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KS2 Information Evening
English –Year 6
Miss Stanley – Autumn 2018
Emma Stanley 2018
Aims
• To share assessment statements for reading and writing
and identify how we assess
• To share examples of SATs reading and GAPS questions
• To share how we teach reading and writing
• To identify how you can help your children at home
Emma Stanley 2018
…SATS!
Writing is assessed
by teachers.
Emma Stanley 2018
READINGEmma Stanley 2018
Content domains
are the areas of
reading that
children are
assessed against.
What are we
assessing?
Emma Stanley 2018
S - sequence in KS1 and
summarise in KS2
This is how we present those
content domains to the children.
Emma Stanley 2018
Emma Stanley 2018
We use the VIPERS throughout our reading sessions and in our written comprehension tasks. You can see one here. Sometimes we ask children to focus broadly on all of the VIPERS. At other times, we hone in on one particular VIPER.
This VIPER involves analysing vocabulary choices and making links to known vocabulary.
Don’t assume that your child knows the meanings of words that they can read or decode. Question them about vocabulary and
encourage them to note down unfamiliar words. Look these up in a dictionary together.
Emma Stanley 2018
Helping children to develop their vocabulary is vital. Creating ‘word webs’
together can be a good way of finding synonyms for words that children come
across in texts read.
Emma Stanley 2018
Inference involves piecing together clues from a text to draw a conclusion.
Inference is heavily weighted in the reading SATs test.
The more that your child reads, the better their inference skills will become. I can not stress enough how important it is to listen to your child read, even in Year 6.
Emma Stanley 2018
There are many things that we do in school to develop inference skills, and some of these can be done at home.
Children need help to ‘build a case’.
Emma Stanley 2018
In their reading diaries, children could make assumptions about texts they are reading and ‘build a case’ to support those assumptions by collecting evidence from the text as they read.
Emma Stanley 2018
VISUAL VIPERS - Images or film stills can be used to develop inference skills. This is something that can be done at home.
Predicting what will happen next in a narrative is not simply guess work. It involves drawing upon clues from
what has already been read.
When reading with your children, ask them to make predictions and question them about where they got their evidence from.
Emma Stanley 2018
Emma Stanley 2018
Explain covers the following content domains:
Emma Stanley 2018
When reading with your child at home, you could use the ‘explain’ question stems from your pack to discuss the text read.
Emma Stanley 2018
Retrieval involves simply retrieving information from a text.
This information is often obvious and easy to locate within a text.
To locate the information, children need to develop their skimming and scanning skills.
Emma Stanley 2018
Skimming & Scanning
Skimming is reading quickly in order to get a general
overview what the text is about.
Scanning is reading rapidly in order to find specific
information.
Emma Stanley 2018
We practice these skills when reading with children in school and it is something you can do with your child at home.
Emma Stanley 2018
Emma Stanley 2018
Summarising involves taking the main ideas from the text and writing them more concisely in your
own words.
When reading with your child, you could get them to summarise a chapter or
paragraph to practise this skill.
Types of Comprehension Questions
Emma Stanley 2018
Types of questions – Find & Copy
Emma Stanley 2018
‘Find and copy’ means lifting words from the text exactly as they are.
Types of questions – Short response
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Types of questions – Open ended
Emma Stanley 2018
These questions are worth the highest marks. Children will need to draw upon evidence to support their answers.
‘Book Talk’ – 30 minutes• In order to help children
further develop their reading skills – particularly in constructing well-crafted answers to questions – we also follow the ‘Book Talk’ approach to reading.
• We do a 30 minute reading session every day and 2 of those are ‘Book Talk’ sessions.
• We read one text as a class.
Emma Stanley 2018
The FANTASTICS are the Maths
of English. These also form part of
the ‘Writing Rainbow’.
At the point of writing, a writer
has 9 choices to make; 9 lenses in
which to write.
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These can be applied to any of the content domains.
The STYLISTICs are the teaching of
reading. (Questioning understanding)
Setting
Text layout/Structure
Yes/No Relationships
Logical Meaning Making
Interrogating Facts/Opinions
Solving Problems
Themes
Impact
CharactersEmma Stanley 2018
More challenging aspects of text
analysis.
Author Assessment
Navigating Genres
Accessing Phonics & Grammar
Language
Your Personal Opinion
Trawling For Evidence
Inferring and Deducing
Considering Deeper Messages
Stating PredictionsEmma Stanley 2018
Emma Stanley 2018
Our lesson is split into 3 parts. In the first part we focus on the text using a FANTASTIC. Then a STYLISTIC in the second part before focusing on an ANALYTIC in the third part. Children work in groups to construct answers to my questions in each part of the lesson and they can earn points.
