo braquial.

VoA =#**.5 2.* e#$C.* 68#5)6 .( #;#() h 2B#%%-& '-2B64-.55. aZ *AbA

Straddle cut fwd. to support or L-sit (2 s.). =#*#5 2#* %A #CA #,A #2 #%'3' ' # Q(7-2' aZ *AbA

ViA =#**.5 2.* e#$C.* 68A .( #55A h 2B#%%-& 5.(;.5*6AStraddle cut bwd. to hdst.=#*#5 2#* %A #C&.5)#* #)5Q* #2 #%'3' &(;.5)&,'A

ZnA =#**.5 2.* e#$C.* 68#5)6 .( #55&E5. .) *#2)' #;Ah 2B#%%-& C5#8"&#2A

Strad. cut bwd. and salto fwd. to up. arm hang.=#*#5 2#* %&.5(#* #C&.5)#* #)5Q* 3 $'5)#2 #,A #2#%'3' C5#4-&#2A

ZZA ]&#$&,'; #;.8 ‡ )A h 2B#%%-& 5.(;.5*6A Diamidov with ½ t. to hdst.

]&#$&,'; 8'( K 7A #2 #%'3' &(;.5)&,'A

23. Diamidov avec 5/4 t ou plus à l’appui renversé. Diamidov with 5/4 t or more to hdst.

Diamidov con 5/4 g. o más al apoyo invertido.

15. Diamidov avec 1⁄2 tour à l’appui brachial. Diamidov and 1/2 turn to Upper Arms. ]&#$&,'; 8'( ‡ 7&5' # C5#4-&#2A

VwA ‹ ]&#$&,'; .) *#-)6 ,'5*#2 h 2# *-*%A 2#)65#2A ¾ Diamidov and rear vault to side hang on 1 bar.

‹ ]&#$&,'; 3 *#2)' ,'5*#2 # 2# *-*%.(*&P( 2#)A

F',' #%'3' &(;.5)&,' .( V ' Z C#(,#* aZ *AbA

•A F'-).* 2.* 64-.55.* aZ *AbA Any L-sit on 1 or 2 rails (2 s.). !-#24-&.5 Q(7-2' aZ *AbA

ZiAV}A =#**.5 2.* e#$C.* 68#5)6 .( #55&E5. h 2B#%%-&AStraddle cut bwd. to support.

=#*#5 2#* %&.5(#* #C&.5)#* #)5Q* #2 #%'3'A

}A

V€AV•A

VZAVVA

(Pegan)

(De Freitas)

(Bilozerchev - Peters) (Dimic)

(Kato)

(Carminucci)

(Diamidov)

(Salazar)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

Z•A 9#N-)* h 2B#%%-& C5#8"&#2 '- ‹ ]&#$&,'; ŠX.#23 h 2B#%%-&AMakuts to upper arm hang or ¾ Diamidov ¼


ZwA S’élever corps t., bras . ou corps ., bras t. à l’appui5.(;.5*6G ,#(* V '- Z C#55.* aZ *Ab #-**& eA 68#5)6*AAny press w bent arm str body or str arm bent

ZkA onA Demi-tour en avant avec 5/4 tour a l’a.t.r. sur-( C5#*G .) X.#23 # 2B#%%-&ASwing forward with 5/4 t on one arm through

Z}A ‹ ]&#$&,'; .) ‹ X.#23 *-5 2B#-)5. $#&( h 2B#%%-&A ¾ Diamidov & ¾ Healy on the other hand to supp.

‹ ]&#$&,'; 3‹ X.#23.( 2#')5# $#('#2 #%'3'

Z€A Demi-tour en avant avec 5/4 tour a l’a.t.r. sur-( C5#*G .) X.#23 h 2B#%%-& C5#8"&#2ASwing forward with 5/4 t on one arm through5

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 117 !"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

Makuts to upper arm hang or ¾ Diamidov ¼Healy to support.

9#N-)* # C5#4-&#2 ' ‹ ]&#$&,'; Š X.#23 #2#%'3'A

ooA S#2)' #55&E5. h 2B#%%-& 5.(;.5*6A I-**& # V C#55. Salto bwd to handstand. Also to one rail 9'5)#2 #)5Q* #2 #%'3' &(;.5)&,'A F#$C&6( # -(#

C#(,#A

oZA _2#( .( #;A h 2B#%%-& 5.(;.5*6 .) *#-)6 h 2B#%%-&A Swing fwd. to hdst., hop to support. ?$%-2*' #,A #2 #%'3' &(;.5)&,' 3 *#2)' #2 #%'3'A

o}A iVA

oi S#2)' #55&656 #;.8 %#**.5 2.* e#$C.* 68#5)6A .(#;#() h 2B#%%-&A

Salto backward with straddle cut to support. 9'5)#2 #)5Q* 8'( %#*. ,. %&.5(#* #C&.5)#*

#,.2#(). #2 #%'3'A

iiA

Any press w. bent arm str. body, or str. arm bent

body to hdst., on 1 or 2 rails (2 s.) also straddled.

Elev. cuer. y b. ex. o cuer. ex. b. ext. al ap.&(;AG .( V ' Z C#(,#* aZ *Ab )#$C&6( %&.5(#* #CA

oVA

iZA

ioA i€A

owAokA

Swing forward with 5/4 t. on one arm throughhdst. and healy to support.

Impulso adelante con 5/4 g. al apoyo invertido.( -( C5#c' # )5#;6* ,. ".#23 #2 #%'3'A

‹ ]&#$&,'; 3 ‹ X.#23 .( 2# ')5# $#(' #2 #%'3'A

o€Ao•A

(Zonderland)

(Carballo)

(Makuts)

Swing forward with 5/4 t. on one arm throughhdst. and healy to up. arm.

Impulso ad. con 5/4 g. al apoyo invertido en unC5#c' # )5#;6* ,. ".#23 #2 #%'3' C5#4-&#2A

inA S#2)' #55&E5. h 2B#%%-& 5.(;.5*6 *-5 V CA *-*%Aa8'((.8)6 #;.8 )3%. ,B626$.()* X.#23bSalto bwd to handstand 1 rail (connected toHealy type element).

9'5)#2 #)5Q* #2 #%'3' &(;.5)&,' *'C5. -(# C#(,#a8'(.8)#,' 8'( .2.$.()'* ,.2 )&%' X.#23b

(Rumbutis)

ikA S#2)' #55&E5. #;.8 ‡ )A h 2B#%%-&A C5#8"&#2A Salto bwd. with ½ t. to up. arm hang.

9'5)#2 #)5Q* 8'( ‡ 7A #2 #%'3' C5#4-&#2A

iwA ]'-C2. *#2)' #55&E5. 75A h 2 B#%%-& C5#8"&#2A Double salto t. to up. arm hang

]'C2. $'5)#2 #75-%#,' #2 #%'3' C5#4-&#2A

i•A ]'-C2. *#2)' #55&E5. 8#5%6. h 2B#%%-& C5#8"&#2A Double salto p. to up. arm hang.

]'C2. $'5)#2 .( 8#5%# #2 #%'3' C5#4-&#2A(Toumilovich) (Morisue) (Huang Liping)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$


i}A koA52. 3/2 salto arrière avec ½ t. à l ’appui brachial. 3/2 salto bwd. with ½ t. to up. arm hang.

3/2 mortal atrás con ½ g al apoyo braquial

knA <B#%%-& 5.(;.5*6 Š )A .) Š )A h 2B#%%-&A Hdst. with ¼ t. and fall back to sup. with ¼ t.

].2 #%'3' &(;.5)&,' Š 7 3 Š 7 #2 #%'3'

kVA <B#%%-& 5.(;.5*6A ‹ )A .) Š )A h 2B#%%-&A Hdst. with ¾ t. and fall back to sup. with ¼ t.

].2 #%'3' &(;.5)&,' ‹ 7 3 Š 7 #2 #%'3'

kiA

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 118 !"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

k€A

(Brändström) (Suarez)

3/2 mortal atrás con ½ g. al apoyo braquial. ].2 #%'3' &(;.5)&,' Š 7A 3 Š 7 #2 #%'3'A ].2 #%'3' &(;.5)&,' ‹ 7A 3 Š 7 #2 #%'3'A

wZA ].$&M)'-5 .( #55&E5. h 2B#%%-&A Stützkehr bwd. to support. S)ƒ)cN."5. #)5Q* #2 #%'3'A

woA ].$&M)'-5 .( #55&E5. %#5 2B#%%-& 5.(;.5*. h2B#%%-&A

Stützkehr bwd. through hdst. to support. S)ƒ)cN."5. #)5Q* %'5 .2 #%'3' &(;A #2 #%'3'A

w€A X.#23 h 2B#%%-& C5#8"&#2A Healy to upper arm hang.

X.#23 #2 #%'3' C5#4-&#2A

w}A]. 2B#%%-& 5.(;.5*. *-5 V CAG X.#23 h 2B#%%-&C5#8"&#2A

From hdst. on 1 rail, Healy to upper arm hang. ].2 #%'3' &(;.5)&,' *'C5. V C#(,#G X.#23 #2 #%'3'

C5#4-&#2A

•nA X.#23 h 2B#%%-& a#-**& ,. 2B#%%-& 5.(;.5*. *-5 VC#55.bA

Healy to support (also from hdst. on 1 rail). X.#23 #2 #%'3' a)#$C&6( ,.2 #%'3' &(;.5)&,'

*'C5. V CAbA

k•A ].$&M)'-5 .( #55&E5. .( %#**A 2.* e#$C.* 68#5)6*.( #55&E5. h 2B#%%-&A

Stützkehr bwd. with straddle cut bwd. to sup. S)ƒ)cN."5. #)5Q* %#*#(,' 2#* %&.5(#* #C&.5)#*

#)5Q* #2 #%'3'A

•VA ].%-&* -(. 626$.() ,B62#( a$&(A Tb h 2B#%%-&renversé sur 1 bras, Healy (360° ou plus) à

2B#%%-&A Following a swing element (min. B) to hdst on

1 rail, Healy (360° or more) to support. ].*,. -( .2.$.()' ,. &$%-2*' a$O(&$' Tb #2

apoyo invertido sobre 1 banda, Healy (360° o$Q*b #2 #%'3'A

•ZAw•A

wVA

kkA kw k}A wnA

wkA wwAwiA

9&(AQ

(Novikov)

(Healy)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$


•oA •€A•iA _2#(8.5 .( #55&E5. #;.8 ‡ )A *#-)6 h 2B#%%-&5.(;.5*6A

Swing bwd. with ½ t. hop to hdst.

•wA Élancer en arrière avec 1/1 t. sauté à l’appui ren M;.5*6ASwing bwd. with 1/1 t. hop to hdst.

•kA _2#(8.5 .( #55&E5. #;.8 ‹ )A *#-)6 h 2B#%%-& 5.(;.5*6A Swing bwd. with ¾ t. hop to hdst. <#(c#5*. #)5Q* 8'( ‹ 7A ,. *#2)' #2 #%'3'

••A @#)*'( V #;.8 Š )A h 2B#%%-& 5.(;.5*6A *-5 VCA .) Š )A h 2B#%%-& 5.(;.5*6 *-5 2.* Z C#55.*A

Gatson 1 with ¼ t to hdst. on 1 rail and ¼ t.

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 119!"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

€VA

€•A €€A

}V }ZA }iA

€}A

}wA

}nA

€oA €iA€ZA

g p <#(c#5*. #)5Q* 8'( ‡ 7A ,. *#2)' #2 #%'3'

&(;.5)&,'A

g pLanzarse atrás con 1/1 g. de salto al apoyo&(;.5)&,'A

7 % 3&(;.5)&,'A hdst. on 2 rails.

@#)*'( V 8'( Š 7A #2 #%'3' &(;.5)&,' *'C5. VCA 3 Š 7A #2 #%'3' &(;.5)&,' *'C5. Z C#(,#*A

(+CD<7> 1)

(+CD<7> 2)

•}A F'-) #%%-& 5.(;.5*6 #;.8 ‡ )A #;#() a#-**& #;.8Z *AbA

Any hdst. with ½ turn fwd. (also with 2 s.). F',' #%'3' &(;.5)&,' 8'( ‡ 7A a)#$C&6( 8'( Z *AbA

€kA ‡ )A #55&E5. .( #%%-& 5.(;.5*6A a#-**& #;.8 Z *AbA ½ turn bwd. in handstand (also with 2 s.). ‡ 7A #)5Q* .( #%'3' &(;.5)&,' a)#$C&6( 8'( Z *AbA

€wA ]. 2B#%%-& 5.(;.5*6 *-5 VA C#55.G ‡ '- ‹ )A #;#()'- #55&E5. .( #%%-& 5.(;.5*6A

From hdst. on 1 rail, ½ or ¾ pir. Fwd. or bwd. inhdst.

].2 #%'3' &(;.5)&,' *'C5. V C#(,# ‡ ' ‹ 7A#,.2#(). ' #)5Q* .( #%'3' &(;.5)&,'A

}oA ]. 2B#%%-& 5.(;.5*6G *#2)' #;A h 2B#%%-& '- ,.2B#%%-& 5.(;*A %5&*.* )'-5(AG *B#CC#&*A h 2B#%%-&A

From hdst., salto fwd to support or from hdsd.with rotated grip, inlocate to support.

].2 #%'3' &(;.5)&,'G $'5)#2 #,.2#(). #2 #%'3'&(;.5)&,' 7&5#(,' %5.*#G C#e#(,' #2 #%'3'A

(Carballo 2)

80. Tout 1/1 t. en appui renversé sur 2 barres. Any 1/1 pirouette in hdst. on 2 rails. Todo 1/1 g. en apoyo invertido sobre 2 bandas.

95. 5/4 salto av. écarté par appui à la suspension'- ,&5.8).$.() h 2# *-*%.(*&'(A

5/4 salto fwd. strad. through support to hang ordirectly to hang

5/4 mortal ad. p. abiertas a través del apoyo a2# *-*%.(*&P( ' ,&5.8)#$.(). # 2# *-*%.(*&P(

(Lee Chul Hon/Sasaki)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

}•A


VnZA}}A S#2)' #;#() h 2B#%%-&A Salto fwd to support. 9'5)#2 #,.2#(). #2 #%'3'A

98. 5/4 salto av. groupé ou carpé à l’appui brachial. 5/4 salto fwd. t. or p. to upper arm hang. 5/4 mortal adelante agrupado o en carpa al

100. 5/4 salto avant écarté à l’appui brachial. 5/4 salto fwd. straddled to up. arm hang. 5/4 mortal adelante piernas abiertas al

101. 5/4 salto avant écarté à l’appui bras échi. 5/4 salto fwd. strad. to bent arm sup. 5/4 mortal adelante piernas abiertas al apoyo

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 120 !"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

VnoA

VVwA VV€A VV}A

VViA

VVkA VZnA

VVZA

Vn€A

#%'3' C5#4-&#2A #%'3' C5#4-&#2A brazos exionados.

VniA S#2)' #;#() 75'-%6 '- 8#5%6 #;.8 Š )A h 2#*-*%.(*&'( 2#)65#2. *-5 V C#55.A

Salto fwd. t. or p. with ¼ t. to hang on 1 rail. 9'5)#2 #,.2#(). #75-%#,' ' .( 8#5%# 8'( ŠA

# 2# *-*%.(*&P( 2#).5#2 *'C5. V C#(,#A

VnkA S#2)' #;#() 75'-%6 '- 8#5%6 h 2# *-*%.(*&'( *-52B.0)56$&)6 ,.* C#55.*A

Salto fwd. t. or p. to hang at the end of the bars.

9'5)#2 #,.2#(). #75-%#,' ' .( 8#5%# # 2#*-*%.(*&P( *'C5. .2 .0)5.$' ,. 2#* C#(,#*A

VnwA ]'-C2. *#2)' 75'-%6 #;#() h 2B#%%-& C5#8"&#2A Double salto fwd. t. to up. arm hang. ]'C2. $'5)#2 #,.2#(). #75-%#,' #2 #%'3'

C5#4-&#2A

Vn•A ]'-C2. *#2)' 8#5%6 #;#() h 2B#%%-& C5#8"&#2A Double salto fwd. p. to up. arm hang. ]'C2. $'5)#2 #,.2#(). .( 8#5%# #2 #%'3'

C5#4-&#2A

(Urzica)

113. Salto av. avec 1/1 t. à l’appui brachial. Salto fwd. with 1/1 t. to up. arm hang. Mortal con 1/1 g. al apoyo braquial.

VVVA H0)56$&)6 ,.* C#55.*G ,'-C2. :#8&#2 5-**.(360°).

On end, Russian wende swing (360°). H( .2 .0)5.$' ,. 2#* C#(,#*G ,'C2. 5-*# :#8&#2

(360°).

VVnA H( 8.()5. '- ;.5* 2B.0)56$&)6G V 8.582. ,. e#$C.* '- 8.582. 68#5)6AIn center or on end facing out, 1 circle or air.

H( .2 8.()5' ' "#8&# .2 .0).5&'5G V $'2&(' '$'2&(' %&.5(#* #C&.5)#*A

Vn}A H0)56$&)6 ,.* C#55.*G V 8.582. ,. e#$C.* '-8.582. 68#5)6A

On end, 1 circle or air. H( .2 .0)5A ,. 2#* C#(,#*G V $'2&(' ' $'2&('

%&.5(#* #C&.5)#*A

VV•A F'-) 8.582. 68#5)6 h 2B#%%-& 5.(;.5*6A Any air to hdst.

F',' $'2&(' %A #C&.5)#* #2 #%'3' &(;.5)&,'A

(Delesalle)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

VZZA VZiA VZkA


VnZAVZVA VZoA F'-) 8.582. 68A #;.8 ‡ )A h 2B#%%-& 5.(;.5*6A Any air with ½ t. to hdst. F',' $'2&(' %&.5(#* #C&.5)#* 8'( ‡ 7A #2

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 121!"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

VoVAVZ}AVZ€AVZ•A

VokA

ViVA ViiA

VonA VoZA

VioAViZA

Vo€AVo•AVowAVoiAVooA

VinAVo}A

#%'3' &(;.5)&,'A

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

$+5 ''\ I:UB;>D< F8E =7BB;>=;>D a :LCMM8E ̂ 9C=XEC: ] %C4F496@ @6G?679D 79 BAA4? G?F A8@76789] $:;B;>D7< F8; ;BME;`C> ;> M7<E=EZ> ^9CF8EC:

ZA _)#C2&**.$.() .( #;#() .) %#**.5 2.* e#$C.* .(#55&E5. 2B#%%-& 5.(;.5*6A

Fwd. uprise and straddle cut bwd to handstand.

] & &P , 2 , 2 & Q

iAVA _)#C2&**.$.() .( #;#() h 2B#%%-&A Forward uprise to support. ]'$&(#8&P( #,A #2 #%'3'A

oA wAkA _)#C2&**.$.() .( #;#() #;.8 ‡ )A h 2B#%%-&5.(;.5*6A

Fwd. uprise with ½ t. to handstand.] & &P , 2 ) ‡ 2

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 122 !"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

•A _)#C2&**.$.() .( #;#() #;.8 Š )A h 2# *-*%.(M*&'( 2#)65#2 h 2B.0)65&.-5A

Fwd. uprise with ¼ t. to hang on 1 rail. ]'$&(#8&P( #,A 8'( Š 7A # 2# *-*%.(*&P( 2#).5#2

#2 .0).5&'5A

€A D'-2.5 #55&E5. #;.8 ‡ )A ,. 2B#%%-& C5#8"&#2 '-6)#C2&* .( #;#() .) \#)' *#-)6 h 2B#%%-&ARoll bwd. with ½ t. from up. arm. hang '5 Fwd.uprise to Kato hop to sup.

D',#5 #)5Q* 8'( n 7A ,.*,. .2 #%'3' C5#4-&#2 ','$&(#8&P( #,A 3 \#)' *#2)#,' #2 #%'3'A

ViA D'-2.5 #55&E5. h 2B#%%-& 5.(;.5*6 #;.8 C5#*).(,-A

Roll bwd to handstand with straight arms. D',#5 #)5Q* #2 #%'3' &(;.5)&,' 8'( C5#c'* .0)A

]'$&(#8&P( #,.2#(). %#*#(,' 2#* %&.5(#* #)5Q*#2 #%'3' &(;.5)&,'A

ZnA S#2)' #55&E5. .) %#**A 2.* e#$C.* #;#() h 2B#%%-&C5#8"&#2A

Salto bwd. with strad. cut to up. arm hang A S#2)' #)5Q* %#*#(,' 2#* %&.5(#* #,.2#(). #2 #%'3'

C5#4-&#2A

ZVAD'-2.5 #55&E5. .) %#**A 2.* e#$C.* #;A h 2B#%%-&ARoll bwd. with strad. cut to support.

D',#5 #)5Q* 3 %#*#5 2#* %&.5(#* #,.2#(). #2#%'3'A

ZoA D'-2.5 #55&E5. .) *#2)' #55&E5. 75'-%6 h 2B#%%-&C5#8"&#2A

Roll bwd with salto bwd tuck to upper arm hang. D',#5 #)5Q* 3 $'5)#2 #)5Q* #75-%#,' #2 #%'3'

C5#4-&#2A

ZiAD'-2.5 #55&E5. .) *#2)' #55&E5. 8#5%6 h 2B#%%-&C5#8"&#2A

Roll bwd with salto bwd piked to upper arm hang. D',#5 #)5Q* 3 $'5)#2 #)5Q* .( 8#5%# #2 #%'3'

C5#4-&#2A

VVA _)#C2&**.$.() .( #;#() #;.8 9#N-)* h 2B#%%-&C5#8"&#2A

>L,A -%5&*. )' 9#N-)* )' -%%.5 #5$A ]'$&(#8&P( #,.2#(). 8'( 9#N-)* # C5#4-&#2A

18. Établissement. en av. avec 3/2 t. à l’appui renvs. Fwd. uprise with 3/2 t. to handstand Dominación adelante con 3/2 g. al apoyo inv.

VwA

VnA}A

VkAVoA

V}A ZZA

VZA _)#C2&**.$.()A .( #;A #;.8 9#N-)* h 2B#%%-&A Fwd. uprise to Makuts to support. ]'$&(#8&P( #,.2#(). 8'( 9#N-)* #2 #%'3'A

+

(Watanabe)

(Tsolakidis 1)

(Tsolakidis 2)

(Dimitrenko) (Li Xiaopeng)

17. Établissement en avant avec 1/1 t. à l’appui5.(;.5*6A

Fwd. uprise with 1/1 t. to handstand. Dominación adelante con 1/1 g. al apoyo inver M

)&,'A(Richards)

]'$&(#8&P( #,.2#(). 8'( ‡ 7A #2 #%'3'&(;.5)&,'A

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

ZwA Z•A


ZkA Z}A D'-2.5 #55&E5. #;.8 ‡ )A 75A h 2# *-*%A Roll bwd. with ½ t. tuck to hang. D',#5 #)5Q* 8'( ‡ 7. agrupado a la suspensión

onAZ€A D'-2.5 #55&E5. #;.8 ‡ )A 75A h 2B#%%-& C5#8"&#2A Roll bwd. with ½ t. tuck to upper arm hang. D',#5 #)5Q* 8'( ‡ 7. agrupado al apoyo bra5

i l

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 123!"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

inA

oVA

o•A

ioA

okA

iVA

owA

iZA

i€AiiA_)#C2&**.$.()A #55&E5. #;.8 ‡ )A h 2B#%%-&A Bwd. uprise with ½ t. to support.

