Literature plan

7/24/2019 Literature plan

1/15

Literature Spell Melisa Rinaldi

Plan N 2

Literature Spell

Student Teacher: Melisa Rinaldi

College of Education: I.E.S. en Lenguas Vivas Juan Ramn Fernndez

Lecturer: Ms. Corine Arguimau

Assistant Teacher: Ms. Marisa Rennis

School: I.E.S. en Lenguas Vivas Juan Ramn Fernndez

Course: !" #"

Teacher: Ms. Lorena Arelaiz

Number of Students: $! %&'ir&een(

Short Story: )&'ello * &a+en ,romMore Tales from Shakespeare

To be used: Se-&emer $&'

%$ -eriod(Se-&emer $$&'%$ -eriod(

Se-&emer $/&'%$ -eriod(

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2/15


LTE!AT"!E SPELL

P!E#!EA$N% ACT&TES

'o( much do you )no( about Sha)espeare*

1o egin 2i&'3 &'e &ea4'er 2ill as+ s&s 2'a& &'e5 +no2 aou& &'is au&'or and 2'a& -la5s

&'e5 'ave read 5 'im. 1'en3 &'e &ea4'er 2ill -rovide s&uden&s 2i&' 2or+s'ee& $. S&s

2ill 'ave &o 4om-le&e a 4ross2ord -uzzle 2i&' in,orma&ion on 6illiam S'a+es-eare. In

order &o 4'e4+ &'e ans2ers3 s&s 2ill 'ave &o read &'e s'or& &e7& on 6illiam S'a+es-eare

in 6or+s'ee& #.

+or)sheet ,: 8o2 mu4' do 5ou +no2 aou& S'a+es-eare9

,# S

2# '

-# A A M

. # /

0# E

1# S

# P L A : 6 R I ; 8 1

3# 1 8 R E E4# A V ) 1 E E < 1 8

$. 1o2n 2'ere S'a+es-eare 2as orn

#. Surname o, S'a+es-eare? s 2i,e

!. S'a+es-eare?s ,irs& name

@. )ne o, S'a+es-eare?s &ragedies

/. ueen o, England in S'a+es-eare?s &imes

B. S'a+es-eare?s ,irs& daug'&er. S'a+es-eare 2as a ,amous DDDDD. %-ro,ession(

. 8o2 man5 4'ildren did 'e 'ave9

. 6'i4' river is asso4ia&ed 2i&' S'a+es-eare?s ir&' -la4e9

$. S'a+es-eare 2ro&e man5 DDDDDDDD. In4luding Othello, Romeo and

Juliet andMacbeth.

$$. Cen&ur5 in 2'i4' S'a+es-eare 2as orn.

+or)sheet 2: Aou& &'e Au&'or

+illiam Sha)espeare%a-&ised #B A-ril $/B@ * #! A-ril $B$B( 2as an Englis' -oe&

and -la52rig'&3 2idel5 regarded as &'e grea&es& 2ri&er in &'e Englis' language and &'e2orldGs -re0eminen& drama&is&. 8e is o,&en 4alled EnglandGs na&ional -oe& and &'e Hard

0 # 0


3/15


o, AvonH %or sim-l5 H1'e ardH(. 8is surviving 2or+s 4onsis& o, ! -la5s3 $/@ sonne&s3

&2o long narra&ive -oems3 and several o&'er -oems. 8is -la5s 'ave een &ransla&ed in&o

ever5 maor living language3 and are -er,ormed more o,&en &'an &'ose o, an5 o&'er

-la52rig'&.

S'a+es-eare 2as orn and raised in S&ra&,ord0u-on0Avon. A& &'e age o, $ 'e marriedAnne 8a&'a2a53 2'o ore 'im &'ree 4'ildrenK Susanna3 and &2ins 8amne& and Judi&'.

e&2een $// and $/# 'e egan a su44ess,ul 4areer in London as an a4&or3 2ri&er3 and

-ar& o2ner o, &'e -la5ing 4om-an5 &'e Lord C'amerlainGs Men3 la&er +no2n as &'e

ingGs Men. 8e a--ears &o 'ave re&ired &o S&ra&,ord around $B$!3 2'ere 'e died &'ree

5ears la&er. Fe2 re4ords o, S'a+es-eareGs -riva&e li,e survive3 and &'ere 'as een

4onsiderale s-e4ula&ion aou& su4' ma&&ers as 'is se7uali&53 religious elie,s3 and

2'e&'er &'e 2or+s a&&riu&ed &o 'im 2ere 2ri&&en 5 o&'ers.