Here is your sentence starter…
‘The emotion of _____ is palpable when…’
Your ‘Book Talk Bonus Word’ is apparentYou get:1pt for using and finishing the sentence stem1pt for adding evidence1pt for using the bonus word
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Try this with me. On your table, you have a short text to read. You get one point for using the sentence stem. Another point is given for finishing the sentence, drawing upon evidence, and a third point is given for using the ‘book talk bonus word’.
Emma Stanley 2018
Here is an example of a written response from a child in my class.
•Something you can do at home is ‘wring a sentence for meaning’. This involves zooming in on one or more sentences and squeezing as much meaning out of the words as possible. • In one sentence there could be up to 3 talking points to identify.
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She fiddled with an empty teacup, unable to look either of us in the eye.
What can you infer from this?
Emma Stanley 2018
She fiddled with an empty teacup unable to look either of us in the eye.
‘Fiddled’ suggests that she feels uncomfortable.
She has ‘an empty teacup’ that she no longer needs to hold, but she holds it for comfort.
She is ‘unable to look’ into the eyes of the people she is talking to which suggests that she feels ashamed or embarrassed by something.
Try this at home. See how you get on!
Emma Stanley 2018
How can you help at home?
Emma Stanley 2018
Read, read, read! Make time for reading and remember to read toyour children too. They may be 10/11 but they still need to hear an adult modelling accurate reading fluency and intonation.
WritingEmma Stanley 2018
Writing is assessed by teachers using the ‘Interim Teaching Assessment Framework’.
Emma Stanley 2018
Emma Stanley 2018
As a moderator in the local authority, I go into schools and moderate writing. Therefore I have a very clear idea of what ‘expected standard’ looks like, and it can be different from child to child but essentially the key assessment points are present.
Children are allowed to have a particular weakness. This is an area of the assessment framework that they are unable to do fully. By allowing this ‘particular weakness’, children are still able to reach expected standard.
Emma Stanley 2018
This child will meet expected standard at the end of the year. The writing isn’t perfect, as I would like to see more of a range of punctuation and you can see some homophone spelling errors. But, essentially, the writing is descriptive; the child has a good awareness of the reader and the sentence structure is varied.
Going that one step beyond; thinking cleverly and drawing upon what they’ve read as models for their writing.
This is why reading is vital! The more a child reads, the more vast their vocabulary is, and the more chance they have of becoming a greater depth writer.
Emma Stanley 2018
Emma Stanley 2018
Emma Stanley 2018
Did you notice the war words weaved throughout?
This is clever writing and it is this creating of symbolism or theme that takes the
writing to another level. Children can be technically accurate – through use of
punctuation and grammar – but if they churn out monotonous sentences then
they won’t meet greater depth. Greater depth writing sings to you and feels like
it has come from a writer who has crafted every word carefully.
Emma Stanley 2018
Did you notice the clever use of ‘light’ words throughout? This child has selected vocabulary deliberately for effect and has created a theme running throughout. Some teachers believe that you can’t teach a child to be greater depth but I disagree. I think children can be shown how to use language cleverly and can be shown how to borrow ideas from other authors.
Emma Stanley 2018
We help children to craft sentences not only by modelling them, but by occasionally doing what is called ‘slow writing’. This involves slowing down and crafting each sentence carefully. You have this activity on your table. Let’s try it!
Emma Stanley 2018
Here is an example from a child (the stars denote a muddle in sentence order that the child has indicated). Is slow writing something you could try at home?
GAPS or SPAG – Spelling, Punctuation & Grammar
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GAPS – Example Questions
Emma Stanley 2018
GAPS – Example Questions
Emma Stanley 2018
GAPS – Example Questions
Emma Stanley 2018
Spelling
Spellings are set and tested weekly. Spelling patterns are taught in class and children are expected to apply those patterns in their writing.
Exception words – These are words that have no set spelling pattern. In Year 5, children are expected to be able to read and spell at least half of these words. In Year 6, children are expected to be able to read and spell all of them.
Emma Stanley 2018
Emma Stanley 2018
Practise these words with your children at home. Can they read them? Can they spell them? Do they know the meaning of the words and can they use them in context?
How can you help at home?
Revision guides are great for practising grammar
Help your child to learn the weekly spellings.
Emma Stanley 2018
Emma Stanley 2018