]'$&(#8&P( #)5Q* 8'( ‡ 7A #2 #%'3'A

iwA_)#C2&**.$.() #55&E5. .) *#2)' #;A 8#5%6 h 2B#%%-&A Bwd. uprise and salto fwd. p. to sup.

]'$&(#8&P( #)5Q* 3 $'5)#2 #,.2#(). .( 8#5%# #2#%'3'A

ikA_)#C2&**.$.() arrière et 5/4 salto avant groupé,8#5%6 '- 68#5)6 h 2B#%%-& C5#8"&#2A

Bwd. uprise and 5/4 salto fwd. t., p. or strad. toup.arm hang. Dominación atrás y 5/4 mortal adelante agrupaM

,'G .( 8#5%# ' %&.5(#* #C&.5)#* #2 #%'3' C5#4-&#2A

i•A _)#C2&**.$.() #55&E5. .) ,'-C2. *#2)' #;A 75'-%Eh 2B#%%-& C5#8"&#2A

Bwd. uprise and double salto fwd. t. to up armhang. ]'$&(#8&P( #)5Q* 3 ,'C2. $'5)#2 #,.2#().

#75-%A # C5#4-&#2A(Yamawaki)

o€A _)#C2&**.$.() #55&E5. #;.8 ‡ )A .) %#**.5 2.* e#$C.* .( #55&E5. h 2B#%%-& C5#8"&#2A

Bwd. uprise with ½ t. and straddle cut bwd toupper arm hang.

]'$&(#8&P( #)5Q* 8'( ‡ 7A 3 %#*#5 2#* %A #)5Q*#2 #%'3' C5#4-&#2A

o}A _)#C2&**.$.() #55&E5. #;.8 ‡ )A .) %#**.5 2.* e#$C.* .( #55&E5. h 2B#%%-&A

Bwd. uprise with ½ t. a. strad. cut bwd. to sup.

]'$&(#8&P( #)5Q* 8'( ‡ 7A 3 %#*#5 2#* %&.5(#*#)5Q* #2 #%'3'A

oZA _)#C2&**.$.() #55&E5. h 2B#%%-& 5.(;.5*.$.()a#-**& #;#() ‡ )bA

Bwd. uprise to handstand (or w. ½ t). ]'$&(#8&P( #)5Q* #2 #%'3' &(;.5)&,' a)#$C&6(

8'( ‡ 7AbA

ooA _)#C2&**.$.() #55&E5. #;.8 ‡ )A *#-)6 h 2B#%%-&5.(;.5*6A

Bwd. uprise with ½ t. hop to handstand. ]'$&(#8&P( #)5Q* 8'( ‡ 7A *#2)#5 #2 #%'3'

&(;.5)&,'A

oiA _)#C2&**.$.() #55&E5. #;.8 ‹ )A *#-)6 h 2B#%%-&5.(;.5*6 *-5 V C#55.A

Bwd. uprise with ¾ t. hop to hdst. on 1 rail. ]'$&(#8&P( #)5Q* 8'( ‹ 7A *#2)#5 #2 #%'3'

&(;.5)&,' *'C5. V C#(,#A

quial.(Harada) (Dalton)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

kVA kZA


koA kiAknA_)#C2&**.$.() #55&E5. .) %#**.5 2.* e#$C.*68#5)6* .( #;A h 2B#%%-& C5#* ).(,-*A

Bwd. uprise and strad. cut or ank over to sup.*)5 #5$

i}A_)#C2&**.$.() #55&E5. .) %#**.5 2.* e#$C.*écartés en avant à l’appui bras échis.

Bwd. uprise and strad. cut or ank over to sup.C.() #5$

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 124!"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

wZA

w€A

kwA k•A

wiAwoA

kkA

wVA

w•A

k}A

wkA

•VA

wnA

wwA

•ZAw}A •nA

k€A

*)5A #5$A ]'$&(#8&P( #)5Q* %#*#(,' 2#* %&.5(#* #,.2#().

#2 #%'3' C5#c'* .0).(,&,'*A

C.() #5$A ]'$&(#8&P( #)5Q* %#*#(,' 2#* %&.5(#* #,.2#().

al apoyo brazos exionados.

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$$+5 '''\ I:UB;>D< ?LU:C> MC9 :C <8<M;><E7> <89 . 78 , ^C99;< ;D UDC^:E<<;B;>D CWC>D ;> D789>C>D ;> C99E[9;V ] $89D @d79D@ 79 LG9D 49 : 8? > ;G?@ G9O 29O4?@d79D@ ] $:;B;>D7< ?; EBM8:<7 M79 :C <8<M;><EZ> <7^9;

. 7 , ^C>?C< A ?7BE>C=E7>;< C?;:C>D; W7:D;C>?7 CD9j<VoA _2#( #;A %#**. e#$C.* 68#5)6* # #55&E5. 8'5%* ).(,-

a l’horizontal a l’appui. brachiale ou bras échies. Swing forward, straddle cut backward, and regrasp.

with straight body at horizontal to bent and upper arm

iA 9'3 8#5%6 #;.8 %#**.A 2.* e#$C.* 68#5)6* .(#55&E5. h 2B#%%-& 5.(;.5*6A

Moy piked with straddle bwd to hdst.9'3 .( 8#5%# 8'( %#*. ,. %&.5(#* #C&.5)#*

kA _2#( #;A %#**. e#$CA 68A # #55A 8'5% ).(,- # 2B"'5&cA Swing forward, straddle cut backward, and regrasp

with straight body at horizontal.

?$% #, %#*. %&.5(#* #)5Q*3 #7#55. .0) .( 2#"'5&c

wAVA ZA

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 125 !"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

(Moy)

VkA 9'3 h 2B#%%-& a#-**& *#(* 2|8".c %5&*.*bA Moy to support (also without grip release). 9'3 #2 #%'3' a)#$C&6( *&( ,.e#5 2#* %5.*#*bA

with straight body at horizontal to bent and upper arm

?$%-2*' #,.2#(). %#*. %&.5(#* #)5Q* 3 #7#55. .0)A.( 2# "'5&c'()#2 # C5#4-&#2 3 C5 #c'* ,'C2#,'*A

9. Moy carpé avec 1/1 t. à l’appui brachial. Moy piked with 1/1 t. to up. arm hang. Moy en carpa con 1/1 g. al apoyo braquial.

ZVA @5#(, )'-5 #55A h 2B#%%-& 5.(;A '- #;.8 ,&*2'8#M)&'( #;#() a#-**& #;A Š ) '- ‡ )A .) *-5 V C#55.bA

Giant swing bwd. to hdst. or with inlocation fwd.(also with ¼ or ½ turn and to one rail). 9'2&(' #2 #%A &(;A ' 8'( ,&*2'8A #,A a)#$C&6( 8'(Š ' ‡ 7A ' # V C#(,#bA

(Kenmotsu)

9'3 .( 8#5%# 8'( %#*. ,. %&.5(#* #C&.5)#*#)5Q* #2 #%A &(;A

(Tippelt)

VnA9'3 .) *#2)' #;A 75'-%6G 8#5%6 '- 68#5)6 # 2B#%%-&C5#8"&#2A

Moy and salto fwd. t., p. or strad. to upper arm

hang.

9'3 3 $'5)#2 #,.2#(). #75-%#,'G.( 8#5%# '%&.5(#* #C&.5)#* #2 #%'3' C5#4-&#2A

(Nolet)

VwA

ZZA @5#(, )'-5 #55&E5. h 2B#A)A5A *-5 -(. C#55. a8'((.8)6#;.8 )3%. ,B626$.()* X.#23b

Giant swing bwd. to hdst. on one rail ( ()##'(-'1 -)Healy type element).

9'2&(' #2 #%'3' &(;.5)&,' .( -(# C#(,# 8'(.8)#,'8'( -( .2.$.()' ,.2 )&%' X.#23A

?$%A #,A %#*. %&.5(#* #)5Q* 3 #7#55. .0)A .( 2# "'5&cA

VVA

V•A

ZoA

VZA

V€A

ZiA

•A

VoA

V}A

€A 9'3 8#5%6 .( %#**#() 2.* e#$C.* .8A .( #55&E5.#;.8 ‡ )A # 2B#%%-& C5#8"&#2 a#-**& e#$C.* *.55.*bA

Moy piked with stradd. cut bwd. and ½ t. to up.

arm hang (also legs together).

9'3 .( 8#5%# 8'( %&.5(#* #C&.5)#* ‡ 7AG #2 #%'3'C5#4-&#2 a)#$C&6( 8'( %&.5(#* 8.55#,#*bA

ViAMoy à l’appui jambes exiones (aussi sans2|8".c %5&*.*bA

Moy to support bent legs (also without griprelease).

9'3 #2 #%'3' %&.5(#* ,'C2#,#* a)#$C&6( *&(,.e#5 2#* %5.*#*bA

ZnA

(Wells)

(Piasecky)

(Bhavsar)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

29. Grand tour arrière avec 5/4 ou 3/2 Diamidov à2B#%%-& 5.(;.5*6A

G. swg. bwd. with 5/4 or 3/2 Diamidov to hdst.Molino atrás con 5/4 o 3/2 Diamidov al apoyo

Z•A Z€A @5#(, )'-5 #55&E5. #;.8 ]&#$&,'; h 2B#%%-&5.(;.5*6G #-**& *-5 V C#55.Giant swg. bwd. with Diamidov to hdst. Also toone rail

ZkA ZwA onA

$+5 '''\ I:UB;>D< ?LU:C> MC9 :C <8<M;><E7> <89 . 78 , ^C99;< ;D UDC^:E<<;B;>D CWC>D ;> D789>C>D ;> C99E[9;V ] $89D @d79D@ 79 LG9D 49 : 8? > ;G?@ G9O 29O4?@d79D@ ] $:;B;>D7< ?; EBM8:<7 M79 :C <8<M;><EZ> <7^9;. 7 , ^C>?C< A ?7BE>C=E7>;< C?;:C>D; W7:D;C>?7 CD9j<V

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 126 !"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

ooA @5#(, )'-5 #55&E5. #;.8 ‡ )A h 2B#%%-& C5#8"&#2A Giant swing bwd. with ½ t. to up. arm hang. 9'2&(' #)5Q* 8'( K 7A #2 #%'3' C5#4-&#2A

oZA SB#C#&**.5 #;.8 *#2)' #55&E5. ).(,- h 2# *-*M%.(*&'(A

Swing down with salto bwd. str. to hang. T#e#5*. 8'( $'5)#2 #)5Q* .0).(*&P( # 2# *-*M

%.(*&P(A

o€A inA @5#(, )'-5 #55&E5. #;.8 9#N-)* h 2B#%%-& C5#M8"&#2A

Giant swing bwd. with Makuts to upper hang. 9'2&(' #)5Q* 8'( 9#N-)* # C5#4-&#2A

(Korolev)

Molino atrás con 5/4 o 3/2 Diamidov al apoyo&(;.5)&,'A

oiA @5#(, )'-5 #55&E5. #;.8 ‡ )A h 2B#%%-&A Giant swing bwd. with ½ t. to support. 9'2&(' #)5Q* 8'( K 7A #2 #%'3'A

i•A @5#(, )'-5 #55&E5. #;.8 ‡ %#**A e#$C.* 68#5)6*# 2B#%%-& C5#8"&#2A

Giant swing bwd. with ½ t. and str. cut bwd. toup. arms. 9'2&(' #)5Q* 8'( ‡ 7A 3 %#*#5 %&.5(#* #C&.5)#*

#)5Q* # C5#4-&#2A

iZA

36. Belle avec 1/1 tour. Belle with 1/1 turn. Belle con 1/1 giro.

ikA

o}A

i€A

one rail. 9'2&(' #)5Q* 8'( ]&#$&,'; #2 #%'3' &(;.5)&,'AG

)#$C&6( # -(# C#(,#

oVA okA @5#(, )'-5 #55A #;.8 ]&#$&,'; h 2B#%%A 5.(;A ,#(*V C#55. a8'((.8)6 #;.8 )3%. ,B626$.()* X.#23b

Giant swg. bwd. with Diamidov to hdst. one rail(connected to Healy type element).

9'2&(' #)A 8'( ]&#$&,'; #2 #%A &(;A # -(# C#(,#a8'(.8)#,' 8'( -( .2.$.()' ,.2 )&%' X.#23b

iwA@5#(, )'-5 #55&E5. #;.8 %#**A &A e#$C.* 68#5)6*à l’appui ou bras échis.

Giant swing bwd. with straddle cut to support orbent arms support. 9'2&(' #)5Q* 8'( %#*. ,. %&.5(#* #C&.5)#* #2

apoyo o brazos ex.

iVAo•A

iiA @5#(, )'-5 #55&E5. #;.8 %#**A &A e#$C.* 68#5)6* h2B#%%-& C5#8"&#2A

Giant swing bwd. w. strad. cut to up. arm hang. 9'2&(' #)5Q* 8'( %#*. ,. %&.5(#* #C&.5)#* #2 #%'3'

C5#4-&#2A

ioA

(Marinitch)(Gushiken)

+

(Quintero)

(Sosa)

(Dauser)

(Leyva)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

kVA kZA]- 75#(, )'-5 #55&E5.G ,'-C2. *#2)' 75'-%. h 2B#%%-&C5#8"&#2A

>5A 7&#()A *LA CL,AG ,C2A *#2)' )A )' -%A #5$ "#(7A]. $'2&('#)5Q* ,'C2. $'5)#2#75-%#,##2 #%'3'

knAi}A kiAkoA T.22. 8#5%6A Belle piked. T.22. .( 8#5%#A


7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 127 !"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

(Chartrand)

]. $'2&(' #)5Q* ,'C2. $'5)#2 #75-%#,# #2 #%'3'C5#4-&#2A

(Torres) (Tanaka)

k•A @5#(, )'-5 #55&E5. .) *#2)' 8#5%6 #;.8 ‡ )A h 2#*-*%.(*&'( *-5 2B.0)56$&)6A

Giant swing bwd. and salto with ½ t to hang onthe end.

9'2&(' #)5Q* 3 $'5)#2 .( 8#5%# 8'( ‡ 7A # 2#*-*%.(*&P( *'C5. .2 .0)5.$.A

woA T#*8-2. ,B62#( #55&E5. h 2B#%%-& 5.(;.5*6A Glide kip bwd. to hdst. TQ*8-2# ,. &$%-2*' #)5Q* #2 #%'3' &(;.5)&,'A

kwAkkA

w€A T#*8-2. .( %#**#() 2.* e#$C.* 68#5)6* .(#55&E5. h 2B#%%-& 5.(;.5*6 *-5 V '- Z C#55.A

Glide kip to strad. cut bwd. hdst. on 1 or 2 r. TQ*8-2# %#*#(,' %&.5(#* #C&.5)#* #2 #%'3'&(;.5)&,' *'C5. V ' Z C#(,#*A

w}A •nAw•A

wnAGrand tour arrière avec ½ t. et 3/2 salto avant à2B#%%-& C5#8"&#2A

Giant swing bwd. with ½ t. and 3/2 salto fwd to up

arm hang.

Molino atrás con ½ g. y 3/2 mortal adelante aC5#4-&#2A

k}A @5#(, )'-5 #55&656 .) *#2)' 75'-%6 '- 8#5%6 #;.8‡ )A h 2B#%%-&A

Giant swing bwd. and salto with ½ t or p. tosupport.9'2&(' #)5Q* 3 $'5)#2 #75-%#,' ' .( 8#5%# 8'(‡ 7A #2 #%'3'A

k€ @5#(, )'-5 #55&E5. .) *#2)' 75'-%6 '- 8#5%6 #;.8‡ )A h 2B#%%-& C5#8"&#2G *-*%.(*&'(A

Giant swing bwd. and salto with ½ t or p. to up.arm hang, hang.

9'2&(' #)5Q* 3 $'5)#2 #75-%#,' ' .( 8#5%# 8'(‡ 7A #2 #%'3' C5#4-&#2G *-*%.(*&P(A

wwAwkAwiA

•ZA•VA

wZA T#*8-2. #;.8 ‡ )A h 2B#%%-&A Glide kip. with 1/2 t. to support. TQ*8-2# 8'( ‡ 7A #2 #%'3' &(;.5)&,'A

wVA T#*8-2. ,B62#( -( '- ,.-0 C#55.*A Glide kip '(. '5 )L' 5#&2*A TQ*8-2# ,. &$%-2*' -(# ' ,'* C#(,#*A

(Belle)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

•kA T#*8-2. ,B62#( %#5 2B64-.55. h 2B#%%-& 5.(;.5*6A Glide kip through L-sit p. to hdst. TQ*8-2# ,. &$%-2*' %'5 .2 2#)A #2 #%'3' &(;.5M

)&,'A

•iA T#*8-2. ,B62#( V C#55. %#5 2B64-.55. 68#5)6 h2B#%%-& 5.(;.5*6A

Glide kip one rail hrough L-sit strad. to hdst.TQ*8-2# ,. &$%-2*' .( -(# C#(,# %&.5(#*

•€A•oA ••A•wA T#*8-2. ,B62#( %#5 2B64-.55. 8#5%6 h 2B#%%-&renversé et saut avec 3/4 t. ou plus.

@2&,. N&% )"5'-7" <M*&) %A)' ",*)A #(, "'% L&)"3/4 t or more.


7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 128 !"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

)&,'A TQ*8-2# ,. &$%-2*' .( -(# C#(,# %&.5(#*#C&.5)#* #2 #%'3' &(;.5)&,'A

(Li Donghua)

3/4 t or more. TQ*8-2# ,. &$%A %'5 .2 2#)A #2 #%'3' &(;.5)&,' 3

*#2)'A

€iA

}nA

€VA•}A €oA€ZA€nA T#*8-2. ,B62#( %#5 2B64-.55. e#$C.* 2.;A ;.5)A .)*#-) #;.8 ‡ )A h 2# *-*%.(*&'( *-5 2B#-)5. C#55.A

@2&,. N&% )"5'-7" WM*&) #(, "'% ‡ )-5( )' "#(7'( ')".5 5#&2A

TQ*8-2# ,. &$%-2*' %'5 .2 2#).5#2 %A 2.;A ;.5)&8#23 *#2)' 8'( ‡ 7A # 2# *-*%A *'C5. 2# ')5# C#(,#A

€•A€kA €}A€€A€wA

}oA}VA }kA}iA}ZA }wA

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

}€A T#*8-2. #22.$#(,. h 2B#%%-&A Cast to support. T#22.*)P( #2.$Q( #2 #%'3'A

}•A T#*8-2. #22.$#(,. h 2B#%%-& C5#8"&#2A Cast to upper arm hang. T#22.*)P( #2.$Q( # C5#4-&#2A

}}A _)#C2&**.$.() A #;#() .( )'-5(#() .( #55&E5. #;.8‡ )A h 2B#%%-& C5#8"&#2A

Felge with ½ t. to upper arm hang.

]'$&(#8&P( #,.2#(). ;'2).#(,' #)5Q* 8'( ‡ 7A

VnnA _)#C2&**.$.() #;#() .( )'-5(#() .( #55&E5.#;.8 ‡ )A h 2B#%%-&A

Felge with ½ t. to rear support. >.27. 8'( ‡ 7A #2 #%'3' %'5 ,.)5Q*A

VnZAVnVA


7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 129!"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

7# C5#4-&#2A

7 7 % 3 %

VniA T#*8-2. #22.$#(,. #;.8 ‡ )A h 2B#%%-& C5#8"&#2A Cast with ½ t. to up. arm hang. T#22.*)P( #2.$Q( 8'( ‡ 7 #2 #%'3' C5#4-&#2A

VnkA T#*8-2. #22.$#(,. #;.8 ‡ )A h 2B#%%-&A Cast with ½ t. to support. T#22.*)P( #2.$Q( 8'( ‡ 7A #2 #%'3'A

VnwA _)#C2&**.$.() #;A .( )'-5(#() .( #55A h 2B#%%-&5.(;A '- #;.8 ,&*2'8#)&'(G #-**& *-5 V C#55.A

Basket to handstand or with inlocation (el-grip)and hop to hdst. Also to one rail.

>.27. #2 #%A &(;A ' 8'( ,&*2'8A 3 *#2)' #2 #%A &(;A)#$C&6( # -(# C#(,#

Vn•A _)#C2&**.$.() #;#() .( )'-5(#() .( #55&E5.#;.8 ŠG ‡ '- ‹ )A h 2B#%%-& 5.(;.5*6A

Basket with ¼, ¾ or ½ t. to handstand. >.27. 8'( ŠG ‡ ' ‹ 7A #2 #%'3' &(;.5)&,'A

VViA _)#C2&**.$.() #;#() .( )'-5(#() .( #55&E5.avec 1/1 t. à l’appui renversé.

Basket with 1/1 t. to handstand. Felge con 1/1 g. al apoyo invertido.

VVZA

VVwA _)#C2&**.$.() #;#() .( )'-5(A h 2# #%%-&A Basket to support

>.27. #2 #%'3'A

VV•A F'-5 ,B#%%-& .( %#**A 2.* e#$C.* 68#5)6* #;#()h 2B#%%-&A

Basket with immed. straddle cut to support. >.27. %#*#(,' 2#* %&.5(#* #C&.5)#* #,.2#().#2 #%'3'A

VVoA

Vn€A_)#C2&**.$.() #;#() .( )'-5(#() .( #55&E5.avec 5/4 t. à l’appui renversé.

Basket with 5/4 t. to handstand. Felge con 5/4 g. al apoyo invertido.