S'a+es-eare -rodu4ed mos& o, 'is +no2n 2or+ e&2een $/ and $B$!. 8is earl5 -la5s

2ere mainl5 4omedies and 'is&ories3 genres 'e raised &o &'e -ea+ o, so-'is&i4a&ion and

ar&is&r5 5 &'e end o, &'e si7&een&' 4en&ur5.


4/15


e,ore reading &'e s&or53 &'e &ea4'er 2ill -rovide s&s 2i&' some uo&a&ions &a+en ,rom

&'e &e7& and &'e5 2ill 'ave &o imagine 2'a& &'e s&or5 is aou&. 1'e5 2ill 2or+ in grou-s

o, &'ree and &'e5 2ill 'ave $ minu&es &o go over &'e uo&es and dis4uss &'em. Ea4'

grou- 2ill 'ave &o &'in+ o, a -ossile -lo&. A,&er2ards3 ea4' grou- 2ill 'ave &o re-or&

&'eir ideas &o &'e 2'ole 4lass.

+or)sheet -: Read &'e ,ollo2ing -assages &a+en ,rom &'e s&or5 and imagine 2'a& &'e

s&or5 is aou& and 2'o &'e 4'ara4&ers are.

I +no23 said )&'ello3 &'a& m5 2i,e is eau&i,ulN loves 4om-an5 and good &imesN is

,ree in s-ee4'N sings3 -la5s and dan4es 2ellK u& 2'ere goodness is3 &'ese uali&ies are

good. I mus& 'ave -roo, e,ore...

Among all &'e general?s ,riends3 no one -ossessed )&'ello?s &rus& more 4om-le&el5 &'an

Cassio. Mi4'ael Cassio 2as a 5oung soldier ,rom Floren4e. 8e 2as rig'&3 good0

loo+ing and 2ell s-o+en3 ,avouri&e uali&ies 2i&' 2omen.

I, 5ou are &elling &'e &ru&'3 said )&'ello %&o Iago(3 I 2ill no& res& un&il m5 revenge 'as

s2allo2ed &'em u-. Firs&3 &o -rove 5our lo5al&53 I e7-e4& Cassio...

A,&er s'aring &'e di,,eren& -lo&s3 2e 2ill s&ar& dealing 2i&' &'e s&or5 in order &o 4'e4+

2'e&'er s&s? -redi4&ion 2ere 4lose &o &'e s&or5 or no&.

=uring &'e ,irs& -eriod &'a& 2e deal 2i&' &'e s&or53 &'e &ea4'er 2ill as+ s&s &o read &'e

,irs& # -ages o, )&'ello in 4lass. S&s 2ill 'ave &o 4on4en&ra&e on &2o o, &'e 4'ara4&ers3

namel5 )&'ello and =esdemona3 and &'e5 2ill 'ave &o sa5 2'a& 2e ge& &o +no2 aou&

&'ese 4'ara4&ers in &'ese -ages. For 'ome2or+3 &'e &ea4'er 2ill as+ s&s &o read &'e res& o,

&'e s&or5

ANAL6SS 78 T'E ST7!6

Chec)ing predictions

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5/15


)n4e s&s 'ave read &'e s&or5 a& 'ome3 2e 2ill 2or+ on &'e anal5sis o, &'e 4'ara4&ers and

-lo& in general. Firs&3 &'e &ea4'er 2ill as+ s&s i, &'e -redi4&ions &'a& &'e5 made &'e

-revious da5 2ere 4lose &o &'e s&or5 or no&.

Analysis of Characters

Se4ondl53 s&s 2ill e -rovided 2i&' a lis& o, ade4&ives %6or+s'ee& @( and &'e5 2ill 2or+

in grou-s o, !. Ea4' grou- 2ill 'ave &o ,o4us on one o, &'e ,our main 4'ara4&ers

%)&'ello3 =esdemona3 Cassio and Iago( and 2ill 'ave &o 4'oose &'e ade4&ives &'a& 4ould

e used &o des4rie ea4' o, &'em. S&s 2ill also 'ave &o ,ind eviden4e in &'e s&or5 &o

su--or& &'eir 4'oi4es. )n4e all &'e grou-s 'ave ,inis'ed3 &'e5 2ill re-or& &o &'e res& o,

&'e 4lass.

