Maestoso! ( q = 64 )

Maestoso! ( q = 64 )

Conductor ScoreLEGEND OF THE ANCIENT HERO

Fantasy for Band

Dedicated to the St. Andrew’s Village Bands, Mr. David Glosz, Band Director

Benjamin Yeo012-3697-00

© 2008 Birch Island Music Press (ASCAP), P.O. Box 680, Oskaloosa, IA 52577, USAInternational Copyright Secured. All Rights reserved. Printed in U.S.A.

WARNING! This composition is protected by copyright law. To copy or reproduce it by any means is an infringement of the copyright law.

1 2 3 4 5 6 7

Piccolo

Flute

Oboe

1st B b Clarinet

2nd & 3rd B b Clarinet

B b Bass Clarinet

Bassoon

1st E b Alto Saxophone

2nd E b Alto Saxophone/Alto Clarinet

B b Tenor Saxophone

E b Baritone Saxophone

1st B b Trumpet

2nd & 3rd B b Trumpet

1st & 2nd F Horn

1st Trombone

2nd & 3rd (Bass)Trombone

Euphonium(Baritone)

Tuba

String Bass

Timpani

Mallet PercussionChimes, Xylophone,Glockenspiel, Vibraphone

Percussion 1Snare Drum, Bass Drum,Whip, Finger Cymbals

Percussion 2Crash Cymbals, Susp. CymbalsTemple Blocks, Tam-tam

Percussion 3Hi-Hat, Wind Chimes,Triangle, Tom-toms

f

f

f

f

a2

f

div.

a2

div.

mf

f

f

f

f

mf

f

f

a2

div.

a2

div.

mf

div.

mf

mf

div.

f

mf

mf

mf

Tune (low-high): C, F

Chimes

ff

B.D.

mf

Sus. Cym.

Cr. Cym. p

mf

- 3 -

8

8

“Journey to the Battlefield”

“Journey to the Battlefield”

Allegro ( q = 142 )

Allegro ( q = 142 )

8 9 10 11

12

12

12 13 14

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

mf

mf

mf

mf

Heroically!

f

Heroically!

f

a2

Heroically!

f

a2

mf

mf

mf

mf

mf

f

f

S.D.

f

mp

f

- 4 -

15 16 17 18 19

20

20

20 21

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

mf

mf

mf

f

f

a2

mf

mf

a2

div.

mf

Xylophone w/ plastic mallet

mf

- 5 -

22 23 24 25 26 27

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

mf

mf

mf

mf

div.

div.

mf

mp

- 6 -

28

28

28 29 30 31 32 33 34

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

mp

mp

mp

mp

One player only (Quasi Horse-call)

f

mp

mp

mp

mp

mp

Whip

sffz

sffz

sffz

mf

Temple BlocksQuasi horse gallop

mf

Hi-Hat

- 7 -

35

36

36

36 37 38 39 40

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

f

f

f

mf

mf

div.

mf

mf

f

f

mf

mf

tutti

f

f

a2

f

a2

mf

mf

mf

mf

mf

mf

Glock.

f

sffz

mf

Sus. Cym

mfCr. Cym

- 8 -

41 42 43

44

44

44 45 46 47

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

a2

div.

div.

One player

sfp

div.

choke

To Trg.

Trg.

- 9 -

Meno mosso( q = 60 )

Meno mosso( q = 60 )

“Battlefield”

“Battlefield”

A tempo

A tempo

Misterioso

Misterioso

rit.

rit.

48

49

49

49 50 51 52 53

54

54

54 55 56 57

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

f

Oboe solo cue.

f

solo

Blow air into instrument (random pressing of valves)

1. Solo

f

con sord. (st. mute)

mp

div.

2.

con sord. (st. mute)

p

Blow air into instrument (random pressing of valves)

a2

Blow air into instrument (random pressing of valves)

tutti

1. Solo

ff

(Bells Up) à la War Bugle

fading into the distance

mf 2. Solo

(Bells Up) à la War Bugle

fading into the distance

Blow air into instrument

Blow air into instrument

a2

Blow air into instrument (random pressing of valves)

Blow air into instrument (random pressing of valves)

Place large susp. cymb. (dome down) on largest timpani-headRoll on cymb., gliss from lowest possible to highest possible note

f

pp

fff

sfffp

pp

scrape w/coin

Tam-tam

random cymbal-scrape w/coin

pp

Wind Chimes

pp

Use 2 lowest-pitchedtom-toms

fff

Tom-toms

sfffp

pp

- 10 -

58

58

58 59

With increasing intensity

With increasing intensity

accel.

accel.