VnoA

VZnA _)#CA #;A .( )'-5(#() .( #55A h 2B#%%-& 5.(;A# 9#N-)*A

Basket through handstand to Makuts >.27. # )5#;.* ,.2 #%'3' &(;.5)&,' 9#N-)*

VV}A _)#CA #;A .( )'-5(#() .( #55A h 2B#%%-& 5.(;A ,#(*V C#55.Aa8'((.8)6 #;.8 )3%. ,B626$A X.#23bA

Basket to one rail hdst. (connected to Healytype element). >.27. #2 #%A &(;A .( -(# C#(,# a8'(.8)#,' #

.2.$.()' ,.2 )&%' X.#23bA

VV€A

VVVA T#*8-2. #22.$#(,. .( %#**A 2A e#$C.* 68#5)6*.( #55&E5. h 2B#%%-& 5.(;.5*6A

Cast to straddle cut backward to handstand. T#22.*)P( #2.$Q( %#*#(,' %&.5(#* #C&.5)#*

#)5Q* #2 #%'3' &(;.5)&,'A

VVnAVn}A

(Cucherat - Celen)

(Zhou Shixiong)

(Teng Hai Bin)

(Chiarlo)

(Arican)

+

+

VVkA _)#C2&**.$.() #;#() .( )'-5(A #;.8 )5#(*%'5)h 2# *-*%.(*&'(A

Basket with travel to hang >.27. 8'( ,.*%2#c#$&.()' # 2# *-*%.(*&P(A

(Jamamuro)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

VZVA F'-5 ,B#%%-& #;#() h 2B#%%-&A Basket forward to support. >.27. #,A #2 #%'3'A

VZZA F'-5 ,B#%%-& #;#() #;.8 ‡ )A h 2B#%%-&A Basket forward with ½ t. to support. >.27. #,A 8'( ‡ 7A #2 #%'3'A

VZiA _)#C2&**.$.() #;#() .( )'-5(A .( #55&E5. #;.8*#2)' #55&E5. 75'-%. h 2B#%%-& C5#8"&#2A

Basket with salto bwd t. to up. arm hang. >.27. 8'( $'5)#2 #)5Q* #75A #2 #%'3' C5#4-&#2A

VZoA VZkA VZwA


7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 130 !"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

(Tejada)

VZ€A _)#C2&**.$.() #;#() .( )'-5(A .( #55&E5. h2B#%%-& 5.(;.5*6 .) *#-) *-5 2B#-)5. C#55.A

Shoot up to hdst. and hop to other rail. >.27. .( -(# C#(,# *#2)#(,' *'C5. 2# ')5#

C#(,#A

VZ}AVZ•A VonA_)#C2&**.$.() #;#() .( )'-5(A .( #55&E5. #;.8Š )A h 2B#%%-& 5.(;.5*6A

Shoot up with ¼ t. to hdst. >.27. .( -(# C#(,# 8'(Š 7A #2 #%'3' &(;.5)&,'A

VoVA VoZA

VooA Vo•A Vo€AVoiA VokA VowA _)#C2&**.$.() #;#() .( )'-5(A .( #55&E5. 68#5)6h 2B#%%-& 5.(;.5*6 *-5 V C#55.A

Straddled shoot to hdst on 1 rail. >.27. .( V C#(,# %&.5(#* #C&.5)#* #2 #%'3'

&(;.5)&,' *'C5. V C#(,#A

Vo}A VioA ViiAVin ViVA ViZA

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

VA S#2)' #;#() 8#5%6 '- ).(,-A Salto fwd. piked or stretched. 9'5)#2 #,.2#(). .( 8#5%# ' .0).(,&,'A

ZA S#2)' #;#() 8#5%6 '- ).(,- #;.8 ‡ )A Salto fwd. piked or str. with ½ t. 9'5)#2 #,.2#(). .( 8#5%# ' .0).(,&,' 8'( ‡ 7A

3. Salto avant carpé ou tendu avec 1/1 ou 3/2 t. Salto fwd. piked or str. with 1/1 or 3/2 t. Mortal adelante en carpa o extendido con 1/1 o

3/2 g.

kA ]'-C2. *#2)' #;#() 75'-%.A Double salto fwd. t. ]'C2. $'5)#2 #,.2#(). #75-%#,'A

4. Salto avant carpé ou tendu avec 2/1 ou 5/2 t. Salto fwd. piked or str. with 2/1 or 5/2 t. Mortal adelante en carpa o extendido con 2/1 o

5/2 g.

$+5 R\ 279DE;< ] '7@F8B96@ ] 2C:E?C<

wA ]'-C2. *#2)' #;#() 8#5%6A Double salto fwd. piked. ]'C2. $'5)#2 #,.2#(). .( 8#5%#A

(Belyavskiy)

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 131!"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

}A ]'-C2. *#2)' #;#() 75'-%6 ,. 2B.0)56$&)6 ,.*C#55.*A

Double salto fwd. t. from end. ]'C2. $'5)#2 #,A #75-%#,' ,.*,. .2 .0)5.$' ,.

2#* C#(,#*A

VoA ViA VkA

VVA

VwA

VZA]'-C2. *#2)' #;A 75A #A ‡ )A '- ‡ )A ,'-CA *#2)A #55A Double salto fwd. t. w. ½ t. or ½ t. doub. salt. bwd.

]'C2. $'5)#2 #,A #7A 8A ‡ 7A ' ‡ 7A ,'CA $'5)A #)A

VnA

V•A V€A]'-C2. *#2)' #;#() 8#5%6 #;.8 ‡ )ADouble salto fwd. piked with K t.

]'C2. $'5)#2 #,.2#(). .( 8#5%# 8'( ‡ 7A

ZoA ZiA

•A €A

(Belyavskiy)

V}A S#2)' #55&E5. 8#5%6 '- ).(,-A Salto bwd. piked or str.

9'5)#2 #)5Q* .( 8#5%# ' .0).(,&,'A

ZnA S#2)' #55&E5. 8#5%6 '- ).(,- #;.8 ‡ )A Salto bwd. piked or str. with ½ t.

9'5)#2 #)5Q* .( 8#5%# ' .0).(,&,' 8'( ‡ 7A

21. Salto arrière carpé ou tendu avec 1/1 ou 3/2 t. Salto bwd. piked or str. with 1/1 or 3/2 t.

Mortal atrás en carpa o extendido con 1/1 o 3/27A

22. Salto arrière tendu avec 2/1 t. Salto bwd. str. with 2/1 t.

Mortal atrás en carpa o extendido con 2/1 g.

+

(Kan)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

ZwA Z•A Z}A

$+5 R\ 279DE;< ] '7@F8B96@ ] 2C:E?C<

ZkA onAZ€A >#8&#2 .) *#2)' #55&E5. 75'-%6 '- 8#5%6A High wende and salto bwd t.or p. >#8&#2 3 $'5)#2 #)5Q* #75-%#,' ' .( 8#5%#A

(Roethlisberger)

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 132 !"#$%&'# )*+% ,+"'*% - !"#$%&%'() +#" ,-.%#" - .%*/'0'&* )1%1 ,+"'*%

oV okA

iVA iZAo}A inA ]'-C2. *#2)' #55&E5. 75'-%6 #;.8 ‡ )A '- *#2)'#55&656 ‡ )A .) *#2)' #;#() 75'-%6A

Double salto bwd. t. with ½ t. or salto bwd. ½ t.to salto fwd. tucked]'C2. $'5)#2 #)5Q* #75-%#,' 8'( ‡ 7A ' $'5)#2#)5Q* ‡ 7A 3 $'5)#2 #,.2#(). #75-%#,'

o•A o€A

i•AikA ]. 2# *-*%.(*&'( *-5 2B.0)56$&)6G ,'-C2. *#2)'#55&E5. 8#5%6A

From hang on end, dbl. salto bwd. piked.]. 2# *-*%.(*&P( .( .2 .0)5.$'G ,'C2. $'5)#2#)5Q*A .( 8#5%#A

iwA ]. 2# *-*%.(*&'( *-5 2B.0)56$&)6G ,'-C2. *#2)'arrière groupé avec 1/1 ou ‡ )A

From hang on end, dbl. salto bwd. t. with 1/1 orK t. ]. 2# *-*%.(*&P( .( .2 .0)5.$'G ,'C2. $'5)#2

atrás agrupado con. 1/1 o ‡ 7A

ioA ]. 2# *-*%.(*&'( *-5 2B.0)5J$.G *#2)' #55&E5.).(,-A

From hang on end, salto bwd. stretched. ]. 2# *-*%.(*&P( .( .2 .0)5.$'G $'5)#2 #)5Q*.0).(,&,'A

iiA ]. 2# *-*%.(*&'( *-5 2B.0)56$&)6G ,'-C2. *#2)'#55&E5. 75'-%6A

From hang on end, double salto bwd. t. ]. 2# *-*%.(*&P( .( .2 .0)5.$'G ,'C2. $'5)#2#)5Q* #75-%#,'A

+

(Hiroyuki Kato)

oZA ]'-C2. *#2)' #55&E5. 75'-%. ,. 2B.0)56$&)6 ,.*C#55.*A

Double salto bwd. t. from end. ]'C2. $'5)#2 #75-%#,' #)5Q* ,.*,. .2 .0)5.$'

,. 2#* C#(,#*A

ooA ]'-C2. *#2)' #55&E5. 75'-%6A Double salto bwd. t. ]'C2. $'5)#2 #)5Q* #75-%#,'A

oiA ]'-C2. *#2)' #55&E5. 8#5%6A Double salto bwd. pike. ]'C2. $'5)#2 #)5Q* .( 8#5%#A

36. Double salto arrière groupé avec 1/1 t. Double salto bwd. t. with 1/1 t. Doble mortal atrás agrupado con 1/1 g.

i€A ]. 2# *-*%.(*&'( *-5 2B.0)56$&)6G ,'-C2. *#2)'arrière groupé avec 2/1 t.

From hang on end, dbl. salto bwd. t. with 2/1 t. ]. 2# *-*%.(*&P( .( .2 .0)5.$'G ,'C2. $'5)#2atrás agrupado con. 2/1 g.

Section 15: Barre xe 2;=DE7> .c\ m79E`7>DC: QC9 2;==EZ> .c\ QC99C HEeC

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 131

X#-).-5g Zwn 8$ h %#5)&5 ,. 2B#5J). *-%65&.-5. ,- )#%&*G Z€n 8$ ,- *'2

*9DE=:; .cV.\ #;<=9EMDE7> ?; :L;G;9=E=;

='-5 &22-*)5.5 2.* ('$C5.-*.* %'**&C&2&)6* ,. 2B.(7&(G -( .0.58&8.moderne à la barre xe est une présentation dynamique enchaînant,.* 626$.()* ,B62#(G ,.* 5')#)&'(* .) ,.* %#5)&.* ;'2#().* *#(* #55J).068-)6* %5E* .) 2'&( ,. 2# C#55. .( %5&*.* ,&;.5*.*A

*9DE=:; .cV, !7>D;>8 ;D =7><D98=DE7> ?; :L;G;9=E=;

*9DE=:; .cV,V. 5;BC9F8;< =7>=;9>C>D :C M9U<;>DCDE7> ?; :L;G;9=E=;VA ]. 2# *)#)&'( e#$C.* *.556.* '- ,B-( 62#(G 2. 73$(#*). ,'&) *#-M

).5 '- J)5. *'-2.;6 h 2# *-*%.(*&'( #;.8 '- *#(* C#2#(8.$.()#;.8 -(. C'((. ).(-.A <B6;#2-#)&'( 8'$$.(8. #- $'$.() 'u2. 73$(#*). 4-&)). 2. *'2A

ZA <. 73$(#*). (. ,'&) &(82-5. ,#(* *'( .0.58&8. 4-. ,.* 626$.()*4-B&2 %.-) .068-).5 .( )'-). *68-5&)6 .) 4-B&2 $#j)5&*. %#5:#&).$.()

,- %'&() ,. ;-. .*)"6)&4-. .) ).8"(&4-.AoA <.* .0&7.(8.* ,B.068-)&'( .) ,. 8'$%'*&)&'( ,. 2B.0.58&8. *'()g#b <B.0.58&8. (. ,'&) 8'().(&5 4-. ,.* 626$.()* ,B62#( *#(* #55J)ACb ]6;&#)&'(* ,#(* 2.* 62#(* 4-& %#**.() %#5 2B64-&2&C5.G 3 8'$%5&*

#;.8 )'-5*A

0° - 15° = pas de déduction16° - 30° = - 0.131° - 45° = - 0.3>45° = - 0.5 et non reconnaissance (par le jury D)

Height: 260 cm from top of mat, 280 cm from the oor

*9DE=:; .cV. $G;9=E<; ?;<=9EMDE7>

I 8'().$%'5#53 X'5& c'()# 2 T#5 H0.58&*. $-*) C. # ,3(#$&8presentation that consists entirely of the uid connection of swinging,turning, and ight elements alternating between elements performed(.#5 )' #(, :#5 :5'$ )". C#5 &( # ;#5&.)3 ': "#(, 75&%* *' #* )',.$'(*)5#). )". :-22 %').()&#2 ': )". #%%#5#)-*A

*9DE=:; .cV, !7>D;>D C>? !7><D98=DE7>

*9DE=:; .cV,V. '>Y79BCDE7> C^78D $G;9=E<; &9;<;>DCDE7>VA F". 73$(#*) $-*) e-$% '5 C. #**&*)., )' # *)&22 '5 *L&(7&(7 "#(7

'( )". X'5&c'()#2 T#5 :5'$ # *)&22 *)#(, L&)" 2.7* )'7.)".5 '5 :5'$ #*"'5) 5-(G C-) #2L#3* L&)" 7'', :'5$A F". .;#2-#)&'( C.7&(* :5'$the moment the gymnast leaves the oor.

ZA F". 73$(#*) $-*) &(82-,. '(23 .2.$.()* )"#) ". 8#( %.5:'5$L&)" 8'$%2.). *#:.)3 #(, # "&7" ,.75.. ': #.*)".)&8 #(, ).8"(&8#2

$#*).53AoA 1)".5 .0.8-)&'( #(, .0.58&*. 8'(*)5-8)&'( .0%.8)#)&'(* #5.g#b F". .0.58&*. $-*) 8'(*&*) .()&5.23 ': *L&(7* L&)"'-) *)'%* '5 %#-*.*ACb ].;&#)&'(* &( *L&(7* )' '5 )"5'-7" "#(,*)#(,G &(82-,&(7 )-5(*A

0° - 15° = no deduction16° - 30° = - 0.131° - 45° = - 0.3>45° = - 0.5 and non-recognition (by the D jury)

Altura: 260 cm de la supercie de la colchoneta, 280 cm desde el suelo

*9DP=8:7 .cV. #;<=9EM=EZ> ?;: ;e;9=E=E7

U( .e.58&8&' ,. C#55# 8'().$%'5Q(.' ,.C. %5.*.()#5 -(# .e.8-8&P(dinámica que consista exclusivamente de conexiones uidas de&$%-2*'*G 7&5'* 3 *-.2)#*G #2).5(Q(,'*. 8'( .2.$.()'* 5.#2&c#,'*8.58# 3 2.e'* ,. 2# C#55#G 8'( ;#5&.,#, ,. %5.*#* %#5# ,.$'*)5#5)',' .2 %').(8&#2 ,.2 #%#5#)'A

*9DP=8:7 .cV, !7>D;>E?7 A =7><D98==EZ>

*9DP=8:7 .cV,V. '>Y79BC=EZ> <7^9; :C M9;<;>DC=EZ> ?;: ;e;9=E=E7VA H2 7&$(#*)# ,.C. *#2)#5 ' *.5 #3-,#,' %#5# *-C&5 ' *-*%.(,.5M

*. ,. 2# C#55#G ,.*,. %#5#,' %&.5(#* e-()#* ' ,.*,. -(# 8'5)#8#55.5#G %.5' *&.$%5. .( %.5:.8)# 8'$%'*)-5#A <# .;#2-#8&P(8'$&.(c# 8-#(,' .2 7&$(#*)# 2.;#()# 2'* %&.* ,.2 *-.2'A

ZA H2 7&$(#*)# ,.C. &(82-&5 *P2' 2'* .2.$.()'* 4-. %-.,# 5.#2&c#58'( 8'$%2.)# *.7-5&,#, 3 75#( ,'$&(&' .*)6)&8' 3 )68(&8'A

oA 1)5#* .0%.8)#)&;#* ,. .e.8-8&P( 3 8'(*)5-88&P( *'(g#b H2 .e.58&8&' ,.C. ).(.5 *'2' &$%-2*'*G *&( %#5#,#* ' %#-*#*ACb ].*;&#8&'(.* .( &$%-2*'* #2 ' # )5#;6* ,.2 #%'3' &(;.5)&,'

8'( 7&5'*A

0° - 15° = sin deducción16° - 30° = - 0.131° - 45° = - 0.3>45° = - 0.5 y sin reconocimiento (por jurado D)

Les éléments qui nissent en prises mixtes ou prises cubitales*'() *-e.)* #-0 ,6,-8)&'(* *-&;#().*g

0° - 30° = pas de déduction31° - 45° = - 0.146° 90° = 0 3

<'* .2.$.()'* 8'( 7&5'* 4-. #8#C#( .( 8-C&)#2 $&0)# 3 8-C&)#2.*)Q( *-e.)'* # 2#* *&7-&.().* ,.,-88&'(.*g

0° - 30° = sin deducción31° - 45° = - 0.146° 90° = 0 3

Turning Elements nishing in mixed elgrip and double elgrip are*-Ce.8) )' )". :'22'L&(7 ,.,-8)&'(*g

0° - 30° = no deduction31° - 45° = - 0.146° 90° = 0 3

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 132

46° - 90° = - 0.3>90° = - 0.5 et non reconnaissance (par le jury D))

8b <. 73$(#*). ,'&) %56*.().5 -(. (.)). 626;#)&'( ,- 8'5%*#-M,.**-* ,. 2# C#55. 2'5* ,. 2# %"#*. ,B.(;'2 ,.* 626$.()*;'2#()*A

,b <.* 62#(86* .( #55&E5. h 2B#%%-& 4-& (. *. ).5$&(.() %#* %#5une partie de valeur et à la n desquels le gymnaste s’élance,#(* 2# ,&5.8)&'( '%%'*6. .( *-*%.(*&'( *'() %6(#2&*6*8'$$. .55.-5* ,. 8'$%'*&)&'(G 8"#4-. :'&* nAon %'&()*AH0.$%2.*g

C#*8-2. %'-5 %#**.5 #- 75#(, )'-5l C#*8-2. .( %5&*.* ,'5*#2.*G 62#( .( #55&E5. .) S)#2,.5l C#*8-2. .( %5&*.* ,'5*#2.*G 62#( .( #55&E5. .) )'-5 ,B#%%-& 2&C5.l 62#(86 .( #55&E5. h 2# *-*%.(*&'(G 8"#(7.$.() *#-)6 .(

%5&*.* ,'5*#2.* .) 62#( .( #;#()A.b F'-* 2.* 626$.()* ;'2#()* #;.8 *#2)' *-5 2# C#55. (68.**&).

# 75#(, )'-5 #%5E* '- MnAo a,6,-8)&'( e-53 HbG:b ='-5 )'-* 2.* 626$.()* I,2.5 .) H(,' (B.*) %#* (68.**#&5.

8'$$.(8.5 ,. 2# %'*&)&'( ,. 2B#%%-& 5.(;.5*.AiA W'&5 #-**& 2# 2&*). 8'$%2E). ,.* :#-).* .) ,.* ,6,-8)&'(* 5.2#)&;.*

h 2# %56*.()#)&'( ,. 2B.0.58&8. h 2# S.8)&'( } .) ,#(* 2. )#C2.#-,.* ,6,-8)&'(* h 2B#5)&82. }AiA .) VkAoA

*9DE=:; .cV,V, 5;BC9F8;< =7>=;9>C>D :C >7D; #1. Les groupes d’éléments à la barre xe sont les suivants:

?A <'(7* 62#(* .( *-*%.(*&'( #;.8 '- *#(* 5')#)&'(*A??A _26$.()* ;'2#()*A???A _26$.()* %5E* ,. 2# C#55. .) I,2.5A?WA S'5)&.*A

46° - 90° = - 0.3>90° = - 0.5 y sin reconocimiento (por jurado D)

8b <'* .2.$.()'* ,. *-.2)# ,.C.( $'*)5#5 82#5#$.(). .2.;#8&P(,.2 8-.5%' *'C5. 2# C#55# ,-5#(). 2# :#*. ,. ;-.2'A

,b <'* C#2#(8.'* #)5Q* .( #%'3' aC#2#(8.'* # &$%-2*'b *&( #2$.('* -(# %#5). ,. ;#2'5 .( ,&5.88&P( 8'()5#5&# ' 8#3.(,'# 2# *-*%.(*&P( *. %.(#2&c#(G 8'$' .55'5.* ,. 8'$%'*&8&P(G

8#,# ;.c 8'( nGon %-()'*AEjemplos especícos de tales cortes de vuelo son:

].*%-6* ,. -(# N&%. 2#(c#5*. # $'2&('A ].*%-6* ,. -(# N&%. 2#(c#5*. %5.*# ,'5*#2 # S)#2,.5A ].*%-6* ,. -(# N&%. 2#(c#5*. %5.*# ,'5*#2 # 4-&()#A <#(c#5*. #)5Q* # 2# *-*%.(*&P(G 8#$C&' ,. *#2)' # %5.*#

,'5*#2 . &$%-2*' #,.2#().A.b F',#* 2#* *-.2)#* 4-. %#*.( *'C5. 2# C#55# 5.4-&.5.( -(

$'2&(' ,.*%-6* ' MnAo a,.,-88&P( ,.2 e-5#,' HbG:b F','* 2'* .2.$.()'* I,2.5 3 H(,' (' 5.4-&.5.( .()5#5 ,.*,.

.2 #%'3' &(;.5)&,'AiA =#5# $#3'5 &(:'5$#8&P( 5.2#)&;# # 2#* :#2)#* 3 ,.,-88&'(.* ,. 2#

%5.*.()#8&P( ,.2 .e.58&8&'G ;.5 S.88&P( } ' .2 5.*-$.( ,. ,.,-8M8&'(.* .( .2 #5)O8-2' }Ai 3 VkAoA

*9DP=8:7 .cV,V, '>Y79BC=EZ> <7^9; :C >7DC #VA <'* @5-%'* ,. .2.$.()'* *'(g?A ?$%-2*'* .( *-*%.(*&P( 8'( ' *&( 7&5'A??A H2.$.()'* ;'2#().* a*-.2)#*bA???A H2.$.()'* 8.58# ,. 2# C#55# 3 .2.$.()'* I,2.5A?WA S#2&,#*A

46° - 90° = - 0.3>90° = - 0.5 and non-recognition (by the D jury)

8b >2&7") .2.$.()* $-*) ,.$'(*)5#). # 8'(*%&8-'-* 5&*. ': )".body during the ight phase.

,b T#8N *L&(7* &( *-%%'5) a8#*) *L&(7*b )"#) ,' (') 2.#, )' #) 2.#*)# ;#2-. %#5) C-) *&$%23 5.;.5*. ,&5.8)&'( #(, *L&(7 C#8N ,'L(&( '5 )' # 2'L.5 "#(7 %'*&)&'( #5. ,.,-8).,G 2&N. 8'$%'*&)&'(

.55'5* .#8" )&$. L&)" nGon %'&()*ASpecic examples of such layaways are:

:'22'L&(7 # N&% M 8#*) #(, 2#3#L#3 )' 7&#() *L&(7l :'22'L&(7 # N&% M 8#*) &( ';.575&% M *)5#,,2. &( )' S)#2,.5l :'22'L&(7 # N&% M 8#*) &( ';.575&% )' :5.. "&% 8&582.l :'22'L&(7 # C#8NL#5, *L&(7 &( "#(7 M "'% )' ';.575&% M

*L&(7 :'5L#5,Ae) Any ight element with salto over the bar requires a giant swing

#:).5L#5, '5 MnAo aHMe-53 ,.,-8)&'(bG:b >'5 #22 I,2.5 #(, H(,' .2.$.()* &) &* (') 5.4-&5., )' .().5 :5'$

# "#(,*)#(, %'*&)&'(iA >'5 # :-22 2&*) ': .55'5* #(, ,.,-8)&'(* 7';.5(&(7 H0.58&*. =5.*.()#M

)&'(G *.. S.8)&'( } #(, )". *-$$#53 ': ,.,-8)&'(* &( I5)&82.* }Ai#(, VkAoA

*9DE=:; .cV,V, '>Y79BCDE7> C^78D DX; # <=79;VA F". H2.$.() @5'-%* #5.g?A <'(7 "#(7 *L&(7* L&)" #(, L&)"'-) )-5(*A??A >2&7") .2.$.()*A???A ?( C#5 #(, I,2.5 .2.$.()*?WA ]&*$'-()*A

C>? >7> ] 9;=7@>EDE7>;D >7> 9;=7>>CE<<C>=; A <E> 9;=7>7=EBE;>D7

ZA D.$#54-.* 8'(8.5(#() 2.* 8'((.0&'(*A].* %'&()* ,. 8'((.0&'(* %.-;.() J)5. #88'5,6* *.-2.$.() ,#(*2.* *&)-#)&'(* *-&;#().*g

= & ) ,

ZA ?(:'5$#8&P( #8.58# ,. 2#* 8'(.0&'(.*AS. %-.,.( ,#5 %-()'* %'5 8'(.0&P( *P2' .( 2#* *&7-&.().* *&M)-#8&'(.*g

= ) ,

ZA ?(:'5$#)&'( #C'-) !'((.8)&'(*A!'((.8)&'( %'&()* 8#( C. #L#5,., '(23 &( )". :'22'L&(7 *&)-#)&'(*g

! )&

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 133

_26$.()* ;'2#()* _26$.()* ;'2#()* ='&()* ,.