%lobal Comprehension 9uestions

1'e &ea4'er 2ill as+ s&s ues&ions so &'a& &'e5 4an &al+ aou& &'e -lo&3 &'e se&&ing and &'e

main 4on,li4&3 ,or ins&an4eK

*. !here did the stor$ take place# %1'e &ea4'er 2ill s'o2 s&s a ma- ,or &'em &o see

2'ere Veni4e and C5-rus are(

+. !h$ did rabantio ob-ect to Othellos marriae to his dauhter#

/. !hat kind of person "as Othello# !h$ "as he different from the rest# %AimK

Moor(

0. !h$ did 1esdemona marr$ Othello#

2. 1id rabantio kno" of his dauhters "eddin#

3. !hat did rabantio do "hen he found out the ne"s#

4. !h$ did the state of 5enice ha%e urent need of Othellos ser%ices# !hat "as

the problem in 6$prus#

7. !hat did the senators do "ith Othello# !as he chared "ith an$ offences in the

end#

8. !ho "as Michael 6assio# !hat did he do "hen Othello "as courtin

1esdemona#

*9. !ho "as :ao# !h$ "as he anr$ at Othello# !hat "as his opinion of 6assio#

**. !h$ did :ao hate Othello#

*+. !hich "as the most unbearable pain "hich could trouble the mind of man

accordin to :ao#

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*/. !hat "as :aos plan# !hat did he do the niht that 6assio "as on uard#

!hat "as the outcome#

*0. !hat did :ao ad%ise 6assio to do#

*2. !hat did :ao tell Othello that made him feel reall$ sad#

*3. Ho" did :ao manae to turn Othello aainst his "ife#

*4. !hat proof "as Othello i%en of his "ifes uilt#

*7. Ho" did 1esdemona die#

*8. Ho" did Othello die#

+9. !hat happened to :ao#

+*. !hat part do -ealous$ and re%ene pla$ in the stor$#

++. !hich character do $ou feel most s$mpath$ for# !h$#

True 8alse E;ercise

S&s 2ill e -rovided 2i&' 6or+s'ee& /. 1'e5 'ave &o de4ide 2'i4' o, &'e s&a&emen&s are

&rue and 2'i4' are ,alse3 and &'en &'e5 'ave &o 4orre4& &'e ,alse ones.

Which of these statements are true, and which are false? Correct those

that are false.

$. raan&io a44e-&s )&'ello as a son0in0la2 e4ause 'e is a

res-e4&ed general.

#. 1'e sena&ors send )&'ello &o C5-rus e4ause &'e5 do no& &'in+

2ell o, 'is marriage.

!. )&'ello is ealous 5 na&ure and li+el5 &o sus-e4& Cassio.

@. Iago is envious o, Cassio3 2'o 'as een given a 'ig'0level o

ins&ead o, 'im.

/. Cassio loses )&'ello?s 4on,iden4e e4ause Iago ma+es 'im drun+

2'en on guard.

B. =esdemona egs 2i&' )&'ello ,or Cassio?s 'a--iness e4ause s'e

is in love 2i&' 'im.. Iago ma+es )&'ello sus-i4ious 5 &elling 'im &'a& 'e does no&

+no2 ver5 mu4' aou& I&alian 2omen.

. )&'ello egins &o elieve &'a& =esdemona is guil&5 e4ause s'e

'as given 'is 'and+er4'ie, &o Cassio.

A8TE! !EA$N% ACT&TES

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7/15


+arm#up:

1o rea+ &'e i4e3 &'e &ea4'er 2ill -rovide s&s 2i&' &'e main even&s in &'e s&or5 all mi7ed

u- and s&s 2ill 'ave &o -u& &'em in order. 1'e -ur-ose o, &'e a4&ivi&5 is &o revise &'e -lo&

o, &'e s&or5 e,ore 4arr5ing ou& &'e 2ri&ing &as+. %6or+s'ee& B(

a( Cassio 2as demo&ed &o a lo2er ran+ B

( raan&io go& angr5 a& )&'ello and =esdemona?s 2edding and 4'arged

)&'ello 2i&' using magi4 &o gain =esdemona?s love.

!

4( =esdemona ,ell in love 2i&' )&'ello3 &'e Moor. $$$$

d( Iago en4ouraged Cassio3 2'o 2as on guard3 &o drin+ /

e( )&'ello 4ommi&s sui4ide $#

,( =esdemona and )&'ello go& married se4re&l5 #

g( Iago as+s 'is 2i,e &o s&eal =esdemona?s 'and+er4'ie, &o leave i& 2'ere

Cassio 2ould ,ind i&. 1'is 2ould -rove &'a& i& 2as =esdemona?s -resen&

,or Cassio and &'a& s'e 2as eing un,ai&',ul.