60

61

61

“The War”

“The War”

Presto con fuoco ( q = 168 )

Presto con fuoco ( q = 168 )

61 62 63

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

f

f

f

3 5

div.

3

3

5

5

f

f

fading into the distance

(no breath)tutti

f

Tune: F, B b, C to B b, high F

Glock. (bronze mallet)

f

mf

mf

mf

Tom-toms

- 11 -

64 65 66 67 68

69

69

69

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

mf

ff

mf

ff

mf

ff

mf

ff

mf

a2

div.

ff

ff

senza sord.

ff

div.

ff

ff

ff

div.

ff

ff

(hard mallets)

ff

ff

- 12 -

70 71 72 73 74 75

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

ff

ff

ff

ff

ff

a2

div.

ff

ff

ff

a2

div.

ff

a2

div.

ff

a2

div.

ff

a2

div.

ff

- 13 -

76

77

77

77 78 79 80 81 82

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

mf

ff

mf

ff

mf

ff

a2

ff

ff

mf

ff

mf

ff

f

f

f

f

a2

tutti

ff

div.

f

f

a2

f

f

ff

ff

f

ff

- 14 -

83 84

85

85

85 86 87 88

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

div.

div.

div.

div.

div.

div.

sfz

sfz

sfz

sfz

sfz

sfz

- 15 -

89 90 91 92

93

93

(2+2+3)

(2+2+3)

93 94 95

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

sfp

sfp

(–A. Cl.)

sfp

sfp

sfp

div.

sfp

a2

div.a2

Start tuning: F, B b, D b to C, high F to E b

sfz

sfz

sfz

sfz

sfz

sfz

sfz

Tam-tam

f

f

choke

choke

- 16 -

(3+3)

(3+3)

96

(2+2+3)

(2+2+3)

97 98

(3+2+2)

(3+2+2)

99

(2+2+3)

(2+2+3)

100

101

101

Più mosso, feroce!

Più mosso, feroce!

101 102

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

a2

f

SOAR!

(+ A. Cl.)

f

SOAR!

f

SOAR!

div.

a2

f

SOAR!

div.

div.

a2

div.

choke

choke

- 17 -

103

(3+3)

(3+3)

(2+2+3)

(2+2+3)

104

105 106

107

107

107 108

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

SOAR!

SOAR!

SOAR!

SOAR!

SOAR!

SOAR!

a2 SOAR!

div.

a2 SOAR!

div.

choke

- 18 -

109 110 111 112

rit.

rit.

113 114

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

f p sub. gradual cresc.

f p sub. gradual cresc.

div.

f p sub. gradual cresc.

div.

f p sub.

div.

gradual cresc.

mp gradual cresc.

div.

mp gradual cresc.

div.

sfz sfz

div.

gradual cresc.

sfz

gradual cresc.

sfz

sfz

div.

gradual cresc.

sfz

a2

sfz

div.

gradual cresc.

Bell Tone

ff

sfz

sfz

sfz

sfz

simile

gradual cresc.

3

3

Tune: F, B b to A b, C, E b to D b

f p sub.

No resonance! (Press on metal slab to sound very metallic.)

gradual cresc.

rim shot

f p sub. gradual cresc.

mp

gradual cresc.

3

mp

gradual cresc.

3

3

3

3

- 19 -

115

molto rit.

molto rit.

116

Lunga(allow resonancetill niente)

Lunga(allow resonancetill niente)

117

118

118

“Aftermath”

“Aftermath”

Adagio con espressione ( q = 56 ) (Tempo rubato)

Adagio con espressione ( q = 56 ) (Tempo rubato)

rit.

rit.

118

A tempo

A tempo

119 120 121 122

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

solo

f

espress.

mf

solo

mp

tutti

mp

3

mp

3

mp

3

3

solocon sord. (str. mute)

mp

fading into the distance

(Remove mute)

sfz

sfz

sfz

sfz

ff

3

p

mp

ff

3

3

p

mp

ff

3

3

p

mp

ff

3

p

mp

mp

(Solo, quasi Str. Bs. Pizz.)

ff

3

pizz.

mp

ff

3

sfz

Tune: F, A b to G, C, D b to E b

Vibraphone (motor on, med. slow)

mf

mp

+ Glock. (hard rubber mallets, blend with vib.)

simile

3

3

sfz

mf

Finger Cym.

sfz

l.v.