8'((.0&'(*

! '- %2-* ‚ ! '- %2-*= nGVn

;&8. ;.5*#

] '- %2-* ‚ ] '- %2-*= nGZn

;&8. ;.5*#

Y1FHg F'-* 2.* 626$.()* ,#(* 2# 8'((.0&'( ,'&;.() J)5. &(82-*,#(* 2.* Vn $.&22.-5* 626$.()*A

oA D.$#54-.* .) 5E72.* 8'$%26$.()#&5.*ga) A moins d’indication contraire, les éléments qui gurent dans

les tableaux de difcultés ont la même valeur et le mêmenuméro d’identication qu’ils soient exécutés de l’appui renM;.5*6G ,B-( 62#( .( #55&E5. '- ,B-(. #-)5. %'*&)&'(A

Cb I $'&(* ,B&(,&8#)&'( 8'()5#&5.G 2.* 626$.()* .068-)6* #;.8-(. r:#-**.s %5&*. '- -(. %5&*. #)3%&4-. '() 2# $J$. ;#2.-5.) (-$65' 4-. 2.* 626$.()* .068-)6* .( %5&*.* ('5$#2.*A

8b <.* 626$.()* 4-& ,'&;.() *. ).5$&(.5 .( %5&*. 8-C&)#2. ,.*,.-0 $#&(* '() -(. ;#2.-5 *-%65&.-5. ,B-(. ,.756 4-. 2.*$J$.* 626$.()* *. ).5$&(.() .( %5&*. 8-C&)#2. ,B-(. $#&(A

d) A moins qu’ils ne gurent dans les tableaux de difcultés, les

626$.()* .068-)6* #;.8 2.* %&.,* *-5 2# C#55. '- h %#5)&5 ,.8.)). %'*&)&'( *'() &().5,&)* a.08.%)&'(g 626$.()* =&#))&bA

.b <.* 626$.()* ;'2#()* 8'$$.(^#() '- #;.8 5.%5 &*. ,B-(. $#&(a'- .( r:#-**.s %5&*.b '() 2# $J$. ;#2.-5 .) (-$65' 4-. 2.*626$.()* .( 8'$$.(^#() '- #;.8 5.%5&*. ,.* ,.-0 $#&(*A

f) Les éléments avec rotations longitudinales doivent reéter le:#&) 4-B&2* :'() %#5)&. &()675#(). ,. 2# *)5-8)-5. ,. 2B626$.() .)2# 5')#)&'( ,'&) J)5. #$'586. ,#(* 2# %"#*. #*8.(,#(). ,.2B626$.() a.08.%)&'( 2.* 62#(* H(,'bA

7b _26$.()* #;.8 8"#(7.$.() *#-)6 .) 5')#)&'(* 2'(7&)-,&(#2.*gG2. 73$(#*). ,'&) .068-).5 2.* 5')#)&'(* %.(,#() 2. 8"#(7.$.()*#-)6 .) (. 5.%5.(,5. 2# C#55. #;.8 2# *.8'(,. $#&( 4-B#%5E*2.* #;'&5 8'$%26)6.*A <# 5.%5&*. %.-) *. :#&5. ,B#C'5, ,B-(.$#&(G *-&;&. ,. 2B#-)5. #2'5* 4-. 2. 73$(#*). 8'$%2E). 2# 5')#M)&'(A <.* 626$.()* *#-)6* *'() 8'(*&,656* 8'$$. ).5$&(6*

#- $'$.() 'u 2. 73$(#*). 5.%5.(, 2# C#55. ,.* Z $#&(*A"b <.* 626$.()* .( %5&*.* 8-C&)#2.* (. 5.$%2&**.() 4-. 2B.0&7.(8.5.2#)&;. #- 75'-%. ,B626$.()* ,#(* 2.4-.2 &2* #%%#5#&**.()g

?A 2.* 626$.()* ;'2#()* .068-)6* %5&*.* 8-C&)#2.* :'() %#5)&.,- 75'-%. ,B626$.()* ??l

??A 2.* *'5)&.* .068-)6.* ,. 2# %5&*. 8-C&)#2. :'() %#5)&. ,-75'-%. ,B626$.()* Wl

???A 2.* 62#(* H(,' .( %5&*.* 8-C&)#2.* :'() %#5)&. ,- 75'-%.,B626$.()* ?WA

S-.2)# S-.2)# =-()'* ,.

8'(.0&P(

! ' $#3'5 ‚ ! ' $#3'5 = nGVn

' ;&8.;.5*#

] ' $#3'5 ‚ ] ' $#3'5 = nGZn

' ;&8.;.5*#

Y1FIg F','* 2'* .2.$.()'* 8'( 8'(.0&P( ,.C.( .*)#5 ,.()5' ,.2'* Vn $.e'5.* .2.$.()'*A

oA ?(:'5$#8&P( #,&8&'(#2 3 5.72#*ga) A menos que se indique, el valor y el número de identicaM

ción de los elementos listados en las tablas de dicultad es.2 $&*$' *& *. 5.#2&c# ,.*,. .2 #%'3' &(;.5)&,'G ,.*,. -(&$%-2*' #)5Q*G - ')5# %'*&8&P(A

Cb I $.('* 4-. *. &(,&4-.G 2'* .2.$.()'* )&.(.( .2 $&*$' ;#2'5de dicultad y número de identicación cuando se realizan8'( 2# r%5.*# 8'()5#5&#s ' .( %5.*# #)O%&8#A

8b <'* .2.$.()'* 4-. ).5$&(#( .( %5.*# 8-C&)#2 )&.(.( -( 75#,',. ;#2'5 *-%.5&'5 4-. .2 4-. )&.(.( 2'* $&*$'* .2.$.()'*).5$&(#,'* .( 8-C&)#2 ,. -( C5#c'A

d) A menos que este en las tablas de dicultad, no se permiten

.2.$.()'* 8'( %&.* #%'3#,'* .( 2# C#55# a.08.%8&P(g .2.M$.()'* =&#))&bA

.b !'$.(c#5 ' #7#55#5 2#* *-.2)#* 8'( -(# $#(' a' 8'( r%5.*#contraria”) tienen el mismo valor y número de identicación4-. 2'* #7#55.* 4-. 2#* *-.2)#* 8'( 2#* ,'* $#('*A

:b H( 2'* .2.$.()'* 8'( 7&5'G .2 7&5' ,.C. :'5$#5 %#5). &().75#2,.2 .2.$.()' 4-. *. 5.#2&c#G 8'$.(cQ(,'*. .( 2# :#*. #*M8.(,.(). a.08.%)' %#5# 2'* .2.$.()'* ,.2 )&%' H(,'bA

7b <'* .2.$.()'* 8'( *#2)' #2 #%'3' &(;.5)&,' 4-. &(82-3#(7&5'*G ,.C.( &(&8&#5 .2 7&5' ,-5#(). .2 *#2)' 3 #7#55#5 8'( 2#*.7-(,# $#(' ,.*%-6* ,. 4-. .2 7&5' "#3# *&,' 8'$%2.)#,'AU( #7#55. %-.,. "#8.5*. &(&8&#2$.(). 8'( -(# $#(' 3 2#*.7-(,# ,.*%-6*G 8-#(,' .2 .2.$.()' .*). )')#2$.(). 7&5#,'AU( .2.$.()' ,. *#2)' *. 8'(*&,.5# #8#C#,'G .( .2 $'$.()'

4-. #$C#* $#('* #7#55#( 2# C#55#A"b <'* .2.$.()'* .( 8-C&)#2 8-$%2.( *P2' .2 5.4-.5&$&.()' ,.275-%' ,. .2.$.()' .( .2 8-#2 .*)Q( 2&*)#,'*A

?A <#* *-.2)#* ,.*,. #%'3' 8-C&)#2 *. 8'(*&,.5#( 4-.%.5).(.8.( #2 75-%' ,. .2.$.()' ??

??A <#* *#2&,#* ,.*,. 8-C&)#2 *. 8'(*&,.5#( 4-. %.5).(.8.(#2 75-%' ,. .2.$.()' W

???A <'* H(,' .( %5.*# 8-C&)#2 *. 8'(*&,.5#( 4-. %.5).(.8.(#2 75-%' ,. .2.$.()' ?W

>2&7") >2&7") !'((.8)&'(

%'&()*

! '5 "&7".5 ;#2-. ‚ ! '5 "&7".5 ;#2-.= nGVn

'5 ;&8. ;.5*#

] '5 "&7".5 ;#2-. ‚ ] '5 "&7".5 ;#2-.= nGZn

'5 ;&8. ;.5*#

Y1FHg I22 .2.$.()* )' C. #L#5,., 8'((.8)&'( %'&()* $-*) C.&(*&,. )". Vn C.*) .2.$.()* &( #( .0.58&*.A

oA I,,&)&'(#2 &(:'5$#)&'( #(, 5.7-2#)&'(*ga) Unless otherwise indicated, the value and identication numM

bers of elements listed in the Difculty Tables are the same if%.5:'5$., :5'$ "#(,*)#(,G :5'$ # C#8N *L&(7G '5 :5'$ *'$.')".5 %'*&)&'(A

b) Unless otherwise indicated, elements have the same difcultyvalue and identication number when performed with therL5'(7 75&%s '5 #)3%&8#2 75&% %'*&)&'(*A

8b H2.$.()* )"#) .(, &( # ,'-C2. .275&% "#;. '(. 2.)).5 *-%.5&'5;#2-. )"#( )". *#$. .2.$.()* .(,&(7 &( '(. #5$ .275&%A

d) Unless listed in the Difculty Tables, elements with or from feet

'( )". C#5 #5. (') %.5$&))., a.08.%)&'(g =&#))& .2.$.()*bA

e) Starting or re-grasping ight elements with one hand (or “wronggrip”) has the same value and identication number as starting'5 5.M75#*%&(7 L&)" )L' "#(,*A

:b H2.$.()* L&)" )-5(* $-*) *"'L )". )-5(* #* #( &().75#2 %#5)': )". .2.$.() C.&(7 %.5:'5$., #(, )". )-5( $-*) C. &(&)&#).,'( )". L#3 -% a.08.%)&'( H(,' )3%. .2.$.()*bA

7b H2.$.()* L&)" "'%* )' "#(,*)#(,G L"&8" &(82-,. )-5(*G $-*)&(&)&#). )". )-5( ,-5&(7 )". "'% #(, $-*) 5.M75#*% L&)" )".*.8'(, "#(, '(23 #:).5 )". )-5( "#* C..( 8'$%2.).,A I 5.M75#*% $#3 '88-5 &(&)&#223 L&)" '(. "#(, #(, )".( )". *.8'(,"#(, #* )". )-5( &* 8'$%2.).,A I "'% .2.$.() &* 8'(*&,.5.,nished at the moment that both hands re-grasp the bar.

"b H2M75&% .2.$.()* $..) '(23 )". 5.4-&5.$.()* :'5 )". H2.$.()@5'-% &( L"&8" )".3 #5. 2&*).,A

?A >2&7") .2.$.()* :5'$ .2M75&% #5. 8'(*&,.5., )' C.2'(7 )'H2.$.() @5'-% ??A

??A ]&*$'-()* :5'$ .2M75&% #5. 8'(*&,.5., )' C.2'(7 )' H2.M$.() @5'-% WA

???A H(,' *L&(7* &( .2M75&% #5. 8'(*&,.5., )' C.2'(7 )' H2.M$.() @5'-% ?WA

&b D.$#54-.* 8'(8.5(#() 2B626$.() D3C#2N'g# D3C#2N' ,'&) *. ).5$&(.5 .( %5&*.* 8-C&)#2.* ,.* ,.-0

$#&(*l# 2. *#-) ,'&) J)5. ;&*&C2. .) ('( #;.8 -(. 5')#)&'( #-)'-5 ,-

%5.$&.5 C5#* ,B#%%-& #%5E* 2# 5.%5&*. ,. 2# C#55.l

&b H0%.8)#)&;#* %#5# .2 D3C#2N'l H2 D3C#2N' ,.C. ).5$&(#5 8'( 2#* ,'* $#('* .( %5.*#

8-C&)#2A• Salto visible y giro uido, sin girar en el apoyo del brazo.

&b H0%.8)#)&'( :'5 D3C#2N'l# =5.5.4-&*&). 8'(,&)&'( :'5 D3C#2N' &* C')" "#(,* &( .2M75&%

&( .(, %'*&)&'(A# Visible hop and uid turn, not the turn on supporting arm.

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 134

%5.$&.5 C5#* , #%%-& #%5E* 2# 5.%5&*. ,. 2# C#55.l eb <.* 626$.()* .( )'-5(#() .( #%%-& *-5 -( C5#* ,'&;.() J)5.

8'(*&,656* 8'$$. ).5$&(6* #- $'$.() 'u 2# ,.-0&E$. $#&(5.%5.(, 2# C#55.A

Nb S#-: &(,&8#)&'( 8'()5#&5.G -( 626$.() ,. ;#2.-5 8'$%'*6,. ,.-0 626$.()* *6%#56* *.5# ,&;&*6 .( ,.-0 626$.()* ,.;#2.-5 .( 8#* ,. 8"#(7.$.() ,B-(. %5&*. a.0 gH(,' .( %5&*.,'5*#2.G 8"#(7.$.() ,B-(. $#&( .( %5&*. %#2$#&5.G .) -( )'-5

à la prise cubitale = B+C)i S#-: &(,&8#)&'( 8'()5#&5.G 2# ;#2.-5 ,. 2# %2-%#5) ,.* 626$.()* ,.*

75'-%.* ?G ??? .) ?W # 6)6 6)#C2&. .( :'(8)&'( ,.* %5&(8&%.* *-&;#()*g#b 2B626$.() ,. C#*. # 5.^- -(. 8.5)#&(. ;#2.-5A

‡ )'-5 (B#-7$.(). %#* 2# ;#2.-5 ,. 2B626$.()A• 1/1 tour fait augmenter la valeur d’un degré.• 1/1 tour ou plus avec reprise en double prise cubitale, fait

#-7$.().5 2# ;#2.-5 ,.* Z ,.756*A U( 8"#(7.$.() *#-)6 (. :#&) %#* #-7$.().5 2# ;#2.-5A# D.%5.(,5. 2# C#55. .( %5&*.* 8-C&)#2.* ,.* Z $#&(* :#&)

#-7$.().5 2# ;#2.-5 ,B-( ,.756Ab) l’élément a la même valeur et le même numéro d’identicaM

)&'( 4-B&2 %#**. %#5M,.**-* 2# C#55. '- ('(G %'-5;- 4-. 2.*.0&7.(8.* 5.2#)&;.* h 2B#$%2&)-,. *'&.() 5.$%2&.*A

kA <.* 626$.()* ;'2#()* .068-)6* ,. 2# %5&*. 8-C&)#2. .) 2.* *'5)&.* .06M

8-)6* ,. 2# %5&*. 8-C&)#2. '- ,. 2# *-*%.(*&'( ,'5*#2. '() 2# $J$.;#2.-5 4-. 2.* 626$.()* 8'55.*%'(,#()* .068-)6* .( %5&*.* ('5$#2.*AwA D.%.)&)&'(* S%68&#2.*

#b U( $#0&$-$ ,. Z %#**#7.* ,B-( C5#* *'-* 2# ;.5)&8#2. *'()%.5$&* .) 5.8'((-* %#5 2. e-53 ]A ]#(* 8. 8#* 2.* .2.$.()*avec plus valeur de difculté conte.

Cb U( $#0&$-$ ,. Z ;#5&#)&'(* ,B62#(* 8&58-2#&5. I,2.5 %#5 2B#%%-&5.(;.5*6 a)3%. I,2.5b *'() %.5$&* .) 5.8'((-* %#5 2. e-53 ]ADans ce cas les elements avec plus valeur de difculté conte.

•A _26$.()* #;.8 )'-5*g -( .0.58&8. (. %.-) 8'$%5.(,5. 4-B-(.*.-2. ;#5&#(). ,. %5&*. ,B-( 626$.()A !"5'('2'7&4-.$.() 2.,.-0&E$. $J$. 626$.() .068-)6 .*) 8'(*&,656 56%6)&)&'(A

H0.$%2.*g D3C#2N' .( %5&*.* 8-C&)#2.*G -( #-)5. D3C#2N' .( %5&*.*

$&0).* '- %5&*. ,B-(. $#&( (B.*) %#* %.5$&*A• Endo avec 1/1 tour en prises mixtes, un autre Endo avec

1/1 tour en double prises cubitales n’est plus permis. S)#2,.5 #;.8 ‡ )'-5 .( ,'-C2. %5&*.* 8-C&)#2.*G -( #-)5.

S)#2,.5 #;.8 ‡ )'-5 .( %5&*. $&0). (B.*) %2-* %.5$&*A€A <.* 626$.()* )3%. FN#8".; ‡ )A '- [#$#L#N& ‡ )A *#(* 5')#)&'(

sufsante et continuant à l’appui renversé (ou avec connexion,&5.8). ,B626$.() ;'2#()b 5.8.;5'() 2# $J$. ;#2.-5 4-. 2B626$.()&,.()&4-. *#(* 2. ‡ )'-5 ,- 8',. ,. %'&()#7.A

}A ='-5 4-B-( )'-5 .( %5&*.* 8-C&)#2.* '- )'-5 5-**. *'&) 5.8'((-,&5.8).$.() #%5E* -( )'-5 I,2.5 '- 8-C&)#2G 2. )'-5 .( %5&*.* 8-C&M)#2.* '- 5-**. ,'&) 'C2&7#)'&5.$.() %#**.5 %#5M,.**-* 2# C#55.%'-5 5.8.;'&5 -(. ;#2.-5A

eb <'* .2.$.()'* 4-. 7&5#( .( #%'3' *'C5. -( C5#c' *. 8'(*&M,.5#( ).5$&(#,'* .( .2 $'$.()' 4-. 2# *.7-(,# $#(' )'$#2# C#55#A

Nb I $.('* 4-. *. &(,&4-. 2' 8'()5#5&'G -( .2.$.()' 8'$%-.*)',. ,'* .2.$.()'* *.%#5#,'* *. ,&;&,&5Q *- ;#2'5 8-#(,' *.%5',-c8# -( 8#$C&' ,. %5.*#A aHe.$A H(,' .( %#2$#5G 8#$C&'de una mano a dorsal y un giro a cubital = B+C)

iA I $.('* 4-. *. &(,&4-. 2' 8'()5#5&'G 2'* .2.$.()'* ,.2 75-%' ?G ???y IV seguirán los siguientes principios para determinar la dicultad:

#b S. "# ,#,' .2 ;#2'5 ,.2 .2.$.()' ,. C#*.A• Un ½ giro no incrementa la dicultad.• Un giro incrementa en un grado la dicultad.• 1/1 giro o más a presa cubital incrementa la dicultad en

,'* 75#,'*A• Un salto no incrementa la dicultad. I7#55#5 2# C#55# .( 8-C&)#2 &(85.$.()# .( -( 75#,' 2#

dicultad.b) El elemento tiene el mismo valor y número de identicación si

%#*# %'5 .(8&$# ,. 2# C#55# ' ('G *&.$%5. 4-. 2#* .0&7.(8&#*,. #$%2&)-, *. 8-$%2#(A

kA <#* *-.2)#* ,.*,. 8-C&)#2 ' 2#* *#2&,#* ,.*,. 8-C&)#2 ' ,'5*#2

)&.(.( .2 $&*$' ;#2'5 4-. 2'* .2.$.()'* .e.8-)#,'* 8'( %5.*#('5$#2AwA D.%.)&8&'(.* .*%.8&#2.*

#b H*)Q( %.5$&)&,'* $Q0&$' Z ;-.2'* %#*#(,' C#e' 2# ;.5)&8#2con un brazo. En este caso el elemento con la mayor dicultad*.5Q .2 4-. 8-.().A

Cb H*)Q %.5$&)&,' -( $Q0&$' ,. Z $.)&,#* ,. %&.5(#* # )5#;6*,.2 #%'3' &(;.5)&,' a)&%' I,2.5bA H( .*). 8#*' .2 .2.$.()' 8'(la mayor dicultad será el que cuente.

•A H2.$.()'* 4-. &(82-3.( 7&5'*g -( .e.58&8&' (' %-.,. &(82-&5 $Q*,. -(# ;#5&#8&P( ,. %5.*# ,.2 $&*$' .2.$.()'A H2 4-. *. .e.8-)#.( *.7-(,' 2-7#5 *. 8'(*&,.5# 5.%.)&8&P(A

He.$%2'*g S& *. .e.8-)# D3C#2N' 8-C&)#2G (' *. %.5$&).( D3C#2N' #

%5.*# $&0)# ' # -( C5#c'A• Si se ejecuta Endo con 1/1 giro a presa mixta, no se

permite Endo con 1/1 giro a cubital. S& *. .e.8-)# S)#2,.5 8'( ‡ 7&5' # 8-C&)#2G (' *. %.5$&).