'( )&'ello 2as a4ui&&ed %,ound no& guil&5( o, &'e 4rimes @

i( )&'ello dis4overed &'a& Iago 'ad -lanned ever5&'ing and &'a& o&'

Cassio and =esdemona 2ere inno4en&.

$$

( Iago sugges&s &'a& Cassio s'ould -lead =esdemona &o ge& 'is -osi&ion

a4+

+( )&'ello a44uses =esdemona o, eing un,ai&',ul and smo&'ers 'er. $

l( Iago s&ar&s &rouling )&'ello?s mind 2i&' 'is 4ommen&s and sugges&ions

+riting:

1'e &ea4'er 2ill as+ s&s &o 2ri&e &'e s&or5 o, )&'ello u& using a di,,eren& genre. 1'e5

2ill 'ave &o imagine &'a& &'e5 are re-or&ers ,rom a ne2s-a-er and &'e5 'ave &o 2ri&e &'e

s&or5 o, &'e &2o lovers and &'eir &ragi4 ending ,or &'e ,ron& -age o, &'e dail5 issue.

7pinion:

1'e &ea4'er 2ill as+ s&s &o 4om-le&e some sen&en4es 2i&' &'eir o-inion on &'e s&or5.

%6or+s'ee& (

M5 Vie2s on )&'ello

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8/15


I............................ (liked / didnt like) this story

because ................................................................................

..................

I feel that Othello is worth / not worth reading

because ................................................................................

..................

The character I liked most was .

because .

The character I liked least was

..

because

The !art of Othello I liked best was

......................................

because.................................................................................

..............................................................................................

..........

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9/15


+7!/S'EET ,

'o( much do you )no( about Sha)espeare*

Com-le&e &'e ,ollo2ing -uzzle. 1'en read &'e &e7& in 6or+s'ee& # &o 4'e4+ 5our

ans2ers

,# S

2# '

-# A A M

. # /

0# E

1# S

# P L A : 6 R I ; 8 13# 1 8 R E E

4# A V ) 1 E E < 1 8

$#. 1o2n 2'ere S'a+es-eare 2as orn

$!. Surname o, S'a+es-eare? s 2i,e

$@. S'a+es-eare?s ,irs& name

$/. )ne o, S'a+es-eare?s &ragedies

$B. ueen o, England in S'a+es-eare?s &imes$. S'a+es-eare?s ,irs& daug'&er

$. S'a+es-eare 2as a ,amous DDDDD. %-ro,ession(

$. 8o2 man5 4'ildren did 'e 'ave9

#. 6'i4' river is asso4ia&ed 2i&' S'a+es-eare?s ir&' -la4e9

#$. S'a+es-eare 2ro&e man5 DDDDDDDD. In4luding Othello, Romeo and

Juliet andMacbeth.

##. Cen&ur5 in 2'i4' S'a+es-eare 2as orn.

+7!/S'EET 2

About the Author

0 0


10/15


+illiam Sha)espeare%a-&ised #B A-ril $/B@ * #! A-ril $B$B( 2as an Englis' -oe&

and -la52rig'&3 2idel5 regarded as &'e grea&es& 2ri&er in &'e Englis' language and &'e

2orldGs -re0eminen& drama&is&. 8e is o,&en 4alled EnglandGs na&ional -oe& and &'e Hard

o, AvonH %or sim-l5 H1'e ardH(. 8is surviving 2or+s 4onsis& o, ! -la5s3 $/@ sonne&s3

&2o long narra&ive -oems3 and several o&'er -oems. 8is -la5s 'ave een &ransla&ed in&o

ever5 maor living language3 and are -er,ormed more o,&en &'an &'ose o, an5 o&'er-la52rig'&.

S'a+es-eare 2as orn and raised in S&ra&,ord0u-on0Avon. A& &'e age o, $ 'e married

Anne 8a&'a2a53 2'o ore 'im &'ree 4'ildrenK Susanna3 and &2ins 8amne& and Judi&'.

e&2een $// and $/# 'e egan a su44ess,ul 4areer in London as an a4&or3 2ri&er3 and

-ar& o2ner o, &'e -la5ing 4om-an5 &'e Lord C'amerlainGs Men3 la&er +no2n as &'e

ingGs Men. 8e a--ears &o 'ave re&ired &o S&ra&,ord around $B$!3 2'ere 'e died &'ree

5ears la&er. Fe2 re4ords o, S'a+es-eareGs -riva&e li,e survive3 and &'ere 'as een

4onsiderale s-e4ula&ion aou& su4' ma&&ers as 'is se7uali&53 religious elie,s3 and

2'e&'er &'e 2or+s a&&riu&ed &o 'im 2ere 2ri&&en 5 o&'ers.

