Knitting a Presentation

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KNITTING & IDENTITY


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KNITTING & IDENTITY

The art of embroidery has been the

means of educating women into the

feminine ideal, and of proving that they

have attained it, but it has also provided aweapon of resistance to the constraints of

femininity.

Foreword The Subversive Stitch by

Rozsika Parker


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KNITTING & IDENTITY

Paradoxically, while embroidery was

employed to inculcate femininity in

women, it also enabled them to negotiate

the constraints of femininity.

The Subversive Stitch by Rozsika Parker

page 11


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KNITTING & IDENTITY AndreaDeszo


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KNITTING & IDENTITY

Andrea

Deszo


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KNITTING & IDENTITY Tamar

Stone


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KNITTING & IDENTITY Caren

Garfen


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KNITTING & IDENTITY


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KNITTING & IDENTITY


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KNITTING & IDENTITY


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KNITTING & IDENTITYKate Kretz


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KNITTING & IDENTITYXiang Yang


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KNITTING & IDENTITY ShellyGoldsmith


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http://www.contempart.org.uk/giveandtake/recentpurchases/craft/bates.htm


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Andrea

Vander Kooij


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Lindsay Obermeyer

Connection (1998)


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Freddie Robins


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Peteris

Sedars


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Lina

Jonike


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Severija

Incirauskaite-

Kriauneviciene


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Machiko Agano


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Jean Shinn


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Althea Merback


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Dave Cole


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Jim Drain


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Liz Collins


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rubecksen

yamanaka


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rubecksen

yamanaka


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Elyse Allen


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Jeannette Sendler


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Rosemarie

Trockle


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microRevolt


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Assessment method ARTD 1073

A portfolio of work and supporting materialdeveloped in response to the set project(s).

The portfolio must include evidence of your

specialist subject and other unit workshop

inductions. Every item must be clearlylabeled and includes a

biographic/bibliographic exercise which

involves the search and selection of a rangeof historical and contemporary examples of

work by artists or designers associated with

your chosen specialist subject.


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Assessment method ARTD 1073

A portfolio of work and supporting materialdeveloped in response to the set project(s).

The portfolio must include evidence of your

specialist subject and other unit workshop

inductions. Every item must be clearlylabeled and includes a

biographic/bibliographic exercise which

involves the search and selection of a rangeof historical and contemporary examples of

work by artists or designers associated with

your chosen specialist subject.


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TFF Identity Project

Level 1, Semester 2

Weeks 7-11

The theme of Identity encompasses a broad

range of issues including cultural, political,material and individual identity. In weeks 7-11 of

semester 2, you will create of body of work, which

explores your chosen theme within identity. Work

will focus on the techniques and approaches ofone of the five pathways within TFF: Textile Art,

Fashion, Textile Design: Weave, Textile Design:

Knit or Textile Design: Print.


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Your identity project should include considerableevidence of the research you have undertaken

while exploring your chosen theme within identity,

as well as evidence of how this research has

informed your own work. Sketchbooks, technicalfiles and samples should all be part of your work

for this project. The manner in which your work is

organized and documented needs to beappropriate to the type of work you are making

and the pathway area you are working within.


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During weeks 7-11, you will work in yourindividual studio spaces, workshops, computer

lab and the library. Tutorials will be held in the

TFF studio with staff from the pathway areas.

Please consult the technicians in your pathwayarea to determine suitable times to be working in

the workshops and availability of equipment.


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Documents

Knitting a Presentation