S)#2,.5 8'( ‡ 7&5' # $&0)#A€A H2 #7#55. ,. 2'* .2.$.()'* ,.2 )&%' FN#)8".; 8'( ‡ 7&5' ' [#M

$#L#N& ‡ giro sin suciente giro y continuando al apoyo invertidoa' *.7-&,' ,. -(# *-.2)#b 5.8&C&5Q( .2 $&*$' ;#2'5 4-. .2 $&*$'.2.$.()' *&( ‡ 7&5'A

}A =#5# 4-. *.# 5.8'('8&,' -( $'2&(' 8-C&)#2 ' $'2&(' 5-*' ,&5.8M)#$.(). ,.*%-6* ,. -( I,2.5 ' 7&5' .( 8-C&)#2G .2 $'2&(' 8-C&)#2' 5-*' 5.4-&.5. -( $';&$&.()' *'C5. 2# C#55# .( 8-C&)#2 %#5#5.8&C&5 .2 ;#2'5A

eb F-5(&(7 .2.$.()* &( '(. "#(, *-%%'5) %'*&)&'( $-*) C. 8'(Msidered as nished at the moment the gymnast re-grasps theC#5 L&)" )". *.8'(, "#(,A

Nb U(2.** ')".5L&*. &(,&8#).,G #( .2.$.() 8'$%'*., ': )L'*.%#5#). .2.$.()* L&22 5.*-2) &( ,&;&,., ;#2-.* L".( # 75&%8"#(7. '88-5*A a&A.A H(,' &( ';.575&%G 8"#(7. '(. "#(, )'undergrip, and 1/1 turn to el-grip = B+C)

iA U(2.** ')".5L&*. &(,&8#).,G :'5 .2.$.()* ': @5'-% ?G ??? #(, ?WG )".following principles are used for the determination of difculty:

#b W#2-. ': )". C#*. .2.$.() "#* C..( 7&;.( # 8.5)#&( ;#2-.A• A ½ turn does not increase the difculty.• A 1/1 turn increases the difculty by one letter.• A1/1 turn or greater to both el-grip increases the difculty

C3 )L' 2.)).5*A• A hop does not increase the difculty.• Re-grasp in double el-grip increases the difculty by one

2.)).5Ab) The element has the same value and identication number

L".)".5 &) 85'**.* )". C#5 '5 (')G #* 2'(7 #* )". #$%2&)-,.*)&%-2#)&'(* "#;. C..( $.)A

kA >2&7") .2.$.()* :5'$ .2M75&% #(, ,&*$'-()* :5'$ .2M75&% '5 ,'5*#2

"#(7 "#;. )". *#$. ;#2-. #* .2.$.()* %.5:'5$., &( 5.7-2#5 75&%A

wA S%.8&#2 5.%.)&)&'(*#b I $#0&$-$ ': Z *L&(7* )"#) %#** )"5'-7" )". 2'L.5 ;.5)&8#2 L&)" '(.

arm are permitted. In this case the elements with the highest difculty;#2-. L&22 C. 8'-().,A

Cb I $#0&$-$ ': )L' S)''% !&582. D.#5L#5, :'5L#5, )"5'-7""#(,*)#(, .2.$.()* aI,2.5 )3%.b #5. %.5$&)).,A ?( )"&* 8#*.the elements with the highest difculty value will be counted.

•A H2.$.()* L&)" )-5(*g #( .0.58&*. 8#((') &(82-,. $'5. )"#( '(.75&% ;#5&#)&'( ': )". *#$. .2.$.()A F". *.8'(, .0.8-)., '(. &(8"5'('2'7&8#2 '5,.5 &* 8'(*&,.5., #* 5.%.)&)&'(A

H0#$%2.*g ?: # D3C#2N' &( ,'-C2. .2 75&% &* .0.8-).,G #(')".5 D3C#2N'

&( $&0., 75&% '5 '(. "#(, 75&% &* (') %.5$&)).,A• If an Endo with 1/1 turn in mixed grip is executed, another

Endo with 1/1 turn in double el grip is not permitted. ?: # S)#2,.5 ‡ )-5( &( ,'-C2. .2 75&% &* .0.8-).,G #(')".5

S)#2,.5 ‡ )-5( &( $&0., 75&% &* (') %.5$&)).,A8. Regrasping Tkatchev ½ or Yamawaki ½ elements without sufcient

)-5(&(7 #(, 8'()&(-&(7 )' "#(,*)#(, a'5 ,&5.8)23 8'((.8)&(7 )' #5.2.#*. .2.$.()b L&22 5.8.&;. )". ;#2-. :'5 )". &,.()&8#2 .2.$.()2&*)., &( )". 8',. ': %'&()* L&)"'-) # ‡A

}A >'5 #( .2M75&% '5 D-**&#( 7&#() )' C. 5.8'7(&c., ,&5.8)23 #:).5 #( I,2.5 '5 )-5( )' .2M75&%G )". .2M75&% '5 D-**&#( 7&#() 5.4-&5.* # *L&(7';.5 )". C#5 &( .2M75&% &( '5,.5 )' 5.8.&;. # ;#2-.A

10. Le Zou Li Min exécuté avec une rotation insufsante (moins de90° de déviation dans la première rotation) ne sera pas reconnu%#5 2. e-53 ] .) 5.8.;5# -(. ,6,-8)&'( ,. MnGk %#5 2. e-53 H .) (.,'&) %#* J)5. ,6;#2-6 8'$$. -( 75#(, )'-5 #;#() ,B-( C5#* %5&*.%#2$#&5.* aW#2.-5 Tb

10. A Zou Li Min executed with insufcient turning (greater than 90°deviation on rst full twist) will not be recognized by the D-jury and5.8.&;. # MnAk ,.,-8)&'( C3 )". HMe-53A F"&* .2.$.() $#3 (') C. ,.M;#2-., )' # @&#() SL&(7 >L,A L&)" '(. #5$ &( -(,.575&% aT ;#2-.bA

19. Un Zou Li Min ejecutado con giro insuciente (desviación mayorde 90° en el primer giro completo) no será reconocido por el jurado] 3 *.5Q %.(#2&c#,' 8'( MnAk %'5 .2 e-5#,' HA H*). .2.$.()' ('%-.,. *.5 ,.;#2-#,' 8'$' -( $'2&(' ,. #,.2#(). 8'( -( C5#c'.( %5.*# ,'5*#2 a;#2'5 TbA

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 135

%#2$#&5.* aW#2.-5 TbAVVA ]#(* 2B626$.() [#$#L#N& 2. 8'5%* ,'&) J)5. ).(,- .) %#**.5 %#5

-(. %'*&)&'( ;.5)&8#2. #- M ,.**-* ,. 2# C#55. %'-5 4-B#-8-(.,6,-8)&'( (. *'&) #%%2&4-6.A U(. %'*&)&'( 8#5%6. .08.**&;. '--(. $#-;#&*. %'*&)&'( ;.5)&8#2. #-M,.**-* ,. 2# C#55. *.5'(),6,-&).* .) %'-55#&.() 67#2.$.() .()5#j(.5 2# 5.8'((#&**#(8.,B-( 626$.() #;.8 .(;'2 ,. ;#2.-5 TA

12. Yamawaki 1⁄2 : pour obtenir l’augmentation d’une valeur, toute la5')#)&'( ,'&) J)5. .::.8)-6. ,#(* 2# $J$. ,&5.8)&'(A S& 2# 5')#)&'(.*) ,#(* ,.-0 ,&5.8)&'(* ,&::65.().*G 2B626$.() (B.*) %#* 5.8'((-par le jury D. Cet élément est sujet aux mêmes spécications4-#() #-0 ;5&22.* 4-. 2.* #-)5.* 626$.()* ,- !',. ,. %'&()#7.A

VoA <# ;#2.-5 ,.* 626$.()* #;.8 .(;'2 .*) )'-e'-5* 856,&)6. 2'5*4-.2. 73$(#*). *#&*&) 2# C#55. #;.8 2.* ,.-0 $#&(* .) ,6$'()5. -(.%"#*. ,&*)&(8). ,. *-*%.(*&'( #;#() 2# 8"-).A S& 2. 73$(#*).*#&*&) 2# C#55. ,B-(. *.-2. $#&(G 2# ;#2.-5 .*) #88'5,6. 2'5*4-.les deux mains ont nalement repris la barre ou un autre élément# 82#&5.$.() 6)6 &(&)&6A

ViA W'&5 #-**& 2.* 5E72.* 4-& 567&**.() 2# ('(M5.8'((#&**#(8. ,.*626$.()* .) 2.* #-)5.* #*%.8)* ,. 2# ('). ] #- S.8)&'( • .) 2.)#C2.#- ,.* ,6,-8)&'(* h 2B#5)&82. •AwA

VVA F". [#$#L#N& .2.$.() M $-*) C. *)5.)8"., #(, %#** )"5'-7" #;.5)&8#2 C',3 %'*&)&'( ';.5 )". C#5 :'5 (' ,.,-8)&'(*A I( .08.**&;.%&N. '5 # %''5 ;.5)&8#2 %'*&)&'( ';.5 )". C#5 L&22 C. ,.,-8)., #(,could also lead to recognition of a B value ight element.

12. Yamawaki 1⁄2 will need to have all turning continue in the same,&5.8)&'( :'5 )". &(85.#*. &( 2.)).5 ;#2-.A ?: )". .2.$.() )-5(* &( )L',&::.5.() ,&5.8)&'(*G )". .2.$.() L&22 (') C. 5.8'7(&c., C3 )". ] jury. This element has the same twisting specication as all other.2.$.()* &( )". !',. ': ='&()*A

VoA >2&7") .2.$.()* #2L#3* 5.8.&;. ;#2-. L".( )L' "#(,* 5.75#*%)". C#5 #(, # ,&*)&(8) "#(7 %"#*. &* *"'L( C.:'5. )". 73$(#*):#22*A ?: )". 8#)8" &* %.5:'5$., L&)" '(. #5$G )". ;#2-. &* 7&;.( )'the gymnast when two hands have nally regrasped the bar or#(')".5 .2.$.() "#* C..( 82.#523 &(&)&#).,A

ViA >'5 # :-5)".5 2&*) ': 5.7-2#)&'(* 7';.5(&(7 ('(M5.8'7(&)&'( ': .2.M$.()* #(, ')".5 #*%.8)* ': )". r] *8'5.sG *.. S.8)&'( • #(, )".*-$$#53 ': ,.,-8)&'(* &( I5)&82. •AwA

.( %5.*# ,'5*#2 a;#2'5 TbAVVA =#5# (' ).(.5 ,.,-88&'(.* .( .2 .2.$.()' [#$#L#N& ,.C.

$'*)5#5*. .0).(,&,' 3 8'( 2# %'*&8&P( ,.2 8-.5%' ;.5)&8#2 *'C5.2# C#55#A U(# 8#5%# .08.*&;# ' -(# %'C5. %'*&8&P( ;.5)&8#2 *'MC5. 2# C#55# *.5Q %.(#2&c#,# 3 %-.,. *.5 5.8'('8&,# 8'$' -(#*-.2)# ;#2'5 TA

12. Para incrementar el valor del Yamawaki con 1⁄2 g. debe girar8'()&(-#$.(). .( 2# $&*$# ,&5.88&P(A S& .2 .2.$.()' 7&5# .(

,'* ,&5.88&'(.* ,&:.5.().*G .2 e-5#,' ] (' 2' 5.8'('8.5QA H*).elemento tiene las mismas especicaciones de giro que los otros.2.$.()'* ,.2 !P,&7' ,. %-()-#8&P(A

VoA <#* *-.2)#* 5.8&C.( *&.$%5. *- ;#2'5 8-#(,' 2#* ,'* $#('*#7#55#( 2# C#55# 3 *. $-.*)5# -(# :#*. ,. *-*%.(*&P( #().* ,.2# 8#O,#A S& .2 #7#55. *. 5.#2&c# 8'( -(# $#('G .2 ;#2'5 *. 2. ,# #27&$(#*)# 8-#(,' 2#* ,'* $#('* #7#55#( 2# C#55# - ')5' .2.$.()'*. "# &(&8&#,' 82#5#$.().A

ViA =#5# $#3'5 &(:'5$#8&P( 8'( 5.2#8&P( #2 (' 5.8'('8&$&.()' ,.2'* .2.$.()'* 3 ')5'* #*%.8)'* ,. 2# (')# ]G ;.5 *.88&P( • 3 .25.*-$.( ,. ,.,-88&'(.* ,.2 #5)O8-2' •Aw

Article 15.3 Déductions spéciques pour la barre xe

HC8D; &;DED;

- .-17A;>>;

- /-+97<<E[9;

- c-

Article 15.3 Specic Deductions for Horizontal Bar

$9979 2BC::

- .-1;?E8B

- /-6C9@;- c-

Artículo 15.3 Deducciones especícas en Barra Fija

HC:DC&;F8;pC

- .-1;?EC- /-

+9C>?;- c-

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 136

-V.- -V/- -Vc-

/#$C.* 68#5)6.* '- :#-).*,. ).(-. 2'5*4-. 2. 73$(#*).*#-). '- .*) *'-2.;6 h 2#*-*%.(*&'(

‚

9#(4-. ,v62#( '- #55J) h2v#%%-& 5.(;.5*6 '- ,#(* -(.

#-)5. %'*&)&'(

‚ ‚

9#(4-. ,v#$%2&)-,. 2'5* ,.*626$.()* ;'2#()*

‚ ‚

]6;&#)&'( %#5 5#%%'5) #- %2#(,- $'-;.$.()

≤ 15° >15°

IC#&**.$.() .( #55&E5.‚

_26$.()* ('( 5672.$.()#&5.*.068-)6* #;.8 2.* %&.,* *-52# C#55. '- h %#5)&5 ,. 8.)).%'*&)&'(

‚

=2-* ,. Z %#**#7.* *'-* 2#;.5)&8#2. #;.8 -( C5#*

‚.) ('( 5.8'((#&**#(8. %#5 2. e-53 ]

=2-* ,. Z 62#(* 8&58-2#&5.* I,2.5 ‚.) ('( 5.8'((#&**#(8. %#5 2. e-53 ]

Bras échis à la reprise après,.* 626$.()* ;'2#()*

‚ ‚

Genoux échis lors des#8)&'(* ,. %56%#5#)&'(

‚8"#4-. :'&*

‚8"#4-. :'&*

_26$.()* 4-& (. 8'()&(-.()%#* ,#(* 2# ,&5.8)&'( ;'-2-.a56#2&*6 #%5E* 2B626$.()b2B626$.() ;- %.-) 5.8.;'&5 -(.;#2.-5

‚

F'-* 2.* 626$.()* ;'2#()* #;.8*#2)' *-5 2# C#55. *#(* 75#(,)'-5 #%5E*

‚

-V.- -V/- -Vc-

<.7* #%#5) '5 ')".5 %''5.0.8-)&'( ,-5&(7 e-$% '5 2&:))' X'5&c'()#2 T#5

‚

<#8N ': *L&(7 '5 %#-*. &("#(,*)#(, '5 .2*.L".5. ‚ ‚

Low amplitude on ight.2.$.()*

‚ ‚

].;&#)&'( :5'$ %2#(. ':$';.$.()

≤ 15° >15°

<#3#L#3 '( )". C#8N *L&(7‚

?22.7#2 .2.$.()* L&)" '5 :5'$:..) '( )". C#5

‚

=#**&(7 )"5'-7" 2'L.5 ;.5)&M8#2 $'5. )"#( Z )&$.* L&)"'(. #5$

‚#(, ('(M5.8'7(&)&'( C3 )". ]Me-53

9'5. )"#) Z )&$.* S)''%8&582. 5.#5L#5, :5'L#5,aI,2.5b

‚#(, ('(M5.8'7(&)&'( C3 )". ]Me-53

T.() #5$* '( 5.75#*%&(7following ight elements

‚ ‚

T.() N(..* ,-5&(7 *L&(7#8)&'(*

‚.#8" )&$.

‚.#8" )&$.

H2.$.()* (') 8'()&(-&(7 &()".&5 &().(,., ,&5.8)&'( a#%M%2&., #:).5 .2.$.()b Y..,.,)' *"'L )". .2.$.() 8#(5.8.&;. ;#2-.

‚

Any ight element with salto';.5 )". C#5 L&)"'-) # 7&#()*L&(7 #:).5L#5,

‚

-V.- -V/- -Vc-

=&.5(#* #C&.5)#* - ')5# $#2#.e.8-8&P( %#5# *#2)#5 ' *-C&5# 2# C#55#

‚

>#2)# ,. &$%-2*' ' %#-*#.( #%'3' &(;.5)&,' ' .( ')5'.2.$.()'

‚ ‚

T#e# #$%2&)-, .( 2#* *-.2)#*‚ ‚

].*;&#8&P( ,.2 %2#(' ,.$';&$&.()'

≤ 15° >15°

!'5). ,. ;-.2' .( 2'* &$%-2M*'* #)5Q* ‚

H2.$.()'* &2.7#2.* 8'( ',.*,. %&.* .( 2# C#55#

‚

=#*#5 C#e' 2# ;.5)&8#2 $Q* ,.Z ;.8.* 8'( -( C5#c'

‚S&( 5.8'('8&$&.()' a/-5#,' ]b

9#* ,. Z $.)&,#* ,. %&.5(#*aI,2.5b ‚S&( 5.8'('8&$&.()' a/-5#,' ]b

T5#c'* ,'C2#,'* #2 #7#55#5,.*%-6* ,. 2#* *-.2)#*

‚ ‚

]'C2#5 %&.5(#* ,-5#(). 2#*#88&'(.* ,. &$%-*'

‚8#,# ;.c

‚8#,# ;.c

H2.$.()'* 4-. (' 8'()&(R#(.( 2# ,&5.88&P( %5.).(,&,#a5.#2&c#,' ,.*%-6* ,.2 .2.M$.()'b Y.8.*&)#( $'*)5#5 .2.2.$.()' %#5# 8'()#5*.

‚

S-.2)#* 8'( $'5)#2 *'C5. 2#C#55# *&( -( $'2&(' ,.*%-6* ‚

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

$+5 '\ 67>@< U:C>< ;> <8<M;><E7> ;D 97DCDE7>< ] $89D LG9D @d79D@ G9O 6B?9@ ] +9C>?;< W8;:7< ;> <8<M;><EZ> A 97DC=E7>;<

VA _)#C2&**.$.() #55&E5. h 2B#%%-& 5.(;.5*6A Back uprise to handstand. ]'$&(#8&P( #)5Q* #2 #%'3' &(;.5)&,'A

ZA _)#C2&**.$.() #55&E5. h 2B#%%-& 5.(;.5*6 #;#()1/1 t. aussi a mixte.

Back uprise to hdst. with 1/1 turn also to mixt.

Domin. at. al apoy. inv. con 1/1 g. también a mixta.

oA kA wAiA

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 137

€A _2#(86 .( #55&E5. .) %&5'-.)). h 2# *-*%.(*&'(A Swing bwd. and pirouette to hang. ]'$&(#8&P( #)5Q* 3 %&5-.)# # 2# *-*%.(*&P(A

ZnA @5#(, )'-5 #;#() #;.8 *#-)6 '- #;.8 ‡ )'-5A Flying giant swing fwd. or with½ turn. 9'2&(' #,.2#(). 8'( *#2)' ' 8'( ‡ 7A

21. Grand tour avant avec 1/1 t. sauté. Flying giant swing fwd. with 1/1 t.

Molino adelante con 1/1 g. de salto.

}A _2#(86 .( #55&E5. .) %&5'-.)). h 2B#%%-&A Swing bwd. and pirouette to support. ]'$&(#8&P( #)5Q* 3 %&5-.)# #2 #%'3'A

VoA @5#(, )'-5 #;#()A Giant swing fwd. 9'2&(' #,.2#().A

V}A @5#(, )'-5 #;#() #;.8 ‡ )A %#5 2B#%%-& 5.(;.5*6A Giant swing fwd. with ½ t. thr. hdst. 9'2&(' #,.2#(). 8'(‡ 7A %'5 .2 #%'3' &(;.5)&,'A

•A _)#C2&**.$.() #55&E5. h 2B#%%-& 5.(;.5*6A #;A ‡ )A Back uprise to handstand with ½ turn. ]'$&(#8&P( #)5Q* #2 #%A &(;.5)&,' 8'( ‡ 7A

ViA Grand tour avant avec 1/1 tour prise mixte. Giant swing fwd. with 1/1 turn in mixt grip. Molino adelante con 1/1 g. en presa mixta.

VkAGrand tour avant avec 1/1 tour en double cub. Giant swing fwd. with 1/1 turn in double elgrip.

Molino adelante con 1/1 g. en cubital.

VVA VZAVnA

V•A V€AVwA

ZoA ZiAZZA

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

Zw. Grand tour avant d’un bras prise palmaire (360°). Giant swing fwd. with one arm in ungr.

(360°). Molino ad. de un brazo presa palmar (360°).

27. Sur 1 bras, grand tour av. avec 1/1 t. a prisecubitale et 1/1 t. à prise palmaire.

On one arm, giant swing fwd. w. 1/1 t. to el-gripand 1/1 t. to ugr.

En un brazo, molino ad. con 1/1 g. a presa


Z}A onAZ€AZkA

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 138

cubital y 1/1 g. en presa palmar.

iiA @5#(, )'-5 #55&E5. *#-)6A Flying giant swing bwd. 9'2&(' #)5Q* 8'( *#2)'A

ikA @5#(, )'-5 #55&E5. sauté avec 1/1 t. Flying giant swing bwd. with 1/1 t.

Molino atrás con salto con 1/1 g.

o•A @5#(, )'-5 #55&E5. #;.8 ‡ )'-5A Giant swing bwd. with ½ turn. 9'2&(' #)5Q* 8'( ‡ 7A

ioA @5#(, )'-5 #55&E5. *#-)6 %5&*. %#2$#&5.A Giant swing bwd. with hop to undergrip. 9'2&(' #)5Q* *#2)' %5.*# %#2$#5A

(Quast)

oVA @5#(, )'-5 #55&E5.A Giant swing bwd. 9'2&(' #)5Q*A

oZA @5#(, )'-5 #55&E5. ,B-( C5#* aown°bA One arm giant swing bwd. (360 ° ). 9'2&(' #)5Q* ,. -( C5#c' aown°bA

iwA @5#(, )'-5 #55&E5. sauté avec 2/1 t.Flying giant swing bwd. with 2/1 t.Molino atrás con salto con 2/1 g.

i•A i€A

o€A

ooA okA owoiA

iVA iZAinAo}A

(Zou Li Min)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

knA @5#(, )'-5 #55&E5. #;.8 ‡ )A .( %5&*. 8-C&)#2.A Giant swing bwd. with ½ t. to el-grip. 9'2&(' #)5Q* 8'( ‡ 7A .( %5.*# 8-C&)#2A

51. Élan en avant avec 1/1 t. en prise cubitale. Long swing fwd. with 1/1 t. to el-grip. Impulso atrás con 1/1 g. en presa cubital.


koA kiAkZAi}A

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 139

(Rybalko)

wZA @5#(, )'-5 #55&E5. *#-)6 #;.8 ‡ )A .( %5A 8-CA Giant swing bwd. with hop ½ t. to el-grip. 9'2&(' #)5Q* 8'( *#2)' 8'( ‡ 7A .( %5.*# 8-C&)#2A

kwA _2#( .( #;#() *#-)6 .( %5&*. 8-C&)#2.A Long swing fwd. with hop to el-grip.

?$%-2*' #,.2#(). *#2)' # %5.*# 8-C&)#2A

wiA Grand tour arr. sauté avec 3/2 t. en pr. cub. double Giant swing bwd. with hop 3/2 t. to double el- grip

Molino atrás de salto con .3/2 g. en presa cub.

woA @5#(, )'-5 #55&E5. sauté avec 3/2 t. en prise%#2$#&5.G %5&*. %#2$#&5. M 8-C&)#2.A

Giant swing bwd. with hop 3/2 t. to undergrip,mixed el-grip.Molino atrás salto con 3/2 g. en presa palmar,%5.*# %#2$#5 M 8-C&)#2A

wkA wwA

•VA •ZAw}A •nAw•A w€A

k}A wnAk•A k€A

wVA

kkA

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

$+5 ''\ I:UB;>D< W7:C>D< ] ZC7DL6 4C4F496@ ] 28;:DC<

VA _2#( 8&58-2#&5. 8#5%6 .( #;#() .) %#**A 68A .(#55&E5. h 2# *-*%.(*&'( '- h 2B#%%-&

Stoop circle fwd. to straddle cut to hang or sup.