S'a+es-eare -rodu4ed mos& o, 'is +no2n 2or+ e&2een $/ and $B$!. 8is earl5 -la5s

2ere mainl5 4omedies and 'is&ories3 genres 'e raised &o &'e -ea+ o, so-'is&i4a&ion and

ar&is&r5 5 &'e end o, &'e si7&een&' 4en&ur5.


11/15


+7!/S'EET -

Read &'e ,ollo2ing -assages &a+en ,rom &'e s&or5 and imagine 2'a& &'e s&or5 is aou&

and 2'o &'e 4'ara4&ers are.

I +no23 said )&'ello3 &'a& m5 2i,e is eau&i,ulN loves 4om-an5 and good &imesN is

,ree in s-ee4'N sings3 -la5s and dan4es 2ellK u& 2'ere goodness is3 &'ese uali&ies are

good. I mus& 'ave -roo, e,ore...

Among all &'e general?s ,riends3 no one -ossessed )&'ello?s &rus& more 4om-le&el5 &'an

Cassio. Mi4'ael Cassio 2as a 5oung soldier ,rom Floren4e. 8e 2as rig'&3 good0

loo+ing and 2ell s-o+en3 ,avouri&e uali&ies 2i&' 2omen.

I, 5ou are &elling &'e &ru&'3 said )&'ello %&o Iago(3 I 2ill no& res& un&il m5 revenge 'as

s2allo2ed &'em u-. Firs&3 &o -rove 5our lo5al&53 I e7-e4& Cassio D

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12/15


+7!/S'EET .

E +EALT'6

=EA"T8"L %7!%E7"S ATT!ACT&E

%ENE!7"S 67"N%

=!%'T NTELL%ENT $ECEPT&E

+7!/S'EET 0

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13/15


Which of these statements are true, and

which are false? Correct those that are

false.

1. Brabantio accepts Othello as a son-in-law because he is a

respected general.

2. The senators send Othello to Cyprus because they do not think

well of his marriage.

3. Othello is ealous by nature and likely to suspect Cassio.

!. "ago is en#ious of Cassio$ who has been gi#en a high-le#el ob

instead of him.

%. Cassio loses Othello&s confidence because "ago makes him drunk

when on guard.'. (esdemona begs with Othello for Cassio&s happiness because she

is in lo#e with him.

). "ago makes Othello suspicious by telling him that he does not

know #ery much about "talian women.

*. Othello begins to belie#e that (esdemona is guilty because she

has gi#en his handkerchief to Cassio.

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14/15


+7!/S'EET 1

m( Cassio 2as demo&ed &o a lo2er ran+

n( raan&io go& angr5 a& )&'ello and =esdemona?s 2edding and 4'arged

)&'ello 2i&' using magi4 &o gain =esdemona?s love.

o( =esdemona ,ell in love 2i&' )&'ello3 &'e Moor. $$$$

-( Iago en4ouraged Cassio3 2'o 2as on guard3 &o drin+

( )&'ello 4ommi&s sui4ide

r( =esdemona and )&'ello go& married se4re&l5

s( Iago as+s 'is 2i,e &o s&eal =esdemona?s 'and+er4'ie, &o leave i& 2'ere

Cassio 2ould ,ind i&. 1'is 2ould -rove &'a& i& 2as =esdemona?s -resen&

,or Cassio and &'a& s'e 2as eing un,ai&',ul.

&( )&'ello 2as a4ui&&ed %,ound no& guil&5( o, &'e 4rimes

u( )&'ello dis4overed &'a& Iago 'ad -lanned ever5&'ing and &'a& o&'

Cassio and =esdemona 2ere inno4en&.

v( Iago sugges&s &'a& Cassio s'ould -lead =esdemona &o ge& 'is -osi&ion

a4+

2( )&'ello a44uses =esdemona o, eing un,ai&',ul and smo&'ers 'er.

7( Iago s&ar&s &rouling )&'ello?s mind 2i&' 'is 4ommen&s and sugges&ions

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15/15


+7!/S'EET

M5 Vie2s on )&'ello

I............................ (liked / didnt like) this story

because ................................................................................

..................

I feel that Othello is worth / not worth reading

because ................................................................................

..................

The character I liked most was .

because .

The character I liked least was

..

because

The !art of Othello I liked best was

......................................

because.................................................................................

..............................................................................................

..........

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Literature plan