Tam-tam

p

mp

f

3

3 ff

3

sfz

Wind Chimes

- 20 -

123 124 125 126 127 128

129

129

“Tribute to the Hero”

“Tribute to the Hero”

Più mosso ( q = 62 )

Più mosso ( q = 62 )

129

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

mp leggiero

tutti

mp leggiero

mp leggiero

mp

a2

mp

div.

mp

p3

mp

p3

mp

p

mp

(senza sord.)

solo

f

espress.

mp sostenuto

mp

a2

div.

sostenuto

3

mp

sostenuto

mp

tutti

mp

arco

mp

– Vibraphone, Glock. only

leggiero

p

mf

- 21 -

130 131 132 133 134

poco rit.

poco rit.

135

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

To Vib.

- 22 -

136

137

137

Appassionato e sostenuto ( q = 58 )

Appassionato e sostenuto ( q = 58 )

137 138 139 140 141 142

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

f

f

f

f

a2

f

f

f

f

f

ff

3

3

f

f

f

a2

f

div.

p

ff

a2

3

3

f

f

f

f

f

f

3 3

3 3

p

f

simile

pp

l.v.

p

p

Tam-tam

f

f

pp

l.v.

- 23 -

143 144

145

145

“Glimpse of Hope”

“Glimpse of Hope”

Più mosso ( q = 62 )

Più mosso ( q = 62 )

145 146 147

poco rit.

poco rit.

148

149

149

A tempo

A tempo

149 150 151 152

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

solo

f

Picc. solocue (8ve)

f

mf

mf

mf

div.

a2

mf

mf

mp

mf

mp

solo

f espress.

mp

mp

mf

mp

mf

mp

mf

One player on top

mp

mp

Bsn. cue

mf

mp

play

mf

One only

all

mp

Tune: F, G to C, C to F, E b to high G

p

mf

- 24 -

153

rit.

rit.

154

155

155

“Unperished Spirit”

“Unperished Spirit”

Allegro ( q = 142 )

Allegro ( q = 142 )

155 156 157 158 159 160 161

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

mf

mf

mf

mf

Bsn. cue

mf

p mf

p

mf

mf

Vibraphone only (motor on, medium slow)

To Xylo.

pp

poco a poco cresc.

mf

- 25 -

162

163

163

163 164 165 166 167 168

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

mf

mf

mf

mf

a2

p

mf

mp

p

mf

- 26 -

169 170

171

171

171 172 173 174 175

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

fp

mf

fp

mf

fp

mf

p

mf

mf

mf

a2

fp

mf

p

mf

p

mf

p

mf

p

mf

- 27 -

176 177 178

179

179

179 180 181

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

mf

mf

mf

mf

mf

p

mf

p

mf

mf

fp

mf

fp

mf

div.

a2

p

mf

p

a2

mf

div.

mf

mf

mf

fp

mf

Xylo.

mf

mf

p

mf

mf

Hi-hat

- 28 -

182 183 184 185 186

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

ff

ff

ff

ff

fp

p

- 29 -

187

187

187 188 189 190 191

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

f

f

f

f

f

f

f

f

f

f

f

f

a2

f

f

f

f

Tune: high G to E b

f

mf

- 30 -

192 193 194

195

195

195 196 197

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

mf

mf

mf

mf

mf

mf

mf

p

subito

poco a poco cresc.

p

subito

poco a poco cresc.

mf

mf

div.

mf

a2

div.

a2

p

subito

poco a poco cresc.

div.

mf

mf

Tune: E b to high G

mf

mf

p subito

poco a poco cresc.

- 31 -

198 199 200 201 202

Picc.

Fl.

Ob.

1st Cl.

2nd &3rd Cl.

Bs. Cl.

Bsn.

1st A. Sx.

2nd A. Sx./A. Cl.

T. Sx.

B. Sx.

1st Tpt.

2nd &3rd Tpt.

1st &2nd Hn.

1st Trb.

2nd &3rd Trb.

Bar.

Tuba

Str. Bs.

Timp.

Mlts.

Perc. 1

Perc. 2

Perc. 3

poco a poco cresc.

ff

poco a poco cresc.

ff

poco a poco cresc.

ff

poco a poco cresc.

ff

poco a poco cresc.

ff

poco a poco cresc.

ff

poco a poco cresc.

ff

ff

ff

f poco a poco cresc.

ff

poco a poco cresc.

ff

poco a poco cresc.

ff

poco a poco cresc.

ff

div.

a2

ff

div.

a2

f poco a poco cresc.

ff

f

a2

poco a poco cresc.

ff

div.

f poco a poco cresc.

ff

poco a poco cresc.

ff

poco a poco cresc.

ff

poco a poco cresc.

ff

poco a poco cresc.

ff

ff

ff

choke

mf poco a poco cresc.

ff

- 32 -