?$%-2*' 8&58-2#5 .( 8#5%# #,.2#(). %#*#(,' %&.5M(#* #C&.5)#* #)5Q* # 2# *-*%.(*&P( ' #2 #%'3'A

ZA _2#( 8&58A 8#5%6 .( #;#() .) %#**A 68A %#5 2B#%%-&5.(;.5*6AStoop circle fwd. to straddle cut through hdst.

?$%-2*' 8&58-2#5 .( 8#5%# #,A %#*#(,' %&.5(#*#C&.5)#* #2 #%'3' &(;.5)&,'A

oA _2#( 8&58A 8#5%6 .( #;A .) %#**A 68A #;.8 ‡ )AStoop circle fwd. to straddle cut with ½ t.?$%-2*' 8&58-2#5 .( 8#5%# #,.2#(). %#*#(,'%&.5(#* #C&.5)#* #)5Q* 8'( ‡ 7A

iA !#5C#22' #;.8 ‡ )A #-0 %5&*. %#2$#&5. M8-C&)#2.A Carballo with ½ turn to mixed el-grip. !#5C#22' 8'( ‡ 7A # %5.*# %#2$#5 M 8-C&)#2A

5. Quintero en prise cubitale. Quintero to el-grip. Quintero en presa cubital.

wA

(Carballo) (Quintero)

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 140

€A _)#C2&**.$.() #55&E5. .( %#**A 2.* e#$C.* 68#5M)6* .( #;#() h 2# *-*%.(*&'( ,'5*#2A

Back uprise and straddle over to hang rw. ]'$&(#8&P( #)5Q* %#*#(,' 2#* %&.5(#* #C&.5)#*

#,.2#(). # 2# *-*%.(*&P( ,'5*#2A

}A _)#C2&* *.$.() #55&E5. .) %'&**'( 68#5)6 #;.8 ‡ )Ah 2# *-*%.(*&'(A

Back uprise and strad. hecht with ½ t. to hang A ]'$&(#8&P( #)5Q* 3 )&75. %&.5(#* #C&.5)#* 8'(

‡ 7A # 2# *-*%.(*&P(A(Markelov)

VkA H2#( .( #;A .) *#-)6 ,'5*#2 e#$CA 68A '- 8A h 2# *-*%A Swing fwd. and vault bwd. strad. or piked to hang.

?$%-2*' #,A 3 *#2)' ,'5*#2 %A #CA ' 8#5%A # 2# *-*%A

(Tkatchev)

VnA 9#5N.2'; #;.8 e#$C.* .(*.$C2.*A Markelov with legs together. 9#5N.2'; 8'( %&.5(#* e-()#*A

VwA FN#)8".; ).(,-A Tkatchev stretched. FN#)8".; .0).(,&,'A

VVA _)#C2&**.$.() #55&E5. et poisson avec 3/2 t. à la*-*%.(*&'(A

Back uprise and hecht with 3/2 t. to hang. Dominación atrás y tigre con 3/2 g. a la susp.

ZiA

18. Tkatchev tendu avec 1/1 t. Tkatchev stretched with 1/1 t. Tkatchev extendido con 1/1 g.

ZoA FN#)8".; 68#5)6 #;.8 ‡ )A #-0 %5&*. 8-C&)#2.A Tkatchev straddled ½ t. to double elgrip. FN#)8".; 8'( ‡ 7A # %5.*# 8-C&)#2A

ZnA

ViA

V}A

VoA

•A

ZVA

VZA

V•A FN#)8".; ).(,- #;.8 ‡ )A h %5&*. %#2AM8-CA 62#(#55&E5. h 2B#%%-& 5.(;.5*6A

Tkatchev stretched with ½ t. to mix el-grip intoback uprise to hdst.

FN#)8".; .0).(,&,' 8'( ‡ 7A # %5.*# $&0)#,'$&(#8&P( #)5Q* #2 #%'3' &(;.5)&,'A

(Kulesza)

(Yamawaki) (Walstrom)

(Moznik)

(Liukin)

ZZA FN#)8".; 68#5)6 #;.8 ‡ )A #-0 %5&*. $&0).A Tkatchev straddled with ½ t. to mix el-grip into

back uprise to hdst. FN#)8".; 8'( ‡ 7&5' # %5.*# $&0)#A

(Lynch)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

ZwA _)#C2&**.$.() #55&E5. .) *#-)6 8#5%6 #;.8 ‡ )Ah 2# *-*%.(*&'(A

Back uprise and piked vault with ½ t. to hang. ]'$&(#8&P( #)5Q* 3 *#2)' .( 8#5%# 8'( ‡ 7A #

2# *-*%.(*&P(A

Z•A _2#( 8&58-2#&5. 2&C5. .( #55&656 8#A '- 68A '- )'-5,B#%%-& #;.8 FN#)8".; 68#5)6AStalder, stoop circle or free hip circle bwd toTkatchev straddle.

?$%-2*' 8&58A 2&C5. #)5Q* .( 8#5%#G %&.5(#*#C&.5)#* ' 7&5' ,. #%'3' 8'( FN#)8".; % #C

Z€A =&#))& ).(,-A Piatti stretched. =&#))& .0).(,&,'A


onAZ}A =&#))& ).(,- #;.8 ‡ )A h %5&*. %#2$#&5.M8-C&)#2.62#( #55&E5. h 2B#%%-& 5.(;.5*6A

Piatti stretched with ½ t. to mix el-grip into backuprise to hdst.

=&#))& .0)A 8'( ‡ 7A # %5.*# $&0)# ,'$&(#8&P(#)5Q* #2 #%'3' &(;.5)&,'

ZkA

(Voronin)

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 141

#C&.5)#* ' 7&5' ,. #%'3' 8'( FN#)8".; %A #CA

oZA _)#C2&**.$.() #55&E5. .) *#-)6 ,'5*#2 #;.8 Š )Ah 2# *-*%.(*&'(ABack uprise and rear vault with ¼ t. to hang.

]'$&(#8&P( #)5Q* 3 *#2)' ,'5*#2 8'( Š 7A # 2#*-*%.(*&P(A

ooA =&#))& 8#5%6A Piatti piked. =&#))& .( 8#5%#A

36. Piatti tendu avec 1/1 tour. Piatti stretched with 1/1 turn. Piatti extendido con 1/1 giro.

o}A _2#(86 .( #55&E5. .) *#2)' #;A 75AG 8#AG '- 68A h 2#*-*%.(*&'(G #-**& ,. 2# %5&*. 8-C&)#2.A

Swing bwd. and salto fwd. t., p. or s trad. to hg.also from el-grip.

?$%-2*' #)5Q* 3 $'5)#2 #,.2#(). #75-%#,'G .(8#5%# ' %A #CA # 2# *-*%AG )#$C&6( ,. 8-C&)#2A

inA S#2)' #;#() ).(,-G #-**& ,. 2# %5&*. 8-C&)#2.A Salto fwd. stretched, also from el-grip. 9'5)#2 #,.2#(). .0).(,&,'G )#$C&6( ,. 8-C&)#2A

iVA

i•A [#$#L#N& ).(,- #;.8 ‡ )A #-0 %5&*. %#2$#&5.M8-C&)#2.G 62#( #55&E5. h 2B#%%-& 5.(;.5*.A

Yamawaki ½ t. stretched to mixed grip into backuprise to hdst.

[#$#L#N& ‡ 7A .0).(,&,' # %5.*# $&0)# .(#7#55. %'5 ,.)5Q* #2 #%'3' &(;.5)&,'A

ikA

okAoiA =&#))& #;.8 ‡ )A h %5&*. %#2$#&5.M8-C&)#2. 62#(#55&E5. h 2B#%%-& 5.(;.5*6A

Piatti with ½ t. to mix el-grip into back up. to hdst.

=&#))& 8'( ‡ 7A # %5.*# $&0)# ,'$&(#8&P( #)5Q* #2#%'3' &(;.5)&,'A

#)5Q* #2 #%'3' &(;.5)&,'A

o€Ao•A

iiAioA

oVA

iZA Salto avant tendu avec 1/1 t., aussi prise cubiM)#2.A

Salto fwd. stretched with 1/1 t. also from el grip. Mortal ad. ext. con 1/1 g., también de cubital.

i€A

(Muñoz - Pozzo)

(Balabanov)

(Jäger)

(Winkler - Pogorelev)

(Suarez)

(Piatti)

iwA _2#(86 .( #;A .) 8'()5.M*#2)' #;A 68A h 2# *-*%A Swing fwd. and counter salto fwd. strad. to hg.

?$%-2*' #,A 3 8'()5#*#2)' #,A %A #CA # 2# *-*%A

(Xiao Ruizhi)

(Kierzkowski)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

(Gaylord)

kZA S#2)' #;A %#5M,.**-* 2# C#55. 75A '- 68#5)6G #-**&,. 2# %5&*. 8-C&)#2.A

Salto fwd, tuck or strad. over the bar, also from el-grip. 9'5)#2 #,A %'5 .(8&$# ,. 2# CA #75A ' %A #CAG )#$C&6(

,.*,. 8-C&)#2A

koA


kiA @#32'5, L&)" ‡ )A Gaylord with ½ t. @#32'5, 8'( ‡ 7A

i}A knA kVA

(Pegan)

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 142

(Gaylord)

k€A

•VA

woA _2#( .( #;A .) *#2)' #55&E5. 68#5)6 #;.8 ‡ )A h 2#*-*%.(*&'(A

Swing fwd. and salto bwd. strad. w. ½ t. to hg. <#(c#5*. #,A 3 $'5)#2 #)5Q* 8'( ‡ 7A # 2# *-*%A

w}A _2#(86 .( #;A .) *#2)' #55A 8#A #;.8 ‡ )A h 2# *-*%A Swing fwd. and salto bwd. piked w. ½ t. to hang.

<#(c#5*. #,A 3 $'5)#2 #)A 8#5%A 8'( ‡ 7A # 2# *-*%A

66. Kovacs tendu avec 1/1 tour. Kovacs stretched with 1/1 turn. Kovacs extendido con 1/1 giro.

k•A @5#(, )'-5 )8"E4-. .) *#-)6 ,'5*#2 e#$C.*68#5)6* h 2# *-*%.(*&'(A

Czech giant and vault bwd. strad. to hang. 9'2&(' !".8' 3 *#2)' ,'5*#2 %&.5(#* #C&.5)#*

# 2# *-*%.(*&P(A

•nA

wiA wkA

k}A @#32'5, 8#5%.AGaylord piked.

@#32'5, .( 8#5%#A

wnA =.7#( 8#5%.A Pegan Pike. =.7#( .( 8#5%#A

kkA kwA

w•A

wVA

w€A

wZA

+

(Deltchev)

(Gienger)

(Cassina)

(Maras)

(Sapronenko)

+

72. Élancé en av. et salto arr. avec 3/2 t. à la susp. Swing fwd. and salto bwd. w. 3/2 t. to hang. Lanzarse ad. y mortal atrás con 3/2 t. a la susp.

(Deff)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

•wA S#2)' #55&E5. ‡ )A 75'-%. %#5M,.**-* 2# C#55.A Salto bwd. ½ t.tucked over the bar. 9'5)#2 #)5Q* #75-%#,' 8'( ‡ 7A %'5 .(8&$# ,.

2# C#55#A(Gaylord 2)

78. Salto arrière 1/1 t. carpe par-dessus la barre. Salto bwd. 1/1 t. piked over the bar. Mortal atrás en carpa con 1/1 g. por encima de

2# C#55#A(Pineda)

•kA S)#2,.5 ‡ )A .) *#-)6 ,'5*#2 #;.8 Š )A h 2# *-*%AStalder ½ t. to rear vault with ¼ t. to hang.

S)#2,.5 8'( ‡ 7A 3 *#2)' ,'5*#2 8'( Š 7A # 2# *-*%A


••A S#2)' #55&E5. ‡ )A 8#5%. %#5M,.**-* 2# C#55.A Salto bwd. ½ t.piked over the bar. 9'5)#2 #)5Q* .( 8#5%# 8'( ‡ 7A %'5 .(8&$# ,.

2# C#55#A

•oA •iA

(Jansen)

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 143

(Kovacs)

€ZA ]'-C2. *#2)' #55&E5. 75A %#5M,.**-* 2# C#55.A Double salto bwd. t. over the bar. ]'C2. $'5)#2 #)5Q* #75A %'5 .(8&$# ,. 2# C#55#A

€oA \';#8* 8#5%. '- ).(,-A Kovacs piked or stretched. \';#8* .( 8#5%# ' .0).(,&,'A

89. Kovacs avec 1/1 t. Kovacs with 1/1 t. Kovacs con 1/1 g.

96. Kovacs avec 3/2 t. à prise mixte Kovacs with 3/2 t. to mix grip Kovacs con 3/2 g. a presa mixta

}kA

•}A

}VA

€kA

€nA

}ZA

€wA

€VA

}oA

€•A €€A

}iA

€iA Kovacs avec 2/1 t. Kovacs with 2/1 t. Kovacs con 2/1 g.

}nA

+

+

(Shaham)

(Kolman)

m

(Bretschneider)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

$+5 '''\ I:UB;>D< M9[< ?; :C ^C99; ;D U:UB;>D< *?:;9 ] *9 ;G? G9O "OC4? 4C4F496@ ] $:;B;>D7< =;9=C ?; :C ^C99C A ;:;B;>D7< *?:;9

ZA ]. 2B#%%-& 5.(;.5*6G )'-5 ,B#%%-& #;A %#5 2B#%%-&5.(;.5*6A

From hdst., free hip circle fwd. thr. hdst. ].2 #%'3' &(;AG 7&5' ,. #%'3' #,A %'5 .2 #%A &(;A

(Weiler)

VA T#*8-2. ,B62#( '- %.)&). C#*8-2. h 2B#%%-&5.(;.5*6 ' #%%-& 5.(;.5*6 #;.8 ‡ )A

Kip or drop kip to hdst. or hdst w. ½ t. TQ*8-2# ,. &$%A ' %.4-.f# CQ*8-2# #2 #%'3'

&(;.5)&,' ' #%'3' &(;.5)&,' 8'( ‡ 7&5'A

wA3. Weiler avec 1/1 tour à prises palmaire - cubitale.Weiler with 1/1 turn to mixed - grip.

Weiler con 1/1 giro a presa mixta.

4. Weiler avec 1/1 tour à prises cubitales des 2$#&(*A

Weiler with 1/1 turn to double el - grip. Weiler con 1/1 giro a cubital.

kA

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 144

•A ]. 2# *-*%.(*&'( '- ,. 2B#%%-&G 62#( %#5M,.*M*-* h 2B#%%-& 5.(;.5*6A

From hang or from support, free hip circlethrough handstand.

]. 2# *-*%.(*&P( ' ,.2 #%'3'G &$%-2*' %'5,.C#e' #2 #%'3' &(;.5)&,'A

VoA ] . 2# *-*%.(*&'( '- ,. 2B#%%-&G ,B62#( %#5M,.**-* h 2B#%%-& 5.(;.5*6 #;.8 ‡ )'-5A

From hang or from support, free hip circlethrough handstand with ½ turn.

]. 2# *-*%.(*&P( ' ,.2 #%'3'G &$%-2*' %'5,.C#e' #2 #%A &(;.5)&,' 8'( ‡ 7A

V}A ]. 2# *-*%.(*&'( '- ,. 2B#%%-&G ,B62#( %#5M,.**-* *#-)6 h 2B#%%-& 5.(;.5*6A

From hang or from support, free hip circle hop

to handstand. ]. 2# *-*%.(*&P( ' ,.2 #%'3'G &$%-2*' %'5

,.C#e' *#2)#(,' #2 #%'3' &(;.5)&,'A

ZnA

ViA ]. 2# *-*%.(*&'( '- ,. 2B#%%-&G ,B62#( %#5M,.*M*-* h 2B#%%-& 5.(;.5*6 #;.8 ‡ )'-5G %5A 8-C&)#2.A

From hang or from support, free hip circle 5through handstand with ½ turn to el grip.

]. 2# *-*%.(*&P( ' ,.2 #%'3'G &$%-2*' %'5,.C#e' #2 #%A &(;.5)&,' 8'( ‡ 7A %5.*# 8-C&)#2A

VZA}A VnA VVA

V€AVkA VwA V•A

ZiAZVA ]. 2# *-*%.(*&'( '- ,. 2B#%%-&G ,B62#( %#5Mdessus sauté à l’appui renversé avec 1/1 tour.

From hang or from support, free hip circle hop

through handstand with 1/1 turnA ]. 2# *-*%.(*&P( ' ,.2 #%'3'G &$%-2*' %'5

debajo saltando al ap. invertido con 1/1 g.

ZZA ZoA

€A

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

ZwA _2#( 8&58-2#&5. 8#5%6 68A '- 8#5%6 2&C5. .( #;A%#5 2B#%%-& 5.(;.5*6A

Free circle fwd. straddled or legs together thr. hdst.

?$%-2*' 8&58A 8#5%A %A #CA ' 8#5%A #,A %'5 .2 #%A &(;A

onAZ•A Z€A Z}AZkA

(Endo)


7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 145

oZA H(,' #;.8 ‡ )A %#5 2B#%%-& 5.(;.5*6A Endo with ½ t. thr. hdst. H(,' 8'( ‡ 7A %'5 .2 #%'3' &(;.5)&,'A

33. Endo avec 1/1 t. par l’appui renversé en prise$&0).A

Endo. with 1/1 t. thr. hdst. in mixt grip. Endo con 1/1 g. por el apoyo invertido en presa

$&0)#A

34. Endo avec 1/1 t. par l’appui renversé en pr. cub. Endo with 1/1 t. thr. hdst. in el-grip. Endo con 1/1 g. por el apoyo invertido en presa

8-C&)#2A

o€A _2#( 8&58-2#&5. 8#5%6 68#5)6 '- 8#5%6 2&C5. #55&E5.%#5 2B#%%-& 5.(;.5*6A

Free circle bwd. straddle or legs together thr.hdst.

?$%-2*' 8&58A 8#5%A %A #CA ' 8#5%A #)5Q* %'5 .2 #%A&(;.5)&,'A

iiA S)#2,.5 #;.8 ‡ )'-5 %#5 2B#%%-& 5.(;.5*6A Stalder with ½ turn through hdst. S)#2,.5 8'( ‡ 7A %'5 .2 #%'3' &(;.5)&,'A

39. Stalder sauté avec 1/1 t. par l’appui renversé. Stalder with hop 1/1 t. through hdst. Stalder saltado con 1/1 g. por el apoyo invertido.

ikA S)#2,.5 #;.8 ‡ )'-5 %#5 2B#%%-& 5.(;.5*6 %5A 8-CA Stalder with ½ turn through hdst. in el-grip. S)#2,.5 8'( ‡ 7A %'5 .2 #%'3' &(;A %5.*# 8-C&)#2A

iZA40. Stalder avec 3/2 tour saute par l’appui renversé%5&*. $&0). 8-C&)#2A

Stalder with hop 3/2 turn through hdst. in mixel-grip.

Stalder con 3/2 g. de salto por el apoyo invertido presa mixta cubital.

41. Stalder avec 3/2 tour saute par l’appui renversé%5&*. 8-CA

Stalder with hop 3/2 turn through hdst. in el-grip. Stalder con 3/2 g. de salto por el apoyo invertido

presa cubital.

i€AiwA i•A

owAokA

o•A

ioA

oVA

(Stalder)

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

knAS)#2,.5 *#-)6 %#5 2B#%%-& 5.(;.5*6A Stalder with hop through hdst. S)#2,.5 *#2)#,' %'5 .2 #%'3' &(;.5)&,'A

kVA S)#2,.5 *#-)6 %#5 2B#%%-& 5.(;.5*6 %5&*. 8-C&)#2.A Stalder with hop through hdst. in el-grip. S)#2,.5 ,. *#2)' %'5 .2 #%'3' &(;.5)&,' %5.*#

8-C&)#2A

kiAi}A kZA koA


7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 146

k€A k}Ak•A

wwA

•ZA

wnA

wVA

w•A

kkA

wZA

w€A

woA

w}A

wiA

•nA

wkA

•VA

kwA

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

•kA _2#( 8&58-2#&5. I,2.5 %#5 2B#%%-& 5.(;.5*6A Stoop circle rearward fwd. through hdst.

(Adler). I,2.5 %'5 .2 #%'3' &(;.5)&,'A

77. Élan circulaire Adler avec 1/1 t. par l’appui5.(;.5*6 #;.8 %5&*. %#2$#&5.A

Adler and 1/1 t. through hdst. in ungr. Adler con 1/1 g. por el ap. inv. con presa palmar.

•iA •€A•oA •wA _2#( 8&58-2#&5. I,2.5 #;.8 ‡ )A %#5 2B#%%-& 5.(M;.5*6 #;.8 %5&*. ,'5*#2A

Adler with ½ t. through hdst. in ovgr. I,2.5 8'( ‡ 7A %'5 .2 #%A &(;A 8'( %5.*# ,'5*#2A


7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 147

€kA €wA @5#() )'-5 .( %5&*. 8-C&)#2.A H2M75&% 7&#() *L&(7 9'2&(' .( %5.*# 8-C&)#2A

€•A @5#(, )'-5 ,'5*#2 #;#() a75#(, )'-5 5-**.b @&#() *L&(7 5.#5L#3* :L,A aD-**&#( 7&#()b 9'2&(' ,'5*#2 #,.2#(). a$'2&(' D-*'b

}ZA }oA Grand tour cub. avec 1/1 t. par l’app. renvs. pr. mx. Elgrip giant swg. with 1/1 t. thr. hdst. in mx. gr. Molino cubital con 1/1 g. por el ap. inv. pr. mix.

€ZA _2#( 8&58-2#&5. I,2.5 #;.8 *#-)6 %#5 2B#%%-&5.(;.5*6 %5&*. %#2$#&5. '- %5&*. ,'5*#2 '- %5&*.$&0).A

Adler hop to hdst. in ungr. or ovgr. or mixed grip. I,2.5 8'( *#2)' %'5 .2 #%' 3' & (;.5)&,' %5.*#

%#2$#5G ,'5*#2 ' $&0)#A

€nA

}iA

€VA

}VA

•}A

}kA }wA

88. Élan circulaire Adler avec 1/1 t. par l’appui5.(;.5*6 #;.8 %5&*. $&0). #-**& #;.8 *#2)'A Adler and 1/1 t. thr. hdst. in mixed grip, also with

hop. Adler con 1/1 g. por el ap. inv. con pr. mixta,

)#$C&6( 8'( *#2)'A

€}A }nA

€oA €iA

(Baldauf)

(Fuentes)

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}•A _2#(A .( #55&E5. h 2# *-*%.(*&'( ,'5*#2.A Back toss to dorsal hang. ?$%-2*' #)5Q* # 2# *-*%.(*&P( ,'5*#2A

}€A ]. 2# *-*%.(*&'( ,'5*#2.G 6)#C2&**.$.() #;A h2B#%%-& ,'5*#2.A

From dorsal hang, uprise fwd. to support rw. ]. 2# *-*%A ,'5*#2G ,'$&(#8&P( #,A #2 #%A ,'5*#2

}}A _2#( .( #55&E5. h 2# *-*%.(*&'( ,'5*#2. Stoop in and free back toss to dorsal hang ?$%-2*' #)5Q* $.)&.(,' %&.5(#* .0)A # 2# *-*M

%.(*&P( ,'5*#2

VnnA @5#(, )'-5 ,'5*#2. #55&E5. a75#(, )'-5)8"E4-.*bA

Giant swing rw. bwd. (Czech giant swing). 9'2&(' ,'5*#2 #)5Q* a$'2&(' 8".8'bA

VnVA VnZA

(Steineman)


7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 148

VnoA @5#(, )'-5 #55&E5. #;.8 ,&*2'8#)&'( #;A .($'()#() .) #55&E5. %#5 2B#%%-& 5.(;.5*6A

Giant swing bwd. with inlocation during s wingand dislocate to hdst.

9'2&(' #)5Q* 8'( ,&*2'8#8&P( #,.2#(). *-C&.(M,' %'5 .2 #%'3' &(;.5)&,'A

VVnA _)#C2&**.$.() S).&(.$#( #;.8 %#**6 8'*)#2#55&E5. h 2B#%%-& '- h 2# *-*%.(*&'(A Steineman uprise w. ank bwd. to supA '5 "#(7A S).&(.$#( 8'( %#*. 8'*)#2 #)5Q* #2 #%'3' '

2# *-*%.(*&P(A

VniA _)#C2&**.$.() S).&(.$#( #;.8 ‡ )A h2B#%%-&A

Steineman uprise w. ½ t. to support S).&(.$#( 8'( ‡ 7A #2 #%'3'A

(Ono)

VnkA _)#C2&**.$.() S).&(.$#( #;.8 %#**6 8#5%6.()5. 2.* %5&*.* h 2B#%%-& 5.(;.5*6A

Steineman uprise w. stoop or to hdst. S).&(.$#( 8'( %#*. .( 8#5%# .()5. 2#* %5.*#*

#2 #%'3' &(;.5)&,'A

VVVA H(,' %5&*. 8-C&)#2. %#5 2B#%%-& 5.(;.5*6A Endo in el-grip thr. hdst. H(,' %5.*# 8-C&)#2 %'5 .2 #%'3' &(;.5)&,'A

VnwA @5#(, )'-5 ,'5*#2. #55&E5. a75#(, )'-5)8"E4-.*b #;.8 ‡ )'-5 # 75#(, )'-5 ,'5*#2.A

Giant swing rw. bwd. (Czech giant swing) with½ turn to fwd giant swing.

9'2&(' ,'5*#2 #)5Q* a$'2&(' 8".8'b 8'( ‡ 7&5'# $'2&('A

VVoA112. Endo prise cubitale et 1/1 en prise mixte ou%#2$#&5.A Endo in el-grip and 1/1 t. to mixed grip or under 5

grip. Endo prisa cubital y 1/1 g. a presa mixta o

%#2$#5A

VViAVn}A

Vn•A Vn€A

VVkA VVwA VV•A VV€A \'*). ‡ )'-5 ).5$&(6 .( %5&*. 8-C&)#2.A Koste ½ turn to elgrip. Koste con ½ giro a cubital.

VV}A VZnA

(Koste)

(Likhovitskiy)

(Skoumal)

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VA S#2)' #;#() 8#5%6 '- ).(,-.G #-**& #;.8 ‡ )A Salto fwd. piked or stretched, also with ½ t. 9'5)#2 #,A .( 8#5%# ' .0)AG )#$C&6( 8'( ‡ 7A

2. Salto avant tendue avec 1/1 ou 3/2 t. Salto fwd. str. with 1/1 or 3/2 t. Mortal ad. ext. con 1/1 o 3/2 g.

3. Salto avant tendue avec 2/1 ou 5/2 t. Salto fwd. str. with 2/1 or 5/2 t. Mortal adelante extendido con 2/1 o. 5/2 g.

wA F5&%2. *#2)' #;A 75A Triple salto fwd. t.

F5&%2. $'5)#2 #,A #75A

(Rumbutis)

$+5 'R\ 279DE;< ] '7@F8B96@ ] 2C:E?C<

iA kA

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 149

}A ]'-C2. *#2)' #;A 75'-%. '- 8#5%6 '- #;.8 ‡)'-5A

Double salto fwd. t. or p.or with ‡ turn. ]'C2. $'5)#2 #,A #75AG .( 8#5%# ' 8'( ‡ 7A

10. Double salto av. gr. ou carpé avec 1/1 ou 3/2 t. Double salto fwd. t. or p. with 1/1 or 3/2 t. Doble mortal ad. agrupado, en carpa o con 1/1

o 3/2 g.

ZVA ]'-C2. *#2)' #;A 75A '- 8#5%6 '- #;.8 ‡ )'-5%#5M,.**-* 2# C#55.A

Double salto fwd. t. or p. or with ½ turn over

the bar. ]'C2. $'5)#2 #,.2#(). #75-%#,'G .( 8#5%# '

8'( ‡ 7A %'5 .(8&$# ,. 2# C#55#A

16. D ouble salto av. tendue ou avec 1/2 t. Double salto fwd. str. or with 1/2 t.Doble mortal extendido con 1/2 g.

11. Double salto av. gr. ou carpé avec 2/1 ou 5/2 t. Double salto fwd. t. or p. with 2/1 or 5/2 t. ]'C2. $'5)#2 #,.2#(). #75-%#,'G .( 8#5%# ' 8'(

2/1 o 5/2 g.

17. Double salto av. tendu avec 1/1 ou 3/2 t. Double salto fwd. str. with 1/1 or 3/2 t. Doble mortal extendido con 1/1 o 3/2 g.

ZZA Double salto av. groupé ou carpe avec 1/1 ou3/2 t. par- dessus la barre.

Dbl. salto fwd. t. or p. w. 1/1 or 3/2 t. over the bar.

]'C2. $'5)#2 #,.2#(). #75-%#,'G .( 8#5%# ' 8'(1/1 o 3/2 g. por encima de la barra

ZoA ZiA

•A €A

VoA ViA

V}A ZnA

VkA

VZA

V€A

+

! # $%&$ ' # $%($ ) # $%*$ + # $%,$ - # $%.$ / # $%0$

ZkAS#2)' #55A 8#5%6 ou tendue aussi avec ½ ou 1/1 t. Salto bwd. piked or str. also with ½ or 1/1 t.

Mortal at. en carpa o ext. también con ½ o 1/1 g.

26. Salto arrière tendue avec 3/2 ou 2/1 t. Salto bwd. str. with 3/2 or 2/1 t. Mortal atrás extendido con 3/2 o. 2/1 g.

27. Salto arrière tendue avec 5/2 ou 3/1 t. Salto bwd. str. with 5/2 or 3/1 t. Mortal atrás extendido con 5/2 o. 3/1 g.

onA

$+5 'R\ 279DE;< ] '7@F8B96@ ] 2C:E?C<

Z}AZ€A

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 150

oZA ]'-C2. *#2)' #55&E5. 75'-%6 '- 8#5%6A Double salto bwd. tuck or pike. ]'C2. $'5)#2 #)5Q* #75-%#,' ' .( 8#5%#A

33. Double salto arrière groupé ou ca. avec 1/1 t. Double salto bwd. t. or pike with 1/1 t. ]'C2. $'5)#2 #)5Q* #75-%#,' ' .( 8#5%# 8'(

1/1 g.(Tsukahara)

o}A ]'-C2. *#2)' #55&E5. ).(,-.A Double salto bwd. str. ]'C2. $'5)#2 .0).(,&,'A

40. D ouble salto arrière tendue avec 1/1 t. Double salto bwd. str. with 1/1 t. Doble mortal atrás extendido con 1/1 g.

34. Double salto arrière gr. ou ca. avec 2/1 t. Double salto bwd. t. or p. with 2/1 t. Doble mortal atrás agrupado o en carpa con 2/1 g.

41. Double salto arrière tendu avec 2/1 t. Double salto bwd. str. with 2/1 t. Doble mortal atrás extendido con 2/1 g.

(Watanabe) (Fedorchenko)

i•A

(Andrianov)

(Hoffmann)

owA

42. Double salto arrière tendu avec 3/1 t. Double salto bwd. str. with 3/1 t. Doble mortal atrás extendido con 3/1 g.

okA

o€A

iiA

o•A

ioA iwAikA i€AF5&%2. *#2)' #55&656 75A '- %#5M,.**-* 2# C#55.A Triple salto bwd. t. or over the bar. F5&%2. $'5)#2 #)A #75A ' %'5 .(8&$# ,. 2# C#55#A

oVA

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knA ]'-C2. *#2)' #55&E5. 75A '- 8#5%6 %#5M,.**-*,. 2# C#55.A

Double salto bwd. t. or p. over the bar ]'C2. $'5)#2 #)5Q* #75A ' .( 8#5%# %'5 .(8&$# ,.

2# C#55#A

51. Double salto arrière gr. ou carpé avec 1/1 t.%#5M ,.**-* 2# C#55.A

Dbl. salto bwd. t. or p. with 1/1 t. over the bar. Doble mortal atrás agr. o en carpa con 1/1 g.

%'5 .(8&$# ,. 2# C#55#A

52. Double salto arrière gr. ou carpé avec 2/1 t.%#5M ,.**-* 2# C#55.

Double salto bwd. t. or p. with 2/1 t. over the bar Doble mortal atrás agr. o carp. con 2/1 g. por

.(8&$# ,. 2# C#55#A

koA

$+5 'R\ 279DE;< ] '7@F8B96@ ] 2C:E?C<

kiA F5&%2. *#2)' #55&E5. 8#5%6A Triple salto bwd. p. F5&%2. $'5)#2 #)5Q* .( 8#5%#A

i}A

(Fardan)

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 151

58. Double salto arrière tendu avec 1/1 t. par-dessus2# C#55.A

Double salto bwd. str. w. 1/1 t. over the bar. Doble mortal ext. con 1/1 g. por encima de la b.

(Hayden)

k•A ]'-C2. *#2)' #55&E5. ).(,- %#5M,.**-* 2# C#55.A Double salto bwd. str over the bar.

]'C2. $'5)#2 .0)A %'5 .(8&$# ,. 2# C#55#A

60.Triple salto arrière gr. avec 1/1 t. Triple salto bwd. t. with 1/1 t. Triple mortal agrupado con 1/1 g.

(Belle)

wVA ='&**'( 68AG '- %'&**'( '- %'&**'( #;.8 ‡ )A Hecht strad., hecht or hecht w. ½ t. F&75. %A #C&.5)#*G )&75. ' )&75. 8'( ‡ 7A

62. Poisson avec 1/1 ou 3/2 t. Hecht w. 1/1 or 3/2 t. Tigre con 1/1 o 3/2 g.

64. Poisson avec 2/1 t. Hecht w. 2/1 t. Tigre con 2/1 g.

•ZA•VA

wwAwkA

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kwAkkA k}A

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&*5)$ 'R*>;G7<

*>;G7 *'>Y79BC=E7>;< C?E=E7>C:;< ; E>D;9M9;DC=E7>;<

&*5) 'R*MM;>?E=;<

*MM;>?EG **??EDE7>C: $GM:C>CDE7>< x '>D;9M9;DCDE7><

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&*5) 'R*MM;>?E=;<

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 152

1. Le texte dans le table de difculté emporte les illustrations.Z aW'&5 #5)A •AiA$b !.)). 5E72. *B&().5%5E).G .( %#5)&.G 8'$$. *-&)g

#b <.* 626$.()* #;.8 5')#)&'(* 2'(7&)-,&(#2.* #-0 *&0 .(7&(* (.*'() %#* 5.8'((-* *B&2* %56*.().() -(. 5')#)&'( .08.**&;. '-insufsante d’un quart de tour (90°) par rapport à l’exécution

8'55.8). ,. 2B626$.() %56;-ACb <.* 626$.()* ,B62#( #-0 .(7&(* 8'(8.5(6* (. *'() %#* 5.8'((-*s’ils présentent une déviation égale ou supérieure à 45° par rapportà la position nale parfaite ou prescrite. Ainsi, à la barre xe, un tourd’appui libre, par exemple, peut se te rminer jusqu’à 45° de l’appui5.(;.5*6 .) J)5. )'-) ,. $J$. 5.8'((- %#5 2. e-53 ]A I-0 C#55.*%#5#22E2.*G %#5 .0.$%2.G -( ,.$&M)'-5 #;#() h 2B#%%-& 5.(;.5*6 ,'&)être exécuté au minimum à 45° au-dessus de l’horizontale, sans4-'& &2 (. *.5# %#* 5.8'((-A U(. %'*&)&'( ).(,-. .*) 8'(*&,656.8'$$. 8#5%6. *&G %.(,#() 2B.068-)&'( ,. 2B626$.()G 2. 73$(#*).présente une exion des hanches de plus de 45°.

3. (Voir section 9.1.1) Une exécution correcte signie en particulier4-. 2.* 626$.()* ,'&;.() J)5. .068-)6* ,#(* 2# %'*&)&'( ,- 8'5%*prévue. Les dénitions suivantes s’appliquent:

#b ]#(* -(. %'*&)&'( ).(,-. %#5:#&).G 2# 2&7(. &$#7&(#&5. 4-&5.2&. 2.* 6%#-2.* #-0 8".;&22.* .( %#**#() %#5 2.* "#(8".*.*) ,5'&). ,#(* 2. 8#* ,.* 626$.()* *)#)&4-.*G .) ,5'&). '-légèrement échie vers l’avant ou l’arrière pour ce qui estdes éléments dynamiques. S’il y a exion des hanches deplus de 45° pendant l’exécution de l’élément, la position est8'(*&,656. 8'$$. 8#5%6.A

Cb ]#(* -(. %'*&)&'( 8#5%6. %#5:#&).G 2.* e#$C.* *'() ).(,-.*et les hanches présentent une exion d’au moins 90°. Sont8'(*&,656.* 8'$$. :#-).* 2.* %'*&)&'(* 8#5%6.* ,. $'&(* ,.90° par rapport à la position tendue, qu’elles soient accompaMgnées ou non d’une exion des genoux. Si le gymnaste échitles genoux de plus de 45° pendant l’exécution de l’élément,2# %'*&)&'( .*) 8'(*&,656. 8'$$. 75'-%6.A

8b ]#(* -(. %'*&)&'( 75'-%6. %#5:#&).G 2.* "#(8".* *'() :'5).Mment échies et les genoux échis sont ramenés sur la poitrine(exion minimale de 90° dans chaque cas). Sont considérées

comme des fautes les exions des hanches de moins de 90°%#5 5#%%'5) h 2# %'*&)&'( ).(,-.G 4-B.22.* *'&.() #88'$%#7(6.*ou non d’une exion des genoux de moins de 90°.

,b Une position tendue qui présente une exion des genoux de 90°.*) 8'(*&,656. 8'$$. ).(,-. $#&* 8'$%'5). -(. :#-). 75'*M*&E5.G 4-& %.-;.() .()5#j(.5 2# ('(M5.8'((#&**#(8. ,. 2B626$.()A

.b <.* %'*&)&'(* 68#5)6.* ,'&;.() %56*.().5 2B'-;.5)-5. $#0&$#2.,.* e#$C.* %.5$&*. %#5 2# (#)-5. .*)"6)&4-. .) ).8"(&4-. ,.2B626$.()A

1. El texto en las tablas de dicultad prevalece a las ilustraciones.ZA aW.5 #5)A •AiA$b H*)# 5.72#G .( %#5).G *. &().5%5.)#g

#b Y' *. 5.8'('8.5Q( .2.$.()'* 8'( 7&5' .( 2'* *.&* #%#5#)'*si se realizan con un ¼ giro (90°) de menos o de más de loespecicado para el elemento intentado.

Cb Y' *. 5.8'('8.5Q( .2.$.()'* ,. &$%-2*' .( )','* 2'* #%#Mratos si faltan 45° o más de la posición perfecta o de la nalprescrita. En Barra signica, por ejemplo, que una Stalder conpiernas juntas se puede realizar hasta 45° del apoyo inver M)&,' 3 %-.,. *.5 5.8'('8&,# %'5 .2 e-5#,' ]A U(# S)ƒ)cN."5.debe realizarse al menos a 45° sobre la horizontal para ser5.8'('8&,' %'5 .2 e-5#,' ] .( %#5#2.2#*G %'5 .e.$%2'A U(#%'*&8&P( .0).(,&,# *. 8'(*&,.5# .( 8#5%# *O .( 8-#24-&.5momento durante el elemento se carpa más de 45°.

3. (Ver sección 9.1.1) Realizar con perfección también signica que2'* .2.$.()'* *. .e.8-).( 8'( 2# %'*&8&P( ,.2 8-.5%' %5.;&*)#A S.aplicarán las siguientes deniciones:

#b U(# %'*&8&P( ,.2 8-.5%' .0).(,&,# .* %.5:.8)# 8-#(,' *.%-.,. )5#c#5 -(# 2O(.# 5.8)# ,. 2'* "'$C5'* %'5 2#* 8#,.5#* #2'* )'C&22'* %#5# 2'* .2.$.()'* .*)Q)&8'* 3 5.8)# ' 2&7.5#$.().,'C2#,# #,.2#(). ' #)5Q* ,-5#(). 2'* .2.$.()'* ,&(Q$&8'*ASi la cadera exiona durante el elemento más de 45° en8-#24-&.5 $'$.()'G *. 8'(*&,.5# 8#5%#,'A

Cb U(# %'*&8&P( ,. 8-.5%' 8#5%#,' .* %.5:.8)# 8-#(,' 2#* %&.5M(#* .*)Q( 5.8)#* 3 2#* 8#,.5#* :'5$#( %'5 2' $.('* }ndA U(#falta signica carpar menos de 90º de la posición extendiday/o doblar las rodillas. Si la cadera y las rodillas tienen unaexión mayor de 45° en algún momento durante el elemento,*. 8'(*&,.5# #75-%#,'A

8b U(# %'*&8&P( #75-%#,# %.5:.8)# .* 8-#(,' 2#* 8#,.5#* .*)Q($#58#,#$.(). ,'C2#,#* 3 2#* 5',&22#* ,'C2#,#* *. 22.;#( #2pecho - un mínimo de 90°. Una falta signica un ángulo de la

cadera menor de 90° de la posición extendida y/o una ángulode la rodilla menor de 90°.

d) Se considera que una posición extendida con una exión derodillas de 90° es extendida pero con una falta grande. Si.*)' '8-55. %-.,. (' *.5 5.8'('8&,' %'5 .2 e-5#,' ]A

.b U(# %'*&8&P( 8'( %&.5(#* #C&.5)#* ,.C. $'*)5#5*. 8'( 2#$Q0&$# *.%#5#8&P( ,. %&.5(#* 4-. 2# (#)-5#2.c# .*)6)&8# 3)68(&8# ,.2 .2.$.()' %.5$&).A

1. The text in the difculty tables supersedes the illustrations.ZA aS.. I5)A •AiA$b F"&* 5-2. &* &().5%5.).,G &( %#5)G #* :'22'L*g

#b FL&*)&(7 .2.$.()* '( #22 *&0 #%%#5#)-* L&22 (') C. 5.8'7(&c.,if they are performed with a 1/4 twist (90°) short of or beyondthe specications for the intended element

Cb SL&(7&(7 .2.$.()* '( #22 #%%5'%5&#). #%%#5#)-* L&22 (') C.recognized if they are completed 45° or greater from the per M:.8) '5 )". %5.*85&C., .(, %'*&)&'(A 1( )". X'5&c'()#2 T#5 )"&*$.#(*G :'5 .0#$%2.G )"#) # :5.. "&% 8&582. 8#( C. %.5:'5$.,up to 45° past a handstand and still be recognized by the D-/-53A 1( )". =#5#22.2 T#5*G :'5 .0#$%2.G # S)ƒ)cN."5. $-*) C.performed to at least 45° above horizontal to be recognized by)". ]M/-53A I *)5.)8"., %'*&)&'( &* 8'(*&,.5., %&N., &: #) #(3time during the element a pike of greater than 45° is shown.

oA aS.. S.8)&'( }AVAVb T.&(7 %.5:'5$., L&)" %.5:.8)&'( &$%2&.* #2*'that elements be performed with the specied body position. Thefollowing denitions will apply.

#b I %.5:.8) *)5.)8"., C',3 %'*&)&'( &* '(. &( L"&8" # 2&(. :5'$)". *"'-2,.5* )"5'-7" )". "&%* )' )". #(N2.* &* *)5#&7") :'5*)#)&8 .2.$.()* #(, *)5#&7") '5 *2&7")23 C.() :'5L#5,* '5 C#8NMwards during dynamic elements. If the hip assumes a exionof greater than 45° at any time during the element, it will be8'(*&,.5., %&N.,A

Cb I %.5:.8) %&N., C',3 %'*&)&'( &* '(. &( L"&8" )". N(..* #5.straight and the hips are bent at least 90°. Errors include apike of less than 90° from the extended position and/or anadditional bending of the knees. If the knees assume a exionof greater than 45° at any time during the element, it will be8'(*&,.5., )-8N.,A

8b I %.5:.8) )-8N %'*&)&'( &* '(. ,-5&(7 L"&8" )". "&%* #5. *)5'(723C.() #(, )". C.() N(..* #5. C5'-7") )' )". 8".*) M # $&(&$-$90° bend in each. Errors include a hip bend of less than 90°

from the extended position and/or a knee bend of less than90°.

d) A stretched position with a knee exion of 90° is considered)' C. *)5.)8"., C-) L&)" # 2#57. .55'5A ?: )"&* '88-5* ,-5&(7 #(.2.$.() &) L&22 (') C. 5.8'7(&c., C3 )". ]Me-53A

.b I *)5#,,2., %'*&)&'( $-*) C. *"'L( L&)" )". $#0&$-$ *.%#5#M)&'( ': )". 2.7* )"#) )". #.*)".)&8 #(, ).8"(&8#2 (#)-5. ': )"..2.$.() #22'L*A

:b H#8" ': )". *#2)' %'*&)&'(* M )-8N.,G %&N.,G *)5.)8".,G *)5#,,2.,M &* .0%.8)., )' C. ,.$'(*)5#)., *' ,&*)&(8)23 #(, 8'(*%&8-M'-*23 #* )' 2.#;. (' ,'-C) #C'-) )". &().()A

7b I 5.7-2#5 "#(,*)#(, '( #22 #%%#5#)-* &* '(. L&)" )". C',3%.5:.8)23 #2&7(., #(, L&)"'-) #58"A I L&,. #5$ "#(,*)#(, '(

:b !#,# -(# ,. 2#* %'*&8&'(.* ,. 2'* $'5)#2.*G #75-%#,'G 8#5%#M,'G .0).(,&,'G %&.5(#* #C&.5)#* *. .*%.5# 4-. *.# $'*)5#,')#( 82#5# 3 ;&*&C2.$.(). 4-. (' .0&*)# (&(7-(# ,-,# #8.58#,. 2# &().(8&P(A

7b U( #%'3' &(;.5)&,' .( )','* 2'* #%#5#)'* *. 8'(*&,.5# 8-#(,'.2 8-.5%' .*)Q %.5:.8)#$.(). #2&(.#,' 3 *&( #54-.#$&.()'A

:b !"#8-(. ,.* %'*&)&'(* ,#(* 2.* *#2)'* M 75'-%6.G 8#5%6.G).(,-.G 68#5)6. M ,'&) J)5. .068-)6. ,. :#^'( h (. 2#&**.5#-8-( ,'-). ,#(* 2B.*%5&) ,.* e-7.* 4-#() h 2# %'*&)&'( 4-.2. 73$(#*). # ;'-2- %56*.().5A

7b ]#(* -( #%%-& 5.(;.5*6 8'55.8) h )'-* 2.* .(7&(*G 2. 8'5%*,'&) J)5. %#5:#&).$.() ,5'&) .) (. %56*.().5 #-8-(. 8#$C5-5.A

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


!"#$ &'( )*+, 153

>2''5 H0.58&*. 5.4-&5.* )". ".#, )' C. L&)"&( '(. "#(, L&,)"of the oor.

"b S)5.(7)" "'2,* '( #22 #::.8)., #%%#5#)-* 5.4-&5.G ,.%.(,&(7on the element, the arms to be perfectly horizontal, and/or thebody to be perfectly horizontal, and/or the legs to be perfectly"'5&c'()#2A

&b !.5)#&( ,3(#$&8 .2.$.()* L".( %''523 %.5:'5$., 8#( C.8'(:-*., L&)" ')".5 .2.$.()*A S'$. )3%&8#2 .0#$%2.* &(82-,.gi. On oor exercise, a double salto backward with ½ turn in

.#8" *#2)' aH2.$.() @5'-% ???b ;.5*-* # C#8NL#5, )#N.'::L&)" ‡ )-5( #(, )".( ,'-C2. *#2)' :'5L#5, L&)" ‡ )-5(aH2.$.() @5'-% ?WbA

&&A FL&*)&(7 .2.$.()* '( #22 #%%#5#)-* )"#) ';.5M '5 -(,.5M)-5(C3 $'5. )"#( }ndA

&&&A 1( ='$$.2 X'5*.l 85'** *-%%'5) )5#;.2* L"&8" #5.'C2&4-. C3 $'5. )"#( ikd ;.5*-* )5#;.2* &( *&,. *-%%'5)A

&;A 1( W#-2)l "#(,*%5&(7 :'5L#5, L&)" *#2)' a@5'-% ???b ;.5*-*¼ turn in preight and ¼ turn off with salto forward (Group?WbA

?( #22 *-8" 8#*.*G )". 73$(#*) &* 'C2&7#)., )' ,.$'(*)5#).)". .2.$.() ". L&*".* )' *"'L &( # ,&*)&(8) #(, -($&*)#N#C2.$#((.5A >#&2-5. )' ,' *' L&22 #2L#3* 5.*-2) &( # 2#57. ,.,-8)&'(:5'$ )". HMe-53 #(, ('(M5.8'7(&)&'( C3 )". ]Me-53 a'5 '( W#-2)G5.8'7(&)&'( #* )". .2.$.() #(, @5'-% L&)" )". 2'L.5 ;#2-.and, in the rst example above, as Element Group III).

eb H08.%)&'(* 8#( C. $#,. &: )". 8'55.8) ).8"(&8#2 .0.8-)&'( ':an element requires a modication of these denitions.

iA aS.. S.8)&'( }AVAib F"&*G #2'(7 L&)" I5)&82. kAZAC &* # $'*) &$%'5M)#() ,&5.8)&;. :'5 #22 e-,7.* .*%.8&#223 L&)" )". *)#)., .0%.8)#)&'()"#) #22 .2.$.()* C. %.5:'5$., )' %.5:.8) .(, %'*&)&'(*A F". e-,7.$-*) #) #22 )&$.* -*. "&* 73$(#*)&8* N('L2.,7. #(, 73$(#*)&8**.(*.A F". :'22'L&(7 .0#$%2.* $#3 C. &(*)5-8)&;.A

#b ?) &* %'**&C2. )' %.5:'5$ .2.$.()* *-8" #* # FN#)8".; )' #"#(,*)#(, '( X'5&c'()#2 T#5 C-) &) &* (') 3.) # 5.#*'(#C2.G ('5%.5"#%* # ,.*&5#C2.G .0%.8)#)&'(A ?) &* 5.#*'(#C2.G "'L.;.5G

)' .0%.8) &( #22 8#*.* )"#) )". .2.$.() C. %.5:'5$., L&)").8"(&4-. ': *-8" .08.22.(8. )"#) )". 73$(#*) "#* "#, )&$.)' %5.%#5. :'5 )". 5.M75#*%G )"#) &) '88-5 L&)" *)5#&7") #5$*G#(, )"#) &) %.5$&) 8'()&(-#)&'( L&)" # *$'')" :-22 *L&(7A

Cb ?) &* %'**&C2. )' %.5:'5$ # ,&*2'8#). )' "#(,*)#(, :5'$ &(;.5).,"#(7 '( D&(7*G C-) &) L'-2, 8.5)#&(23 C. #( .08.%)&'(A F".,.,-8)&'( :'5 (') 8'$%2.)&(7 )"&* .2.$.() &( "#(,*)#(, L'-2,(') #%%23A

U( 85&*)' &(;.5)&,' .( *-.2' 5.4-&.5. 4-. 2# 8#C.c# .*). # 2##2)-5# ,. -(# 8-#5)# ,.2 *-.2'A

"b <#* %'*&8&'(.* ,. :-.5c# .( )','* 2'* #%#5#)'* 5.4-&.5.(G ,.M%.(,&.(,' ,.2 .2.$.()'G 4-. 2'* C5#c'* .*)6( %.5:.8)#$.().horizontales, y/o el cuerpo esté perfectamente horizontal, y/o2#* %&.5(#* .*)6( %.5:.8)#$.(). "'5&c'()#2.*A

&b I27-('* .2.$.()'* ,&(Q$&8'* $#2 .e.8-)#,'* %-.,.( 8'(M:-(,&5*. 8'( ')5'* .2.$.()'*A He.$%2'* )O%&8'* *'(g&A H( *-.2'G ,'C2. $'5)#2 #)5Q* 8'( ‡ 7&5' .( 8#,# *#2)'

a.2.$.()' ,.2 75-%' ?Wb 8'( *#2)' #)5Q* 8'( ‡ 7&5' *.M7-&,' ,. ,'C2. $'5)#2 8'( ‡ a.2.$.()' ,.2 75-%' Wb

&&A H2.$.()'* ,. 7&5' .( )','* 2'* #%#5#)'* 4-. 7&5#( %'5.(8&$# ' ,.C#e' ,. }ndA

&&&A H( 8#C#22' 8'( #58'*l ,.*%2#c#$&.()' .( #%'3' )5#(*;.5*#2'C2&8-'* $Q* ,. ikd 8'( 2'* ,.*%2#c#$&.()'* .( #%'3' 2#).5#2A

&;A H( *#2)'l %#2'$# $'5)#2 a@5-%' ???b 8'( Š ,. 7&5' .( .2;-.2' ,. .()5#,# 3 Š 8'( $'5)#2 a@5-%' ?WbA

H( )','* 2'* 8#*'*G .2 7&$(#*)# ,.C. .e.8-)#5 .2 .2.$.()' 4-.,.*.# $'*)5#5 ,. $#(.5# 82#5# . &(.4-O;'8#A H2 :#22' #2 $'*)5#5.*)' *&.$%5. ).(,5Q 8'$' 5.*-2)#,' -(# ,.,-88&P( 75#(,.,.2 e-5#,' H 3 4-. .2 e-5#,' ] (' 2' 5.8'('c8# a' .( *#2)'G5.8'('8&$&.()' ,.2 .2.$.()' ,. -( 75-%' 8'( ;#2'5 $.('5 3G.( .2 %5&$.5 .e.$%2' #().5&'5G 8'$' @5-%' ,. H2.$.()' ?WbA

eb =-.,.( "#8.5*. .08.%8&'(.* *& 2# 8'55.8)# .e.8-8&P( )68(&8# ,.un elemento requiere una modicación de estas deniciones.

iA aW.5 *.88&P( }AVAib H*).G e-()' 8'( I5)O8-2' kAZAC .* 2# ,&5.8)5&c$Q* &$%'5)#(). %#5# 2'* e-.8.*G .*%.8&#2$.(). 8'( .2 'Ce.)' ,.que todos los elementos sean realizados con una posición nal%.5:.8)#A H2 e-.c ,.C. -*#5 .( )',' $'$.()' .2 *.()&,' 3 *-8'('8&$&.()' ,. 2# 7&$(#*&#A <'* .e.$%2'* *&7-&.().* %-.,.(*.5 &(*)5-8)&;'*A

#b S. %-.,.( 5.#2&c#5 .2.$.()'* )#2.* 8'$' FN#)8".; #2 #%'3'invertido en barra ja pero todavía no es razonable, aunque*.# -(# .0%.8)#)&;# ,.*.#C2.A S. %-.,.G *&( .$C#57'G .*%.M

5#5 .( )','* 2'* 8#*'* 4-. .2 .2.$.()' *.# 5.#2&c#,' 8'( -(##$%2&)-, )#2 4-. .2 7&$(#*)# ).(7# )&.$%' %#5# %5.%#5#5*.%#5# .2 #7#55.G 4-. .*). *. 5.#2&8. 8'( 2'* C5#c'* .0).(,&,'*3 4-. %.5$&)# 8'()&(-#5 8'( -( 75#( &$%-2*'A

Cb S. %-.,. 5.#2&c#5 -(# ,&*2'8#8&P( #2 #%'3' &(;.5)&,' ,.*,.2# *-*%.(*&P( &(;.5)&,# .( #(&22#*G %.5' *.5O# 8&.5)#$.(). -(#.08.%8&P(A <# ,.,-88&P( %'5 (' 22.7#5 .( .*). .2.$.()' #2#%'3' &(;.5)&,' (' *. #%2&8#5QA

]#(* 2# 85'&0 5.(;.5*6. #- *'2G 2# ,&*)#(8. 4-& *6%#5. 2# )J).,- *'2 (. ,'&) %#* ,6%#**.5 2# 2#57.-5 ,B-(. $#&(A

"b I )'-* 2.* .(7&(* 8'(8.5(6*G 2.* 626$.()* ,. $#&()&.( .(:'58. ,'&;.() J)5. .068-)6*G *.2'( 2B626$.()G #;.8 2.* C5#*parfaitement à l’horizontale et/ou le corps parfaitement àl’horizontale et/ou les jambes parfaitement à l’horizontale.

&b !.5)#&(* 626$.()* ,3(#$&4-.* $#2 .068-)6* %.-;.() %#5:'&*J)5. 8'(:'(,-* #;.8 ,B#-)5.* 626$.()*A =#5 .0.$%2.gi. au sol: le double salto arrière avec 1/2 tour dans chaque

*#2)' a75'-%. ,B626$.()* ???b .) 2. *#-) .( #55&E5. #;.81/2 tour suivi de double salto avant avec 1/2 tour (groupe,B626$.()* ?Wbl

&&A h )'-* 2.* .(7&(*g 626$.()* #;.8 5')#)&'(* 2'(7&)-,&(#2.* 4-&présentent une rotation excessive ou insufsante de plus de 90°;

&&&A #- 8".;#2M#5^'(*g 2.* )5#(*%'5)* .( #%%-& )5#(*;.5*#2 .( %'*&Mtion oblique de plus de 45° et les transports en appui latéral;

&;A #- *#-) ,. 8".;#2g 2.* 5.(;.5*.$.()* #;#() #;.8 *#2)'(groupe III) et les sauts avec 1/4 de tour dans l’envol et1/4 de tour avec salto avant (groupe IV).

]#(* )'-* 8.* 8#*G 2. 73$(#*). ,'&) .068-).5 2B626$.() ,. :#^'(h (. 2#&**.5 #-8-( ,'-). ,#(* 2B.*%5&) ,.* e-7.* 4-#() h 2B626$.()4-B&2 .().(,#&) %56*.().5A S& 2. 73$(#*). (. 5.*%.8). %#* 8.))..0&7.(8.G 2. e-53 H #%%2&4-. -(. ,6,-8)&'( %'-5 :#-). 75'**&E5.G.) 2. e-53 ] (. 5.8'((#j) %#* 2B626$.() a'-G #- *#-) ,. 8".;#2G 2.

e-53 ] 5.8'((#j) 2B626$.() .) 2. 75'-%. ,. ;#2.-5 &(:65&.-5.G .)G,#(* 2. %5.$&.5 .0.$%2. 8&M,.**-*G 2. 75'-%. ,B626$.()* ???bA

eb 1( %.-) :#&5. -(. .08.%)&'( ,#(* 2.* 8#* 'u 2B.068-)&'().8"(&4-. 8'55.8). ,. 2B626$.() 2B.0&7.A

iA aW'&5 *.8)&'( }AVAib !.) #5)&82. a;'&5 #-**& #5)&82. kAZACb 8'(*)&)-.-(. ,&5.8)&;. ,.* %2-* &$%'5)#().* %'-5 )'-* 2.* e-7.*G 8'$%). ).(-(')#$$.() ,. 2B.0&7.(8. *.2'( 2#4-.22. )'-* 2.* 626$.()* ,'&;.() *.terminer à la position nale correcte. Le juge doit en tout temps utiliser*.* 8'((#&**#(8.* .( 73$(#*)&4-. .) :#&5. %5.-;. ,. ,&*8.5(.$.()A<.* .0.$%2.* *-&;#()* *.5;.() ,B&22-*)5#)&'(A#b A la barre xe, il est possible d’exécuter un élément comme le TkatM

8".; h 2B#%%-& 5.(;.5*6G $#&* &2 (. *B#7&) %#* .(8'5. 2h ,B-(. .0&7.(8.5#&*'((#C2.G (& $J$. %.-)MJ)5. *'-"#&)#C2.A ?2 .*) 5#&*'((#C2.G .(

5.;#(8".G ,B.0&7.5 ,- 73$(#*). 4-B&2 .068-). 8.) 626$.() #;.8-(. ).8"(&4-. ,B-(. ).22. 4-#2&)6 4-B&2 # 2. ).$%* ,. *. %56%#5.5 h5.%5.(,5. 2# C#55.G ,. 2. :#&5. #;.8 2.* C5#* ).(,-* .) ,. %'-5*-&;5.%#5 -( 75#(, 62#(G *#(* 5'$%5. 2. 53)"$. ,. 2B.0.58&8.A

Cb I-0 #((.#-0G &2 .*) %'**&C2. ,B.068-).5 2. 5.(;.5*.$.() #55&E5.h 2B#%%-& 5.(;.5*6 h %#5)&5 ,. 2# *-*%.(*&'( 5.(;.5*6.G $#&* 8.2#8'(*)&)-.5#&) 8.5)#&(.$.() -(. .08.%)&'(A <# ,6,-8)&'( %'-5(B#;'&5 %#* #)).&() 2B#%%-& 5.(;.5*6 (. *B#%%2&4-.5#&) %#* &8&A

8b I27-('* .2.$.()'* )&.(.( 8'$' %5'%P*&)' 8#-*#5 -( .:.8)'G*& ,&8"' %5'%P*&)' .* #)5#8)&;' 3 .*)6)&8' .*)#5Q .0.()' ,. 2'*5.4-&*&)'* ,. #$%2&)-, -*-#2.*A

,b S. %-.,. 5.#2&c#5 -(# S)ƒ)cN."5. #)5Q* .( =#5#2.2#* # )5#;6*,.2 #%'3' &(;.5)&,' %.5' .* .*.(8&#2$.(). -( .2.$.()' ,&:.Mrente (ver las Tablas de Dicultad) y no debe crearse como

8b S'$. .2.$.()* "#;. # *%.8&#2 %-5%'*. '5 .::.8) #(, &: *-8"%-5%'*. &* 8'(*%&8-'-* #(, #.*)".)&8 &) L'-2, C. .0.$%) :5'$)". -*-#2 #$%2&)-,. 5.4-&5.$.()*A

,b ?) &* %'**&C2. )' %.5:'5$ # 5.;.5*. S)ƒ)cN."5. '( =#5#22.2 T#5*)"5'-7" # "#(,*)#(, C-) )"#) &* .**.()&#223 # ,&::.5.() .2.$.()(it is listed as such in the Difculty Tables) and should not

8b <B.068-)&'( ,. 8.5)#&(* 626$.()* ;&*. h %5',-&5. -( .::.) %#5)&M8-2&.5G .) *& -( ).2 .::.) .*) $#(&:.*). .) .*)"6)&4-.G 2.* .0&7.(8.*('5$#2.* 5.2#)&;.* h 2B#$%2&)-,. (. *B#%%2&4-.() %#*A

,b I-0 C#55.* %#5#22E2.*G &2 .*) %'**&C2. ,B.068-).5 -( ,.$&M)'-5#55&E5. .( %#**#() %#5 2B#%%-& 5.(;.5*6G $#&* &2 *B#7&) 2h ,B-(élément essentiellement différent (il gure d’ailleurs comme tel

7/21/2019 MAG CoP 2017-2020 Draft 1 (1)


.0%.8)#)&;# ('5$#2 %#5# -( S)ƒ)cN."5. #)5Q*A

.b H( %#5#2.2#*G 2'* .2.$.()'* ,. ;-.2' )#2.* 8'$' $'5)#2.* 3S)ƒ)cN."5. 8-3# #7#55. .* $'$.()Q(.' .( #%'3' )5#(*;.5*#2.( -(# C#(,# ,.C.( $'*)5#5 -( #%'3' &(;.5)&,' 8'()5'2#,'$'$.()Q(.' 8'( .2 8.()5' ,. 75#;.,#, *'C5. 2# C#(,# #().*

,. 8#$C&#5 -(# $#(' # 2# ')5# C#(,#A H2 :#22' %5',-8&5O# -(#,.,-88&P( ,.2 e-5#,' H 3 %'*&C2.$.(). 4-. .2 e-5#,' ] (' 2'5.8'('c8#A

:b H0&*).( #27-('* .2.$.()'* a.2.;#8&P( # :-.5c# 8'( C5#c'*,'C2#,'* .( #27-('* #%#5#)'*l #$%2&)-, .( 2#* %2#(8"#* .(*-.2'l Q(7-2' %&.5(#* .2.;#,#* # Q(7-2' %&.5(#* $Q* .2.;#M,#* x 9#(Q M .( ;#5&'* #%#5#)'*l %2#(8"# # "&5'(,.2. .( I(&M22#*b .( 2'* 8-#2.* 2#* %'*&8&'(.* &().5$.,&#* *'( 5.8'('8&,#*%'5 .2 e-5#,' ] 3 ,&:O8&2$.(). .;#2-#C2.* %'5 .2 e-5#,' HA S..*%.5# 4-. .2 7&$(#*)# $-.*)5. 2# %'*&8&P( ' .e.8-8&P( ,.:'5$# 82#5# 3 ;&*&C2. %#5# 4-. (' .0&*)# (&(7-(# ,-,# *'C5.*- &().()'A ='*&8&'(.* &().5$.,&#* ' (' ,&:.5.(8&#C2.* *'(,.,-8&,#* *&.$%5. %'5 .2 e-5#,' H 3 %-.,.( 22.;#5 #2 e-5#,'] # (' 5.8'('8.52'*A

kb =#5).* ,.2 8#C#22' 8'( #58'*A Para ayudar en la denición de los molinos y desplazamientos

en apoyo lateral o transversal, las partes del caballo se denen,. #8-.5,' # 2'* *&7-&.().* ,&#75#$#*A

*.()&,' 8'()5#5&' # 2#* #7-e#* ,.2 5.2'e *.()&,' ,. 2#* #7-e#* ,.2 5.2'eH2.$.()'* .( #%'3' 2#).5#2

C.8'$. )". 5.7-2#5 .0%.8)#)&'( :'5 # 5.;.5*. S)ƒ)cN."5.A

.b 1( =#5#22.2 T#5*G *L&(7&(7 .2.$.()* *-8" #* *#2)'* #(, S)ƒ)McN."5.* )"#) 5.75#*% $'$.()#5&23 &( 85'** *-%%'5) '( '(. C#5$-*) *"'L # $'$.()#53 8'()5'22., "#(,*)#(, %'*&)&'( L&)")". 8.()5. ': 75#;&)3 ';.5 )". C#5 C.:'5. *"&:)&(7 # "#(, )' )".

')".5 C#5A >#&2-5. )' ,' *' L&22 5.*-2) &( # HMe-53 ,.,-8)&'( #(,%'**&C2. ('(M5.8'7(&)&'( C3 )". ]Me-53A

:b F".5. .0&*) # *$#22 (-$C.5 ': .2.$.()* aC.() #5$ ;*A *)5#&7")#5$ %5.** '( *.;.5#2 #%%#5#)-*l #$%2&)-,. '( *8#2.* '( >2''5H0.58&*.l WM*&)* ;*A "&7" WM*&)* a9#((#b '( *.;.5#2 #%%#5#)-*l%2#(8". ;*A *L#22'L '( D&(7*b L".5. &().5$.,&#). %'*&)&'(*make recognition for the D-jury and evaluation difcult for)". HM/-53A F". 73$(#*) &* .0%.8)., )' *"'L "&* &().(,.,%'*&)&'( '5 %.5:'5$#(8. *' ,&*)&(8)23 #(, 8'(*%&8-'-*23 #* )'2.#;. (' ,'-C) #C'-) )". &().()A ?().5$.,&#). '5 ('(M,&*)&(8)%'*&)&'(* #5. #2L#3* ,.,-8)., C3 )". HM/-53 #(, $#3 2.#, )'('(M5.8'7(&)&'( C3 )". ]Me-53A

kb =#5)* ': )". %'$$.2 "'5*.A To assist in the denition of circles and travels in side support or

cross support, the parts of the horse are dened according to the:'22'L&(7 ,&#75#$*A

8'-().5M82'8NL&*. 82'8NL&*.

H2.$.()* &( S&,. S-%%'5)

dans les tableaux de difcultés), qui ne devrait pas constituer2# ('5$. .( 8. 4-& 8'(8.5(. 2. ,.$&M)'-5 #55&E5. h 2B#%%-&A

.b I-0 C#55.* %#5#22E2.*G 2'5*4-B&2 .068-). -( 626$.() ,B62#( 8'$$.-( *#2)' '- -( ,.$&M)'-5 #;#() h 2B#%%-& 5.(;.5*6 4-& *. ).5$&(.%#5 -(. 5.%5&*. $'$.()#(6. .( #%%-& )5#(*;.5*#2 *-5 -(. C#55.G2. 73$(#*). ,'&) %56*.().5 -( #%%-& 5.(;.5*6 %#**#7.5 $#j)5&*6G

#;.8 2. 8.()5. ,. 75#;&)6 #-M,.**-* ,. 2# C#55.G #;#() ,. %'-5M*-&;5. *-5 ,.-0 C#55.*A <. ('(M5.*%.8) ,. 8.)). .0&7.(8. .()5#j(.-(. ,6,-8)&'( %'-5 :#-). ,B.068-)&'( .) %.-) 6;.()-.22.$.()$.(.5 h 2# ('(M5.8'((#&**#(8. ,. 2B626$.()A

:b ?2 .0&*). -( %.)&) ('$C5. ,B626$.()* a#%%-& 5.(;.5*6 ,. :'58. #;.8 C5#*

échis et appui renversé de force avec bras tendus à plusieurs engins,C#2#(8.* #;.8 ,&::65.().* '-;.5)-5.* ,.* e#$C.* #- *'2G 64-.55. e#$C.*

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MAG CoP 2017-2020 Draft 1 (1)